• il y a 8 mois
Le Carnaval des âmes (Carnival of Souls) est un film fantastique américain réalisé par Herk Harvey, sorti en 1962.

Synopsis:
Sur une route du Kansas, Mary Henry est avec une autre jeune femme passagère d'une voiture conduite une troisième femme, quand deux jeunes hommes les défient à la course. Pendant la course, la voiture des trois jeunes femmes, sort de la route, passe par-dessus la barrière d'un pont et tombe dans une rivière. Trois heures plus tard, alors que les policiers recherchent la voiture, Mary remonte miraculeusement à la surface, mais ne se souvient pas comment elle a survécu.
Transcription
00:00:00 [music playing]
00:00:03 Hey, Joe, drag your foot, boy.
00:00:12 Look what we got here.
00:00:13 Hey, you want to drag, huh?
00:00:15 Sure.
00:00:16 [laughs]
00:00:17 Come on, man.
00:00:18 Get ready.
00:00:19 [engine revving]
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00:00:36 I'll show him how to drive.
00:00:37 Just watch me.
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00:13:08 Can I help you?
00:13:09 Fill it up.
00:13:10 All right.
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00:13:38 Anything else, lady?
00:13:40 Could you tell me what that big structure is
00:13:43 back a few miles by the lake?
00:13:45 Oh, you mean the old bathhouse.
00:13:47 That used to be a pretty ritzy place in the old days.
00:13:51 Then the lake went down, and they made a dance hall out of it.
00:13:54 Then they put those buildings up out there
00:13:56 and made some sort of a carnival there for a while.
00:13:59 That's years ago, though.
00:14:01 Just stands out there now.
00:14:03 I see.
00:14:04 I have an address here of a rooming house.
00:14:10 Could you direct me?
00:14:13 Oh, sure.
00:14:14 Well, that's just right over here a little ways.
00:14:17 [door opens]
00:14:19 Been saving it for you since I got your letter.
00:14:27 Could have rented it yesterday if I'd wanted.
00:14:33 Oh, it's fine.
00:14:35 It's just about what I expected.
00:14:37 I knew you'd like it.
00:14:39 This ain't no regular rooming house, you know.
00:14:42 I only got you and Mr. Linden across the hall.
00:14:46 Each room's got its own private bathroom, too.
00:14:55 You can take all the baths you want.
00:15:01 I'm not one to fuss about things like that.
00:15:04 Thank you. I think I'll be quite comfortable.
00:15:06 Well, hope you'll stay a while.
00:15:09 I'm downstairs in the back part of the house, so...
00:15:13 if there's anything else you need, I guess I'll have to wait till morning.
00:15:17 Good night.
00:15:22 Good night, Mrs. Thomas.
00:15:24 [door opens]
00:15:26 [ominous music]
00:15:50 [ominous music]
00:15:52 [ominous music]
00:15:55 [ominous music]
00:16:22 And this, Miss Henry, is our pride and joy.
00:16:26 You know, this was made in the same town where I've been studying.
00:16:29 Of course. That's where we heard about you.
00:16:32 Oh, by the way, you have found a place to stay.
00:16:35 Yes, I have a room.
00:16:36 Good.
00:16:37 Well, we hope you're going to like it here.
00:16:40 We're not the largest church in this area, of course,
00:16:43 but we have a nice congregation.
00:16:46 We'll have to have some sort of reception.
00:16:49 They'll want to meet you.
00:16:50 Couldn't we just skip that?
00:16:52 Skip that?
00:16:54 I don't suppose it's an absolute necessity.
00:16:57 I don't know what some of the ladies will say.
00:17:00 If they say I'm a fine organist, that should be enough, shouldn't it?
00:17:03 Well, yes, of course.
00:17:06 We'll let it go at that for the time being.
00:17:09 But, my dear,
00:17:12 you cannot live in isolation from the human race, you know.
00:17:17 Mind if I try this now?
00:17:19 I want you to.
00:17:21 You go right ahead.
00:17:44 I'll be next door at the manse, if you need me.
00:17:49 [knocking]
00:17:51 We have an organist capable of stirring the soul.
00:18:06 [organ music]
00:18:10 [organ music]
00:18:14 [organ music]
00:18:18 [organ music]
00:18:22 [organ music]
00:18:25 [organ music]
00:18:28 [organ music]
00:18:33 [organ music]
00:18:37 [organ music]
00:18:41 [organ music]
00:18:45 [organ music]
00:18:48 What do you see?
00:19:04 Oh, nothing.
00:19:06 Nothing at all.
00:19:08 I've practiced the whole afternoon and it's gotten me in a mood.
00:19:10 You need some fresh air.
00:19:12 I've got to make a call out past the lake.
00:19:15 Would you like to come along for the ride?
00:19:17 You know that old pavilion out there?
00:19:19 Mm-hmm.
00:19:20 Will we pass it?
00:19:21 Go right by it.
00:19:22 Stop and look at it, if you like.
00:19:24 I would, with you along.
00:19:26 Good.
00:19:28 [organ music]
00:19:31 [organ music]
00:19:34 [organ music]
00:19:37 [organ music]
00:19:40 [MUSIC PLAYING]
00:19:44 This used to be quite a place.
00:20:05 It's been deserted for a long time now.
00:20:08 Will you take me in?
00:20:09 Goodness, no.
00:20:11 It isn't safe out there anymore.
00:20:13 That's why they put up this barrier.
00:20:15 Be very easy to step around it.
00:20:19 What attraction could there be for you out there?
00:20:22 I'm not sure.
00:20:24 I'm a reasonable person.
00:20:25 I don't know.
00:20:27 Maybe I want to satisfy myself that the place is nothing
00:20:30 more than it appears to be.
00:20:32 Would you take me out there?
00:20:34 No.
00:20:35 The law has placed it off limits.
00:20:37 Wouldn't be very seemly for a minister to break the law,
00:20:40 would it?
00:20:41 No.
00:20:42 Maybe I can come back some other time.
00:20:46 Shall we go along now?
00:20:47 [MUSIC PLAYING]
00:20:51 I thought that would be you.
00:21:16 Good evening.
00:21:19 That organ playing must take a long time.
00:21:21 You've been gone most the whole day.
00:21:23 I went for a long drive in the country with my new boss,
00:21:27 an elderly minister.
00:21:29 Oh, ho.
00:21:31 That must have been a kick in the head.
00:21:35 I learned that from my other boarder, Mr. Linden.
00:21:39 Did you get your supper?
00:21:41 Oh, I forgot.
00:21:43 Well, this ain't no boarding house,
00:21:46 but I got some coffee and sandwich makings left.
00:21:49 I could bring you some up after a while.
00:21:52 Good.
00:21:52 I'll be taking one of those bags you're so generous with.
00:21:55 Well, take as many as you want.
00:21:57 I ain't one to make a fuss about a thing like that.
00:21:59 [SIGHS]
00:22:03 [WATER RUNNING]
00:22:06,
00:22:35 [WATER DRIPPING]
00:22:38 [KNOCKING]
00:22:47 Come in, Mrs. Thomas.
00:22:50 Just-- just a minute.
00:22:52 [FOOTSTEPS]
00:22:55 [DOOR OPENING]
00:23:11 [GASPS]
00:23:13 I thought you were Mrs. Thomas.
00:23:16 Yeah, I, uh--
00:23:17 I wondered when you asked me in.
00:23:19 I'm John Linden.
00:23:20 I'm your neighbor right across the hall.
00:23:21 Nice to meet you. Would you excuse me for--
00:23:23 Hey, I, uh--
00:23:24 I was wondering if you're not doing--
00:23:25 I just will. Stand right there.
00:23:27 [FOOTSTEPS]
00:23:30 [MUSIC PLAYING]
00:23:37 [DOOR OPENING]
00:23:40 I forgot to introduce myself.
00:23:55 I'm Mary Henry.
00:23:56 Yeah, I know.
00:23:58 I, uh--
00:23:59 I heard you tell Mrs. Thomas you haven't ate anything yet, huh?
00:24:02 Well, I just thought, you know, being a neighbor and all this--
00:24:05 you see, I haven't eaten anything either.
00:24:07 I just thought we had to ask you out to dinner.
00:24:09 Oh, that-- that's very thoughtful of you,
00:24:11 but I can't accept. - Yeah, I know.
00:24:12 I know.
00:24:13 We haven't met or anything yet, but I just thought--
00:24:14 I'm sorry.
00:24:15 You don't have to excuse me.
00:24:17 Look, there's a really nice restaurant, you know,
00:24:19 right down the street.
00:24:20 And I just thought, well, I'm just kind of a guy
00:24:22 who doesn't like to eat by himself.
00:24:24 I've made arrangements to eat in my room tonight.
00:24:27 Hey, if, uh, you change your mind, you just holler.
00:24:30 [FOOTSTEPS]
00:24:34 Well, it's kind of lonesome in here.
00:24:37 Good night, Mr. Linden.
00:24:38 [MUSIC PLAYING]
00:24:52 [FOOTSTEPS]
00:24:56 [SCREAMING]
00:25:19 [MUSIC PLAYING]
00:25:22 [SCREAMING]
00:25:33 [MUSIC PLAYING]
00:25:37 [FOOTSTEPS]
00:25:40 Miss Henry?
00:26:04 It's Miss Thomas.
00:26:05 [DOOR OPENS]
00:26:08 Who's the man in the hall?
00:26:26 Me?
00:26:30 Oh, you must mean Mr. Linden.
00:26:34 He has the room across the hall.
00:26:37 No, I mean the other one.
00:26:41 There is no other.
00:26:44 Me and you and Mr. Linden.
00:26:47 Us three is all there is in this house.
00:26:50 But-- but you must have passed him out there.
00:26:53 You're needing this food.
00:26:56 Go on with that.
00:26:57 Eating makes you jumpy sometimes.
00:27:00 Maybe you heard the boards pop or something.
00:27:03 These old houses creep worse than my knees.
00:27:05 I didn't hear him, Mrs. Thomas.
00:27:08 I saw him.
00:27:09 Now, don't talk that way.
00:27:16 I don't sleep so good as it is.
00:27:19 It's these old houses.
00:27:21 They-- they're big enough so that you could
00:27:23 hide a man in every corner.
00:27:25 You just gotta not let your imagination run away, Miss--
00:27:32 Are you going out there?
00:27:33 Why, of course.
00:27:34 There's nobody there.
00:28:00 Now, you just go and eat that sandwich I made for you.
00:28:06 Don't drink the coffee.
00:28:07 If coffee keeps you awake, it won't.
00:28:10 Coffee never keeps me awake.
00:28:16 [music playing]
00:28:19 [music playing]
00:28:23 [music playing]
00:28:26 [music playing]
00:28:30 [music playing]
00:28:34 [music playing]
00:28:37 [music playing]
00:28:41 [alarm clock ringing]
00:29:04 [alarm clock ringing]
00:29:07 [alarm clock ringing]
00:29:11 [alarm clock ringing]
00:29:14 [alarm clock ringing]
00:29:18 [alarm clock ringing]
00:29:21 [alarm clock ringing]
00:29:24 [alarm clock ringing]
00:29:27 [alarm clock ringing]
00:29:30 [alarm clock ringing]
00:29:33 [alarm clock ringing]
00:29:36 [alarm clock ringing]
00:29:39 Well, good morning.
00:29:42 I heard your alarm.
00:29:43 I knew you'd be up.
00:29:44 Guess what I got.
00:29:45 I can't imagine.
00:29:47 Just what it takes to start the day off right.
00:29:50 I make it in my room.
00:29:51 You know, it saves me having to go out and get dressed up.
00:29:53 I guess I had to get dressed to come over here anyway.
00:29:57 Oh, it looks just like what I need.
00:29:59 Well, then, two cups of coffee coming up.
00:30:02 Say, uh, I guess you took a wrong last night about me
00:30:11 coming to your door and all.
00:30:13 I'm not a very sociable person over there.
00:30:15 And how can I resist an inducement like this?
00:30:18 What?
00:30:20 Come on, I don't know all those big words.
00:30:22 I'm just an ordinary guy who works in a warehouse.
00:30:24 That's all.
00:30:25 I make pretty good money, though.
00:30:27 Hey, look, I got a couple of shots left over from last night.
00:30:30 You want a little bit in yours?
00:30:32 No, thanks.
00:30:33 It's not the recommended breakfast for a church organist.
00:30:36 Oh, is that what you do?
00:30:38 Hey, you mean they pay somebody to play the organ in church?
00:30:41 Churches do.
00:30:43 Hey, I hope you don't mind about this.
00:30:46 I just didn't know you were a church woman.
00:30:48 To me, a church is just a place of business.
00:30:51 Well, that's a funny way to look at it.
00:30:53 Why?
00:30:54 People seem shocked because I took a job in a church.
00:30:57 And I regard it simply as a job.
00:31:00 I'm a professional organist, and I play for pay.
00:31:02 That's all.
00:31:04 Thinking like that, don't that give you nightmares?
00:31:08 Strange, you should say that.
00:31:11 As a matter of fact, not for that reason, mind you,
00:31:14 but I had the strangest feeling last night.
00:31:18 Yeah, I had kind of a lost night myself.
00:31:21 It's funny.
00:31:24 The world is so different in the daylight.
00:31:28 But in the dark, your fantasies get so out of hand.
00:31:32 But in the daylight, everything falls back into place again.
00:31:37 Let's have no more nights.
00:31:40 Or let's make them more interesting, huh?
00:31:44 Say, how'd you get to be a church organist?
00:31:49 I studied it in college.
00:31:51 I could have gone to college.
00:31:53 Yeah, I used to play pretty good football,
00:31:55 but they wanted me to take a lot of classes and things, you know?
00:31:58 Well, they're that way.
00:32:00 Well, I'm just as smart as the next guy.
00:32:02 Yeah, but I just didn't dig what they were teaching in school, you know?
00:32:05 The thing I hated most was principal products.
00:32:09 Principal products?
00:32:11 You know, like the principal products of Brazil.
00:32:14 Coffee, beans, snake oils, you know, like that.
00:32:21 When I was at school, I couldn't care less.
00:32:24 What I cared about was girls.
00:32:26 Didn't they offer a course in that?
00:32:29 If I would have done that, I would have graduated.
00:32:33 What's the matter? Can you still taste the coffee?
00:32:36 Come on, what do you think, I'm an alcoholic?
00:32:39 Look, I just like to start the day off in a good mood, that's all.
00:32:42 You must be hilarious by noon.
00:32:44 Look, I'm just the kind of a guy employers want, you know, the happy worker.
00:32:49 Come on, come on, now, make your morning happy?
00:32:52 This morning, you're exactly what I needed.
00:32:55 You're gonna need me in the evening, too. You just don't know it yet.
00:32:59 I'll rinse off these cups.
00:33:02 Come on, just spoils the flavor for tomorrow.
00:33:05 Thank you for the coffee.
00:33:07 It was unsanitary, but delicious.
00:33:10 Well, I should have put some of the germ killer inside.
00:33:14 Well, I hate to leave so early.
00:33:18 I think you can get through the door.
00:33:20 You know, you got the wrong impression of me.
00:33:23 Well, I meant because you had so many things to carry.
00:33:26 Oh, like I said, I hate to leave.
00:33:30 Well, it's been a pleasure, Mr. Linden, but I'm sure you have to get to work.
00:33:34 Don't you?
00:33:35 No, I have the whole day free for shopping.
00:33:38 Does the hem hang right in back?
00:33:52 We might change the hemline a little.
00:33:54 The drape is just fine.
00:33:56 Otherwise, it looks very nice.
00:33:58 I'm sure it isn't very chic to take the second dress, but I like it.
00:34:02 We alter it a little here to make it straight all the way around.
00:34:05 There, do you want to go back to your dressing room?
00:34:09 [chatter]
00:34:11 [doorbell rings]
00:34:13 [doorbell rings]
00:34:21 [doorbell rings]
00:34:23 [doorbell rings]
00:34:25 [doorbell rings]
00:34:33 [siren wails]
00:34:36 [siren wails]
00:34:38 [siren wails]
00:34:40 [siren wails]
00:34:52 [siren wails]
00:35:01 [siren wails]
00:35:03 [door opens]
00:35:15 [door closes]
00:35:21 [door opens]
00:35:23 Would you like a balloon?
00:35:31 I believe I have you deliver the dress if you don't mind.
00:35:34 I did say I'd take it.
00:35:37 [siren wails]
00:35:40 [siren wails]
00:35:51 [siren wails]
00:35:53 What's the matter with her?
00:35:55 [siren wails]
00:35:57 What's the matter with everyone?
00:36:00 [siren wails]
00:36:03 Why don't they answer me?
00:36:06 [siren wails]
00:36:11 [siren wails]
00:36:13 [siren wails]
00:36:24 [siren wails]
00:36:31 [door opens]
00:36:34 [siren wails]
00:36:38 [door closes]
00:36:40 [siren wails]
00:36:46 [siren wails]
00:36:56 [siren wails]
00:36:58 [bird chirps]
00:37:18 [bird chirps]
00:37:20 [gasps]
00:37:46 [gasps]
00:37:48 What is it?
00:37:49 That man.
00:37:51 I didn't mean any harm. I just stopped to get a drink.
00:37:55 No.
00:37:57 No.
00:37:59 It was that man.
00:38:01 That man.
00:38:04 There was someone else there.
00:38:08 That strange man was there.
00:38:10 Now look, look. You've had a fright.
00:38:12 Hysteria won't solve anything.
00:38:14 Control yourself.
00:38:15 Look, I'm Dr. Samuels.
00:38:17 My office is right across the street there.
00:38:20 You've had a shock.
00:38:23 If you would like my assistance, I'll be glad to offer it.
00:38:26 Thank you.
00:38:27 Could I come with you now?
00:38:29 Certainly.
00:38:30 I'll take her over to my office.
00:38:32 We'll see that she's all right.
00:38:35 [wind howling]
00:38:37 It was more than just not being able to hear anything...
00:38:51 or make contact with anyone.
00:38:54 It was as though...
00:38:57 as though for a time I didn't exist.
00:39:03 As though I had no place in the world.
00:39:06 No part of the life around me.
00:39:09 And then you saw this... this man.
00:39:14 Yes.
00:39:16 You'll excuse my back, but I wanted to get some of that written down.
00:39:22 I must have been talking for an hour.
00:39:25 Anything else? Anything you haven't told me?
00:39:28 That's all there is.
00:39:31 That's the whole story.
00:39:33 He's been following me. That's all there is to it.
00:39:35 It isn't that simple, though, is it?
00:39:38 What do you mean?
00:39:40 He could hardly have been in the park this afternoon, or one of us men would have seen him.
00:39:44 And that night in the hallway, you said yourself the landlady came up a minute later,
00:39:47 and she didn't see him, did she?
00:39:49 What are you driving at?
00:39:51 It's been less than a week since you were in a car that crashed into the river.
00:39:55 How you got out of that, no one seems to know.
00:39:58 But that experience must have been a serious emotional shock.
00:40:01 You think I imagined all of it, don't you? You think I'm insane?
00:40:04 I didn't say that. I don't mean that.
00:40:06 I'm a competent person.
00:40:08 If anything, I'm a realist. I'm not given to imagining anything.
00:40:11 Hard wash.
00:40:13 All of us imagine things.
00:40:16 Have you never heard two men talking behind your back and imagined they were talking about you?
00:40:21 Have you never imagined you saw someone you knew and walked up to them and found they were a perfect stranger?
00:40:27 I don't see what this has to do with it.
00:40:29 The point is this. Our imaginations play tricks on us.
00:40:33 They often misinterpret what we see and hear. Do you agree?
00:40:36 I suppose so.
00:40:38 If that can happen in ordinary times, go a step further.
00:40:42 Look what can happen in a high fever or following a serious emotional shock.
00:40:46 It doesn't seem possible that I could have imagined all of it.
00:40:50 Does this man, this figure, resemble anyone you've ever known?
00:40:54 An acquaintance? Or your father?
00:40:56 No.
00:40:57 Do you have a boyfriend here or back home?
00:40:59 No, and I have no desire for one.
00:41:01 Never?
00:41:02 No.
00:41:04 I'm surprised to find myself saying that.
00:41:07 But it's true.
00:41:09 I have no desire for the close company of other people.
00:41:13 Have you always felt this way?
00:41:15 I don't know.
00:41:19 Don't you want to join in the things that other people do? Share the experiences of other people?
00:41:23 I don't think I'm capable of being very close to people.
00:41:27 I do feel that perhaps I'm trying to reach out for those other things.
00:41:31 Do you feel guilty wanting them?
00:41:34 I don't understand you.
00:41:36 I'm not a psychiatrist, and perhaps I'm being clumsy at all this.
00:41:40 But I am suggesting that perhaps this figure represents a guilt feeling.
00:41:44 Oh, that's ridiculous.
00:41:46 Maybe. Frankly, I don't know.
00:41:50 Well, I know one thing.
00:41:52 My imagination is playing tricks on me.
00:41:55 I'm going to put a stop to it.
00:41:57 You're a very strong-willed person, aren't you?
00:41:59 I survive, if that's what you mean.
00:42:02 That old pavilion out by the lake.
00:42:05 Somehow you associate it with all this, don't you?
00:42:09 I could go out there.
00:42:11 I could put an end to that, too.
00:42:14 I could go out there.
00:42:15 Now, don't be hasty.
00:42:17 If it is all my imagination,
00:42:20 I could put a stop to it.
00:42:22 Maybe, but at least someone should be with you.
00:42:24 Now, I can't possibly get away now.
00:42:25 As you say, Doctor, I'm a person of strong will.
00:42:28 And the time to go out there is now.
00:42:31 And if I have to, I can go alone.
00:42:36 [♪♪♪]
00:42:40 [♪♪♪]
00:42:43 [♪♪♪]
00:42:47 [♪♪♪]
00:42:50 [♪♪♪]
00:43:11 [♪♪♪]
00:43:14 [♪♪♪]
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00:44:59 [♪♪♪]
00:45:02 [♪♪♪]
00:45:05 [♪♪♪]
00:45:08 [♪♪♪]
00:45:11 [clattering]
00:45:15 [clattering]
00:45:18 [clattering]
00:45:29 [footsteps]
00:45:32 [clattering]
00:45:42 [footsteps]
00:45:45 [footsteps]
00:45:59 [♪♪♪]
00:46:04 [♪♪♪]
00:46:07 [footsteps]
00:46:13 [footsteps]
00:46:19 [♪♪♪]
00:46:24 [♪♪♪]
00:46:31 [♪♪♪]
00:46:34 [♪♪♪]
00:46:45 [footsteps]
00:47:00 [♪♪♪]
00:47:03 Say, uh...
00:47:16 I don't want to get turned down again.
00:47:19 I was thinking of asking you out to dinner.
00:47:21 I stopped for a bite to eat on the way in.
00:47:24 Anyway, I have to practice at the church this evening.
00:47:26 Look, uh...
00:47:28 How's about if I take you up afterward,
00:47:31 and we'll go someplace and dance or something?
00:47:34 I'm sorry. I'm not much for dancing.
00:47:37 Hey, uh...
00:47:41 Do you mind if I ask you a question?
00:47:44 I won't know until I hear it.
00:47:46 What, are you afraid of men?
00:47:48 No, I'm not afraid of men.
00:47:50 Oh, well...
00:47:52 You seem sort of cold.
00:47:55 I'm sorry when I brought you the coffee.
00:47:57 Friendly.
00:47:58 This morning I needed company.
00:48:01 Well, maybe you'll need company tonight.
00:48:05 It's better than walking home alone.
00:48:08 Yes.
00:48:10 It is.
00:48:12 I should be finished around nine.
00:48:14 Will that be all right?
00:48:16 That's okay by me.
00:48:18 Say, uh...
00:48:21 I'll see you in church.
00:48:23 [organ music]
00:48:26 [organ music]
00:48:29 ♪ ♪
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00:53:24 - Well, hi there. I've been waiting an awful long time for you.
00:53:28 - My car's just over there. I know just the right place to go.
00:53:31 ♪ ♪
00:53:36 ♪ ♪
00:53:41 ♪ ♪
00:53:46 ♪ ♪
00:53:51 ♪ ♪
00:53:56 - What's the matter? Don't you drink either?
00:53:58 - Not really. - Not really.
00:54:01 How else is there if you don't drink really? Answer me that.
00:54:05 Now me, I not only drink really, I really drink.
00:54:11 What's the matter? Do you like the music even?
00:54:19 - I like it fine. - You don't like it.
00:54:22 You don't like to dance and you don't like to drink.
00:54:27 You don't like for a man to hold you close. That's it, isn't it?
00:54:30 - I didn't say that. - You haven't said anything all evening.
00:54:35 Why don't I go play that song again? You like it so much.
00:54:42 - Hey, Johnny, who's the doll? - Nobody you know, chicken.
00:54:50 - Oh, come on now. You've been holding out on me.
00:54:53 - That's not the kind of pig you usually drag around.
00:54:57 - You quit licking your chops. She's out of your class.
00:55:00 - You want to bet?
00:55:03 - Lay off, huh? I got something on the stove there, man.
00:55:07 - Well, listen, I'll help you put it over.
00:55:09 - I don't want her to think I even know creeps like you.
00:55:14 Good luck.
00:55:20 - Someone you know? - Yeah.
00:55:23 He's a college fella.
00:55:28 He told me about this girl. He wanted to meet me.
00:55:33 - Wanted me to meet her. - What'd you tell him?
00:55:37 - I said, "How could I? You're my date, you know."
00:55:45 - You said you didn't seem to enjoy my company much.
00:55:50 - That's not true. I really appreciate your taking me out this evening.
00:55:55 I'd had a miserable night if you hadn't.
00:55:59 - Forget it. Come on. Here, join the party. Drink up.
00:56:04 I paid good money for that stuff. It ain't poison.
00:56:12 - Sorry if I annoy you.
00:56:15 - You know, I don't get you.
00:56:18 First, you stand me off. Well, that's okay. That's class.
00:56:21 Think you got something, you're just holding back.
00:56:24 Now, everything I say is okay. You're a mouse.
00:56:28 - Yesterday, I didn't care.
00:56:31 Tonight, I want to be with you.
00:56:34 - Me or just with anybody? - With you.
00:56:40 - Why don't you thaw out, hmm?
00:56:45 But maybe you want to be alone, huh? I'll leave you alone if that's what you want.
00:56:50 - No, I don't. I like being with you. Really, I do.
00:56:54 I don't want to be alone tonight. I want to be near you.
00:57:00 - You mean that? - Yes.
00:57:03 - Why don't you and me get out of here, hmm?
00:57:18 You know, my room's only a couple of feet from here.
00:57:21 - I don't want to be here.
00:57:24 - I don't want to be here.
00:57:27 You know, my room's only a couple of feet from yours.
00:57:31 You're not likely to get very far from me, are you?
00:57:34 - Now, gee... - Shh!
00:57:56 - Wait, Mrs. Thomas. - That old girl is in the back of the house.
00:57:59 She won't hear nothing.
00:58:02 - Honey...
00:58:13 You don't want to go in there all by yourself, do you?
00:58:17 It's dark and it's lonely in there.
00:58:22 You don't have to be alone tonight.
00:58:25 Just let me come in a while and stay with you, hmm?
00:58:29 - You don't want to be alone, do you? - No.
00:58:33 - I'm sorry. I... - Look, honey...
00:58:47 You asked me in. You dislike me a little, huh?
00:58:52 - I'm sorry. - Look, honey...
00:58:55 I'm sorry.
00:58:59 (Door opens)
00:59:02 (Gasping)
00:59:16 - Hey, what's the matter with you?
00:59:25 What's going on around here?
00:59:28 What's the matter with you?
00:59:30 That man's after me. You gotta stop or he's after me again.
00:59:34 - I'm getting out of here. - No, you have to go!
00:59:37 Not me, sister. That's just what I need.
00:59:40 Get mixed up with some girl who's off her rocker.
00:59:43 I don't want to be left alone!
00:59:46 (Door closes)
00:59:48 (Gasping)
00:59:51 (Gunshot)
00:59:53 (Groaning)
00:59:56 (Groaning)
00:59:59 (Groaning)
01:00:02 (Bell tolling)
01:00:05 (Bell tolling)
01:00:08 (Bell tolling)
01:00:11 (Bell tolling)
01:00:38 What'd you find out, Doctor?
01:00:41 Not very much, I'm afraid.
01:00:44 I'm sure glad you just happened around.
01:00:47 I was gonna call somebody, but I was afraid you'd have to pay the bill.
01:00:52 I came on purpose.
01:00:54 I've been thinking about her ever since she left my office yesterday.
01:00:58 What's she been up to?
01:01:00 Oh, only the devil knows that.
01:01:04 I heard her moving things all around that room all night.
01:01:09 Never heard such goings-on.
01:01:11 And she wouldn't let me in her room this morning.
01:01:14 She's a strange one.
01:01:16 She absolutely refuses my help.
01:01:19 I can't say that I blame her.
01:01:21 There's something about her that completely baffles me.
01:01:24 I've urged her to call upon me if she feels she needs help, and I hope she will.
01:01:29 I can't let her stay in this house.
01:01:32 You won't have to worry about that.
01:01:34 She's determined to leave the city, and she wants to get away as soon as possible.
01:01:38 I hope she does leave.
01:01:41 I hope she can.
01:01:46 [footsteps]
01:01:50 [footsteps]
01:01:53 [footsteps]
01:01:57 [footsteps]
01:02:00 [footsteps]
01:02:10 [footsteps]
01:02:26 Decided to leave, did you?
01:02:29 Where you going?
01:02:32 I can't refund none of your week's rent when you go off like that.
01:02:40 [engine starts]
01:02:53 [engine starts]
01:02:56 [engine starts]
01:03:04 [engine starts]
01:03:09 [engine starts]
01:03:15 [engine starts]
01:03:19 [engine starts]
01:03:22 [engine starts]
01:03:28 Sounds like your transmission. Can you pull it up on the rack?
01:03:40 [engine starts]
01:03:43 [engine starts]
01:03:48 [engine starts]
01:03:51 Okay, fine.
01:03:55 Will it take long?
01:03:57 Well, I have to check it first. Would you like to get out?
01:04:00 Yeah, I'll just sit here.
01:04:02 Sure. Suit yourself.
01:04:05 [engine starts]
01:04:17 [engine starts]
01:04:20 [engine starts]
01:04:24 [engine starts]
01:04:27 [engine starts]
01:04:53 [engine starts]
01:04:56 [engine starts]
01:04:59 [engine starts]
01:05:18 [engine starts]
01:05:21 [screams]
01:05:41 [sirens]
01:05:44 [sirens]
01:05:47 [crowd noise]
01:06:10 [crowd noise]
01:06:13 [sirens]
01:06:22 When is the next eastbound bus?
01:06:29 When does the next bus leave? I must get on it.
01:06:33 [sirens]
01:06:37 [sirens]
01:06:40 I want to get out of here.
01:06:51 I want to get away from here.
01:06:54 [sirens]
01:06:57 [sirens]
01:07:00 Eastbound bus.
01:07:11 Now loading.
01:07:14 Gate nine.
01:07:17 [footsteps]
01:07:23 [footsteps]
01:07:26 [music]
01:07:41 [crowd noise]
01:07:50 [crowd noise]
01:07:53 [music]
01:08:04 [music]
01:08:07 Don't close the way. Wait, wait.
01:08:23 Let me in. You've got to let me in.
01:08:25 I've got to get on that train. I've got to get away from here.
01:08:27 Please. Please.
01:08:30 [music]
01:08:33 You'll hear me. You can hear me.
01:08:38 [music]
01:08:43 Why can't I hear anything?
01:08:57 Will you help me? I need your help.
01:09:00 Just a moment, please.
01:09:07 [music]
01:09:24 Why can't anybody hear me?
01:09:27 [footsteps]
01:09:33 [music]
01:09:39 [music]
01:09:42 [birds chirping]
01:10:00 [birds chirping]
01:10:03 I came to you, Doctor,
01:10:23 because you're my last hope.
01:10:26 If you don't help me, I'll...
01:10:29 I'll have to go back there.
01:10:32 He's... He's trying to take me back somewhere.
01:10:35 Doctor, you've got to tell me what to do.
01:10:40 [screams]
01:10:50 [screams]
01:10:53 [train rumbling]
01:11:02 [train rumbling]
01:11:05 [music]
01:11:27 [train rumbling]
01:11:30 [music]
01:11:41 [music]
01:11:44 [music]
01:11:53 [music]
01:12:00 [music]
01:12:08 [music]
01:12:11 [footsteps]
01:12:36 [music]
01:12:39 [water splashing]
01:13:04 [music]
01:13:07 [music]
01:13:21 [music]
01:13:24 [music]
01:13:33 [music]
01:13:41 [music]
01:13:50 [music]
01:13:53 [music]
01:14:02 [music]
01:14:19 [music]
01:14:22 [music]
01:14:32 [music]
01:14:42 [music]
01:14:45 [screams]
01:15:02 [music]
01:15:05 [music]
01:15:08 [music]
01:15:14 [music]
01:15:27 [music]
01:15:30 [music]
01:15:40 [music]
01:15:48 [music]
01:15:54 [music]
01:15:57 [screams]
01:16:02 [wind]
01:16:09 The car's still over there.
01:16:21 And then a footprint's leading up to here.
01:16:24 And then nothing.
01:16:37 [wind]
01:16:49 [music]
01:16:52 Okay, Walt.
01:17:04 Hey, kid, right down there.
01:17:06 Wind it up.
01:17:09 [music]
01:17:17 [music]
01:17:20 [music]
01:17:26 [music]
01:17:32 [music]
01:17:40 (eerie music)