Shock Corridor -HD (1963)

  • 4 months ago
Shock Corridor -HD (1963)
Transcript
00:00:00 (silence)
00:00:24 - My name is Johnny Barrett.
00:00:27 I'm a reporter on the Daily Globe.
00:00:30 This is my story...
00:00:32 as far as it went.
00:00:35 (thunder) ♪ (dramatic music)
00:01:05 ♪ (dramatic music)
00:01:07 ♪ (dramatic music)
00:01:17 ♪ (dramatic music)
00:01:45 ♪ (dramatic music)
00:01:48 - When was the first time you got this urge, Mr. Barrett?
00:01:52 There must have been a first time.
00:01:53 - When I was 14.
00:01:56 When I was much younger...
00:02:00 10.
00:02:02 That's when I got the feeling.
00:02:03 - What gave it to you?
00:02:05 - Her braids.
00:02:07 - Tell me about her braids.
00:02:09 - I got excited.
00:02:10 - Go on.
00:02:12 - I grabbed her braids.
00:02:14 - Is that when you hurt her?
00:02:16 - I've never hurt her.
00:02:18 - Did you pull on her braids?
00:02:21 - I caressed them.
00:02:23 Just-- - Did you pull on them?
00:02:26 - Do you think I'm a fetishist?
00:02:28 - Hell no, Johnny!
00:02:30 Let them bring up that word.
00:02:32 Not you!
00:02:34 You'll be facing the best psychiatrist in the state.
00:02:37 They'll know when you're shabby.
00:02:39 - I feel sorry for Doc Fong.
00:02:41 Professionally, he knows he's playing with dynamite,
00:02:43 but he just couldn't turn down his closest friend, Swanee.
00:02:47 They were in psychological warfare back in World War II.
00:02:51 Today, the Doc's a top flight head handler,
00:02:54 and Swanee's my boss, managing editor of the Daily Globe.
00:02:57 - The role you'll be playing will be stronger
00:02:59 than your strongest imagination.
00:03:02 So don't ever weaken.
00:03:04 It'll be a daily duel between the insane
00:03:06 and your own sane mind.
00:03:08 And as for the doctors there...
00:03:10 - Lower your mask for an instant,
00:03:11 and they'll know you're a phony.
00:03:13 Never let them forget you're living on a sexual powder keg.
00:03:16 It's all yours, Swanee.
00:03:19 - Think he's ready?
00:03:20 - As he ever will be.
00:03:22 - Well...
00:03:24 the next move...
00:03:26 is yours, Gatsby.
00:03:28 - Caressing my braids...
00:03:31 kissing them...
00:03:32 what a disgusting story!
00:03:35 What happens if they find out I'm not really his sister?
00:03:39 - I'll handle that.
00:03:41 - Johnny...
00:03:45 Johnny, you've got to be crazy to want to be committed
00:03:47 to an insane asylum to solve a murder.
00:03:48 - Even if I don't crack this case, honey,
00:03:50 my experiences alone will make a book,
00:03:52 a play, or even a movie sale!
00:03:54 Every man wants to get to the top of his profession.
00:03:56 Mine is winning the Pulitzer Prize!
00:03:58 If this story doesn't do it, nothing ever will.
00:04:00 - But their sickness is bound to rub off on you.
00:04:03 - I said the same thing to you
00:04:05 when you started singing in your skin, remember Kathy?
00:04:08 - But those hawkers didn't get to you, did they?
00:04:10 And those lunatics are not gonna get to me!
00:04:12 - He's right.
00:04:14 Reporters have impersonated coal miners,
00:04:17 school teachers, hoodlums...
00:04:18 - Those reporters went in for a purpose.
00:04:20 Not to win a journalistic halo on the cover of Life,
00:04:23 and not to win a cash prize
00:04:24 or get their pictures in Time and Newsweek.
00:04:26 - Oh, come on Kathy, all you have to do is play your part.
00:04:29 - I'm fed up!
00:04:31 Fed up playing grief chorus to your rehearsed nightmare.
00:04:34 Why don't you smuggle aboard a rocket
00:04:35 and write the memoirs of an astronaut?
00:04:37 - Do you have any cigarettes, Kathy?
00:04:38 - Why don't you give up this psychoanalytical binge?
00:04:41 - Because it's what people buy!
00:04:43 - Mark Twain didn't psychoanalyze Huck Finn or Tom Sawyer.
00:04:47 Dickens didn't put Oliver Twist on the couch
00:04:48 because he was hungry.
00:04:49 - Oh, come on Kathy!
00:04:50 - Good coffee comes out of people, Johnny.
00:04:53 Not out of a lot of explanatory medical terms.
00:04:55 - Oh, stop it, will you?
00:04:56 - You're on a hopped up show off stage, get off it!
00:04:59 Don't be Moses leading your lunatics to the Pulitzer Prize.
00:05:02 - Would you care for a cigarette?
00:05:03 - Oh, you make me sick!
00:05:06 Sick at the thought of you playing games with your mind
00:05:08 and riding that crazy horse.
00:05:10 - He has been conditioned for a whole year
00:05:13 to ride that horse.
00:05:14 - You've got to saddle it and get me off and running.
00:05:16 That's all, Kathy.
00:05:17 - Scratch me in this race, Johnny.
00:05:20 - We made a deal.
00:05:30 - My whole instinct is to kick myself hard
00:05:34 for ever having gone into this deal with you.
00:05:36 What I should do is to land a righteous punch
00:05:41 on your super civilized dog.
00:05:42 - Oh, Kathy, you're an intellectual.
00:05:43 Well past the age of--
00:05:44 - Don't you dare analyze me!
00:05:46 Johnny.
00:05:49 Johnny.
00:05:52 Johnny, I'm in love with a normal reporter
00:05:56 holding down a normal job.
00:05:58 - Normal, yeah.
00:05:59 - What, you think I like singing in that sewer
00:06:01 with a hot light on my navel?
00:06:03 I'm doing it because it pays more than shorthand
00:06:06 or clerking or typing.
00:06:07 - I know that, Kathy.
00:06:08 - I'm saving money so we can have that normal life.
00:06:10 That's all I want. - I know all about that.
00:06:13 - But I'm scared.
00:06:14 I'm scared when I see how calm Dr. Fong and Swanee
00:06:18 and you can be about this whole crazy scheme of yours.
00:06:20 I'm scared this whole Jekyll Hyde idea
00:06:24 is going to make a psycho out of me.
00:06:27 - Now wait a minute, Kathy.
00:06:29 Kathy.
00:06:31 Do you think I'd ever let anything happen to you?
00:06:33 But you've just gotta go through with your part, honey.
00:06:38 You're the only one we can trust.
00:06:40 - Thank God.
00:06:47 - Kathy.
00:06:50 Then go back to your dive!
00:06:53 - Dive?
00:06:53 That dive is holy compared to your ideas of work.
00:07:00 Hamlet was made for Freud, not you.
00:07:03 (dramatic music)
00:07:15 (dramatic music)
00:07:17 ♪ I want somebody to love me ♪
00:07:35 ♪ I want somebody to love me ♪
00:07:39 ♪ Someone to care for me ♪
00:07:50 ♪ I need somebody to love me ♪
00:08:03 ♪ Somebody to hold ♪
00:08:08 ♪ Someone who'll hold just me ♪
00:08:13 ♪ I'd like someone who'll always be tender and sweet ♪
00:08:24 ♪ And kind ♪
00:08:31 ♪ Who's mine ♪
00:08:36 ♪ Who's mine ♪
00:08:42 ♪ All mine ♪
00:08:48 ♪ I need somebody to kiss ♪
00:08:58 ♪ Someone who'll kiss just me ♪
00:09:03 ♪ I want somebody to miss ♪
00:09:11 ♪ Someone who'll miss just me ♪
00:09:25 ♪ I know that somewhere ♪
00:09:30 ♪ There's a someone ♪
00:09:37 ♪ Who's true ♪
00:09:40 ♪ I know the love that's true ♪
00:09:52 ♪ I know the lover I want ♪
00:09:57 ♪ Darling, my love ♪
00:10:05 ♪ Is you ♪
00:10:09 (audience applauding)
00:10:19 - I told Mr. Freud that the only way for a stripper to strip
00:10:23 is for me to take off all my clothes.
00:10:25 Did Johnny fault?
00:10:32 - No.
00:10:49 - I'm scared this whole Jekyll and Hyde idea
00:10:51 is going to backfire and make a psycho out of me.
00:10:53 - But their sickness is bound to rub off on you.
00:11:03 - I said the same thing to you
00:11:07 when you started singing in your skin, remember, Kathy?
00:11:10 But those hookers didn't get to you, did they?
00:11:12 And those lunatics are not gonna get to me.
00:11:14 - She's gonna blow her top if that guy dumped her.
00:11:19 (phone ringing)
00:11:21 - How can a girl love a guy that much?
00:11:23 Tell him it's Kathy.
00:11:26 - Yeah?
00:11:29 Put her on.
00:11:32 - Oh, Swanny.
00:11:34 - Change your mind, Kathy?
00:11:38 - Swanny, it's been four days.
00:11:40 - You called the shot.
00:11:42 - Swanny, I haven't heard from him in four days.
00:11:47 - If you love him, you'd go to the limit for him.
00:11:49 - Well, good evening.
00:11:59 What can I do for you, young lady?
00:12:02 - My brother won't let me alone.
00:12:04 - How old is he?
00:12:09 - 30.
00:12:11 - Are you married?
00:12:14 - No.
00:12:16 - Does he live with you?
00:12:17 - No.
00:12:19 - Has he ever tried to attack you?
00:12:22 - He's tried.
00:12:24 - Has he ever hurt you?
00:12:27 - Yes.
00:12:30 - Have you ever brought charges against his sickness?
00:12:33 Why not?
00:12:36 - Ashamed.
00:12:37 - And now?
00:12:43 - John said he'd kill me if I...
00:12:47 - Are you ready to sign a formal complaint
00:12:51 that he's mentally unsound?
00:12:53 I didn't hear you.
00:12:56 - Yes.
00:12:58 - What's your brother's full name, please?
00:13:00 - John Barrett.
00:13:01 - County General Hospital.
00:13:11 A psycho unit, please.
00:13:13 Dr. Mencken, Kane, 16th Precinct.
00:13:17 Subject's name, John Barrett.
00:13:21 Attempted incest with sister.
00:13:23 As soon as we pick him up,
00:13:26 we'll send him over for emergency admission.
00:13:28 - How dare you jackass me down here on Earth say so?
00:13:32 I'm a reporter for the Daily Globe.
00:13:33 You can call my boss, he'll vouch for me.
00:13:35 - We checked with him.
00:13:36 He gave you a clean bill of health.
00:13:37 - That's more like it.
00:13:38 - But his word doesn't carry much weight
00:13:40 since your sister signed a formal complaint.
00:13:41 - Formal complaint?
00:13:43 Now what can you expect from a stripper?
00:13:44 Sis, come on in here and explain
00:13:45 how you drink all the whole thing up.
00:13:46 - Please, Mr. Barrett, please.
00:13:48 Sit down.
00:13:49 Please.
00:13:52 Your father living?
00:14:00 - No.
00:14:02 - Did you like him?
00:14:03 - Of course.
00:14:03 - Any brothers?
00:14:08 - No.
00:14:08 - Any other sisters?
00:14:11 - Just Kathy, that's enough.
00:14:12 - Mother living?
00:14:14 - No.
00:14:15 - Did you ever want your mother?
00:14:18 - What?
00:14:19 What are you saying?
00:14:20 That's a filthy thing to say to me!
00:14:22 - Please.
00:14:24 We're here to help you.
00:14:25 You, uh, you love Kathy, don't you?
00:14:36 - She's my sister.
00:14:37 - You love her like a woman, don't you?
00:14:39 - Not a meathead have her, no.
00:14:41 Mothers and fathers have the same fears.
00:14:45 - You understand me, don't you?
00:14:48 - Of course, of course.
00:14:50 Tell me, when was the first time
00:14:53 you felt differently toward your sister?
00:14:56 - Well, there must have been a first time.
00:14:59 When I was 14.
00:15:02 Look at the way his eyes lit up.
00:15:07 He's got me talking.
00:15:09 - He's a happy little rascal.
00:15:11 - Maybe younger, when I was 10.
00:15:13 - Now, if you just ask me what made me feel different,
00:15:18 this story will write itself.
00:15:20 - What made you feel differently toward her?
00:15:23 - Her braids.
00:15:25 - Tell me about her braids.
00:15:28 - I caressed them.
00:15:29 Kissed them.
00:15:32 - Did you pull on them?
00:15:34 - I'd never hurt her.
00:15:35 - The next question's gotta be about fetishists,
00:15:38 according to Doc Fong's script.
00:15:41 - Oh, I don't like this.
00:15:42 He's stalling too much.
00:15:44 - If he doesn't come through with that question,
00:15:47 I'll fall right on my typographical face.
00:15:50 - Do you know what a fetishist is?
00:15:54 - There's no contest in this.
00:15:58 - Sure I know.
00:15:59 As a reporter, do you ever cover a story
00:16:01 where a man became intensely excited
00:16:03 whenever he saw a woman with long hair?
00:16:05 Long, loose hair?
00:16:08 - Yes.
00:16:09 - Did he make love to her?
00:16:10 - Yes.
00:16:11 - He killed her.
00:16:11 You don't wanna wake up some fine morning
00:16:12 to learn you killed your sister.
00:16:13 - Oh, now, Doctor, I'm no epileptic
00:16:15 with some kind of fetish for hair.
00:16:16 Of course, Kathy, now her hair is different.
00:16:19 - I understand.
00:16:19 - I figured you would.
00:16:20 - I understand.
00:16:21 - Yeah.
00:16:22 - Didn't you threaten to commit suicide
00:16:23 if she ever got married?
00:16:24 Didn't you threaten your sister
00:16:26 if she wouldn't let you make love to her?
00:16:27 - That's different.
00:16:28 - Why?
00:16:29 - Because she's different.
00:16:30 - Why is she different?
00:16:31 - Because.
00:16:32 - Because why?
00:16:33 - Because I want her,
00:16:33 and nobody's gonna keep her from me.
00:16:34 (thudding)
00:16:35 (grunting)
00:16:37 (thudding)
00:16:40 - Kathy!
00:16:43 - Kathy!
00:16:44 (thudding)
00:16:47 Kathy!
00:16:49 Kathy!
00:16:50 (screaming)
00:16:53 Kathy!
00:16:56 Kathy!
00:16:57 Kathy!
00:16:59 Kathy!
00:17:00 Kathy!
00:17:02 Kathy!
00:17:04 (screaming)
00:17:07 - Personality synthesis.
00:17:10 Emotional state.
00:17:11 - Test five.
00:17:12 - Emotional state.
00:17:13 - Tendency toward one's self.
00:17:14 - Test three.
00:17:15 - Emotional state.
00:17:16 - Emotional tendencies.
00:17:16 - Test two.
00:17:17 - Personality synthesis.
00:17:18 Emotional state.
00:17:20 - You were a healthy lover
00:17:24 until you started this crazy idea.
00:17:27 And now it's consumed you
00:17:30 and made a nervous wreck out of me.
00:17:34 Well,
00:17:35 reverse the situation, Johnny.
00:17:38 What if I,
00:17:40 I were going away on a trip
00:17:44 that could separate us for weeks or months.
00:17:47 Would you help me
00:17:50 put a gap between us?
00:17:53 The drama critic on your paper
00:17:59 said my shabby, tinted hair
00:18:03 was like a soft halo
00:18:05 of a wide set inviting eyes.
00:18:10 And my mouth,
00:18:12 my mouth was a lush tunnel
00:18:16 through which golden notes came.
00:18:21 - Stop it, Kathy.
00:18:22 (sighing)
00:18:24 - And my movements
00:18:38 evoke the most inflammatory passions
00:18:43 in all...
00:18:45 - I miss you, Kathy.
00:18:47 - Pale,
00:18:49 my yen for you goes up and down like a fever chart.
00:18:52 I love you, Kathy.
00:18:58 - I don't like being alone, Johnny.
00:19:00 But you made me be alone, Johnny.
00:19:05 And I have a right
00:19:09 to find another Johnny.
00:19:12 - No!
00:19:13 Let me have this frequency table.
00:19:18 (papers rustling)
00:19:21 Yeah.
00:19:28 Yeah, mm-hmm.
00:19:29 Shows a culmination of internal sexual conflict,
00:19:35 generally of old standing,
00:19:38 and based on a constitutionally determined
00:19:43 chaotic sexual pattern.
00:19:44 There's no doubt.
00:19:47 His pattern of symptoms in a mental disease is familiar.
00:19:52 We've got to resolve the underlying sexual conflict.
00:19:57 Whenever he wants his sister physically,
00:20:03 he is taking the form of a mental breakdown,
00:20:08 an acute schizophrenic episode.
00:20:14 (water dripping)
00:20:17 - What does it mean?
00:20:20 - Means I'm a pretty good teacher
00:20:23 and Johnny's a smart student.
00:20:25 So far, so good?
00:20:26 - I don't mean that.
00:20:27 Aren't either of you concerned about his breakdown?
00:20:32 - What breakdown?
00:20:34 - Well, taking all those tests is bound to make him sick.
00:20:36 - You're right, that is something to worry about.
00:20:39 On the contrary, I think he's got the perfect mood
00:20:42 of borderline psychosis.
00:20:44 Exactly as we rehearsed.
00:20:46 And if the Superior Court judge buys his performance,
00:20:50 he'll be committed.
00:20:51 - 140 IQ classification.
00:20:55 Very good, Mr. Barrett.
00:20:57 Means superior intelligence.
00:20:59 Oh, my name's Wilkes.
00:21:00 Oh, I'm sorry, you'll have to get used to no belt,
00:21:02 no shoelaces.
00:21:03 New patient, John Barrett.
00:21:05 - Barrett, eh?
00:21:07 Barrett, put it back.
00:21:11 (door opens)
00:21:14 Barrett.
00:21:17 Ward B, bed two.
00:21:19 - Come on, Mr. Barrett.
00:21:23 - Come on.
00:21:25 Barrett, eh?
00:21:29 So you're a 140 IQ journalist.
00:21:32 Where's your typewriter?
00:21:35 - Easy, Lloyd.
00:21:36 - The last reporter I had on this floor was Ben Franklin.
00:21:39 That egghead gave me more trouble than--
00:21:40 - Come on, Mr. Barrett.
00:21:41 - Thorne phonies all you newspaper men.
00:21:44 - You came at the make friends hour.
00:22:00 Patients who behave are permitted
00:22:03 to congregate in this corridor.
00:22:05 They call it the street.
00:22:06 Gives them a chance to make new friends.
00:22:09 Women have their street too.
00:22:10 I used to work in the female lane,
00:22:13 but the nympho ward got too dangerous for me.
00:22:16 Well, this one's yours, Mr. Barrett.
00:22:27 - Am I the only loony in this ward?
00:22:30 - No, Mr. Barrett.
00:22:31 Your roommates are in the street.
00:22:33 Oh, if you don't mind, we never use words here
00:22:35 like nuts, bugs, screwy, goofy, loony.
00:22:40 We'd like it very much if you didn't use the meter.
00:22:42 - I'm sorry, I'm a greenhorn inmate.
00:22:44 - You're a patient, not an inmate.
00:22:46 - This is an insane asylum, is it not?
00:22:48 - Not exactly.
00:22:49 This is a mental hospital,
00:22:50 and we're dealing with mental hygiene.
00:22:53 After Dr. Christo takes you in hand,
00:22:54 you'll be a different man.
00:22:56 He has one of the finest records in the country.
00:22:59 - I really don't belong here.
00:23:07 - I understand.
00:23:08 You won't cause any trouble, though, will you?
00:23:10 As you did when you attacked
00:23:12 the county hospital psychiatrist.
00:23:14 - I forgot myself.
00:23:15 - We're here to help you to remember not to forget.
00:23:18 - I phoned my sister.
00:23:20 - No, I'm sorry.
00:23:21 - I'm hungry!
00:23:23 - Lloyd will show you your place in the dining room.
00:23:25 - Lloyd?
00:23:26 - What's the matter?
00:23:27 - Lloyd, the keeper that called me a phony.
00:23:30 - He's no keeper.
00:23:31 He's an attendant like me.
00:23:33 - Lloyd doesn't like me.
00:23:36 - Don't mind him.
00:23:38 He doesn't mean anything to that chip on his shoulder.
00:23:41 It's just his way of fighting everybody
00:23:43 because he can't cure the patients.
00:23:45 Well, make yourself at home, Mr. Barrett.
00:23:49 - I made it!
00:23:53 I'm in!
00:23:54 Ever since my voice changed,
00:24:00 I've wanted to be in the company of the newspaper greats.
00:24:07 And this long corridor is the magic highway
00:24:10 to the Pulitzer Prize.
00:24:11 Maybe I'm looking at the killer right now.
00:24:17 Three witnesses.
00:24:25 Stewart, Trent, Bowden.
00:24:28 (door opens)
00:24:31 - How do you do?
00:24:38 I'm Pagliacci.
00:24:39 - Johnny Barrett.
00:24:40 - Welcome to Ward B, Mr. Barrett.
00:24:42 If you expect a demonstration of insanity...
00:24:53 (laughs)
00:24:54 - Forget it.
00:24:57 - What are you in here for, Mr. Barrett?
00:24:59 (water drips)
00:25:02 (water drips)
00:25:04 (water drips)
00:25:07 (water drips)
00:25:09 (water drips)
00:25:12 (water drips)
00:25:14 (water drips)
00:25:17 (water drips)
00:25:19 (water drips)
00:25:27 (water drips)
00:25:34 (water drips)
00:25:45 (water drips)
00:25:48 - Witness number one, Stewart.
00:25:53 Farm boy from the Bible Belt.
00:25:55 Hobby, playing Civil War games.
00:25:58 Believes he's General J.E.B. Stewart,
00:26:00 Confederate hero of the Civil War.
00:26:02 (whistling)
00:26:06 (whistling)
00:26:08 - Mr. Pulitzer.
00:26:25 Come on, I'll show you to your table.
00:26:29 (footsteps)
00:26:31 This is your place from now on, Brisbane.
00:26:44 - Yes, sir.
00:26:46 - Just behave yourself.
00:26:47 - Yes, sir.
00:26:48 Yes, sir.
00:26:58 (door opens)
00:27:00 - Don't give us any knives or forks around here.
00:27:02 They're afraid we'll hurt ourselves.
00:27:04 (footsteps)
00:27:06 (footsteps)
00:27:08 (knife scrapes)
00:27:21 (knife scrapes)
00:27:31 (knife scrapes)
00:27:34 - Take your anticonvulsant.
00:27:43 - I don't like it.
00:27:45 Give me the, give me the,
00:27:47 tranquilizer drug.
00:27:50 No, no, no, no, give me, give me, give me,
00:27:55 give me the, the, that one, that one.
00:27:57 No, no, no, no, that one, that one there.
00:27:59 The vitamin.
00:28:00 (laughs)
00:28:01 I hate my, my meat already chewed up.
00:28:03 I, I, I can eat a steak the size of a cow.
00:28:05 What am I, an infant?
00:28:07 - Drink this.
00:28:08 - He ate my vitamins.
00:28:09 (footsteps)
00:28:11 (shouting)
00:28:15 - Stewart.
00:28:21 - Give me back my vitamins.
00:28:25 Give me back my vitamins.
00:28:28 Give me back my vitamins.
00:28:29 - Stewart, bring your brigade up around the right here.
00:28:31 We'll flank McClellan's forces.
00:28:33 Then we hit Antietam and hit him hard.
00:28:35 - You will address me as sir.
00:28:37 - A lieutenant general never serves a major general.
00:28:40 - What lieutenant general?
00:28:46 - Nathan Bedford Forrest.
00:28:47 (yelps)
00:28:51 At ease, Jeff.
00:28:52 Report to my command post.
00:28:53 - Where you been, my sir?
00:28:55 - Come on, gentlemen, we're going back to the wards.
00:28:59 - Where you been, my sir?
00:29:00 - A mile north of Gettysburg, Ward B.
00:29:02 - You better leave your brigade behind with me, general.
00:29:06 - I'll be there, sir.
00:29:07 - Now march.
00:29:26 (snoring)
00:29:28 - All of the men want me, Johnny.
00:29:44 But I want you.
00:29:46 And you, you want the Pulitzer Prize.
00:29:54 (eerie music)
00:29:57 ♪ I want somebody to love ♪
00:30:04 ♪ Someone to care for me ♪
00:30:17 ♪ For me ♪
00:30:22 ♪ For me ♪
00:30:29 (scatting)
00:30:32 (scatting)
00:30:34 (scatting)
00:30:36 (scatting)
00:30:38 (scatting)
00:30:41 (scatting)
00:30:44 (scatting)
00:30:47 (scatting)
00:30:51 (scatting)
00:30:54 (scatting)
00:30:59 (scatting)
00:31:02 (scatting)
00:31:06 (scatting)
00:31:09 (scatting)
00:31:12 (scatting)
00:31:14 (scatting)
00:31:16 (scatting)
00:31:30 (dramatic music)
00:31:43 (dramatic music)
00:31:46 (dramatic music)
00:31:48 (snoring)
00:31:53 (dramatic music)
00:32:08 (scatting)
00:32:12 (dramatic music)
00:32:15 (scatting)
00:32:22 (speaking in foreign language)
00:32:42 (dramatic music)
00:32:46 - Thank you.
00:32:47 Thank you.
00:32:49 It was in the middle of that aria.
00:32:53 And they pitched forward on my face like this.
00:32:55 I died of a heart attack caused by overweight.
00:33:03 A knife is a messy weapon.
00:33:14 It was a knife that killed Sloan in the kitchen.
00:33:16 Do you know why so many people came to my funeral?
00:33:24 They wanted to make sure I was dead.
00:33:31 Who used a knife on Sloan?
00:33:33 (laughing)
00:33:37 I took my time killing my wife.
00:33:39 Did you know that a man named Sloan,
00:33:42 a patient here was killed with a knife in the kitchen?
00:33:45 Still an unsolved murder.
00:33:48 I despise butchery.
00:33:51 I didn't want my wife to die like Sloan,
00:33:56 so I gently sang her to death.
00:33:59 Good night, Mr. Barrett.
00:34:10 He remembered the murder of Snowden.
00:34:13 They have a flash of sanity.
00:34:17 Breakfast, Belle! Wake up, John!
00:34:31 Wake up! Jonathan, wake up!
00:34:34 Wake up, wake up, wake up!
00:34:36 Wake up, John! Wake up!
00:34:40 - Good morning. - That's better.
00:35:07 - You started as a copy boy. - Yes, when I was 14.
00:35:11 - And you supported your sister. - Yes.
00:35:15 Did you sleep well?
00:35:17 I'm an opera singer now.
00:35:24 Paul Yatshi is harmless.
00:35:27 I want to help you, but I need your cooperation.
00:35:32 I understand.
00:35:33 Why didn't you cooperate with my staff?
00:35:36 - You want to hurt me. - Do I want to hurt you?
00:35:39 I've been watching you since I got here.
00:35:47 - Do you know who I am? - Of course.
00:35:49 Who am I?
00:35:51 Dr. Christo, clinical director, head of the medical staff for 7 years.
00:35:56 Married, 2 children, hobby, golf.
00:35:59 Don't you know?
00:36:04 It's time to ask me about voices.
00:36:07 - Do you hear voices? - Yes.
00:36:12 My head hurts.
00:36:14 I have to leave. Call my office.
00:36:16 They can't go to the press without me. Is Kathy okay?
00:36:19 That's why you're here, John.
00:36:21 To make sure she's okay. Do you understand?
00:36:24 Why did you fingerprint me? I didn't do anything.
00:36:27 You're not in prison, John.
00:36:28 Key told me not to love her as a woman.
00:36:31 Who told you?
00:36:33 A man on TV. He looked at me and said it was naughty.
00:36:36 How would he know? He's never met Kathy.
00:36:39 - Does he talk to you often? - Every time I turn on TV.
00:36:43 Could this man be your father?
00:36:46 My father wouldn't get sick if I played with Kathy.
00:36:49 And besides, what's he doing on TV? He's dead.
00:36:53 I am impotent.
00:36:55 And I like it.
00:37:01 - How are you, Mr. Barrett? - I'm fine.
00:37:04 Hydrotherapy. Is that what you call it?
00:37:07 That's right.
00:37:09 - Is Kathy coming to see me? - Your sister?
00:37:13 Not yet. She'll probably come on the day of the visit.
00:37:16 - Confidentially, Mr. Wilkes. - Yes?
00:37:21 Do you really think that this nerve-calming treatment
00:37:25 will help me forget how much I want her in my arms?
00:37:28 I'm not sure.
00:37:30 I'm not sure.
00:37:32 I'm not sure.
00:37:34 I'm not sure.
00:37:36 I'm not sure.
00:37:38 I'm not sure.
00:37:40 I'm not sure.
00:37:42 I'm not sure.
00:37:44 I'm not sure.
00:37:46 I'm not sure.
00:37:48 I'm not sure.
00:37:50 I'm not sure.
00:37:52 I'm not sure.
00:37:54 I'm not sure.
00:37:56 With a pair of scissors or a knife?
00:37:59 Scissors.
00:38:04 Did he kiss you when he tried to cut off your hair?
00:38:08 No.
00:38:10 Well...
00:38:14 Yes.
00:38:17 Did he ever attack any man who showed an interest in you?
00:38:22 Yes.
00:38:26 Do you love John?
00:38:28 Oh, yes.
00:38:30 More than just as a brother?
00:38:32 What do you mean?
00:38:34 Well, often these cases are developed through encouragement.
00:38:38 What do you mean?
00:38:41 Forgive me for saying it, Miss Barrett,
00:38:46 but there's something very strange about this case.
00:38:49 And you don't appear to be too cooperative.
00:38:54 I...
00:38:56 I'm sorry, Dr. Christo.
00:38:59 I...
00:39:01 When I received your call,
00:39:03 I thought something had happened to Johnny, and I...
00:39:06 Well, I just wasn't prepared for this.
00:39:09 - Inquisition? - No.
00:39:11 But you thought of the word, didn't you?
00:39:14 Yes.
00:39:17 Was he jealous of the way you revealed your body to other men?
00:39:22 Yes.
00:39:24 Relax, Miss Barrett.
00:39:34 May I see Johnny now?
00:39:41 He'll have to wait for visiting day.
00:39:43 How is he getting along?
00:39:45 He's in dance therapy now.
00:39:47 Dance therapy?
00:39:50 I've got an idea how I can help my buddy.
00:39:51 I'd do anything to help.
00:39:53 All right. Have the fellow play Dixie.
00:39:55 Joe, would you please play Dixie?
00:40:02 Joe, would you please play Dixie?
00:40:04 (SUSPENSEFUL MUSIC PLAYING)
00:40:07 (SUSPENSEFUL MUSIC PLAYING)
00:40:10 (SUSPENSEFUL MUSIC PLAYING)
00:40:13 (SUSPENSEFUL MUSIC PLAYING)
00:40:14 (SUSPENSEFUL MUSIC PLAYING)
00:40:41 (SUSPENSEFUL MUSIC PLAYING)
00:40:43 (JOHNNY SINGING)
00:40:58 (JOHNNY SINGING)
00:41:00 (JOHNNY SINGING)
00:41:05 (JOHNNY SINGING)
00:41:08 (JOHNNY SINGING)
00:41:12 (JOHNNY SINGING)
00:41:16 (JOHNNY SINGING)
00:41:26 I want water!
00:41:28 I'll get the water for you, General.
00:41:30 (SCREAMING)
00:41:32 Dixie!
00:41:34 One, two, three, and one, and...
00:41:37 (SCREAMING)
00:41:38 And one, and two, three...
00:41:41 (SCREAMING)
00:41:43 Dixie!
00:41:44 Five, and five, and six, and seven, and eight, and two...
00:41:48 (SINGING)
00:41:53 (SINGING)
00:41:55 Nymphos.
00:42:17 He's mine.
00:42:20 He's mine.
00:42:23 He's mine.
00:42:25 He's mine.
00:42:28 He's mine.
00:42:30 What's the matter with this door?
00:42:32 He's mine.
00:42:34 He's mine.
00:42:36 He's mine.
00:42:39 He's mine.
00:42:42 Well, girl...
00:42:48 I hope that door opens.
00:42:51 It's got to.
00:42:53 (SINGING)
00:43:21 (SCREAMING)
00:43:22 (SINGING)
00:43:24 (SCREAMING)
00:43:30 (SINGING)
00:43:32 (SCREAMING)
00:43:42 (SINGING)
00:43:45 (SINGING)
00:43:47 (SINGING)
00:43:49 (SINGING)
00:43:51 (SINGING)
00:43:53 (SINGING)
00:43:55 (SINGING)
00:43:57 (SINGING)
00:43:59 (SINGING)
00:44:01 (SINGING)
00:44:03 (SINGING)
00:44:05 (SINGING)
00:44:07 (SINGING)
00:44:09 (SINGING)
00:44:11 (SINGING)
00:44:13 (SINGING)
00:44:15 (SINGING)
00:44:17 (SINGING)
00:44:19 (SINGING)
00:44:22 (WHISTLING)
00:44:24 I heard about you getting wounded at Shiloh, sir.
00:44:47 Does it hurt much?
00:44:51 I'll get the Miss Sergeant to fix you some baked apples.
00:44:55 Baked apple, huh?
00:45:01 I haven't had any baked apples since I was in Japan.
00:45:06 How far is that from Shiloh?
00:45:10 Japan isn't in this country.
00:45:14 It's far away in Asia.
00:45:18 (SILENCE)
00:45:20 Is that Buddha still there?
00:45:28 I keep seeing it in color, and it keeps looking at me.
00:45:36 The great Buddha Kamakura.
00:45:38 I want to climb a parallel up to his head
00:45:41 and look at the people down below praying for my battalion.
00:45:45 I keep seeing monks in a parade
00:45:48 and little girls dressed like baby geishas
00:45:51 going to prayer
00:45:53 to ask Buddha to take care of me when I go back to Korea.
00:45:57 How did I get up there on that playground?
00:45:59 It's on the roof of the world.
00:46:01 And the wheel keeps going round and round and round
00:46:05 like his commies kept going round and round on that hill in Korea.
00:46:10 Toy train?
00:46:12 Toy train?
00:46:14 No.
00:46:16 Train.
00:46:19 Mount Fuji.
00:46:24 No. Another train.
00:46:27 And another train. And another.
00:46:29 And another. And another. And another!
00:46:33 We were supposed to sandbag a train in Korea.
00:46:39 But we were captured.
00:46:44 I remember it was cold, and they marched us in the snow.
00:46:47 Who are you?
00:46:55 Johnny Barrett.
00:46:57 What is this place?
00:47:02 It's a mental hospital.
00:47:05 What am I doing here?
00:47:07 You were a commie in Korea.
00:47:12 That's a dirty lie.
00:47:14 You became a member of the Kremlin.
00:47:16 Don't you call me a commie.
00:47:18 You wrote your father that the Russians were your friends.
00:47:20 Now you tell me something. Why should I write my papi?
00:47:23 He can't read.
00:47:25 He's a tenant farmer. He can't read.
00:47:28 All right.
00:47:30 I remember.
00:47:33 I remember I helped papi share cropping on the man's land.
00:47:40 But that was before I ran away from home and joined the army.
00:47:44 But now why did I run away from home?
00:47:49 I like my home.
00:47:51 That's a downright lie.
00:47:56 A downright lie.
00:48:00 I know why I went over to the commies.
00:48:10 Ever since I was a kid,
00:48:12 my folks fed me bigotry for breakfast and ignorance for supper.
00:48:16 Never, not once, did they ever make me feel proud of where I was born.
00:48:23 That was the cancer they put in me.
00:48:27 No knowledge of my country.
00:48:32 No pride.
00:48:34 Just a hymn of hate.
00:48:37 Just a hymn of hate.
00:48:39 I'd have defected to any enemy.
00:48:45 Because, you see, it was easy. My brains was cabbage.
00:48:50 They taught me everything from cabbages to commissars.
00:48:54 And they gave me a woman.
00:48:56 And she called me "Mr."
00:49:02 And she made me feel important.
00:49:06 What changed your mind about the Reds?
00:49:09 The dark face.
00:49:12 The dark face.
00:49:16 I was having a ball waving a red flag
00:49:20 until I met a sergeant from the 1st Division.
00:49:23 He was a G.I. retread from World War II.
00:49:27 Fought through North Africa and Sicily
00:49:31 and all through Europe, up to Czechoslovakia.
00:49:34 And after he was captured in Kolyowa,
00:49:36 then he was transferred to my camp,
00:49:38 and then I was assigned to help brainwash him over to the commissar.
00:49:43 And this Sergeant Kollowitz,
00:49:52 that was his name, Kollowitz,
00:49:56 he told me that he was a good man.
00:50:03 He told me things that I never dreamed of.
00:50:07 Things that I wanted to wrap up gentle and proud like
00:50:17 and go to sleep thinking about.
00:50:20 Things that give me a feeling like...
00:50:25 things my folks should have told me.
00:50:29 And I wanted to go home.
00:50:32 So I stopped waving the red flag
00:50:39 and the commis said that I was sick in the head.
00:50:43 So it was easy for me to get on the next prisoner exchange.
00:50:50 And they brought me back and they gave me a dishonorable discharge.
00:50:56 And they gave me a dishonorable discharge.
00:50:59 And nobody talked to me.
00:51:03 And everybody spit on me.
00:51:06 And Papi spit on me.
00:51:08 The newspaper reporters just kept houndin' me.
00:51:14 Houndin' me.
00:51:15 Houndin' me and houndin' me.
00:51:17 Houndin' me and houndin' me.
00:51:20 [Silence]
00:51:30 Story...
00:51:31 [Silence]
00:51:35 I'm sorry, but...
00:51:36 [Silence]
00:51:38 I gotta ask you a question.
00:51:40 [Silence]
00:51:43 Do you think they'll let me out of this place now that I'm all right?
00:51:48 [Silence]
00:51:53 Did you see the man that killed Sloan in the kitchen?
00:51:58 [Silence]
00:52:01 Yeah. I saw him.
00:52:04 [Silence]
00:52:06 I was under a table with two other men.
00:52:09 [Silence]
00:52:13 What was I doin' under a table?
00:52:15 I didn't see his face, but...
00:52:18 I know he had white pants.
00:52:21 [Silence]
00:52:24 White pants.
00:52:26 White pants.
00:52:29 Stonewall.
00:52:32 A bend in a stonewall.
00:52:36 [Silence]
00:52:39 Lee!
00:52:40 We've got to help General Lee!
00:52:44 Come on!
00:52:46 Let's get those damn Yankees!
00:52:49 [Screams]
00:52:52 Come on!
00:52:54 [Screams]
00:52:56 [Silence]
00:52:59 Marty.
00:53:01 [Silence]
00:53:04 [Indistinct chatter]
00:53:07 [Indistinct chatter]
00:53:11 He likes tea, you know.
00:53:13 [Indistinct chatter]
00:53:17 [Indistinct chatter]
00:53:20 [Crying]
00:53:23 [Crying]
00:53:26 [Crying]
00:53:29 [Crying]
00:53:32 [Crying]
00:53:35 [Crying]
00:53:39 The killer is an attendant or a doctor.
00:53:42 Stewart couldn't see his face, but he saw white pants.
00:53:47 Tell Swanee that one of the other two witnesses...
00:53:50 will open up. I feel it.
00:53:53 [Crying]
00:53:55 The killer is an attendant or a doctor.
00:53:57 Stewart couldn't see his face, but he saw white pants.
00:54:02 Tell Swanee that one of the other two witnesses will open up. I feel it.
00:54:07 [Silence]
00:54:10 [Sigh]
00:54:13 [Silence]
00:54:16 You know, if he went down into a coal mine on a disaster story...
00:54:19 he'd come up with a little coal dirt on his face, wouldn't he?
00:54:22 He's getting sick.
00:54:24 Doing great. He's been there only six weeks.
00:54:26 Narrowed the hunt down to a hospital employee, didn't he?
00:54:29 Something the cops couldn't do.
00:54:31 If you don't phone Dr. Christo right now and get Johnny out of there tonight, I will.
00:54:34 Oh, Kathy, you're becoming a nervous wreck.
00:54:37 I'm a little worried about you outside.
00:54:40 I'm a little worried about you inside.
00:54:42 Phone him!
00:54:44 You phone him!
00:54:46 Call Dr. Christo and you'll lose Johnny for good, and you know it!
00:54:50 [Silence]
00:54:53 [Clock ticking]
00:54:56 [Clock ticking]
00:54:59 [Clock ticking]
00:55:02 [Clock ticking]
00:55:05 [Clock ticking]
00:55:08 [Clock ticking]
00:55:11 Here, stick a gum.
00:55:13 [Clock ticking]
00:55:16 Have another one. Come on.
00:55:18 Chew, chew. Open your mouth and chew.
00:55:20 I got five. Come on.
00:55:22 [Clock ticking]
00:55:24 Chew, chew them good. Put them in your mouth.
00:55:26 It's very good for you. Here.
00:55:28 It's very good for you. Chew these up.
00:55:30 Chew them.
00:55:32 [Clock ticking]
00:55:33 A little more. That'll be just enough.
00:55:35 Chew. Come on. Chew, chew, chew.
00:55:38 See, you chew, and your jaw muscles, they get tired.
00:55:41 See?
00:55:43 And then the other muscles, they get the message,
00:55:46 and they get tired, too. See?
00:55:49 And before you know it, you're sleeping.
00:55:53 And when we're asleep,
00:55:57 nobody can tell a sane man from an insane man.
00:56:01 Huh? [Chuckles]
00:56:04 Good night, Mr. Barrett.
00:56:06 Night, Mr. Boyard.
00:56:08 [Snoring]
00:56:15 Did you make Johnny change his mind?
00:56:29 I tried, but he's just too close to the story now.
00:56:32 That ex-G.I. Stewart has been transferred to another floor,
00:56:35 but Johnny is certain that Trent or Bowden will open up.
00:56:38 Was Dr. Fong with you? Uh-huh.
00:56:40 What did he say?
00:56:42 That it's natural for Johnny to show mental strain.
00:56:45 What else? Well, that's it.
00:56:47 Do you want me to check with Dr. Fong myself?
00:56:49 Well, he is afraid that the force driving Johnny can boomerang.
00:56:54 Meaning he could snap. Is that it?
00:56:56 Now, don't jump to conclusions.
00:56:58 Look, if I pulled him off now,
00:57:00 he'd still suffer from some kind of depressive psychosis
00:57:03 because he'd never know what would have happened
00:57:05 if he had stuck it out long enough to contact the other witnesses.
00:57:08 You mean if he quits now, that depression sickness could hit him?
00:57:11 Yes.
00:57:13 But if he cracks the murder, he'll be all right, won't he?
00:57:15 Yes.
00:57:17 Do you seriously believe that? Yes!
00:57:20 You're crazy!
00:57:22 [Gasping]
00:57:25 Help! Help!
00:57:28 [Gasping]
00:57:32 [Gasping]
00:57:50 [Gasping]
00:57:52 [Gasping]
00:57:54 [Gasping]
00:57:56 [Gasping]
00:57:58 [Gasping]
00:58:00 [Gasping]
00:58:02 [Gasping]
00:58:04 [Gasping]
00:58:06 [Gasping]
00:58:08 [Gasping]
00:58:10 [Gasping]
00:58:12 [Gasping]
00:58:14 [Gasping]
00:58:16 [Gasping]
00:58:18 [Gasping]
00:58:20 [Gasping]
00:58:22 [Gasping]
00:58:24 [Gasping]
00:58:26 [Gasping]
00:58:28 [Gasping]
00:58:30 [Gasping]
00:58:32 [Gasping]
00:58:34 [Gasping]
00:58:36 [Gasping]
00:58:38 [Gasping]
00:58:40 [Gasping]
00:58:42 [Gasping]
00:58:44 [Gasping]
00:58:46 I'm cold and sweaty.
00:58:48 Chill sweats are usual in your case.
00:58:51 Oh. What is my case?
00:58:55 You're suffering from a form of dementia...
00:58:58 ...pracox incident to the age of puberty...
00:59:01 ...characterized by childish behavior...
00:59:05 ...hallucinations...
00:59:07 ...and emotional deterioration.
00:59:10 [Silence]
00:59:13 "Somebody's sleeping in my bed," says the papa bear.
00:59:24 Come on. Get up. Go to your bed. Go on.
00:59:27 [Footsteps]
00:59:29 What are you in here for, Mr. Barrett?
00:59:45 "God haunted Gauston Street of no return."
00:59:55 Oh, Kathy, what a story this is gonna make.
00:59:58 Don't you dare strike me.
01:00:06 I'm pregnant.
01:00:08 I've been carrying my baby for five months now.
01:00:12 "God haunted Gaust." Not bad for a lead.
01:00:17 If only Stuart had held on a little longer...
01:00:20 ...another two seconds and I'd have cracked this yarn.
01:00:25 [Suspenseful music]
01:00:28 "Witness number two, Trench...
01:00:35 ...only Negro student in a Southern university...
01:00:38 ...hobby, collecting pillowcases."
01:00:40 - Trench. - Yes, sir?
01:00:42 - The pillowcase is missing. - I don't have it, sir.
01:00:45 - It's from your bed. - I don't have it, sir.
01:00:48 - Wanna go back into the hole? - I don't have it, sir.
01:00:51 - Let him keep it. - Keep out of this, Wilkes.
01:00:53 Dr. Christo said not to get him excited.
01:00:55 You know what that pillowcase means.
01:00:58 - It's all right, Trench. We know you don't have it. - Thank you, sir.
01:01:01 Come on, Lloyd.
01:01:03 He does that every day. He's reaching out for his nerves.
01:01:10 - Friendlier? - No. He's a nigger lover.
01:01:13 Didn't make his kids fit on the blackboard.
01:01:15 God punished him. That's why he's in the catatonic stupor.
01:01:18 Watch this.
01:01:22 Now he's a statue of liberty. What are you doing here?
01:01:25 - Visiting a friend? - So am I, friend. So am I.
01:01:28 The hole is for dangerous and troublesome people. They put me in by mistake.
01:01:32 - Sure, I heard. - You didn't? I just told you.
01:01:35 That's right.
01:01:37 - You're shining up to me. You wanna carry my sign? - No, I don't.
01:01:40 - Calling me a liar? - No.
01:01:42 - You make your own sign and carry it. - What?
01:01:50 I forgot.
01:01:52 - Do you know the conductor of the State Symphony Orchestra? - No.
01:01:56 I do. He comes here now and then as guest conductor of our own hospital band.
01:02:01 - I like him, but he's mixed up. - How do you mean?
01:02:05 He permits a black boy to play with white musicians.
01:02:08 Imagine! A black boy!
01:02:11 They're all writers, entertainers, but...
01:02:19 Let's get him before he marries my daughter!
01:02:22 Trent! Come on, snap him!
01:02:29 - Hey, break it up! - No trouble!
01:02:37 - No trouble! - What are you hunching up now?
01:02:39 - He's not hunching up! - I'm talking to him!
01:02:41 Leave him alone!
01:02:43 - Is everything all right, Trent? - Yes, sir.
01:02:46 No trouble now, Trent. Promise?
01:02:49 Yes, sir.
01:02:51 Let's check the back ward. Come on, boy.
01:02:55 Thank you, friend.
01:03:02 It's all right, friend.
01:03:05 You ever been on to Mississippi?
01:03:14 No.
01:03:17 You like to watch the paddle boats go up and down the river?
01:03:21 I like that.
01:03:23 Yeah, I like that.
01:03:25 I know the captain.
01:03:27 Mark Twain's a friend of mine. Come on.
01:03:32 Come on.
01:03:34 Mark one!
01:03:49 Mark three!
01:03:52 Mark three!
01:03:57 Mark three!
01:04:00 - I like this trip. - So do I.
01:04:24 This is the clan of the Invisible Empire.
01:04:27 That's a cyclos.
01:04:29 From the Greek word "kouklos"...
01:04:31 means "circle."
01:04:33 This baptizes a new organization...
01:04:37 the Kou Klux.
01:04:39 Sounds good.
01:04:41 No.
01:04:43 Kou Klux Klan.
01:04:47 Sounds more mysterious, more menacing, more alliterative.
01:04:50 Kou Klux Klan. Say it.
01:04:53 - Kou Klux Klan. - KKK.
01:04:55 It'll catch on quick.
01:04:57 It'll drive those carpetbaggers back north.
01:04:59 Scare the hell out of 'em.
01:05:01 Tarr and feather 'em, hang 'em, burn 'em.
01:05:04 - Who are you? - Your friend.
01:05:08 - I don't know you. - I got here firstest.
01:05:10 We're the mustest men!
01:05:12 General Forrest. Nathan Bedford Forrest.
01:05:16 General.
01:05:20 You goin' around takin' credit for foundin' the KKK.
01:05:24 I'm the founder. I'm the Grand Wizard.
01:05:27 - What's our code word? - Secrecy.
01:05:30 General.
01:05:33 If Christ walked the streets of my hometown, he'd be horrified.
01:05:38 You've never seen so many black people...
01:05:41 cluttering up our schools...
01:05:44 and buses and cafes...
01:05:47 and washrooms!
01:05:49 I'm for pure Americanism.
01:05:52 White supremacy!
01:05:54 Listen to me, Americans.
01:05:57 America for Americans.
01:06:00 We got to throw rocks and hurl bombs.
01:06:04 Black bombs for black foreigners.
01:06:08 So they like hot music, do they?
01:06:12 Well, we'll give 'em a crescendo they'll never forget.
01:06:16 Burn that freedom bus.
01:06:18 Burn those freedom riders.
01:06:20 Burn any man who serves 'em at a lunch counter.
01:06:23 Burn every dirty nigger, love-in-pocket, book-integrationist!
01:06:28 Collect a lot of blackjacks and good long lengths of pipe...
01:06:33 and show those rabble-rousers they can't breathe our white air...
01:06:37 and go to school with our white children.
01:06:41 We'll get some infamable liquid and pour it on 'em!
01:06:44 We'll pour it on their homes and burn 'em!
01:06:46 Pour it on their pig and innocent set, come on, Pa!
01:06:49 Call out the members of the White Citizens' Council.
01:06:51 Call out the KKK.
01:06:53 Yes, we'll sponsor the Africans, no?
01:06:55 Get rid of every black mother, son and daughter!
01:06:59 America for Americans!
01:07:02 America for Americans!
01:07:04 Keep our schools white!
01:07:08 Keep 'em white. That's right. Keep 'em white.
01:07:10 I'm against Catholics!
01:07:12 Against Jews!
01:07:14 Against Jews!
01:07:16 Against niggers!
01:07:18 Against niggers!
01:07:21 Against niggers!
01:07:24 That's one!
01:07:26 Let's get that black boy before he marries my daughter!
01:07:30 Hallelujah!
01:07:32 (YELLING)
01:07:34 (YELLING)
01:07:36 (YELLING)
01:07:38 (YELLING)
01:07:40 (YELLING)
01:07:41 (YELLING)
01:07:43 (YELLING)
01:07:45 (YELLING)
01:07:47 (YELLING)
01:07:49 (YELLING)
01:07:51 (YELLING)
01:07:53 (YELLING)
01:07:55 (YELLING)
01:07:57 (YELLING)
01:07:59 (YELLING)
01:08:00 (YELLING)
01:08:28 Wednesday, August 30th, 1954.
01:08:33 Wednesday, August 30th, 1954.
01:08:41 The U.S. Supreme Court decreed the nation's schools must be racially desegregated with all deliberate speed.
01:08:47 I'm a boy in the Amazon jungle.
01:08:49 A brown boy, not a black boy.
01:08:51 Someone is scraping my thigh with the teeth of the piranha fish.
01:08:54 He'll change my blood to white blood.
01:08:56 I'm a boy in the Amazon jungle.
01:08:58 A brown boy, not a black boy.
01:09:00 Someone is scraping my thigh with the teeth of the piranha fish.
01:09:03 He'll change my blood to white blood.
01:09:05 August 30th, 1954.
01:09:07 The U.S. Supreme Court decreed ceremonial dance to be racially desegregated with all deliberate speed.
01:09:13 Wednesday, August 30th, 1954.
01:09:16 The U.S. Supreme Court decreed ceremonial dance to be racially desegregated with all deliberate speed.
01:09:22 Mr. KKK, run! Run!
01:09:25 Run for your life, Trip. I can't see his face.
01:09:28 Here comes the KKK. Run! Run!
01:09:30 Run for your life, Trip. I can't see his face. I can't see his face.
01:09:33 Here comes the KKK. Run! Run!
01:09:37 I can't see his face. I can't see his face.
01:09:39 Run, Trip! Run! Run, Trip! Run!
01:09:42 Run! Run! Run!
01:09:53 Always in color.
01:09:56 It's that same nightmare, always in color.
01:10:00 It's strange how I always get my mind back after that dream.
01:10:07 What's your name?
01:10:14 Johnny Barrett.
01:10:16 I know all about that trouble you had in that Southern University, Trent.
01:10:22 You don't sound sick to me.
01:10:24 We were in a race riot.
01:10:26 You leading and me trying to save your neck.
01:10:29 So you knew I was a guinea pig in a classroom.
01:10:33 The whole country went to school with you every day, Trent.
01:10:37 I failed.
01:10:40 A lot of people were counting on you.
01:10:44 Oh, I wish I'd had the guts to have stuck it out.
01:10:50 I was brought up to have pride in my country.
01:10:53 Call it the spray decor, it's inside me. I love it.
01:10:57 It's even a blessing to love my country, even when it gives me ulcers.
01:11:02 And those ulcers will stop.
01:11:06 But they all schools must get an education before being allowed to open their doors.
01:11:13 Do you know who killed Sloan to put your knife in the kitchen?
01:11:18 I can't blame the students.
01:11:21 They were brought up to hate the color of my skin.
01:11:24 It's their... their blueprint for delinquents.
01:11:28 The birth of lynchings, the disease carried to those yet unborn.
01:11:33 Those poor, sick children are taught to depend on their parents' claws...
01:11:39 ...instead of their love.
01:11:42 And the irony of it is that many Negroes are mulatto.
01:11:47 And integration is well established down south.
01:11:51 Remember Sloan who was killed in the kitchen with a butcher knife?
01:11:57 I remember the first day I went to school.
01:12:00 A woman held up her child so he could reach out and beat me with his little fist.
01:12:05 Sure I remember Sloan.
01:12:08 What was the name of the doctor that did it?
01:12:11 It wasn't a doctor, it was an attendant.
01:12:15 I even had a private teacher to help me...
01:12:18 ...to make sure the university wouldn't flunk me.
01:12:21 Do you know his name?
01:12:23 Of course. I saw him kill Sloan, didn't I?
01:12:26 Did you know that my house was attacked by night-riding shotgunners?
01:12:30 - Will you tell me his name? - Sure.
01:12:33 You know...
01:12:38 ...if I hadn't quit school...
01:12:41 ...I'd have gotten very, very sick.
01:12:45 Tell me his name.
01:12:47 Get that nigger!
01:12:49 He's not going to school with my daughter.
01:12:52 First the classrooms, then the school dances. You know what after that?
01:12:56 Go to your own home. Go to your own school, nigger.
01:12:59 Go to your own schools. Go to your own black schools, nigger.
01:13:02 - Go to your own black schools. - Draft!
01:13:05 - I'm for pure Americanism. - Draft!
01:13:07 - White supremacy! - Listen to me.
01:13:09 - I'm for pure Americanism. - I'm for white supremacy!
01:13:11 - Get that freedom bus! - Burn that freedom bus!
01:13:14 - Burn that freedom bus! - Burn those freedom fighters!
01:13:17 - Shut up! - Freedom fighters!
01:13:19 - Trent, shut up! - Trent, shut up!
01:13:22 - Is it in time over? - That close.
01:13:40 I was that close to getting the killer's real name, and boom!
01:13:43 He went nuts again, right back to the hole.
01:13:46 But there's still Bowdoin.
01:13:51 I'll reach him. I'll get to him.
01:13:56 And this time I'm not going to waste one of his sane moments.
01:13:59 I'm going to ask him right out, all about the murder.
01:14:02 Boom! I'll get the answer.
01:14:04 You realize, Kathy, I'm sitting right on top of the story.
01:14:10 And...
01:14:12 Are you all right, Kathy?
01:14:18 Johnny...
01:14:20 Don't ever do that!
01:14:26 Don't you ever kiss me like that again!
01:14:28 What?
01:14:30 - You know what I mean. - No, I don't know what you mean, Johnny.
01:14:33 You tell me!
01:14:35 What do you mean I should never kiss you again like that?
01:14:38 What's the matter? What is it, Johnny? Tell me!
01:14:40 You're exciting the other bitches by shouting!
01:14:42 - Johnny! - Tell me!
01:14:44 - Tell me what you mean! - Tell me!
01:14:46 What's the matter with her?
01:14:52 You're wanted on the phone, Kathy. Mr. Swanson.
01:15:06 Kathy? Didn't you hear me? Mr. Swanson's on the phone.
01:15:10 Yes, I'm listening.
01:15:12 Yes?
01:15:40 Dr. Christo sent for me.
01:15:42 Why did he send for you?
01:15:44 Because he wanted my permission...
01:15:47 to give Johnny electric shock treatments.
01:15:50 Have you lost your marbles? Johnny can't take that kind of punishment.
01:15:54 He'll crack. They'll find out he's a fake.
01:15:57 I hope they do.
01:15:59 But it won't be me who'll expose him. He'll expose himself.
01:16:03 Well, you should have refused the electric shock.
01:16:06 After all, he knows the killer is an attendant...
01:16:08 and he's bound to find out his identity from Bowdoin at the rate he's going.
01:16:12 At the rate he's going?
01:16:15 I don't know if you'll know his own identity.
01:16:18 What are you talking about?
01:16:20 He's beginning to think...
01:16:26 I'm really his sister.
01:16:31 I'm really his sister.
01:16:34 I'm really his sister.
01:16:38 [Clears Throat]
01:16:40 [Singing In Hindi]
01:16:54 [Singing In Hindi]
01:16:56 [Screaming]
01:17:04 [Shouting]
01:17:09 What's the matter with my voice?
01:17:22 Why can't I talk?
01:17:24 What is it, John?
01:17:27 Why can't I talk?
01:17:30 I'll try again.
01:17:32 Fine. I'm fine.
01:17:35 Was there anything wrong a moment ago?
01:17:41 No.
01:17:43 You're not holding anything back from me, are you, John?
01:17:46 No, sir.
01:17:48 Think another shock treatment might help?
01:17:51 Not unless you strap me in a chair and throw the switch yourself all the way.
01:17:55 I've earned my legend, believe me.
01:17:58 No more race riots in the corridor, huh?
01:18:01 The way I feel now, a midget could whip me.
01:18:04 All right, John.
01:18:06 You stretch your legs in the street during make-friends hour.
01:18:10 I beat 'em all.
01:18:17 They didn't learn a thing.
01:18:20 [Sighs]
01:18:22 Hey.
01:18:26 What happened then?
01:18:31 Why did I lose my power of speech?
01:18:34 What happened to my voice?
01:18:41 [Footsteps]
01:18:44 <i>Witness number three, Dr. Bowden,</i> <i>American physicist,</i>
01:18:57 <i>Nobel Prize winner,</i> <i>worked on the atom bomb,</i> <i>the H-bomb.</i>
01:19:00 <i>The most brilliant</i> <i>scientist alive today.</i>
01:19:03 <i>Went insane working on</i> <i>nuclear fission,</i>
01:19:05 <i>missiles and rockets</i> <i>to the moon.</i>
01:19:07 <i>Hobby, drawing.</i>
01:19:09 <i>Has the mentality</i> <i>of a child of six.</i>
01:19:12 - Hello. - Hello.
01:19:23 You been away?
01:19:25 We played games.
01:19:27 You wanna play with me?
01:19:29 Mm-hmm.
01:19:31 Good. We'll play hide-and-seek.
01:19:33 - I'd like that. - All right.
01:19:35 You hide your eyes and count to ten.
01:19:37 Okay.
01:19:39 One, two, three, four, five, six, seven, eight, nine, ten.
01:19:45 Now, I wonder where he could be hiding.
01:19:59 <i>He's in the basement.</i>
01:20:01 <i>He's in the basement.</i>
01:20:03 <i>He's in the basement.</i>
01:20:05 <i>He's in the basement.</i>
01:20:07 <i>He's in the basement.</i>
01:20:09 <i>He's in the basement.</i>
01:20:11 <i>He's in the basement.</i>
01:20:13 <i>He's in the basement.</i>
01:20:15 <i>He's in the basement.</i>
01:20:17 <i>He's in the basement.</i>
01:20:19 <i>He's in the basement.</i>
01:20:21 <i>He's in the basement.</i>
01:20:23 <i>He's in the basement.</i>
01:20:25 <i>He's in the basement.</i>
01:20:27 <i>He's in the basement.</i>
01:20:29 <i>He's in the basement.</i>
01:20:31 <i>He's in the basement.</i>
01:20:33 <i>He's in the basement.</i>
01:20:35 <i>He's in the basement.</i>
01:20:37 <i>He's in the basement.</i>
01:20:39 <i>He's in the basement.</i>
01:20:41 <i>He's in the basement.</i>
01:20:43 <i>He's in the basement.</i>
01:20:45 <i>He's in the basement.</i>
01:20:47 <i>He's in the basement.</i>
01:20:49 <i>He's in the basement.</i>
01:20:51 <i>He's in the basement.</i>
01:20:53 <i>He's in the basement.</i>
01:20:55 <i>He's in the basement.</i>
01:20:57 <i>He's in the basement.</i>
01:20:59 <i>He's in the basement.</i>
01:21:01 <i>He's in the basement.</i>
01:21:03 <i>He's in the basement.</i>
01:21:05 <i>He's in the basement.</i>
01:21:07 <i>He's in the basement.</i>
01:21:09 <i>He's in the basement.</i>
01:21:11 <i>He's in the basement.</i>
01:21:13 <i>He's in the basement.</i>
01:21:15 <i>He's in the basement.</i>
01:21:17 <i>He's in the basement.</i>
01:21:19 <i>He's in the basement.</i>
01:21:21 <i>He's in the basement.</i>
01:21:23 <i>He's in the basement.</i>
01:21:25 <i>He's in the basement.</i>
01:21:27 <i>He's in the basement.</i>
01:21:29 <i>He's in the basement.</i>
01:21:31 <i>He's in the basement.</i>
01:21:33 <i>He's in the basement.</i>
01:21:35 <i>He's in the basement.</i>
01:21:37 <i>He's in the basement.</i>
01:21:39 <i>He's in the basement.</i>
01:21:41 <i>He's in the basement.</i>
01:21:43 <i>He's in the basement.</i>
01:21:45 <i>He's in the basement.</i>
01:21:47 <i>He's in the basement.</i>
01:21:49 <i>He's in the basement.</i>
01:21:51 <i>He's in the basement.</i>
01:21:53 <i>He's in the basement.</i>
01:21:55 <i>He's in the basement.</i>
01:21:57 <i>He's in the basement.</i>
01:21:59 <i>He's in the basement.</i>
01:22:01 <i>He's in the basement.</i>
01:22:03 <i>He's in the basement.</i>
01:22:05 <i>He's in the basement.</i>
01:22:07 <i>He's in the basement.</i>
01:22:09 <i>He's in the basement.</i>
01:22:11 <i>He's in the basement.</i>
01:22:13 <i>He's in the basement.</i>
01:22:15 <i>He's in the basement.</i>
01:22:17 <i>He's in the basement.</i>
01:22:19 <i>He's in the basement.</i>
01:22:21 <i>He's in the basement.</i>
01:22:23 <i>He's in the basement.</i>
01:22:25 <i>He's in the basement.</i>
01:22:27 <i>He's in the basement.</i>
01:22:29 <i>He's in the basement.</i>
01:22:31 <i>He's in the basement.</i>
01:22:33 <i>He's in the basement.</i>
01:22:35 <i>He's in the basement.</i>
01:22:37 <i>He's in the basement.</i>
01:22:39 <i>He's in the basement.</i>
01:22:41 <i>He's in the basement.</i>
01:22:43 <i>He's in the basement.</i>
01:22:45 <i>He's in the basement.</i>
01:22:47 <i>He's in the basement.</i>
01:22:49 <i>He's in the basement.</i>
01:22:51 <i>He's in the basement.</i>
01:22:53 <i>He's in the basement.</i>
01:22:55 <i>He's in the basement.</i>
01:22:57 <i>He's in the basement.</i>
01:22:59 <i>He's in the basement.</i>
01:23:01 <i>He's in the basement.</i>
01:23:03 <i>He's in the basement.</i>
01:23:05 <i>He's in the basement.</i>
01:23:07 <i>He's in the basement.</i>
01:23:09 <i>He's in the basement.</i>
01:23:11 <i>He's in the basement.</i>
01:23:13 <i>He's in the basement.</i>
01:23:15 <i>He's in the basement.</i>
01:23:17 <i>He's in the basement.</i>
01:23:19 <i>He's in the basement.</i>
01:23:21 <i>He's in the basement.</i>
01:23:23 <i>He's in the basement.</i>
01:23:25 <i>He's in the basement.</i>
01:23:27 <i>He's in the basement.</i>
01:23:29 <i>He's in the basement.</i>
01:23:31 <i>He's in the basement.</i>
01:23:33 <i>He's in the basement.</i>
01:23:35 <i>He's in the basement.</i>
01:23:37 <i>He's in the basement.</i>
01:23:39 <i>He's in the basement.</i>
01:23:41 <i>He's in the basement.</i>
01:23:43 <i>He's in the basement.</i>
01:23:45 <i>He's in the basement.</i>
01:23:47 <i>He's in the basement.</i>
01:23:49 <i>He's in the basement.</i>
01:23:51 <i>He's in the basement.</i>
01:23:53 <i>He's in the basement.</i>
01:23:55 <i>He's in the basement.</i>
01:23:56 Yes, my boy.
01:23:58 I got fed up with man taking a daily hammer and sickle-coated pill of venom.
01:24:03 If I keep saying it over and over and over in my mind...
01:24:07 ...words will have to jump out of my mouth.
01:24:10 Who killed Sloan in the kitchen?
01:24:13 I'm a pure scientist.
01:24:15 Who killed Sloan in the kitchen?
01:24:17 Let the Russians claim bigger satellites.
01:24:20 They're the first to...
01:24:23 ...reveal the mating habits of seahorses.
01:24:25 Must we then race them to discover the inner structure of a grasshopper's brain?
01:24:30 Who killed Sloan in the kitchen?
01:24:33 We should take advantage of our ignorance...
01:24:36 ...and quit living like tigers.
01:24:38 Tigers in bomb shelters instead of homes.
01:24:41 Who killed Sloan in the kitchen?
01:24:44 Today, with all this talk of the panic button...
01:24:47 ...we're right on the brink of disaster.
01:24:49 Who killed Sloan in the kitchen?
01:24:52 Today, everybody's giving the human race two weeks to get out.
01:24:55 Now, I cannot live with a two-week notice.
01:24:59 Well, so I quit living.
01:25:02 Who killed Sloan in the kitchen?
01:25:05 Oh, yes.
01:25:08 Yes, I remember Sloan.
01:25:11 You know, for an insane man, he had morals.
01:25:16 I was down in the kitchen with two friends, and we were under this table.
01:25:21 Who killed him?
01:25:22 And we saw Sloan confront his attendant.
01:25:25 What was his name?
01:25:27 And Sloan threatened to expose him to Dr. Christo.
01:25:30 And do you know why...
01:25:33 ...we're taking sexual advantage of feeble-minded women in the ladies' ward?
01:25:38 Who killed Sloan?
01:25:40 Wilkes.
01:25:42 Wilkes? I've broken the story.
01:25:45 Thank God.
01:25:47 Take a look, John. It's perfect likeness.
01:25:51 What's that?
01:25:53 A portrait, of course.
01:25:55 You must be crazy. That's not me.
01:25:58 I only draw what I see, John.
01:26:01 - Don't kill me! - I don't want to play!
01:26:04 - Don't kill me! - I don't want to play!
01:26:07 - Don't kill me! - I don't want to play!
01:26:10 - Don't kill me! - I don't want to play!
01:26:13 - Don't kill me! - I don't want to play!
01:26:16 - Don't kill me! - I don't want to play!
01:26:19 - Don't kill me! - I don't want to play!
01:26:22 - Don't kill me! - I don't want to play!
01:26:25 - Don't kill me! - I don't want to play!
01:26:28 - Don't kill me! - I don't want to play!
01:26:31 - Don't kill me! - I don't want to play!
01:26:34 - Don't kill me! - I don't want to play!
01:26:37 - Don't kill me! - I don't want to play!
01:26:40 - Don't kill me! - I don't want to play!
01:26:43 - Don't kill me! - I don't want to play!
01:26:46 - Don't kill me! - I don't want to play!
01:26:49 - Don't kill me! - I don't want to play!
01:26:52 - Don't kill me! - I don't want to play!
01:26:55 - Don't kill me! - I don't want to play!
01:26:58 - Don't kill me! - I don't want to play!
01:27:01 - Don't kill me! - I don't want to play!
01:27:04 - Don't kill me! - I don't want to play!
01:27:07 - Don't kill me! - I don't want to play!
01:27:10 - Don't kill me! - I don't want to play!
01:27:13 - Don't kill me! - I don't want to play!
01:27:16 - Don't kill me! - I don't want to play!
01:27:19 - It's Kathy. - No.
01:27:22 I killed Sloan.
01:27:25 Yeah, I killed Sloan.
01:27:28 I killed him.
01:27:30 - Wilkes? - Yes, sir?
01:27:33 Keep him under restraint...
01:27:36 until further orders.
01:27:39 Get out.
01:27:42 Get out.
01:27:45 - Are you sure you killed Sloan? - Sure, I'm sure.
01:27:55 No.
01:27:58 No. Kathy... Kathy killed Sloan.
01:28:03 - Why are you interested in Sloan? - Wilkes killed him.
01:28:07 - Who told you I killed him? - Dr. Crystal.
01:28:11 Kathy did.
01:28:14 Kathy killed him.
01:28:17 Kathy killed Sloan.
01:28:20 Kathy did it.
01:28:23 Kathy killed Sloan.
01:28:27 Why should Kathy kill him?
01:28:31 ( screaming )
01:28:35 ( screaming )
01:28:38 Somebody do something about my head!
01:28:56 My head!
01:28:59 ( screaming )
01:29:03 ( screaming )
01:29:06 Why aren't you taking a little walk in the street?
01:29:19 - With these on? - What's wrong with them?
01:29:28 - It's embarrassing. - That's a good sign.
01:29:30 - How's the headache? - Gone. I lost it in the hole.
01:29:33 - You know who I am? - Dr. Crystal.
01:29:35 That's Mr. Wilkes, Mr. Lloyd, and I'm a different man.
01:29:39 Who killed Sloan?
01:29:41 I wish I could remember the name.
01:29:45 Watch it now. This may be a trap.
01:29:48 Two attendants here. Could be one of them.
01:29:52 Who? Sloan?
01:29:55 Who's Sloan?
01:29:59 Remove it.
01:30:02 I think it's time you got a little exercise, John.
01:30:07 Thank you, doctor.
01:30:10 Wilkes, relieve Kellogg in hydro.
01:30:13 Yes, sir.
01:30:25 I think you're making progress, John. Real progress.
01:30:30 He gave me the name of the killer.
01:30:34 He named the killer, and I can't remember.
01:30:38 I just don't understand!
01:30:41 He handed the story to me right on a platter.
01:30:44 Right on a platter. He gave me the name.
01:30:47 I've got to-- Why can't I think of a name?
01:30:50 Name! I can't remember the name of the killer!
01:30:55 I can't remember the name of the killer!
01:30:58 I can't remember the name of the killer!
01:31:01 I can't remember the name of the killer!
01:31:04 I can't remember the name of the killer!
01:31:07 I can't remember the name of the killer!
01:31:10 I can't remember the name of the killer!
01:31:13 I can't remember the name of the killer!
01:31:16 I can't remember the name of the killer!
01:31:19 I can't remember the name of the killer!
01:31:22 I can't remember the name of the killer!
01:31:25 I can't remember the name of the killer!
01:31:28 I can't remember the name of the killer!
01:31:31 I can't remember the name of the killer!
01:31:34 I can't remember the name of the killer!
01:31:37 I can't remember the name of the killer!
01:31:40 I can't remember the name of the killer!
01:31:43 I can't remember the name of the killer!
01:31:46 I can't remember the name of the killer!
01:31:49 I can't remember the name of the killer!
01:31:52 I can't remember the name of the killer!
01:31:55 I can't remember the name of the killer!
01:31:57 I can't remember the name of the killer!
01:32:00 I can't remember the name of the killer!
01:32:03 I can't remember the name of the killer!
01:32:06 I can't remember the name of the killer!
01:32:09 I can't remember the name of the killer!
01:32:12 I can't remember the name of the killer!
01:32:15 I can't remember the name of the killer!
01:32:18 I can't remember the name of the killer!
01:32:21 I can't remember the name of the killer!
01:32:24 I can't remember the name of the killer!
01:32:27 I can't remember the name of the killer!
01:32:30 I can't remember the name of the killer!
01:32:33 I can't remember the name of the killer!
01:32:36 I can't remember the name of the killer!
01:32:39 I can't remember the name of the killer!
01:32:42 I can't remember the name of the killer!
01:32:45 I can't remember the name of the killer!
01:32:48 I can't remember the name of the killer!
01:32:51 I can't remember the name of the killer!
01:32:54 I can't remember the name of the killer!
01:32:57 I can't remember the name of the killer!
01:33:00 I can't remember the name of the killer!
01:33:03 I can't remember the name of the killer!
01:33:06 I can't remember the name of the killer!
01:33:09 I can't remember the name of the killer!
01:33:12 I can't remember the name of the killer!
01:33:15 I can't remember the name of the killer!
01:33:18 I can't remember the name of the killer!
01:33:21 I can't remember the name of the killer!
01:33:24 I can't remember the name of the killer!
01:33:27 I can't remember the name of the killer!
01:33:30 I can't remember the name of the killer!
01:33:33 I can't remember the name of the killer!
01:33:36 I can't remember the name of the killer!
01:33:39 I can't remember the name of the killer!
01:33:42 I can't remember the name of the killer!
01:33:45 I can't remember the name of the killer!
01:33:48 I can't remember the name of the killer!
01:33:51 I can't remember the name of the killer!
01:33:54 I can't remember the name of the killer!
01:33:57 I can't remember the name of the killer!
01:34:00 I can't remember the name of the killer!
01:34:03 I can't remember the name of the killer!
01:34:06 I can't remember the name of the killer!
01:34:09 I can't remember the name of the killer!
01:34:12 I can't remember the name of the killer!
01:34:15 I can't remember the name of the killer!
01:34:18 I can't remember the name of the killer!
01:34:21 I can't remember the name of the killer!
01:34:25 You have to let me go.
01:34:28 Call my paper and talk to Swan.
01:34:31 - Don't start that again. - Wilkes killed Sloan.
01:34:34 - Get Wilkes, I can prove it. - I thought you killed him.
01:34:37 I'm not crazy! I'm here for the paper! I'm a plant!
01:34:41 Forget about Sloan.
01:34:46 Why don't you keep Pagliacci company?
01:34:49 - Let him sing "La Boheme" for you. - Yes, sir.
01:34:53 Where did Christo send Wilkes?
01:34:56 Where? I remember.
01:34:59 Hydra. Hydra therapy.
01:35:02 I remember. Hydra therapy.
01:35:07 Hydra therapy.
01:35:10 Hydra therapy.
01:35:13 Hydra therapy.
01:35:17 ( grunts )
01:35:19 ( whistles )
01:35:22 ( grunts )
01:35:25 ( grunts )
01:35:33 ( grunts )
01:35:39 ( grunts )
01:35:42 ( grunts )
01:35:53 ( grunts )
01:35:58 ( grunts )
01:36:02 ( grunts )
01:36:06 ( grunts )
01:36:09 ( grunts )
01:36:12 ( grunts )
01:36:17 ( grunts )
01:36:25 ( grunts )
01:36:29 ( grunts )
01:36:32 ( singing )
01:36:53 ( singing )
01:36:56 ( grunts )
01:37:00 ( singing )
01:37:03 ( singing )
01:37:06 ( singing )
01:37:09 ( singing )
01:37:12 ( singing )
01:37:15 ( singing )
01:37:18 ( singing )
01:37:21 ( singing )
01:37:24 ( singing )
01:37:27 ( groans )
01:37:30 ( coughs )
01:37:32 ( grunts )
01:37:38 Now, if you don't mind...
01:37:47 I'd like you to call my paper...
01:37:49 and ask Swanee to confirm that I was the plant here.
01:37:53 That is a load off my mind, Doctor.
01:37:56 He was sane enough to write that story.
01:37:59 He's been sane for weeks.
01:38:01 Don't you stand there and tell me that there's nothing you can do for him.
01:38:05 Why?
01:38:07 Why is he like that?
01:38:10 Oh, God in heaven.
01:38:14 Well, a man can't tamper with the mind...
01:38:16 and live in a mental hospital...
01:38:18 and subject himself to all kinds of tests...
01:38:20 and expect to come out of it sane.
01:38:22 John is a catatonic schizophrenic.
01:38:25 ( sobbing )
01:38:28 What a tragedy.
01:38:30 An insane mute will win the Pulitzer Prize.
01:38:35 He is not insane!
01:38:40 John...
01:38:48 hold out your hand.
01:38:52 ( music playing )
01:38:55 Oh, Johnny!
01:38:58 Oh, Johnny, Johnny, Johnny.
01:39:02 ( sobbing )
01:39:05 ( sobbing )
01:39:19 ( sobbing )
01:39:22 Johnny, it's me.
01:39:31 It's Kathy, Johnny.
01:39:34 Johnny.
01:39:36 Johnny, it's Kathy. It's me.
01:39:43 ( sobbing )
01:39:47 No.
01:39:49 No, no, no, no.
01:39:53 Oh, Johnny, no.
01:39:58 Patients who behave are permitted to congregate in this corridor.
01:40:03 ( music playing )
01:40:07 ( whistling )
01:40:11 ( whistling continues )
01:40:13 ( man singing in French )
01:40:39 ( man singing in French )
01:40:43 ( man singing in French )
01:40:47 ( man singing in French )
01:40:51 ( man singing in French )
01:40:54 ( music playing )
01:40:58 ( music playing )
01:41:02 ( music playing )
01:41:05 ( music playing )
01:41:08 [BLANK_AUDIO]