La Promesa Capitulo 359
La Promesa Capitulo 359
Transcript
00:00 [MUSIC PLAYING]
00:03 [MUSIC PLAYING]
00:05 [SPEAKING SPANISH]
00:07 [SPEAKING SPANISH]
00:09 [SPEAKING SPANISH]
00:12 [SPEAKING SPANISH]
00:14 I'll always be in the gallows. That's just to start.
00:17 And I'm not going to give up my first office.
00:20 - The disease of ... of Diego does not lead to us.
00:25 And I refuse to die in the arms of another woman other than her mother.
00:29 And I guess you understand that better than anyone.
00:31 So now, with this information, if you want to, go and tell Mrs. Marquesa.
00:36 But I ask you to leave me alone.
00:38 - I am sure that the arms business has brought you great benefits.
00:42 It's not even as much money as you imagine.
00:44 I had to pay Jerónimo his share, plus the part that the captain of the Mata had to pay.
00:48 - Very well. Well, what's left is mine.
00:50 - But why?
00:52 - Because if he doesn't, I'm going to tell Catalina what our pact was about.
00:56 - This moron has just reached the promise and he doesn't like the whole service.
01:01 Well, everyone except Mrs. Petra, of course.
01:04 - I would like to believe you, but ... - Believe me, López, really.
01:09 You see a girl too smart to be with a mequetrefe and an idiot like Santos.
01:14 - But fight courteously, that will make a man of you.
01:17 - But you're going to let him die. Send him to war is like sending him directly to the wall.
01:21 - I do not agree.
01:23 It is precisely in the glorious front where men show what wood they are made of.
01:28 Only those who really deserve it survive.
01:31 - I know something happened in Marzos.
01:34 I think it has nothing to do with your brother, Antonito.
01:37 I need you to tell me what happened.
01:40 - I'm not going to tell you anything, mother.
01:43 I'm sorry. So stop questioning me.
01:45 - What happened? - That Curro knows about the war in Europe.
01:49 That's what happened.
01:51 - The war?
01:52 - Why are you so desperate? - Spain does not participate in that conflict.
01:55 - Well, only I know and we all know and Curro also knows.
01:58 - I will take care of Mrs. Arcos and Santos.
02:01 - I already told you that it is not necessary, Mr. Pellicer.
02:03 - What he told me is that he is not worried.
02:06 And I will try to keep it that way.
02:08 You focus on what is important, which is your son.
02:12 - Thank you very much.
02:14 - It is all I have been able to achieve.
02:16 - It is less than I expected.
02:22 - I already told you that the business had to face some unexpected expenses.
02:26 - Give me the clamp. - Forgive me.
02:28 - Give me the clamp. - You're going to forgive me? I forgive you.
02:31 I'm forgiving you, Vera. - Santos, give me the clamp.
02:33 - No, but then are you going to forgive me?
02:36 - Come on. - Really, really.
02:38 - Give it to me. - It's a simple "I forgive you."
02:40 - Give it to me. - And really, I'm already giving it to you.
02:42 - Okay, but give me the clamp. - But Vera, please forgive me.
02:45 - Come on. - I'm really asking you, please.
02:47 - It's okay, don't make me laugh. - Vera, I've been so bad to you.
02:50 I promise you that it will never happen again. - Santos, come on!
02:53 - You're not going to forgive me then? - No.
02:56 - Are you sure? - Come on.
02:58 Santos, give me the clamp. Give it to me.
03:02 [Slam]
03:03 [Sighs]
03:06 - It sounded strong. - Leave me alone.
03:10 - That's ... - That's what, you idiot!
03:12 - That's what women are like, I really like them.
03:14 The difficult ones. The ones that resist and seem unattainable.
03:18 That makes the moment when they give up much more pleasant.
03:21 - Look, I have a boyfriend.
03:24 And even if I didn't have him, a moron like you would never have anything to do with me.
03:29 - Time to time.
03:31 Time to time.
03:35 [Music]
03:39 [Music]
03:42 [Music]
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04:48 [Music]
04:51 [Music]
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05:01 [Music]
05:05 [Music]
05:16 - Your son has me happy, to vary.
05:19 - Uh-huh.
05:21 - Uh-huh. Is that all you have to say?
05:25 - What has my son done this time?
05:28 - He is shameless, with all his letters.
05:31 - Crediting his filiation, I guess.
05:34 - Stop being silly, Alonso.
05:36 Your son thought it was an excellent idea
05:39 to go shopping with his white friend, as if they were a couple with all the blessings.
05:44 - Are you sure about that?
05:46 - How did I surprise them this morning, knowing the promise at the first hour?
05:49 And do you think they gave me many explanations?
05:51 - Not many, no.
05:52 - The right ones. And why did I ask them?
05:54 - In any case, try not to get upset.
05:57 - I've already tried not to get upset.
05:59 - Cruz.
06:00 - I've even locked myself in the bedroom trying to read.
06:02 - Well done.
06:03 - But who is capable of reading when your son is smothering his last name
06:06 with that exhaustion and that disembowelment?
06:09 - There is no way.
06:11 - Alonso, are you laughing at me?
06:13 - No, of course not.
06:14 - I thought so.
06:15 - Well, no.
06:16 The truth is, I don't think it's so important that Manuel and Blanca go shopping.
06:21 - That it's not that important?
06:23 - No. They are just shopping.
06:24 - No, Alonso.
06:25 - Yes, they are just shopping.
06:27 - No, they would be just shopping if Manuel, the heir to the marquis, were alone.
06:32 But if he goes with her, they are not just shopping.
06:35 - I think you're worried about something that is not so important.
06:37 - That is not so important?
06:38 - Calm down.
06:39 - No, I'm not calm, Alonso.
06:41 Right now, your son is with Miss Palomar, walking in front of everyone.
06:46 - Yes, I understand.
06:48 - Everyone, Alonso. Everyone.
06:50 - So what?
06:51 - That Manuel has just got a widow, for God's sake.
06:54 - That's not your fault.
06:55 - No, but he can't walk with a woman when his wife has just died.
06:59 - He can, if he can.
07:00 - But he doesn't owe Alonso.
07:02 - That's another debate.
07:03 - Those are the rules of social treatment.
07:05 - He's not hurting anyone.
07:07 - He hurts himself. And us too. And you, first.
07:10 - I'm in terrible pain.
07:12 Let's see, Cruz.
07:13 He's walking around Lujan. Everyone knows him.
07:16 No one will think badly of an innocent walk.
07:18 - You'll see when the dukes of the Infantes find out.
07:20 - They don't have to find out.
07:21 - They will find out. As if you didn't know them.
07:23 - Enough, Cruz.
07:25 Manuel and Blanca are not doing anything wrong.
07:28 We saw each other yesterday. Right here.
07:31 And I didn't notice anything strange between two friends.
07:33 - Please, Alonso. If we surprised them, we hugged.
07:36 - It was a natural hug.
07:38 There was no romanticism.
07:40 - A natural hug?
07:42 Don't be so naive, for God's sake.
07:44 - Can we stop talking about this?
07:47 - Sure. You'd rather go back to your newspaper, right?
07:50 - No.
07:51 I'd rather we talk about something that I think is important.
07:54 - You tell me what it's about.
07:57 - It has to do with Curro.
08:00 [Sighs]
08:02 - Hello.
08:16 - Look at you, so handsome.
08:19 - Hello, you.
08:20 - My aunt Adelina had a better face than you when she squeezed the juanetes.
08:24 And you don't have a juanete. Come on, what do you need?
08:26 - Leave it, María. Leave it.
08:27 - Where were you going?
08:29 - To get firewood.
08:30 - And what's wrong?
08:32 - I was going to cross the courtyard and suddenly I saw Vera and Santos talking and I stayed watching them.
08:39 - And why?
08:41 - Well, because I missed seeing them talk, but above all I missed seeing them talk so close and so close.
08:48 - How close?
08:49 - Well, very close, María. More than normal.
08:51 I don't know, they didn't seem like workmates to Luso, they seemed more like ...
08:55 Like ...
08:56 - Like what, Salvador? Like what, son?
08:58 - I'm flirting, María.
08:59 - Oh my mother.
09:01 - It's the impression she's given me.
09:02 - And what have you done?
09:05 - Nothing. What was I going to do?
09:07 - I don't know, that's why I'm asking you.
09:08 - No, nothing. I haven't done anything.
09:10 And I didn't have to ask for explanations.
09:12 It's not my business, but it's López's.
09:15 - Well, yes, more or less, yes.
09:16 - And López is like my brother, you know.
09:18 - Yes, yes. And what are you going to do?
09:20 - Well, that's the worst.
09:23 - What?
09:25 - I don't know what to do now, María.
09:27 - Well, I think it's pretty clear that you have to tell López, come on.
09:30 - You think?
09:32 - It's not that I believe it, it's that he falls for his own weight.
09:35 You don't say I'm like a brother?
09:37 - We are, we are.
09:38 - Oh, precisely.
09:39 - Yeah, yeah, and it's what he asks me to do with the body too.
09:43 - Well, for good reason.
09:45 Right?
09:47 - Yes. The point is that López has already told me that something smells.
09:51 - What do you mean?
09:54 - Well, the last time I spoke to him he told me he was afraid that Vera would end up falling in love with Santos.
09:58 - Look at you.
10:00 - Well, yes, look at you, because I told him it was complete stupidity, and in the end the one who was right was him and not me.
10:05 - And are you going to tell him?
10:09 - I just can't tell him, María.
10:12 I would destroy him, come on, I would break his heart.
10:14 And besides ...
10:16 - What, Salvador? What?
10:18 - Well, I'm still making a mountain out of a grain of sand.
10:20 - What mountain? You saw what you saw, right?
10:23 - If I think about it coldly, I don't know.
10:25 - I don't understand you, Salvador.
10:27 - Well, seeing what it is to see, I didn't see anything wrong either.
10:30 I just saw them talking very close.
10:32 - No, Salvador, if you had only seen him talking very close, you wouldn't have come with that face of impression and anger.
10:37 - I don't know. I don't know.
10:40 - If you thought what you saw was strange, it's because it surely was.
10:44 That you are not exactly stupid.
10:46 And sometimes you have to tell friends things even if they hurt.
10:50 That's what friendship is about.
10:52 And you better break Lope's heart, not that idiot Santos.
10:55 Don't you think?
10:57 - Yes.
10:58 - There is no way to get rid of Candela.
11:06 No matter how many times I turn her, it is useless.
11:09 And when I try to find out what happened, where she is, when she supposedly went to Antoñito's house ...
11:19 - She didn't go there.
11:20 - Of course she didn't go!
11:22 Well, we still don't know what's behind all this and what happens to my virtues.
11:26 - I don't know, the girl, when she gets stubborn, she is a worthy daughter of her mother.
11:30 - This morning I tried to get close to her again.
11:33 With the excuse that she would try some shrimp tortillas I had made.
11:37 - And don't tell me more. She saw you coming and she didn't even eat the tortilla.
11:40 - Just like you say.
11:41 It was the moment. I said two words and I got angry.
11:44 - I don't know, the girl is a little bit smart.
11:46 - And then, well ...
11:48 She put the cards on the table.
11:50 - And what was the conversation? You were also turning around.
11:52 - Well ... she told me that she had realized that the shrimp tortillas were an excuse
12:00 to talk about the mysterious trip.
12:03 And that she was very offended and that she should stop right away.
12:06 - Didn't she bite you?
12:07 She didn't insult you, she didn't threaten you, did she?
12:10 - No.
12:11 - Look, that's a step forward.
12:12 - No, Candela.
12:13 She told me that she went to Martos to talk to her brother.
12:17 And that in the end she didn't do it because she saw clearly that with the character that Antoñito has,
12:21 it was useless to talk to him.
12:23 - That's a lie.
12:24 - Of course it's a lie.
12:26 My daughter, when she lies, does a gesture like this,
12:31 that blinks very quickly and looks down.
12:34 It's a gesture that she already did when she was little.
12:38 That's something that a mother notices.
12:40 - And she's going to say it? That you don't believe her, I mean.
12:44 - I was in it when Teresa appeared.
12:46 And she made fun of me with an excuse that I had to learn to iron silk.
12:50 - Oh, yes.
12:51 - The thing is that she always avoids me and she already has me in her sights.
12:54 - What are you going to do?
12:57 - I just see a way out.
12:59 - Which one?
13:00 - I keep thinking about going to see my son.
13:05 But that can't be because my son doesn't want to see me.
13:09 - Nobody does.
13:11 However, with you it is different.
13:15 - What?
13:17 - I ask you to please go back to Martos to talk to Antonito.
13:21 - But it has been of no use to him, Simona.
13:23 - I think so, Candela.
13:25 I think you are capable of convincing him to come here, to La Promesa,
13:28 to see me and talk about his sister.
13:30 - But Simona, if Antonito didn't want to come to see you before,
13:34 now why are you going to go to Tictoc?
13:36 - Maybe so, Candela.
13:38 You already talked to him, right?
13:40 - But Simona, I haven't had a proper conversation with Antonito.
13:45 - But you talked to him at the time, right?
13:48 I think you are capable of convincing him to come.
13:52 I am very concerned about my virtues
13:56 and I am convinced that he knows something and can tell us.
14:00 If you manage to bring Antonito to La Promesa,
14:03 far from Norberta,
14:06 I am convinced that between you and me, we will get him out.
14:10 - Who was going to tell me?
14:19 For the first time in my life, I want to toast to my son.
14:23 - Nothing prevents you.
14:25 - Well, maybe it's an excessive gesture.
14:29 - But I don't think so.
14:31 - Better leave that toast for when he does us the favor of leaving.
14:34 Or if you hurry me, for when the official notification arrives.
14:39 We regret to inform you that your son Francisco de la Mata
14:42 has died with all honors in defense of the cause of freedom.
14:47 - Well, it's okay to be prudent.
14:50 But you won't deny me that this decision of Curro has been
14:53 as unexpected as wonderful.
14:56 We are finally going to get rid of him and I don't believe it.
14:58 - My arm hurts from so much pinching me.
15:02 And the best thing is that this time we won't have to force him or convince him of anything.
15:06 He will do everything himself.
15:08 - There you have it.
15:11 I guess for better or for worse, fools are unpredictable.
15:16 A fool can beat you at chess or give you his fortune.
15:20 You don't have to underestimate a fool.
15:22 Or make predictions. Fool by means.
15:26 - And to think that we wanted to send him to study in England.
15:30 Or that he did the military career.
15:33 Or that we organized a hunt to finish him off.
15:36 Well, look, in the end, he will get rid of himself on his own.
15:42 Although of course, we don't have guarantees that he will fall on his face.
15:46 - Woman.
15:48 It's very bad to have that war do the work for us.
15:52 All the chronicles coincide.
15:54 Each battlefield is a slaughterhouse.
15:57 The casualties are counted by thousands a day and that will not change overnight.
16:01 It would be a miracle if that little bump I have for a son comes back alive.
16:05 Although there is something that doesn't fit.
16:08 And that blows me up.
16:11 There will be those who label Curro as foolish for what he is going to do.
16:16 But even they will recognize his courage.
16:20 - Well, but that's the least of it, right?
16:22 - It doesn't make sense.
16:24 Curro has always been a book coward.
16:26 I don't know why he made this decision, but I'm telling you, it's not out of courage.
16:29 - And what's worse, Lorenzo?
16:31 I don't care why he leaves. The point is that he leaves.
16:34 And if it's like you say, he will regret it as soon as he gets to the front.
16:38 And what will he use it for? Nothing.
16:40 Hero or capo?
16:42 What's wrong with the label that the corpse carries?
16:45 - I don't care.
16:47 I'm sure your husband, that indestructible sentimental, manages to get it back in his body.
16:51 And how would they receive it here?
16:53 - I don't think he earns a tribute either, precisely.
16:56 Spain is neutral in this war.
16:58 - Even so, Cruz ... - Lorenzo.
17:00 The important thing is that we will have achieved our goal, which is what it is about.
17:04 - Yes, Cruz. Yes.
17:07 But there is something strange.
17:10 Curro has always been a boy who has lived among cotton.
17:13 And now he behaves like a man of law and order.
17:17 - I agree with you, but me ...
17:20 What do you want me to tell you? It's worth losing sight of him.
17:24 - The only thing that comforts me is that he will not have a whole palace service attending to him.
17:29 Nor his uncle to protect him.
17:31 I don't think he'll last more than a week to know what he thinks about the war.
17:35 He doesn't know where he's getting into.
17:37 - I'll tell you again, I'm happy with what he gets into.
17:41 I will pray every day that he does not change his mind.
17:44 How capable he is.
17:46 And with how much he works, he is capable of getting rid of anything.
17:49 - Don't get into the worst.
17:51 I mean, don't get into the worst, which for us is ...
17:54 - I understand you, Lorenzo. I understand you.
17:57 - For Curro?
18:02 - Don't be fooled, huh?
18:04 I still have it in my mind why you've messed with me with the arms smuggling.
18:07 - Don't be so spiteful, woman.
18:09 - I'm telling you, I can't face all my opponents at the same time.
18:13 And I have to start with the worst. And some of them take advantage of you.
18:16 - And how long?
18:18 - Until your San Martín arrives.
18:20 - Sister-in-law.
18:23 You know as well as I do that I am so useful to you,
18:26 that I may never get there.
18:28 - Let's see, take it from there.
18:47 One, two and three.
18:50 One, two, pull.
18:53 Thank you.
18:59 - Because I don't want to, you don't give me any line, Adela.
19:12 - Yeah, but I have a distress.
19:14 - And not for less.
19:17 - Who would think, María?
19:19 All my life separated from my brother and now that I can be with him, he thinks of going to war.
19:22 It doesn't make any sense. - No, it doesn't.
19:25 - You're not even a professional soldier, and you've never wanted to be one.
19:30 - Well, don't push him any harder.
19:32 - How am I not going to push him any harder, María, if the decision is already made?
19:35 I need you to help me.
19:39 - Me? How?
19:41 - Why don't you tell Salvador to talk to him?
19:43 Tell him everything that is going to be in front of him and all the horrors of war, for example.
19:47 - Hanna, I think they've already talked about that once.
19:50 - Well, let them talk about it again, María.
19:52 And at least make him come to his senses.
19:54 - I don't know. - You don't know.
19:56 María, what better than Salvador to tell him this.
19:58 - Yeah, but if, as you say, he is already so determined to leave ...
20:02 - He won't want to listen to anyone, not even Salvador.
20:05 - So?
20:11 - Well, maybe we should make a lock.
20:14 - I don't think so, Hanna.
20:16 I don't think that's the best way for Mr. Curro to back out.
20:18 - And why not? - Precisely because of what you said.
20:21 If he is so determined to leave and doesn't listen to reason,
20:24 what else is there to do than for Salvador to tell the horror of war, huh?
20:27 - So what do you want? For him to give up on me?
20:29 - No, but Mr. Curro is not stupid.
20:31 And he knows that war is not precisely about picking flowers.
20:34 Besides, I think you're rushing.
20:37 - María, I'm not rushing.
20:39 I'm telling you that the whole family has told him.
20:41 - What a curro, Hanna. Curro.
20:44 And it's probably not a final decision,
20:46 not an impulse, not a little-meditated thing.
20:48 Because he wants to get away. Do you understand what I'm saying?
20:51 - Yes, I understand, but that's not why.
20:54 - And why not, huh?
20:56 - Because of Martín.
20:59 Because he broke his heart and now he wants to be away from her.
21:01 - Yes, of course. And that's why he's going to risk his life in the war.
21:04 - Well, that's what I'm telling you.
21:07 - I don't believe it, Hanna. I don't know.
21:09 Besides, if it's what you say, it's a robbery.
21:12 And robberies, as soon as they come, they leave.
21:14 - Should I tell you that this one doesn't, María? That it doesn't.
21:16 - Besides, I don't think Mr. Marqués allows him to risk his life,
21:19 just like that. For a cause in a war that is not even his.
21:23 That the Lujan have enough with the wars they have inside.
21:26 - Do you really think so? - Of course I do.
21:30 So you calm down.
21:32 And you'll see that in the end he's not going anywhere.
21:36 - Okay. - Of course it's okay. Go to the carpet.
21:40 - The thing is, I went to see if I had received some carts and they hadn't arrived yet.
21:54 And around here it will be impossible for me to find some similar ones.
21:57 - Why? - Because even in big cities like Madrid,
22:00 it's hard for me to find them.
22:02 But hey, I guess it won't be a problem to live a few days without them.
22:06 And you, Manuel?
22:09 - Well, mine has been easier. I went to the watchmaker to leave the watch and
22:14 two hours later I had it fixed. Or at least that's what he told me.
22:17 Anyway, I'll have to wait a few days to see if it continues to be delayed like it has been so far.
22:22 And you? You seem worried.
22:27 - No. Contrary, rather.
22:30 I just found out through a friend that the Dukes of Infantes have organized an event
22:34 in honor of Ximena.
22:36 - An event? - Yes.
22:38 They have hired a dance company to represent her favorite ballet.
22:42 As Ximena liked classical dance so much.
22:45 - Well, there's nothing wrong with having that memory with her, right?
22:49 - The point is that they have invited all the friends of the family, but apparently no Lujan.
22:54 - Not even Manuel? - Not even.
22:58 - And I say that it would have been the same if at least he were there.
23:01 - I didn't know anything about any tribute, but anyway, I'm not surprised they didn't invite me.
23:08 - Well, that doesn't mean you're okay.
23:11 - Blanca, they have decided that things will be like this from now on and you know what?
23:16 I don't blame them.
23:17 - One thing is that you don't blame them.
23:19 And another thing is that they can do to you and to us all the nonsense they want.
23:23 - Catalina, we're not going to fight now to be respected in society, right?
23:28 - It seems to me that this transcends the norms of social decorum.
23:31 They didn't allow you to say goodbye as you should to your wife.
23:34 And now they are dedicated to organizing acts in which you will be put on the bench for not coming.
23:38 - Yes, that is also true. They are pointing you out in front of everyone.
23:42 - Look, as long as they leave me alone and no one bothers me, let them do whatever they want.
23:47 - That is also true.
23:49 - Look, I'm afraid that if we give them a hard time, they will grow up and do something much worse to you.
23:53 - And what can they do to me?
23:55 - Well, I don't know. I'd rather not think about it.
23:58 - You know what? Me neither.
24:01 And you know what else? I don't want to waste time on impossibles either.
24:04 I repeat what I said, everyone takes their pain as it comes. There is no more.
24:09 - This is so sad.
24:11 - I guess death is like that.
24:15 - There are ways and ways to take the pain.
24:17 And they have decided that this is their way, to socially deny me.
24:21 Well, me and all the Lujan. What else?
24:24 - Well, I guess that over time their spirits will calm down.
24:27 - Yes. Or maybe not.
24:30 But I'm going to tell you one thing. Today I have got up with the desire to make it a great day.
24:35 And if it is not great, at least happy. And I will not allow anything to hurt me.
24:39 - Well said.
24:40 - Besides, I don't want to torture myself by attending events every two by three, in honor of Ximena's memory.
24:46 - A bit unnecessary, yes.
24:49 - It is true that pain will always be with us, but it depends on us to anchor ourselves in it.
24:54 - You're right.
24:56 I see you very deep. Is something wrong?
25:00 - Martina, are you joining us?
25:05 - We are having a tea. Do you want us to order one?
25:08 - Martina, are you okay?
25:14 - Fine.
25:16 How can you be talking so calmly?
25:20 - What do you mean?
25:22 - Have you heard from them? - No.
25:27 - What a mess the war is going to be.
25:34 [Music]
25:37 - And with Santos, is everything better? - Well, no.
25:49 - What do you mean no? - No. In fact, quite the opposite.
25:52 He gets more and more nervous. I can't stand it.
25:54 - But it's still the same. What is he doing exactly? He won't be having sex with you, will he?
25:57 - It was just missing. How dare he touch my hair?
26:00 - I would like to solve the issue before we get to that extreme, right?
26:03 - Me too, Lope. What it doesn't mean is that he needs no man to go to the rescue.
26:06 - What?
26:08 - That you went to see Santos and told him to leave me alone.
26:12 - And that's wrong. It's not natural for a man to defend his girlfriend from an undesirable man like him.
26:16 - Well, Lope, natural ... Well, yes, it may be, but ...
26:19 But I don't want you to do it.
26:21 - Why?
26:24 - Well, because I don't like the role of a disqualified lady. And do you know why?
26:28 - No. - Because I'm not.
26:30 And I am capable of defending myself from a slut like her, alone.
26:34 - Then it's wrong for me to defend you.
26:36 - Lope, I'm not saying it's wrong.
26:38 It's just that you don't want to be a woman who needs a man to be worth her.
26:43 So, please, I'm going to ask you not to go to the rescue again.
26:48 - Very well.
26:51 - You will understand it over time.
26:53 - Yes, yes. What is not understood over time will be seen.
26:56 And it can't be that deep down you find Santos funny.
27:01 - No, Lope. No.
27:04 And it hurts me even if you think about it.
27:06 Santos disgusts me. That's all the fun he gives me.
27:10 - Sorry.
27:13 - Look, Lope, we've already dedicated a lot more time to him than he deserves, don't you think?
27:18 Because I don't care about anything. And you should care less.
27:22 Did you hear me?
27:24 - Yes.
27:26 - Thank you.
27:35 - Do you need anything else, sir?
27:37 - No, I'm fine.
27:40 Romulo, I don't need anything else.
27:45 - If the gentleman would allow me a minute.
27:49 - How can I help you?
27:52 - Well, regarding my intervention during the conversation I had with your nephew.
27:58 My only purpose was to defend what seemed reasonable to me.
28:02 Always thinking about the good of Mr. Curro, of course.
28:06 - And so I understood.
28:07 - But I went too far. My intervention was out of place.
28:10 That is why I reiterate my apologies and I would like you to pass it on to your nephew as well.
28:15 - Let's see, Romulo.
28:18 I understand that with the card of the Mayor in your hand, you didn't like what he did.
28:22 But it really doesn't matter anymore and you don't have to apologize anymore.
28:26 - I shouldn't have said anything.
28:28 - I liked that you intervened. I mean it.
28:31 You have been serving in this house for half your life.
28:34 And I know you appreciate this family as if it were your own.
28:37 - That's right, but I exceeded my duties.
28:39 - No, none of that.
28:41 You were only looking for the well-being of my nephew.
28:43 And that is your main mission. To seek the good of this family.
28:46 - Well, yes, seen that way ...
28:48 - And even more so when what he said made a lot of sense. It was very reasonable.
28:54 Another thing is that my nephew does not give reasons.
28:57 - Thank you, sir.
28:58 - I am the one who thanks you.
29:00 The only thing that bothers me is that what he said will be of no use.
29:07 - I thought so too, sir.
29:09 - And what I said will not help either.
29:13 - Don't you think then that you can avoid his departure?
29:16 - No. No, unfortunately.
29:18 - God doesn't want it.
29:20 - I can't think of anything that can make him change his mind.
29:24 - Nothing.
29:26 - Mr. Alcos, come in. Close the door and sit down.
29:42 I wanted to talk to you.
29:44 - Do you have any complaints, Mr. Pellicer?
29:47 - No, no. I don't listen.
29:49 - Well, if so, I would appreciate it if you didn't get angry and talk to me directly.
29:55 - I told you, I didn't make you come to talk about your work with Feyes.
29:59 - And what other matter can you ask me to tell you about?
30:02 - Well ...
30:04 I wanted to talk to you about the matter of Mrs. Agarre's son.
30:08 - Right.
30:10 Do you have something to say about it?
30:13 - No.
30:14 - Well, I do have something to tell you.
30:16 If you had thought of revealing to Mrs. Marquesa
30:23 that Mrs. Pia's son is still here, in La Promesa,
30:26 don't bother doing it.
30:28 - And why? If you can find out.
30:31 - Well, because I wouldn't have an object.
30:33 - I owe my wife.
30:35 - If I tell you about a practical matter, Mrs. Arcos,
30:39 because all the information you can offer Mrs. Marquesa would be redundant,
30:43 Mr. Baeza and I have already informed Mr. Alonso of the matter of Mrs. Agarre's son.
30:49 - And for what purpose?
30:51 - Well, to inform Mr. Arcos. Simply to inform. In any case.
30:54 As expected, Mr. Marquez has taken care of the circumstances
30:58 and has authorized that Mrs. Agarre's son continue in La Promesa
31:02 as long as the doctor considers it appropriate.
31:05 - Don't get involved with Mrs. Agarre and me.
31:08 - It doesn't concern you. And it comes from way back.
31:12 And you don't have the elements of judgment to intervene.
31:16 - I'll have to decide that, don't you think?
31:19 - You have no idea what you're getting yourself into.
31:22 What are you going to decide?
31:24 Or do you think that because you have come here from Mallordomo
31:26 you can do and undo personal matters that neither come nor go?
31:30 Try to be very careful, Mr. Pellicer.
31:34 - Okay.
31:38 - If it's what you prefer, it's what you'll have.
31:40 - I have not preferred anything.
31:42 - From this moment on, you will have to be careful.
31:47 And now I am referring to your work as a maid.
31:51 - My work is irreproachable.
31:53 - We'll see.
31:55 I will be very aware of everything I do.
31:58 And believe me, as soon as I find the slightest mistake,
32:01 I will make you notice it.
32:03 - That will not happen.
32:04 - As I have already told you, we'll see.
32:06 What I do assure you is that I will be above you.
32:09 It is what I have chosen and it is what you will have.
32:12 - I have not chosen anything, Mr. Pellicer.
32:14 - Not expressly. But your attitude leaves me no choice.
32:18 You can leave.
32:20 [Music]
32:36 - I'll serve you one.
32:46 - I've been going around the scandalous for days.
32:50 The smuggling of weapons disguised as a conservation business.
32:54 - Thank God that's over.
32:56 - Well, yes and no.
32:58 Honestly, it seems to me that with the impact it was supposed to discover,
33:03 we do not stop to think about its true seriousness.
33:07 - What are you talking about exactly?
33:10 - That this could have brought us tragic social consequences, Alonso.
33:14 We still have some of them and we are not able to manage them.
33:17 - Yes, I could. But it was not the case.
33:20 - Well, it was not by luck, dear.
33:23 Because it could also have led to personal misfortune.
33:26 We have all been in danger, Alonso.
33:28 What if one of those smugglers decides to attack our lives?
33:33 I don't know, extort us or assault us or kill us.
33:36 Anything could be possible.
33:39 Not to mention that we could have had serious problems with justice.
33:42 Come on, it was a miracle. A real miracle.
33:46 It is clear that heaven is giving us a second chance.
33:51 - Can I ask you a question?
33:54 - Sure.
33:56 - What does this sudden desire to point out the misfortunes that could have occurred but did not occur?
34:02 - Whether a bad action is a bad action, whether it has consequences or not.
34:06 - I understand that we are still talking about smuggling and marmalade.
34:09 - You understand well.
34:12 - Where do you want to go?
34:14 - I will not be the one to take the face for Pelayo and his partners.
34:18 But it is no less true that the origin of all this is in Catalina.
34:22 She has made too many mistakes.
34:25 And frankly, Alonso, I think it's time for you to stop her and cut her wings.
34:31 Your daughter has to accept the role she has to play in this family.
34:35 She has to assume her destiny once and for all.
34:38 You can't keep pampering her, Alonso.
34:40 You can't keep doing whatever she wants.
34:42 - Nobody wants it. - No, she does.
34:44 And that's enough.
34:47 She has had enough fun playing the role of a businesswoman.
34:50 Everything was very nice, but finally reality has been imposed.
34:53 And unfortunately for everyone, it is something very serious.
34:57 Come on, you know as well as I do that we have gotten rid of it.
35:02 - Phew ...
35:04 - Be careful! - Sorry, sorry, sorry. Maria.
35:18 - You don't have your head on your shoulder, huh?
35:20 - No, the truth is that I don't.
35:23 - What, because of Santo Ibera?
35:25 Did Lope tell you?
35:27 - No.
35:28 - Well, it won't be that, but you have something.
35:31 - It may be, but if you are going to talk to me again about your aunt's Juanetes, leave it.
35:35 - And if I worry more, will you get unpleasant?
35:38 - Don't be silly.
35:40 - We haven't been able to talk about the little man and the war.
35:43 - Uh ... No. There has been no occasion.
35:46 - What do you think?
35:48 - I already said what I thought when Mr. Baeza announced it.
35:51 - What I want to say is that what sense does it make for the little man to go
35:54 to fight a war that neither goes nor comes to him?
35:56 - Yes, yes, I agree. But maybe here, in the middle of the stairs, is not the right time.
36:01 - Shh! Stop!
36:03 - For the love of God, Maria!
36:05 - You don't leave until you tell me what's wrong with you.
36:08 - I'm afraid.
36:15 - Afraid?
36:19 Of what?
36:22 - Of losing you.
36:25 I said it because of the new job.
36:29 - Look, I already know that it encouraged you to say yes when you had doubts.
36:36 And everything I told you, I told you from the bottom of my heart, I promise you.
36:40 But now I'm terrified, what do you want me to do?
36:44 And be careful, I want to tell you one thing.
36:48 I'm telling you all this so you know what I think.
36:52 Not to change my mind.
36:54 I don't want you to change your mind, Maria.
36:58 Or well, maybe I would like to, but ...
37:01 But if you wanted to, not because of me.
37:04 But don't worry.
37:08 You know what?
37:10 I have proven that fears, if you look at them head on,
37:13 as they come, they go.
37:15 And that's what I'm going to do.
37:18 [Music]
37:23 - You look beautiful.
37:25 Why are you looking at me like that?
37:47 - The truth is, I'm worried that you asked me to talk.
37:52 - Why are you worried?
37:55 - Because I'm afraid that at any moment you will tell me that ...
37:58 that our relationship is over forever.
38:01 - The truth is that what I have to tell you has to do with that.
38:08 It has to do with that, but ... but it's not that.
38:13 - Oh, and what is it?
38:17 - I think it's time to clear things up.
38:21 I've been thinking a lot about everything.
38:25 What happened with the marmalade business,
38:29 about us as a couple,
38:31 about the good times, the bad times,
38:35 about the lies,
38:38 about the wedding that never happened.
38:41 But the conclusion is that ...
38:46 I want to trust you.
38:49 You didn't expect it.
38:56 - No, of course not.
38:58 I was expecting a funeral and look where it took me.
39:01 - I think we've been overlooked by our mistakes.
39:06 - Especially because of my mistakes, you mean.
39:10 - Mostly yes.
39:13 I just wanted to make it easier.
39:16 - And I thank you for the gesture.
39:20 - I think our relationship deserves another chance.
39:27 To make up for everything that happened.
39:30 There is a phrase that I like a lot.
39:36 It's from Stendhal, although ... well, the author doesn't care.
39:42 - And what is that phrase?
39:45 - "Love is like a beautiful flower,
39:50 but you have to have the courage to pick it up
39:53 at the edge of the cliff."
39:56 - It's very beautiful, yes.
40:01 - Beautiful and accurate.
40:04 Our love may be at the edge of the cliff
40:09 because of the many mistakes we have made,
40:13 but it is also true that we have loved each other a lot.
40:16 - Very much.
40:18 - So I think we should give ourselves a second chance.
40:23 And rescue our love at the edge of the cliff.
40:28 What do you think?
40:30 - What do I think, Catalina?
40:33 Yes, of course.
40:37 I would like to try again. Do you know why?
40:40 - No.
40:42 - Because I had never felt what I feel for you for anyone.
40:46 - Neither do I.
40:48 - So I want to start ... again.
40:52 No lies.
40:55 - No lies.
41:06 I love you, Catalina. You know that, right?
41:09 - And I love you.
41:11 - Hanna has already told me that you are still without a walk,
41:27 and I'm hungry for you to say.
41:29 But if you eat without wanting to, Mrs. Darre,
41:31 whoever resists like the other two.
41:33 Come on, don't be silly, eat it, this will make you feel better.
41:36 Come on, Mrs. Darre, no rush, but no pause.
41:40 - But I'm not hungry.
41:42 - Come on, this is for Mrs. García.
41:45 - Oh, I already have a bad pulse, Mrs. García.
41:49 - Come on, another one.
41:51 - Let me, let me, let me.
41:52 - This is for Mrs. Martínez, who was born on the street.
41:54 - I'm going to eat it all. - Thank you.
42:01 - You are a heaven, Candela. - I know that.
42:05 - Thank you very much. - You deserve it.
42:09 Down there we are all very concerned about the little one and about you.
42:13 How is the child?
42:15 - Mrs. Candela, the ... the child is not well.
42:23 - Thank you.
42:25 - And I'm not saying it, the doctor says it.
42:28 - Dr. Guillén has returned to Vedilita.
42:30 He has brought a medication from a colleague of his, which apparently
42:34 has been effective in cases similar to that of Dieguito, but ...
42:39 - The bad thing is that it is not doing the effect that the doctor expected.
42:43 And Dieguito is still having difficulty breathing and the fever is oscillating, but it is not going away.
42:49 - And what do you say, girl?
42:53 - Well, I tell him that he should not lose hope.
42:58 Although the doctor says that ...
43:01 Anyway.
43:05 - Come on.
43:08 [Candela crying]
43:11 [Candela crying]
43:13 [Candela crying]
43:42 - I know this silence is for me.
43:44 It is obvious that, in one way or another, they have just found out.
43:49 So there is no need to pretend.
43:52 So it is true?
43:57 I have contacted a couple of volunteers and I will soon go forward.
44:05 - Curro, I repeat to you here the same thing I told you in private.
44:10 Your initiative is a misappropriation.
44:12 - And you don't want me to say what I told him in public?
44:14 - It doesn't make any sense.
44:16 You said it was your duty.
44:18 - And I told the truth.
44:20 Thousands of young people have fallen.
44:22 This war is a safe death.
44:25 Don't you think you're rushing?
44:27 - No, Catarina.
44:30 I'm doing what I feel I should be doing.
44:32 - But for God's sake, Curro, you don't have military training.
44:35 - Well, I'm getting informed.
44:36 - You don't have any experience either.
44:38 - And how am I supposed to acquire it if I don't go forward?
44:40 - Curro, in my travels I have seen the horror of war.
44:45 If this adventure doesn't kill you, it will mark you forever.
44:49 Physically and mentally.
44:51 - Beyond the fact that you want to go to war,
44:55 wouldn't it make more sense for you to participate in the conflict that Spain has in Africa?
45:00 - But what else will a war or another give me?
45:02 - Well, if you have to die, at least for your country.
45:04 - What I needed for today.
45:05 - Have you all given your opinion?
45:07 What do you think if, as a father, I also comment on something?
45:10 Anyway.
45:14 For all of you, I have known that,
45:16 even though Curro is my son, he has not always had my unconditional support.
45:21 And of course, I have not always felt proud of him.
45:24 What a lie.
45:25 But today I am.
45:28 And I'm not surprised.
45:30 It takes a lot of courage
45:34 to take such a ... - Suicide step.
45:37 - So heroic, I was going to say.
45:42 - For God's sake.
45:43 - Not all boys your age have your guts, dear Curro.
45:48 - Very well.
45:49 You, on top of that, spoil him.
45:51 That's what he needs.
45:52 - Don't spoil him.
45:53 Applaud him.
45:54 It's different.
45:55 - Applaud him?
45:56 - Yes.
45:57 And I would like to add that the fact that Spain is not participating in this conflict
46:01 is not getting rid of its repercussions.
46:03 Initiatives like my son's are much more sensible than the ...
46:06 pusillanimous official position of our government.
46:09 - But you have always defended that neutrality is good for us.
46:11 - Yes, but I've seen it now, you have to position yourself, don't you think?
46:13 - It's not what I've heard from you so far, Captain.
46:15 - I said it when I believed it and while I believed it.
46:21 - You know ...
46:24 I should dedicate myself to politics.
46:27 - Are you questioning my criteria?
46:30 I've been doubting Manuel for a long time.
46:32 And my son has just opened my eyes.
46:34 Yes, I'm sure that's it.
46:36 - Curro is no longer a child, Manuel.
46:38 - You know, I had realized.
46:40 - Besides, he is now the brilliant man of Linaja.
46:45 Worthy successor of his grandfather.
46:47 - That's right.
46:49 And precisely because I am no longer a child,
46:53 I hope you understand that right now,
46:57 I don't need your opinion.
47:01 What I need now is your respect.
47:03 My decision has been made and it is firm.
47:08 I just wanted you to know.
47:12 Good night.
47:17 [Music]
47:33 - We have to think the same.
47:43 - There is not much to choose from.
47:45 - True.
47:46 - I'm going to bed.
47:48 Hey Vera.
47:58 The new Lacayo ...
48:00 - What?
48:01 - What do you think?
48:04 - Look, you better not even name him.
48:07 - He doesn't seem handsome to me, but come on.
48:11 Cesar is what Cesar is.
48:14 I mean, he looks handsome to me, but those airs he gives off make him unbearable.
48:18 - Well, the truth is that he has never seemed so handsome to me.
48:20 I don't know why he has created so much fuss.
48:22 - Woman, the novelty.
48:24 - Yes, I think that's it.
48:26 - Besides, he's a believer.
48:28 Did you notice that he looks at everyone over his shoulder?
48:30 - Like not to look, Maria.
48:32 - And how he looks at women.
48:34 Not all of them, but ...
48:35 As if he were a gift from heaven.
48:37 - How does he look at you?
48:39 - He doesn't look at me much, really.
48:42 He makes me very nervous the way he looks at me.
48:45 - He notices you?
48:47 - I don't like it.
48:48 Not how he looks at me, nor how he behaves with me.
48:51 - What do you mean?
48:53 - I don't know.
48:54 I don't know how to tell you, but I don't like it.
48:56 Besides, the worst thing is that Lope has already noticed and he has already crossed him.
49:00 - Normal.
49:02 - Normal, why?
49:04 - Well, because ...
49:06 Well, it's normal for us to be afraid when what we want is so uncomfortable.
49:11 - Yes, I guess that's it.
49:14 - It happens to Salvador too.
49:17 - Has he gotten scared?
49:19 - He's having a hard time getting me to go to another house.
49:23 But I told him to be calm.
49:25 That our love can count.
49:28 - What are you thinking about?
49:29 - About the money.
49:33 But not about the money in general.
49:37 But about the money in that suitcase.
49:39 - Yeah.
49:40 - It was yours.
49:42 After all, it was my money.
49:45 - I don't know what you're talking about.
49:48 - I don't know what you're talking about.
49:50 - I don't know what you're talking about.
49:52 - I don't know what you're talking about.
49:53 - I don't know what you're talking about.
49:54 - I don't know what you're talking about.
49:55 - I don't know what you're talking about.
49:56 - After that, it was mine.
49:58 A little bit.
50:00 And for a few days it was everyone's.
50:03 And finally, now it's the Marquis's.
50:06 - Look, it's better not to think about it anymore.
50:08 - Yeah.
50:10 I don't want to think about it.
50:12 Why?
50:13 - Because. It's useless.
50:15 - That money wouldn't have fixed life, Vera.
50:19 You wouldn't have to work holding on to the undesirable like the saint.
50:22 And I wouldn't have to get away from Salvador.
50:26 And I get really pissed off when I think about how the Marquis approached the matter.
50:30 What did Mr. Baeza tell her?
50:32 That that money belongs to her.
50:34 With a couple of noses.
50:35 - Well, yes.
50:36 - Of course, if a poor man does that.
50:39 What? A thief?
50:40 But if a rich man does that.
50:42 It's a business.
50:43 - Well, I wouldn't know how to tell you.
50:45 - Or what's this called?
50:46 What the Marquis has done.
50:47 Robbery or half-robbery.
50:49 - Look, Maria. It's better not to think about it anymore because it has no remedy.
50:54 - Damn money.
50:55 [Music]
51:03 [Birds chirping]
51:06 [Click]
51:07 [Click]
51:19 [Click]
51:34 [Footsteps]
51:36 [Click]
52:00 - Manuel, what are you doing here? You scared me to death.
52:03 - Sorry, I wanted to ... talk to you.
52:06 - And that's why you have to scare me?
52:08 - No, I guess not.
52:10 - And what are you doing here at this hour?
52:13 And why are you so nervous? What's wrong with you?
52:17 - Well ...
52:19 - Don't tell me you're not nervous because you're not.
52:22 - I'm not going to deny it.
52:24 In fact, I don't think I've ever been so nervous in my life.
52:29 - And are you going to tell me why or ...?
52:31 - You see, Hanna, lately I've been ... I've been thinking a lot, you know? A lot.
52:41 And very deeply.
52:44 - About what?
52:46 - About you.
52:52 - Well, I hope you haven't suffered too much.
52:57 - You haven't suffered at all.
52:59 Hanna, you are the woman of my life.
53:04 - I thought we both knew that.
53:07 - Please stop joking.
53:09 - Okay.
53:11 What's wrong?
53:13 - I'm sorry, it's just ... it's very important.
53:17 - Okay, well ...
53:21 I'd rather you tell me now because you're scaring me.
53:24 - Well ...
53:26 [Sobbing]
53:29 [Sobbing]
53:31 [Music]
53:59 - Hanna Expósito ...
54:01 Do you want to marry me?
54:05 - I want you to talk to Salvador.
54:25 He's the only one who's gone to war, besides the captain of the Mata.
54:28 - But Salvador has gone to the war in Africa.
54:30 Which has nothing to do with the battles that took place in France or Germany.
54:33 - Corro, wars are wars. And all share the same atrocities.
54:36 - I don't know, Hanna.
54:38 - Lorenzo knew that Pelayo was trafficking with weapons.
54:41 And he didn't say anything.
54:43 That only has one name. Traitor.
54:45 He's a liar.
54:47 He should have warned us about what Pelayo and Cavendish were up to.
54:51 - What you don't want is to take away your daughter Catalina's business.
54:54 You've always been the apple of your eye.
54:57 - How long has he been asleep?
54:59 - Hours.
55:00 And the truth is that he hasn't moved much.
55:02 - Well, I keep thinking about that ...
55:04 What you told me.
55:06 - About what?
55:07 - Well, Hanna, that maybe it wasn't a repairing dream.
55:10 - You not only want to keep the business open, but you also want to expand it.
55:14 - That's right. Either we grow or we die.
55:16 - The truth is that it makes sense, yes.
55:18 - We have to move forward. Increase production.
55:20 - Hello Norberta told me something that may make you happy.
55:24 - What?
55:26 - She said she was going to come and tell you about Virtute personally.
55:29 - Mrs. Marquesa wants to talk to you.
55:32 - About what?
55:33 - Well, I have no idea.
55:36 Although I can guess what it is about.
55:38 Don't say goodbye to your son, Mrs. Darre.
55:40 Maybe she'll come back to the house with him.
55:43 - My experience tells me that ...
55:45 the origin of your decision has more to do with the heart than with the head.
55:50 - I love Oscuro.
55:51 - Who is that lady?
55:55 - Who is the person who made you make such a terrible decision to go to war?
56:01 - Well, enough already.
56:02 - The nonsense is over.
56:05 - What are you doing?
56:07 - You are not the one to talk to me like that.
56:09 [Credits]
56:12 (electronic music)