The Deadly Companions -HD (1961)
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00:00:00 [thunder]
00:00:08 [music]
00:00:19 I dream of love, the ray of sun, of love, and then the empty dawn awakens the lonely heart broken.
00:00:39 A warm embrace, a fleeting smile, a whisper, and then the dream has gone with most of the words left unspoken.
00:01:01 Each lonely day when I awaken, I do not miss the empty dawn, for I know that my heart has been forsaken.
00:01:22 I dream of love was all I knew, that moment before the empty dawn awakened my lonely heart broken.
00:01:46 [music]
00:02:02 Kilo.
00:02:07 Dance? Five-ace card player.
00:02:35 Five dollars, he doesn't last another minute.
00:02:42 Cut him down.
00:02:43 You stay out of this, Yank. We'll cut him down when he quits kicking.
00:02:49 [music]
00:03:00 [laughter]
00:03:13 [gunshot]
00:03:16 [gunshot]
00:03:22 [laughter]
00:03:25 Where you been, Billy?
00:03:31 [gunshot]
00:03:37 [gunshots]
00:03:42 You better ride with us.
00:03:43 Say, ain't no yellow-legged Yankee boys going with us.
00:03:46 I hear they got a new bank and an old marshal over at Gila City.
00:03:52 That beats cheating at cards, don't it?
00:03:55 Let's go.
00:04:20 Town looks quiet.
00:04:22 Yeah, I bet the marshal's asleep.
00:04:25 Every shooter man is asleep, Yellow Legs. You being a Yankee, that is.
00:04:29 He ain't very sociable, is he? Been with us a week and ain't lost his temper once.
00:04:34 I never did trust a man who didn't lose his temper once in a while. Come on, let's go.
00:04:37 We ain't taking the bank today.
00:04:40 You giving the orders now?
00:04:42 Looks that way, don't it?
00:04:48 Watch it, Billy. Get him in the back.
00:04:50 I'll take you out of here my style.
00:04:51 Come on, he's asking for it, boy.
00:04:53 Any man that turns his back on you is just a dad-blamed fool.
00:04:58 I kind of like him. Never knowed a Yankee before.
00:05:14 Bing, bing, glider, bing.
00:05:32 Your horse needs a shoe.
00:05:34 There's a blacksmith shop.
00:05:36 How long you figure that money's gonna keep?
00:05:38 Till I tell you when.
00:05:40 I'm kind of anxious to get my hands on it. Get over to old Max.
00:05:43 Take care of your horse first.
00:05:45 I'm figuring on having a couple of drinks with you fellas.
00:06:12 I sure hope this town has some pretty girls in it.
00:06:17 Well, you get this far out in the brush, they're all pretty.
00:06:23 Billy, take the horses around and let them stay.
00:06:30 Are you talking to me?
00:06:33 Well, your name's Billy, ain't it?
00:06:37 I'll take the horses for you, mister.
00:06:41 You look like an honest man.
00:06:51 You know, some folks is just born lucky, I guess.
00:06:56 The doggone yellow legs don't push yours.
00:07:08 What's going on here?
00:07:10 These don't look too pretty to me.
00:07:12 I told you you ain't been out here long enough.
00:07:17 Hey.
00:07:19 I think I like it.
00:07:22 Hey, hey, hey, wait a minute, wait a minute. Put that thing back up.
00:07:25 That'll have to wait, Jim.
00:07:27 Wait, wait for what?
00:07:29 Church is about to start.
00:07:32 Parson don't like to look at it during his sermon.
00:07:37 Well, that ain't Sunday, is it?
00:07:40 That's a matter of opinion in Gila City.
00:07:42 We haven't seen the gathering in two years.
00:07:44 Some folks hold it Monday, but these folks, they hold it Sunday.
00:07:48 You gents looking for a drink?
00:07:50 I'm looking right at it. What's in that bottle?
00:07:53 Best we've got.
00:07:55 Even the mayor drinks it.
00:07:57 That'll have to do.
00:07:59 Tell me something. How about the bank? How they hold it?
00:08:02 The bank's open. They're Monday folks.
00:08:04 The bar's closed when the parson walks in.
00:08:14 Hi, mister.
00:08:15 Hello, boy.
00:08:17 Hey, that's what I call pretty.
00:08:36 Who's she, the redhead?
00:08:38 Works over at the dance hall across the street.
00:08:40 Imagine, coming in here like she was respectable and bringing her woods cold with her.
00:08:45 Imagine. She wouldn't know his father if she saw him again.
00:08:49 Poor boy.
00:08:50 I imagine it's as close as she ever was to a parson,
00:08:53 and her holding a prayer book like she was respectable.
00:08:57 If they're going to heaven, let you and me not go.
00:09:03 Gents, bar's closed.
00:09:16 Number 23.
00:09:21 Rock of ages, clap for me.
00:09:25 Let me hide myself in thee.
00:09:29 Let the water and the blood from thy wounded side which flowed
00:09:36 be of sin the double cure.
00:09:40 Make my breath and make me pure.
00:09:43 Could my tears forever flow?
00:09:47 Could my zeal no longer know?
00:09:51 These my sins could not atone.
00:09:55 What you all drinking?
00:09:56 Don't drink no good. Bar's closed.
00:09:58 On account of the church meeting.
00:10:00 Whiskey.
00:10:01 I give ransack.
00:10:02 Really sure about how fast you pull a six-shooter?
00:10:05 See how fast you can take the cork out of that bottle.
00:10:09 I want to tell you something, he's fast.
00:10:10 Them whole-legged six-shooters, this boy's a real coming boy.
00:10:13 I want to tell you I taught him everything I know.
00:10:15 That's right.
00:10:21 What's the matter?
00:10:22 Tricky, I guess you're just going to have to stand here and look at that bottle all the way through the sermon.
00:10:27 Let me hide myself in thee.
00:10:34 Lord, I see you sent us some new faces today.
00:10:38 Male and female.
00:10:44 Lord, I thank you.
00:10:46 And folks, I welcome you.
00:10:51 And I'll be dishing out the gospels in a minute.
00:10:54 But first I've got to say a word to you gents with your hats on.
00:11:01 This here's a preach house, gents, and you'll take your hats off to the Lord.
00:11:16 Mister, I never met a man who wouldn't take off his hat to the Lord.
00:11:21 Let's get it off.
00:11:24 You get on with your preaching.
00:11:34 He's kind of touchy about that hat, ain't he?
00:11:36 He knows ain't nothing like it.
00:11:37 Don't even take it off to sleep.
00:11:40 We'll have a moment of silent prayer.
00:11:58 Yes.
00:12:00 Oh, that money just sitting out there across the street.
00:12:05 I never met a man so hungry for money.
00:12:07 Well, I think you're steady enough to be a miner.
00:12:10 Steady enough to buy us an army.
00:12:12 Do you remember?
00:12:13 I remember about that.
00:12:14 Such a dream, Billy boy.
00:12:16 We could set up our own republic out in this country.
00:12:18 It's wide open.
00:12:19 Nobody could stop us.
00:12:21 Take that bank money and the commissarials will sell us a hundred, maybe 200 slave Indians.
00:12:27 We'll put uniforms on them.
00:12:29 Yeah, fix us up an army.
00:12:32 I could drill them.
00:12:34 Johnny come marching home again, hooray, hooray.
00:12:38 Johnny come marching home again.
00:12:42 Left face, right face, left face.
00:12:45 Put the straw for Johnny come march...
00:12:53 Raise this arm.
00:12:55 Raise it.
00:12:56 Higher.
00:12:59 All right.
00:13:02 Always paying you that way?
00:13:04 Most always.
00:13:07 That ball ought to come out of there.
00:13:09 That's what I'm here for.
00:13:14 You ever been in Springfield, Ohio?
00:13:17 No.
00:13:20 I swear I've seen you someplace before.
00:13:23 Yeah.
00:13:25 How long would this lay me up?
00:13:28 Well, it's pretty close to the collar bone.
00:13:31 A thing like that won't heal overnight, you know.
00:13:33 What, a week?
00:13:36 More like a month.
00:13:39 Well, I got a little business to attend to.
00:13:42 I don't think you can wait that long.
00:13:44 Then stop wasting my time.
00:13:57 Wait a minute.
00:14:00 Missouri.
00:14:01 That's where it was.
00:14:03 A fellow just about your size, a Yellowleg sergeant.
00:14:06 Somebody had tried to scalp him.
00:14:08 A liquored up Johnny Reb with a Bowie knife.
00:14:11 He cut the sergeant up pretty badly before he was scared off by something.
00:14:18 You know, if you take off your hat, you can make me out a liar.
00:14:26 It's you all right.
00:14:34 You certainly went out of your way to look me up, didn't you?
00:14:38 Take off the hat.
00:14:41 I kind of got used to keeping it on.
00:14:44 Why?
00:14:45 You haven't got anything to hide with a few battle scars.
00:14:47 A lot of the boys came out of it with worse than that.
00:14:50 What'd you do after the war ended?
00:14:52 What would you do?
00:14:54 I'd go after that Reb.
00:14:56 I found it.
00:15:04 Is that Reb in town?
00:15:12 What are you waiting for?
00:15:15 I'm waiting to get him along.
00:15:18 See, I want him to know who I am.
00:15:21 I want him to know he's going to get what he gave me.
00:15:24 You sure you found the right man?
00:15:26 Yeah, I'm sure.
00:15:28 I left my teeth marching to scalping him.
00:15:31 And I'm asking you, my friends, any man, woman, or child that reckons that he wants to go to hell,
00:15:40 I say let that man, woman, or child stand up and be counted.
00:15:52 Cut it out, Parson.
00:15:54 Get up, Bert.
00:15:58 Why, you white-livered coyote, you mean to stand there and say you intend to go to that place?
00:16:03 I sure do, Parson.
00:16:05 Tell you something else.
00:16:06 Any man in this room that don't get his feet right now and join me is going there pronto.
00:16:24 Well, nice to meet you, ma'am.
00:16:27 My name's Billy, Billy Kaplinger.
00:16:29 Get out.
00:16:39 Come on, Bertie.
00:16:50 Sure is a pretty girl.
00:16:56 Well, ma'am, I want to thank you for your fortitude.
00:17:00 We'll all close with a prayer now for those poor, misguided men.
00:17:07 All that money just sitting there, waiting on a yellow-legged Yankee.
00:17:12 Never saw a man so patient about robbing a bank.
00:17:15 Oh, church meeting's over.
00:17:17 I'm very glad I seen you here.
00:17:19 You have a nice afternoon.
00:17:20 You too.
00:17:22 Thank you, ma'am.
00:17:49 Let me know when that Yankee's patient runs out.
00:17:56 This patient never does wear out.
00:18:09 That pretty redhead just went in and holds that today's Sunday.
00:18:13 What do you lovely creatures feel about that?
00:18:16 I take it's Monday.
00:18:19 Get your horse.
00:18:24 Billy!
00:18:30 Hey, Billy.
00:18:31 Yellowleg's ready.
00:18:59 Something wrong with that Yankee's shooting arm.
00:19:02 [music]
00:19:30 Somebody getting dark.
00:19:43 He's dead.
00:19:50 It was them outlaws, Kit.
00:19:52 They did some wild shooting.
00:19:59 No.
00:20:03 It was me.
00:20:24 Is she the dance hall woman?
00:20:26 That's her.
00:20:27 Imagine, coming in here like she was respectable.
00:20:30 And bringing her woods cold with her.
00:20:32 Imagine.
00:20:33 She wouldn't know his father if she saw him again.
00:20:36 Poor boy.
00:20:37 I imagine it's as close as she ever was to a parson.
00:20:40 And her holding a prayer book like she was respectable.
00:20:44 [music]
00:21:08 That Yellowleg sure has been trying to get his way.
00:21:11 That Yellowleg sure has been trying to get himself drunk.
00:21:14 Ain't quite making it though.
00:21:16 Some men are like that.
00:21:18 Give him a tooth.
00:21:19 Boy's leaning awful hard on him.
00:21:22 Reckon the mayor will be able to talk that redhead into changing her mind?
00:21:26 Ain't nothing going to change her mind.
00:21:28 She got Doc Axon to take care of the body.
00:21:31 Rented herself a wagon.
00:21:33 She's going tonight.
00:21:35 Going alone if she has to.
00:21:37 [music]
00:21:59 Come to change your mind, kid?
00:22:01 We've decided to have a nice funeral for the boy right here in Gila City.
00:22:05 The whole town will come.
00:22:06 As mayor, I'll see to it.
00:22:09 Mead will be buried in Siringo.
00:22:11 Next to his father.
00:22:14 Now, kid.
00:22:17 Bury him here.
00:22:19 You think I haven't heard all the whispering?
00:22:21 You and your gossiping little wives with their pinched little faces and their noses in the air.
00:22:26 Now, Miss Kidd.
00:22:27 That dance hall woman with her freckle-faced woods coat.
00:22:31 No telling who the father might be.
00:22:35 They smelled brimstone every time I walked by.
00:22:39 They hated us both, me and the boy.
00:22:42 Well, he's dead now.
00:22:44 And you can tell your wives that there was no sinning and there'll be no funeral.
00:22:50 I'm taking him to Siringo.
00:22:53 You can't do that, Miss Kidd.
00:22:55 It's smack in the middle of Apache country and there ain't nobody willing to go with you.
00:23:00 Besides, there's not much of it left but the weeds.
00:23:04 I've tried, kid.
00:23:05 I've asked everybody.
00:23:09 I'm not asking anybody to go with me.
00:23:15 Poor kid.
00:23:16 She's trying mighty hard to make folk believe about the boy's pa.
00:23:19 He was single, man.
00:23:21 Married.
00:23:22 I didn't know that, Cal.
00:23:24 Well, almost married.
00:23:26 Me and Emma, she wouldn't let me go with Kidd.
00:23:29 Not that way.
00:23:30 Not to mention the Apaches.
00:23:39 I ain't never seen a town so full of cowards.
00:23:43 I ain't never seen a town so scared of Indians.
00:23:49 Evening, Mr. Smith.
00:24:14 Kidd?
00:24:18 I hate to think what all that sun will do to your face.
00:24:21 Will you take this?
00:24:23 No, thanks, Cal.
00:24:25 Take it.
00:24:26 I got no use for it.
00:24:27 I can't sell it.
00:24:29 We poured it all the way from St. Louis.
00:24:50 Get down from there.
00:24:54 I said get down.
00:24:56 Somebody's got to dry this for you.
00:24:58 Not you.
00:25:00 I'm asking you.
00:25:02 I said get down.
00:25:08 Need any help, ma'am?
00:25:12 Get out of here, Billy.
00:25:14 Didn't mean to butt in.
00:25:18 Your place.
00:25:22 Get down.
00:25:51 Bet she don't get 20 miles before she turns around.
00:26:06 $50.
00:26:12 Cal.
00:26:13 What do you got?
00:26:17 Sorry, sir.
00:26:19 You lose to four aces.
00:26:27 We're leaving town.
00:26:29 You little premature yellowleg.
00:26:31 Get your horses.
00:26:33 Been in me like this town.
00:26:35 Got a homie place in it.
00:26:37 If we stick around, you better leave alone, 'cause we ain't leaving.
00:26:46 You wouldn't mean to shot that boy.
00:26:49 Get up.
00:26:50 It looks like you and me is going to go to Seringo.
00:26:53 Billy, you're not picking a fight.
00:26:55 You're getting me out of here.
00:26:59 I'm just backing him up.
00:27:02 I like the idea of going to Seringo with that redhead.
00:27:31 Come on.
00:27:32 What's the matter?
00:27:33 Come on.
00:27:34 I guess you don't mind a yellowleg ordering you around, but I don't like it.
00:27:38 But if I could handle a six-shooter like you, Billy boy...
00:27:43 His back's pointing right at you.
00:27:46 What's the matter?
00:27:47 Scared?
00:27:48 You got a problem?
00:27:49 No.
00:27:50 I got a problem.
00:27:51 You got a problem?
00:27:52 Yeah.
00:27:53 I got a problem.
00:27:54 You got a problem?
00:27:55 Yeah.
00:27:56 His back's pointing right at you.
00:27:59 What's the matter?
00:28:00 Scared?
00:28:01 Scared you might hear your cousin coming out of the holster and whirl on you?
00:28:05 That ain't no fit way to kill a man.
00:28:09 Not even a Yankee.
00:28:10 I'm not a Yankee.
00:28:34 There she is.
00:29:02 Good morning, ma'am.
00:29:20 Kill your horse pushing him like that?
00:29:25 Will you let me drive that wagon for you?
00:29:27 I don't want your help.
00:29:29 Well, I'd be mighty proud to ride in that wagon with you, ma'am.
00:29:34 Leave me alone.
00:29:42 Both of you.
00:29:47 Well, now, you know what ain't exactly safe out here for a woman?
00:29:51 Well, it ain't exactly safe for you either.
00:29:54 Any of you.
00:29:56 Now get!
00:29:57 Why don't you leave this woman be and let's head back?
00:30:06 So that bank is probably just now opening up.
00:30:18 Yeah, probably is, probably is.
00:30:20 We'll follow along, see if she gets through.
00:30:26 My doggies, that's a woman.
00:30:55 Come on, let's go.
00:31:24 Dress kind of wet.
00:31:25 Guess you're going to have to dry it out.
00:31:27 Shouldn't take long in this heat.
00:31:51 I never did see a dance all girl to fussy about getting kissed.
00:31:56 You stay away from me.
00:31:58 What you going to do with that rock?
00:32:00 Are you using it on me?
00:32:01 Or a shotgun if I have to.
00:32:04 Well, ma'am, I always did go for high stakes.
00:32:33 Patches.
00:32:34 He's got them.
00:32:39 Yeah, looks like they did.
00:32:46 Come on, let's get back to that wagon.
00:33:05 Yeah, the coffee's ready.
00:33:27 You desert.
00:33:45 Did you desert the red barn?
00:33:47 Remember telling you I was in the army?
00:33:50 I figured you for a deserter.
00:33:53 How'd you guess?
00:33:56 Maybe I ought to take a cup of coffee before it gets cold.
00:34:01 Leave her alone.
00:34:04 You, you talking to me?
00:34:08 Hey, Billy, I think Yellowleg's kind of taking a shine to that woman.
00:34:13 All the time we thought he was feeling sorry about that boy.
00:34:16 Shut up.
00:34:17 Touchy, too.
00:34:19 Yeah.
00:34:20 He cares about that hat he keeps wearing.
00:34:24 You know what I think he's got on him?
00:34:26 What's that?
00:34:27 Money?
00:34:29 Well, there's one way we can find out.
00:34:32 You ask him, take your hat off, Yellowlegs.
00:34:38 He's scared of you, Billy.
00:34:41 Yellowlegs, take your hat off, and I'll shoot it off.
00:34:51 You try it, and I'll kill you.
00:34:57 You know, Yellowlegs, there's something about you I just kind of like.
00:35:02 [music]
00:35:23 Better mind your thinking, kid.
00:35:25 Yellowlegs done got his claim staked out.
00:35:31 If he ought to be back at that bank, that posse would never follow us out, yeah?
00:35:35 Not to Syringo.
00:35:43 Well, we could set up our own little republic like that Edwards fell into down in Texas.
00:35:46 You know, the Republic of Fredonia?
00:35:48 All this land out here just to wait.
00:35:51 Take out you looking at uniform with all that gold braid.
00:35:54 You the kind of trigger-happy young fella I could use.
00:35:57 You know something?
00:35:58 I'd make you my military aide.
00:36:01 Then we'd start making up a lot of laws, but not one of them would apply to us.
00:36:05 You don't know.
00:36:06 Now, let me tell you something.
00:36:07 There's money in a thing like this, if it's run right.
00:36:11 But we got to start first with that bank back in Gila City.
00:36:16 Turkey, don't you ever shut up.
00:36:17 You nag like an old woman.
00:36:21 It's sure quiet out here, ain't it?
00:36:26 Look, I don't blame you for feeling the way you do, but right now it might be a good idea if you could kind of make out like we was getting along.
00:36:40 You always that stubborn or just hard to figure out?
00:36:46 Lady, I'm just trying to help.
00:36:54 Who are you trying to help?
00:36:58 Riding shotgun on this wagon isn't going to buy you a clean conscience.
00:37:07 I'm beginning to wonder if you ever figured on going to Syringo at all.
00:37:12 What are you trying to say?
00:37:15 I mean, right here is as good as Syringo for the boy.
00:37:20 You don't have to prove anything to me.
00:37:24 Damn you!
00:37:29 I got him fighting.
00:37:30 Yeah.
00:37:37 You don't know me well enough to hate me that much.
00:37:43 Hating is a subject I know a little something about.
00:37:46 You got to be careful it don't bite your back.
00:37:49 I know somebody spent five years looking for a man he hated.
00:37:55 Hating and wanting revenge was all that kept him alive.
00:38:00 He spent all them years tracking that other man down.
00:38:04 When he caught up with him was the worst day in his life.
00:38:09 He'd get his revenge all right.
00:38:13 Then he'd lose the one thing he had to live for.
00:38:43 What was that for?
00:38:44 Just checking my aim.
00:38:45 Nothing like letting the Apaches know where we are.
00:38:52 That aim don't fit me to kill a man.
00:38:54 Not even a Yankee.
00:38:59 Go on up ahead and find us a place to camp.
00:39:02 There might be some Apaches out there.
00:39:04 You go find out.
00:39:11 You'll need that sun here.
00:39:18 I'll get used to it.
00:39:21 You'll be living in Saringo you can find your own way back.
00:39:43 (Music)
00:40:12 Come on.
00:40:15 Come on.
00:40:18 Come on.
00:40:20 (Music)
00:40:49 (Music)
00:40:59 (Music)
00:41:09 (Music)
00:41:19 (Music)
00:41:29 (Music)
00:41:54 Jack, what you doing out here?
00:41:55 Seen your guard?
00:41:59 Whole shoes.
00:42:05 Been carrying this around with me for a long while.
00:42:08 It's a genuine General's cap.
00:42:11 I stole it over in San Antonio.
00:42:14 I never did show it to anybody before.
00:42:23 Man sure really looks like some weird one.
00:42:26 He's a dirty boy.
00:42:30 Well if you're waiting for me to salute you, you're going to wait a long time.
00:42:37 Here, I want to show you something else.
00:42:46 See that part right there?
00:42:51 It's not on a regular map.
00:42:53 Kind of a valley.
00:42:54 Not many people know it's there.
00:42:56 We're going to buy ourselves some slave Indians.
00:42:58 We're going to put uniforms on them.
00:42:59 And we're going to drill them good.
00:43:02 We'll be able to burn a fire path through this country from Tucson to Tucumcari.
00:43:08 What do you say boy?
00:43:09 Huh?
00:43:11 What do you think of that?
00:43:12 Huh?
00:43:13 Oh, it's fine Jack, fine.
00:43:20 Take over my guard for me, will you?
00:43:25 [Music]
00:43:44 [Birds chirping]
00:43:57 I never, never traveled with a lady before.
00:44:01 Kind of appeals to me.
00:44:03 Get out of my way.
00:44:04 Maybe I will and maybe I won't.
00:44:07 I'm telling you to leave me alone.
00:44:09 I don't want to, I don't want to trouble you any kit.
00:44:13 I just want to be sociable.
00:44:17 And never wear my guns when I make a social call.
00:44:30 I always did like pretty things.
00:44:33 And you're just about the prettiest I've ever seen.
00:44:40 [Laughter]
00:44:42 [Music]
00:45:02 [Fighting]
00:45:17 [Music]
00:45:46 [Music]
00:45:55 Saddle up.
00:45:58 Come on, get out of here.
00:46:02 I'm going with you Billy.
00:46:03 You ain't going no place.
00:46:04 Huh?
00:46:05 You stand right here.
00:46:10 Couldn't stand a chance out in that patch of country alone.
00:46:12 Well, it's his lookout, ain't it?
00:46:35 [Music]
00:47:04 [Music]
00:47:33 [Music]
00:47:43 [Music]
00:47:53 [Music]
00:48:18 Turk!
00:48:21 He's gone.
00:48:46 They'll be going back to Gila City, both of them.
00:48:48 I'll drive you back there in the wagon if you want.
00:48:51 No thanks.
00:48:53 You still going to Seringo?
00:48:56 You think you can stop me?
00:48:58 Lady, I wouldn't even try.
00:49:08 [Music]
00:49:33 [Music]
00:49:41 [Whistle]
00:49:44 [Music]
00:50:13 [Music]
00:50:31 I, um, I'm sorry about losing the horse.
00:50:38 Well, you don't have to talk to me, you know.
00:50:41 It ain't worth the effort.
00:50:46 Five years is a long time to turn your back on.
00:50:49 Especially for a woman like me.
00:50:51 That's what you're thinking, isn't it?
00:50:53 Lady, I quit thinking when I turned my horse around.
00:50:55 Oh, stop calling me lady.
00:50:56 My name is Kit.
00:50:57 I don't know you well enough to call you Kit.
00:51:01 Don't think you're fooling me.
00:51:03 You're not half as mad at me as you are at yourself.
00:51:09 You want me to walk all the way to Seringo?
00:51:12 How?
00:51:14 [Music]
00:51:27 [Gunshot]
00:51:29 [Gunshot]
00:51:31 [Music]
00:51:36 Come on, come on.
00:51:39 [Music]
00:51:48 [Gunshots]
00:51:51 [Music]
00:52:08 [Gunshots]
00:52:14 [Music]
00:52:34 Must have ambushed that stage down on the border.
00:52:37 [Music]
00:52:48 [Gunshot]
00:52:50 [Music]
00:52:55 [Shouting]
00:52:57 [Shouting]
00:53:09 I sure wish I could take a bath.
00:53:12 Well, nothing's stopping you.
00:53:15 [Shouting]
00:53:33 Come on.
00:53:37 Want some more?
00:53:48 You know, I can hardly remember what my husband looked like.
00:53:53 We were only married a few weeks.
00:53:56 We were on our way to Gila City when he was, he was killed in Seringo.
00:54:10 When Mead was born, they wouldn't believe me.
00:54:17 Gila City put a brand on both of us.
00:54:21 They're jokes and they're talking and they're ugly little smarts.
00:54:39 It's dark.
00:54:46 We've got to have another horse.
00:54:49 Them Apaches can't be far off and they've got plenty of horses.
00:54:53 You wait right here till I get back.
00:54:55 [Paper rustling]
00:55:03 [Paper rustling]
00:55:13 [Paper rustling]
00:55:23 [Paper rustling]
00:55:43 [Paper rustling]
00:55:53 [Paper rustling]
00:56:13 [Paper rustling]
00:56:23 [Paper rustling]
00:56:40 [Paper rustling]
00:56:51 [Gunshots]
00:56:52 [Screaming]
00:56:58 [Gunshots]
00:56:59 [Screaming]
00:57:01 [Gunshots]
00:57:05 [Screaming]
00:57:15 [Music]
00:57:22 Whoa.
00:57:31 Kid, back up, we're moving out.
00:57:49 This is far enough.
00:57:51 I don't think I can stay awake another minute.
00:57:56 You'll have to.
00:57:59 Start digging.
00:58:01 What?
00:58:03 We're going to bury the wagon.
00:58:05 From here on our trail's got to look Indian.
00:58:08 We're lucky those Apaches might still be out trying to find their stagecoach.
00:58:14 [Digging]
00:58:40 [Digging]
00:58:47 Getting tired?
00:58:50 I didn't ask for any help.
00:58:55 I wasn't offering any, I just asked if you'd get tired.
00:59:13 [Digging]
00:59:26 Yellowleg a name?
00:59:29 No, it'll do.
00:59:35 Where are you from?
00:59:37 Ohio.
00:59:41 It's pretty back there.
00:59:43 Used to be.
00:59:56 [Music]
01:00:15 What are you doing?
01:00:26 Do and I'll kill you.
01:00:30 [Music]
01:00:59 What is it?
01:01:04 Apache.
01:01:11 How could he miss?
01:01:13 He didn't.
01:01:15 Well, why didn't he kill us?
01:01:17 Well, he's got a little score to settle up with me first.
01:01:24 Start packing up.
01:01:29 [Music]
01:01:58 [Music]
01:02:27 [Sigh]
01:02:40 Can't forgive me for making you give up those five years, can you?
01:02:44 I'll pick up his trail again.
01:02:46 Hardly seem worth the trouble.
01:02:49 [Grunting]
01:02:53 Here you go.
01:02:55 [Grunting]
01:03:09 [Gunshot]
01:03:21 [Grunting]
01:03:36 He broke it.
01:03:44 [Gunshot]
01:03:51 [Music]
01:04:05 [Music]
01:04:14 What is he waiting for?
01:04:16 Why doesn't he kill us?
01:04:17 He will when he's ready.
01:04:25 Why don't you kill us and get it over with?
01:04:27 Stop it.
01:04:28 Come on.
01:04:29 Stop it.
01:04:30 Stop leaving me alone.
01:04:31 Shut up.
01:04:32 Shut up.
01:04:33 Shut up.
01:04:34 [Grunting]
01:04:35 [Music]
01:04:51 [Crying]
01:05:11 [Music]
01:05:40 [Music]
01:05:53 [Music]
01:05:57 [Music]
01:06:12 [Music]
01:06:29 Our Apache friend's been awful quiet.
01:06:31 Maybe he got bit by a snake.
01:06:44 You think it's much further?
01:06:46 What?
01:06:48 Serango.
01:06:51 Serango what?
01:06:53 Do you think?
01:07:22 Strange.
01:07:26 I feel I know you better than any man I've ever known.
01:07:31 Yet I hardly know you at all.
01:07:40 What are you trying to do?
01:07:43 You're hurting me.
01:07:45 What did you expect to find?
01:07:51 I was only trying to make you more comfortable.
01:07:55 I'm sorry.
01:07:57 [Music]
01:08:25 I'm sorry.
01:08:30 There's some things about me you don't understand.
01:08:37 You killed the only person I loved in this whole world.
01:08:44 That's all I need to know about you.
01:09:02 [Music]
01:09:22 [Music]
01:09:41 Next time I'll be waiting for him.
01:10:01 Inside.
01:10:03 Come on.
01:10:32 [Music]
01:10:45 Here.
01:10:47 You got enough buckshot in there to stop an army.
01:10:50 You gotta be on top of the block by sundown.
01:10:53 So I'm gonna wait for him.
01:10:56 I'm sure I'm not back by morning.
01:10:59 You're on your own.
01:11:01 I'm sorry.
01:11:08 I just wanted to say...
01:11:19 I'm sorry.
01:11:48 [Music]
01:11:58 [Music]
01:12:13 [Music]
01:12:41 [Music]
01:12:43 [Music]
01:12:46 [Music]
01:12:47 [Music]
01:12:57 [Music]
01:13:10 [Music]
01:13:37 [Music]
01:13:47 [Music]
01:13:57 [Music]
01:14:17 [Music]
01:14:27 [Music]
01:14:37 [Music]
01:14:59 Where is it by the mission?
01:15:04 What was your husband's name?
01:15:07 Mead Tilden.
01:15:08 My son was named after him.
01:15:21 [Music]
01:15:50 [Music]
01:16:00 [Music]
01:16:10 [Music]
01:16:22 I couldn't find it.
01:16:31 It's there.
01:16:34 No, there ain't nobody named Tilden buried there.
01:16:46 You're just the same as all the rest of them.
01:17:04 Here it is.
01:17:24 It must be one of the others.
01:17:53 [Music]
01:17:58 [Music]
01:18:03 [Music]
01:18:08 [Music]
01:18:13 [Music]
01:18:23 [Music]
01:18:33 [Music]
01:18:56 [Music]
01:19:06 [Music]
01:19:09 [Music]
01:19:12 [Music]
01:19:17 [Music]
01:19:27 [Music]
01:19:37 [Music]
01:19:47 [Music]
01:19:57 [Music]
01:20:15 Sorry I can't offer you folks a drink.
01:20:19 What did you do with the money?
01:20:21 What money are you talking about?
01:20:28 The only one who's thinking of bringing him down here, that's keeping one jump ahead of a posse.
01:20:32 I ever saw folks so scared of you.
01:20:39 Doggy, she sure is pretty.
01:20:45 Turkey, go get that money.
01:20:50 You crazy?
01:20:52 Now go on, dude, I told you to go get the money.
01:21:07 You know, I just ain't got the heart to kill him.
01:21:12 Huh?
01:21:13 How would you like to have your gun back?
01:21:17 You want me to do it?
01:21:19 I'll be much obliged.
01:21:30 It's the minute he walks back through this door here.
01:21:33 What about her?
01:21:40 We'll decide that later.
01:21:42 You and me.
01:21:47 Well, I'm going for a little walk.
01:21:50 I'll be around.
01:21:54 Ladies gotta admit, I got guts.
01:22:12 You better get out of here.
01:22:14 You can't.
01:22:16 I waited five years, the waiting's over.
01:22:18 Now keep out of it.
01:22:20 What happened to me, it was an accident.
01:22:22 I know that now.
01:22:24 Even though I thought that I could never forgive you for it.
01:22:28 But I could never love a man who was a cold-blooded killer.
01:22:35 Love?
01:22:38 You don't even know me.
01:22:41 No face under a hat.
01:22:45 Did you ever wonder why I won't take this off?
01:22:58 Want to talk about love?
01:23:00 I've seen you with your hat off.
01:23:29 What about my scars?
01:23:52 You know how many men I've let kiss me and pinch me just because their filthy money gave them the right?
01:24:01 Men with dirty shirts, smelly arms, money in their pockets.
01:24:12 Can those scars be forgotten?
01:24:17 Can I ask you to love...
01:24:21 a woman like that?
01:24:35 Now don't that make a pretty picture?
01:24:39 Where's Billy?
01:24:46 Don't do it!
01:24:51 (gunshot)
01:24:58 (gunshot)
01:25:03 (gunshot)
01:25:08 (gunshot)
01:25:12 (gunshot)
01:25:37 (gunshot)
01:25:41 (gunshot)
01:25:45 All this shooting and he ain't even touched him yet.
01:25:50 Turkey?
01:25:51 (gunshot)
01:25:53 (gunshot)
01:25:55 Billy, you crazy!
01:26:06 (gunshot)
01:26:13 All right, yellow leg, this is it.
01:26:17 You and me.
01:26:19 Move out, Billy.
01:26:21 Move out, Billy, I ain't got time for you.
01:26:23 Ain't but two horses in this town.
01:26:25 You know as good as me that only two people gonna ride out of here alive.
01:26:31 (gunshot)
01:26:33 (gunshot)
01:26:58 Billy, you turned the coat on me, I raised you from a puppy.
01:27:04 You giving him his money?
01:27:07 No.
01:27:16 Give me some slavings, I'll tread myself.
01:27:20 Give me a chip, take all this money.
01:27:26 Yellow leg, yellow leg, listen to me.
01:27:28 We can make ourselves a deal.
01:27:32 I don't want that Billy with me, I want you.
01:27:34 Looky here, I'll put you in that uniform.
01:27:39 Now come on, listen to me.
01:27:42 Why can't I yank you join up with a rebel?
01:27:48 We get together, get all this money here.
01:27:51 Looky here, I'll give it all to you.
01:28:01 I'll make a general out of you, General Yellow Leg.
01:28:03 Think of how you'd look in one of these caps.
01:28:32 Listen, Yellow Leg, like I told you up there,
01:28:37 you're gonna be in my army, I'm gonna make a general out of you with gold braid on you.
01:28:41 Remember that?
01:28:46 You know where you left it, don't you?
01:28:48 Chickamauga?
01:28:50 Look at it.
01:28:52 No, oh, Yellow Leg, listen to me.
01:28:55 I don't want that Billy around me, I want...
01:28:57 Look at me!
01:28:59 I'll make a general out of you, I'll give you one of these generous caps.
01:29:03 Oh, you'd look good in a gold braid.
01:29:05 Listen to me, Yellow Leg.
01:29:09 Don't!
01:29:16 Get out of here!
01:29:21 Don't do it!
01:29:34 Billy!
01:29:53 Shoot that Yellow Leg in the back like I told you to!
01:30:22 Hi, Cap.
01:30:42 We're trailing a couple of bank robbers.
01:30:44 Looks like you've got one of them.
01:30:45 Where's the other?
01:30:47 Inside.
01:30:50 Looks like they figured you didn't have guts enough to come here.
01:30:53 You know how people are.
01:30:55 As long as it's their money, the gates of hell wouldn't stop them.
01:30:58 Sure.
01:31:00 Barson, we're gonna need a few of the right kind of words from you.
01:31:05 We're burying a boy alongside of his dad.
01:31:08 I'll say the right kind of words.
01:31:21 Yes, sir.
01:31:30 Thank you, Orly.
01:31:40 Gentlemen, you're gonna make great officers in my army.
01:31:48 I'll soon have your uniforms for you.
01:31:50 And gold braids.
01:31:52 And we'll start training.
01:31:54 Thank you, sir.
01:31:57 Now, Captain, if you'll say "forward, yo," and dress these ranks, we'll go.
01:32:02 Forward, yo!
01:32:04 Johnny come marching on my gang, hurrah, hurrah!
01:32:08 Johnny come marching on my gang, hurrah, hurrah!
01:32:12 Hold it there, you look great!
01:32:15 Forward, forward!
01:32:18 Follow me men!
01:32:24 Forward!
01:32:28 We'll get us an army!
01:32:29 We'll get an army!
01:32:30 We'll get the deal!
01:32:31 We'll buy some slave Indians!
01:32:38 I'll see when I awaken from my misty empty dawn,
01:32:49 For I know that my heart is not but safe and
01:32:56 A dream of love that once I knew
01:33:02 Now lingers beyond the empty dawn
01:33:08 No more is my lonely heart broken