Grafters (1998) (S1, Ep 6)

  • 3 months ago
Part 6 of 8 of the ITV drama. Laura asks Trevor to do a decorating project at another site, infuriating Joe.
Transcript
00:00You
00:30Okay, Trevor, you okay? Yeah, I'm fine. What are you doing down there? Checking the ceiling.
00:59Looks good, doesn't it? I did it all myself. Well, Simon helped with that corner bit, but
01:05I did all the other sides and right across the middle.
01:08Simon, come and have a look at this. Say it, man. Now, will you get off your arse?
01:24Looks to be a complicated message. It's from Daniel. World's best dad. He's even put some
01:32kisses with crayon. I've seen it.
01:39Hello?
01:42Yes, he's here.
01:47It's Laura.
01:50For you.
01:54Hello, Laura. Is everything all right?
01:59Oh, yeah.
02:02Yeah.
02:05Oh, yeah.
02:08Yeah.
02:10Okay.
02:12I'll see you soon.
02:16She wants me to look at a job she's got on in the housing association.
02:23You?
02:24It's just decorating work, mainly. She knows how busy you are here.
02:28Does she also know I'm in charge? If she wants to borrow you for another job, she rings me.
02:35Yeah, well, maybe she doesn't want to speak to you.
02:39Eh?
02:40Oh, come on, Joe. Every time you look at her, you bite her head off.
02:44He's right, son. You have been a bit short-tempered these past few days.
02:48Is it any wonder? Working with him?
03:04What are you up to, Paul?
03:05Eh, nothing. That's what I thought.
03:08How does Spain sound?
03:15In what context?
03:17In the context of getting you out of this office, over to Gadeer's, and ready to auction two tankers on behalf of my cash shipping.
03:22Well, sounds great. What's the catch?
03:25There isn't one. You leave next week, you stay for two months in the company apartment.
03:30Two months. I may have to consult my wife on this one, Clive.
03:35Of course.
03:38Tell her all about your poor performance at work.
03:41Explain you've been given a last chance to claw your way out of trouble, and remind her that no one's indispensable.
03:47I'm sure she'll be reasonable.
04:03How's it look?
04:04Well, I'm not going to give you any BS. That's bullshit.
04:10I think we're looking at two or three days flat out with a couple of lads on the job.
04:15I mean, that's a load-bearing wall.
04:20I just want it painted.
04:23I know. I'm just saying, it's load-bearing.
04:29Trevor, can I show you the bathroom?
04:32Uh-huh.
04:35Oh, there's no plumbing, is there? You know what happened last time.
04:39Sit down.
04:42Now, Debbie needs a place to stay, and she needs it now.
04:47She's stuck in a squat, living next door to drug dealers and prostitutes.
04:51But the worst thing is, her ex-boyfriend knows where she lives.
04:55Joking.
04:57I want her to move in here as soon as possible, but I can't find anyone to finish off the work.
05:02You know how busy we are at your place.
05:05Our place isn't as important. It doesn't matter to you where you work.
05:10But to Debbie, it's going to make all the difference in the world.
05:15Hi, sorry, I'm looking for Laura Atkins.
05:18In the book.
05:26Trevor.
05:28Paul.
05:31Oh, hi.
05:34Hi, Trevor.
05:37Hi, Paul.
05:41Oh, hi.
05:44Uh, you met Debbie?
05:46Yeah, do you fancy some lunch?
05:48Yeah, could do.
05:49What did he say?
05:50He says he'll do it.
05:51He's fully in it.
05:52Cheers.
05:53Do what?
05:54I'll, um, I'll take you over lunch.
05:56Shall we go?
05:57Yeah.
06:00Is that her husband?
06:02Yeah.
06:04Nice suit. Got a bit of money, has he?
06:06Yeah.
06:10It's going to be alright here, don't you think?
06:14Yeah.
06:17You don't say much, do you?
06:30Off for the wood, are we?
06:32We are.
06:34I expect you've got some chores to do for Laura, have you?
06:36Oh!
06:42He'd only be away for a day or so.
06:45Anyway, Joe might say no.
06:47What about me?
06:49What if I say no?
06:51Anyway, I thought we were supposed to talk about everything before we did it.
06:55It only just occurred to me this morning.
06:57Trevor's a good worker, he could paint that flat in a day.
07:00Looks like it needs more than a lick of paint to me.
07:04Is that where she'll be living?
07:06Her name's Debbie.
07:08What's her problem?
07:10Sorry?
07:12She must have a problem.
07:14You wouldn't be holding her hand if she didn't.
07:17Debbie's a recovering alcoholic with a violent ex-boyfriend.
07:21Ooh!
07:22Shame she's not black and disabled.
07:24Your monthly quota rolled into one.
07:28I don't have quotas.
07:30I have clients who are people in need.
07:32Real people.
07:34As opposed to the shallow, bronzed, coke-snorting money launderers you deal with.
07:38Whatever.
07:40I don't know how it works, do I?
07:42No, you don't.
07:43Because you never ask me about it.
07:44That is not true.
07:46Oh, the occasional, how was your day, darling?
07:48But you're not interested in what I do.
07:50It doesn't count as a proper job as far as you're concerned.
07:53I pay you peanuts.
07:57I care about my clients because they're worth looking after.
08:01If you don't understand that, then you're the one with the problem.
08:10Do you not want anything for your private job?
08:12Give it a rest, man.
08:17Aye, aye.
08:26Just leave it, will you?
08:28If the police get called, we're all in trouble.
08:36We're going. None of us want a fight.
08:39Of course you don't. You're shitting yourself.
08:41No.
08:42I have total control over my bowel movements. I've done ever since I was a baby.
08:47Now, we're going to walk out of here, and you're not going to stop us.
08:51Okay?
08:59Okay.
09:11Check the door.
09:14Okay.
09:26Hey, lads, I'm just coming for a slasher. Hold me a second.
09:40Hello.
09:42Are you still angry?
09:43Angry? No. Hungry? Yes.
09:48There's no soap in your downstairs bottle, Laura. I haven't got any washing-up liquid.
09:53You remember Debbie?
09:54Hi.
09:55Hi.
09:58Is she joining us for dinner?
09:59Mm-hmm. And breakfast.
10:02Debbie's flat won't be ready for a while.
10:04Yeah, I'm really gutted. I was already planning when to have my first party.
10:09I don't understand.
10:11Well, they didn't want me to use Trevor, so I've booked a decorator who's busy till the end of next week.
10:15Oh, now, hang on a minute.
10:16So, Debbie's going to stay with us till her flat's finished.
10:22Great.
10:26I'm going to get changed, and I'm going to buy some beer.
10:29Debbie doesn't drink.
10:31Beer's for me.
10:34Careful.
10:42Lenny?
10:44The bench!
10:46Watch out, Lenny!
10:50Lenny, are you OK?
10:53Lenny, it's OK. I'm here now.
10:57Can you wiggle your toes?
11:00Why would I want to?
11:02I don't know.
11:04Come on. Let's get you looked at.
11:10OK, OK.
11:12I'm sorry.
11:13It's OK.
11:14It's OK.
11:15It's OK.
11:16It's OK.
11:17It's OK.
11:18It's OK.
11:19It's OK.
11:20It's OK.
11:21It's OK.
11:22It's OK.
11:23It's OK.
11:24It's OK.
11:25OK, OK.
11:30I can help you.
11:35No.
11:37No, this is not right.
11:40I'm going to have to sit down.
11:43Can't you make it home?
11:45Sorry, you're going to have to call for an ambulance or a taxi.
11:48OK, OK.
11:49Look, I'll take Fraser home, and then I'll ring from there.
11:52Will you be OK without me?
11:55I'll be fine.
12:00All right, Paul?
12:01Hey, fancy a kick around?
12:06I wear a sun on me head.
12:13Come on, lads.
12:15Right, right.
12:17No, don't walk, Sam. Don't run.
12:20Oh, lads.
12:21Oh.
12:22What's your game with a proper ball?
12:24Come on, then.
12:25Yeah, right, go on.
12:26How are we, then?
12:27How are we, then?
12:30All right, better sort some signs out.
12:32That's my boss, so I'm capping.
12:34All right, bags you the other one, then.
12:36Hang on, I'm always capping.
12:37Not today.
12:38All right, mate, I'll have you.
12:40Right, I'll have you in, how are you?
12:42Yeah, come on.
12:43Yep, sorted.
12:44Come on, Chelsea.
12:46You, how are you?
12:47Yeah, come on.
12:48How are we, then?
12:49We're sorted.
12:50Right, I'll just leave them.
12:51No toss-pots or whatever.
12:53Go on, I'll have Paul.
12:55Erm...
12:58You what?
12:59I'm having Paul.
13:02Why?
13:03I always pick you when I'm capping.
13:05Yeah, well, you're not capping, and I can pick who I bloody well like.
13:08Come on, don't front the kids, man.
13:10Right, let's go!
13:12Vamos, vamos, vamos!
13:15Come on, boys!
13:17Come on, kick it out this way.
13:19There you go.
13:22Come on, boys, let's go!
13:27Come on, boys, let's go!
13:32Come on, boys.
13:33Come on, boys.
13:35Come on, boys, let's go.
13:37You're gonna die!
13:54Come on, Paulie!
13:55Come on, Paul!
13:57You like this, huh?
14:00Foul fingers!
14:03Yes!
14:04Yes!
14:05Yes!
14:06Oh, Danny!
14:07Oh, yes, Danny!
14:08Whoo!
14:09Oh, where's he gone now?
14:10Whoo!
14:11Come on!
14:12Away, man!
14:13You're time-wasting!
14:14You should have picked us, Trevor.
14:15Oh, what, so you can put me in gold and show off in front of the other lads, or so you can
14:33get me to serve your inch-perfect crosses all night?
14:35What's up with you, man?
14:37I'm happy, Joe!
14:38I'm having a good time!
14:40What's wrong with that, eh?
14:41Oh, you want me to stop smiling just because you're miserable?
14:44No.
14:45Good!
14:46Because it's not going to happen!
14:49Expect everyone else to feel sorry for you and pick you first and let you score a few
14:53goals to make you feel better, while the rest of us have to take care of ourselves?
14:58What's so special about you, eh?
15:00Can I play?
15:02Oh, yeah?
15:03Yeah, you'll be on my side, Debbie!
15:05We are winning ridiculous amounts to very little, so get stuck in and make sure you
15:10kick on the side.
15:12He's the only one who's making the most of it.
15:15Now, go on, Starmer!
15:16All the way, all the way!
15:18This is just too easy!
15:20Is that it?
15:30You go home now, Emma.
15:32Not till you've been seen.
15:37I'm sorry.
15:39What for?
15:42Mullard!
15:43Are you happy?
15:44Yep, yep, yep!
15:45Is it?
15:46That's all I ever get, man!
15:48Bloody hell.
15:49What's wrong?
15:50Where's the vans?
15:52Where's Joe?
15:54Joe!
15:57Joe!
16:19Are you sure you didn't hear anything?
16:23No, sorry, Trevor.
16:24But then, I don't really listen out for the sounds of vans being driven away.
16:28Oh, where's he got to?
16:30And where's our dad?
16:31Well, his gear's still there, so he can't have gone with Joe.
16:34Yeah, but what about the other van?
16:35I mean, even Joe can't drive two vans at once.
16:37I hate to be the one to raise some practical questions, but how's all this gonna affect the house?
16:41Well, they've lost Joe and Lenny.
16:43Exactly, so how's this gonna affect the progress of the kitchen?
16:49Paul, I can't tell you anything until I've spoken to Joe.
16:52Can I use your phone?
17:00Emma?
17:01No.
17:04He's not available to take my call.
17:06He'd like me to leave a message after the beep.
17:10Go on, then.
17:12Joe, it's Trevor here.
17:13Just wondering where you got to,
17:15and where Dad's got to,
17:17and where the hire van is.
17:19Could you let us know, please?
17:21Er, Lenny's in hospital.
17:23What?
17:24It's nothing serious. He's hurt his leg, rollerblading.
17:28You're sad.
17:29Emma's with him at the moment, but she needs to get back, so can someone go and get Lenny?
17:34Go, Emma.
17:36I'm not going.
17:37Why, should I help Lenny?
17:40He'll probably be in a lot of pain.
17:42You know, crying and screaming.
17:45Hang on a minute.
17:51Where are you going?
17:54What's this way?
17:55No, we're supposed to follow the yellow line.
18:03Where is it?
18:08I'll ask in there.
18:12Excuse me, sister.
18:13Excuse me, sister.
18:44Gone?
18:46Gone where?
18:47We don't know. That's what I'm trying to tell you.
18:50Our only Joe that's gone missing.
18:52Oh, the hire van.
18:54It's been nicked.
18:56Well, it's not just the van.
18:59Why, you unloaded the timber, didn't you?
19:01I was going to after the footy.
19:03You're stupid.
19:04No, it's not as bad as it seems. I think I know who might have got it.
19:07Who?
19:08Remember those plumbers?
19:09Not the ones...
19:10Yeah, we were there.
19:11Remember those plumbers?
19:12Not the ones...
19:13Yeah, we remember the plumbers.
19:15Played a bit of a prank on them at the builder's merchants.
19:19What sort of a prank?
19:21Just let the tires down.
19:25Do it again.
19:27Come on.
19:29Joe?
19:30Is that you?
19:32I've been trying to get you all morning, man. Where are you?
19:36Where?
19:41Come on.
19:53What happened?
19:54Ruler bleeding.
19:56A few stitches, no broken bones.
19:59I'm all right.
20:01What about you?
20:02I'm all right.
20:04Oh, good.
20:06Because I thought when you packed and left without a word to anyone, there might be something wrong, you know.
20:11Is Trevor worried?
20:13No, but...
20:16I thought he'd be glad to see the bag of us, you know.
20:21That's a stupid thing to say, sir.
20:25Are we?
20:29Are you going to tell me what's wrong?
20:34Can we look at the payments first?
20:41Is this it, then?
20:43Aye.
20:44There's no sign of our van, though.
20:47So what do we do?
20:50Take their van, of course.
20:52Eh?
20:54You can't leave him, Joe.
20:56No matter how bad things are between you and Trevor, he's still your brother.
20:59You can't run away from him.
21:01He's not like your wife and daughter, you know.
21:03Bought this for Josie this morning.
21:07Looks expensive.
21:08Ah, money no object to me.
21:10You put photos in it, she can use it to remind her what her dad looks like.
21:14You really going to give it to her?
21:16Not sure I am.
21:18What's the point?
21:20The point is, she'll live it.
21:23You think so?
21:25I think so.
21:27I think so.
21:29I think so.
21:30I think so.
21:33You planning on staying here?
21:37Last night I was planning on going to France.
21:42Aye, man, that's funny.
21:44That's where I'm going.
21:47Today.
21:49Why France?
21:51That's where Christine is.
21:53I thought she was in Africa.
21:56She's picking grapes for a month in a place that I can't pronounce.
22:00But I'll find her.
22:04What's brought this on?
22:06I don't know, I saw a nurse last night.
22:08Reminded me of Christine.
22:11And Emma's...
22:14And Emma's made me think a lot about what I've been missing.
22:20What, like...
22:22Sex?
22:25No, not sex, Joel.
22:28Love.
22:30Love.
22:36Your mum stuck it out for years, didn't you?
22:38Stuck it out?
22:40We were happy together, son.
22:45Why can't I do anything like that?
22:47You can.
22:49Starting with Trevor.
22:52It's hardly the same thing, Dad.
22:54Isn't it?
22:56It's all about commitment, you know.
22:58Oh, I think it's a bit late for me and Trev.
23:03Really pissed him off this time.
23:07Why don't you go back and say you're sorry?
23:10Then see what turns out?
23:14I will.
23:17Good boy.
23:18Good boy.
23:48Come on.
23:55What do you want to say?
23:57Go on, then.
23:58Go on, then.
24:09Son.
24:11Get off, Will!
24:17Drive!
24:21Oh, my God!
24:23Will!
24:25Hey, there's half a dozen toilets here.
24:27here, a couple of B-days, a bath. They're gonna miss this lot, you know.
24:33Hey, there's that Debbie. Hiya, Debbie. Can we give you a lift?
24:41Yeah, cheers. All right?
24:44All right. What you been up to, then?
24:50Nothing. Is this your van?
24:53It is now. Wish I had a motor.
24:57I've been looking for posters for the flat. I had to walk all the way back from the high street.
25:02Why didn't you get the bus? Can't afford it.
25:06Well, I could lend you some money, if you like. Would you?
25:11Hey, anyone fancy a bevy? Yeah, sounds good.
25:15But I thought... What?
25:19With... I had nothing. Let's go, then.
25:27Do you want some food? They do a nice pasty here. No, thanks.
25:30I mean, I'd pay, obviously, for both of us.
25:33Laura's cooking.
25:39Look, it's probably none of my business, but I thought you didn't drink.
25:44Who told you that?
25:47Or was it Laura? Said I was an alkie.
25:51I let you into a little secret. I made that up.
25:56Why? Well, you have to have a story, don't you?
26:00Otherwise you don't get one of them flats.
26:03So, the stuff about your boyfriend beating you up?
26:07Yeah, it's bollocks, I know. You've got nothing to worry about.
26:11Ah, good.
26:15Ready? There's Joe. Joe!
26:21Where did you get to, man? The zoo.
26:26Wrong story.
26:29Look, about the football, I'm sorry, I was, you know...
26:33No. No, I was.
26:37I know. Say no more about it, then.
26:40OK. Fancy a pint? Yeah.
26:46Listen, Trev, I'd better get back.
26:49I'll see you later. Yeah, maybe.
26:52No, not maybe. I'll see you later, yeah?
27:03Hope.
27:06It's frozen lasagne again. Sorry.
27:09No, no, it's lovely.
27:13I'll probably be eating paella this time next week.
27:16Only if you've got through the frozen lasagne.
27:20No, I've been asked to go to Spain.
27:23For a couple of months.
27:28It's not my choice.
27:32No?
27:36Well, what do you think?
27:40I think you should have mentioned this before.
27:42Baroness has only just told me.
27:45Really? It's not like I want to go.
27:49Why not? Well, I would.
27:51Puts me in a very tricky position.
27:53Oh, poor you. It must be bloody hard having to decide between
27:56lying on a lilo covered in sawdust or a sunbed covered in Factor VIII.
28:00Have I missed the food? Do you mind? We're in the middle of a conversation.
28:03It's a row. And it's over.
28:06You go to Spain, I'm going to bed.
28:12Sorry, I didn't know... Get out.
28:15I haven't had my tea yet.
28:17You're not sleeping here. You're not sleeping here. Get out.
28:20I'm going to tell Laura.
28:22Do what you like. There's no way you're sleeping in my house again.
28:24Just get out!
28:32She definitely wants me.
28:35Sexually.
28:38Oh, sexually.
28:41I haven't done it with anyone since Karen.
28:44I didn't do it with anyone before Karen.
28:49So, basically, if it wasn't for Karen, you'd be a virgin?
28:52Yeah, I did loads with Karen. All night and that, sometimes.
28:59And you're worried that doing it with Debbie might be, what, different?
29:05I don't know.
29:07Is that all you're worried about?
29:11Is it really just the sex?
29:14I think I like Debbie. I know she likes me.
29:18She's beautiful.
29:21I don't want to start something that I can't finish.
29:24It wouldn't be fair.
29:27Ah, it don't work out, don't work out. Why worry?
29:30She's had a hard life.
29:33Not as hard as I thought, like, but still...
29:37I'd rather not go out with her at all than, you know,
29:40see her a couple of times and then dump her.
29:44She might dump you.
29:47Do you reckon?
29:50But then I'd be back where I started.
29:58And that's the risk you're going to have to take?
30:01If you actually want a new girlfriend?
30:04Do you?
30:07I don't know. Too soon to say.
30:10Trev, I'm sorry, but you're going to have to face facts.
30:15You're out there again.
30:18Where? There.
30:23That's where the girls are.
30:26That's where your next partner is.
30:29Do you want to find her?
30:32Not yet.
30:35OK.
30:38No-one's forcing you, Trev.
30:43How are you, mate?
30:54Can I be of some help?
30:58Debbie, what's the matter?
31:04No-one let me stay in the house.
31:07I want nowhere to go. What can I do?
31:10You can always sleep here.
31:13What can I, Trev? Is that all right?
31:17Yeah, go on. Why not?
31:27I love you.
31:58MUSIC PLAYS
32:11All night long, I could feel her creeping nearer and nearer.
32:15At one point, she even, you know, touched me.
32:18No. I hope you told her you're not that kind of a boy.
32:22Well, George Simon were there.
32:25I can't do it with a crowd.
32:29I'm just grateful Debbie had somewhere to stay.
32:32When Paul told me what he said...
32:35We heard you shouting.
32:37Well, I'm sorry. He was a total bastard last night.
32:40Debbie's got enough problems without my husband kicking her out on the street.
32:43She was pretty upset, all right.
32:46It took half a bottle of scotch to put the smile back on her face.
32:49Debbie was drinking scotch?
32:52Not Simon and me.
32:58Is she or is she not a recovering alcoholic?
33:06Not.
33:11Does she have a violent ex-boyfriend?
33:15No.
33:22Thanks for the coffee.
33:36Have you seen Trevor?
33:39No.
33:42Have you seen Trevor?
33:44Oh, yes.
33:46Where is he, then?
33:48He doesn't want to see you.
33:51And I don't want to see you.
33:53You what?
33:55Pack your bags, please, and then get out.
33:58Laura?
34:00I will not be lied to.
34:03Not by you, not by anyone.
34:07What's Trevor been saying?
34:10The truth.
34:17But I need that flat.
34:20You don't qualify anymore. I'm taking your name off the list.
34:22No, please.
34:24I'm sorry. I can't help you.
34:28I've got nowhere to go.
34:31I have got nothing. You've got everything.
34:35Do you want some money?
34:38Yes!
34:44Is it true about Lenny?
34:47Gone, yeah.
34:49Who is this Christine?
34:51Someone else who was shagging.
34:53We didn't...
34:56Didn't he leave a note or a message or anything?
34:59Yeah. He said,
35:02I hope you go out with Simon again.
35:05He's a good lad and he deserves to be treated better than he has been.
35:08Those were his last words.
35:24Hi.
35:32I've...
35:35I've kicked Debbie out.
35:38Not on my account, I hope.
35:43It turns out she wasn't an alcoholic.
35:47And she's never been battered by anyone.
35:50I'm very disappointed.
35:53It's not funny, Paul.
35:55She tried to deceive me.
35:58She couldn't manage it.
36:01What's that supposed to mean?
36:04Come on, Laura. You must admit you're a bit...
36:07You're too trusting.
36:10If you want to call me gullible, go right ahead.
36:13I'm not looking for a fight here.
36:16A few hours ago, Debbie was this week's good cause.
36:19Now she's public enemy number one. It's a bit odd, isn't it?
36:22Are you saying I'm odd?
36:25No, I'm not. I just wish you wouldn't go from one extreme to the other all the time.
36:31Laura, I'm not having a go at you. Laura!
36:34Laura!
36:51I think we're going without her.
36:54I'll be there.
37:01All right, Laura?
37:04Oh, yeah. Everything's just perfect.
37:10It looks like it.
37:15I'm fine, really.
37:18Where are you off to?
37:21Who's van's that?
37:24It's mine.
37:28Where are you off to?
37:31Who's van's that?
37:34Are you up to something?
37:37OK, what's the plan? Come on, come on, fill me in.
37:40Stop bouncing and I'll tell you the plan.
37:43Are you tooled up? No. Not here to fight.
37:46Our door.
37:49We bring the plumbers. They're going to bring our van with all the frames and timbers.
37:52Then we sort for this van with all the bogs and abations.
37:55What speed is?
37:58What is that here? No violence? No broken bones and cracked skulls?
38:01Carry on bouncing, Laura. There will be.
38:04Sorry.
38:07She makes herself kind of sane. She doesn't really care about people like me.
38:10You did tell her a couple of fibs.
38:13I had to. I was desperate.
38:16You can see that, can't you? Yeah.
38:19Then why can't she?
38:22Because she's a stuck-up cow.
38:28You wouldn't throw me out on the streets, would you?
38:31Hmm?
38:34We've got something going, haven't we?
38:39I don't...
38:42What?
38:45I...
38:48Well, finish your bloody sentence.
38:52It's not you.
38:55It's not even me.
38:58It's Karen.
39:01My wife.
39:04We've just split and I'm still really shaken up about it.
39:07You see,
39:10when I was with her, I could talk to women
39:13and I'd be OK.
39:16Well, knowing that I was going home to her,
39:19I could speak to anyone and I'd be fine.
39:22Well, now...
39:25I'm petrified all the time that I'm going to come across like a prat.
39:33I'm sorry, Debbie.
39:36I don't think I'm ready to be out there just yet.
39:49I've got company.
39:52Right. I'll do the talking.
39:55Simon, you check the wood. Make sure they haven't damaged the van.
39:58We have to pay for dents or scratches.
40:01What about me?
40:04Am I supposed to just sit here looking pretty?
40:07You can be my right-hand man, if you like.
40:10What would that entail?
40:13Stand next to me on my right and look manly.
40:19Sigh.
40:43Hello, I'm Laura Atkins.
40:49Eric Meadows.
40:52That's my timber you've got on that van, so I hope it's OK.
40:55Yeah, it's sound. What about our gear?
40:58Nothing's been touched, you have my word. Take a look.
41:01Come on, Simon.
41:11I think it's going quite well.
41:14You're supposed to let me do the talking.
41:17I can take care of myself.
41:20Sure.
41:23Sorted, Eric.
41:34You got the keys?
41:38Will!
41:41I'm glad we got all this sorted.
41:44See, Will, there's a lesson here.
41:47What's he doing?
41:50Think it's your leg, Joe?
41:53What have you said?
41:56Nothing, just something about this nut.
41:59Get out!
42:02I haven't done nothing.
42:05Oh, smart man.
42:08I thought I was going for a pint.
42:27Are they still following?
42:30I can't see them.
42:33I can't see them.
42:53Hasta la vista, Eric.
42:56Oh, no.
42:59Oh, yes.
43:03Come on!
43:06Come on!
43:09Oh, no.
43:12Come on!
43:15No!
43:19No!
43:33Stop!
43:36This time, Simon, we'll load everything straight away.
43:42Can I help?
43:45If again, you're the client.
43:48We're the builders.
43:51No, not today. Today I feel like I'm a builder, too.
43:54The YMCA, it's fun to stay at.
43:57Sorry, I know I can't sing.
44:00It's all right.
44:03I know I can't sing.
44:06I wouldn't say that.
44:09Think you're great.
44:15I've got stuff to do.
44:18Yeah.
44:21Me, too.
44:33I think Joe and Simon might need a hand.
44:36Not from me.
44:39She's gone, by the way, Debbie.
44:42Good.
44:45You shouldn't have chucked her out like that.
44:48Careful, Trevor. I'm willing to accept advice on guttering and repointing,
44:51but not on how to handle my clients.
44:54Sorry, I forgot my place.
44:57Oh, Trevor, please.
45:01Sorry, I'm saying all the wrong things today.
45:04Yeah?
45:07Sorry.
45:15Oh, we've both apologised. What now?
45:26I've been thinking about Lenny's last words.
45:29I'll give you another chance.
45:32What if I don't want one?
45:35You're gagging for it.
45:46Is Debbie gone?
45:49Yeah.
45:52Off out?
45:55Oh, yeah.
45:58Laura.
46:01Spare me dinner.
46:12This is crazy, Paul.
46:15This is just a bit more important than your little house, don't you think?
46:18It's not my house I'm worried about. It's my marriage.
46:21It doesn't take two of you to sort out the wallpaper.
46:24You're not listening to me, Clive.
46:27I'm not talking wallpaper or paint or varnish for the bloody floorboards.
46:31It's about me sharing in the responsibility of completing a home I'll be living in with my wife.
46:39It means a lot to me.
46:42More than your job.
46:45Are you asking me to choose between the two?
46:48I wouldn't put it quite like that.
46:57Thank you, Trevor.
47:00You're welcome.
47:09I think I need a drink.
47:12Me too. I'm a bit nervous.
47:15Why?
47:18Not because of me, I hope.
47:21Oh, no.
47:25In a way, maybe.
47:28You think I'm a heartless bitch, don't you?
47:31You're not heartless, no.
47:34And you're not a bitch, obviously.
47:40But I make you nervous.
47:43Well, I've seen you shouting at people.
47:48I don't always shout at people.
47:51I'm a nice person.
47:54I'm a very nice person.
47:57I'm sure you are.
48:00It's just sometimes...
48:04I seem to have a remarkable talent for rocking the boat.
48:09Don't ask me why.
48:13Why?
48:18I don't know.
48:21I know when I'm going to do something that I shouldn't.
48:24But even when I say to myself, don't do it, Laura,
48:27I still end up doing it.
48:30I'm sorry if I've been tricky with you, then.
48:33Don't be silly.
48:36I think you're amazing.
48:39And Paul, I mean, having to put up with us
48:42and living on a building site can't be easy.
48:45You should know.
48:49It's different for me.
48:51It's not my home that has people like me barging in every day.
48:57We should be more grateful, I suppose.
48:59Imagine the kind of builders we could have had.
49:07I'm glad I've got you.
49:10Hi, Jack.
49:13Working late?
49:16Just making off for lost time.
49:19It's just you. Where's Simon?
49:22He's out with Emma.
49:26Where's Trevor?
49:29He's out with your missus.
49:33What?
49:36I don't know.
50:06I'm not going to Spain.
50:09I thought you'd need me here.
50:12I don't want to go back.
50:15I'm not going.
50:18I'm not going.
50:21I'm not going.
50:24I'm not going.
50:28I'm not going.
50:31I'm not going.
50:34you've made me here maybe not
50:42how was dinner?
51:02nice
51:03good
51:04you know she's using you
51:13you what?
51:14well you've heard them fighting in railwayn
51:18well tonight was just another way for laura to have a go at paul
51:25bollocks
51:26she likes us
51:31she couldn't give a toss trevor
52:02joe?
52:03what?
52:04about laura
52:05not now trevor
52:06go back to sleep
52:07you
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