MURDER WITNESS - English Movie - Bruce Willis In Blockbuster Hollywood Full Action English Movie HD_2

  • 8 months ago
Transcript
00:00:00 [phone ringing]
00:00:02 [music playing]
00:00:04 [music playing]
00:00:06 [radio chatter]
00:00:08 [music playing]
00:00:10 [radio chatter]
00:00:12 What's he doing in there?
00:00:13 I thought he was right behind us.
00:00:15 He's getting something for the bar owner.
00:00:17 He's getting something for the bar owner?
00:00:19 [explosion]
00:00:21 [music playing]
00:00:23 [radio chatter]
00:00:25 [explosion]
00:00:26 I think I see him.
00:00:28 [cheering]
00:00:30 [cheering]
00:00:32 [cheering]
00:00:34 [cheering]
00:00:36 [cheering]
00:00:38 Here you go, sir.
00:00:39 No, no, no.
00:00:42 Are you sure?
00:00:43 Yeah.
00:00:44 That's an expensive case of scotch.
00:00:46 Merry Christmas, guys.
00:00:48 Merry Christmas to you.
00:00:49 Thank you very much.
00:00:50 Thanks, man.
00:00:51 Thanks.
00:00:52 So what do you guys say?
00:00:53 Happy hour, my place, 6 AM?
00:00:54 Woo!
00:00:55 Let's go!
00:00:56 [music playing]
00:00:58 [radio chatter]
00:01:00 [music playing]
00:01:02 [radio chatter]
00:01:04 [music playing]
00:01:06 [radio chatter]
00:01:08 [music playing]
00:01:10 Oh, sorry your night got ruined.
00:01:12 Hopefully this makes you feel a little better.
00:01:14 [music playing]
00:01:16 [radio chatter]
00:01:18 [music playing]
00:01:20 [radio chatter]
00:01:22 [music playing]
00:01:24 [radio chatter]
00:01:26 She was cute!
00:01:28 Look at you.
00:01:29 Jeremy Coleman, one man community outreach program.
00:01:32 Don't say it.
00:01:33 OK, I don't want to hear it.
00:01:34 Let's just try and give this one more than a couple weeks,
00:01:36 all right?
00:01:37 Just because you've been domesticated
00:01:38 doesn't mean I want to be domesticated.
00:01:39 I need you to get domesticated.
00:01:40 We need another couple to hang out with.
00:01:42 Ooh, another exciting night of Pictionary?
00:01:44 No, thank you. I'm good.
00:01:45 Pictionary, charades, some fucking boggle.
00:01:47 You're jabbering and delaying my drink,
00:01:49 and let's get mobile.
00:01:50 I'm right behind you.
00:01:51 Let's do this.
00:01:52 We've got to stop by the store, get provisions.
00:01:54 Hey, what are you doing for Christmas?
00:01:56 What do I do every Christmas?
00:01:57 I'm picking up a shift.
00:01:58 We're having dinner with Maria's family.
00:01:59 All right, you're invited.
00:02:00 She insists.
00:02:01 Thank you, really?
00:02:02 But I like working the holidays.
00:02:03 All right, let's go.
00:02:04 Of course.
00:02:05 Shit.
00:02:07 [music playing]
00:02:08 (SINGING) Yeah, this is y'all can accept it or not.
00:02:10 Don't stick your little dish left with my brain.
00:02:13 Yeah, I'm still at the phones and the lights.
00:02:15 [music playing]
00:02:17 Hey, hey, hey, hey, grab me some--
00:02:19 Stop.
00:02:20 Before you ask for whatever shit you're about to ask for,
00:02:22 remember, 15-year-old scotch.
00:02:24 That means it's good, Craig.
00:02:26 I understand now, fellas.
00:02:27 Thank you.
00:02:28 Grab me a double bag of Funyuns.
00:02:30 Are you kidding me?
00:02:31 Come on.
00:02:32 Now, if I'm not mistaken, we're about to drink
00:02:33 this upscale booze in plastic cups in your shitty apartment
00:02:36 at 7 in the morning.
00:02:37 So ease up off this Amalia shit and grab me some fucking Funyuns.
00:02:41 Oh, you're disgusting.
00:02:43 Hey, we'll be across the street getting gas, all right?
00:02:46 And some black licorice, Jeremy.
00:02:48 Like my licorice like I like my women.
00:02:50 Don't discriminate, Jeremy.
00:02:52 Yo, Jeremy.
00:02:53 What's up, man?
00:02:54 Morning, fellas.
00:02:55 What's up?
00:02:56 You don't have to straighten up for me, Calvin.
00:02:58 That's all right.
00:02:59 You know, I'm playing that holiday tournament tomorrow night.
00:03:01 You better show up this time.
00:03:02 I'll be there.
00:03:03 Hey, I'll be there.
00:03:04 I promise.
00:03:05 Hey, Pringles, three-pointer, hit me.
00:03:07 Oh.
00:03:08 Look at that.
00:03:09 Yeah, and that's why the college scouts keep calling.
00:03:11 And it's looking like a four-ride now.
00:03:13 Hell, they might even take me.
00:03:15 Yeah, right there.
00:03:16 Keep dreaming.
00:03:17 So you've been out rescuing cats from trees
00:03:19 Yeah, something like that.
00:03:21 Hey, when are you going to join up?
00:03:22 Yeah, right.
00:03:23 Maybe the second coming.
00:03:25 How you doing, fellas?
00:03:26 Aida.
00:03:35 Help you some?
00:03:36 Get your nose on the floor, you fucker!
00:03:45 Settle down.
00:03:47 Now!
00:03:48 OK.
00:03:49 Don't you do nothing.
00:04:00 OK.
00:04:01 Don't you come out from around the counter.
00:04:03 Get on your knees, right here.
00:04:14 Get your nose on the floor.
00:04:16 Get on your knees!
00:04:17 Kneel down!
00:04:18 Now, my man came in here last week.
00:04:29 He told you I wanted your store.
00:04:33 You told him you weren't going to give up the lease.
00:04:38 I told him I was sorry, but this is a good location for us.
00:04:41 Yeah, I know.
00:04:42 It's a good location.
00:04:43 [laughs]
00:04:45 Got freeways.
00:04:47 Easy to move packages in and out.
00:04:50 I know it.
00:04:51 This whole neighborhood belongs to the Eastside Crips.
00:04:56 Eastside Crips.
00:04:58 Look, I have to pay them every month.
00:05:02 I'm under their protection.
00:05:04 So there's no disrespect to you, but that's the reason
00:05:07 you can't do business here.
00:05:09 If you want me to, I can call them for you.
00:05:11 I mean, you can talk to them for yourself.
00:05:13 Look, I'll get my phone.
00:05:15 Hey, put your chin up.
00:05:17 I'll just give him my phone.
00:05:18 I mean, if you want to, you can talk to them.
00:05:21 No, I like that.
00:05:22 Yeah.
00:05:23 You got to get your phone.
00:05:25 Don't fucking tempt me.
00:05:27 I want to.
00:05:28 [phone ringing]
00:05:30 Yeah.
00:05:31 Hey, what's up, Pat?
00:05:35 My name is David Hagan.
00:05:37 I don't care much what yours is.
00:05:40 Listen, you're going to go up against me,
00:05:42 I'll kill you.
00:05:44 I'll kill you and everyone close to you.
00:05:48 [gunshot]
00:05:49 Oh, Jesus!
00:05:50 [gunshot]
00:05:51 [screaming]
00:05:54 Shut the fuck up!
00:05:55 Tell him I shot your son.
00:05:58 Come on, Dennis.
00:05:59 Tell him I shot your son.
00:06:01 Come on, Dennis.
00:06:02 Oh, my god.
00:06:03 Tell him to prove a point.
00:06:04 I shot your son.
00:06:05 It'll mean more if you do it.
00:06:09 Shit.
00:06:10 Come on, come on, come on.
00:06:13 Come on.
00:06:14 [gunshot]
00:06:15 Oh, Dennis!
00:06:17 Now we're talking.
00:06:19 [laughing]
00:06:21 Hi, I'm back.
00:06:23 Listen, if I want your territory,
00:06:25 I'll take your territory.
00:06:28 It's been nice talking to you.
00:06:32 What about him?
00:06:34 I don't know, genius.
00:06:35 Figure it out.
00:06:36 [phone ringing]
00:06:39 [grunting]
00:06:42 [gunshots]
00:06:45 Oh, fuck.
00:06:47 [gunshots]
00:06:50 [gunshot]
00:06:52 [grunting]
00:06:54 [gunshots]
00:06:57 [gunshots]
00:07:00 [gunshot]
00:07:01 [grunting]
00:07:02 [panting]
00:07:05 [phone ringing]
00:07:08 [panting]
00:07:11 [panting]
00:07:15 [gunshot]
00:07:16 [laughing]
00:07:19 [panting]
00:07:22 [panting]
00:07:25 [gunshot]
00:07:26 [screaming]
00:07:27 [panting]
00:07:32 God damn it!
00:07:35 Jeremy!
00:07:36 Jeremy!
00:07:37 Jeremy!
00:07:38 Oh, shit.
00:07:39 Jeremy!
00:07:40 I called 911!
00:07:42 Jeremy, you all right?
00:07:43 I called 911.
00:07:44 They shot Kelvin.
00:07:45 Who?
00:07:46 They shot Dennis.
00:07:47 Who?
00:07:48 Who shot Dennis?
00:07:49 [sirens]
00:07:58 Mike.
00:07:59 Mike.
00:08:00 You're gonna want to see this.
00:08:01 [typing]
00:08:05 What's the charge?
00:08:06 Murder in the first.
00:08:07 Who caught the case?
00:08:08 Paxson.
00:08:09 I know.
00:08:10 There was no evidence at the scene,
00:08:11 but there was an eyewitness, and he saw it.
00:08:12 He was like three feet away from Hagen.
00:08:14 Please tell me they fucked this up.
00:08:16 It's a slam dunk.
00:08:17 Even for him, it's done.
00:08:18 Tell Paxson I'm taking over the case.
00:08:20 When are they gonna get arrested?
00:08:21 He's already in the box.
00:08:23 [suspenseful music]
00:08:26 ♪ ♪
00:08:33 ♪ ♪
00:08:40 ♪ ♪
00:08:47 ♪ ♪
00:08:53 David Hagen, line up.
00:08:54 Let's go.
00:08:55 ♪ ♪
00:09:05 Lieutenant.
00:09:06 ♪ ♪
00:09:13 How you doing, Mike?
00:09:15 Great.
00:09:16 ♪ ♪
00:09:19 Lieutenant.
00:09:20 ♪ ♪
00:09:28 ♪ ♪
00:09:31 ♪ ♪
00:09:37 ♪ ♪
00:09:44 ♪ ♪
00:09:51 ♪ ♪
00:09:58 ♪ ♪
00:10:05 ♪ ♪
00:10:12 ♪ ♪
00:10:19 [phone ringing]
00:10:21 Jerry.
00:10:22 Thomas Coleman.
00:10:23 Oh, my God.
00:10:24 Social Security number.
00:10:26 434-605-119.
00:10:29 He lives there.
00:10:30 Okay, uh, for the record,
00:10:32 I knew nothing about that,
00:10:33 and what he just said does not constitute an actual crime.
00:10:36 Your client just read--
00:10:37 I'm sorry.
00:10:38 I believe my client has not been formally identified.
00:10:41 ♪ ♪
00:10:47 That's him.
00:10:49 We have a responsibility to our witness,
00:10:51 and I don't mean procedurally.
00:10:52 Obviously.
00:10:53 I mean emotionally, morally.
00:10:55 ♪ ♪
00:10:56 The ID'd Hagen.
00:10:58 Jeremy needs to know who he's testifying against,
00:11:00 and he needs to know your end of it.
00:11:02 I'm telling you,
00:11:03 we're gonna have to play good cop, bad cop here.
00:11:05 All right, tell me about him.
00:11:07 Uh, local, born and bred,
00:11:08 parents died in a fire when he was eight.
00:11:10 Couple of group homes, some juvie stuff.
00:11:12 Entered the fire academy, only job he's ever had.
00:11:15 Northern family?
00:11:16 Mm-mm.
00:11:17 Good. Makes it easier for us.
00:11:19 See you in a minute.
00:11:21 [sighs]
00:11:22 Hello, Jeremy. Thanks for waiting.
00:11:25 Before Detective Sella gets here,
00:11:31 I'd like to give you some background information, okay?
00:11:34 Okay.
00:11:38 A few years ago,
00:11:40 after David Hagen turned his Aryan following
00:11:42 in San Quentin into a street crew,
00:11:44 Detective Sella and his partner decided
00:11:46 to go after his organization.
00:11:49 They made cases against some of these guys.
00:11:52 They wanted them to flip,
00:11:54 to testify for the state.
00:11:56 That didn't work out.
00:11:59 Hagen killed Detective Sella's partner
00:12:02 and his partner's wife.
00:12:04 You gonna tell him how the DA's office gave up on the case?
00:12:08 Stop. That had nothing to do with this case.
00:12:11 Yeah, and neither does a half a dozen or so crimes
00:12:14 on Hagen's rap sheet.
00:12:16 Tell him the truth.
00:12:18 The truth is...
00:12:20 we can't get Hagen unless you testify.
00:12:23 The truth is Hagen is a sociopath.
00:12:26 He is a stone-cold killer. He doesn't give a fuck.
00:12:28 I will put you in witness protection.
00:12:31 The feds will keep you safe.
00:12:34 So my whole life just...
00:12:37 just goes away?
00:12:39 You get to keep your first name.
00:12:42 You gotta be fucking kidding me.
00:12:47 Fucking witness protection.
00:12:51 Fucking witness protection.
00:12:54 All right.
00:13:11 I'll do it.
00:13:15 Thank you.
00:13:17 Thank you.
00:13:20 I'll do it.
00:13:22 Your driver's license, Mr. Coleman.
00:13:28 [♪♪♪]
00:13:31 You're late. Come on.
00:13:56 Right through here.
00:13:58 Hey, Mullen. Mullen, they're here.
00:14:06 Go ahead. Patch it in.
00:14:08 Come on in. Sit down.
00:14:10 This is Mike Seller.
00:14:14 Hey, Lieutenant.
00:14:16 I'm gonna be seeing you soon.
00:14:18 The judge moved the case up. We go to trial in two weeks.
00:14:21 Thank God.
00:14:23 Thank God.
00:14:25 I gotta tell you, man, I am so ready to go home.
00:14:28 I'll be the first to buy you a beer. The first of many.
00:14:31 And listen, thank you. Really, thank you, man.
00:14:34 Take care of yourself, all right?
00:14:36 Okay.
00:14:38 Congratulations, son. That's it.
00:14:41 Thank you so much. Thank you very much.
00:14:44 Yes!
00:14:47 [♪♪♪]
00:14:49 Thank you.
00:14:55 Taxi! Taxi!
00:15:05 [♪♪♪]
00:15:08 [♪♪♪]
00:15:10 What the hell do you think you're doing?
00:15:20 We're U.S. Marshals, not amateurs.
00:15:24 I know you've been sneaking out of the apartment we got you and coming to this motel.
00:15:28 I've been... I've been seeing someone.
00:15:30 What, you couldn't wait till you got back home to start hooking up with random girls?
00:15:34 It's not like that, okay?
00:15:37 Oh. Is she special?
00:15:40 Yeah.
00:15:43 Very.
00:15:45 Now I'm curious.
00:15:52 So tell me about her.
00:15:55 I said tell me about her.
00:16:03 She's kind of a smartass.
00:16:05 So far, I like her.
00:16:07 Yeah? She likes to run her mouth a lot.
00:16:10 Hiya.
00:16:16 Good evening. Do you have a reservation?
00:16:18 All I have are cross fingers.
00:16:21 Well, I'll see what I can do for you.
00:16:24 Good golly, you got some pretty-looking nails there, girl.
00:16:27 Thank you. Some people say they match my eyes.
00:16:30 Yeah, they do.
00:16:32 Well, it looks like you're in luck. We have vacancies.
00:16:35 We'll run you $89, which includes tax.
00:16:38 Which tax?
00:16:40 We'll just be here by yourself?
00:16:42 Actually, me and my buddy. One room, two beds.
00:16:45 And I'll smoke a couple of nights.
00:16:47 Yes.
00:16:49 All right. Farther back today.
00:16:54 All right. Go.
00:17:02 [Gunshots]
00:17:04 Good. Good. Better.
00:17:12 You're still doing one thing wrong. It's what everyone does.
00:17:15 You're anticipating the recoil.
00:17:17 Okay? You're expecting the gun to kick up,
00:17:19 so you're compensating by pulling down.
00:17:21 By the time the gun kicks up, the bullet's long gone.
00:17:24 Okay? So just forget about the recoil. It doesn't matter.
00:17:26 Every single time you pull the trigger, put your hands on.
00:17:29 You'd be surprised by how accurate you can get.
00:17:32 [Gunshots]
00:17:35 Oh, look at you. Very cute.
00:17:40 [Chuckles] Thank you.
00:17:42 All right. You're right, though. I do hesitate.
00:17:44 It's like every time I get my target between the crosshairs,
00:17:48 I wait a second, and then I start shaking, you know?
00:17:51 Yeah, see, but you're not hitting the target.
00:17:53 The gun is, so you have to trust the gun.
00:17:55 Okay.
00:17:57 Line up your target and squeeze. That's all you do.
00:18:00 [Gunshots]
00:18:04 Look at that.
00:18:08 Okay. You are now officially even hotter.
00:18:12 No, no, no, no, no. Wait a minute. Another free lesson.
00:18:18 And you haven't taught me anything about firefighting. Give me my gun.
00:18:20 Here you go.
00:18:22 Well, I don't have my equipment.
00:18:24 I need a fire, of course.
00:18:27 Come on. Tell me something.
00:18:30 I want to know, like, what's your favorite part about the job,
00:18:32 besides scoring hot chicks, of course?
00:18:34 That's ridiculous. I don't know what you're talking about.
00:18:36 [Laughs] I'm so right.
00:18:38 You know, I just love being part of that group
00:18:42 and going through all the things that you go through just to become a fireman.
00:18:46 And those guys are my brothers. I consider them family.
00:18:49 So what's it really like?
00:18:53 I don't know. Most calls are routine.
00:18:55 Every once in a while, you get that...
00:18:58 that call where all hell's breaking loose,
00:19:00 and you got a structure going up with people inside.
00:19:04 To most people, it looks like a blazing monster,
00:19:06 but I understand how it behaves, how it progresses,
00:19:09 the air flow, ventilation, materials, flashpoints, construction styles.
00:19:13 I know how to get in. I know how to get out.
00:19:16 I know where I can go. I know where I can't go. Things like that.
00:19:20 But to the people inside, all they see is fire and smoke, you know?
00:19:23 Just heat, blackness.
00:19:26 And sometimes it happens where that person who's trapped inside,
00:19:28 they don't want to go. They panic. They freeze.
00:19:31 Because where I need to take them seems a hell of a lot worse
00:19:35 than the spot where they're still alive.
00:19:37 So what do you do?
00:19:39 I get them to focus on me.
00:19:41 I try to get their eyes. I try to get their full attention,
00:19:45 even through the mask and the ventilator.
00:19:48 I say the same thing every time, no matter what, because it always works.
00:19:51 Kind of like what you told me back there.
00:19:53 What do you say?
00:19:56 I say, "Trust me. Do everything that I ask,
00:19:59 and I promise you'll stay alive today."
00:20:01 I miss you.
00:20:07 So how long do I have to be in Long Beach
00:20:15 before I can start calling myself a California girl?
00:20:19 Here we go.
00:20:40 Parking, Tom.
00:20:42 Huh?
00:20:43 Jeremy, get down!
00:21:10 Stay down! Stay down!
00:21:12 No!
00:21:24 Please! Please!
00:21:26 Two is down, one is up.
00:21:28 It's okay. It's okay. It's okay.
00:21:31 Hold on.
00:21:32 I do not have a shot.
00:21:34 Stay with me. Stay with me.
00:21:39 Move back. We're gonna move back. Come on!
00:21:41 Come on. Come on.
00:21:53 Come on. Come on.
00:21:54 Eric.
00:22:08 I'm hit. I'm hit.
00:22:10 Stay down.
00:22:12 Get down.
00:22:13 Hey. Hey. Hey.
00:22:27 Come on. Come on.
00:22:29 Hey. Hey. Hey.
00:22:46 Stay with me. Come on.
00:22:54 Stay with me.
00:22:55 Stay with me.
00:22:56 Somebody call 911!
00:23:04 Take a deep breath.
00:23:15 Come on.
00:23:16 Well, it's a dude.
00:23:30 I'm gonna give you more anesthetic.
00:23:34 Come on.
00:23:35 What's in the shot?
00:23:48 I can't help you.
00:23:53 You need a trauma surgeon, a full OR with an anesthesiologist.
00:23:57 You're too far from home. I can't get you those things.
00:24:00 You're too far from home. I can't get you those things.
00:24:03 You emptied it, right?
00:24:09 Of course I did.
00:24:11 You wanna talk?
00:24:29 No.
00:24:30 About the light?
00:24:38 No.
00:24:43 [dark music]
00:24:45 Hey.
00:25:00 Where is she?
00:25:01 Is she okay?
00:25:02 The wounds are superficial. She's fine.
00:25:04 I need you to have a seat.
00:25:05 Have a seat and listen.
00:25:09 Three days ago, a case manager at WITSEC headquarters in D.C. was killed.
00:25:13 Looked like a mugging.
00:25:15 Took his watch, took his wedding ring, wallet, cash.
00:25:19 But as it turns out, four hours before he died,
00:25:23 he accessed your file.
00:25:25 So they paid him for your location,
00:25:28 and then they killed him to tie it up.
00:25:31 Now, son, this will never happen again.
00:25:37 Access to your records will be restricted to the executive office of WITSEC.
00:25:41 All your communications will be double blind, full black box.
00:25:45 Go ahead.
00:25:47 These were found in the shooter's van.
00:25:52 [somber music]
00:25:56 [sighs]
00:26:03 [sighs]
00:26:04 Now, I'm not judging anybody.
00:26:10 Not tonight.
00:26:12 I mean, you're only human.
00:26:15 But why do you think they went after the both of you?
00:26:21 Hell, you're the witness. Why not go after you alone?
00:26:24 Because you cared for her.
00:26:30 So the safest thing for both of you is to be nowhere near one another.
00:26:33 No. No, you need to let me be with her.
00:26:36 I need to make sure that she's safe.
00:26:37 No, she is safe.
00:26:38 How do you know she's gonna be safe?
00:26:39 She is safe. She's under guard, and wherever she's going, she's gonna--
00:26:42 She's going with me, goddammit! I need to see her!
00:26:45 Marshal Durham is on a plane and in the air.
00:26:47 Hell, I don't even know where it's headed.
00:26:49 And that's for her safety and for yours!
00:26:52 What do you mean, she's gone?
00:26:54 She's gone.
00:26:59 Your new identity is already being arranged.
00:27:01 When it's done, we'll take you out of New Orleans.
00:27:04 You've been erased.
00:27:06 You don't exist.
00:27:08 You're a ghost.
00:27:11 But you'll be safe.
00:27:13 When do I get to see her?
00:27:19 That'll have to trial.
00:27:22 I'm not gonna let you.
00:27:26 That'll have to trial.
00:27:27 Just sit tight.
00:27:30 Hang on to yourself. The case just bled out all over the street.
00:27:44 There was a hit-out on Jeremy, a federal agent was shot--
00:27:46 Jeremy Coleman?
00:27:47 Jeremy's off the grid.
00:27:48 What federal agent was shot?
00:27:49 That's all the information I have.
00:27:50 Who are you talking to?
00:27:51 The Marshal's in charge.
00:27:52 All right, get me on the phone with him right now.
00:27:55 Lieutenant Seller, with all due respect,
00:27:58 this water's a fair bit deeper than what you're used to.
00:28:02 You're absolutely right.
00:28:04 I'm just a small-town cop.
00:28:08 So if you could help me and pick out some small words
00:28:11 and explain to me exactly how you're gonna protect this guy.
00:28:14 Well, you know I can't provide you with any detail.
00:28:17 Just tell me what kind of protection you have.
00:28:21 Well, the full weight and resources of the United States Marshal's service
00:28:25 is being brought to bear.
00:28:26 Yes, I can almost feel it right now.
00:28:30 How about this? Why don't you just give me the boy?
00:28:33 All right, he can sleep on my couch.
00:28:35 I got cold beer in the fridge.
00:28:37 I have ESPN on the TV.
00:28:39 I have a 9mm Beretta.
00:28:41 I have a Ruger Security 6357 Magnum.
00:28:44 A Remington 86 tactical shotgun.
00:28:48 So you tell Hagen's men if they want to get this boy,
00:28:51 they're gonna have to go through me!
00:28:53 Do you understand that, you third-grade motherfuckers?
00:28:56 Lieutenant, I realize how much this case means to you.
00:29:02 How's he doing?
00:29:13 He's better than I expected.
00:29:16 He's a tough kid.
00:29:18 I want you to tell him something for me, please.
00:29:25 I want you to tell him that I said I'm sorry.
00:29:28 Do you hear that?
00:29:31 Tell him I said I'm sorry.
00:29:33 You should tell him you're sorry, too.
00:29:37 Sorry to take up so much of your time, Marshal.
00:29:42 I know that the federal government really doesn't...
00:29:44 [dial tone]
00:29:46 The unit's open. It's all clear.
00:30:12 I'll let you go grab what you need, and then we'll get you out of town.
00:30:15 [car engine rumbling]
00:30:18 [door opens]
00:30:20 [door closes]
00:30:48 [phone buzzes]
00:30:50 Hello?
00:30:53 My man pulled your girl's phone records.
00:30:56 Now, she dials this number late at night. You talk for hours.
00:31:02 See, now, you and I, we never got to talk. You know, just us.
00:31:10 Yeah, that's a shame.
00:31:12 I'm guessing you're with the police.
00:31:18 [phone buzzes]
00:31:20 You see, I can talk to you in an honest way.
00:31:26 See, in a way they can't.
00:31:28 So let's just... let's just talk. Just us, Carl.
00:31:34 All right.
00:31:36 It's so simple.
00:31:40 Don't testify, and this will all be over with.
00:31:45 It'll be over once you're sentenced.
00:31:48 You got that all wrong. See, Jeremy?
00:31:52 See, I go to prison, and I keep running my crew.
00:31:57 I want to keep a contract out on you and your girlfriend for as long as it takes.
00:32:03 And this won't be over until the both of you are dead.
00:32:06 Now, that can happen anywhere.
00:32:09 Yeah. Let me see.
00:32:13 How about Monticello, Indiana, at the Lake House?
00:32:19 Where your girl's family has reunions. You know, I think next one's in July.
00:32:24 I can't wait to go to that one.
00:32:26 Hey, when did you two get married?
00:32:31 I bet that's gonna be the special day, huh? You're gonna invite all your five new friends.
00:32:38 Craig, Adam, Trey, Carlos.
00:32:44 How about a couple of my guys?
00:32:47 Or maybe I'll just wait.
00:32:53 You know, maybe I'll just wait for years.
00:32:58 Until you and your girl have got some kids of your own.
00:33:04 And my men.
00:33:08 But they'll come and kill them while you watch.
00:33:12 You see, what you don't understand, Jeremy, is...
00:33:17 Prison time ain't nothing but time.
00:33:26 Now, you want to live the rest of your life knowing that one day...
00:33:31 One day, son, I will find you.
00:33:36 No, you're not gonna touch her.
00:33:39 I'll kill you before I let that happen.
00:33:43 Look.
00:33:49 Testify, don't testify. You're both dead anyway, that's just for talking back.
00:33:55 Now, will you listen to me, you son of a bitch? You're dead.
00:33:58 Jeremy.
00:34:00 You're fucking dead.
00:34:02 Tell me exactly how someone like you is gonna kill me.
00:34:06 Because I'm a ghost. I don't exist.
00:34:09 I'm gonna find you. I'm gonna kill you. I'm gonna disappear. Nobody will ever know.
00:34:14 To hell with witness protection. You're gonna need protection from me.
00:34:19 I'm gonna need protection from you?
00:34:22 Oh, shit. I'm gonna need protection from you.
00:34:30 [laughing]
00:34:32 ♪ Lost ♪
00:34:48 ♪ You've been so lost to me ♪
00:34:53 ♪ And the cost ♪
00:34:56 ♪ Is plenty to set you free ♪
00:35:01 ♪ But I ♪
00:35:03 Why don't you go hurry him up?
00:35:05 ♪ Just can't stand to lose you now ♪
00:35:09 ♪ No, I ♪
00:35:12 Jeremy.
00:35:13 ♪ Just can't stand to lose you now ♪
00:35:18 How we doing?
00:35:23 Jeremy.
00:35:25 Jeremy.
00:35:27 Hey! He's running!
00:35:41 Hey!
00:35:43 He's running!
00:35:45 Stay off the radios!
00:35:47 Find him, but we gotta keep this quiet for his own protection!
00:35:50 ♪ I ♪
00:35:52 ♪ Can't stand to lose you now ♪
00:35:57 ♪ I ♪
00:36:00 ♪ Can't stand to lose you now ♪
00:36:05 ♪ I ♪
00:36:08 ♪ Can't stand to lose you now ♪
00:36:13 ♪ I ♪
00:36:16 ♪ Can't stand to lose ♪
00:36:20 ♪ You now ♪
00:36:27 That is truly horrifying.
00:36:41 Thank God Mr. Coleman survived these hideous acts of random violence.
00:36:48 How did he say that shit with a straight face?
00:36:51 Your Honor, the police are executing search warrants right now.
00:36:55 On Hagen and all of his people.
00:36:57 I'm confident those warrants will prove prudent.
00:36:59 Come on, physical proof or not, basic common sense says that Hagen needs to be locked up.
00:37:04 Your Honor, I'm asking you to revoke that bail order.
00:37:07 Your Honor, may I speak plainly?
00:37:10 If there was someone out there operating independently of my client,
00:37:14 attempting to bring harm to Mr. Coleman,
00:37:17 incarcerating my client will do nothing to prevent that.
00:37:20 In the absence of actual evidence of any sort,
00:37:23 all you'd be doing, with due respect, Your Honor,
00:37:25 is demonstrating extreme prejudice
00:37:28 and providing me with grounds for appeal of any future conviction,
00:37:32 not to mention grounds for complete dismissal.
00:37:34 Now, in regards to that, I welcome such an action.
00:37:38 By all means, lock him up.
00:37:40 [♪♪♪]
00:37:43 [phone ringing]
00:37:53 [♪♪♪]
00:37:56 Let me just wonder where the motherfuckin' walker at.
00:38:04 Hey, can I talk to you guys for a second?
00:38:08 Say, you in the wrong neighborhood, cuz.
00:38:10 I'm not looking for trouble.
00:38:12 Nah, fuck that, man.
00:38:14 Gotta get you a hat that says "undercover cop."
00:38:16 I'm not a cop.
00:38:17 You better not be, motherfuckin'.
00:38:19 'Cause you fuckin' suck at it.
00:38:21 Keep on walkin', cuz. You gonna scare off my customers and shit.
00:38:24 I am a customer.
00:38:26 I want a gun.
00:38:30 Gun store, homie.
00:38:31 I want a gun that can't be traced.
00:38:33 Look here, cuz.
00:38:35 We don't sell steel to white boys.
00:38:37 I'm not looking for any trouble.
00:38:39 Jesus. God.
00:38:41 See what the fuck you did?
00:38:43 Trying to tell your ass.
00:38:45 Now you done fucked with the muscle.
00:38:47 Put your teeth on the curb, man.
00:38:50 Hey, cuz. Let me American History Ex's boy.
00:38:54 Always wanted to do that.
00:38:58 I'm not a cop, bitch.
00:39:00 Shut the fuck up.
00:39:02 I need the gun to kill David Hagan.
00:39:06 I want to kill David Hagan.
00:39:08 Don't fuck with me, boy.
00:39:12 Let's take a ride, cuz.
00:39:15 You wanna wreck? Get your ass up.
00:39:17 Get your ass in the trunk.
00:39:23 No, fool. Not the back seat.
00:39:29 Get your ass in the trunk.
00:39:31 I can ride in the back fuckin' seat, man.
00:39:35 That's what you get for getting your ass in the motherfuckin' trunk.
00:39:37 Put this on.
00:39:41 You get there safe, just in the dark.
00:40:03 Lamar. We got company.
00:40:05 Welcome to the East Side.
00:40:15 Yeah.
00:40:17 Why you ain't up in Bisbee Knows?
00:40:19 Problem with the country club?
00:40:21 I ain't from Bisbee Knows.
00:40:22 Well, you sure as fuck ain't from here either.
00:40:24 So we got a white boy who wants to smoke Hagan.
00:40:27 Ain't this a bitch?
00:40:29 It's a long story, but it's humor to me.
00:40:31 And who are you?
00:40:33 Nobody, cuz.
00:40:35 That's right. Nobody. Literally nobody.
00:40:37 But if I do pull this off, Hagan will be gone,
00:40:39 and you guys can take the credit.
00:40:41 I know that he's competition for you.
00:40:43 I could be doing you guys a favor.
00:40:45 Stone cold, Bisbee.
00:40:47 Man, fuck this shit, man.
00:40:49 You're wasting your fuckin' time, nigga.
00:40:51 Let us take him out the back, cuz. Trust me.
00:40:59 Nah. He's a customer.
00:41:01 Come on.
00:41:03 What a selection.
00:41:22 Now, what you trying to do, man,
00:41:24 you gonna need some motherfuckin' weight. Trust me.
00:41:26 The Glock 21.
00:41:28 Yeah.
00:41:30 You heard this white motherfucker.
00:41:32 Glock 21, you could have got that shit from K-Mart, man.
00:41:34 On L1 next to the Pampers.
00:41:36 Man, look at this motherfuckin' tape. Look at this shit, man.
00:41:38 We got AK-47s on here, dog.
00:41:40 I don't know how to shoot the AK-47.
00:41:42 Check this shit out, man.
00:41:44 You trying to beat a motherfuckin' Grim Reaper and shit,
00:41:46 you're gonna have to get grim.
00:41:48 I learned how to shoot on this gun.
00:41:50 Fuck that.
00:41:52 And I learned how to fuck on this dumb bitch at the rec center.
00:41:54 Her grill all fucked up, teeth sideways,
00:41:56 man, I'm already famous and shit, man, but then I upgraded.
00:41:58 You know what I'm saying?
00:42:00 Yo, shut the fuck up. Enough of that shit, all right?
00:42:02 Okay.
00:42:08 Can this be traced?
00:42:12 No, it can't be motherfuckin' traced.
00:42:14 Shit ain't even been fired.
00:42:16 That serial number's been filed out as virgin steel.
00:42:18 Hey, look.
00:42:25 I was wondering if I think you can kill Hagen.
00:42:27 I don't know what the fuck you can do.
00:42:31 But I think you'd be trouble.
00:42:35 I could buy some of his time.
00:42:37 Even if it's only 30 minutes
00:42:41 when you're going somewhere to drop off your body.
00:42:43 500 for the piece, man.
00:42:47 Bullets are on the house.
00:42:49 Give it to him.
00:42:51 You got some gas in my left in them motherfuckin' pockets of yours, motherfucker.
00:43:05 (phone ringing)
00:43:07 (phone ringing)
00:43:09 You got some gas in my left in them motherfuckin' pockets of yours, motherfucker.
00:43:11 (phone ringing)
00:43:14 (phone ringing)
00:43:16 (phone ringing)
00:43:18 (phone ringing)
00:43:20 (phone ringing)
00:43:22 (phone ringing)
00:43:24 (phone ringing)
00:43:26 (phone ringing)
00:43:28 (suspenseful music)
00:43:31 (phone ringing)
00:43:54 (phone ringing)
00:43:57 - Jeremy?
00:43:58 - I had a feeling you'd answer this phone.
00:44:01 - I wasn't supposed to, but I knew you'd call.
00:44:09 - How are you?
00:44:12 - A little woozy, a little tired, but I'm fine.
00:44:18 - You just said I missed all your heroics.
00:44:22 - Nah, it's all right, I'll give you a chance
00:44:24 to exaggerate it later.
00:44:25 - Jeremy?
00:44:29 You have to come back in.
00:44:33 I know that things got bad,
00:44:36 but you can't be out there on your own.
00:44:41 So wherever it is that you are,
00:44:42 please just go to a police station
00:44:43 and tell them to call the marshals.
00:44:45 Okay?
00:44:47 You're not safe.
00:44:49 - But you are safe.
00:44:51 - That's the only thing that matters to me.
00:44:53 Whatever happens, I want you to know that.
00:44:58 - Please don't do this to me.
00:45:03 Jeremy?
00:45:06 I love you.
00:45:11 - Get rid of this phone.
00:45:16 I'm not gonna call you again.
00:45:20 - Jeremy.
00:45:21 (dramatic music)
00:45:23 (car engine rumbling)
00:45:28 (dramatic music)
00:45:30 (dramatic music)
00:45:33 - What'd I fucking show you?
00:46:00 - For fuck's sake.
00:46:02 Talk to him tomorrow.
00:46:03 He's working at the Abyss boat.
00:46:07 - Right there.
00:46:08 - Hands up!
00:46:09 Jeremy fucking Cohen.
00:46:11 - You throw it away.
00:46:14 Throw your fucking gun.
00:46:16 - Calm down.
00:46:18 Calm yourself down.
00:46:20 - Around the corner.
00:46:22 Get around the fucking corner!
00:46:23 - It's Gathers.
00:46:28 - Hold on.
00:46:29 I'll let you later.
00:46:30 What's up?
00:46:33 - He wants to talk about your plea bargain.
00:46:35 - Oh, he does.
00:46:37 Let's go run an errand.
00:46:41 - Around the fucking corner.
00:46:44 - It's a fucking big mistake.
00:46:45 - Shut the fuck up and get against the wall.
00:46:47 All right, sit down.
00:46:54 Back against the wall.
00:46:56 (dramatic music)
00:46:58 - Okay, now what?
00:47:04 - We're gonna kill Hagan.
00:47:07 - He's that son.
00:47:09 - That's right.
00:47:10 What's Abyss boat?
00:47:11 Who's gonna be there?
00:47:12 Throw me your phone.
00:47:15 - When I was a kid, I wanted to be a boxer.
00:47:24 I worked and worked,
00:47:26 but then I realized it wasn't gonna happen
00:47:29 because I didn't have it in me.
00:47:30 - Will you tell me how to get to Hagan?
00:47:33 - Now you wanna be some badass assassin.
00:47:36 You haven't got it in you.
00:47:39 - Dude, I will shoot you in the fucking knee
00:47:46 if you don't tell me how to get to Hagan.
00:47:48 Do you understand me?
00:47:49 (dramatic music)
00:47:52 - Henry Cooper had 4% body fat.
00:47:59 Now do I look like I've got 4% body fat?
00:48:03 No.
00:48:04 And you ain't gonna pull that fucking trigger.
00:48:06 (guns firing)
00:48:12 (dramatic music)
00:48:16 (Henry screaming)
00:48:19 - So you wanna dance, huh?
00:48:28 What you got man, what you got?
00:48:35 (Henry grunting)
00:48:38 (Henry screaming)
00:48:50 (gun firing)
00:48:52 - Shit.
00:48:58 (dramatic music)
00:49:01 - The alien brother is without care.
00:49:15 He walk with the weak and the heartless.
00:49:23 Won't tell.
00:49:24 (dramatic music)
00:49:27 For the alien brother, death holds no fear.
00:49:33 Mansions will be his.
00:49:37 Through his brothers, still there.
00:49:43 (dramatic music)
00:49:47 (gun firing)
00:49:50 (Henry screaming)
00:50:10 (dramatic music)
00:50:13 (gun firing)
00:50:15 (Henry screaming)
00:50:21 (glass shattering)
00:50:30 (dramatic music)
00:50:33 (dramatic music)
00:50:36 - Throw your weapons out.
00:50:46 If you're hurt, I can help you.
00:50:49 But you gotta throw out your weapons.
00:50:52 (dramatic music)
00:50:56 (dramatic music)
00:50:58 (dramatic music)
00:51:01 (dramatic music)
00:51:04 (dramatic music)
00:51:07 (dramatic music)
00:51:35 - George, please tell me that's not a dead guy.
00:51:38 - It's a dead guy.
00:51:39 - You're fucking kidding me?
00:51:40 - It's a terrible tragedy, huh?
00:51:42 - It's a fucked up weekend, it's what it is.
00:51:45 - Fuck.
00:51:46 Who is this?
00:51:47 - Looks like he got jumped
00:51:48 and his buddies in the SUV down there.
00:51:50 They came right into the rescue,
00:51:51 but I'm pretty sure it didn't work out.
00:51:54 - What is this shit carved in his face?
00:51:57 - It's EC, Eastside Crips.
00:51:58 This is gang retaliation.
00:52:00 (phone ringing)
00:52:03 - Yeah.
00:52:04 Yeah, yeah, what do you got?
00:52:05 - I don't know.
00:52:07 - Hey, Lieutenant.
00:52:09 - Hey.
00:52:11 - What's up?
00:52:11 - I thought you should see this.
00:52:13 - What is it?
00:52:14 - Parts of print.
00:52:16 It's not much, but I think we can get a hit off of it.
00:52:18 - All right, make this to the lab.
00:52:20 Get the results back to me.
00:52:22 Only me.
00:52:23 - Only you.
00:52:24 - Thanks, bro.
00:52:24 - Hello?
00:52:31 - Lieutenant Stella.
00:52:32 - Who's this?
00:52:34 - I think it's time we met.
00:52:35 Face to face.
00:52:37 (eerie music)
00:52:44 (water running)
00:52:47 (eerie music)
00:52:49 (water running)
00:52:52 (eerie music)
00:53:18 (eerie music)
00:53:21 (eerie music)
00:53:23 (eerie music)
00:53:26 (eerie music)
00:53:28 (eerie music)
00:53:31 (eerie music)
00:53:33 (eerie music)
00:53:36 - This just in, breaking news out of Long Beach.
00:54:03 A man nearly beaten to death.
00:54:04 Let's go now to our field reporter at the scene.
00:54:07 - The victim, Craig Tucker, is listed
00:54:09 in critical condition.
00:54:11 Those injuries are described as being very severe,
00:54:14 and it is not immediately clear
00:54:15 whether or not he will recover.
00:54:17 A police spokesman says the search for suspense is ongoing,
00:54:20 but they have no further comment.
00:54:22 Back to you.
00:54:24 - In other news, citizens are outraged
00:54:26 at the apparent spate of a murder
00:54:28 on Broadway and theater.
00:54:30 (people chattering)
00:54:33 - Come on, slowpoke.
00:54:39 - No, no, I'm heading to the hospital before my shift.
00:54:42 - Shut it off.
00:54:46 - Yeah, okay, I'll see you there.
00:54:48 - No questions.
00:54:50 Just listen to me.
00:54:51 I need you to do exactly what I tell you to do, okay?
00:54:54 - Okay, yeah.
00:54:56 - I need you to let everybody know
00:54:57 that they gotta be very careful right now.
00:54:58 Nobody stays at their place.
00:55:01 Call the police department,
00:55:02 say that threats have been made against the firehouse.
00:55:04 Get a police detail, not only on the station,
00:55:06 but on all your runs.
00:55:07 - You kidding me?
00:55:07 You know it's not that easy.
00:55:08 - Just do it, okay?
00:55:10 Just fucking do it.
00:55:11 And don't tell anybody that you've seen me.
00:55:14 Nobody, not the guys, not Maria, nobody.
00:55:16 I can't see fucking Craig
00:55:19 and you're sitting in the fucking hospital.
00:55:21 Is he gonna be okay?
00:55:28 Have they heard?
00:55:29 - I don't know, man.
00:55:30 He's not looking good.
00:55:31 Jeremy, talk to me, dude.
00:55:34 What are you doing?
00:55:35 - Just no questions, please.
00:55:37 So how's Maria?
00:55:41 Is she good?
00:55:41 - You met somebody.
00:55:46 - Yeah.
00:55:52 I just hope to God you guys get a chance to meet her someday.
00:55:54 I need you to do me a favor.
00:55:58 All my fire gear is over at the firehouse.
00:56:01 Before your shift, I need you to go drop my duffel bag
00:56:03 off over in the park behind those benches, okay?
00:56:06 And one more thing.
00:56:08 If you don't hear from me in the next few days,
00:56:12 I need you to take this.
00:56:14 There's a letter next to the bed.
00:56:15 Take it to the US Marshal Service, all right?
00:56:18 They'll know how to get it to her.
00:56:19 - Who is she?
00:56:20 - Just, just do it for me.
00:56:24 (somber music)
00:56:27 - Yeah, all right.
00:56:30 Okay.
00:56:33 (knocking)
00:56:46 - Hello.
00:56:47 - Hey, what's up, man?
00:56:53 - So, I ran that print.
00:56:55 Came back with a hit.
00:56:58 It's in the system, this person.
00:57:00 Only problem is it's coming back with no ID.
00:57:02 - No name? - No.
00:57:03 - Nothing?
00:57:04 - I mean, I figured it must have been in there,
00:57:05 but for some reason, got taken out.
00:57:09 You ever heard of that?
00:57:10 - No.
00:57:13 Thank you.
00:57:17 (ominous music)
00:57:46 - Business dispatch?
00:57:47 - Mike Seller.
00:57:48 - Lieutenant?
00:57:49 - Yeah, I need to put on an APB on a suspect.
00:57:51 - Go ahead with your description.
00:57:55 Lieutenant?
00:58:00 - I'm gonna have to call you back.
00:58:05 - Sir? - No, no.
00:58:06 I don't have the right information yet.
00:58:08 (phone ringing)
00:58:11 - This is Talia Durham.
00:58:20 Badge 4382.
00:58:22 I need an override and a blocked number
00:58:24 incoming to my old cell last night around 12.
00:58:26 Area code 562.
00:58:33 That's Song Beach, California, right?
00:58:36 It's a cell.
00:58:37 Great.
00:58:38 Thank you.
00:58:40 (phone ringing)
00:58:42 Hi, yes, I need a cab to the airport.
00:59:00 - I'm sorry, what?
00:59:03 - I'm sorry, I'm sorry.
00:59:04 I'm sorry, I'm sorry.
00:59:06 No, right now.
00:59:07 Thank you.
00:59:09 (suspenseful music)
00:59:12 (gun clicking)
00:59:15 (gun clicking)
00:59:17 (suspenseful music)
00:59:20 (suspenseful music)
00:59:23 (suspenseful music)
00:59:26 (suspenseful music)
00:59:29 (suspenseful music)
00:59:33 (suspenseful music)
00:59:36 (suspenseful music)
00:59:59 (suspenseful music)
01:00:02 (suspenseful music)
01:00:05 (suspenseful music)
01:00:08 (suspenseful music)
01:00:11 (suspenseful music)
01:00:14 (suspenseful music)
01:00:17 (suspenseful music)
01:00:20 (suspenseful music)
01:00:23 - Welcome to the party, motherfucker.
01:00:25 Goddamn.
01:00:28 Damn, he cold.
01:00:29 Hagen's gonna love me, I'm bringing you back alive.
01:00:34 Hell, he just might make me employee the motherfucking.
01:00:37 What, you want that?
01:00:40 Do you want this gun, huh?
01:00:42 Is this what you want?
01:00:43 You ain't getting it, motherfucker.
01:00:44 You in my house now, you hear me?
01:00:47 You don't bring no gun to my fucking party.
01:00:49 Who you think you are coming in here?
01:00:51 Act like you own this fucking place.
01:00:53 I'm gonna stick this gun right up your ass.
01:00:55 (gun clicking)
01:00:56 Goddamn it.
01:00:57 (screaming)
01:00:59 Oh my fucking leg.
01:01:01 (groaning)
01:01:04 (screaming)
01:01:07 Where is he?
01:01:08 - Jeff McCraw, son of a bitch.
01:01:12 Wait here.
01:01:13 (gun firing)
01:01:14 Sit right there.
01:01:15 (groaning)
01:01:18 (beeping)
01:01:21 - You call me out of bad time,
01:01:24 I'm about to kill some crips.
01:01:26 - I put a trace on the marshal's credit card.
01:01:29 - Nothing since New Orleans.
01:01:31 Today she bought a last minute plane ticket.
01:01:34 I'm already here in Long Beach.
01:01:36 There's only one reason she'd leave protection and come here.
01:01:40 He's here.
01:01:41 (groaning)
01:01:44 - I need you to tell me how to get to Hagen.
01:01:50 Where does he go?
01:01:52 When is he alone?
01:01:53 - Blood in, blood out.
01:01:54 - What does that say?
01:01:55 - Blood in, blood out.
01:01:57 - What is that supposed to mean?
01:01:58 - To get in with Hagen, you gotta kill somebody.
01:02:01 Blood in.
01:02:02 Once you're in, the only way out's if you're dead.
01:02:05 Blood out.
01:02:06 So fuck you.
01:02:08 - Mr. Hagen, your men were killed by Jeremy Coleman.
01:02:11 - Well, it looks like I misjudged you.
01:02:15 - It's a good thing.
01:02:16 He's coming right to us.
01:02:18 - I didn't wanna have to do this.
01:02:20 - You have any idea who you're fucking with?
01:02:23 Huh?
01:02:24 - I'm gonna take your rap sheet,
01:02:25 all the things you've done,
01:02:26 all the people you've done them to.
01:02:28 It's gonna make this part a little bit easier.
01:02:30 - Let me the fuck up outta here!
01:02:32 - I guess you didn't do your job.
01:02:34 I guess I will.
01:02:36 I'm gonna hunt him down.
01:02:39 - How will you hunt him down?
01:02:40 Just take out his house, he doesn't live anywhere.
01:02:43 Storm his office, he doesn't work anywhere.
01:02:45 You have no point of access.
01:02:47 - I'm gonna take your fingers off.
01:02:49 - You ain't got the balls.
01:02:52 - I love when they can do some fucked up things.
01:02:54 - Ah, fuck!
01:02:56 - Look, I just wanna know one thing.
01:03:04 You gonna earn your money?
01:03:06 Jeremy's a ghost, but so am I.
01:03:09 - Just tell me!
01:03:10 - Fuck you, she's gonna die slow.
01:03:13 - God damn it!
01:03:15 I'll fucking tell you!
01:03:19 - I'll find him.
01:03:20 - Until then, I want your back.
01:03:24 - What are you talking?
01:03:28 - Gathers, Gathers keeps the list.
01:03:31 You get the Gathers, that's how you get the fucking Hagan.
01:03:34 Now cut me the fuck loose, man!
01:03:36 I told you what you wanted to know!
01:03:38 - But I'll...
01:03:39 (laughing)
01:03:40 (gunshot)
01:03:41 - Mike Sella?
01:03:43 - This is Tali Durham.
01:03:45 I just got your email, can you talk?
01:03:47 - You bet.
01:03:48 He's trying to figure out a gang war.
01:03:50 Doesn't look like either side started it.
01:03:53 - Do you have any evidence that's leading you
01:03:54 in another direction?
01:03:56 - Marshall, we should be careful
01:04:01 what we talk about on the phone.
01:04:03 - Have you told anyone?
01:04:04 - No.
01:04:05 - Jeremy told me what happened to your partner.
01:04:07 I'm sorry.
01:04:08 - Listen, I want him dead and buried as much as you do,
01:04:14 but I'm still a cop.
01:04:15 You understand that?
01:04:17 - I came to stop what's happening.
01:04:19 - You can stop it, Marshall.
01:04:20 - As soon as I can find him, yeah.
01:04:23 - You have until six o'clock.
01:04:25 After that, he goes out on NCIC as a suspect.
01:04:28 - Thanks, Lieutenant.
01:04:30 - Detective Sella, she got off at CSU.
01:04:35 They found more blood in the alley from the other night.
01:04:37 Might be from a raw burps.
01:04:38 - But you didn't get a match from CODIS.
01:04:41 - Yeah, that's right.
01:04:43 - Keep trying.
01:04:44 Call me if you get something.
01:04:46 (dramatic music)
01:04:50 (rain pattering)
01:04:53 (dramatic music)
01:04:56 (rain pattering)
01:04:59 (dramatic music)
01:05:02 (rain pattering)
01:05:05 (dramatic music)
01:05:08 (rain pattering)
01:05:11 (dramatic music)
01:05:14 (rain pattering)
01:05:17 (dramatic music)
01:05:20 (rain pattering)
01:05:23 (dramatic music)
01:05:26 (rain pattering)
01:05:29 (dramatic music)
01:05:32 (gunshot)
01:05:50 (sirens blaring)
01:05:55 (sirens blaring)
01:05:58 - Hey!
01:06:17 Mr. Coleman, just stay right there, don't move.
01:06:19 (sirens blaring)
01:06:22 I'm just guessing, but I think the fire department's
01:06:29 probably not on its way, yeah?
01:06:30 - I turned off the call signal.
01:06:33 - Ah, huh.
01:06:34 - You know, I don't know who's worse,
01:06:41 a man who kills his son in front of his own father,
01:06:44 or a man who gets paid to make sure
01:06:47 that he gets to kill some more.
01:06:49 Just for the record, I never wanted to become
01:06:52 the man that you think I am.
01:06:54 I happen to believe in this adversarial system
01:06:56 of justice of ours, I happen to believe in it
01:06:58 with my whole heart.
01:06:59 Prosecutor and defendant go at it,
01:07:03 best advocate wins, it's an excellent system.
01:07:06 Just leads to a bizarre world sometimes
01:07:08 where someone like me, reputable and legitimate,
01:07:12 finds himself fighting on behalf of the worst scum
01:07:15 of the earth like David Hagen.
01:07:19 - Why do you represent him?
01:07:20 - Why do I represent him?
01:07:23 I drop a man like David Hagen and he kills me,
01:07:27 and then he kills my whole family,
01:07:29 and then he kills my dog, just for the heck of it!
01:07:32 - I didn't come here to harm you.
01:07:36 I never wanted to kill anybody.
01:07:40 Even Hagen.
01:07:43 But I cannot let him take the lives
01:07:46 of the people that I love, do you understand that?
01:07:50 (somber music)
01:07:52 - What are you gonna do, huh?
01:08:10 How are you gonna get to him?
01:08:11 He's got a whole army around him at all times.
01:08:13 - Well, I got to you, didn't I?
01:08:17 Look, I've come this far, I can finish this.
01:08:20 Just tell me where he's gonna be.
01:08:22 - I know where he goes some nights.
01:08:29 Tonight.
01:08:33 (ominous music)
01:08:45, (car door slams)
01:08:50 (ominous music)
01:08:52 (car engine rumbles)
01:08:55 (ominous music)
01:08:59 (car door slams)
01:09:02 (ominous music)
01:09:08 (car engine rumbles)
01:09:11 (ominous music)
01:09:21 - I bet you're wishing you hadn't come alone.
01:09:36 - It's not what I wish.
01:09:38 - I'm gonna tell you why I brought you here.
01:09:42 It's 'cause I'm confused.
01:09:46 And I'm wondering why you didn't do anything
01:09:50 about those friends I lost.
01:09:54 That's one of the seven deadly sins, sloth.
01:09:59 Failure to utilize your talents and gifts.
01:10:04 News says it's looking like homicide.
01:10:07 - Yeah, it was homicide.
01:10:10 I just haven't gotten around to it.
01:10:12 I've been a little busy with the trial.
01:10:14 - Oh, you heard from your witness?
01:10:18 - Yeah.
01:10:20 Looks like he's been a little busy too.
01:10:24 - I'll tell you what.
01:10:26 We ought to skip the trial, save some time.
01:10:31 Kill me.
01:10:33 (ominous music)
01:10:35 Come on, I won't blame you.
01:10:37 Every man's got his dark side.
01:10:41 Just shoot me.
01:10:42 Come on.
01:10:45 What's the matter, your gun broke?
01:10:50 No.
01:10:53 It works just fine.
01:10:55 Just this, you see?
01:11:02 There ain't enough of that going around for the work, man.
01:11:05 - Yes.
01:11:07 Not enough of that going around for murderers either.
01:11:11 - I'm gonna kill that boy.
01:11:14 I'm gonna bleed him out like a sow.
01:11:21 I lost a lot of good people.
01:11:25 And that hurts me, it does, it really does.
01:11:31 And you know what that's like, 'cause as I recall,
01:11:35 you lost some good people too, some friends.
01:11:39 I've been told.
01:11:40 - Yeah.
01:11:42 Close ranks.
01:11:45 You're not gonna kill anyone else.
01:11:53 (ominous music)
01:11:56 (grunting)
01:12:04 (thudding)
01:12:07 (coughing)
01:12:11 - Cry baby.
01:12:24 Come on, get up.
01:12:26 Get up, get up, get up, get up, get up, go.
01:12:30 (coughing)
01:12:32 - As you can see, it has been a bloody day in Long Beach.
01:12:39 A long simmering feud between the East Side Crips
01:12:42 and a rival white power gang
01:12:44 has now exploded into all out warfare.
01:12:47 Now it began last night with the slaying of three soldiers
01:12:50 of Aryan crime boss David Hagen.
01:12:53 And there have been multiple--
01:12:54 - Adam, you've got a Marshal Durham here to see you.
01:12:56 - So really a horrific bloody crime scene out here.
01:12:59 - Now back to the East.
01:13:01 - Has anyone approached you recently about Jeremy Coleman?
01:13:06 - Look, it'd be weird if I had heard from him, right?
01:13:08 - It happens.
01:13:10 Witnesses get distraught.
01:13:11 They make mistakes.
01:13:13 I keep them safe from everyone, including themselves.
01:13:19 - You know Jeremy lost his folks when he was young?
01:13:27 That's one of the things he loves about this job.
01:13:30 It feels like a family.
01:13:31 But I worry about him.
01:13:34 Because even though this feels like a family,
01:13:36 it's not, really.
01:13:37 You gotta have more in your life.
01:13:40 Look, if he did find someone that he really cared about,
01:13:48 I think he'd do anything for her.
01:13:52 Things that might even be hard to accept.
01:13:57 - Where is he, Adam?
01:13:58 - Look, if I do hear from him,
01:14:03 do you get a card or something?
01:14:05 - Yeah, I do.
01:14:06 And normally I would give you one
01:14:07 and tell you to call our field office, but
01:14:09 I'm not here officially.
01:14:13 I'm trying to keep this off the books.
01:14:18 And I have until the end of the day.
01:14:24 And then no one can help him.
01:14:25 (somber music)
01:14:29 - Thank you.
01:14:50 Thank you.
01:14:52 Thank you.
01:14:53 Thanks so much for waiting.
01:15:00 Do you know where the Lomo town is?
01:15:01 - Tell you.
01:15:20 (door slams)
01:15:22 You wrote this in case you died.
01:15:25 And when I read it, I thought you already had.
01:15:29 So now I know exactly how it feels.
01:15:32 - I had to do this.
01:15:34 - Now you have to stop.
01:15:36 - Hagen, we're gonna stop, do you hear me?
01:15:40 He's never gonna stop.
01:15:41 He's gonna keep coming for you and for me
01:15:43 and your family.
01:15:44 My best friend in the world is in the hospital right now.
01:15:46 Hey, look at me.
01:15:48 (somber music)
01:15:51 I love you.
01:15:52 And this is what it's gonna take for us to be together.
01:15:58 Do you hear me?
01:15:59 Yes.
01:16:00 And I've had to do some awful things
01:16:02 the last couple of days, but you're worth it.
01:16:05 Do you understand me?
01:16:09 - Police know that it's you.
01:16:11 Lieutenant Sella, he figured it out.
01:16:18 And if I don't get you out of Long Beach by 6 p.m.,
01:16:20 he's gonna put your face on the wire.
01:16:22 - I let you in, but we can't go back to normal.
01:16:29 We can have a life together, but we--
01:16:32 - I can finish, though.
01:16:33 Just let me finish.
01:16:34 - This isn't you.
01:16:35 Please tell me this isn't you.
01:16:38 Live with me.
01:16:43 Please.
01:16:46 (somber music)
01:16:49 (coughing)
01:16:57 - What, what, what?
01:16:59 Oh my God, I'm gonna choke.
01:17:05 Stay here.
01:17:11 Just stay right here, I'll be right back.
01:17:15 (dramatic music)
01:17:18 - No, no, no, no, Jeremy!
01:17:30 Jeremy!
01:17:31 Leave!
01:17:44 (phone ringing)
01:17:47 - What's up?
01:17:50 - It's quitting time, you should go home.
01:17:52 - You really think so, Jeremy?
01:17:56 - I think it's quitting time.
01:18:00 Just one more night, all right?
01:18:02 Let it play out.
01:18:03 - Kid, you left a fingerprint.
01:18:08 (grunting)
01:18:12 (gun firing)
01:18:15 - Lieutenant, if I don't finish this, she'll never be safe.
01:18:18 - They found a fingerprint.
01:18:21 Do you understand what that means?
01:18:24 That means they're gonna find more forensic evidence.
01:18:27 They're gonna put you away.
01:18:28 You can't do this by yourself.
01:18:31 - Yes, I can.
01:18:32 I have no choice.
01:18:34 What the hell am I supposed to do, just let it happen?
01:18:37 - You have reached the voicemail
01:18:38 from Lieutenant Michael Stella,
01:18:40 gang and narcotics division.
01:18:42 Please leave a message after the tone.
01:18:44 - Hey, I'm coming to you.
01:18:46 I'll be at your office as soon as I can find a cap.
01:18:48 (grunting)
01:18:50 - You do what you have to do,
01:18:54 but tonight David Haggett is going in the ground.
01:18:56 - Wait, wait.
01:18:59 - I'm over here.
01:19:09 (grunting)
01:19:13 (gun firing)
01:19:15 (grunting)
01:19:17 (grunting)
01:19:20 - David, no!
01:19:21 (grunting)
01:19:25 (dramatic music)
01:19:36 (water splashing)
01:19:38 (dramatic music)
01:19:41 (water splashing)
01:19:44 (gun firing)
01:19:55 (dramatic music)
01:19:58 (water splashing)
01:20:01 (dramatic music)
01:20:08 (gun firing)
01:20:22 (dramatic music)
01:20:25 (dramatic music)
01:20:27 (phone ringing)
01:20:42 - Yeah.
01:20:43 - David Haggett.
01:20:45 Current location, 1124 Oxholm Street.
01:20:48 Hey, do me a favor and leave your phone on.
01:20:50 I wanna hear this.
01:20:51 - Jeremy.
01:20:52 - Jeremy!
01:20:53 (gun firing)
01:20:53 (dramatic music)
01:20:55 - Listen boy, you should not want what you cannot have.
01:20:58 (dramatic music)
01:21:01 (screaming)
01:21:03 (dramatic music)
01:21:06 (screaming)
01:21:08 (dramatic music)
01:21:11 (gun firing)
01:21:13 (dramatic music)
01:21:16 (screaming)
01:21:21 (dramatic music)
01:21:23 (screaming)
01:21:26 (dramatic music)
01:21:28 (screaming)
01:21:31 (dramatic music)
01:21:34 (gun firing)
01:21:40 (dramatic music)
01:21:43 (grunting)
01:21:49 (dramatic music)
01:21:52 (grunting)
01:21:54 (dramatic music)
01:21:57 (grunting)
01:21:59 (dramatic music)
01:22:02 (grunting)
01:22:04 (dramatic music)
01:22:07 (grunting)
01:22:09 (dramatic music)
01:22:12 (gun firing)
01:22:14 (dramatic music)
01:22:17 (grunting)
01:22:19 (grunting)
01:22:21 (dramatic music)
01:22:24 - Jeremy!
01:22:35 I'm in here!
01:22:39 I'm in here!
01:22:41 - Zoya!
01:22:43 (dramatic music)
01:22:46 Zoya!
01:22:48 No!
01:22:50 (dramatic music)
01:22:52 (screaming)
01:23:03 (dramatic music)
01:23:05 (gun firing)
01:23:10 (dramatic music)
01:23:12 (dramatic music)
01:23:15 (gun firing)
01:23:25 (dramatic music)
01:23:28 (grunting)
01:23:37 (dramatic music)
01:23:40 (dramatic music)
01:23:43 (grunting)
01:23:48 (dramatic music)
01:23:51 (gun firing)
01:24:01 (dramatic music)
01:24:03 - Jeremy!
01:24:04 - Zoya!
01:24:05 (dramatic music)
01:24:08 (dramatic music)
01:24:11 - We gotta get out of here!
01:24:16 Okay, come on!
01:24:18 Stay with me!
01:24:19 Okay, come on!
01:24:20 (dramatic music)
01:24:23 (gun firing)
01:24:27 Come on, stay low!
01:24:28 Stay low!
01:24:29 (explosion booming)
01:24:33 (coughing)
01:24:36 (dramatic music)
01:24:39 Okay, come on!
01:24:43 Go!
01:24:44 Stay with me!
01:24:45 Come on, go!
01:24:47 Go, keep moving!
01:24:48 (screaming)
01:24:49 - Jeremy!
01:24:50 (gun firing)
01:24:54 Jeremy!
01:24:54 (dramatic music)
01:24:57 (gun firing)
01:25:02 (dramatic music)
01:25:05 (gun firing)
01:25:07 (dramatic music)
01:25:10 (grunting)
01:25:21 (dramatic music)
01:25:24 (gun firing)
01:25:29 (dramatic music)
01:25:32 (dramatic music)
01:25:35 - Come here, you whore!
01:25:40 (dramatic music)
01:25:42 (gun firing)
01:26:00 (dramatic music)
01:26:03 - I'm over here!
01:26:07 (dramatic music)
01:26:10 (gun firing)
01:26:14 (dramatic music)
01:26:17 - Almost, boy!
01:26:22 (dramatic music)
01:26:25 Almost!
01:26:27 (dramatic music)
01:26:29 You're almost strong enough to pull it off!
01:26:32 Your girl can tell you she's gonna die!
01:26:34 Die, boy!
01:26:35 - You know what I think?
01:26:40 You know what I think?
01:26:42 - I think you just didn't love her enough.
01:26:44 (dramatic music)
01:26:47 (dramatic music)
01:26:49 (screaming)
01:27:02 (dramatic music)
01:27:05 - Son of a bitch!
01:27:11 (gun firing)
01:27:12 (screaming)
01:27:13 (gun firing)
01:27:15 (dramatic music)
01:27:18 (gun firing)
01:27:27 (dramatic music)
01:27:29 (groaning)
01:27:38 (dramatic music)
01:27:41 (coughing)
01:27:43 (dramatic music)
01:27:46 (dramatic music)
01:27:48 - I need you to trust me.
01:28:16 Do everything that I ask,
01:28:17 and I promise we'll survive this.
01:28:19 Do you trust me?
01:28:22 (dramatic music)
01:28:24 (dramatic music)
01:28:27 (dramatic music)
01:28:30 (dramatic music)
01:28:33 (dramatic music)
01:28:35 - Did you find anything at all in that building?
01:29:01 - The entire building was torched.
01:29:04 Nothing useful.
01:29:05 (dramatic music)
01:29:08 - I'll see you tomorrow.
01:29:22 - I'll see you tomorrow.
01:29:24 (dramatic music)
01:29:27 (dramatic music)
01:29:30 (dramatic music)
01:29:32 (dramatic music)
01:29:35 (dramatic music)
01:29:38 (dramatic music)
01:29:41 (dramatic music)
01:29:43 (dramatic music)
01:29:46 (gentle music)
01:29:49 (gentle music)

Recommended