La vida prometida Cap 2
La vida prometida Cap 2
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00:00I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you
00:30Io ti cerco, ti invoco follemente, per dirti che ti amo appassionato
00:50Amapola, dolcissima amapola, la luce dei miei giorni splendente
01:08Fai fiorire la passione come il suono della mia canzone
01:38I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I
02:08love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love
02:38you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you
03:08own
03:11carmella
03:20abc
03:26because he can't eat
03:29I need to lose a daughter, yes.
03:43Thank goodness she went to America.
04:00Here you go.
04:03Hurry up. Come on, come on.
04:07Hurry up, hurry up.
04:09Be careful.
04:11These are very expensive clothes.
04:13Be careful.
04:15Let's see what this one says.
04:17It says that this clothes is very expensive.
04:19Do you understand? Very expensive.
04:21First class.
04:23Yeah, sure.
04:26I'm Dolores. Spanish.
04:29And I'm Carmela. Sicilian.
04:31Married, of course.
04:33Yes.
04:35I had to get married for power.
04:37In Naples.
04:39Come here.
04:43With this one.
04:47Well, the important thing is that you go to America.
04:51Anyway, I've been going and coming for about three years.
04:57Sooner or later I'll find an American husband.
05:01Well, of course, sure.
05:07So you've never been to America?
05:11No, but I've heard a lot about it.
05:15They say that as soon as you get there, there's a statue.
05:19The Statue of the Goddess of Freedom.
05:23She has in her hand a torch raised to the sky.
05:27And that light illuminates the freedom of the world.
05:31Well, and in the other hand, she has a table where it is written ...
05:35Dolores, the one who works with me in the laundry,
05:39has told me that in America there are tall, very tall houses that reach the sky.
05:45And how do you get to the sky?
05:47With elevators.
05:49Elevators? And what is that?
05:51They are boxes that go up and down.
05:53One immigration officer has told me that we have to behave well
05:57and learn his language and his currency too.
06:01Don't tell me.
06:02It's not difficult.
06:03Dog is pronounced Do.
06:05Dog?
06:06Yes, that's how it's pronounced.
06:08And bread, bread and cheese, cheese.
06:12Cheese.
06:13Cheese.
06:15Rocco, do you know how to say stone in America?
06:19It's Rocco, like you.
06:23Rocco, like me.
06:27Like you, like you.
06:46Are you feeling sick?
06:54What's wrong?
06:55Are you not feeling well?
06:57Here, drink a glass of water.
06:59Don't worry, I'll finish it.
07:00Go to rest.
07:03Are you Italian?
07:04No.
07:05Chinese.
07:07I'm Chiro Parenti.
07:09Michele Carrizzo.
07:10I'm Sicilian, and you?
07:12I'm Calvi Risorta.
07:14In Caserta.
07:16Do you know the Royal Palace?
07:18Of campaign and communist.
07:20The worst there is.
07:22I'm Bolshevik.
07:24If I stayed, Mussolini would kill me.
07:26Or I would kill him.
07:28You came to this predapio like me.
07:31Go to shit.
07:33Sooner or later I will rule in Italy.
07:36Then I'll go home.
07:38And I'll be able to cultivate my land.
07:41Not the foreign land.
07:43Shut up, fascist.
07:45Or I'll put you in the cauldron.
07:48You're an idiot.
08:00Good night, Dolores.
08:02Good night.
08:03See you tomorrow?
08:04Yes.
08:05Rest.
08:06Good night.
08:07Good night.
08:11Good night.
08:17Michele.
08:19You're full of coal.
08:22What are you doing?
08:23Are you going to sleep now?
08:25Eat some bread.
08:27No, Mom.
08:28I don't want anything.
08:30Michele.
08:34If you don't eat, how will you hold on to America?
08:41I don't know.
08:58Virgin.
09:11Virgin.
09:21My God.
09:23This is money.
09:25American money.
09:42Okay, Turi.
09:44Okay.
09:46I'll give you the money back.
09:48The Carrizos are not thieves.
09:50We are not thieves.
09:51This is for my friend Carmela.
09:53Come on, Carmela, let's eat something.
09:55You haven't eaten in a long time.
09:57Look, I made you a delicious sandwich.
09:59A sandwich.
10:00No, thank you.
10:01No, no, no, no.
10:02Why?
10:03I don't know what to do.
10:05Come on.
10:07I don't know what to do.
10:10I found money.
10:12Money.
10:14Do you understand?
10:15Yes, we all understand money, Carmela.
10:22It's a fortune.
10:23Really?
10:24Yes.
10:25With this, you can continue your first-class trip with your family.
10:31Take it.
10:32But I have to give it back.
10:34Give it back to...
10:35Who is it?
10:36The 27th.
10:38Mr. Ferry.
10:39You stupid, honest woman.
10:42You should have kept the money.
10:44What does it say?
10:45It says that you are an honest woman, but also a little stupid.
10:49That if you kept the money, no one would notice.
10:52No, I have to give it back.
10:56I take it back to Mr. Ferry.
10:58What does it say?
11:00That he already takes it...
11:02to Mr. Ferry.
11:06Good night.
11:16Good night.
11:26Come in, come in.
11:30Can I come in?
11:36Come in, please.
11:41It must be Carmela, the laundry woman,
11:44who found the money I forgot in my pants and gave it back to me.
11:47That's right.
11:49Do you know how much money it was?
11:51Yes, they told me.
11:54Is there a problem?
11:55No, no, no.
11:56It was just to tell you that anyone in your place would have kept it,
12:00and maybe I would have done the same.
12:04If I'm honest with you,
12:07so am I.
12:09But not because I'm not honest.
12:11Out of necessity.
12:13I understand, you know.
12:17Because I also, when I left...
12:19Were you also an emigrant?
12:21Yes, I've been in America for 25 years.
12:24I came back to Italy to bury my wife near her mother,
12:27in northern Italy, near Como.
12:29We are from there.
12:31I also buried my husband recently.
12:34And not just him.
12:35I'm sorry.
12:36Sit down, please.
12:38There?
12:39Wherever you want. There, yes.
12:46Do you want a drink?
12:48No, no, please.
12:50I'm getting dizzy.
12:57Then you must know America well.
13:00I've seen the good and the bad.
13:02The good and the bad.
13:05America is many things.
13:07It's like a goddess of abundance.
13:10It gives you opportunities, food, work,
13:13but it only asks for the will to do things.
13:16If you have the will, America says,
13:18take it, it's all yours, it belongs to you.
13:21That's the good.
13:23And the bad?
13:25The bad, for example,
13:27the most unpleasant thing that happened in New Orleans in 1891,
13:32when 11 young Italians were accused of killing a police captain,
13:37a guy named Genesis.
13:4111 boys to kill a single man.
13:44In fact, the court acquitted them,
13:46but the sentence didn't please certain well-meaning Americans
13:50who believe that Italians are all the same,
13:53criminals, murderers.
13:56So...
13:58So those gentlemen, an army,
14:01there were a thousand, maybe more,
14:03they went to jail and they were murdered,
14:05they were killed one by one.
14:07Holy Virgin, and the guards?
14:09The guards witnessed the lynching
14:12without moving a single finger,
14:14with their arms crossed.
14:17Among those 11 Italians
14:21was my brother, who was 24 years old at the time.
14:25I'm sorry.
14:26Me too, but many years have passed.
14:30We all want fortune to smile on us,
14:32and as you can see, I can't complain.
14:34Yeah.
14:35Well, I don't have the same luck.
14:38Neither do my children.
14:42Here, for being honest.
14:44No, no, please, you're offending me.
14:48They're about to serve dinner.
14:52And it's late.
14:54A lonely man never arrives late.
14:56It's the only advantage of loneliness.
14:59I'll walk you to the door.
15:05But this is...
15:07I've never seen one.
15:08It's a gramophone.
15:10Do you like it?
15:12It's pretty.
15:13It's for listening to music.
15:17Goodbye.
15:25Are you sure?
15:26Of course.
15:27I've been very careful.
15:29You can't tell.
15:30I don't understand.
15:48Don't be afraid, Mrs. Assunta.
15:51Calm down.
15:52I left the hospital this morning.
15:59But you're alive.
16:01You can see me, can't you?
16:05Oh, the Virgin.
16:07Did she heal you?
16:09The Virgin is the one who healed me.
16:13It's a miracle.
16:15That's what the doctor at the hospital said.
16:19And my mother and my siblings.
16:23Your mother...
16:27She left for America with your siblings.
16:34But they left without me.
16:39They thought you were dead, Maria.
16:45Your mother didn't want to leave.
16:48You don't know how many tears she shed.
16:50They thought you were dead, my daughter.
16:52But she left you an address.
16:54No, she had to send it to me.
16:56I don't know how to read or write.
16:58Neither does your mother.
17:01What a nuisance.
17:03But you don't have anyone there.
17:05I don't know.
17:06A relative?
17:07A friend?
17:08Someone?
17:09You don't know anyone?
17:10Nothing?
17:13What a shame.
17:17Wait.
17:18Wait.
17:20Wait, I'll show you something.
17:24Come, Maria.
17:28Come.
17:30Is this it?
17:31They're yours.
17:32She gave them to me for you.
17:34I had to sell them for the...
17:37the funeral.
17:38But luckily, it wasn't necessary.
17:41They're yours.
17:42Here they are.
17:44Ah, and these rings, see?
17:47Even if they're not made of gold.
17:49Here.
17:50They mean a lot to my mother.
17:52Yes, yes.
17:55And now what do I do?
17:58Stay with me.
17:59You can stay a while.
18:01Do you think I'm going to kick you out?
18:04A young girl who could be my daughter.
18:07Like the daughter I lost.
18:09Not from Bartolo, but from a great love of mine.
18:13You have the bed.
18:14Let's stay here for a while.
18:16Stay here for a while and then we'll find them.
18:19Even if the sea swallowed them.
18:21All of them.
18:22We'll find them.
18:23Drink, rest.
18:24We'll find them, don't worry.
18:26Then, when you wake up,
18:28I'll bring you something good to eat.
18:30You'll see, don't worry.
18:32I'll cook.
18:34The plate.
18:35Be careful.
18:55Dear Alvio, I'm here alone.
18:58They've all gone to America.
19:01Come, please.
19:03Maria.
19:04Maria.
19:05Come, come.
19:07Let us through.
19:08Let us through.
19:10Come on, let us through.
19:22Look carefully.
19:25Carmela Carrizo.
19:27Michele Carrizo.
19:29Rocco Carrizo.
19:30Antonio Carrizo.
19:32And Alfredo Carrizo.
19:34I understand.
19:35But if you don't remember the name of the ship
19:37or the day it left here,
19:39what do you want me to do?
19:41Make up your family?
19:43Are you sure they boarded regularly?
19:45Yes.
19:46Because there are many people who,
19:47for saving two cents,
19:48get on a ship and then...
19:50As if such a thing ends at the bottom of the sea,
19:53instead of in America.
19:54Thank you.
19:55What a considerate answer.
19:57Thank you very much.
19:58Let's go, Maria.
19:59Come.
20:00Miss.
20:01What's wrong with you?
20:04Miss.
20:06Thank you.
20:07It's nothing.
20:08It's just a little dizziness.
20:10Are you sure?
20:11It's already over.
20:12But I don't trust you.
20:14No, because I'm afraid you'll say it
20:16to get rid of someone who approaches
20:18and looks like a fool.
20:19But your pale face says something else.
20:21Eh?
20:22Right?
20:23In the end, you'll faint for real, miss.
20:25Excuse me, who are you?
20:26Yes, you're right.
20:27I think...
20:29I can help you.
20:31Ah, can you help me?
20:32Yes.
20:33Can you help me get to America?
20:34How?
20:35By buying the ticket?
20:37Can you find my family,
20:38who left me here without money,
20:39without a house, without anything?
20:42Is that all?
20:44What did I think it was?
20:47I tell you that I think I can help you.
20:49And how?
20:51I'm also going to America.
20:53Are you going to America?
20:57Hey.
20:58Can I have five minutes?
21:00Eh?
21:01As long as it takes to have a coffee.
21:03Five minutes.
21:05Okay, just five minutes.
21:07Eh?
21:08Let's go, Maria.
21:18And what was I going to do if I didn't?
21:19My daughter was lost.
21:22I had to choose.
21:25And I chose to leave.
21:27I'm sorry.
21:28I'm sorry.
21:30But deep down,
21:31in here,
21:32I feel that...
21:33Look at me.
21:34I haven't had children.
21:36No.
21:38Why?
21:40I was a flamenco dancer.
21:42And you know,
21:44everyone likes them,
21:45but no one marries them.
21:49Flamenco was born
21:51as a dance
21:53of protest,
21:55to stand up,
21:56to fight,
21:58Come on!
21:59Come on!
22:00Dance, Carmela!
22:02Recover your strength, Carmela!
22:04Come on!
22:05No, Dolores.
22:07Carmela.
22:08I'm very sad.
22:09I'm very sad.
22:27Is this already a vice?
22:28No.
22:33Of the 27th?
22:34Of Mr. Ferry.
22:36That man
22:37wants to see you again,
22:38is that clear?
22:40Then I'll give him a surprise.
22:48Come in, come in.
22:53Who are you?
22:55Alfredo Carrizo,
22:56the son of the ironer.
22:58Alfredo Carrizo.
22:59Come, come closer.
23:03How can I help you, Alfredo?
23:06My mother told me it's hers,
23:08but if she keeps forgetting things,
23:10next time she'll keep them.
23:13Your mother is right.
23:16I assure you I'm very fond of this watch,
23:20but lately
23:22I've been a little distracted.
23:26How old are you?
23:27Almost 12.
23:28Ah, you're a little man,
23:30you're big,
23:31and you go to school.
23:32I was,
23:33but here on the boat.
23:34I see.
23:35It's true,
23:36since there's no school,
23:37you can't go.
23:38What luck you've had.
23:39No,
23:40I liked going to school.
23:41Really?
23:42Yes,
23:43what I liked the most
23:44were the numbers.
23:45The numbers?
23:46Very good.
23:47I liked them too.
23:50And do you like fruit?
23:53Take it.
23:55Really?
23:56Yes, take it, take it.
23:57Come on, don't be afraid.
23:59Take it, take it.
24:01Do I have to take it all?
24:02I don't know,
24:03the one that fits you in your pockets.
24:06If you come back here,
24:07I'll give you more fruit.
24:08And maybe some kind.
24:12I would have liked to have a son like you,
24:14you know?
24:15Brett.
24:16What?
24:17Do you also want bread?
24:19No, I was reviewing
24:20the American.
24:22Well, if you come back here,
24:23I'll show you the numbers
24:24and also the American.
24:26We can start
24:27tomorrow,
24:28if you like.
24:32And this afternoon, right?
24:33Okay,
24:34we'll start this afternoon.
24:41Very good.
24:42What does
24:49Let's continue.
24:52Let's see, Alfredino,
24:53listen to me.
24:54Write
24:55eighteen thirds.
24:59Eighteen thirds.
25:03Eighteen thirds.
25:06The stock market,
25:07Alfredo,
25:08is the currency market.
25:09And what does the currency do?
25:10It oscillates,
25:11as they say,
25:12it goes up and down,
25:13it increases in value
25:14and it loses it,
25:15it depends.
25:16It's a bit like sailing,
25:17as we are doing now.
25:19When you go sailing,
25:20sometimes the sea is turbulent
25:22and other times it's calm.
25:27The secret is
25:28to be ready for everything.
25:29And to prepare,
25:30there are three things
25:31that are fundamental.
25:32The first,
25:33to study.
25:34The second,
25:35to study.
25:36And the third?
25:37To study.
25:38No,
25:39to play chess.
25:40Should I start?
25:41Yes,
25:42take the white pieces.
25:43Because the strategy
25:44is important,
25:45do you understand?
25:46And not only in the world
25:47of finance,
25:48the strategy is important
25:49in life.
25:50Remember, Alfredo,
25:51don't make any move
25:53without thinking
25:54about the next one.
25:56Let's see how it goes.
26:02Do you understand, Chiro?
26:03That's what my father did.
26:05He faced a guy,
26:07Vincenzo Spano,
26:09who killed him.
26:10Yes,
26:11but because he fought alone,
26:12Mique.
26:13That was the mistake.
26:15What was he going to do if not?
26:17Mique,
26:19today injustice
26:20is fought in the United States.
26:22In America,
26:23there is the Federation of Labor.
26:24Do you understand me?
26:25Labor?
26:26Exactly.
26:27The workers
26:28against the boss.
26:29My cousin Domenico told me
26:30that he already works
26:31in New York.
26:32I'm going to meet with him.
26:34Mique,
26:35if all the workers
26:36had supported your father,
26:38he would still be alive today.
26:40We have to fight, Mique.
26:42Work and fight.
26:44That is our duty.
26:45Shift 1, back to work.
26:47Shift 2, 15 minutes break.
26:49Come on, let's work.
26:50Shift 1,
26:51back to work.
26:53Shift 2,
26:5415 minutes break.
27:01cough
27:08cough
27:13cough
27:23cough
27:24Do you want some water?
27:26Thank you, ma'am.
27:27Thank you, ma'am.
27:30It was for the girl
27:31who had her on her chest.
27:33Now,
27:35it's okay,
27:36don't pressure me.
27:40Good night.
27:41Good night.
27:58Good morning, Mrs. Aso.
28:00Good morning, Mossé.
28:02Good morning.
28:03May I come in?
28:04Of course, you're welcome.
28:06Is everything ready?
28:07Yes.
28:09How do I look?
28:10Handsome, very handsome.
28:11Thank you.
28:13And Maria?
28:14Maria.
28:15Maria!
28:17She went up to the roof
28:18down the slide.
28:19Here she is, here she is.
28:20Eh?
28:21Eh?
28:27I wasn't expecting you.
28:28I know,
28:29it's just that
28:30I went to the synagogue.
28:32It's close by
28:33and I thought...
28:35It's not that close.
28:36Well, close, far.
28:37Shall we invite Mossé to come in
28:39or shall we leave him here?
28:41I'll make him a coffee.
28:42Come on, come in.
28:43Thank you.
28:44Come in, Mossé.
28:45Come on.
28:46Come on.
28:47Let's go.
28:49Assunta, who's that?
28:51Come on, you want to know everything.
28:52Go away, go away.
28:54Get out of here.
28:56This woman will be an idiot.
28:57Sooner or later she'll find out.
29:03Tomorrow the ship will arrive in New York.
29:06This is the Immigration Manual.
29:09It says you have to be
29:11honest,
29:13honorable,
29:15and take care of your hygiene.
29:18You have to be polite.
29:21I'd love to go down with you, Carmela.
29:24My legs are shaking
29:25because I'm going down
29:26and because you're staying.
29:28We have the best country,
29:29the best jobs,
29:30and the best laws.
29:32We know there's work here.
29:33We should have stayed in our country.
29:34No one told you to come.
29:36You're going to arrive
29:37to Ellis Island.
29:38They'll check your documentation.
29:40They'll ask you how much money you have.
29:43And above all,
29:44they'll do a medical exam
29:45to see if you're in good health.
29:48After the exam,
29:49take the ship to New York.
29:50When you get there,
29:51be very careful
29:52with the estimators.
29:53You're the estimators.
29:58Come in.
30:01Am I bothering you?
30:03You're always welcome, Carmela.
30:06I'll bring you the shirts.
30:08Thank you.
30:10My God!
30:11What happened?
30:12Did he hit the devil?
30:14You'll have to excuse me,
30:15but as they say,
30:16order is a monologue
30:18and disorder is a dialogue.
30:20And since I don't have anyone
30:21to talk to...
30:23Can I help you?
30:25Maybe with the twins.
30:28Of course.
30:36It smells very good, Carmela.
30:38Like my shirts.
30:41Thank you.
30:47I have the feeling
30:48that you want to talk to me.
30:49Am I wrong?
30:51No, you're not wrong.
30:54Where do I start?
30:57We're disembarking tomorrow.
30:59People are talking
31:00and I get nervous.
31:02Because if it's true
31:03that we have to go through
31:04a medical exam
31:05and that they want us all to be healthy,
31:07it's because my son, Rocco,
31:09is not well.
31:11He's not well from here.
31:14And what do I do?
31:15I can't go back.
31:17Look, I'll tell you
31:19something I haven't told the priest
31:20in the confession.
31:22Because Mr. Ferry
31:24has offered me his trust
31:26and also his patience.
31:28My son, Rocco,
31:30was as healthy as the others.
31:34And if he's like this now,
31:36it's my fault.
31:38Only mine.
31:46Because in my town
31:48there was a man named Vincenzo Espano,
31:51a man without scruples,
31:53who, when they want something,
31:54they get it.
32:11Sometimes the beauty
32:12of a woman
32:13can be her sentence.
32:15But what beauty!
32:17Her inner beauty, Carmela,
32:18which may be even greater.
32:20It's not your fault.
32:22Destiny is not always
32:23in our hands.
32:24But my son's is.
32:26Because I brought him here.
32:28If the Americans don't love him
32:29and won't let him go,
32:30what do I do?
32:31Throw myself into the sea
32:32with all my children?
32:33Drown myself?
32:35Everything will be fine, Carmela.
32:38They'll get him.
32:39They'll get him.
32:44I haven't thanked you
32:45for everything you've done
32:46for Alfredo.
32:49What have you taught him?
32:50What have you taught him?
32:51I don't know.
32:52Several things.
32:54A little English,
32:57a little arithmetic,
33:00a little chess.
33:02I've also told him
33:04about my job,
33:05my profession,
33:06finances, the stock market.
33:07What's that?
33:08It's about making money
33:09from other people's money.
33:11It's like a game,
33:12but it's dangerous.
33:13You could lose.
33:15Then why have I taught him?
33:17Because he's a smart,
33:18smart kid.
33:20Even if he's small,
33:21I've planted the seed.
33:22Who knows?
33:23Maybe tomorrow
33:24we'll harvest the fruit.
33:29Mr. Ferri knows so many things
33:30and he knows the rules.
33:34He could just tell me
33:35what I can do.
33:36What can I do
33:37to keep the doors
33:38of this paradise
33:39from closing in my face?
33:42Rocco!
33:43Where are you?
33:44Rocco!
33:50Rocco!
33:51How could you?
33:52Come down!
33:54You have to stay close to me.
33:55Mikele!
33:57Mom!
33:58Mom's here!
33:59Mikele!
34:02Rocco, come down!
34:04Come on, come down.
34:05You can't escape like this.
34:08And don't make that face.
34:09I know you understand me.
34:11You have to listen to me.
34:13If not, they won't let you in.
34:16You have to stay calm
34:17because we'll take care of it.
34:20Mikele,
34:21go to the immigration office.
34:23You take him from here
34:24and you, Antonio, from here.
34:25Hold him tight.
34:27Got it?
34:30And if they ask you,
34:31tell them
34:33he's lost his mind on the boat.
34:36Say yes with your head
34:37to know you understand.
34:39I'm lost on the boat.
34:43Very good.
34:44That's it.
34:48I have to tell you something else.
34:51This trip
34:53has been very expensive.
34:56And not only
34:57because of what happened to Mariuzza.
35:01Also because of this.
35:03This engagement
35:04doesn't belong to your father.
35:06I left mine and his
35:08to Mrs. Asunta
35:09for Mariuzza's funeral.
35:13In Naples,
35:14I had to marry
35:17someone else
35:18for power.
35:19But when?
35:21And who is that man?
35:22That doesn't matter.
35:24He's a good man.
35:28If a woman isn't married
35:30to a man
35:31with citizenship,
35:32she can't enter.
35:34So I had to do it.
35:37I did it for us.
35:40He's Italian, too.
35:42Well, he's Lombardo.
35:45And a widow.
35:47Why didn't you tell me?
35:51Because you would have stopped me.
35:55And we had to leave.
36:01Now we can't look back.
36:04No.
36:13Mom, look!
36:14We're arriving!
36:15You can see America!
36:24Look, look!
36:25We're here!
36:27Have you seen that we've arrived, Rocco?
36:31Look.
36:45Let's start a new life.
36:48Start there.
36:56May the Lord help us.
37:01Hello!
37:24Welcome to the United States!
37:27Here you must take care of your health
37:29and speak with good manners.
37:32Let me through!
37:34Let me through!
37:38Did you see
37:40what they wrote on me?
37:45I'm all alone.
37:47I sold everything to come here.
37:49The house, the land!
37:51Maria! Maria!
37:53Maria! Maria!
37:55I have to feed my three children.
37:57Please!
37:59Don't leave me!
38:00Maria!
38:01Don't leave me!
38:02Maria!
38:03Maria!
38:05No, please!
38:06What will become of us?
38:07Please!
38:08What will become of us?
38:09My children, please!
38:10Please!
38:11No, please!
38:12Let me go back!
38:13Please!
38:14I'm sick!
38:17Mom, why does he have a C on his back?
38:20No idea.
38:21Because he's sick.
38:22C stands for cardiopathy.
38:24Sick people are sent back to Italy.
38:26Or they're left on Ellis Island,
38:27in quarantine for 40 or 50 days.
38:37Welcome, Mr. Ferry.
38:39Thank you very much.
38:41Look, this is from that family.
38:46And this is for you.
38:49For the inconvenience.
38:50Thank you.
38:52Listen to me, Rocco.
38:53What do you have to say in the exam?
38:56I'm seasick on the boat.
38:58I'm seasick on the boat.
39:00I'm seasick on the boat.
39:01Yes, Rocco, but say it just once.
39:04Don't be a pain.
39:05Very well.
39:06Just once.
39:12They're with me. Let them pass.
39:14Come on!
39:15Where are they taking us?
39:16The documents first!
39:19Hurry up!
39:20Let's pay attention to him.
39:24Hurry up!
39:37Five people?
39:40Yes.
39:41Do you have money?
39:49She is married to an American citizen.
39:52These are the documents.
40:02He was seasick.
40:04Seasick?
40:05Yes.
40:09Officer.
40:22Get the idea.
40:24Now, in the medical exam,
40:26they won't let him pass.
40:28No one will take the X.
40:30Why?
40:31He's healthy and strong.
40:45They're approved.
40:48What did he say?
40:49That everything is fine.
40:51They can come in.
40:52Shouldn't we pass the medical exam?
40:54No, ma'am.
40:55They'll have a saint in paradise.
40:57You're cleared.
41:00Thank you.
41:01It says Ritzo here.
41:02We'll call ourselves Carrizo.
41:03Ritzo, Carrizo.
41:04What else?
41:05Get out of here before he thinks twice.
41:07If they've written Ritzo, we'll call ourselves that.
41:10Let's go.
41:11Thank you.
41:12Next!
41:21Let's go.
41:39There are 50 places in Caballor,
41:41but if you accept the job,
41:4250% is mine.
41:44What are you saying?
41:45It's how it works here.
41:47Go for a walk.
41:48My partner has a job.
41:49He already has a job.
41:51It's not possible.
41:53Hey, Mique.
41:54Gennarino is my cousin.
41:55Nice to meet you.
41:56Likewise.
41:57They're looking for workers at the Red Hook Foundation,
41:59where I'll work.
42:00Mique, hey,
42:01see you tomorrow at 5.
42:02Please, be on time.
42:03I'll wait for you.
42:04Goodbye.
42:05Wait, wait.
42:06How do I find her?
42:07Ask around.
42:08Everyone knows her.
42:11There she is.
42:12It's her.
42:13The one from the poster that says Carrizo.
42:15Are you sure it's her?
42:17She's looking at us,
42:18but she's not moving.
42:41I'm sorry,
42:42but I wasn't sure if it was you,
42:44because it says Esquiavo there,
42:46with my last name Esquiavon,
42:47with an N.
42:50Besides,
42:51I couldn't believe it was you, ma'am.
42:59Paula.
43:00Pleased to meet you.
43:01Carmela Carri...
43:02Carrizo, Rizzo.
43:04A pleasure.
43:05This is my son, Mikele,
43:06Antonio,
43:07Rocco, and Alfredo.
43:09Do you have any more?
43:11Unfortunately, no.
43:13I also had a daughter.
43:14I'm sorry.
43:15I didn't know.
43:16I'm sorry.
43:19Say hello.
43:20Good morning.
43:21Good morning.
43:22I brought the car.
43:24The car...
43:25Because I thought...
43:26I'm sorry.
43:27I thought the tram would be uncomfortable.
43:31But Mom is a little tired.
43:33But we're two steps away.
43:35And then I'll take you to see the city.
43:37It's a good opportunity.
43:39Let's go.
43:42Give me this.
43:43Thank you.
43:45Let go, Rocco.
43:59Walford Hotel, please.
44:03Mom?
44:05Let's go.
44:06Yes.
44:13Let's go.
44:21Well,
44:22are you going to show us America?
44:25Of course.
44:27Let's go.
44:28Antonio, push.
44:29Yes.
44:43Thank you.
44:44Thank you.
44:45Thank you.
44:46Thank you.
44:47Thank you.
44:48Thank you.
44:49Thank you.
44:50Thank you.
44:51Thank you.
44:52Thank you.
44:53Thank you.
44:54Thank you.
44:55Thank you.
44:56Thank you.
44:57Thank you.
44:58Thank you.
44:59Thank you.
45:00Thank you.
45:01Thank you.
45:02Thank you.
45:03Thank you.
45:04Thank you.
45:05Thank you.
45:06Thank you.
45:07Thank you.
45:08Thank you.
45:09Thank you.
45:10Thank you.
45:11Thank you.
45:12Thank you.
45:13Thank you.
45:18Come on.
45:19Kamina.
45:21Kamina.
45:26Come on, Alfio.
45:28Dear Alfio.
45:29Kamina.
45:30I'm here alone.
45:31They're all gone to America.
45:33Come, please,
45:35Maria.
45:42¶.
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