La Historia de Juana Cap 15 Completo
La Historia de Juana Cap 15 Completo
Transcript
00:00We found this video in the area where they have the newly born babies.
00:04That's the girl who was mistakenly inseminated.
00:08The future mother of her child.
00:21It's incredible that we found her.
00:24Well, I'm a very stubborn engineer.
00:26And I don't know what the three of them were doing in that area of the hospital, but there they are.
00:30It's the area of the newly born babies.
00:32They were probably talking about the forced pregnancy.
00:35Forced pregnancy.
00:37I mean, the insemination was not desired.
00:42Poor girl.
00:45Can you play the video again, please?
00:50Are you sure it's her?
00:52Didn't she come for a checkup or because she has a problem?
00:54I'm sure. It's her.
00:57I reviewed all the videos with the spoken portrait that was made.
01:00The one I left in the office. It's her.
01:03You've been working here since today.
01:06Who hired you?
01:08Where are you working?
01:10I applied for the position of graphic designer.
01:13And I understand that Enriqueta's license
01:17reviewed my application and selected me among several candidates.
01:20And Gabriel knows about this?
01:22Did he get you to work here?
01:23David and Enriqueta chose Juana, so anything with them.
01:29It's really impressive how shameless you are.
01:34How far are you going to get?
01:36Because I warn you that Gabriel's wife has a very good eye for you.
01:40But if nothing has happened between Gabriel and me ...
01:42Oh, please.
01:44Not with me.
01:45I'm not a fool.
01:47I saw them walking through the gardens of the mansion.
01:50Very in love, by the way, they looked.
01:52It's obvious that something is going on between you two.
01:56Why don't you leave and let us work?
01:58Allow me.
02:00First I'm going to make things very clear to this scoundrel.
02:03Let's see, I'm not a scoundrel.
02:05And it's better that you let me insult or ...
02:08Okay.
02:09Are you going to tell Gabriel to come and defend you?
02:13Look.
02:15Photographer of Quinta.
02:17You better focus on the lens of your camera and your life.
02:20Far from Gabriel's life.
02:24You are not the only one who came to work here.
02:27Me too.
02:29You're going to be very checked.
02:34Don't listen to her, don't listen to her.
02:37Sit down.
02:38Oh, everyone heard.
02:40Look, don't let anything happen to her.
02:41That old woman is a poisonous snake.
02:43If she bites, she will surely kill herself.
02:45Don't listen to her.
02:47Did you realize how I can't even deny Gabriel?
02:51Why did I stop like a fool?
02:54Well, remind me why I took this job.
02:57Why not?
02:59Take the money.
03:00You need it.
03:05I know this girl.
03:07What?
03:08Seriously?
03:10Yes, she even ...
03:12She even works for me.
03:14No, no, no, wait.
03:15Don't tell me this was set up on purpose.
03:17An extortion against you.
03:19Do you think she wants to blackmail you with this?
03:21No, no.
03:23She doesn't know I'm in an insimilation process.
03:26It's just ...
03:27It's incredible.
03:31This is a play on fate that is making us, Juana and me.
03:34Her name is Juana?
03:36What happened to that child's father?
03:38What's going on?
03:40No, no, I already told you that he doesn't know and that has to stay that way.
03:42I mean, if you want me to help you,
03:44you can share me.
03:45Because it's very difficult to explain.
03:47And he didn't look for this to happen,
03:49and I didn't look for this to happen either.
03:53God, now ...
03:54Now I understand everything.
03:56Casualties don't exist, engineer.
03:58I'm sure this wasn't planned on purpose
04:00to then blackmail you with some kind of blackmail.
04:02If you want, you can continue investigating.
04:04No, no, no.
04:06Elias, from this moment on,
04:07your job is over.
04:10I'm just going to ask you one thing.
04:12Never tell Paula anything about this.
04:15Don't worry, engineer.
04:17Silence is part of my contract.
04:20You decide what to do with the information I just gave you.
04:33And I, who put my hands in the fire for Mrs. Porfirio.
04:36No, my Tania.
04:37Well, it's a matter of couples.
04:39You don't have to put your hands in the fire for them.
04:41I didn't put my hands in the fire for anyone.
04:44Yes, but how is it possible
04:45that Mrs. Porfirio did that to Mr. Gabriel?
04:48Well ...
04:50Oh, one of those ...
04:52I don't know, she's not the only one
04:53who's making tamales for him.
04:56Oh, how are you going to believe that?
04:57Don't come with me looking for Porfirio.
05:00In the escort team,
05:01things are said.
05:03No, for me, the engineer
05:05has already put his eyes on another.
05:07But just a few months ago,
05:09they got married for the social magazine.
05:11It's like the couple of the year.
05:13No, I don't believe this
05:15about perfect couples on social media.
05:16And the pictures of the boss' model record?
05:20I don't have anything to do with her.
05:21And you know I don't have a sweet tooth.
05:25I've been separated from her since the wedding night.
05:29Oh, Porfirio.
05:30I'm really worried.
05:32What's going to happen in this house?
05:34Well, get yourself together.
05:35Salmon doesn't work for me.
06:06What happened, Camila?
06:08This girl came to work at the brewery.
06:12What?
06:13Let's see, I'm going there right now.
06:15What?
06:16No, let's see, Paula, wait, calm down.
06:20Think, for God's sake, think.
06:23You look for her.
06:24Surprise her at her house.
06:26But where am I going to go
06:27if I don't even know the address of that girl?
06:29I'll get you the address and I'll send it to you.
06:31You have to act fast.
06:33Paula, they're up to something.
06:36But I swear to God, there's something going on between them.
06:41Here you go, Reni.
06:42Thank you. How much do I owe you?
06:43No, you don't pay today, the house invites you.
06:45How do you think, for?
06:46For the coffee.
06:47Didn't you know they give us coffee to all the employees
06:49until noon?
06:50You have to read the ticket, son.
06:52Your ticket.
06:53I mean, what time do I spend it driving and delivering the orders?
06:56But what a good gesture from the engineer.
06:58Look, she looks just like her.
06:59Who, Camila?
07:01Now she's my new boss.
07:02She looks like a remnant of a girl I met in my neighborhood years ago.
07:06No, Reni.
07:07That woman moves between the cream and cream of the businessmen.
07:10In fact, she's the wife of the partner of Engineer Rubio.
07:14What?
07:15She doesn't even know where Nesa is.
07:17Here you go, Viviana.
07:18Thank you.
07:19For you? Are you serious?
07:20I'm serious.
07:21Did you talk to the father of the child?
07:22The father doesn't know that I'm pregnant,
07:25and I don't want him to know.
07:31Engineer.
07:34Are you okay?
07:37I think I have to go to the marketing area to look for the new designer.
07:40Juan Abravo?
07:41Eh...
07:42Juan Abravo.
07:43Juan Abravo.
07:44Juan Abravo.
07:46Juan Abravo.
07:47Juan Abravo.
07:48Juan Abravo.
07:49Juan Abravo.
07:50Juan Abravo.
07:51I'll tell her right now.
07:52No, no, no.
07:53No, I'm going to look for her.
07:59Well, now that you're our new designer,
08:03I want you to help me with something that is shocking, but not aggressive.
08:06That's very important.
08:07Yes, of course.
08:08No, just there goes a little the idea that I was developing
08:11from what you told me about the war with the beer...
08:14Astro.
08:15Astro. Astro.
08:16Yes, yes, we are on the same page.
08:18Very good.
08:18And precisely, Gabriel and I were talking about that yesterday.
08:21The truth is that you have a very important quality,
08:24which is...
08:25You see common and ordinary things and you give them a very special shine.
08:29The truth is that this is very cool, Juana.
08:31Gabriel said that?
08:33Well, it was more of a description of mine, but...
08:36Gabriel agrees.
08:37Of course, but Gabriel has also seen my photos.
08:39He thinks the same of them.
08:40From what I see, it doesn't matter much what we're talking about.
08:43And we're always going to end up talking about Gabriel and not about work.
08:46No, no, no, no.
08:46It doesn't go that way.
08:47I said it because he's the boss and I care.
08:50Look, Juana.
08:51I think it's time to talk about a topic...
08:55that is a little uncomfortable and...
08:59I want you to trust me and be 100% honest with me.
09:03Since when are you in love with Gabriel?
09:07Let's see, I'm not in love with Gabriel.
09:10I don't even know how to say it.
09:11First Mrs. Camila comes to complain and then you...
09:13Juana, there's no point in denying it.
09:15Please.
09:15You're talking about him all the time.
09:17You're thinking about him all the time.
09:18No, no, no.
09:19Of course not.
09:20Then why does everyone believe it?
09:22Everyone.
09:23I even talked to Gabriel about this.
09:26Oh, sorry. You talked to Gabriel about what?
09:29Yes, yes. I complained to him.
09:30You complained to him?
09:31About having fallen in love with him when we were married.
09:33We came to the conclusion that you fell in love with Juana alone.
09:37And that's terrible.
09:38Gabriel thinks that of me?
09:40See?
09:41Gabriel.
09:42What does Gabriel think? What does Gabriel say?
09:43What does Gabriel do?
09:44Everything ends up being Gabriel.
09:45And nothing else has to do with how you see it.
09:48You have to be blind to not realize it.
09:55Thank you.
09:57I'm not alone. Who told you I'm alone?
10:00That's how many suitors I have.
10:02And my mom, just so you know, is not a widow.
10:05But it's as if she were.
10:07Because Ramon left more than 20 years ago.
10:12It's been confirmed.
10:14Mr. Francisco de Armas and his wife Camila stayed here.
10:18They just went to the manager so he could take care of us.
10:21The impact of parents on the life of their children is so decisive.
10:26Are you saying that because of Camila de Armas' father?
10:28What?
10:30No. Camila de Armas' father?
10:33No, I was thinking of...
10:36another father.
10:38But now that you mention Camila de Armas' father, we have to investigate him.
10:43Are you done?
10:44Let's see, what else?
10:46The last digits with which the account was paid.
10:50Date and exact time of payment so we can trace it.
10:53Now you've gone too far, Josefina Sousa de Bravo.
10:56And don't give me that look.
10:58You should be telling our family secrets to that cop.
11:01First of all, I tell my secrets to whoever I want.
11:07Second of all, he's not a cop. He's a detective.
11:10Detective Salvador Castillo, just so you know.
11:15And if you weren't so blind, so stupid,
11:18you'd realize that he's a man worth having as a husband.
11:22Well, if you like him so much...
11:24Put that finger down!
11:25Keep it. That man is perfect for you.
11:28Age doesn't matter.
11:30Make him your boyfriend.
11:31Don't get mature.
11:33That's why you don't get mature.
11:35That's why you leave as if you were good for nothing.
11:40What do you think? You're going to have to give it to me.
11:43And hot. Not because you want it, but because I need it.
11:45Now, now. Respect me.
11:47The key to the cross. I'll put it down there, Mom.
11:50Hey, how are you?
11:51Hey, beauties! Are you there?
11:53Oh, you're here!
11:54I'm here. I brought you a surprise.
11:57What's up, Yadi? What are you doing here?
11:59I was going to the esthetics.
12:01And I brought you a cocktail of seafood.
12:04Here, take it.
12:05No, you know what, Yadi? I'm sorry.
12:07I'm very sorry, but...
12:08I'm allergic to seafood.
12:11They leave me here, I get fat.
12:13Yes, it gives you a fever, then you don't come to work.
12:15It gets on your hand.
12:16No, I didn't know.
12:18I'm sorry.
12:19I can leave it there for you.
12:21Chimmy will take it.
12:22Thank you very much.
12:24And forgive me, really.
12:25Goodbye, beauties.
12:27Take care.
12:28So you don't miss me.
12:30I'm leaving at 8.
12:32Chimmy, shut up.
12:33But he told us, beauties.
12:35Both of us, champ.
12:37You're crazy, bro.
12:39If you don't want to ride that bike,
12:40I do like seafood, of course.
12:42You know how handsome he is.
12:44Don't you want to have a drink?
12:46He's gone, he's not coming back.
12:48Take it.
12:49Administration.
12:51Yes, I'm requesting the file
12:54of the transporter Reni Cabello.
12:57Yes, he's the one who requested the savings fund
13:00for the loan of his grandmother's operation.
13:03What happens is that I already sent all the documents,
13:05but I want to review them too.
13:07Thank you.
13:15Raquita, I need to see Juana.
13:17I went to the marketing area, I didn't see her.
13:19She was with David.
13:20If you want, I'll look for her.
13:22Thank you.
13:25I also didn't let myself go,
13:27thinking I didn't feel anything for Gabriel,
13:29but I was wrong, right?
13:31Look, David.
13:33I clearly care about this job.
13:35And I like it.
13:38But I'm not going to deny that I feel a closeness with Gabriel.
13:42That's the closeness I feel with you.
13:45But we're friends.
13:47Is that clear?
13:49Well, colleagues.
13:50No, of course, it's the same with Gabriel.
13:52We're friends.
13:54Let's not say it's the same because it's not the same.
13:55How are you?
13:57How's your first day, girl?
13:59And?
14:01What's going on? Why are you so quiet?
14:05Oh, I know.
14:06They're planning the new strategy
14:08to destroy Astro's beer.
14:10It's a new campaign.
14:12They don't want to tell anyone.
14:13You already knew, right?
14:15That Juana is in love with Gabriel.
14:20David, what are you talking about?
14:21Oh, you didn't know.
14:24Let's see.
14:25What happens with Juana and the blond engineer
14:27is that Juana is very grateful
14:29because he has helped her a lot.
14:30Right, Juana?
14:32Yes, Juana.
14:33Look, clearly I'm the laughingstock of this company,
14:35but I'm not going to be anyone's clown, okay?
14:37So I think it's better.
14:39I'll leave the job here.
14:41Thanks for the opportunity.
14:44Juana.
14:46Juana, let's see.
14:48Juana.
14:49Angels will help you, daddy.
14:51Angels.
14:53And a blessing of nieces,
14:54crumbs, seafood of love.
14:55Stop complaining.
14:58I really can't get my head out of Enriqueta's head.
15:01If I had felt that rush
15:03when we kissed in the elevator...
15:08I'm sure I didn't just feel it.
15:10What you felt is called hunger,
15:12because that day you were starving.
15:14I'm serious.
15:16I mean,
15:17I thought those things were only seen in the movies,
15:20but no, I felt...
15:21Let's see.
15:23Oh, my God.
15:24What's the deal with that girl?
15:27She's just a human resource.
15:29I mean,
15:30she's the boss of all the staff here,
15:32of the brewery where Dani works,
15:34and now Juana works there.
15:36But that girl plays in major leagues, daddy.
15:39Major leagues.
15:40No, you don't even make it to the minor leagues of La Colonia.
15:42They're all over the place.
15:44Well, you have to dream big,
15:46you have to dream big, right?
15:47Yes, but what do you have when you dream Mexican?
15:49Well, to do it.
15:51Only when you want to achieve something,
15:52you have to dream big.
15:54When you wanted to open my workshop,
15:55little by little,
15:57I bought a tool here and there,
15:58and now, look,
16:00I have a big workshop.
16:01Yes, we already have our workshop.
16:03Yes, we already have it, right?
16:04Uh-huh.
16:06Boss.
16:07Come on, let's go to work.
16:09You're well paid there,
16:10look, all the bread is full of crumbs.
16:12I'll help you.
16:13I think you're more of a boss than I am.
16:15No.
16:16Let's go to work.
16:18So you need the personal address
16:19of Miss Juana Brapp.
16:21Yes, yes,
16:22the little monkey who came in
16:24to work in graphic design.
16:25Ah, there.
16:27If you need to talk to her,
16:28notice that I barely found her
16:30in the marketing department.
16:31No, no, honey,
16:33I'm not asking you about her,
16:34I'm asking you about her personal address.
16:36Sir, I'm very sorry,
16:37but I don't have that information.
16:39You look for her
16:40and send me a text message.
16:42Okay?
16:44Ma'am,
16:45I would love to be able to help you,
16:47but I only receive orders
16:49from my direct boss,
16:50the engineer Gabriel.
17:00Juana, you don't have to get like this.
17:02Let's go.
17:03I love this job,
17:05I need this job,
17:06but I don't have to endure
17:08this working environment
17:09that just wants to humiliate me.
17:11Leave your things.
17:12No, well, until I find them.
17:14I'm calling you and nothing.
17:15We were in the cafeteria
17:17and we left our cell phones here.
17:18What happened?
17:19So, Juana, I'll wait for you in the office.
17:25But anyway,
17:27he has to know that he's going to be a father
17:28and that you're waiting for his son.
17:30No, that's a decision I already made.
17:32He can't know, period.
17:33A son is born from the union of two people, Juana.
17:35He never wanted to have a son with me
17:37and I don't want him to come into my life now.
17:39This is between my baby and me.
17:41Are you sure?
17:42Yes, totally.
17:44In fact, if he finds out that I'm pregnant with him,
17:45I'm leaving right now and no one will ever hear from me again.
17:50Come in, come in.
17:52Hi.
17:53Hi.
17:55Enriqueta told me you wanted to talk to me.
17:57Yes.
17:58Sit down, please.
18:03I'm going to...
18:13How are you?
18:16Fine.
18:17Fine?
18:21Is there something I want to talk to you about?
18:24I think I know what you want to talk about.
18:27Really?
18:28And I want you to know that I didn't plan this.
18:31Me neither.
18:32But it seems...
18:35It seems like it's like a cruel game of fate.
18:39And...
18:40Yes.
18:41Apparently, it comes to a point where you can't deny things.
18:44When did you find out?
18:45I don't know.
18:47I think it was when I spent the night here, in this office.
18:49In the office?
18:50Believe me, I didn't...
18:53I had things very clear.
18:56I didn't understand what I was feeling.
18:58But I only know that when I woke up,
19:01and I had your bag on me,
19:03and...
19:04and I saw you sleeping in that chair,
19:06I got closer and I felt something I haven't felt in all my life.
19:09And I know there have been thousands of rumors
19:12about what happened between you and me that night.
19:13And I hope you believe me that...
19:16that I've always made it clear that absolutely nothing happened between you and me.
19:20Yes, I've always said that too.
19:21But apparently, I have a sign on my forehead
19:25that everyone can see except me, and...
19:29they say my eyes sparkle.
19:33That I can't hide it.
19:35What is it?
19:37It's obvious.
19:39Well, what I want to tell you...
19:41Do you want me to say it to you directly?
19:44Well...
19:45I shouldn't have.
19:47It wasn't right.
19:48I'm pregnant. You're a married man.
19:51You can't...
19:52I don't understand.
19:54The thing is...
19:55I think I'm...
19:57madly in love with you.
19:59Enriqueta, I'm glad to see you. I was going to go to your office to see you.
20:03Oh, did you need something?
20:04Yes, yes. I need access to the staff's data
20:08because I want to make a list with all the people I'm going to be working with during my management.
20:12Okay. Well, if you want, I'll give you the key.
20:14With that, you can access the staff's files.
20:16Yes.
20:17Write it down.
20:18It's PQ...
20:20PQ...
20:21PQ...
20:23PQ...
20:24PQ...
20:26PQ...
20:27PQ...
20:28PQ...
20:31R9...
20:3322...
20:35Let's see, honey. Why are you in such a hurry to see us here?
20:39Dad, I need you to help me understand Gabriel
20:42before he goes into crisis or drives me crazy.
20:44What are you talking about?
20:46Well, about the new contracts that Aurelio had to do out of nowhere.
20:49Well, if you're saying it for Camila, it's what's best for the company.
20:52No, no, no, dad. Obviously, I'm not saying it for Camila.
20:55I'm saying it for...
20:56that photographer she hired.
20:59Didn't you know?
21:03So, did Carlos tell you about the mistake I made with Danila's friend?
21:07Yes, and that shows that he's jealous.
21:10He still feels something very important for you.
21:13Oh, please, Inés. I have a lot of work.
21:15I don't have time for romances.
21:17And above all, you have to help Mrs. Camila get used to it, right?
21:21Well, I don't think it's that hard.
21:23She's not lacking in desire.
21:25Desire? For what?
21:29I'm sorry to tell you this, but that woman doesn't give me good vibes.
21:33Inés, you have to be very careful.
21:36Remember that she is the wife of one of the majority shareholders of this company.
21:41And she's also a friend of the blondes.
21:43Yes, yes, I know.
21:45But believe me, that woman didn't come to do anything good for this company.
21:50Don't take your eyes off her.
21:51Listen to me.
21:55Juana, you and I understand each other very well.
21:57Look, I know that my feelings are not reciprocated.
21:59Seriously.
22:02And probably me talking about it, because I'm very impulsive,
22:04will completely ruin our friendship.
22:06Of course not.
22:08And I also know that I've been a bad friend.
22:09I know that I failed you.
22:14When Camila and David threw me in front of our relationship,
22:19I couldn't look them in the eye and tell them that I don't feel anything for you.
22:22Listen to me, listen to me.
22:23Listen to me, please.
22:25I don't care what people say or think.
22:29And that you say you feel bad,
22:32simply because you're pregnant, no, on the contrary.
22:35Your pregnancy was what brought us together.
22:40I respect very much what you feel.
22:43You don't have to say anything, really.
22:44I know, I know.
22:46Yes, I know.
22:47Don't hurt me, that's all I ask of you, please.
22:51But don't hurt me.
22:53God.
22:55Hey, Juana, Juana, Juana, please wait, Juana.
23:09I already have the address of the photographer.
23:10I'll send it to you by message.
23:12Yes, perfect, thank you very much.
23:13I'm on my way.
23:15Goodbye.
23:17Oh, Dad, I'm sorry.
23:19My manager called me.
23:20We urgently need to see an advertising campaign.
23:23Will you forgive me?
23:24I know I asked you to meet here, but how can I say no?
23:27Let's see, don't worry.
23:30And if you feel that the photographer is causing you a lot of trouble,
23:35don't doubt that I can help you get rid of her.
23:38Really?
23:40Oh, Dad, you're the best.
23:42I'm leaving.
23:44I love you.
23:45I love you too.
23:48I love you too.
23:52Oh, my God.
23:55But, let's see, how did you let him go like that,
23:57just because you were in love with him?
23:59Well, what did you want me to do, Dani?
24:01Anyway, David had already told her everything he was doing.
24:03He was threatening me as if nothing was happening.
24:05Oh, I'm going to kill David.
24:07Obviously they are friends, they were going to tell each other.
24:09No, it's not going that way either.
24:13Then what did he tell you?
24:15I don't know, he really didn't say much.
24:17I didn't let him talk.
24:19I was talking and talking and talking.
24:21And what did I tell you? I ruined it.
24:23I ruined it, obviously, because I don't have experience in love.
24:25And obviously I was going to ruin it with someone I care about.
24:28With someone for whom I would have given everything to have in my life.
24:33I mean, my mom is right.
24:34I don't know why I came here to accept a job
24:36knowing what I feel for him.
24:38Because I'm stupid, really.
24:41You know what, Dani?
24:42You know what, Dani?
24:46Please tell David and Enriqueta
24:48that thank you very much,
24:50that I really appreciate this opportunity,
24:52but please accept my resignation.
24:55No, Juana.
24:56Dani, it's for the best.
24:57What do you mean?
24:59Juana!
25:01Juana, no!
25:02Gabriel, you're worrying me.
25:04Do I look bad? Is everything okay?
25:07No, everything is fine.
25:10The thing is, I hired a private investigator
25:12to find the girl
25:13who was put on my sample by mistake.
25:16And what happened?
25:17Did they find her?
25:18Yes.
25:20Yes, the doctor identified her
25:23in a security video from the clinic.
25:26And...
25:28Did you talk to her?
25:30Did what I told you happen?
25:32Did the pregnancy stop?
25:33No.
25:36No, she's still pregnant.
25:40So...
25:42You already met her?
25:44Uncle, the woman who is pregnant with me is Juana Bravo.
25:50Let's see.
25:51Juana, the photographer?
25:54The one who came to work here today?
25:56Yes, she was just in my office.
25:58Right now!
25:59And what happened? How did she react?
26:02I tried to tell her at first.
26:04We started talking.
26:05I thought we were talking about the same thing and...
26:08She told me she was in love with me.
26:10And she left.
26:14Wow.
26:17Good.
26:20Let's see.
26:21The important thing here is...
26:24for you to be clear with yourself.
26:26What do you feel about her?
26:28Are you in love with her?
26:38My love, what happened?
26:40What happened to you, princess?
26:42Are you okay?
26:43What happened?
26:44You were right.
26:46I shouldn't have worked in the brewery.
26:49I couldn't control myself and I ended up confessing everything to Gabriel.
26:56It's okay.
26:57Good.
26:58Don't tell him.
26:59Don't tell him.
27:00Good.
27:02And what did they touch?
27:03It was Juana.
27:05She feels bad.
27:05Nausea, pregnancy.
27:08I told her to go to bed.
27:10I'll make her some tea with cookies.
27:13No, Mom.
27:14It's not necessary.
27:15No, it's okay.
27:16I can sleep with it.
27:17Do you want to eat something?
27:19Give me some tea.
27:20My period is about to start.
27:22I'll get it for you.
27:23I'll get it for you.
27:28All I know is that what's happening to me with her...
27:31I've never felt it.
27:32It's new to me.
27:33When I'm with her, I feel good.
27:35I feel...
27:37calm.
27:38I feel at peace.
27:39I have a good time.
27:40In fact, we laugh a lot.
27:43When I'm with her, I don't have to be anyone else.
27:46I feel free.
27:47It's like life sees it from another point of view.
27:49Is that clear?
27:51Look.
27:52I'm your uncle.
27:54There's trust.
27:55We're family.
27:56Tell me.
27:57You and her have had something beyond...
28:00No, no, no.
28:01How can you say that?
28:03No, no, no.
28:04How can you say that?
28:05Of course not, uncle.
28:07I'm sorry to bother you.
28:09Can I come in?
28:10Yes, of course.
28:11Ines told me you were here, Gabriel.
28:13What's going on?
28:14The thing is...
28:15we have a situation.
28:17Daniela just told me that Juana Bravo just resigned.
28:21She thanked me and she doesn't want the job anymore.
28:23No, no, no.
28:24Tell her not to resign.
28:25I'm going to look for her at her house.
28:29Do you know what happened to that girl?
28:31She was very excited.
28:42Good.
28:43Thank you.
28:44Thank you.
28:45Do you want one of these?
28:46I don't have change.
28:48I'll pay for it tomorrow.
28:55Hey, blondie.
28:56Do you want to buy some candy to sweeten your life?
28:58No, thank you.
28:59I don't want anything.
29:00Are you here to ask Juana for a miracle?
29:09Well, here you go.
29:10So...
29:11What do you say?
29:21I don't care what people say or think.
29:24And what you say is wrong.
29:26What you feel is simply because you're pregnant.
29:28On the contrary.
29:30Your pregnancy...
29:32was what brought us together.
29:35I respect very much what you feel.
29:39But I don't feel the same for you.
29:41Shut up, stupid.
29:46Shut up, stupid.
29:58Seriously?
30:01Oh, it's so good.
30:04With this.
30:09There it is.
30:11If you're so nervous, it's because you're worried about Juana.
30:16Well, yes, of course.
30:17I'm worried, yes.
30:18Yes, I'm worried.
30:19Wouldn't it be better to take her to the hospital?
30:23Mom, Juana's problem isn't medical.
30:26Well, anyway, we have to take her to the hospital.
30:28Because maybe it's a complication with her pregnancy, honey.
30:31No, no, no.
30:32The pain she feels isn't physical, Mom.
30:35It's another kind of pain.
30:39How awful.
30:51Yes?
30:52Good afternoon.
30:53I'm here to talk to Juana Bravo.
30:55Good afternoon.
30:56I'm here to talk to Juana Bravo.
31:07Nothing.
31:09Juana doesn't answer my calls, doesn't answer my messages.
31:12No, neither do I.
31:14I already told Enriqueta to quit so she wouldn't tell her anything.
31:18I don't understand why she did that.
31:20Between you and Camila, they ruined her first day, Juana.
31:22Look, I'm sorry.
31:24I didn't know Camila had said the same thing.
31:26Juana said it later.
31:28Oh, David, it's just that I don't understand.
31:30You say you're her friend and you behave like a spoiled child with her.
31:34Juana really needed this job.
31:36Look, I already told you, I'm really sorry, Dani.
31:38We were working normally and Juana kept calling Gabriel, Gabriel, Gabriel.
31:44All I did was ask her if she was in love with him and that was it.
31:48With that attitude that characterizes you.
31:50Well, I'm really sorry, I feel terrible.
31:53I don't know what to do.
31:55Well, leave her alone now.
31:57Don't go looking for her.
31:59You always do that and make things worse.
32:01Yes, right.
32:04Look, deep down I told her because I love her, Dani.
32:07It's not good for her to be in love alone with a married man.
32:11She deserves much more than that.
32:13I don't know, I hope she realizes it in time and allows someone else to really love her.
32:20Right?
32:22Someone like you.
32:25And why not?
32:29I'm Paula, I was Rubio's senior.
32:32Oh, yes.
32:34Yes.
32:36By any chance, don't you work in the charity of the orphan children of Father Jose?
32:45Oh, yes, I've seen you.
32:48I'm going to let my daughter know that you're here.
32:50Yes, but come in, please.
32:53Thank you.
32:55Sit down, sit down.
32:57Do you like a cup of tea, a cup of coffee?
32:59You can't miss the sweets I make.
33:01They are traditional and I personally make them by hand, look.
33:05So what?
33:07Should I bring you a cup of coffee?
33:16Hello.
33:18Where are you?
33:21Are you serious, mom?
33:23Is the wife of Gabriel there?
33:25Yes, Paula, Gabriel's wife. Do you know her?
33:27No, I saw her at the anniversary, but we didn't cross a word.
33:30Well, now the witch fell on us.
33:32Shut up, what are you doing in the house? I don't understand, what did she say?
33:35I don't know, what did she say? I told her you were taking a shower, I don't know.
33:37You tell me, what did she say?
33:39Nothing.
33:41Don't tell her anything.
33:43I'm going to give her the face.
33:45I think it's fine.
33:47Yes, yes, yes.
33:48Yes.
33:51Are you deaf? I don't understand, do you speak Chinese?
33:54Where is Gabriel?
33:56I already told you I don't know.
33:58Of course you know where he is, you are the secretary.
34:00I'm not his secretary, I'm his executive assistant.
34:03But you're denying it.
34:05Let's see, ma'am, I already told you I don't know where my boss is.
34:08Excuse me, is everything okay?
34:10Is something wrong, Camila?
34:12The thing is that this executive assistant is denying Gabriel to me and I need to talk to him.
34:16I need to tell him the plans I have for the cooperative.
34:19Yes, well, I don't think Inés is denying Gabriel.
34:22In fact, he left because he had a personal emergency.
34:24But if you want, I can review your plans and you can tell me.
34:27Let's go to your office, okay?
34:29Thank you, Inés. Let's go.
34:39It's my first job, Carlos.
34:41And I don't want to fail.
34:43That's why I'm looking for Gabriel so much.
34:45Well, when Gabriel is not here, you can come to me.
34:49May I?
34:51Yes, of course.
34:53This is the list of our clients, right?
34:55Excuse me.
34:57Look, I suggest you start by calling these people.
35:02Contact them, introduce yourself, let them know you.
35:06Okay.
35:08Thank you. Now I know that if Gabriel is not here, I can come to you.
35:12Or Rogelio.
35:14Finally, he is the one who insisted the most that you come to work here.
35:19I knew that Rogelio and Francisco had a relationship as shareholders in the company,
35:25but I didn't know that you and he got along so well.
35:28Yes, yes, yes, yes.
35:30What happens is that, let's see, I studied with Paula in high school.
35:33I've known him since I was a child.
35:35I'm like a family to him.
35:37He's like a father to me.
35:39No matter how much money Mr. Rogelio Fuengmayor has left,
35:42I think it's an excessive kindness on his part to have paid the bill.
35:46Why do you say that?
35:48Because the logic would have been that the blond engineer would have paid the bill,
35:51a difference for his friend, etc.
35:53But why would he have paid them?
35:56Unless...
35:58Unless he wanted to have a difference with Mr. Armas.
36:02Capi.
36:05Can I ask you a question?
36:07Can I ask you an unofficial question?
36:09Sure.
36:11Is everything okay?
36:13I've been feeling a little scattered for days.
36:19Jenny Bravo.
36:21Juana Bravo's mother was just thinking about her and I don't know why.
36:26And the truth is, I don't know how to get close to her.
36:29Capi.
36:33Capi, I'm surprised you don't miss me.
36:36What do you mean?
36:38Like at work.
36:40The arrow goes right.
36:42The bull by the horns.
36:44Three months.
36:46I need you here and now.
36:48I'm going to bring you a coffee.
36:50Thank you.
36:54I've come to see your sister and I'm very worried about her.
36:56She's totally destabilized because of Gabriel.
37:00I don't know why she's still having problems with my sister-in-law.
37:03If it were up to me, I'd get her out of that house right away.
37:06But you know Paula wouldn't stand to be away from Gabriel.
37:10Yes, I know, but I don't like to see her suffer.
37:12Now she's got between her eyebrows that this photographer is to blame for all her evils.
37:18And it seems that Gabriel hired her to work here at the railroad station.
37:22What do you know about that?
37:23Oh, well.
37:25From what I see, anyone can make convenient contracts at the company.
37:30The photographer, Camila...
37:32Stop being ironic!
37:35Go find out if it's true.
37:54Between you and Camila, she ruined Juana's first day.
37:57You say you're friends and you act like an animal.
38:00Juana really needed this job.
38:03You're getting all stupid, David.
38:05You end up dating Juana.
38:09Oh, no. No, no, no. We've already lost him. Now he's talking to himself.
38:14Do you know what happened just now?
38:16What?
38:18Enriqueta came looking for Juana because the blond engineer wanted to see her in his office.
38:21And guess what?
38:23Since then, no one has seen Juana.
38:26She disappeared.
38:37It seems to me that this elegant lady came to see Juana because Father Jose must have asked her to go.
38:45Because she's also involved in the things of the orphanage.
38:48Maybe she came to ask you for help.
38:50That's why she did that.
38:51Maybe that's it.
38:53Maybe that's it.
38:55Well, let's go see my brother so he can talk to us.
38:58No, let's go.
39:00But I wanted to give you something.
39:02No, no, no.
39:04You have to listen to her.
39:06We were going to go to your brother's room.
39:08Your grandmother is so innocent that she thinks I'm here to talk to you about Father Jose's orphans.
39:16Can you explain what you're doing in my house?
39:18Please don't play dumb. You know very well what I do here.
39:22Since you appeared in Gabriel's life, you've known how to mess with us with that face of not breaking a plate.
39:28Look, you even managed to work at the brewery.
39:32Well, I didn't really work at the brewery.
39:34You shut up and listen to me.
39:36I'm here to warn you that I won't have mercy on you if you don't get out of our lives on your own.
39:43Gabriel Rubio is my husband.
39:45And he will be until the last day of his life.
39:48I assure you that nothing happened with Gabriel.
39:51Mr. Gabriel, for you.
39:53Yes, it's very clear to me that he's her husband and he knows he doesn't have to worry because I'm not going back to the brewery.
40:16Julián.
40:18Isn't that Mrs. Paula's truck?
40:21There's Porfirio.
40:23Porfirio!
40:25What are they doing here?
40:27What are they doing here?
40:32Gabriel!
40:37What are you doing here?
40:39What are you doing here?
40:45What are you doing here?