The Human Tornado - Best Movie 2024 | Movie Lengend
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00:02:00Ladies and Gentlemen
00:02:02Here he is Mr. Doleman
00:02:08yes I have been rough and you know I'm all so tough I'm bad and sometimes I get
00:02:15very mean I've been known to be mean but right now y'all can look and see that
00:02:21and I'm damn show clean.
00:02:23I see a lot of lovely people in this house tonight.
00:02:35Look at this big fat man here.
00:02:39My, my, my, my, my girls,
00:02:41look what y'all could get if you was lucky.
00:02:46Well, I say one thing, he can lay heavy,
00:02:48but he'll never go deep.
00:02:58I bet he tells the average girl,
00:03:00you may not know I'm in there,
00:03:02but you'll damn sure know I'm on there.
00:03:06I see this big fat lady with him.
00:03:08My, my, my, my, my.
00:03:10Young lady, you got the same damn thing
00:03:11them little skinny gals got.
00:03:13But her damn sight more of it.
00:03:16Is that your husband?
00:03:17Ain't that a damn shame?
00:03:19You need your little skinny man, baby.
00:03:21You and that man get in the bed together
00:03:24and try to do y'all's thing
00:03:26would be a mission impossible.
00:03:33I'm gonna tell you like the bathtub
00:03:35told the toilet stool.
00:03:36I get as much ass as you,
00:03:38but I don't have to take all that shit.
00:03:41Young lady went out with her boyfriend
00:03:42the other night,
00:03:43and he got in the bed with her
00:03:45and pulled out somebody like my little finger.
00:03:47She looked at him and said,
00:03:48why you no screwing pencil,
00:03:51dick pencil Peter, son of a gun.
00:03:54Says, I'll tell you what I will do for you.
00:03:56Said, you can't do nothing for me
00:03:58with a joint that small.
00:04:00Said, I'll give you $50 if you can hurt me.
00:04:04He screwed her three times
00:04:06and hit her in the head with a rock.
00:04:09There's some ugly motherfuckers
00:04:11in this house tonight.
00:04:13If you don't believe it, look over here.
00:04:16Baby, you are so ugly
00:04:19you stop this motion picture from running.
00:04:22Your lips look like you're wearing
00:04:24a turtleneck sweater.
00:04:26I had a brother look just like you.
00:04:27He stuck his head out the window
00:04:29and his lips beat him to death.
00:04:32My, my, my, that's what I call
00:04:34stretching a good thing a bit too far.
00:04:37Two soldiers went to Vietnam,
00:04:39a black soldier and a white soldier.
00:04:40Can you dig it?
00:04:42And they come all the way back home
00:04:44and the people in Louisiana said,
00:04:45we gonna give y'all anything that y'all want.
00:04:48They looked at the white soldier,
00:04:49said, young man, what do you want?
00:04:51He said, well, I'll tell y'all what I want.
00:04:53I want me $10,000
00:04:56and a Lincoln Continental to drive.
00:04:59They said, we gonna get that for you.
00:05:01Then they looked at the brother.
00:05:02They said, brother, what would you like?
00:05:04The brother said, well,
00:05:06y'all can give me a dollar and a half
00:05:08from the head of my dingaling down to my balls.
00:05:12They said, brother, brother,
00:05:13don't you want no more than that?
00:05:16He said, no, that's all I want.
00:05:18So he pulled it out
00:05:19and they put a dollar and a half at the head of it.
00:05:21Then they put another dollar and a half on it
00:05:23and another dollar and a half,
00:05:24another dollar and a half,
00:05:25and another dollar and a half.
00:05:27And one of those fellas looked at him,
00:05:29said, nigger, where is your balls at?
00:05:34He said, in Vietnam.
00:05:38Congratulations.
00:05:43Young lady took her boyfriend out with her the other night.
00:05:46You know, she got in a bid with him
00:05:49and baby, he did his thing before he could get on top of her.
00:05:53And he looked at her and said,
00:05:54go in the kitchen and fix me some food.
00:05:58She went in the kitchen and brought him
00:06:00a head of lettuce and a bowl of carrots.
00:06:03He looked at her and said,
00:06:04why in the world did you bring me
00:06:06these carrots and lettuce out here?
00:06:09She looked at him, said,
00:06:10motherfucker, you fuck like a rabbit,
00:06:12you might as well eat like one.
00:06:15You might fuck like a rabbit yourself.
00:06:18And this is what I call a nigger
00:06:19that always want to get in the show.
00:06:23This is the kind of nigger that'll fart in a bathtub
00:06:26and turn around and bite the bubble.
00:06:35Ladies and gentlemen, tonight has been a pleasure.
00:06:38Thank you for letting us be ourselves.
00:06:40I ain't lying.
00:06:41All right, ladies and gentlemen.
00:07:05Thank you.
00:07:23You really came at a bad time.
00:07:26I'm very, very busy.
00:07:29Relax, take off your fangs,
00:07:31and I'll see you later.
00:07:34I've invited you all here to inform you that the money drive that was planned six months
00:07:48ago by our planning committee to purchase a new boys home has been called abruptly closed.
00:07:59But along with the bad news, there's always good news.
00:08:04I'm going to allow the man that has caused all of this to happen, your friend and mine,
00:08:09Brother Dolomite.
00:08:10I'm so glad you could come.
00:08:25As you know, I've had a lot of hard knocks and a lot of trials and tribulations.
00:08:33And I've had a lot of success.
00:08:37And I think it's a shame for anyone successful not to share it with others.
00:08:44So today I'm doing something that I've wanted to do for a long time.
00:08:50I'm giving my home and its entirety to the gentleman that started the drive for the boys
00:08:58home.
00:08:59Let us now talk to some of our distinguished guests.
00:09:30All right, let's get this shit over.
00:09:33I ain't got all day.
00:09:36Dolomite, you're worth every damn cent I paid you.
00:09:49Jethro, stop the car.
00:09:55What is it now, Ma?
00:09:56Look, Ionda.
00:09:57Something's going on up there at that big house.
00:10:02You're right, something is going on up there.
00:10:05Why, them people up there is having a party.
00:10:09God damn, Jethro, them ain't no people.
00:10:12Them's niggers.
00:10:13Well, by God, you're right, Ma.
00:10:15Them's niggers.
00:10:16Well, they gotta be niggers because it ain't Halloween, is it?
00:10:19Come on, Jethro, step on it.
00:10:21Well, where are we going to go?
00:10:22We're going to find the sheriff.
00:10:23We got Tommy on a note about this.
00:10:25You're right.
00:10:27All right, all right, I owe you 30 minutes.
00:10:35Wake up, Sheriff.
00:10:36It's an emergency.
00:10:37Oh, shit.
00:10:38Don't let your hands up.
00:10:40Oh, shoot, Sheriff.
00:10:42It's me, Charlie.
00:10:45What the hell's the matter with you, Charlie?
00:10:48Shit.
00:10:49Well, I'm sorry, Sheriff, but there's big trouble brewing.
00:10:53You gotta be wrong, Charlie.
00:10:55We don't lie none of that around here.
00:10:57Yeah, well, the ones who's causing the trouble must not know that.
00:11:01They's niggers.
00:11:03Niggers.
00:11:05Well, you know that big house that sets up on the hill?
00:11:09That fancy nigger's house?
00:11:10Yeah.
00:11:11Well, there's a bunch more niggers up there.
00:11:14You're fooling me, boy.
00:11:16Nah, I just talked to Jethro.
00:11:19You're fooling me, boy.
00:11:21Nah, I just talked to Jethro Goodloe.
00:11:24Said there's a whole bunch of them up there just carrying on something awful.
00:11:30That does it, Charlie.
00:11:32That does it.
00:11:35You go round up some of the men.
00:11:37Ain't gonna be no niggers left up on that hill when we get through with them.
00:11:42Motherfucker had a heart attack.
00:11:44Oh, man, come on, boy.
00:11:49Oh, shit.
00:11:52Hey, hold up, everybody.
00:11:54Look like trouble's coming.
00:11:56That's the sheriff's kind.
00:12:02Oh, man, I wonder what the fuck he wants.
00:12:05I don't know, but he sure is in a hurry.
00:12:13All right, you men.
00:12:16When we get up there,
00:12:18I want you men to spread around that house like horse shit.
00:12:24Shoot the hell if you have to.
00:12:26Now, come on.
00:12:27Let's go.
00:12:30Hey, we better go warn everybody.
00:12:35All right, everybody, listen.
00:12:36That sheriff is coming. He's got a lot of men with him.
00:12:41Everybody keep calm.
00:12:43Everybody keep calm.
00:12:46Out of the hall. Out of the hall.
00:12:49Move. Move.
00:12:52Go. Go. Go.
00:13:06All right.
00:13:07All you niggers, put your hands on top of your nappy heads.
00:13:14Who's in charge here, boy?
00:13:16Sheriff, what are you doing?
00:13:18Now, you know we ain't done nothing.
00:13:20I'll ask the questions. You just listen, boy.
00:13:24Look, sheriff, ain't no boys around here.
00:13:28Just men. You dig?
00:13:31Just say the word, sheriff.
00:13:35Just say the word, sheriff.
00:13:51Maybe this cute little black finger here can tell me who's it.
00:13:58That nigger is around here.
00:14:02How's about it, honey child?
00:14:22I've always wanted to be a little piece of nigger, too.
00:14:32Sorry. Sorry.
00:14:43Ben?
00:14:45Charlie?
00:14:57He made me do it.
00:14:59He made me do it.
00:15:01Bitch, are you for real?
00:15:06Ain't no wife of mine.
00:15:13Kill him, Charlie.
00:15:16I said, kill him.
00:15:18Charlie!
00:15:20No, Charlie!
00:15:30So y'all don't believe I jumped, huh?
00:15:33So watch this good shit.
00:16:00Find what's a friend don't, or you niggers take off and leave me on top of that hill.
00:16:04I told him I'd lose the weight.
00:16:07Got the snowballs in hell.
00:16:11That motherfucker caught me in the bed with his wife.
00:16:14Now he want to try to take my life.
00:16:17Go step on it and step on it quick.
00:16:20Burn some rubber, or we gonna deal with that trick.
00:16:23Go step on it and step on it quick.
00:16:26Burn some rubber, or we gonna deal with that trick.
00:16:29Side, nigger, side! Side, nigger, side!
00:16:53Nigger, side, side! You ain't driving. Put your foot in the tank.
00:16:57Side!
00:16:59Side, nigger, side!
00:17:01Side, nigger, side!
00:17:19Folks, we can't shake this gravy stopping, motherfucker.
00:17:24So turn up in that gate.
00:17:26I got a plan to make this son of a gun nigger's own gravy.
00:17:31Move. Back to top of that hill as soon as I say let it go.
00:17:40Let the motherfucker go!
00:17:54Let the motherfucker go!
00:18:02I'll stop this long-haired C-FAP and dilapidated sheriff now.
00:18:07Because he just want to follow me anyhow.
00:18:10He think he's bad and ain't got no class.
00:18:13I'm gonna wrap this shotgun up his motherfucking ass.
00:18:32While you niggers is running, we got a lot of running to do,
00:18:35because we going to California.
00:18:37Hey, foe, come on, man. We going to California.
00:18:43Watch out for snakes up there.
00:18:46By the way, Jimmy, if a snake was to bite me on my leg, what would you do?
00:18:51I'd suck your butt, Dolomite.
00:18:53Well, foe, if a snake was to bite me on my ass, what would you do?
00:18:57Dolomite, I guess you'd be a dead motherfucker.
00:19:08I am tired. We got to do something.
00:19:12I got there be some shoes or a ride or something.
00:19:16Well, hell, Dolomite, how in the hell do we get a ride, man?
00:19:19Just hitchhike. That's all. We hitchhike.
00:19:22You know damn well ain't no of these hunkies
00:19:25can pick up four niggers out here on the highway by themselves.
00:19:28You know better than shit.
00:19:33I'm going to get a ride. I can get us a ride.
00:19:35How in the hell you going to get us a ride, man?
00:19:39You can get us a ride.
00:19:42First car to come by, you stop it,
00:19:46and we going to take the motherfucker. Can you dig it?
00:19:49Let's go over the hill and hide, fellas.
00:19:51Okay.
00:19:55Let's go.
00:20:21You want a ride, honey?
00:20:23My car broke down up the road and...
00:20:26Well, I'll tell you what I'll do.
00:20:28I'll give you a ride.
00:20:30For a ride.
00:20:36Well, what are you doing?
00:20:41Move over, motherfucker.
00:20:44And don't say a fucking word.
00:20:54By the way, where are we going?
00:20:58We are taking your car and you
00:21:02to sunny California. Can you dig it?
00:21:05California?
00:21:08You heard it. Sweet thing.
00:21:11My, my. I never thought anybody'd kidnap me.
00:21:15Plus, take me to California?
00:21:17It must be hell.
00:21:20Plus, take me to California?
00:21:22It must be my lucky day.
00:21:25Dreams do come true.
00:21:41Boy, oh boy. Good shoes for my feet.
00:21:44Now I can go and get me something sweet to eat.
00:21:51Doug, why don't you watch the fuel, man?
00:21:56Pull over at the next station and gas up.
00:21:59There's one right over there.
00:22:04Sir, I've got to use the bathroom.
00:22:07All right, I'm going to let you use it,
00:22:09but you better not try any shit.
00:22:16I'm glad you're stopping at this station, man,
00:22:19but I've got to pee.
00:22:21Me too.
00:22:36Get out!
00:22:42This is for ladies!
00:22:45What do you think this is for?
00:22:50This is for ladies! Get out!
00:22:59Yes, Queen Bee, that's how it was.
00:23:02I had to off me a motherfucker.
00:23:05So me and the boys is on the run to California.
00:23:08Can you dig it?
00:23:10So you had to do whatever, huh?
00:23:12That's how it goes sometimes.
00:23:14Well, Dolomite, this is me.
00:23:16And you know you're welcome to come here anytime you want to.
00:23:19You know what? You couldn't have come at a better time
00:23:22because the club is jumping. We're doing great.
00:23:25By the way, Hurricane Anne
00:23:28has been worrying the hell out of me about you.
00:23:32The way you blew Anne's mind,
00:23:34baby, you must be a human tornado.
00:23:37Okay, Queen Bee, don't tell her I'm coming.
00:23:41When I get there, I'm going to make her think
00:23:44I'm a human tornado.
00:23:46I'll see you in a few days, baby.
00:23:56Good evening, everybody, and welcome to Queen Bee.
00:24:02Ladies and gentlemen, my name is Jimmy Lynch,
00:24:04and I am your local manager, bartender, and emcee.
00:24:09Ladies and gentlemen, with a great big round of applause,
00:24:12introducing to some and presenting to others
00:24:14Xavier Chatman and his company.
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00:26:13Now look, look, boss, look, you see, if this damn broad down the street, you know, Queen
00:26:19B, boss, she's competition, this Queen B.
00:26:22That's Queen B. Queen B, you've been telling me about Queen
00:26:25B for months now, Joe.
00:26:29Joe, you're into this organization for a lot of money, and now they are after me.
00:26:37Hey, Vince, Vince, listen to me, will you?
00:26:39I swear it's all going to be taken care of.
00:26:41Just give me a little more time.
00:26:43Boss has something he wants to say.
00:26:45Now look, boys, we ain't doing so good, and my people are mad at me.
00:26:50Now with Queen B's club taking in all the business, my place is coming up like a funeral
00:26:54parlor.
00:26:55And my backers in Florida ain't so happy about it.
00:26:59They're pressuring me.
00:27:01And this kind of pressure I don't need.
00:27:04Now something's got to be done about it, right?
00:27:07OK, now Carl here is going to act as my enforcer.
00:27:11I want Queen B's place shut down.
00:27:14Jimmy, baby.
00:27:15Yeah, Queen?
00:27:16Oh, oui.
00:27:20Two more nights like this, and baby, we can make up for them two lousy weekends we had.
00:27:26You know why?
00:27:27What's that, mama?
00:27:28What is it?
00:27:29John was really packing them in.
00:27:31I should have had her here a long time ago.
00:27:33Right on, baby.
00:27:35And you know I ain't seen as many niggas in here since Dolemite was here.
00:27:38And my catch action tonight was heavy.
00:27:41If I was you, I'd hold over for a couple of weeks.
00:27:44I heard that.
00:27:45Yes, sir.
00:27:57Thank God we don't have to see this place until tomorrow.
00:28:00Girl, my feet are hurting.
00:28:02I feel like I want to scream.
00:28:04Right on, Jabu.
00:28:05Oh, fix me a drink, baby.
00:28:08How did we do tonight, Queenie?
00:28:12Not bad, baby.
00:28:14In fact, you can look for a bonus with your check.
00:28:17You deserve it.
00:28:18That's what I like to hear.
00:28:20Here, baby.
00:28:21And as good as you look at where you worked out there tonight,
00:28:24you can go anywhere you want to with me.
00:28:27Now, what about your lady over here?
00:28:31All in.
00:28:32All in for her, baby.
00:28:38Oh, excuse me.
00:28:40I made a mistake.
00:28:42That's okay.
00:28:43Let me give you a hand, okay?
00:28:45All right.
00:28:46It's all right.
00:28:49What kind of shit is this?
00:28:51What is this?
00:29:02Everybody freeze!
00:29:08Damn it.
00:29:24You're the hard-headed lady, huh?
00:29:27Well, maybe this will teach you.
00:29:31The boss wants you to learn.
00:29:38Ah!
00:29:39Ah!
00:29:40Ah!
00:29:41Ah!
00:29:42Ah!
00:29:43Ah!
00:29:44Ah!
00:29:45Ah!
00:29:46Ah!
00:29:47Ah!
00:29:48Ah!
00:29:49Ah!
00:29:50Ah!
00:29:56Queenie!
00:29:57Oh, God.
00:29:58Oh.
00:29:59Oh.
00:30:00Come on.
00:30:01Let's get out of here.
00:30:02Come on.
00:30:05Let's go!
00:30:08Let's go.
00:30:14Hello.
00:30:15Yeah, boss?
00:30:16We got him.
00:30:17We didn't get that Jackson creep, but we got two of the girls.
00:30:20Good.
00:30:21Nice work, Carl.
00:30:22Hello.
00:30:25Uh, this is Cavaletti.
00:30:31I got two of your girls.
00:30:37Now, I want you to close that joint of yours down and be over here tomorrow night.
00:30:43Because if you don't, you'll never see them again.
00:30:47Because if you don't, you'll never see him again.
00:30:53Hello?
00:30:55Hello!
00:30:57Motherfucker! Hang up!
00:31:00A few hours later...
00:31:14Hello!
00:31:16What the fuck is this?
00:31:21Oh, my lovely!
00:31:23Motherfucker!
00:31:28You've got to see mama!
00:31:38This place gives me the creeps.
00:31:40Yeah, me too.
00:31:41I don't know, I wonder why the boss picked this place for the payout.
00:31:44He likes the old lady.
00:31:46Besides, he gets his nuts watching her torture pretty broads.
00:31:53Oh, my little pretty!
00:31:58Oh, you guys!
00:32:01My pretty baby!
00:32:04Motherfucker!
00:32:20I hope these girls in California are as good as this apple.
00:32:25Boys, this is Los Angeles, California.
00:32:30California!
00:32:32This is where the stars are!
00:32:34I said boys!
00:32:37Girls, give me a little money.
00:32:46Here's $97. Thanks for the use of your card.
00:32:49The trouble we caused you.
00:32:51Oh, I'll take your money, but you didn't cause me any trouble.
00:32:55I've always wanted to come to California.
00:32:57By the looks of things out here...
00:33:00Someone's going to have to kidnap me to take me back.
00:33:08Don't call us again.
00:33:10Hey, taxi!
00:33:31What the hell happened here?
00:33:33The club should be open, shouldn't it?
00:33:36Whatever happened, somebody better have a damn good excuse for it.
00:33:41Let's make it out to Queen Bee's house.
00:33:50Hey, what's going on here?
00:33:52I don't know.
00:33:53I don't know what's going on.
00:33:55I don't know what's going on.
00:33:58Hey, where are you going?
00:34:00Ain't nobody home.
00:34:04Well, where is everybody at?
00:34:06Don't know. Ain't seen nobody all day.
00:34:09Fellas, let's go into town and check out some of the clubs.
00:34:12I'm sure somebody there can tell us something.
00:34:14Let's make it.
00:34:27Let's go.
00:34:57I thought by now we could have done Found Hurricane Annie.
00:35:00Shit!
00:35:14Good evening, ladies and gentlemen.
00:35:15My name is Fletcher Weatherspoon.
00:35:16I'm your emcee for the evening.
00:35:18Club Sahara proudly presents for your listening pleasure
00:35:22all the way from South Carolina
00:35:24presents for your listening pleasure
00:35:26all the way from South America
00:35:29the very beautiful and talented Jeannie LaValle.
00:35:33Give it to her, ladies and gentlemen.
00:35:50Good evening, gentlemen.
00:35:51Welcome to Sahara Club.
00:35:53May I help you, sir?
00:35:56Yes, brother man, you can help us.
00:35:59I'm looking for some information.
00:36:01Oh?
00:36:08That kind of money, brother, you can get all the information you want.
00:36:13I'm looking for a young lady
00:36:15who used to work here by the name of Hurricane Annie.
00:36:19Oh, yes, Hurricane.
00:36:20Gentlemen, right over there in that beige suit.
00:36:21Baby, you helped yourself.
00:36:30Good evening, brother man.
00:36:31I'm Dolomite.
00:36:32Oh, Dolomite.
00:36:33Hey, I heard a lot about you.
00:36:35How you doing?
00:36:36Very good.
00:36:38I'm looking for a young lady by the name of Hurricane Annie.
00:36:41And I hear that you may be able to give me some information on her.
00:36:45Oh, yeah, Hurricane.
00:36:46That's one of my pride dancers.
00:36:48She's working over at the Bonanza Club on 73rd.
00:37:01How about that, ladies and gentlemen?
00:37:03Come on, everybody.
00:37:04Hurricane Annie.
00:37:05Let's give her a great big hand.
00:37:06Come on, make her happy, everybody.
00:37:08Hurricane.
00:37:09Don't put your head on the line.
00:37:11You must think I'm stupid, man.
00:37:13Can I serve you, sir?
00:37:15I am looking for Hurricane Annie.
00:37:17Hurricane Annie has just finished her act.
00:37:20She's going to change her clothes.
00:37:22If you'll come in and be seated, I'll have her come over to the table.
00:37:25Follow me, please.
00:37:30Let's have a great big hand for Miss Patty Williams.
00:37:40Midnight in my bedroom
00:37:44And my love has done come down
00:37:47I feel so romantic
00:37:49But my man is nowhere around
00:37:53And I got the bedroom blues
00:37:57Joel and Mike, I don't believe it.
00:38:00Oh, baby.
00:38:05How you been, Annie?
00:38:07Why didn't you leave town without telling me where you were going?
00:38:10Listen, Annie, I want you to meet three of my friends.
00:38:12This is Doug, Bo, and Jimmy.
00:38:16Meet the Hurricane Annie.
00:38:22Well, how long you gonna be in town?
00:38:25Annie told me to come at once.
00:38:29I went by the club and it's closed.
00:38:31Queen's Place closed?
00:38:33Well, that's news to me.
00:38:35Did you try her house?
00:38:37Yes, and nothing.
00:38:39That's strange.
00:38:41I got a hunch.
00:38:43This is Cavaletti's place.
00:38:45Getting rich on niggers and dumb honking.
00:38:48And I bet you ten to one, Queen and her girls is in there.
00:38:54You think they in there?
00:38:56Well, let's go, baby.
00:39:11Let's go.
00:39:41I love you.
00:39:53Well, good evening and welcome to Cavaletti's 20 grand.
00:40:04Waitress, would you please give this to the piano player?
00:40:12I want to do it.
00:40:14I want to do it now.
00:40:16I think I feel like I want to do it this evening.
00:40:20I want to do it.
00:40:22I want to do it with me.
00:40:24Come on now.
00:40:26Can I do it?
00:40:29All right, how about that?
00:40:31The Ben Taylor trio.
00:40:33All right.
00:40:38The Ben Taylor trio.
00:40:40Do it.
00:40:47Annie, it's you, baby, it's you.
00:40:49Ben, what it is?
00:40:51Where you been? I ain't seen you lately.
00:40:53Oh, I've been here and there, you know.
00:40:55Ben, I want you to meet a good friend of mine, Dolomite.
00:40:59Ben, the best singer the world has ever known.
00:41:02Ben, the pleasure is mine.
00:41:06Dolomite.
00:41:08You know, I've heard quite a bit about you, man.
00:41:11Quite a bit.
00:41:13I hope the things that you've heard have been good things, brother.
00:41:16Nothing but.
00:41:19Ben, we're looking for Queen.
00:41:21We understand she's in a jam.
00:41:23You know where she is?
00:41:25You know this job don't pay me to talk.
00:41:27It pays me to sing.
00:41:29Annie, you know that.
00:41:32Give it to me.
00:41:34Oh, do you mean, have I seen the Queen?
00:41:40Keep your eyes open, she's floating around here somewhere.
00:41:43I gotta go, I got a show to do.
00:41:45Okay, Ben.
00:41:47Yeah, that's it.
00:41:52There goes Queen now. Come on, let's go talk to her.
00:42:05Hi.
00:42:07Queen, what's happening? What in the world are you doing in a joint like this?
00:42:11Honey, shit done got heavy.
00:42:13Cavaletti sent some of his apes down, beat me like a dog.
00:42:17And kidnapped T.C. and Java.
00:42:20Kidnapped them? What you mean?
00:42:23Kidnapped them and forced us to come and work for him.
00:42:26And said if I didn't come and work for him, he'd kill him.
00:42:30Cavaletti must be nuts to think he can get away with some shit like that.
00:42:34Who the hell does he think he is?
00:42:37That's what I want to know.
00:42:39He must think he is the new godfather of some kind of shit.
00:42:49He's pissed because I was making more money than he was.
00:42:51Here he comes now, look.
00:42:54The rice is melting, Queen.
00:42:56Those are just some friends of mine and he was looking for somebody.
00:42:59Friends, huh? Now look, sweetie.
00:43:01Since you work for us, you can't have any friends.
00:43:04Now get back to work.
00:43:09Well, folks, I want you to know the next act is about to start.
00:43:13I want you to catch it.
00:43:15You'll love it.
00:43:17I want you to know the next act is about to start.
00:43:20I want you to catch it.
00:43:22You'll love it.
00:43:24You'll love it.
00:43:45I'll take care of you now, sweetheart, but I have other things to do.
00:43:55But don't worry, I'll be back later.
00:44:01Yeah.
00:44:11Java, what are we going to do?
00:44:16I don't know, girl.
00:44:18I don't know.
00:44:20I don't know.
00:44:22I don't know, girl.
00:44:26But whatever it is, it's got to be quick.
00:44:34Girl, this is sick.
00:44:38What?
00:44:48Dolomite, I've been waiting for you so long.
00:44:55Baby, good things come to those who wait.
00:45:00Oh.
00:45:03Miss Wonderful. Miss Wonderful.
00:45:11Miss Wonderful.
00:45:13I see you didn't keep your promise.
00:45:16Just look at you.
00:45:18But baby, I've been busy.
00:45:23Not too busy to eat, I see.
00:45:27Miss Wonderful. Miss Wonderful.
00:45:30I want you to make yourself feel comfortable.
00:45:36Because I've got something I want you to do.
00:45:46You're soft as a spoon.
00:45:50You look sad.
00:45:54Romantic as a spring.
00:45:58Turtle dog.
00:46:02Sweet as the breeze singing through the trees.
00:46:09Miss Wonderful, it's you that I love.
00:46:17I never felt love like this in all of my life.
00:46:25Oh, Miss Wonderful, I want you in my life.
00:46:33Bright as the day when you were born.
00:46:40And true as the moon.
00:46:45Damn, baby, I got some shit we can do better than this.
00:46:49Beautiful as the waves of the downtown dance.
00:46:56Miss Wonderful, it's you that I love.
00:47:04I never felt love like this in all of my life.
00:47:11Miss Wonderful, it would be so nice to have you for my wife.
00:47:20You're bright as the April spring morn.
00:47:28And true as the new moon above.
00:47:36You're sweet as the breeze singing through the trees.
00:47:43Miss Wonderful, it's you that I love.
00:47:49You're bright as the April spring morn.
00:47:57And true as the new moon above.
00:48:05You're sweet as the breeze singing through the trees.
00:48:12Miss Wonderful, it's you that I love.
00:48:20Miss Wonderful, it's you that I love.
00:48:28Miss Wonderful, it's you that I love.
00:48:42We checked your mug shot against our file, Sheriff.
00:48:46We don't have a thing on him.
00:48:48But I can tell he's in these parts.
00:48:53I'm gonna find that nigger if it's the last thing I do.
00:48:58Well, good luck to you.
00:49:00We'll do everything we can to help you.
00:49:04I'd appreciate that.
00:49:06Very much.
00:49:09Oh, by the way, Sheriff.
00:49:12What do you want him for?
00:49:16He murdered my wife.
00:49:21I'm sorry.
00:49:23I'll put my best man on it.
00:49:39Detective Pete Blakely here.
00:49:43Blakely, it's Ryan.
00:49:49I've got a special assignment for you.
00:49:51I've got one too, Captain. It's just about to slip through my hands.
00:49:54Now look, my vacation just started two hours ago.
00:49:57I know, Pete.
00:49:59I know, Pete.
00:50:01I know, Pete.
00:50:03I know.
00:50:10But this is serious.
00:50:12Maybe a promotion.
00:50:14How serious?
00:50:15It's a 187.
00:50:17Have you got an I.D., Captain?
00:50:19Yes.
00:50:21Male negro, two hundred pounds, six foot,
00:50:25maybe a scar on his left shoulder.
00:50:28We do have a mug shot.
00:50:30Oh, that's just great.
00:50:32But do you have a name or an ID?
00:50:34Yes, he goes by the name of Tholomite.
00:51:02Tholomite?
00:51:03Yes, Tholomite.
00:51:32Tholomite?
00:51:33Yes, Tholomite.
00:52:02Well, it looks like they knew I didn't have nobody to help me.
00:52:09They just misused me.
00:52:12They misused a girl.
00:52:15Well, tell me what we're going to do.
00:52:20Queen V, we've got to get TC and Alice away from Cavaletti.
00:52:25Well, this is a big city.
00:52:27Where do we start?
00:52:29That's easy.
00:52:31We find Cavaletti and make him tell us where they are.
00:52:37Oh, no, it's not that easy.
00:52:39Everywhere that Joe go, he has his army with him.
00:52:43Oh, baby, armies can come large or small.
00:52:46But we're known for kicking asses, and we can handle them all.
00:52:55Hello?
00:52:56Queen, stop what you're doing this minute.
00:52:58Cavaletti wants you and your bitches over here within the hour.
00:53:02Oh, just a second, please.
00:53:05This is from Joe.
00:53:06Pick up on the phone.
00:53:21Would you tell Joe that all the girls are on their monthly
00:53:27and they will not be able to be over there tonight.
00:53:31Now you listen to me, Queen.
00:53:34What's the matter now?
00:53:35She ain't coming.
00:53:36What do you mean she's not coming? Give me that phone.
00:53:39Queen B, you better get your ass over here, and I mean on the double.
00:53:44On the one condition that you turn my girls loose.
00:53:47Look, B, you're in no position to bargain with me.
00:53:50Now you get your hot ass over here or I'll massacre those black bitches.
00:53:55I'll give you just one hour.
00:54:03Well, you better be, motherfucker.
00:54:12I guess you heard all of that.
00:54:14That's all I needed to know, that the girls are still alive.
00:54:19Now I can work with that cranny dodging motherfucker.
00:54:24So here's what we do.
00:54:25Hey, please. Hey, brother, please.
00:54:28Brother Q-B, what's happening?
00:54:30I want to talk to you, man.
00:54:31Oh, I don't have time, fellas. I got a lot to do.
00:54:33I'll talk to you later.
00:54:34Later on will be too late, man. We need to rap right now.
00:54:36That's right, brother man, right now.
00:54:39Oh, some heavy shit, huh?
00:54:40Dig it.
00:54:42Okay, sock it to me.
00:54:44Cavaletti's man blew away my brother this morning.
00:54:47Oh, no. You mean Jeff is dead?
00:54:49That's why we come to you, man. We need your help.
00:54:51Okay, I'll tell you what.
00:54:52We'll get together this afternoon and see what we can map out, all right?
00:54:55Say, look here. I got information on a house in Pasadena, man, where the motherfuckers torture people.
00:55:01A torture chambers?
00:55:02God damn, I haven't heard no shit like that in years.
00:55:06Listen, did you get any information on the guys that laid your brother away?
00:55:10Yeah, the motherfuckers was black.
00:55:13Yeah, brothers.
00:55:15Mannix, what's new on the sheriff case?
00:55:18Well, I got to see some mug shots, Chief.
00:55:20It's on the Dolomite file. You've got everything we have.
00:55:24The sheriff's case is nothing compared to what I've come up with.
00:55:27Another 187. This time the finger points to Mr. Cavaletti.
00:55:32Cavaletti?
00:55:33That's right.
00:55:34Do you have grounds?
00:55:35Well, shall we say some brotherly information?
00:55:37Good. Give me the information and I'll assign somebody else to the case.
00:55:42I don't want you biting off more than you can chew.
00:55:45You concentrate on the sheriff case.
00:55:47Get Dolomite.
00:55:49You mean you're assigning me to help some oaky sheriff solve a murder case which we know nothing about?
00:55:55And for two years I've tried to nail Joe Cavaletti,
00:55:58and finally I get this asshole by his balls and you want to assign somebody else to the case?
00:56:03Now, damn it, Pete, you will do as you're told.
00:56:06Good.
00:56:07I remembered the other day I was told my vacation started today, and I'm taking it.
00:56:13Son of a bitch.
00:56:17What brings you this way, my friend?
00:56:19I've got news for you.
00:56:25Hey, you know I'm looking for news.
00:56:27I heard through the grapevine that you were trying to get Queen's girls back from Cavaletti, right?
00:56:34So?
00:56:36I got some real strong info from some friends I know.
00:56:39I got some real strong info from some friends of mine.
00:56:53What's the matter?
00:56:55Info like that don't grow on trees. It costs money, you know.
00:56:59I got a sick eye.
00:57:10Hold it.
00:57:14Information first.
00:57:16Well, Cavaletti's got this house in Pasadena.
00:57:19It's a real chamber of hearts.
00:57:21Like he really fucks people up over there, man.
00:57:24Where's he at?
00:57:26I haven't found that out yet.
00:57:28Well, how do you find out?
00:57:31Well, if somebody was to get Cavaletti's main woman,
00:57:35Well, if somebody was to get Cavaletti's main woman,
00:57:38then they might find out where the house is.
00:57:41Where does Cavaletti keep his main woman?
00:57:45Well, Cavaletti usually keeps her at his pad.
00:57:50She's a nice bitch.
00:57:52I heard that she's a comfrey, you know.
00:57:55A real nymphomaniac.
00:57:57Where's Cavaletti's house?
00:57:59In Pasadena, baby.
00:58:06May I help you?
00:58:08Yes. Is this the Cavaletti's residence?
00:58:12Yes, it is. What can I do for you?
00:58:15My card first, madame.
00:58:22Frank Hart Delmonico Nicodemus?
00:58:25Yes. Are you Mrs. Cavaletti?
00:58:28Yes, I am.
00:58:30Mrs. Cavaletti?
00:58:32Yes, I am.
00:58:33Mrs. Cavaletti, I am a connoisseur
00:58:37of the world's most interesting nude stuff.
00:58:40I am not interested. If you'll just...
00:58:42Mrs. Cavaletti, if you would wait just a moment
00:58:46and gaze upon this exquisite work,
00:58:49I'm sure you'll be interested.
00:58:53Ah, madame.
00:58:56I see you like my work.
00:58:59Miss?
00:59:01Miss Cavaletti?
00:59:05Mrs. Cavaletti,
00:59:07you do like my work.
00:59:10But I've got something better for you.
00:59:16You like it?
00:59:18Big, black, strong man.
00:59:23Ah, ah, ah.
00:59:27You'll enjoy it.
00:59:29Mrs. Cavaletti?
00:59:31Mrs. Cavaletti?
00:59:52Ah, ah, ah.
01:00:22Ah, ah, ah.
01:00:52Ah, ah, ah.
01:00:55Where is Cavaletti hiding, my dear?
01:01:25Ah, ah, ah.
01:01:27Where is Cavaletti hiding?
01:01:33Where is Cavaletti hiding, my dear?
01:01:39Where is Cavaletti hiding?
01:01:42Where is Cavaletti hiding, my dear?
01:01:46Where, where, where is Cavaletti hiding, my dear?
01:01:49Miss, where is Cavaletti hiding?
01:01:54Ah, ah, ah.
01:01:57Ah, ah, ah.
01:02:00Ah, ah, ah.
01:02:03Ah, ah, ah.
01:02:06Ah, ah, ah.
01:02:09Ah, ah, ah.
01:02:12Ah, ah, ah.
01:02:15Ah, ah, ah.
01:02:18Ah, ah, ah.
01:02:21Ah, ah, ah.
01:02:24Ah, ah, ah.
01:02:27Ah, ah, ah.
01:02:30Ah, ah, ah.
01:02:33Ah, ah, ah.
01:02:36Ah, ah, ah.
01:02:39Ah, ah, ah.
01:02:42Ah, ah, ah.
01:02:45Ah, ah, ah.
01:02:48Ah, ah, ah.
01:02:51Where is Cavaletti hiding, my girl?
01:02:53Where is Cavaletti hiding, my girl?
01:02:55Where is Cavaletti hiding, my girl?
01:02:57Where is Cavaletti hiding, my girl?
01:02:59Where is Cavaletti hiding, my girl?
01:03:01Where is Cavaletti hiding, my girl?
01:03:03Where is Cavaletti hiding, my girl?
01:03:07There's a house on the hill in Pasadena.
01:03:12There's a house on the hill in Pasadena.
01:03:17There's a house on the hill in Pasadena.
01:03:26There's a house on the hill in Pasadena.
01:03:31Have a seat.
01:03:32No, thanks.
01:03:33Some coffee?
01:03:34No, thanks. I've had my breakfast.
01:03:36I just came here to find out what you've got on that dola, my boy.
01:03:39It's been a while since I heard from you.
01:03:41I want to know what's happening.
01:03:44When we get something, I'll let you know.
01:03:48I've got my best man on the case.
01:03:50He made no contact with me yet.
01:03:53Well, this particular man works better by himself.
01:03:56He's my undercover man for the ghettos.
01:03:59You mean to tell me you sent a nigger out to find another nigger?
01:04:04Why, that's the most ridiculous thing I've ever heard of.
01:04:07Sheriff, we don't have any niggers here.
01:04:11Just damn fine police officers.
01:04:13Some of the best in the country.
01:04:15Now, if you can't respect that, and if you can't accept my choice of assignment,
01:04:20you can get your ass out that door.
01:04:23And if you don't like that, you can go to the chief.
01:04:26I'll do just that, Captain.
01:04:29And when I find him, I'll bring his head to you.
01:04:32Since you love niggers so much,
01:04:34you can mount Dolomite's head on your mantelpiece.
01:04:38Good day, Captain.
01:04:43Fuck you!
01:04:48Sweetheart, call Queen.
01:04:51Tell her to bring everybody that works for her to my party tonight.
01:04:54Tell them to be ready at 8. I'll have them picked up.
01:04:57Right.
01:05:02Hello?
01:05:03Joe wants you to scrounge up all the girls you can and bring them over here tonight.
01:05:08We'll send someone after you.
01:05:10Yes, ma'am. We'll be there.
01:05:14Well, looks like we've all been invited to the party.
01:05:20But this time, this will be the party to end all parties.
01:05:26Okay.
01:05:30We know that Cavaletti has an army compared to us.
01:05:34We outnumbered in people, but not in skill.
01:05:39Just remember,
01:05:42if anybody come out alive,
01:05:45he should be one of us.
01:05:47Now, how did you say this word?
01:05:50Well, tonight is Cavaletti's birthday party.
01:05:55He'll have all his big shit friends there.
01:06:00So if we get them all at one time, it's got to be tonight.
01:06:05Has anybody heard from Dolomite?
01:06:11Howard Jackson!
01:06:16Is that the damn little nigga that taught me martial arts?
01:06:21In person?
01:06:24Yeah.
01:06:27I'm gonna go get him.
01:06:30I'm gonna go get him.
01:06:33I'm gonna go get him.
01:06:36Is that the damn little nigga that taught me martial arts?
01:06:39In person.
01:06:41Lord, things is looking better.
01:06:43Looking better?
01:06:45With that little shit while I take my dick and beat his goddamn ass to death.
01:06:51We'll see about that, brother.
01:06:56Did you hear about the new contract?
01:06:58No, what is it?
01:06:59It's Queen B, Annie, and Dolomite.
01:07:02Who's doing the job?
01:07:03Red and Fingers.
01:07:05Why?
01:07:06With those three out of the way, the boss will have no problems.
01:07:08Right.
01:07:19Okay, we'll be right out.
01:07:23All right, girls.
01:07:25Let's get the show on the road.
01:07:36We'll see you there.
01:07:38We'll wait till the party's started.
01:07:40Then we'll crash him.
01:08:06What's up?
01:08:09What's up?
01:08:35Yo, la, where are ya?
01:08:45Boomerang!
01:08:50Boomerang!
01:09:00Boomerang!
01:09:10Boomerang!
01:09:17Boomerang!
01:09:25Come on!
01:09:33Boomerang!
01:09:35Boomerang!
01:10:02Boomerang!
01:10:12Boomerang!
01:10:22Boomerang!
01:10:32Boomerang!
01:10:42Boomerang!
01:10:52You should've stayed down there the first time.
01:11:12I didn't forget about you.
01:11:17I'll take you to Twosome.
01:11:32Now don't move.
01:11:34Or bye-bye.
01:12:03Come on!
01:12:07Boomerang!
01:12:36No!
01:12:38No!
01:12:40Please!
01:12:41Don't kill me!
01:13:12Please!
01:13:13Don't kill me!
01:13:14Don't kill me!
01:13:15Don't kill me!
01:13:16Don't kill me!
01:13:17Don't kill me!
01:13:18Don't kill me!
01:13:19Don't kill me!
01:13:20Don't kill me!
01:13:21Don't kill me!
01:13:22Don't kill me!
01:13:23Don't kill me!
01:13:24Don't kill me!
01:13:25Don't kill me!
01:13:26Don't kill me!
01:13:27Don't kill me!
01:13:28Don't kill me!
01:13:29Don't kill me!
01:13:30Don't kill me!
01:13:31Don't kill me!
01:13:32Don't kill me!
01:13:33Don't kill me!
01:13:34Don't kill me!
01:13:35Don't kill me!
01:13:36Don't kill me!
01:13:37Don't kill me!
01:13:38Don't kill me!
01:13:39Don't kill me!
01:13:40Don't kill me!
01:13:41Don't kill me!
01:13:42Don't kill me!
01:13:43Don't kill me!
01:13:44Don't kill me!
01:13:45Yeah!
01:13:46Don't kill me!
01:13:47Yeah!
01:13:48Oh my God!
01:13:49What is happening?
01:13:50Who's there?
01:13:51Who is there?
01:13:52Who is there?
01:13:53Oh.
01:13:54Oh.
01:13:55What are you doing...
01:13:56Merry, stop it!
01:13:58Good morning.
01:13:59Merry!
01:14:00Mel, what's all that noise all about?
01:14:01Oh.
01:14:02Make room for me.
01:14:03Make room for me.
01:14:04Make room for you.
01:14:05I told you, don't move.
01:14:06Hold it!
01:14:07Ah.
01:14:08Ah.
01:14:09No, no, no!
01:14:29Jabba, are you all right?
01:14:47Mule has kicked me and bruised my eye.
01:14:53Rattlesnake has bit me and pulled off and died.
01:14:57Yeah, I've fought my way in here, cause I'm rotten ready.
01:15:02So girls, let's go and get that motherfuckin' Cavaletti.
01:15:24Hold it there, Mike.
01:15:27Get in the air.
01:15:39Al Cap'n. Yeah, Pete here.
01:15:42Yeah, I know about that.
01:15:44Listen, hold on to your hat and get a pencil and pad and take this down.
01:15:47I got some news here that'll make you blow your mind.
01:15:50Yeah.
01:15:51Look, not only do I get Cavaletti, but the sheriff gets his man too.
01:15:57That's right.
01:15:58Dolomite is over to Cavaletti's right now.
01:16:00There's a war going on between them.
01:16:02Guess who else is over there?
01:16:04Red and Fingers, our two pals from the East, the hitmen.
01:16:08Remember them?
01:16:10Right.
01:16:13What's the address, Mikey?
01:16:15Twenty-five dollars, baby.
01:16:18I got enough shit on you to send you down for 20 years.
01:16:21Now give me the address.
01:16:22Reverend Woodland Hills in Pasadena.
01:16:27Hey, Joe.
01:16:31Joe, hold it.
01:16:43Well, it's about time you got here.
01:16:45Why don't you put your things in there and come and join the party?
01:16:49I'll be right back.
01:16:51Well, it's about time you got here.
01:16:53Why don't you put your things in there and come and join the party?
01:17:21Say, white boy, come out here in the light,
01:17:24cause tonight is the night.
01:17:26Come out here and you can see
01:17:28some genuine American Indian turk art jewelry.
01:17:32I got to sell this shit and sell it quick.
01:17:34I got to get out of town.
01:17:36Wait a minute, white boy, fool, wait a minute.
01:17:38I'm selling this shit cheap.
01:17:40I'm gonna let you take the shit home to your lady.
01:17:42She might give you some pussy tonight, if you know what to do with it.
01:17:45Wait a minute, fool.
01:17:46We'll take this then.
01:17:48We'll take this then.
01:18:03Hey, everybody.
01:18:04Got a special surprise for you.
01:18:06Cavaletti just hired a new man,
01:18:08and he's one of the boys.
01:18:10And for this evening's entertainment,
01:18:12he's going to demonstrate to us
01:18:14how he became Central America's champ
01:18:16at Noom Chop Space.
01:18:46Catering service here, sir.
01:18:48Sir.
01:18:58Where do you want this stuff?
01:19:10Looks like you're having a real nice party.
01:19:13Sure am, boy.
01:19:15Put the stuff in the kitchen.
01:19:17Too bad you weren't invited, boy.
01:19:19Yeah, it is.
01:19:23Say, baby, let's you and me go take a swim.
01:19:29I don't have a suit on, sugar.
01:19:31Suit? It's a private pool.
01:19:38In that case,
01:19:40I'll take a swim.
01:19:42It's, uh, what are we waiting for?
01:19:44Let's go.
01:19:47Hey, that, uh,
01:19:49the young lady that was with the guy with the glasses,
01:19:51is she a friend of yours?
01:19:53Oh, yes.
01:19:54She's one of my girls.
01:20:12Shh.
01:20:36Hey, Mama, what it is, Queen?
01:20:38You got red.
01:20:40I can't believe it.
01:20:42Now I have to kill both of you as myself.
01:20:45All right, ladies, this way.
01:20:47Come on, move!
01:20:51That's far enough!
01:20:57Turn around!
01:20:59Turn around!
01:21:18Wait a minute, little shit, you about to hit me.
01:21:29Come on.
01:21:59Get up!
01:22:06Get up!
01:22:08Get up!
01:22:10Get up!
01:22:29Get up!
01:22:59Shit!
01:23:09Get up!
01:23:11Get up!
01:23:20Get up!
01:23:29Come on!
01:23:59Get up!
01:24:29Get up!
01:24:51You're a bad motherfucker, this I can see.
01:24:55But it's now time for you to bring your ass to me.
01:24:59You gonna bring your ass to me!
01:25:29Get up!
01:25:44Get up!
01:25:46Get up!
01:25:59Come on!
01:26:03Come on!
01:26:29Get up!
01:26:45Get up!
01:26:59Get up!
01:27:13Go take care of Jimmy.
01:27:17I'm gonna get that motherfucking Cabaletti if it is the last thing I do.
01:27:25Jimmy.
01:27:27Jimmy.
01:27:31Pack your things, we're getting out of here fast.
01:27:33What's the matter, honey?
01:27:34Don't ask questions, dammit, just get through.
01:27:38Can you hear me?
01:27:40It's your brother Bo.
01:27:45Talk to me, man!
01:27:54Jimmy.
01:27:57You're gonna die on me, man.
01:28:02Come on.
01:28:03Now get your shit together.
01:28:05Come on, now.
01:28:07Come on.
01:28:10He's just playing.
01:28:13He's just playing.
01:28:15Come on, stop acting, man, get up.
01:28:19He's just a hell!
01:28:21My brother, man.
01:28:33He's gone.
01:28:35No.
01:28:37Come on.
01:28:39Come on.
01:28:42He's gone.
01:28:44Come on, let's go.
01:28:46Going somewhere, Cabaletti, baby?
01:28:48Going somewhere, Cabaletti, baby?
01:28:50Come on, dear.
01:28:53Let me go.
01:29:11Police! Police!
01:29:13Police, everyone!
01:29:15Police!
01:29:17Freeze, everybody!
01:29:19Freeze!
01:29:20Nobody move.
01:29:34Come here.
01:29:35Where's Cabaletti?
01:29:37Where is he?
01:29:39Out.
01:29:44Hold it. Out.
01:29:46Out.
01:29:48Out.
01:29:58I got money.
01:30:00A lot of money.
01:30:02Here, here in this bag.
01:30:04You can take it.
01:30:06Take all you want.
01:30:08Let me get the fuck out of here.
01:30:11Please.
01:30:12Beg, little puppy, you like a big dog.
01:30:16Give you a little bit, and I'll be damned if you don't want it all.
01:30:20I'll take that money, and I'll use it well.
01:30:23Of course, you got a one-way ticket straight to hell.
01:30:28Now get in the car and move!
01:30:30No, don't do it!
01:30:31Don't do it, goddammit!
01:30:33What is it, Pete?
01:30:34It's Cabaletti.
01:30:36He's about to get his nuts blown off.
01:30:38And by your boy, Sheriff.
01:30:41Cover him!
01:31:06Oh, great, son.
01:31:08You brought your mama a customer.
01:31:13You got that right, you decrepit old witch.
01:31:16But this time, it's him.
01:31:18Now move!
01:31:25What goes around, comes around.
01:31:28Now it's your turn to die,
01:31:30you no-business-born, insecure,
01:31:32rat-sleeping, mother-fucker.
01:31:35And if you don't die,
01:31:37you're going to wish the hell you hadn't.
01:31:52Move it!
01:32:05Oh, dear.
01:32:09Where is Dolomite?
01:32:11Where is Dolomite?
01:32:13Where is that son of a bitch, Dolomite?
01:32:16Where is that son of a bitch?
01:32:35Son of a bitch!
01:32:51Son of a bitch!
01:32:53Son of a bitch!
01:33:03Your career is over, stud!
01:33:23Huh?
01:33:39This motherfucker think I'm dead.
01:33:42But he don't know I am the Human Tornado.
01:33:53Ha, ha, ha!
01:34:23Son of a bitch!
01:34:38Son of a bitch!
01:34:41He's a Human Tornado.
01:34:44Meals has kicked me,
01:34:46and didn't bruise my eye.
01:34:49Rats, snakes and spit-mill,
01:34:51I don't want no dilapidated, C-slappin', Fidgetotic, Pulsated, Row-legged son of a gun to messin' with me.
01:35:05I've been known to rise up, but I'll cool down later.
01:35:10I'm prepared to go to school, I'm the human tornado.
01:35:15I'm the human tornado.
01:35:21He's a human tornado.
01:35:24I picked up a rock, built a giant goliath.
01:35:28And worked on a knee, roped a spit, roamed on a fire.
01:35:32I worked a lion, elephants that hop around on their knees.
01:35:38I don't want no dilapidated, C-slappin', Fidgetotic, Pulsated, Row-legged son of a gun to messin' with me.
01:35:44I've been known to rise up, but I'll cool down later.
01:35:49I'm prepared to go to school, I'm the human tornado.