Combo Film
  • yesterday
Transcript
00:00My name is Gion Taro. I am a taxi driver with no blood.
00:10I was born and raised here in Kyoto.
00:14I am ashamed to say that I have never left Kyoto, surrounded by mountains.
00:20But this land is so beautiful, and the scenery is so beautiful.
00:27I don't know where to go, leaving such a blessed and sophisticated town.
00:33I will never stop loving this land.
00:39I don't have such a happy job to guide my beloved Kyoto.
00:54Take care.
00:57What will happen if I cross that mountain?
01:02One day, I was interested in the world.
01:06I thought that I could know more about Kyoto and love it more by comparing it with the world.
01:20Kyoto, the land of the rising sun
01:24Kyoto, the land of the rising sun
01:29Kyoto, the land of the rising sun
01:34Kyoto, the land of the rising sun
01:38Beautiful.
01:40And when I look back, I see the world of the first meeting.
01:43What?
01:46I'm not a tourist.
01:48No, no, no, no, no.
01:50It's ridiculous.
01:51I've already crossed the mountains.
01:55No, no, no, no, no, no, no.
01:57I'm not a tourist.
01:59I'm not a tourist.
02:00What's going on in the world?
02:03Many tourists who visit Kyoto have lost their way.
02:07I'm not a tourist.
02:10No, I'm not a tourist.
02:14I'm not a tourist.
02:18No, I'm not a tourist.
02:25Goodbye, Kyoto.
02:27Goodbye, my home.
02:29Goodbye, my home.
02:35And so I became a taxi driver flying through the wilderness.
02:41There's nothing in the wilderness.
02:43Oh, the wilderness.
02:45There are no names in the wilderness.
02:47No guests.
02:48No TV.
02:49No radio.
02:50Only the sand and the sun, the blue sky that spreads in the darkness, and the infinite air chase me.
02:59I'm going to drive a taxi.
03:01Can I really call myself a taxi driver now?
03:06The Earth is round.
03:08If I go on like this, I'll be back in Kyoto someday.
03:11I'll be back in the tomb of the tourist zombies.
03:14Huh?
03:15Ah, it's cold!
03:17It's cold.
03:18It's cold.
03:19It's cold.
03:20It's cold.
03:21It's cold.
03:22It's cold.
03:23It's cold.
03:24It's cold.
03:25It's cold.
03:26It's cold.
03:27It's cold.
03:28It's cold.
03:29It's cold.
03:30It's cold.
03:31It's cold.
03:32It's cold.
03:33It's cold.
03:34It's cold.
03:35It's cold.
03:36It's cold.
03:37It's cold.
03:38Taro, the butterfly is huge.
03:40Are you going to fly?
03:41Wake up.
03:42Ah!
03:43I'm a tourist zombie!
03:45I'm back in Kyoto!
03:49What kind of dream is that?
03:51It's interesting.
03:52Yusuke Iyami.
03:54As usual, you look bored.
03:56You're not a tourist, you're a sightseeing bird!
03:59You're still as sarcastic as ever.
04:02But you can't talk about people either.
04:04In my case, I just decided not to work as a bad guy.
04:08Oh, it's almost time for Pilates.
04:10After that, I'll go to a vegetarian restaurant with my Pilates friends.
04:14I didn't ask you anything!
04:15What's with you, you loose bird?
04:17Then, please continue your dream.
04:21In my dream, there were a lot of customers, but...
04:25If I don't become a driver who can be chased...
04:29But I'm sleepy.
04:37There are no customers.
04:39There are no customers.
04:41There are no customers.
04:44I'm going to get some leaves!
04:47What is this dream about?
04:49What is it trying to tell me?
04:51The wilderness, the thirst, the unfulfilled heart, the anxiety of old age,
04:55Armageddon, Angolmois, and the extinction of the human race!
04:58Oh, no! I can't get out of this spiral!
05:01I'm sorry.
05:05My heart was empty, and God didn't leave me alone.
05:10He gave me a drop of life from heaven.
05:15Um, can you take me to the Gion Corner?
05:18The Gion Corner!
05:20I'll take you to the Gion Corner!
05:22Please get in!
05:24I'm sorry.
05:25Okay!
05:26Get in!
05:27Check the front!
05:28Check the back!
05:29Check the weather!
05:30I got out of the darkness!
05:32Then, I, Gion Taro, will take you to the Gion Corner
05:35in ultra-fast, safe driving!
05:48The Gion Corner
06:19The Gion Corner
06:22The Gion Corner
06:25The Gion Corner
06:51Do you know the song, Kyoto Tori?
06:53Yes.
06:54I'm a taxi driver, but I still can't see the map without this.
06:59Oh, I'm sorry.
07:00Yes?
07:01The Gion has been spinning around for a while, hasn't it?
07:03Oh, yes.
07:04I'm in a bit of a hurry.
07:05Oh.
07:06You said it was the Gion Corner, so I was looking through the whole Gion.
07:10No, no, no.
07:11So please get off at the Gion Corner.
07:14Huh?
07:15Oh, I see.
07:16Is there such a specific place?
07:18Yes.
07:19Oh, is it such a facility?
07:21What? You don't know?
07:22I'm embarrassed to say this, but I don't come to the Gion very often.
07:26Could you show me the way?
07:30Huh?
07:31You're a taxi driver.
07:32Your name is Kiyontaro, but you don't know the Gion, do you?
07:35Oh, I'm so tired.
07:37I'll explain.
07:38I'll turn the Gion upside down.
07:40No, no.
07:41You can't open it up again.
07:42Oh, I see.
07:43Sorry to keep you waiting.
07:45I'm so sorry to keep you waiting.
07:47Thank you, Mr. Muchizo.
07:49No, no, no.
07:50I'm really sorry.
07:52Until we meet again, please call me Mr. Kiyontaro.
07:56Huh?
07:57Of course.
07:58Please take care of the Gion Tourism.
08:00I'm counting on you.
08:04The Gion's Yoshifusa Kagezen, which has been going on since the Edo period,
08:08will be on stage.
08:10The Gion's Yoshifusa Kagezen, which has been going on since the Edo period,
08:14will be on stage.
08:15I'd like to draw a realistic Gion of the present.
08:18I'd like to draw a realistic Gion of the present.
08:21I'd like to draw a realistic Gion of the present.
08:26Next, I'd like to introduce Mr. Yoshifusa Kagezen,
08:30who is in charge of planning and planning.
08:35I'd like to introduce Mr. Yoshifusa Kagezen,
08:40who is in charge of planning and planning.
08:42I'd like to introduce Mr. Yoshifusa Kagezen,
08:45who is in charge of planning and planning.
08:48Hello.
08:50Mr. Kudo, what's up?
08:51You look so gloomy.
08:53Coffee, please.
08:58I heard you're auditioning.
09:00I'm going to challenge myself.
09:04I'm not interested.
09:06You can't get real happiness by auditioning.
09:10I'm not telling you to accept it.
09:12Here you are.
09:14Next, I'd like to hear from Ms. Tamako Oku,
09:17who is playing the heroine.
09:21Hello, my name is Tamako Oku.
09:25I'm so glad!
09:26The customer who just got on board!
09:28She's so young!
09:29Tamako Oku is a person of time.
09:32So, if I pass the audition...
09:35Ready, action!
09:38Mr. Taro.
09:39Ms. Tamako.
09:41Don't let go of me.
09:44I swear.
09:55Cut!
09:56Cut!
10:00Cut!
10:01Cut!
10:02Cut!
10:03Don't let go of me.
10:05Don't let go of me.
10:07I won't.
10:09Next scene.
10:11Cut!
10:12Cut!
10:13Cut!
10:14Cut!
10:15Don't let go of me.
10:16Bravo!
10:17Bravo!
10:18Humming.
10:24Hey.
10:25Hey, hey, hey.
10:27What are you doing?
10:29Are you going to the hospital or not?
10:31All right!
10:32Let's go to the audition venue!
10:34What? Are you kidding me?
10:35What are you going to do?
10:37I'm not a taxi driver anymore.
10:41I don't belong here.
10:44I'm going to live in the screen.
10:46Good bye!
10:47See you at the cinema.
10:50Please introduce yourself.
10:52My name is Taro Gion.
10:54I'm a taxi driver.
10:57Wow.
10:58You look great in this movie.
11:00Yeah.
11:02Please tell me what you think of when you hear the name Gion.
11:05Well...
11:08Geisha, Maiko, Yatsuhashi.
11:12Geisha, Yatsuhashi, Maiko.
11:16Maiko.
11:17You're a taxi driver, aren't you?
11:19Yes, I am.
11:21Please tell me what you think of when you hear the name Gion.
11:23I'm a taxi driver.
11:27I don't know anything about Gion.
11:30Gion is a big city with a lot of celebrities.
11:33I don't know anything about Gion.
11:35I don't know anything about Gion.
11:36I don't know anything about Gion.
11:37I don't know anything about Gion.
11:38Your real name is Taro Gion?
11:40No, my real name is Taro Gion.
11:42So, Gion Taxi?
11:44You're lying.
11:45You have a real name.
11:47You're making fun of me.
11:49No, I don't.
11:50My ancestor was a farmer.
11:53My name is Gion.
11:55My name is Gion.
11:57My name is Gion.
11:59My name is Gion.
12:01My name is Gion.
12:03My name is Gion.
12:05My name is Gion.
12:06My name is Gion.
12:08I'm sorry.
12:09I didn't catch it.
12:10Please tell me what you think of when you hear the name Gion.
12:13Wait a minute.
12:16Please give me a little more time.
12:18I'm confident in my acting.
12:21It's a little hard to see.
12:22Can you move?
12:25Iyami, do you know?
12:27Why do you think I'm a piratist?
12:29I don't know.
12:30Next.
12:32Hello.
12:33I'm Iyami Yusuke.
12:37I can't help it if I miss this.
12:39Your name is in the way of my life.
12:43What?
12:46That voice is...
12:48Tamako Oku.
12:51Are you auditioning?
12:52I'm embarrassed.
12:54You can act.
12:56To be honest, I wasn't good at acting.
13:00Let's ask the producer.
13:03No, no, no.
13:04Please don't.
13:05Wait a minute.
13:07Tamako Oku.
13:08Tamako Oku.
13:09Producer.
13:10Please cast Gion.
13:12What?
13:15I didn't expect this.
13:18But you said you didn't know Gion while living in Kyoto.
13:21I thought it was very realistic.
13:24Am I the only one?
13:26Director.
13:27You said you wanted to draw a realistic Gion, right?
13:31Of course.
13:33Thank you very much.
13:34I haven't said yes yet.
13:37I'll do my best.
13:39I haven't said yes yet.
13:41Well, well, well.
13:42Can I go?
13:44Mr. Kagizen.
13:45I want as many local people as possible.
13:48I'm counting on you.
13:51That's what he said.
13:53I'm glad.
13:54Thank you very much.
13:55Is it decided like this?
13:57Let's go to study Gion.
14:02Yes.
14:03Excuse me.
14:05I'm a young man.
14:07I'm swimming in the sea.
14:14I'm going on a date.
14:18I'm going on a date with a famous person.
14:21This is Minamiza.
14:24Is there Kitaza?
14:26No.
14:29I found it.
14:30Gion.
14:31It's a good place.
14:33I'm going on a date.
14:35Welcome.
14:37This store sells traditional food from Kyoto.
14:43I'm excited.
14:47It's a good place.
14:49It's a good place.
14:54I'm so excited.
14:56I'm hungry.
14:57Do you have any recommendations?
15:00Please wait a moment.
15:02Here and here are popular.
15:04It's okay.
15:08I'm sorry.
15:09I made a mistake as a man.
15:15Please wait a moment.
15:18It looks delicious.
15:20I'm a taxi driver.
15:22Is it okay to eat with an actress?
15:25I can't eat anymore.
15:30Let's eat.
15:36I'm sorry.
15:37I can't take a picture.
15:39It's okay.
15:41I'm sorry.
15:49Please wait a moment.
15:51It looks delicious.
15:54It's a latte.
15:59I don't want to drink it.
16:03It's a latte.
16:06What's wrong?
16:08I'm nervous.
16:12You are honest.
16:17I'm nervous.
16:19I'm nervous.
16:25I see.
16:27I'm nervous.
16:33I'm nervous.
16:37What should I do?
16:39You are a delicate actress.
16:44I don't know if it's difficult.
16:46I think it's because you are worried.
16:50You should worry when you are worried.
16:54You said a great thing.
17:03She is good at acting.
17:08She is good at acting.
17:14I'm used to it.
17:16I have to do my best.
17:18She is always alone.
17:22It's a lonely job.
17:25It was delicious.
17:26Do you want to go to the flower shop?
17:28Or do you want to go to the museum?
17:32I'm nervous.
17:35I'm nervous.
17:37She is a delicate actress.
17:39She is not calm.
17:41I want to cry.
17:43I should be calm.
17:47I'm nervous.
17:50What's wrong?
17:52She is different when she is alone.
17:55Really?
17:57She is not in Shinjuku.
17:59I'm lost.
18:01Where should I go?
18:03You are too nervous.
18:06I'm lost.
18:09Ouch!
18:10I'm sorry.
18:12I'll leave the island soon.
18:14I'm sorry.
18:15Please hide it.
18:16It's mine.
18:18Please keep it.
18:20I don't need it.
18:22Please.
18:23I said I don't need it.
18:25I don't care.
18:26I said I don't need it.
18:28Please.
18:29Please throw it away.
18:30I don't need it.
18:34Is it a self-portrait?
18:36Is it a party today?
18:39Let's run away.
18:41What?
18:43Wait a minute.
18:45Wait a minute.
18:48Why is it a maze?
18:50I don't know.
18:51Which way?
18:52Ouch!
18:54Wait a minute.
19:00Let's run away.
19:03Let's hide ourselves.
19:05Are you okay?
19:07We are lost.
19:09We don't know which way to go.
19:11Wait a minute.
19:14They are coming.
19:17Come on.
19:18This way.
19:19That way.
19:21I found it.
19:24Wait a minute.
19:29What is this place?
19:30Is this a paradise?
19:33What is that?
19:34It's just a bar.
19:37It's okay here.
19:38If we are cornered here, it's over.
19:40Don't worry.
19:41I'll protect you.
19:44Calm down.
19:45Let's plan a strategy here.
19:47I'll protect you.
19:51You are too loud.
19:53Mr. Taro, be quiet.
19:54I'm sorry.
19:55A suspicious man suddenly...
19:57Mr. Taro.
19:59Hide.
20:04Hide.
20:16Hey, boy.
20:17Where?
20:18Come on.
20:20Damn it.
20:23Near us.
20:24What?
20:31What?
20:32Me?
20:33It's me.
20:34What?
20:35No.
20:36You?
20:37Me?
20:38Same?
20:39No, no, no.
20:40I found it.
20:41Nyan, nyan, nyan, nyan, nyan.
20:45They are coming again.
20:58The owner of the kakisei.
21:03I've never seen a person who runs at full speed.
21:07I didn't run because I wanted to.
21:10You'd better take the gun away from Gion.
21:14I've never seen or heard of a gun.
21:18What are you involved in?
21:20It's an important time before the shooting.
21:22We don't know, either.
21:25I'm sorry.
21:26Who is he?
21:27He's been shaking for a while.
21:30Who called you?
21:32I don't know, either.
21:35I was assigned to carry this case to the locker at the station.
21:40And then...
21:43Do you want to open it?
21:46Yes.
21:48TARO
22:00Why did you close it?
22:01It looked dangerous, didn't it?
22:03Yes, but I missed it when I closed it.
22:08Maybe you didn't open it.
22:10Who are you talking to?
22:11Taro, do you want to open it?
22:13I closed it.
22:14It's the same even if I open it.
22:17I'll open it.
22:25Tropical juice?
22:27Or a drug?
22:29Well, it's probably the latter.
22:33I don't like the logo, either.
22:35Oh, I took it.
22:36You're fine now, aren't you?
22:38What's this?
22:40I don't know.
22:42I thought I could live a normal life.
22:47But wherever I go, I'm always in danger.
22:53I have to do something dangerous.
22:57I can't go anywhere.
23:01What's your name?
23:04Tom.
23:05Tom Garlickson.
23:06That's a cool name.
23:08Tom Garlickson.
23:10Tom Garlickson is cool, isn't he?
23:12Tom Garlickson, work for me.
23:15I'll hide for a while.
23:17What?
23:18I don't have a successor.
23:21Well, my son is a teacher.
23:24It's normal.
23:26I think it's my fault that I couldn't show you the charm of a teacher.
23:32What should I say to him now?
23:37I felt a sense of helplessness.
23:41I felt like everyone was holding that landscape in their hearts.
23:52Well, this movie is the last struggle.
23:56I'm sure everyone will be disappointed that what we've been doing for generations is over.
24:03At least we want to show the beauty of excellence.
24:06I'm counting on you for the movie.
24:08Yes!
24:09I'm Crankin today.
24:11Nice to meet you all.
24:13Let me introduce the cast.
24:16This is Tamako Oku, playing the role of Yoshiko.
24:20Tamako Oku, please come to the scene.
24:23Nice to meet you.
24:25I haven't introduced you yet.
24:28Oh, I see.
24:29Also, I'd like to introduce you to my subcontractor.
24:32Oh, you're my employee.
24:34I'm Tsukota.
24:35What do you think of the role of a foreign customer?
24:38I'm sorry, but I don't want anyone to appear in the movie.
24:42It's my job to protect the quality of the movie.
24:45Oh, I know.
24:46I'm glad to hear that.
24:48Please do your best.
24:51Are you all right?
24:52He's been shaking all the time.
24:54That's right.
24:55That's the way he is.
24:56Nice to meet you.
24:58Wait a minute.
25:00Shinichi, let's start with the first scene.
25:04Yoshiko, who has just transferred from Patissier.
25:08She's in love with the charm of Kyogashi.
25:10She's going to keep polishing women.
25:12First of all, be fresh.
25:13Yes.
25:14Mr. Gion Taro, the taxi driver.
25:17Take the junior high school girl to the frame.
25:19Yes.
25:20Oh, I'm nervous.
25:22The other taxi driver.
25:24Nice to meet you.
25:25Sit on this bench and wait for your order.
25:28Yes.
25:29The foreign customer is looking out of the show window.
25:34Yes.
25:35I don't want to be in this scene.
25:38There's a line.
25:39Oh, no.
25:40What should I do?
25:41Please calm down.
25:42This floor is also welcome.
25:44OK.
25:45Thank you very much.
25:47Ready, action.
25:48Welcome.
25:51Why are you looking at me, Gion Taro?
25:53You're close.
25:54You're close.
25:55You're close.
25:56And you're a student.
25:57What's he doing?
25:58Bring me a normal girl.
25:59I'm sorry.
26:00What's that?
26:02What's that news?
26:03Hey.
26:04What?
26:05He's a fugitive.
26:06I can't see him.
26:07His presence is dangerous.
26:09Cut.
26:10Cut.
26:14First of all, don't look at the camera.
26:16Oh, I'm looking at you.
26:18I'm taking a picture, so it's natural.
26:20You're a student.
26:21Let's shave your beard.
26:23What's that news?
26:25It's this morning's news.
26:26I was waiting for this scene.
26:28Hey, Iyami.
26:29What's that?
26:30It's confusing.
26:33Tamako, this is a scandal.
26:35What's going on?
26:36No, I was just eating.
26:39Huh?
26:40Are you aware?
26:41As a heroine.
26:43Are you responsible for this movie?
26:45You're the face of this movie.
26:47Huh?
26:48And the acting is bad.
26:51I can't see the background at all.
26:52Stop it.
26:54I'm sorry.
26:57That's the eye.
26:59Huh?
27:00The moment the soul moves.
27:02I'm dealing with the humor.
27:04Yes, I understand.
27:06Yeah.
27:08In that sense, Mr. Monster was the most realistic.
27:12But I don't think this scene is realistic.
27:15You don't have this scene.
27:17I see.
27:18Is this the scene of the movie?
27:21I may have stepped in.
27:27Let's start from the scene where the master appears.
27:29Nice to meet you, master.
27:30Yes.
27:31What's the line?
27:32Nice to meet you, too.
27:34I see.
27:35Ready.
27:36Action.
27:37Nice to meet you, too.
27:40What's this?
27:41What are you doing?
27:42Camera?
27:43What does this mean?
27:45Zenyan.
27:46Who?
27:47What? The movie?
27:48Where's the master?
27:49Is he gone?
27:51He's back.
27:53Can't he come back?
27:54Is he in my house?
27:58How dare you come back?
28:02What's this scene?
28:03I don't know.
28:04Cut.
28:06I'm sorry, master.
28:07Please follow the script.
28:09Who is this?
28:11My son.
28:12What?
28:14I'm sorry.
28:15I'm in the middle of a shoot.
28:17Why are you dressed like that?
28:19Let's talk about that later.
28:21Can you move?
28:22Here.
28:23I don't have any money.
28:24This is the only place I can go.
28:26I'm going to die there.
28:28You're going to die.
28:29You don't have a place to go.
28:30You're going to die.
28:32What?
28:34This guy.
28:39Shit.
28:43Chase him.
28:44What?
28:45Just chase him.
28:46This is Gion.
28:47This is the present of Gion.
28:48Cut the Gion reality.
28:50Okay.
28:51But the drama is not over yet.
28:54What should I do?
28:55This shop has been open for 300 years.
28:57It's over.
28:58The history of the Jurassic Park is going to be over.
29:02The parent-child zigzag is starting.
29:04But this is not a good position.
29:07But this is a realistic position.
29:10I see.
29:11The pressure of the parents and children.
29:12This is a family drama.
29:13This is a story of the bond of the family.
29:16Both are painful.
29:17Which one should I take now?
29:20Which one?
29:24Okay.
29:29Shit.
29:37It's a good picture.
29:38Did you consider the picture?
29:40No way.
29:41What about your son?
29:42I don't know if he will come.
29:46I haven't seen him for a long time.
29:48I think he will be happy.
29:51No way.
29:52I don't think he will be happy.
29:54He is a pervert.
29:55Master.
29:56It was very painful, wasn't it?
29:58It's good.
29:59You framed it at the right time.
30:01Because he was always blaming himself.
30:05He said he felt responsible.
30:08Why did you make a movie?
30:11You hated this kind of thing.
30:13It's a 300-year-old history.
30:15It's a culture.
30:16It's hard and heavy.
30:19I think he made this movie for you.
30:24I think he made this movie for you.
30:29It's good.
30:31It's good.
30:32It's good.
30:33That's right.
30:35I'm sure my father...
30:38That's right.
30:41What are you doing here?
30:43If you come, bring me some new information.
30:48I'm so jealous of the place where I can come back.
30:52I don't know my parents.
30:54I don't know where to go in the world.
30:59That's right.
31:02My father made a good place for me.
31:06And he kept protecting the place where you can come back.
31:11I can't imagine such a generous father abandoning his own son.
31:23It's a good tear.
31:27I don't know.
31:28I'm just a whim.
31:30I'm a homeless cat.
31:33No, I'm a tiger.
31:36I don't know what to do with the image of a cat or a tiger.
31:39I'm counting on you.
31:53How did he feel when he left?
32:00There's a man with a gun.
32:03It's getting serious.
32:13Tom, are we being targeted again?
32:16I'm sorry.
32:20It's a gunshot.
32:24Help me.
32:27Oh, no.
32:34Why is he singing?
32:52Here you are.
32:54Wait a minute.
32:56What should I do?
32:59It's dangerous.
33:01Wait a minute.
33:03Stop it.
33:04It's dangerous.
33:06Stop it.
33:08I'm sorry.
33:10I'm sorry.
33:17Tamako.
33:21Stop it.
33:23Stop it.
33:25Who are you?
33:27What would you do if you met someone you love?
33:30Taro.
33:32I'm a taxi driver.
33:34I won't forgive you if you do this.
33:42Don't touch my nose.
33:44Don't touch my nose.
33:50Taro.
33:52Tamako.
33:54I'll do anything for you.
33:58He won his love.
34:00He won his love.
34:02He won his love.
34:11There's a lot of drama.
34:13Do you want me to stop singing?
34:15Not yet.
34:17Let's continue the miracle.
34:20What should I do?
34:22What's going on?
34:24Here it is.
34:26You're going to shoot it.
34:34Dad.
34:36What are you doing?
34:49Dad.
35:12Dad, are you okay?
35:14Stop the camera.
35:17I'm sorry.
35:24I'm sorry.
35:25It's a special effect.
35:28Did you shoot it?
35:30I did, but it's not funny.
35:32I thought it would be fun.
35:35It's real.
35:37Is that so?
35:38There was no such action scene.
35:40I'm sorry.
35:42What are you doing?
35:44Mr. Kageyama.
35:48What?
35:49What are you doing?
35:53Look outside.
35:59What is this?
36:01This is...
36:14What is this?
36:20What are you doing?
36:22What is this?
36:24What are you doing in our town?
36:29I'm doing something funny like a movie.
36:34I'm sorry.
36:36I'll do it.
36:38I'll do it.
36:40I'll do it.
36:42Mr. Kageyama, I'm sorry.
36:44It's my fault.
36:45I got everyone involved.
36:47It's my fault.
36:49Mr. Kageyama, it's not your fault.
36:52I'm sorry.
36:54I'm sorry, everyone.
36:56I did a weird job.
36:58I did a bad job.
37:00That's enough, Tom.
37:02Everyone, what do you think?
37:05How about a cup of tea at the end?
37:09Well...
37:11Thank you very much.
37:18First, please have a cup of tea.
37:21I didn't expect them to come.
37:24Thank you for the tea.
37:26Can I ask you something?
37:28What was that strange bottle?
37:31I don't know, either.
37:34We don't know what that chemical weapon is.
37:37There's another organization.
37:39Who's the enemy and who's the ally?
37:41That's my line.
37:43Why are you getting involved?
37:45Isn't that a weapon that can invade the world?
37:48Master.
37:49Where is that going?
37:51Master.
37:52What is it?
37:53Do you have a change of clothes?
37:55What?
37:56Why are you talking about something so important?
37:59It's okay.
38:00I don't need a change of clothes.
38:03But...
38:05Hey!
38:06What are you doing?
38:07You're eating too much.
38:09What's this?
38:10It's delicious.
38:11Isn't it a new taste?
38:12No, it's not a new taste.
38:14It's been around since the Muromachi period.
38:16By the way, what is this made of?
38:19This is it.
38:20This is the identity of Kuzukiri.
38:23What?
38:24This is...
38:25This is Kuzukiri?
38:27It's heavy.
38:29This is...
38:30It looks like this?
38:32Hey!
38:33Hey!
38:34Hey!
38:35Hey!
38:36Are you kidding me?
38:37It's just a stick.
38:38I'm not kidding.
38:39By the way, do you know?
38:41How does this become Kuzukiri?
38:44Do you know Kuzu?
38:48The starch from the root of Kuzu is used to make Kuzuko.
38:52The starch is melted in water and hardened.
38:55It is immediately cooled in cold water.
38:57And Kuzu is cut.
38:59The simpler it is, the more delicious it is.
39:01Oh!
39:02I want to take it home and eat it.
39:05Oh!
39:06Isn't it good?
39:07It's very nutritious.
39:09You can grow it in the desert.
39:10Is that so?
39:11You can also get it from here.
39:15Oh!
39:16It's not just delicious.
39:17This stick is too versatile.
39:20Oh!
39:21Now?
39:22Did you feel that impression now?
39:25I see.
39:26I have a suggestion.
39:29How about planting Kuzu?
39:31What?
39:32Well, it's like that now.
39:36So, it's like gardening.
39:38Oh!
39:39Did you hear that, everyone?
39:41He proposed a six-day exercise.
39:44Let's try it.
39:45I don't know how long it will last.
39:47You can eat a lot of Kuzukiri.
39:50Ha ha ha.
39:52If so, there may be seeds left in Yoshino.
39:57Oh!
39:58Oh!
39:59Oh!
40:00Oh!
40:01Mr. Zenya.
40:02How about going to Yoshino with me?
40:06You idiot!
40:07I'm not going to go.
40:09Even in this situation?
40:13Isn't it painful for you to live in Gion with your father and pretend not to know your feelings?
40:29Get ready.
40:31Hey, hey, hey.
40:32The mountain has moved.
40:34I have a bad feeling about this movie.
41:05Oh!
41:09Oh!
41:13Oh!
41:19Oh!
41:25I don't know if it's still there, but I'll show you around Urayama.
41:46I'm worried about this area, too.
41:55Heave-ho! Heave-ho! No seeds! No seeds!
42:01Oh, there they are!
42:04Shrubs have a tremendous reproductive power.
42:07My father said so, too.
42:09In fact, shrubs are planted in all kinds of agricultural activities.
42:12I see.
42:14Well, we're going to...
42:16Please take this shrub.
42:19It's a preservation plant, so I think it'll be fine for a while.
42:23Zenya, and this.
42:26It says how to make Kuzukirina, which has not changed since ancient times.
42:32Please do your best.
42:35Thank you very much.
42:48Thank you for waiting!
42:50I brought you the seeds of shrubs!
42:53Thank you!
42:54I'm very sorry to have caused you so much trouble.
42:59If there is anyone who can help us,
43:03would you like to plant the seeds with us?
43:07The history of mankind has been a repetition of disasters.
43:12We have overcome many difficult times.
43:15We will continue without giving up.
43:17And please plant the seeds with us.
43:23Thank you very much.
43:25I'm sorry, Dad.
43:28No matter how many shrubs you cut down,
43:32I won't cut you down.
43:37Cut!
43:38OK!
43:40I got a great shot.
43:42Are you sure?
43:44I'm sorry.
43:45Don't worry about it.
43:49That's all for today.
43:52Thank you very much.
43:54Thank you very much.
43:56Thank you very much.
44:14Thank you very much.
44:30Thank you very much.
44:32How was it?
44:34I still can't get out of this dilemma.
44:42Now, I'd like to invite all the cast and crew to watch this film.
45:06Taro, you're in the film!
45:12I wasn't invited.
45:15Now, could you each say a few words?
45:20It was completely different from what I had imagined at the time.
45:25I was going to make a comedy film, but...
45:28What was the title?
45:29The Real Story of Gyō no Kiseki.
45:31Yes, yes, yes.
45:32It turned out to be a documentary film.
45:37Some of the cast and crew didn't expect this.
45:42I'm sorry for the inconvenience.
45:45I feel like I've grown a lot thanks to this film.
45:51Thanks to this film, I was able to solve the problem of my subcontractor.
45:58I'm sorry for the inconvenience.
46:02Thank you very much.
46:07This film was watched by many people.
46:10All of us are in this film.
46:14Thank you very much.
46:21I'm very grateful to all the people who participated in this film.
46:24I'm also very grateful to all the people who live in Gion.
46:29As you can see, there was almost no script.
46:34It's my turn.
46:36I have to solve the problem of my subcontractor.
46:41I have to prove that I'm in a clean and sincere relationship by proposing here.
46:48The director broke my immature shell.
46:55She did a good job.
46:58It's all thanks to the director.
47:00I'm grateful to you.
47:02Me too.
47:04This is your film.
47:06I couldn't do anything without the director.
47:08I just watched your film.
47:10Your eyes made me an actress.
47:14You were attractive as a person.
47:16That's because of the director.
47:18I'm a man who only has a brain for movies.
47:20Hey, hey, hey.
47:21How long are you going to be a fool?
47:25I have something to tell you.
47:29We are going to get married.
47:32I'll do my best.
47:39Congratulations.
47:41There is a lot of good news in the movie.
47:45I want to bless you.
47:49Now, I'd like to ask the cast who participated in the audition.
47:56How was it?
47:58I'm usually a taxi driver.
48:03But I was impressed by your film.
48:11What?
48:12I'm sorry.
48:14It's a live broadcast.
48:16What do you mean?
48:18It's a live broadcast.
48:20Now, I'd like to ask Mr. Yoshifusa Kagizen.
48:24He will give us a speech to celebrate the completion of the movie.
48:31Hello.
48:32I'm going to show you a dumpling made from the garbage we planted.
48:38This is a miracle drop.
48:42It's a moist and soft dumpling.
48:48There is a little filling inside.
48:52There is a filling in each dumpling.
48:58Is it delicious?
49:00It's salty.
49:03Is that so?
49:05It's sweet.
49:06Now, I'd like to take a commemorative photo and end the screening of the movie.
49:13Please shout out loud.
49:16One, two, three.
49:18Gion!
49:26How far will this wilderness continue?
49:29Whether this is Gion or a wilderness,
49:32whether a gun is fired or a weapon explodes,
49:36there are people who love me.
49:39That's what made me strong.
49:43Now, I'm nothing.
49:47I'm just sand dancing in the wilderness.
49:52I'm the sand of the wilderness with its flowers.
49:58I'm the only one who's come back here.
50:03I see.
50:05The wilderness is my hometown.
50:09I'm going somewhere in an empty taxi.
50:16Will the flowers bloom again?
50:19Please bloom.
50:21I'll be here forever
50:24I'll be here forever.
50:34Oh, it's an actor's visit.
50:37Bourbon, please.
50:39I knew it.
50:41Did you change your drink?
50:43You don't have bourbon, do you?
50:45Scotch.
50:46You don't have that, do you?
50:47Tequila.
50:48Soju.
50:50Sake.
50:51Bring me some sake.
50:53I don't have sake.
50:54Bring me some sake.
50:55It's fine.
50:56This is Junkissa.
50:57Go away.
50:59I was dumped.
51:01I know.
51:02I saw it on TV.
51:04We went on a date.
51:05It wasn't a date.
51:07We talked about our problems.
51:08You should have talked to me.
51:09We made eye contact.
51:11You saw it, didn't you?
51:12Why are you crying?
51:15I'm not Shunki.
51:16I'm an old man.
51:19I can't work anymore.
51:22I'm a loser.
51:23I doubt your humanity.
51:25By the way, I need your advice.
51:27I have a job interview next week.
51:29I'm still a kid.
51:33This is it.
51:34Did you see it?
51:35This is it.
51:36It's a flower in the garden.
51:37It's not a love story.
51:39You're rude.
51:40I'm scared.
51:41What language is this?
51:43Where is he?
51:44I'm scared.
51:45Let's go pick him up.
51:46It's too early.
51:47Forget it.
51:48It's better to be quick.
51:49Give it back.
51:50I have an interview.
51:52Give it back.
51:54Where are you going?
51:58My name is taxi driver Giontaro.
52:03I'm not going anywhere.
52:05I can't do anything.
52:08I just want to burn my life.
52:17To be continued.
52:52Please subscribe.
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53:57Please subscribe.
54:12Please subscribe.
54:22Please subscribe.