Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
📺
TVTranscript
00:00Tuna is in love with me.
00:10I'm in love with the writer named Shadow.
00:14Then am I in love with Tuna?
00:18I was so rude.
00:23Why would she kiss me on Eid?
00:27I'm sorry.
00:29I'm sorry.
00:49You weren't kissing the assistant Deniz.
00:52You were kissing your own Deniz.
00:55It's a ridiculous dream.
01:00Admit it, Zuzu.
01:02Day meetings, crying at night.
01:05You're still in love with Yiğit.
01:08Miran!
01:10I can't.
01:25I can't get the girl out of my head.
01:28Admit that you're in love with Michael.
01:32You're in love.
01:58You're in love.
02:28I'm still in love with this man.
02:43That's why I'm doing ridiculous things.
02:47I'm still in love with this man.
02:50And I'm running away from Tuna.
02:54Why is everything so complicated?
03:13It's like you've never apologized before.
03:15You'll apologize, it'll pass.
03:17It'll be over.
03:18I'm sorry.
03:19I'm sorry.
03:21I'm sorry.
03:51What am I going to do now?
03:55Run, Deniz, run!
03:57Where are you running to?
03:59Michael, good morning.
04:01What am I going to do now?
04:03Run, Deniz, run!
04:05Where are you running to?
04:07Michael, good morning.
04:31What am I going to do now?
04:44Michael, can we talk?
04:58Michael, can we talk?
05:01I'm making a song, but it has to be in my ear until the last note.
05:09It's not stuck anyway.
05:11This is a form of motivation, so I do it that way.
05:13I see, Michael. I'll say it again.
05:15Can we talk?
05:17Mr. Yiğit called me.
05:19Yiğit should have come to the office right now to call you.
05:22The man is not here.
05:24It smells like something is burning. Did you hear the cable burn?
05:32My brain is on fire, Michael.
05:38Mr. Yiğit, can you take a look?
05:40Good morning.
05:42Are you running away from me?
05:44How can I run away from you?
05:46Think of Hüseyin Bolu.
05:48His feet are two and a half meters long.
05:50Your feet are two meters long.
05:52My feet are a few meters.
05:54Let me find a measure and measure it.
06:00Mr. Yiğit, he's calling me.
06:02Mr. Yiğit.
06:06Stay away from your assistant.
06:08We'll talk at the meeting.
06:14Mr. Yiğit.
06:18Give me your hand.
06:20What are you doing, assistant?
06:22I'm on a serious mission.
06:24What do you want?
06:26I want to remind you.
06:28You told me to remind you.
06:30You told me not to remind you.
06:32You told me to remind you even if there was a risk of expulsion.
06:34The 20th year of the organization.
06:40I forgot something in the car.
06:46For milk?
06:48I forgot to buy bread.
06:58I forgot to buy bread, right?
07:00I forgot to buy bread.
07:02I'm going to the market.
07:18Come on.
07:26Calm down.
07:28Assistant, what are you doing here?
07:30What are you doing in the elevator?
07:32I'm going around the elevators.
07:34I'm going around the elevators.
07:36I'm checking them one by one.
07:38I was upstairs, now I'm downstairs.
07:40You?
07:42I'm going upstairs.
07:44Let's go upstairs together.
07:46We don't have to load the elevator.
07:48You get off, I'll go.
07:50I'm in a hurry.
07:52Get on, get on.
07:54He's charging us.
07:56I won't get on.
07:58I gained weight.
08:00I gained weight.
08:02I have to use the stairs instead of the elevator.
08:04It's good for sports.
08:06Mr.Yiğit.
08:08You're already fit.
08:10Please come on.
08:12Besides, what would happen if you got on.
08:14I mean...
08:17Down?
08:22Well...
08:24I'm a bit broken.
08:25Let me kiss you a little more.
08:27Down?
08:30Are you going down?
08:31Huh?
08:32Oh, wait a minute.
08:33You can't come.
08:34We didn't make a promise before.
08:35I wish I had told you.
08:36I promised my friends now.
08:38It would be a shame.
08:39The girls will be alone.
08:41Anyway.
08:42I'm sorry.
08:43Anyway, see you.
08:45So...
09:03If it takes too long, it will be tasteless.
09:05This request thing needs to be solved quickly.
09:10I need to find a way to keep Arif away from Yiğit.
09:14It doesn't work like this, but...
09:18But what am I going to do?
09:21What am I going to do?
09:36Good luck.
09:37What's up, Mr. Yiğit?
09:38No, no.
09:39How's it going? Is everything okay?
09:41I don't know.
09:42I guess a company doesn't go bankrupt from tea and coffee.
09:44I should ask you.
09:45How's it going?
09:46Of course, of course.
09:51Good.
09:52Anyway, don't worry about tea too much.
09:55I use coffee poison instead of tea.
09:57It's better.
09:58It has such a sour taste.
10:00You noticed, didn't you?
10:01In this last tea I gave you.
10:02Of course, of course.
10:03It's very, very tasty.
10:04I really like it.
10:05Thank you.
10:06I love it when you don't listen to me like this.
10:09Really.
10:10For example, now I...
10:11Dude!
10:12You don't call, you don't ask at all.
10:14Dude, what are you saying?
10:15I swear I don't listen.
10:16Well, now if I insult you a couple of times,
10:18for example, if I call you a dick,
10:19I don't know, if I call you a dick,
10:22if I say you like yourself...
10:25Right, right, of course.
10:26You say good, you say right.
10:27What's the need for the right word?
10:30What?
10:31If I say, for example,
10:32you don't say coffee.
10:33Coffee?
10:34Gazi.
10:35Don't bother me with such unimportant issues.
10:37Let's get down to business.
10:38To business.
10:45Sorry.
10:46Sorry, Mr. Yiğit.
10:47Sorry.
10:49But if you pay a little attention, assistant, please.
10:51Of course.
10:52You don't even have to say that.
10:54You pay attention to me now,
10:55and I pay all my attention to you as your assistant.
10:58Okay?
10:59Because there is something very important
11:01between us.
11:03We were talking about something very important, Gazi and I.
11:05Right, Gazi?
11:07Of course, it was very important,
11:09but there were some very important issues.
11:11I got confused.
11:12Which important thing is this?
11:14Let's take care of those issues, Gazi.
11:16Okay?
11:17What?
11:19The coffees, Gazi.
11:20The coffees.
11:21Okay?
11:22Let them all be simple.
11:23All...
11:24All simple.
11:25Why?
11:27You make it simple.
11:29Yes.
11:30Can I say it now?
11:32Later, later.
11:33But pay attention to me.
11:34Can I talk, Mr. Yiğit?
11:36Later, assistant, later.
11:41Since it's very important, go talk.
11:44With sugar and yogurt.
11:46God, no.
11:47No one is listening.
11:48Come, come.
11:49Come, let's make a coffee.
11:50Come, your head is open.
11:51Come, your tongue is open.
11:52For God's sake.
11:53Come, your head is open.
11:54Come, your tongue is open.
11:55For God's sake.
11:56I have to give you your right.
11:58I drank a cold glass of water
12:00on our last meeting.
12:03What?
12:05You said we could be friends, didn't you?
12:08Did I say that?
12:09I mean,
12:10I didn't think we'd be talking like this.
12:24I thought I could get your attention here.
12:26There may be some things.
12:28I mean, I didn't quite understand, but...
12:41Oh, now I get it.
12:43You thought it so well.
12:45You thought it so well.
12:47Besides,
12:48I thought it so well.
12:50You thought it so well.
12:51You thought it so well, my friend.
12:56Wait a minute.
12:57Wait a minute, what happened?
12:58How?
13:00Isn't it great?
13:02Of course.
13:03I mean,
13:04I'd sit and watch it all season.
13:07If you want,
13:08he'd be hungry all day here.
13:11Maybe he'd record.
13:13These are very good ideas.
13:15You thought it well.
13:16Because people are curious.
13:18I mean, what's going on?
13:19What's going on there?
13:21You don't have to worry about your friend.
13:25Because your friend
13:27is having fun
13:31with a long-legged friend here.
13:33How can I put it?
13:35Right next to him.
13:43Is he recording right now?
13:46Of course, honey.
13:48Of course.
13:57Wow.
14:00It's like there's electricity.
14:02Should they have some tea?
14:06Tea?
14:07I don't understand.
14:08Yes, the electricity there
14:10is the ambulance here.
14:13Deniz and Tuna.
14:15Okay.
14:16They should have some tea.
14:18They should have some tea.
14:20They should have some coffee.
14:21They should have some soda.
14:24Neşe,
14:25I'm glad you called.
14:27Really.
14:33Anyway.
14:35See you later.
14:36See you.
14:39I think we should speed this up.
14:41Yes.
14:43Deniz and Tuna.
14:44Deniz and Tuna.
14:45Yiğit and me.
14:47Should we take this tea to the table?
14:51Am I exaggerating?
14:53Never mind.
14:57I'll call the restaurant
14:58where Deniz is staying.
15:00I'll order some food from there.
15:03You're here.
15:04This is you.
15:05Can I explain?
15:06Aren't you the owner of this place?
15:07You're everything here.
15:09You make tea here.
15:11It's up to you.
15:12Someone comes in here.
15:13It's up to you.
15:14You don't let anyone in here
15:15you don't want.
15:16You do this.
15:18It's like we're exaggerating
15:19the authority of the tea-makers.
15:22Okay,
15:23there are tea-makers
15:24among the professions
15:25I'll be working in.
15:27But it seems like I'm exaggerating.
15:29Besides,
15:30what kind of a kitchen is this?
15:31If someone wants to come in here,
15:32why can't I let him in?
15:34You're going to tell.
15:35Am I going to tell who?
15:36Of course you will.
15:37You're going to find me.
15:38You're going to find me.
15:39You're going to find me.
15:40You're going to find me.
15:44You can tell me,
15:45but you can't tell her.
15:52Are you happy?
15:53A lot.
15:55I can't explain.
15:59You can put me on the table.
16:01Michael, I like you a lot.
16:02You're running away from me anyway.
16:05But I'll tell you something.
16:07If I were you, I'd run away too.
16:10Just kidding.
16:11You wouldn't run away.
16:13Do you know how I feel?
16:14It's like you're a planet,
16:15and I'm your satellite.
16:16All kinds of tensions,
16:18sky issues,
16:19are going on between us.
16:20I'm trying to keep in touch with you,
16:21but you're running away from me.
16:22I want to bring an end to this.
16:24That's this.
16:25I apologize to you.
16:26I promise I won't do it again,
16:27and this will be over.
16:31Can you promise?
16:35I don't want anything like this.
16:36It feels like an injustice.
16:37I don't know what to do.
16:41And there's the shadow issue.
16:43It's confusing me.
16:44I mean...
16:46Michael, look.
16:47We have to find a solution
16:48to this shadow issue.
16:49Okay?
16:51I didn't read the shadow to you,
16:52and you didn't like it,
16:53and I didn't put on ridiculous masks
16:55and stood in front of you,
16:56and I didn't try to make Cemal a shadow.
16:58None of this happened.
16:59Forget all of it.
17:03We can't forget, can we?
17:04We've been through a lot.
17:05You're right. Okay.
17:06I don't know.
17:08It's possible.
17:10I mean...
17:12I'm always running away from you.
17:14This is ridiculous.
17:15Why am I running away?
17:16I shouldn't be running away.
17:20Maybe if we can keep a distance
17:22from each other,
17:23it'll work out.
17:24I mean, we can fix it.
17:26Distance?
17:27I mean...
17:29What distance are we talking about?
17:31What distance are we talking about?
17:33Of course, it's not something to talk about,
17:35but if you want a concrete example...
17:38Think of it like a pillow.
17:40About my height.
17:41I mean, I don't know, I don't know.
17:43What kind of pillow do you have, Michael?
17:45Is it a 60-pillow?
17:49How about this?
17:54I mean...
17:56A little longer.
17:58That's good, isn't it?
18:01I love us.
18:02We're good, aren't we?
18:05We're good.
18:20If you're happy, it's okay.
18:22It's not enough, but...
18:36I don't know.
18:46To you, Cemal.
18:47And to the one with the most microbes,
18:49the one with the most bacteria.
18:51Buket...
18:54Buket...
18:56Buket, what are you doing?
18:58What is this?
19:01I don't trust this magazine at all.
19:03What have I done to deserve so much bacteria?
19:07No, I'm telling you not to get involved.
19:09And I'm looking at you.
19:10I couldn't be more indifferent to the fact that you're not doing anything.
19:14Buket, I'm a person in my job, in my game.
19:17What have I done to deserve all this?
19:19You're not ashamed, are you? You're still lying.
19:22You're a married man. You're flirting with Deniz.
19:25It's a shame. You lied to the girl too, didn't you? She doesn't know either.
19:30Hello, how are you?
19:37Buket, wait a minute. I can't explain.
19:39What are you going to explain? What?
19:42No, no, I can't explain.
19:44I mean, I can't talk about this. I can't say anything.
19:47But just know this, it's not what you think.
19:50I can't say.
19:51Okay, Cemal, okay. You can explain these to your wife.
19:54I can't explain.
19:56Come on, say it.
19:58Buket, I'm not married.
20:02What?
20:03I'm not.
20:04You're not married?
20:07Oh, I see. So I'm the problem.
20:12Buket, you're not the problem. You're so sweet.
20:29Mr. Yiğit.
20:31I'm busy. Why did you come?
20:58I love you.
21:02That's what I want to say.
21:04I've always wanted to say it. Now I said it.
21:06I love you.
21:14Deniz, what are you saying?
21:15Yes, you heard. I'm telling you I love you.
21:18You love me too, don't deny it.
21:20You've been looking at me from here for days.
21:23You see me looking at you.
21:25We're looking at each other.
21:27It's not love.
21:29What else could it be?
21:30We're looking at each other.
21:31We love each other.
21:34We're in love.
21:36I think we should get out of here.
21:38Let's be alone for a while.
21:41Come on.
21:55Honey.
22:03Did you jump from there?
22:19I'm laughing, but are you okay?
22:26I'm not. I'm not okay.
22:28Please don't talk anymore, okay?
22:31I'm in a hurry. I have to catch up with the meeting.
22:33It's already here.
22:38Twentieth year.
22:39Twentieth year.
22:44It's good to be a little distant.
22:46The customer is not our father's son.
22:48Let's keep the discipline, okay?
22:55I love you.
23:13Oh my God.
23:16You have a coffee break.
23:18I make coffee, too.
23:20You drink tea.
23:21This is what I do.
23:23Let's walk around for another five minutes.
23:25Let's go.
23:29Hello, sea girl.
23:31Hello.
23:32How are you?
23:37What a beauty.
23:39Thank you very much.
23:41Which wind brought you here?
23:45Beautiful.
23:48Very beautiful.
23:50Very beautiful.
23:51This is five stars, right?
23:53Yes.
23:55I was wondering when I saw you in front of me.
23:59Your secret is safe with me.
24:01Don't worry.
24:04If you're my bride, you're the sea lion for me.
24:16Don't be nervous.
24:18She's my bride.
24:22Did you buy this suitcase from the store or something?
24:28God, sea girl.
24:31Anyway, it needs to be a very large room.
24:34It's enough to see the view.
24:36I didn't quite understand.
24:38That's normal because I couldn't explain.
24:41I wasn't satisfied with the hotel I stayed in.
24:44They took my suitcase and left.
24:47I wasn't satisfied with the hotel I stayed in.
24:50I packed my suitcase and came here.
24:53What am I doing in another hotel while my future bride is staying?
24:58Right?
24:59Of course, of course. You're right.
25:02I should have thought about it. I'm sorry.
25:04No, dear. It's not your fault.
25:08Nice.
25:11Very nice.
25:18What's this?
25:19Nothing.
25:21Glasses.
25:23Whose?
25:24It's not important.
25:26It's Ms. Asena's son's.
25:29Ms. Asena has a son?
25:31Yes.
25:32And he works here, in this magazine.
25:37Are you saying he's one of the employees and hiding himself?
25:42Is that what I'm saying?
25:45Is that what I'm saying?
25:47No.
25:48I'm not saying that.
25:50I'm sure of it.
25:52He's a spy.
25:54He's trying to find out everything that's going on here.
26:00We need to find out who he is as soon as possible.
26:04Phuket.
26:06You did the right thing by coming to me.
26:14Not bad.
26:19I did the right thing by coming to you, didn't I?
26:21Yes, you did the right thing by coming to me.
26:23I hope you'll be comfortable here.
26:25I'll take care of everything.
26:31There's a way here.
26:33Nice.
26:34I can stay here.
26:38How long are you planning to stay?
26:41As long as you invite me.
26:43Of course.
26:44But how many days?
26:48I hope you'll have a great day.
26:51By the way, I have an idea.
26:53Is there a masseur in the hotel?
26:54Yes, of course.
26:55I'm so hungry.
26:57We'll find a masseur in the sauna.
26:59But I need to eat first.
27:02I recommend our restaurant.
27:04There's one in the garden and one on the terrace.
27:06Deniz, I can't eat hotel food.
27:11Can we say something outside?
27:13Of course.
27:14I saw a meat restaurant on my way here.
27:17There was an elephant in front of it.
27:19Can you tell me half a kilo of bonfile or pirzola?
27:24Half a kilo.
27:25It's delicious.
27:37Make yourself comfortable.
27:39I'll be right back.
27:40Tell him to come back.
27:51So, what did we decide?
27:55Don't know.
28:01Nobody has anything?
28:02I have.
28:03Fashion and music.
28:05Music that affects fashion.
28:0760s, 70s.
28:09I have it, too.
28:10Mr. Yiğit.
28:11I'm sitting first.
28:12I have it, too.
28:13It could be Madonna.
28:15Rukiş Akımı.
28:16Madonna.
28:17Donna.
28:18Nirvana.
28:19Wooden shirts.
28:21Leather jackets.
28:24If we're going to get in there, 80s, 90s.
28:26Yes, anything else?
28:2820.
28:3020.
28:3220th.
28:34Yes, anything else, friends?
28:36Can you see me?
28:38Am I there?
28:40Am I here?
28:41Can you see me?
28:42Rukiş?
28:44I'm thinking baby.
28:46I mean, a corner about a baby.
28:49I mean, a new baby owner.
28:52I'm thinking about a corner about a baby.
28:54I mean, a corner about a baby.
28:55I mean, a corner about a baby.
28:56I'm thinking about a corner about a baby.
28:58I mean, a corner about a baby.
29:00I mean, a corner about a baby.
29:02Yes, anything else?
29:04It's like this.
29:05Babies.
29:06How nice.
29:07Babies are going to be born.
29:08They're going to grow up.
29:09Kids.
29:10Then, you're talking about adolescence and stuff.
29:13Suddenly, you're 20 years old.
29:16And...
29:17Ta-da!
29:1820.
29:1920th year.
29:21I'm going to pop the balloons.
29:23And I'm going to...
29:26Cut it out.
29:28Cut it out. Cut it out.
29:31Did you hear me? Cut it out.
29:32Cut it out? Cut it out? Cut it out?
29:35Is our biggest problem cutting it out?
29:36Is our biggest problem cutting it out?
29:39How dare you start talking? Did I give you the right to speak?
29:43Who do you think you are? Who are you?
29:45Who are you, huh? Who are you?
29:47You were an intern until yesterday. Are you the boss now?
29:52Look at me, Asistan.
29:54Pull yourself together.
29:58Did you hear me? Pull yourself together.
30:12You wanted me to remind you. That's why I tried to remind you.
30:16You wanted me to remind you. That's why I tried to remind you.
30:29Anyway, I won't make you more angry.
30:35Deniz.
30:47The meeting is over, guys.
31:04What's going on?
31:05Bon appetit.
31:07Or should we say bon appetit?
31:09I don't know what you're going to say, but tell me first.
31:12Please leave. Take your microbes. I'm doing something important here.
31:15You don't want your lost glasses, do you?
31:17Should we take that, too?
31:19What glasses?
31:20It's not like it's going to be easy to give up.
31:25I mean, no matter how rich a person's mother is...
31:28Ms. Neşe, please don't get my mother and sister involved in this.
31:32What rich?
31:33Come on, take it. Don't be afraid.
31:34Why should I take it? It's not mine.
31:36It's dirty. I don't wear dirty glasses, Ms. Neşe.
31:40You can confess to us, Cemal.
31:42We love you in every way.
31:44What confession?
31:46Okay, I confess.
31:48Those glasses aren't mine. They're dirty.
31:51Would I wear them?
31:52I put my own glasses in the laundry at night.
31:54To break the microbes.
31:55Don't resist, Cemal.
31:56Don't cheat.
32:01We know you're Azal's son.
32:03I mean, it's necessary to have a role in this shaking team.
32:06He won't take it off.
32:08Cemal, isn't that a little too much?
32:10They won't eat, honey.
32:13They won't eat.
32:14They won't eat.
32:35I mean, it's not like that.
32:40It's not like that at all.
32:44Okay.
32:46Cemal, is it just Cemal?
32:48Cemal, is it just Cemal?
32:53I guess he drank a papaya tea.
32:56It's effective.
32:58Cemal.
32:59Cemal.
33:00Cemal.
33:01Get up, Cemal.
33:02Don't move.
33:04Cemal.
33:06Get up.
33:07Cemal.
33:10Cemal.
33:12Don't touch me anymore.
33:13Enough, don't touch me.
33:14Cemal, get up.
33:15Who took care of this kid?
33:16Cemal.
33:21What happened?
33:22They...
33:24They made me dirty.
33:25Why?
33:26They said, you're Asena's son.
33:28They interrogated me.
33:30They made me dirty.
33:31What did they say?
33:32They said, you're Asena's son.
33:33To you?
33:35Cemal.
33:36I'll take care of them.
33:37You run and save yourself.
33:39Come on.
33:42Ms. Neşe, won't you interrogate me?
33:44Nothing personal, Gazi.
33:46Gazi, it's a personal interrogation.
33:48But you're not the man we're looking for.
33:50Excuse me?