THe Jennifer Connelly - Best Movie 2024
THe Jennifer Connelly - Best Movie 2024
Category
📺
TVTranscript
00:00:00 [shouting]
00:00:02 Ben!
00:00:03 Ben!
00:00:04 Ben, to me!
00:00:07 Stop!
00:00:10 Stan!
00:00:11 Stan!
00:00:17 Ben!
00:00:20 [shouting]
00:00:22 [music playing]
00:00:25 [sighing]
00:00:32 [music playing]
00:00:35 [music playing]
00:00:38 [music playing]
00:00:41 [music playing]
00:00:44 [music playing]
00:01:10 [music playing]
00:01:13 [music playing]
00:01:39 [music playing]
00:01:42 [music playing]
00:01:56 [music playing]
00:01:59 [music playing]
00:02:15 [music playing]
00:02:18 Hello?
00:02:29 Is anyone home?
00:02:31 [music playing]
00:02:34 [music playing]
00:02:37 [music playing]
00:02:40 [music playing]
00:02:48 [music playing]
00:03:06 [music playing]
00:03:09 Is anyone home?
00:03:11 [music playing]
00:03:14 I'm a foreigner.
00:03:23 And I'm lost.
00:03:25 [music playing]
00:03:28 [music playing]
00:03:31 [music playing]
00:03:34 I know someone's there.
00:03:41 Please.
00:03:42 [clock ticking]
00:03:46 [clock ticking]
00:03:49 [screaming]
00:04:15 [screaming]
00:04:18 [screaming]
00:04:24 [screaming]
00:04:41 [screaming]
00:05:08 [screaming]
00:05:12 [screaming]
00:05:16 [screaming]
00:05:19 [screaming]
00:05:22 [screaming]
00:05:26 [screaming]
00:05:29 [screaming]
00:05:38 [screaming]
00:05:53 [screaming]
00:05:56 Well, this is quite a revelation to me, Professor.
00:06:17 I mean, I had no idea an expert on insects
00:06:20 could provide the police with such invaluable help
00:06:22 in a homicide investigation.
00:06:24 Normally, we don't.
00:06:26 But I made the unfortunate error of becoming
00:06:29 an expert on cadaveric fauna.
00:06:32 [speaking italian]
00:06:34 John, we're not going through that whole number again, are we?
00:06:36 Oh, yes, we are.
00:06:37 Just like we did the first time you came here,
00:06:39 all those years ago.
00:06:41 Do you remember, Rudy, the first case we solved together?
00:06:45 When a dead body is exposed to the elements,
00:06:48 sooner or later, it's eaten up by insects.
00:06:51 Hey!
00:06:53 You naughty girl.
00:06:56 Hey.
00:06:58 Where did you get this?
00:07:00 You know you could cut yourself?
00:07:02 Look.
00:07:03 Here.
00:07:04 You could cut yourself with this.
00:07:06 See?
00:07:08 It's not a toy.
00:07:10 Not a toy.
00:07:12 Where did you find it?
00:07:14 Oh.
00:07:16 I...
00:07:18 And who, may I ask, put it out there?
00:07:23 I don't want you ever...
00:07:25 I don't want you ever, ever playing with this again.
00:07:28 [dog barks]
00:07:30 Oh, I forgot to introduce you.
00:07:35 This is Inga.
00:07:37 She's my nurse.
00:07:39 If I pick out something with my laser,
00:07:41 she never forgets it.
00:07:43 [chuckles]
00:07:45 She's also my friend, too.
00:07:48 Aren't you, Inga?
00:07:51 See?
00:07:52 But she's a very good nurse.
00:07:55 Insects that eat cadavers are divided into eight groups.
00:07:59 Eight groups of insects that follow one another,
00:08:02 installing themselves at exact moments
00:08:05 and on precise terms.
00:08:08 Never sooner and never later.
00:08:10 Ah.
00:08:11 We call them the eight squadrons of death.
00:08:14 First comes the common fly.
00:08:17 It lays its eggs in the rotting corpse.
00:08:21 And thus the cycle begins.
00:08:24 Each group stays 15 days.
00:08:27 Fifteen multiplied by eight.
00:08:31 The number of the groups is, uh...
00:08:33 Four months.
00:08:35 In the case of this head,
00:08:37 the cycle not only seems to be complete,
00:08:40 but to have been repeated,
00:08:42 which puts us at, uh...
00:08:44 Eight months.
00:08:45 Now I see.
00:08:46 By calculating the presence and the growth
00:08:49 of the flies or the maggots,
00:08:51 you can pinpoint the exact date of death.
00:08:54 Or murder.
00:08:55 So our victim was decapitated some eight months ago.
00:08:59 And 15 days.
00:09:01 Aren't you forgetting something?
00:09:03 15 days while the body was submerged in the lake,
00:09:06 before the putrefying gases brought it to the surface
00:09:10 and thence to the shore,
00:09:12 where the first flies arrived.
00:09:14 Eight and a half months, then.
00:09:16 Perhaps a little less.
00:09:18 The mountain wind of the fauna
00:09:20 was unusually warm this year.
00:09:22 So we could say that she lost her head
00:09:26 somewhere between September 7th and 10th.
00:09:30 Am I right, John?
00:09:31 Let's see now.
00:09:32 About that time, first girl to disappear...
00:09:36 That was September 9th.
00:09:38 14-year-old Danish tourist named Vera Brandt.
00:09:42 The body was never found.
00:09:44 Just like the other girls.
00:09:47 Like Greta.
00:09:51 Poor Greta.
00:09:54 She's on that list, too.
00:10:00 She's missing, all right, but we have no proof she's dead.
00:10:03 After finding this,
00:10:04 what's the use of hiding from the fires?
00:10:07 Perhaps.
00:10:09 There's a killer.
00:10:11 A vicious killer.
00:10:14 The old killer.
00:10:20 We'll get him.
00:10:22 And when we do...
00:10:26 Good night, Professor.
00:10:29 Good night.
00:10:32 (car alarm)
00:10:34 Do you know this part of the country?
00:10:59 No, this is my first trip to York.
00:11:01 It's a very unusual area.
00:11:03 People call it the Swiss Transylvania.
00:11:06 Why?
00:11:07 I don't know.
00:11:08 They just do.
00:11:09 So, you are the Corvino girl.
00:11:12 Your father is terribly...
00:11:14 Yes, isn't he?
00:11:15 I admire him very much.
00:11:17 I thought he might have come with you.
00:11:19 No.
00:11:20 Dad's working in the Philippines.
00:11:22 He'll be there for almost a year.
00:11:24 He can't even be reached by telephone.
00:11:27 Oh.
00:11:28 Well, in any case,
00:11:30 he's placed you in good hands.
00:11:32 You know, I'm sure you're going to like our school.
00:11:35 To begin with, we all speak English.
00:11:38 And then our academic program is based on the American one.
00:11:42 A bee!
00:11:44 Be careful, it might sting you.
00:11:46 (speaking Spanish)
00:11:48 No!
00:11:49 Leave me alone!
00:11:51 Look out!
00:11:53 No, don't kill it!
00:11:55 Please!
00:11:56 Stay here.
00:11:58 Don't touch it!
00:11:59 Stop yelling!
00:12:00 It's a bee!
00:12:01 I know.
00:12:02 It won't hurt me.
00:12:04 Insects never hurt me.
00:12:06 I love them.
00:12:08 You love them?
00:12:10 Yes.
00:12:11 I love all insects.
00:12:15 (wind blowing)
00:12:17 (music playing)
00:12:19 And so Jennifer arrives in Switzerland
00:12:31 from the New World
00:12:33 to pass her first memorable night
00:12:36 at the Richard Wagner International School for Girls.
00:12:41 (music playing)
00:12:43 Take the bags in, please.
00:12:51 Impressive, isn't it?
00:12:59 The estate was once Richard Wagner's home.
00:13:02 The school only occupies the main building.
00:13:05 The others are closed because they're not safe.
00:13:08 You can't go into them, ever.
00:13:10 Come along.
00:13:12 (music playing)
00:13:14 (music playing)
00:13:16 I'm starved.
00:13:39 Is there anything to eat?
00:13:40 No, sorry.
00:13:41 Because of the time changes,
00:13:43 I've had nothing but breakfast for two days.
00:13:46 What are they?
00:13:48 Baby food.
00:13:49 My parents left it when they came to visit me
00:13:52 with my little brother.
00:13:54 Chicken?
00:13:55 Beef?
00:13:57 Mixed vegetables.
00:14:00 He's seven months old.
00:14:02 I bet he's the only male who's ever seen me
00:14:05 inside of this place.
00:14:07 Mixed vegetables, great.
00:14:09 I'm a vegetarian.
00:14:10 I need a, um...
00:14:11 Spoon?
00:14:12 Yeah.
00:14:13 How is it?
00:14:35 Like cat food.
00:14:36 By the way, I'm Sophie.
00:14:38 I'm French.
00:14:39 Jennifer.
00:14:40 Hi.
00:14:41 Have you met the headmistress yet?
00:14:43 Oh, speaking of the devil.
00:14:47 You are the new girl.
00:14:49 You were expected this afternoon.
00:14:51 My plane was late because of bad weather.
00:14:54 Would you like some?
00:14:57 The school has its rules.
00:15:02 I'm sorry, but I must confiscate this.
00:15:04 Hey, wait!
00:15:05 You don't know who that is.
00:15:06 That's Will Carvino.
00:15:07 Sophie, that's enough.
00:15:08 Get into bed.
00:15:09 If you're smoking again, you will be sorry.
00:15:11 And you, young lady, to bed.
00:15:17 And switch off the light.
00:15:23 That bitch stealing Paul Carvino.
00:15:26 Yeah.
00:15:27 It's all right.
00:15:28 I have a bunch of them in my bag.
00:15:30 So, tomorrow, put them all up all over the room.
00:15:33 I've seen all his movies.
00:15:35 I saw his last one three times.
00:15:38 Lucky you.
00:15:39 He must have made me sit through it at least 15 times.
00:15:42 He says he trusts my opinion.
00:15:44 You mean you know him?
00:15:47 Yeah, of course I do.
00:15:49 Have you been to bed with him?
00:15:52 Paul Carvino is my father.
00:15:54 Oh, sorry.
00:15:56 It's all right.
00:15:58 Your mother lives in India and owns a hotel.
00:16:00 She remarried.
00:16:01 Your father never did.
00:16:03 You were only seven when they split up.
00:16:06 No, I was eight.
00:16:07 Eight.
00:16:08 You were seven.
00:16:09 How do you know so much about Paul Carvino?
00:16:12 I read "Scene in Review."
00:16:14 Oh.
00:16:15 Well, it was Christmas Day.
00:16:20 And we were opening presents together.
00:16:27 And the phone rang.
00:16:32 So, Mom answered it.
00:16:42 And she said, "I'll be right there."
00:16:53 And it was her lover.
00:16:57 So then she left.
00:17:02 And she never came back.
00:17:07 But I remember that Dad got 12 presents that year.
00:17:11 And he said the 13th was Mom walking out on him like that.
00:17:20 You didn't read that in "Scene in Review," did you?
00:17:23 You know, I'm really glad you're here.
00:17:25 I've always had to sleep alone.
00:17:27 It can be very scary.
00:17:29 Thanks for coming.
00:17:31 I'm the one who should thank you.
00:17:33 Don't let me forget.
00:17:34 I owe you a meal.
00:17:36 You know, there's a murderer around here.
00:17:38 A crazy man.
00:17:40 A maniac who kidnaps girls our age and kills them.
00:17:44 And then he hides the bodies.
00:17:47 Could we change the subject?
00:17:48 I need my sleep.
00:17:50 I'm really tired from the trip.
00:17:52 You're right.
00:17:54 Sometimes I lie awake all night thinking about it.
00:17:57 What do you think about before you fall asleep?
00:18:03 My father.
00:18:06 [SPEAKING ITALIAN]
00:18:13 You mind if I watch TV?
00:18:15 I've got earphones.
00:18:17 No problem.
00:18:19 Good night, Sophie.
00:18:20 Good night, Jennifer.
00:18:23 [EXPLOSION]
00:18:26 [MUSIC PLAYING]
00:18:29 [MUSIC PLAYING]
00:18:32 [MUSIC PLAYING]
00:18:35 [SCREAMING]
00:19:01 [SCREAMING]
00:19:04 [SCREAMING]
00:19:07 [MUSIC PLAYING]
00:19:11 [MUSIC PLAYING]
00:19:14 [MUSIC PLAYING]
00:19:35 [MUSIC PLAYING]
00:19:39 [MUSIC PLAYING]
00:19:42 [MUSIC PLAYING]
00:19:45 [MUSIC PLAYING]
00:20:13 [SCREAMING]
00:20:16 [SCREAMING]
00:20:19 [SCREAMING]
00:20:22 [MUSIC PLAYING]
00:20:25 [MUSIC PLAYING]
00:20:28 [MUSIC PLAYING]
00:20:32 [MUSIC PLAYING]
00:20:36 [MUSIC PLAYING]
00:20:40 [MUSIC PLAYING]
00:20:43 [MUSIC PLAYING]
00:20:47 [GASPING]
00:20:50 [GASPING]
00:20:53 [GASPING]
00:20:56 [GASPING]
00:20:59 [GASPING]
00:21:02 [GASPING]
00:21:05 [GASPING]
00:21:08 [GASPING]
00:21:11 [MUSIC PLAYING]
00:21:14 [MUSIC PLAYING]
00:21:17 [MUSIC PLAYING]
00:21:21 [MUSIC PLAYING]
00:21:24 [MUSIC PLAYING]
00:21:28 [MUSIC PLAYING]
00:21:31 [MUSIC PLAYING]
00:21:34 [MUSIC PLAYING]
00:21:38 [MUSIC PLAYING]
00:21:42 [MUSIC PLAYING]
00:21:46 [MUSIC PLAYING]
00:21:51 [MUSIC PLAYING]
00:21:55 [MUSIC PLAYING]
00:21:59 [MUSIC PLAYING]
00:22:03 [MUSIC PLAYING]
00:22:07 [MUSIC PLAYING]
00:22:11 [MUSIC PLAYING]
00:22:40 [SCREAMING]
00:22:44 [SCREAMING]
00:22:47 [MUSIC PLAYING]
00:23:01 [MUSIC PLAYING]
00:23:05 [MUSIC PLAYING]
00:23:09 [MUSIC PLAYING]
00:23:13 [SCREAMING]
00:23:23 [MUSIC PLAYING]
00:23:26 [MUSIC PLAYING]
00:23:30 [MUSIC PLAYING]
00:23:34 [MUSIC PLAYING]
00:23:37 [SCREAMING]
00:23:46 [MUSIC PLAYING]
00:23:50 [SCREAMING]
00:23:53 [MUSIC PLAYING]
00:23:57 [MUSIC PLAYING]
00:24:00 [MUSIC PLAYING]
00:24:04 [MUSIC PLAYING]
00:24:07 [SCREAMING]
00:24:10 [MUSIC PLAYING]
00:24:13 [MUSIC PLAYING]
00:24:15 [SPEAKING GERMAN]
00:24:16 [SPEAKING GERMAN]
00:24:19 Are you hurt?
00:24:20 [MUSIC PLAYING]
00:24:23 [MUSIC PLAYING]
00:24:27 Why are you dressed like that?
00:24:33 [MUSIC PLAYING]
00:24:36 Do you understand me?
00:24:37 [MUSIC PLAYING]
00:24:41 No.
00:24:41 [MUSIC PLAYING]
00:24:45 [MUSIC PLAYING]
00:24:48 [SPEAKING GERMAN]
00:24:52 [SPEAKING GERMAN]
00:24:55 Cut it out!
00:25:17 Is it silly, you little shit?
00:25:19 [SCREAMING]
00:25:22 [MUSIC PLAYING]
00:25:25 [GASPING]
00:25:28 [SPEAKING GERMAN]
00:25:31 [MUSIC PLAYING]
00:25:40 [SCREECHING]
00:25:41 [MUSIC PLAYING]
00:25:46 [MUSIC PLAYING]
00:25:50 [MUSIC PLAYING]
00:25:54 [MUSIC PLAYING]
00:25:58 [MUSIC PLAYING]
00:26:01 [MUSIC PLAYING]
00:26:04 [MUSIC PLAYING]
00:26:08 [SCREAMING]
00:26:29 [MUSIC PLAYING]
00:26:32 [MUSIC PLAYING]
00:26:36 [SCREAMING]
00:26:37 [MUSIC PLAYING]
00:26:40 [MUSIC PLAYING]
00:26:43 [MUSIC PLAYING]
00:26:54 [MUSIC PLAYING]
00:26:59 [SCREAMING]
00:27:01 [MUSIC PLAYING]
00:27:05 Is this the first time you've been sleepwalking?
00:27:11 No.
00:27:12 It's happened before in the States.
00:27:16 You look a mess, child.
00:27:18 Have you any idea where you've been?
00:27:20 No.
00:27:27 It's all blank.
00:27:29 I never remember anything.
00:27:30 My savior.
00:27:38 So you're American.
00:27:39 Mm-hmm.
00:27:40 I'm studying at the Academy.
00:27:42 Where are you from?
00:27:43 I'm from Scotland.
00:27:44 I came here as a student and stayed to teach.
00:27:48 Then I had this accident, and I haven't moved since.
00:27:53 What do you teach?
00:27:54 Entomology.
00:27:56 I study insects.
00:27:59 Really?
00:28:00 Do insects interest you?
00:28:02 Yeah, a lot.
00:28:04 I love them.
00:28:04 You mean that?
00:28:06 Absolutely.
00:28:08 Why?
00:28:09 You remind me of another girl.
00:28:11 Greta.
00:28:12 She used to come here sometimes, help out.
00:28:15 Mostly secretarial work.
00:28:17 And then--
00:28:19 Then?
00:28:20 She was supposed to come here one night.
00:28:21 She never arrived.
00:28:24 The killer got her.
00:28:26 What do you know about that?
00:28:26 Well, you used the past tense, as if she were dead.
00:28:36 She left a coat here.
00:28:38 You must be frozen, child.
00:28:41 It should fit you.
00:28:43 It's upstairs.
00:28:44 Here, she'll show you where it is.
00:28:46 [HORN HONKING]
00:28:50 [HORN HONKING]
00:28:53 [HORN HONKING]
00:28:56 [HORN HONKING]
00:28:59 [HORN HONKING]
00:29:02 [HORN HONKING]
00:29:05 [HORN HONKING]
00:29:08 [HORN HONKING]
00:29:11 [HORN HONKING]
00:29:14 [HORN HONKING]
00:29:17 [HORN HONKING]
00:29:20 No, wait a second.
00:29:21 Wait a second.
00:29:22 Wait.
00:29:23 Wait.
00:29:24 [DOG BARKING]
00:29:25 Now, he's all right here.
00:29:27 [DOG BARKING]
00:29:30 Oh, that's a good boy.
00:29:33 Hey.
00:29:35 Now, don't play any tricks.
00:29:36 Bullseye.
00:29:40 [CHUCKLES]
00:29:43 What beats me is that never misses.
00:29:49 The species is supposed to be practically blind.
00:29:52 [CRICKETS CHIRPING]
00:29:56 Thanks.
00:29:59 Be careful.
00:30:00 You're in range.
00:30:01 Won't do anything to me.
00:30:02 You look like Greta in that coat.
00:30:08 She liked insects, too.
00:30:14 They didn't like her the way that one likes you.
00:30:17 That sound that you can hear is a mating call.
00:30:24 You're exciting it.
00:30:25 Smell it.
00:30:31 Go on.
00:30:32 Go on, smell it.
00:30:33 Smell it.
00:30:34 It's sort of sweet.
00:30:40 That substance is secreted by a gland.
00:30:44 It, too, is meant to attract a mate.
00:30:48 You're exciting him, and he's doing his best to excite you.
00:30:54 And to think we only just met.
00:30:57 Isn't the mating season?
00:31:00 I can't understand it.
00:31:01 I've never seen anything like it before.
00:31:06 Well, thanks for everything.
00:31:13 [CRICKETS CHIRPING]
00:31:17 Stop by any time.
00:31:19 Good night.
00:31:25 You make an old man happy.
00:31:27 Take the cable car.
00:31:28 It's only a five minute ride from the town.
00:31:32 I don't know.
00:31:33 Maybe.
00:31:35 And mind how you go with that sleepwalking.
00:31:38 If it happens to you again, you must say, I am sleepwalking.
00:31:42 I must wake up.
00:31:44 I am sleepwalking.
00:31:46 I must wake up.
00:31:49 I am sleepwalking.
00:31:51 I must wake up.
00:31:53 I am sleepwalking.
00:31:54 I won't need it.
00:31:59 I haven't had an attack for ages.
00:32:03 It must have been the trip out.
00:32:06 Or maybe the change of air.
00:32:09 [CRICKETS CHIRPING]
00:32:12 Maybe the wind.
00:32:16 The wind, yes.
00:32:19 The phone.
00:32:20 A very particular wind.
00:32:22 Typical of this part of the country.
00:32:25 It comes from the Alps.
00:32:28 The blasts of warm air cause snow avalanches.
00:32:33 Make the flowers grow.
00:32:36 The hatching of the larvae.
00:32:39 Some people get headaches.
00:32:43 When it blows, there are those who say it causes madness.
00:32:48 It's a strange part of the country.
00:32:52 The Swiss Transylvania.
00:33:02 Will someone please tell me what this EEG is supposed to do?
00:33:06 What you did last night is highly irregular.
00:33:09 No student ever left the school the night before.
00:33:13 How many times do I have to tell you that I didn't walk out on purpose?
00:33:18 I walk in my sleep.
00:33:21 It happens.
00:33:23 But it is not normal.
00:33:25 It's our duty to know more.
00:33:27 But I know everything there is to know about it.
00:33:30 I've been examined by the best.
00:33:33 It's not an illness.
00:33:35 But this could be leading up to something far more serious.
00:33:38 You say you remember nothing.
00:33:40 This is not a matter of talking in your sleep or ransacking the fridge.
00:33:45 It could be leading up to a new personality trying to emerge.
00:33:49 Sometimes it's a first step on the path to schizophrenia.
00:33:55 So you think I'm crazy, huh?
00:33:57 Well, you can forget your EEG.
00:34:01 There now. Calm down. Calm down.
00:34:05 Okay. Okay. Go ahead.
00:34:08 I'll show you which one of us is crazy.
00:34:11 [Gasping]
00:34:27 [Gasping]
00:34:30 [Gasping]
00:34:42 Do you suffer from epilepsy?
00:34:45 Or do you take something like, do you understand, drugs?
00:34:53 I am not crazy, schizophrenic, epileptic, or stoned.
00:35:00 [Sigh]
00:35:02 [Footsteps]
00:35:05 [Indistinct chatter]
00:35:11 [Speaking Italian]
00:35:18 [Indistinct chatter]
00:35:23 Hello? Shapiro Evans?
00:35:25 Hi. Um, I'd like to speak to Morris, please.
00:35:28 I mean, Mr. Shapiro.
00:35:31 Jennifer Corvino?
00:35:34 Right. Paul Corvino's daughter.
00:35:38 He's out of town?
00:35:42 Three days?
00:35:45 What do you mean it's a holiday? What holiday is it?
00:35:49 Passover?
00:35:53 [Indistinct chatter]
00:35:57 Hey, have you heard? She walks in her sleep.
00:36:00 Walks in her sleep? If you ask me, she's got problems.
00:36:04 So that's Paul Corvino's daughter.
00:36:06 That still doesn't give her the right to be such a show-off.
00:36:11 Here she comes.
00:36:17 What's wrong? Damn Morris.
00:36:19 Who's he? Your boyfriend?
00:36:21 No. He's my father's agent and attorney.
00:36:24 I wanted to tell him to get me out of this shitty school. He found it.
00:36:27 Why do you want to leave?
00:36:29 Your little brother isn't the only male to have graced this place.
00:36:32 First, you forgot the doctor.
00:36:34 He's not a man. He's got more hands than the entire basketball team.
00:36:38 And second, you forgot the killer.
00:36:40 Killer?
00:36:48 What is the poet trying to say with these words?
00:36:52 Well, who's going to answer?
00:36:55 You tell us.
00:36:57 Me? Yes, you, Elizabeth.
00:37:01 I think the poet took the words right out of a bitisson.
00:37:09 That's very funny.
00:37:11 The poet in question is Abraham Cowling.
00:37:13 What if the killer saw me?
00:37:17 I'm really scared.
00:37:19 I would be too.
00:37:22 Can you imagine if I walk in my sleep again tonight and run right into him?
00:37:29 Please, promise you'll keep an eye on me tonight.
00:37:32 We'll lock the door.
00:37:34 And if you hear me get up or do anything, won't you?
00:37:38 Promise?
00:37:41 Please say yes.
00:37:43 Sophie, you tell us.
00:37:45 Me? Yes. Stand up.
00:37:49 Um...
00:37:52 The poet, through his oracular style...
00:37:54 The poet, through his oracular style...
00:37:56 Oracular.
00:37:58 Oracular style...
00:37:59 Tells us of the dangers we face, should we forget the sense and meaning of the past.
00:38:03 Tells us of the dangers we face, should we forget the sense and meaning of the past.
00:38:08 And do you believe that danger exists?
00:38:11 Screw the past.
00:38:12 Screw the past.
00:38:14 (chatter)
00:38:17 Let us, Sophie.
00:38:21 Silence! And what about ancient Greece?
00:38:24 Shakespeare.
00:38:25 Okay, I'll keep an eye on you tonight.
00:38:28 And Richard Wagner.
00:38:29 Richard Gere.
00:38:30 (chatter)
00:38:34 (chatter)
00:38:37 (phone vibrates)
00:38:45 (door opens)
00:38:58 (door closes)
00:39:01 (door opens)
00:39:05 (door closes)
00:39:08 (door opens)
00:39:11 (door opens)
00:39:14 (door closes)
00:39:17 (door opens)
00:39:20 (door opens)
00:39:23 (suspenseful music)
00:39:26 (suspenseful music)
00:39:29 (suspenseful music)
00:39:32 (suspenseful music)
00:39:35 (suspenseful music)
00:39:38 (suspenseful music)
00:39:41 (suspenseful music)
00:39:44 (suspenseful music)
00:39:47 (suspenseful music)
00:39:50 (suspenseful music)
00:39:53 (suspenseful music)
00:39:56 (suspenseful music)
00:39:59 (speaking in foreign language)
00:40:03 (speaking in foreign language)
00:40:06 (dramatic music)
00:40:09 (speaking in foreign language)
00:40:13 (dramatic music)
00:40:21 (gasping)
00:40:37 (dramatic music)
00:40:40 - Like it? - Nice.
00:40:46 Where did it come from?
00:40:48 - I put it on by mistake.
00:40:50 Guess who it belongs to?
00:40:51 Paul Corvino's daughter.
00:40:54 - Yeah, the actor.
00:40:55 - Yes.
00:40:56 Her name is Jennifer and she's my roommate.
00:41:00 - All right.
00:41:01 - Oh yes, he's fantastic.
00:41:04 All those muscles.
00:41:06 - Not him, her.
00:41:07 What is she like?
00:41:08 - Oh, she's pretty.
00:41:10 She wears her hair like mine.
00:41:13 You know, I have to watch her at night
00:41:14 because she walks in her sleep.
00:41:16 - Walks in her sleep?
00:41:17 - Yeah.
00:41:18 She gets up and she walks like this.
00:41:20 (dramatic music)
00:41:24 (dramatic music)
00:41:27 - Really, Sophie, I have to go.
00:41:39 I have to join my regiment at dawn.
00:41:41 And you know it's nearly a three hour trip.
00:41:44 - Come on, stay a while longer.
00:41:46 - I can't, I really have to go.
00:41:48 - You shit.
00:41:51 - What did you say?
00:41:52 - I said fuck you.
00:41:53 (dramatic music)
00:42:04 (dramatic music)
00:42:06 (dramatic music)
00:42:09 (dramatic music)
00:42:34 (dramatic music)
00:42:37 (screaming)
00:42:48 (dramatic music)
00:42:50 (dramatic music)
00:43:04 (dramatic music)
00:43:06 (dramatic music)
00:43:11 - Sleepwalking.
00:43:25 I must.
00:43:32 I must wake up.
00:43:33 (dramatic music)
00:43:37 (gasping)
00:43:50 (gasping)
00:43:52 Sophie?
00:44:04 (gasping)
00:44:15 (screaming)
00:44:17 (screaming)
00:44:19 (dramatic music)
00:44:34 (dramatic music)
00:44:37 (dramatic music)
00:44:40 (dramatic music)
00:44:42 (dramatic music)
00:44:45 (dramatic music)
00:44:51 (screaming)
00:45:10 (dramatic music)
00:45:13 (dramatic music)
00:45:16 (dramatic music)
00:45:35 (dramatic music)
00:45:37 (dramatic music)
00:45:40 (dramatic music)
00:45:43 (dramatic music)
00:45:46 (dramatic music)
00:45:49 (dramatic music)
00:45:52 (dramatic music)
00:46:10 (dramatic music)
00:46:13 (dramatic music)
00:46:26 (dramatic music)
00:46:40 (dramatic music)
00:46:43 (dramatic music)
00:46:45 (dramatic music)
00:47:03 (dramatic music)
00:47:06 (thunder)
00:47:21 (thunder)
00:47:23 (screaming)
00:47:38 (thunder)
00:47:44 (thunder)
00:47:46 - The police came this morning.
00:47:59 My pal, the head mistress,
00:48:01 told them not to believe anything I say
00:48:03 because she thinks I'm crazy.
00:48:04 Maybe you think I'm crazy too, Dad,
00:48:06 if production ever gets this letter to you.
00:48:09 I mean, there was really nothing I could do.
00:48:11 I was so scared that I couldn't say anything
00:48:13 about what I saw or why I screamed.
00:48:16 (thunder)
00:48:19 (thunder)
00:48:40 (birds chirping)
00:48:42 - So you think the glove belonged to the killer?
00:48:49 - Yeah, I'm sure of it.
00:48:51 But why the mangan?
00:48:54 - The larvae.
00:48:57 If you give me time, I'll identify them.
00:49:02 I'll be able to give you an answer.
00:49:08 Perhaps to some other questions as well.
00:49:11 - You're on, Professor.
00:49:12 Oh, it's all right, I know the way.
00:49:16 - Jennifer.
00:49:19 You're forgetting your notebooks.
00:49:23 - Thanks.
00:49:25 - Have you any idea why they behave like that?
00:49:28 You've never done this before.
00:49:31 (speaking in foreign language)
00:49:35 - I guess they sense the mood I'm in.
00:49:37 I'm often in a bad mood.
00:49:39 Upset about something, but they don't carry on like this.
00:49:44 In ancient Greece, the butterfly symbolized the soul,
00:49:51 so-called psyche.
00:49:53 From the Greek, butterfly, psyche.
00:49:58 What is this association between insects
00:50:01 and the human soul?
00:50:06 - Is it because of the multifarious mystery of the both?
00:50:11 And we know something about that, don't we?
00:50:16 - Okay, okay.
00:50:21 See that glove?
00:50:26 An insect.
00:50:29 A firefly led me to it.
00:50:32 (birds chirping)
00:50:35 The police came to the school.
00:50:39 They asked me a lot of questions,
00:50:44 but I didn't tell them how I found the glove.
00:50:46 I didn't want them to think I was crazy.
00:50:51 - You can tell me.
00:50:56 I'm not the police.
00:50:57 What happened?
00:50:59 (birds chirping)
00:51:02 - I was standing alone,
00:51:06 in the dark,
00:51:10 and
00:51:12 I needed help.
00:51:16 And the firefly, it was like it heard me,
00:51:22 and it answered my call.
00:51:29 (birds chirping)
00:51:32 - You've calmed them down,
00:51:35 just by telling me that.
00:51:37 - That's ridiculous.
00:51:39 - It's new.
00:51:41 That's the essence of discovery to scientists.
00:51:44 If you only knew the things I've discovered,
00:51:48 things my fellow scientists consider absurd.
00:51:52 Extrasensory perception,
00:51:56 the paranormal powers
00:51:58 that are unusual in human beings
00:52:02 are perfectly natural in insects.
00:52:05 Some species communicate with each other
00:52:07 over vast distances.
00:52:10 By telepathy, these little creatures have enormous power.
00:52:14 I could give you a multitude of examples.
00:52:16 I wrote a book about this very subject.
00:52:20 You may have it.
00:52:22 It's perfectly normal for insects
00:52:24 to be slightly telepathic.
00:52:26 - Yeah, it's normal for insects.
00:52:29 But am I normal?
00:52:35 (light music)
00:52:41 Jennifer!
00:52:52 (laughing)
00:52:54 - But why me?
00:53:08 - Froylan Colvino cannot be left alone.
00:53:11 I want someone in here with her,
00:53:13 and I want to know everything she says and does.
00:53:17 - I'm scared of her.
00:53:18 She arrived and Sophie disappeared.
00:53:20 Plus, she's crazy.
00:53:22 - Listen to this.
00:53:22 Dear Dad,
00:53:27 ah, here it is.
00:53:31 Do you remember what the doctor said
00:53:33 about sleepwalking manifesting a split personality?
00:53:36 It's true.
00:53:37 My second personality is emerging.
00:53:40 Do you know how?
00:53:41 I communicate with insects.
00:53:43 - I mean, I've discovered I have power over them.
00:53:51 I'm not kidding.
00:53:53 I even have a witness,
00:53:55 the famous entomologist John McGregor, who lives near here.
00:53:59 We've become friends and I--
00:54:00 - She is crazy.
00:54:01 This is mine.
00:54:04 - Hey Jennifer, listen.
00:54:16 - What?
00:54:17 (buzzing)
00:54:18 - I'm a societor.
00:54:20 - Look at my spider.
00:54:21 - And I'm a robot.
00:54:21 Speak and you shall be obeyed.
00:54:23 - No, no.
00:54:24 Stop it, stop it.
00:54:27 - I'm a killer spray.
00:54:27 - Death to all insects.
00:54:28 (screaming)
00:54:31 - I'm a fly.
00:54:31 (laughing)
00:54:34 (chattering)
00:54:36 - Look, I'm a spider.
00:54:38 I'm a spider.
00:54:41 I'm a robot.
00:54:43 (screaming)
00:54:45 (chanting)
00:54:48 - Now that's enough, girls.
00:54:56 (chanting)
00:54:59 (eerie music)
00:55:14 (chanting)
00:55:16 - I love you.
00:55:27 I love you all.
00:55:31 I love all of you.
00:55:38 (eerie music)
00:55:41 (buzzing)
00:55:47 (chattering)
00:55:49 (buzzing)
00:55:51 (chattering)
00:55:54 (buzzing)
00:55:56 (chattering)
00:55:58 (buzzing)
00:56:01 (chattering)
00:56:03 (buzzing)
00:56:05 (chattering)
00:56:08 (eerie music)
00:56:33 (chattering)
00:56:35 - She's still asleep.
00:56:50 - I called an ambulance to have her
00:56:51 taken to the mental hospital.
00:56:53 They'll be here any minute.
00:56:55 At least they'll be better equipped to keep her calm.
00:56:58 - But is she insane?
00:57:00 - Well, she's not normal.
00:57:03 She's diabolic.
00:57:04 - Diabolic?
00:57:05 - Yes.
00:57:06 The Bible also refers to the devil as Baal Zibub,
00:57:10 which means Lord of the Flies.
00:57:14 Look at her, the Lady of the Flies.
00:57:18 Call me as soon as she wakes up.
00:57:23 (door clattering)
00:57:26 (clock ticking)
00:57:28 (clock ticking)
00:57:31 (clock ticking)
00:57:34 (clock ticking)
00:57:37 (clock ticking)
00:57:40 (clock ticking)
00:57:59 (clock ticking)
00:58:02 (clock ticking)
00:58:04 (clock ticking)
00:58:07 (clock ticking)
00:58:10 (clock ticking)
00:58:12 (clock ticking)
00:58:15 (clock ticking)
00:58:18 (clock ticking)
00:58:20 (clock ticking)
00:58:46 (clock ticking)
00:58:48 (clattering)
00:59:07 (clock ticking)
00:59:09 (clattering)
00:59:28 (car engine roaring)
00:59:33 (car door slamming)
00:59:36 (car door slamming)
00:59:39 (car engine roaring)
01:00:05 - Diabolic.
01:00:06 (laughing)
01:00:08 Hey, does Jennifer look like a devil to you?
01:00:13 Huh?
01:00:14 (laughing)
01:00:17 - No, you're not the devil.
01:00:19 The only devil around here is the killer.
01:00:22 But I understand how you must be feeling.
01:00:26 I know what it feels like to be different.
01:00:30 And the conditions that go with it,
01:00:33 pity, irony, revulsion, annoyance.
01:00:38 People have the ability to make you almost hate yourself.
01:00:42 There's a big difference between you and me.
01:00:46 When that car bashed into me, I lost something,
01:00:49 but you, you gained something.
01:00:52 You're in a position to do extraordinary things
01:00:56 with that gift of yours.
01:00:59 Come on, I wanna show you something.
01:01:03 (grunting)
01:01:04 Come on, in here.
01:01:05 Look.
01:01:12 These were inside the glove.
01:01:15 Loveye of the great sarcophagus.
01:01:20 Rather menacing name,
01:01:22 appropriate to the insect that bears it.
01:01:24 (chicken clucking)
01:01:30 - That's exclusively off dead bodies, human remains.
01:01:35 - The great sarcophagus?
01:01:38 What a weird name.
01:01:42 - The destroyer.
01:01:44 The flesh eater.
01:01:47 It is capable of picking up the scent
01:01:50 of a dead body over vast distances.
01:01:53 Its sensory perception is extraordinary, quite unique.
01:01:59 - But why did the glove have so many Loveye in it?
01:02:02 - Perhaps because when the murderer hides his victims,
01:02:05 he likes to keep in physical contact with them,
01:02:08 conserving them.
01:02:11 He is a psychopath.
01:02:15 If we mean to get him,
01:02:18 we have to call on the services
01:02:19 of the two greatest detectives ever known.
01:02:23 Perhaps I should say unknown.
01:02:28 Unknown up until now.
01:02:30 - Who were they?
01:02:34 - You and him.
01:02:37 The great sarcophagus.
01:02:45 - Put out your hand.
01:02:58 There.
01:02:58 See?
01:03:01 He's not afraid of you.
01:03:03 He won't do that for me.
01:03:05 Ask him to lead you where the dead bodies are hidden
01:03:08 and he'll lead you.
01:03:09 That fly is your magic wand.
01:03:13 - You think it'll work?
01:03:16 - With your gift.
01:03:18 - It'll take a lifetime.
01:03:21 It could be anywhere.
01:03:24 - Not anywhere.
01:03:27 - On a 52 kilometer route,
01:03:30 the first girl to disappear was a Danish tourist.
01:03:34 She took a bus of the Red Line.
01:03:37 It starts from the city square on a 52 kilometer route,
01:03:41 calling out various tourist traps on the way.
01:03:44 She was seen getting on that bus.
01:03:47 When you get near to the killer's house,
01:03:51 you'll know about it soon enough
01:03:53 because the sarcophagus will go crazy
01:03:57 and head straight for the dead bodies.
01:03:59 All you have to do is follow it and come straight back.
01:04:03 Do you feel up to it?
01:04:06 - Yeah.
01:04:09 I want him caught.
01:04:11 For Sophie.
01:04:16 She was my friend.
01:04:23 And I want him caught.
01:04:24 Magritte, I wish you all the luck in the world.
01:04:29 My two detectives.
01:04:31 (wind howling)
01:04:35 (wind howling)
01:04:38 (wind howling)
01:04:40 (helicopter whirring)
01:05:06 (helicopter whirring)
01:05:09 (helicopter whirring)
01:05:20 (wind howling)
01:05:23 (wind howling)
01:05:43 (wind howling)
01:05:46 (wind howling)
01:05:58 (speaking in foreign language)
01:06:08 (speaking in foreign language)
01:06:11 (helicopter whirring)
01:06:35 (wind howling)
01:06:37 (helicopter whirring)
01:06:52 - Wait, wait, please!
01:07:05 (door clicking)
01:07:07 Thanks.
01:07:08 (helicopter whirring)
01:07:11 (somber music)
01:07:32 (wind howling)
01:07:34 (dramatic music)
01:07:58 (wind howling)
01:08:02 (dramatic music)
01:08:05 (wind howling)
01:08:14 (dramatic music)
01:08:28 (wind howling)
01:08:31 (dramatic music)
01:08:48 (wind howling)
01:08:50 (dramatic music)
01:09:07 (wind howling)
01:09:10 (dramatic music)
01:09:27 (thudding)
01:09:36 (dramatic music)
01:09:39 (thudding)
01:09:49 (thudding)
01:10:01 (dramatic music)
01:10:04 (thudding)
01:10:22 (dramatic music)
01:10:25 (wind howling)
01:10:32 (wind howling)
01:10:49 (dramatic music)
01:10:51 (thudding)
01:11:11 (wind howling)
01:11:13 (thudding)
01:11:21 (thudding)
01:11:26 (thudding)
01:11:37 (thudding)
01:11:40 (thudding)
01:11:42 (screaming)
01:12:02 - What are you doing here?
01:12:06 - I was following a--
01:12:08 - Who are you?
01:12:09 You came here to steal, did you?
01:12:11 - No, I was looking for someone.
01:12:13 - You were looking for someone.
01:12:15 Come on, the house is empty.
01:12:17 No one's lived here since the former tenants
01:12:19 moved out eight months ago.
01:12:22 The house is for sale.
01:12:24 - I'm sorry, I'm really sorry.
01:12:26 I didn't mean to cause any harm.
01:12:28 - Hey!
01:12:29 (footsteps thudding)
01:12:36 (wind howling)
01:12:39 (dramatic music)
01:13:04 (water dripping)
01:13:33 - May I help you?
01:13:35 - Who are you?
01:13:36 - I'm the estate agent.
01:13:38 If you're looking for a house, I'm your man.
01:13:40 - Uh-huh.
01:13:41 Anyone living in the house now?
01:13:44 - No.
01:13:45 By the way, where did you come from?
01:13:47 I didn't hear you drive up.
01:13:49 - I came from the back.
01:13:51 How long has the house been empty?
01:13:54 - I don't know.
01:13:55 Seven, eight months maybe.
01:13:57 - Who was living here before?
01:13:58 - I would have to check at the agency.
01:14:00 But we do not give out that kind of information.
01:14:03 It's absolutely confidential.
01:14:05 And against our company--
01:14:06 - I'm Inspector Geiger.
01:14:08 (speaking in foreign language)
01:14:12 (car horn honking)
01:14:27 (wind howling)
01:14:30 (dog whimpering)
01:14:35 (dog barking)
01:14:46 (door slamming)
01:14:53 (dog barking)
01:14:56 (wind howling)
01:14:59 (dog whimpering)
01:15:06 (dog barking)
01:15:12 (dog whimpering)
01:15:15 (door slamming)
01:15:23 (dog barking)
01:15:26 (dog whimpering)
01:15:36 (dog barking)
01:15:46 (dog whimpering)
01:15:49 (door slamming)
01:15:52 (dog barking)
01:15:56 - Hang on.
01:16:05 You got yourself out here, silly girl.
01:16:08 Come here, baby.
01:16:10 Stop my feeling.
01:16:12 (dog whimpering)
01:16:15 I wonder if there's something going on around here.
01:16:19 (dog barking)
01:16:20 Who's there?
01:16:21 Is someone there?
01:16:24 What?
01:16:26 Why?
01:16:27 (dog whimpering)
01:16:28 Who is it?
01:16:29 (dog barking)
01:16:32 Answer me!
01:16:34 Who are you?
01:16:35 (dog whimpering)
01:16:38 (dog barking)
01:16:48 (dog barking)
01:16:51 (dog whimpering)
01:16:54 (dog whimpering)
01:17:15 (tires screeching)
01:17:18 (tires screeching)
01:17:24 ♪ You know I know it, you know I can do it ♪
01:17:43 ♪ Feel me howling, catching up with you ♪
01:17:46 ♪ Space at the station, beating up the track ♪
01:17:50 ♪ Check out your times, I ain't never coming back ♪
01:17:53 ♪ You know I'm rolling ♪
01:17:57 ♪ Real rolling ♪
01:18:01 ♪ I'm exploding ♪
01:18:04 ♪ I'm exploding ♪
01:18:08 ♪ I'm exploding ♪
01:18:10 ♪ I'm exploding ♪
01:18:16 Most of our patients are kept under restraint.
01:18:19 Take my word for it, Inspector.
01:18:21 The person you're looking for is not one of ours.
01:18:24 No one's ever escaped from here.
01:18:26 Correct.
01:18:28 But I'm working from the exact opposite assumption.
01:18:33 How can I explain?
01:18:37 It isn't as if someone got out of your institution,
01:18:42 but rather got in.
01:18:45 You have had such a case, I believe.
01:18:48 Yes, a curious incident.
01:18:50 It happened about 15 years ago, here on the lower basement level.
01:18:54 Since then, it's only been accessible to members of the staff.
01:18:57 The further down one goes in this place,
01:18:59 the more monstrous the inmates become.
01:19:01 Probably the same in hell.
01:19:03 Until you reach the last circle,
01:19:05 the one without a center.
01:19:07 Shit, Morris, I'm telling you I won't stay here a minute longer.
01:19:28 I want to come home and I don't have the money for a ticket.
01:19:33 No, I ran away from school.
01:19:35 Because they want to lock me in an institution.
01:19:38 What?
01:19:41 It's a long story.
01:19:46 Get me back to L.A. and I'll tell you all about it.
01:19:49 Which bank do you use in Zurich?
01:19:51 The S.K.A. What does it stand for?
01:19:54 Send you some money.
01:19:56 The "Tel-ex" in my name.
01:19:59 Do it, Morris. I don't want to be murdered.
01:20:03 Yes, I said murder.
01:20:07 Someone here wants to kill me, and he's tried once already.
01:20:12 I'm sorry, I can't help you.
01:20:14 I'm sorry, I can't help you.
01:20:16 I'm sorry, I can't help you.
01:20:18 I'm sorry, I can't help you.
01:20:20 I'm sorry, I can't help you.
01:20:22 I'm sorry, I can't help you.
01:20:24 I'm sorry, I can't help you.
01:20:26 I'm sorry, I can't help you.
01:20:28 I'm sorry, I can't help you.
01:20:30 I'm sorry, I can't help you.
01:20:32 I'm sorry, I can't help you.
01:20:34 I'm sorry, I can't help you.
01:20:36 I'm sorry, I can't help you.
01:20:38 I'm sorry, I can't help you.
01:20:40 I'm sorry, I can't help you.
01:20:42 I'm sorry, I can't help you.
01:20:44 I'm sorry, I can't help you.
01:20:46 I'm sorry, I can't help you.
01:20:48 I'm sorry, I can't help you.
01:20:50 I'm sorry, I can't help you.
01:20:52 I'm sorry, I can't help you.
01:20:54 I'm sorry, I can't help you.
01:20:56 I'm sorry, I can't help you.
01:20:58 I'm sorry, I can't help you.
01:21:00 I'm sorry, I can't help you.
01:21:02 I'm sorry, I can't help you.
01:21:04 I'm sorry, I can't help you.
01:21:06 I'm sorry, I can't help you.
01:21:08 I'm sorry, I can't help you.
01:21:10 I'm sorry, I can't help you.
01:21:12 I'm sorry, I can't help you.
01:21:14 I'm sorry, I can't help you.
01:21:16 I'm sorry, I can't help you.
01:21:18 I'm sorry, I can't help you.
01:21:20 I'm sorry, I can't help you.
01:21:22 I'm sorry, I can't help you.
01:21:24 I'm sorry, I can't help you.
01:21:26 I'm sorry, I can't help you.
01:21:28 I'm sorry, I can't help you.
01:21:30 I'm sorry, I can't help you.
01:21:32 I'm sorry, I can't help you.
01:21:34 I'm sorry, I can't help you.
01:21:36 Can I wait here?
01:21:38 Sure, you can wait over there.
01:21:40 But I suggest you go for a walk.
01:21:42 I'll wait.
01:21:46 [footsteps]
01:21:48 [footsteps]
01:21:50 [footsteps]
01:21:52 [footsteps]
01:21:54 (clicking)
01:21:56 (clicking)
01:21:58 (clicking)
01:22:27 - Hello, Jennifer.
01:22:29 Your father's attorney, Mr. Shapiro, called us from New York.
01:22:35 He was very worried about you,
01:22:37 and extremely angry with us for, let's say, losing you.
01:22:41 - What a bastard.
01:22:43 - He sounded very reasonable on the phone.
01:22:46 He spoke to me, and only calmed down
01:22:48 when I told him I would come for you myself.
01:22:51 He said I would find you here.
01:22:53 - I'm not going back to that school.
01:22:54 - Of course not.
01:22:56 He said you want to go back to America immediately.
01:22:58 Is that true?
01:22:59 - Yes.
01:23:00 - Well, he authorized me to buy your ticket
01:23:03 and give you some money.
01:23:04 Is that all right?
01:23:06 - Okay.
01:23:09 - Good.
01:23:10 - Good luck.
01:23:20 - What time is my flight?
01:23:24 - Uh, 12th noon tomorrow.
01:23:25 Your last flight out today has already left.
01:23:28 - Then what about tonight?
01:23:30 I'm not gonna sleep at the school.
01:23:33 I'm not going back there, I'm not gonna sleep there.
01:23:34 I never want to see the place again.
01:23:36 - Don't worry.
01:23:37 If that's what you want, it's all right.
01:23:39 Mr. Shapiro said to do whatever you wanted.
01:23:43 You can stay with me tonight.
01:23:51 - It's enormous.
01:23:54 Do you live here alone?
01:23:55 - No.
01:23:56 You'll sleep in here, Jennifer.
01:24:19 I hope you find it comfortable enough.
01:24:25 - It looks fine, thank you.
01:24:27 Why are the mirrors covered like that?
01:24:31 - I told you, I don't live alone.
01:24:32 I have a small son.
01:24:34 He's very sick.
01:24:35 I cover the mirrors for his sake.
01:24:39 He doesn't want to see his reflection.
01:24:42 I worry about him very much.
01:24:45 He's changed my life completely.
01:24:47 Sometimes I think he's driving me crazy.
01:24:51 - I'm sorry.
01:24:53 There are things that can happen in a woman's life.
01:24:56 But don't worry, you won't see him.
01:24:59 - Oh, I don't mind if--
01:25:00 - No.
01:25:02 It's better if you don't.
01:25:04 He stays in his room with his crazy thoughts.
01:25:08 Would you like something?
01:25:10 A cup of tea?
01:25:11 - No, I don't want to bother you.
01:25:13 - It's no bother.
01:25:14 (footsteps)
01:25:16 (footsteps)
01:25:19 (footsteps)
01:25:21 (footsteps)
01:25:23 (doorbell rings)
01:25:38 (suspenseful music)
01:25:49 (doorbell rings)
01:25:52 (door opens)
01:25:57 - I'm sorry.
01:26:06 I kicked the train by mistake.
01:26:08 It hit him.
01:26:10 Maybe he's hurt.
01:26:11 - Hurt?
01:26:13 - Don't grab him like that.
01:26:19 - Why not?
01:26:20 - What on earth are you thinking?
01:26:21 (door slams)
01:26:22 This is my son.
01:26:23 It's only a doll.
01:26:26 You're a very sensitive young lady.
01:26:30 Are you frightened?
01:26:32 - No, no.
01:26:33 - Yes, you are.
01:26:35 I can see it in your eyes.
01:26:37 You're burning up.
01:26:41 You have a fever.
01:26:43 - No, I don't.
01:26:44 - Yes, you do.
01:26:46 In this part of the country, with this wind.
01:26:49 It's hardly surprising.
01:26:51 I'll get you a pill.
01:26:53 You don't want to leave with a cold tomorrow, do you?
01:26:57 Imagine what Mr. Shapiro would say.
01:27:16 - You should take them both,
01:27:17 but if you prefer, one is enough.
01:27:20 - I don't want any pills.
01:27:22 Where's the bathroom?
01:27:25 - The bathroom is over there.
01:27:27 And you will take the pills.
01:27:29 (speaks in foreign language)
01:27:33 - All right, I'll take the pills.
01:27:59 I'll get you some water.
01:28:00 - I can get it myself.
01:28:02 Shit, get out of the way.
01:28:05 May I close the door?
01:28:10 What a bitch.
01:28:28 (suspenseful music)
01:28:31 (suspenseful music)
01:28:34 (suspenseful music)
01:28:37 (suspenseful music)
01:28:51 (water splashing)
01:28:58 (suspenseful music)
01:29:02 (water splashing)
01:29:04 (suspenseful music)
01:29:17 (water splashing)
01:29:22 (suspenseful music)
01:29:25 (water splashing)
01:29:28 (doorbell ringing)
01:29:38 (suspenseful music)
01:29:46 - Larvae of the great sarcophagus.
01:29:52 It lives exclusively off dead bodies.
01:29:55 Only the human remains.
01:29:57 (Larvae screams)
01:30:00 - Liza.
01:30:14 (Liza coughs)
01:30:16 (Liza coughs)
01:30:19 (Liza coughs)
01:30:21 (Liza coughs)
01:30:33 - Jennifer, what are you doing?
01:30:43 - What?
01:30:45 - Jennifer, answer me.
01:30:46 Open the door.
01:30:48 I said, what are you doing?
01:30:50 Answer me, Jennifer.
01:30:52 Open the door this instant.
01:30:55 Open the door.
01:31:01 Answer me.
01:31:03 How dare you behave like this?
01:31:05 (Liza coughs)
01:31:10 Jennifer.
01:31:11 (Liza coughs)
01:31:13 (Liza coughs)
01:31:16 Let me in.
01:31:29 Let me in.
01:31:31 (door thuds)
01:31:34 Why didn't you open the door?
01:31:47 What were you doing?
01:31:48 Did you take the pill?
01:31:49 What were you doing?
01:31:51 (Liza sighs)
01:31:54 (door thuds)
01:31:56, (Liza gasps)
01:32:01, (Liza gasps)
01:32:06 (door creaks)
01:32:08 (Liza gasps)
01:32:13 - No!
01:32:23 (door thuds)
01:32:28 (keys clacking)
01:32:31 (Liza gasps)
01:32:40 (Liza gasps)
01:32:43 (Liza speaks in foreign language)
01:32:47, (door creaks)
01:32:52, (door creaks)
01:33:20 - Help, help, help, help, help, help.
01:33:23 (door thuds)
01:33:27 (Liza gasps)
01:33:35 (door creaks)
01:33:49 (door thuds)
01:33:51 (door thuds)
01:33:57 - 15 years ago, when you were still working in Basel,
01:34:08 you were assaulted.
01:34:11 Surely you haven't forgotten the incident.
01:34:16 - No.
01:34:17 Look at this.
01:34:18 Oh, he pulled me to him through the bars.
01:34:23 There were bars between us.
01:34:25 - I understand, Frau Bruckner.
01:34:27 Forgive me.
01:34:28 But we have to be precise.
01:34:31 So you moved here eight months ago, is that correct?
01:34:37 - Yes, that is so, Inspector.
01:34:39 Please, come this way.
01:34:40 - And where were you living before that?
01:34:46 - Outside Zurich.
01:34:47 (door thuds)
01:35:14 (Liza gasps)
01:35:17 - Perhaps the murderer hides his victims.
01:35:23 He likes to keep in physical contact with them,
01:35:26 conserving them.
01:35:28 He's a psychopath.
01:35:29 (upbeat rock music)
01:35:42 (wood clatters)
01:35:45 (wood clatters)
01:35:48 (upbeat rock music)
01:35:51 (wood clatters)
01:35:56 (upbeat rock music)
01:36:17 (wood clatters)
01:36:19 (upbeat rock music)
01:36:22 (upbeat rock music)
01:36:25,
01:36:30 (upbeat rock music)
01:36:33 (upbeat rock music)
01:36:36 (wood clatters)
01:36:54 (upbeat rock music)
01:36:57 ♪ The smell of rusted leather ♪
01:37:07 ♪ The stinging iron mask ♪
01:37:09 ♪ As he comes and thrusts the carriage ♪
01:37:11 ♪ As the fencing mast is hung ♪
01:37:14 ♪ He taught you all he ever knew ♪
01:37:16 ♪ To fear the water man ♪
01:37:18 ♪ And now you think you're vengeance ♪
01:37:20 ♪ Your strings are evil red ♪
01:37:22 ♪ You'll die as a coward ♪
01:37:25 ♪ You'll be standing there ♪
01:37:27 ♪ In a corner of the garden ♪
01:37:29 ♪ Say the word ♪
01:37:31 ♪ You're looking for the hush ♪
01:37:33 ♪ For the thrill of the steel ♪
01:37:36 ♪ One man and his young heart ♪
01:37:40 (upbeat rock music)
01:37:43 (wood clatters)
01:37:52 (upbeat rock music)
01:37:55 (wood clatters)
01:38:02 (upbeat rock music)
01:38:09 (man speaking in foreign language)
01:38:22 (man speaking in foreign language)
01:38:26 - Mr. Shapiro? - Yes?
01:38:28 - The car rental agency.
01:38:29 Your car is right outside.
01:38:30 Here's the key.
01:38:31 Do you need a map, sir?
01:38:32 - No, thank you.
01:38:33 I know the area.
01:38:34 - Jennifer?
01:38:44 (Jennifer gasps)
01:38:48 (Jennifer gasps)
01:38:51 (Jennifer gasps)
01:38:54 (Jennifer gasps)
01:38:57 (leaves rustling)
01:39:00 (Jennifer gasps)
01:39:03 (leaves rustling)
01:39:07 (Jennifer gasps)
01:39:14 (leaves rustling)
01:39:17 (Jennifer gasps)
01:39:21 (leaves rustling)
01:39:24 (leaves rustling)
01:39:27 (phone buzzing)
01:39:43 (leaves rustling)
01:39:46 (phone buzzing)
01:39:49 (phone buzzing)
01:39:52 (Jennifer gasps)
01:39:55 (phone buzzing)
01:39:58 (Jennifer gasps)
01:40:01 (phone buzzing)
01:40:04 (Jennifer gasps)
01:40:07 - Hello?
01:40:08 (Jennifer gasps)
01:40:11 (phone buzzing)
01:40:14 (phone buzzing)
01:40:18 (Jennifer screams)
01:40:21 (Jennifer screams)
01:40:24 - I'm Inspector Geiger.
01:40:26 I want to help you.
01:40:28 (Jennifer screams)
01:40:31 (water splashes)
01:40:34 - Come here, Tommy, come here.
01:40:37 (Tommy screams)
01:40:40 (Jennifer screams)
01:40:43 (Jennifer screams)
01:40:46 (Jennifer gasps)
01:40:49 (Jennifer screams)
01:40:52 (Jennifer screams)
01:40:55 (Jennifer screams)
01:40:58 (water splashes)
01:41:01 (Jennifer screams)
01:41:04 (Jennifer gasps)
01:41:06 - Thank you.
01:41:07 (suspenseful music)
01:41:10 (door opens)
01:41:13 (door closes)
01:41:16 (water splashes)
01:41:18 (Jennifer screams)
01:41:21 (Tommy laughs)
01:41:24 (Jennifer screams)
01:41:27 (Tommy laughs)
01:41:30 (Jennifer screams)
01:41:33 (Jennifer laughs)
01:41:36 (Jennifer screams)
01:41:39 (Jennifer screams)
01:41:42 (Tommy laughs)
01:41:45 (Jennifer screams)
01:41:48 (Tommy laughs)
01:41:51 (Jennifer screams)
01:41:54 (Tommy laughs)
01:41:57 (Jennifer screams)
01:42:00 (Tommy laughs)
01:42:03 (Jennifer screams)
01:42:06 (Tommy laughs)
01:42:09 (Tommy laughs)
01:42:12 (Jennifer screams)
01:42:15 (Jennifer screams)
01:42:18 (Jennifer screams)
01:42:21 (Tommy screams)
01:42:24 (Jennifer screams)
01:42:27 (Jennifer screams)
01:42:30 (Tommy grunts)
01:42:33 (Jennifer grunts)
01:42:36 (Tommy grunts)
01:42:39 (Jennifer screams)
01:42:42 (Tommy grunts)
01:42:45 (suspenseful music)
01:42:48 (footsteps)
01:42:50 (Jennifer cries)
01:42:53 (footsteps)
01:42:55 (Jennifer cries)
01:42:58 (footsteps)
01:43:00 (Jennifer cries)
01:43:03 (Jennifer cries)
01:43:06 (footsteps)
01:43:08 (Jennifer cries)
01:43:11 - Go away, you scare me.
01:43:14 - I won't hurt you.
01:43:15 - I don't want you here.
01:43:17 - I know your mother was bad.
01:43:19 (Jennifer cries)
01:43:21 But I wanna help.
01:43:22 (Jennifer cries)
01:43:26 (Jennifer screams)
01:43:29 You don't have to worry about the mirrors anymore.
01:43:32 (Jennifer cries)
01:43:35 (Jennifer cries)
01:43:38 (Jennifer cries)
01:43:40 It's all over.
01:43:41 (Jennifer screams)
01:43:45 (Jennifer cries)
01:43:48 (Jennifer cries)
01:43:51 (suspenseful music)
01:43:54 (footsteps)
01:43:57 (suspenseful music)
01:44:00 (footsteps)
01:44:02 (suspenseful music)
01:44:05 (footsteps)
01:44:08 (Jennifer screams)
01:44:11 (Jennifer grunts)
01:44:14 (footsteps)
01:44:16 (Jennifer screams)
01:44:19 (footsteps)
01:44:22 (Jennifer screams)
01:44:25 (Jennifer screams)
01:44:27 - No, please, no, please, no!
01:44:30 (Jennifer screams)
01:44:31 No!
01:44:32 (Jennifer screams)
01:44:35 (Jennifer screams)
01:44:38 (suspenseful music)
01:44:43 (Jennifer screams)
01:44:46 (suspenseful music)
01:44:49 (suspenseful music)
01:44:52 (Jennifer screams)
01:44:55 (suspenseful music)
01:44:58 (Jennifer screams)
01:45:01 (suspenseful music)
01:45:04 (Jennifer screams)
01:45:07 (suspenseful music)
01:45:10 (Jennifer screams)
01:45:13 (suspenseful music)
01:45:16 (Jennifer screams)
01:45:19 (suspenseful music)
01:45:22 (suspenseful music)
01:45:25 (suspenseful music)
01:45:28 (suspenseful music)
01:45:31 (suspenseful music)
01:45:34 (suspenseful music)
01:45:37 (suspenseful music)
01:45:40 (water dripping)
01:45:43 (water dripping)
01:45:46 (water dripping)
01:45:49 (water rushing)
01:45:51 (water rushing)
01:45:54 (water rushing)
01:45:57 (water rushing)
01:46:00 (water rushing)
01:46:03 (water rushing)
01:46:05 (water rushing)
01:46:08 (water rushing)
01:46:11 (water rushing)
01:46:13 (water rushing)
01:46:16 (water rushing)
01:46:19 (water rushing)
01:46:21 (water rushing)
01:46:24 (water rushing)
01:46:27 (water rushing)
01:46:29 (water rushing)
01:46:35 (water rushing)
01:46:48 (water rushing)
01:46:53 (water rushing)
01:46:56 (water rushing)
01:47:10 (water rushing)
01:47:21 (water rushing)
01:47:23 (upbeat music)
01:47:29 (siren blaring)
01:47:32 (siren blaring)
01:47:57 (siren blaring)
01:48:00 (water rushing)
01:48:07 (water rushing)
01:48:24 (water rushing)
01:48:27 (water rushing)
01:48:29 (water rushing)
01:48:32 (water rushing)
01:48:35 (water rushing)
01:48:37 (water rushing)
01:48:40 (water rushing)
01:48:42 (water rushing)
01:48:45 (water rushing)
01:48:48 (water rushing)
01:48:50 (water rushing)
01:48:53 (water rushing)
01:48:56 (water rushing)
01:48:59 (water rushing)
01:49:17 (water rushing)
01:49:20 (upbeat music)
01:49:39 (water rushing)
01:49:46 (water rushing)
01:49:49 - Morris!
01:49:54 - Jennifer?
01:49:56 - Morris!
01:49:57 - Thank God.
01:49:59 (screaming)
01:50:03 - He was deceased, but he was my son.
01:50:15 - You have, why didn't I kill you before?
01:50:18 I killed that inspector and your professor friend
01:50:24 to protect him.
01:50:25 And now I'm gonna kill you to avenge him.
01:50:30 Why don't you call your insects?
01:50:34 Go on, call, call.
01:50:36 (screaming)
01:50:42 (growling)
01:50:44 (screaming)
01:50:47 (growling)
01:50:50 (screaming)
01:50:52 (upbeat music)
01:51:05 (laughing)
01:51:17 (upbeat music)
01:51:19 (dramatic music)
01:51:23 (dramatic music)
01:51:26 (dramatic music)
01:51:28 (dramatic music)
01:51:31 (dramatic music)
01:51:35 (dramatic music)
01:51:38 (upbeat music)
01:51:52 (upbeat music)
01:51:55 (upbeat music)
01:52:11 (upbeat music)
01:52:13 (upbeat music)
01:52:27 (upbeat music)
01:52:30 (upbeat music)
01:52:46 (upbeat music)
01:52:49 (upbeat music)
01:53:02 (upbeat music)
01:53:05 (upbeat music)
01:53:21 (upbeat music)
01:53:25 (upbeat music)
01:53:27 (upbeat music)
01:53:38 (upbeat music)
01:53:47 (upbeat music)
01:53:49 (upbeat music)
01:53:55 (upbeat music)
01:54:13 (upbeat music)
01:54:16 (upbeat music)
01:54:18 (upbeat music)
01:54:21 [BLANK_AUDIO]