La Promesa Episodio 387 Completo
La Promesa Episodio 387 Completo
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00:00:00āŖāŖ
00:00:30And if he didn't intervene, I'm sure he would have abused her.
00:00:33I was passing through the corridor and I heard them.
00:00:35And he surprised you.
00:00:36That's right.
00:00:37It seems he has decided to return to the hangar.
00:00:39Now that we had managed to get him out of there.
00:00:42Well, yes.
00:00:43But if he is not able to behave as God commands in this palace,
00:00:45it is better for him to stay in his hole.
00:00:46Enough, Cruz.
00:00:47I have heard that the cicuta causes a very agitated death.
00:00:52Who was the first to approach Pia's body?
00:00:54It was you, right, Vera?
00:00:56Father, it doesn't bother us anymore.
00:00:58We have to assume that Cruz and I are incompatible.
00:01:01And that we need to be far from each other.
00:01:05Come.
00:01:07Martina, don't get poisoned.
00:01:08You were the one who devised that twisted plan
00:01:11to get rid of Martina.
00:01:17Congratulations, Ignacio.
00:01:19You already have the free road to marry Margarita.
00:01:23You have been speechless, Ignacio.
00:01:30I have to admit that you have left me stunned.
00:01:40Because it is the greatest stupidity I have ever heard in my life.
00:01:50It is not stupidity, Ignacio.
00:01:52Oh, you insist.
00:01:55I didn't know you had such an overflowing imagination.
00:02:00You can laugh as much as you want.
00:02:03But you can't fool me.
00:02:05Oh, no.
00:02:06No, because we know each other too well, don't we?
00:02:11Precisely.
00:02:14That's why you know that I'm not kidding.
00:02:24Petra, making false accusations without basis has its consequences.
00:02:29They are not false.
00:02:30Oh, no?
00:02:31Then show me the evidence.
00:02:34What do you base yourself on to make that accusation?
00:02:40You have nothing.
00:02:44No.
00:02:45I knew it.
00:02:51But I don't need it.
00:02:56The family is suffering so much because of Martina's departure.
00:03:00And you know that people end up believing what suits them, Ignacio.
00:03:06It would be hard for me to convince them that everything, everything has been your bullshit.
00:03:15I would love to see you fail.
00:03:19And since we are with confessions, Petra, tell me.
00:03:22Who will you talk to first?
00:03:24With Cruz?
00:03:26With the Marquis?
00:03:27I would give priority to Margarita over you.
00:03:29Because I'm sure she's delighted to hear from you.
00:03:35Sir.
00:03:40Excuse the interruption, but your bathroom is ready.
00:03:44Very well.
00:03:45I'll go up right now.
00:04:06I'm sorry.
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00:06:46Mrs. JimƩnez.
00:06:49What in the hell?
00:06:51What do you mean what we did to Ms. JimƩnez?
00:06:54We gave her the news and now she's doing nothing.
00:06:58The worst of all is that now she's asking more questions about the account.
00:07:01What kind of questions?
00:07:04She's been looking for Vera and me to inquire about the day DoƱa Pia died.
00:07:08But it's been an unresolved interrogation, Mr. Baeza.
00:07:11Calm down, sit down, sit down.
00:07:13Have they told you something that could make you suspect?
00:07:17No, nothing out of the ordinary, everything that everyone knows.
00:07:20And Miss GonzƔlez?
00:07:22Vera was more convincing than me.
00:07:24Keep in mind that she thinks that everything that happened is real.
00:07:26Well, then there's nothing to worry about.
00:07:29Don't think about unnecessary things, Mr. Itesposito.
00:07:32I don't think this will end here.
00:07:34Petra won't stop until she gets the answer she wants.
00:07:38Of course, Mrs. Alcos is a specialist in suspecting everything and everyone, yes.
00:07:42I think she'll stop arguing when she realizes she has nothing in her hands.
00:07:46Trust me.
00:07:47I don't think so, Mr. Baeza.
00:07:50Don't you realize that if she's pressuring you so much, it's because she has nothing against you?
00:07:54Don't fall into her trap.
00:07:55What if it's not like that?
00:07:57What if she knows more than we think?
00:08:00Impossible.
00:08:01Do you think that Mrs. Alcos can have the slightest idea of what really happened?
00:08:05That a specialist caused Mrs. Adar to die for a few hours?
00:08:09Or that she's not even buried in her town?
00:08:12That she lives in a cave that can be accessed by foot from here?
00:08:16No.
00:08:17Listen to me.
00:08:19What we have to do is not feed the suspicions of Mrs. Alcos
00:08:22and see how soon you forget everything.
00:08:25What's going to happen from now on with Mrs. Adar?
00:08:28Because I can no longer bring her the food she needs.
00:08:31It's getting more and more dangerous and we have no more excuses.
00:08:34I can't be going to Lujan to give her messages forever.
00:08:37No, I'll go. I'll go.
00:08:39No matter how much power Mrs. Alcos creates in this house,
00:08:42there are still hierarchies and she can't ask me for explanations.
00:08:45I don't know, Mr. Baeza.
00:08:47I don't know if it's a good idea.
00:08:49In the end, you don't know the way to the cave well and you shouldn't go alone.
00:08:53I could lose him if it's not what we want.
00:08:55No, don't worry because we will do everything possible
00:08:58so that you are the one who continues to go there.
00:09:00Leave it in my hands.
00:09:03How long do we have to go on like this?
00:09:05A little while.
00:09:06I have already spoken with Mr. Marquez and he has given me permission
00:09:08to spread that Mrs. Adar died a few days ago.
00:09:11But finally!
00:09:12When were you going to tell me this?
00:09:14No, I wanted to tell you.
00:09:15I didn't want to launch the bells either.
00:09:18This falsity must be spread discreetly.
00:09:21We have to be more cautious than ever.
00:09:23Otherwise, we risk that all the effort we have made to get rid of Mr. Castillo
00:09:27is useless.
00:09:38It was that taste like cherry.
00:09:40Between sweet and sour at the same time.
00:09:42Without a doubt, the best of the wines I have tasted from your winery.
00:09:46I'm glad.
00:09:48I'm going to order some bottles for my own house.
00:09:51I'll talk to the mayors to tell me what it's about.
00:09:53Or maybe you, Alonso, can help me.
00:09:56It's a Chateau d'Urquiat.
00:09:59I don't know it.
00:10:00It's a small winery that the dukes of GandĆ³ recommended to me.
00:10:05Don RĆ³mulo will have the reference.
00:10:07I'll talk to him later.
00:10:09I don't think it's easy to get.
00:10:11Especially right now.
00:10:13Why? Has there been a bad harvest?
00:10:15Because they are at war.
00:10:17Do you always have to end up talking about that damn war?
00:10:19Can't you have a little sensitivity?
00:10:21I was just asking about the wine.
00:10:23Don't take things out of context.
00:10:25And you have answered me, Alonso. You have answered me.
00:10:27Let's change the subject, please.
00:10:29Yes.
00:10:31Let's talk about Catalina.
00:10:33Has something happened to her?
00:10:36Are you going to throw me in the face again that I have returned to the hangar?
00:10:39You kicked her out of this house.
00:10:41What I was missing to hear.
00:10:43I only made her walk around with a coat through the palace rooms.
00:10:47That's not true.
00:10:48I know my daughter well.
00:10:50Are you going to deny what you saw in my eyes?
00:10:52You should thank me for watching over the morale of this house.
00:10:55She would never have left the first time she left, if it weren't for you.
00:10:59Alonso, you can charge against me whatever you want, dear.
00:11:02But that's not going to change the reality.
00:11:04Your daughter Catalina is an immature girl.
00:11:06Now that she has her brother fighting for her life, she doesn't even know what to call her.
00:11:10Calla ya, por favor.
00:11:13I know you are very excited.
00:11:15But be calm, for God's sake.
00:11:17Don't say anything that you might regret later.
00:11:20We are all nervous.
00:11:22Especially now that we are very worried about Martina.
00:11:26But fortunately, we know that she is adapting to a thousand wonders.
00:11:30Soon she will give birth to her son and she will be back with all of us.
00:11:34That's what they said about my sister Eugenia.
00:11:36Don't compare.
00:11:37Don't tell me what I have to do.
00:11:39What happened to Martina is a crisis.
00:11:41What happened to your sister is very different.
00:11:43Have you ever been in a place like that?
00:11:47Because I remind you that I have.
00:11:49You, with your dear Baroness of GrazalemĆ”, brought me into a retirement home.
00:11:54Our niece will never be the same again.
00:11:57And we will carry forever the guilt over our consciences.
00:12:01Don't be so tremendous, Cruz, please.
00:12:04Margarita says it's a great place.
00:12:07With large gardens and what is most important, the best professionals.
00:12:10And they didn't make you lose your sanity when you were in that retirement home?
00:12:14That's because the place I was in is not even half as murky as the place where Martina is.
00:12:18But you don't want to see it.
00:12:20We are not going to let anything bad happen to Martina.
00:12:22Don't promise anything you can't keep.
00:12:24Well, come on.
00:12:26We've all finished with the coffee, right?
00:12:28Why don't you show me the roses, Cruz?
00:12:30Come on.
00:12:31Let's go.
00:12:32Yes, it will be better.
00:12:37Let's go.
00:12:47I tell you that Don Ricardo is not going to be a problem.
00:12:51I asked him to wait a few more days to inform DoƱa Petra and he has granted it to me.
00:12:54That's because he knows for sure that he is going to take care of Margarita.
00:12:58At least it's one less problem, Candela.
00:13:00I thank Mr. Pellicer for his understanding.
00:13:04Then there is only the other concern.
00:13:07He's not a fool, is he?
00:13:09Before they start skinning my flowers, I tell them that I understand them.
00:13:13At least in part.
00:13:14Well, I don't.
00:13:15I don't even have a friend.
00:13:17To begin with, because I don't know what that means about economic survival.
00:13:22Nor do they, Candela. They don't know.
00:13:24They are simple people like you and me.
00:13:26And that they are now given as bankers.
00:13:28You see? Virtue.
00:13:30What they want is to look for an excuse not to give you the child.
00:13:34I'll explain.
00:13:36No, it's just that they don't want to give me Adolfito.
00:13:39It's just that they are afraid.
00:13:43Afraid to give a child to his mother?
00:13:46Enough!
00:13:47In the end, they are right, Candela.
00:13:50I didn't take care of him as I should.
00:13:52I disagreed with him and chose the worst life possible.
00:13:55But that's not the case now.
00:13:58They just want to make sure that Adolfito is fine with me.
00:14:01Make sure that I can keep him.
00:14:03That would be tricky.
00:14:05Yes, you would have to work with Don FermĆn.
00:14:07And to make sure that I will be able to keep my son.
00:14:14They want 550 pesetas.
00:14:17What?
00:14:19Hasn't your father-in-law lost it?
00:14:22That money is to give you back your son.
00:14:25They are selling it to you as if it were a goat.
00:14:27A herd of goats, Simona? We are talking about 550 pesetas.
00:14:30They are not selling me Adolfito.
00:14:32Look, Virtue.
00:14:34White and lechera. And if you rub it, it has cheese.
00:14:37That money is not for them.
00:14:39That money would go into a bank and it would be for Adolfito in the future.
00:14:43But if the child is with you, why do they want to keep that partner?
00:14:46Because if the child stops being with me ...
00:14:48What a galimatia!
00:14:50They want to cover a sum of money in case Adolfito has to be taken care of again.
00:14:53550 pesetas!
00:14:55That's for his maintenance, clothes, school supplies, medicine ...
00:15:00550 pesetas!
00:15:02We've heard you.
00:15:04That's why I told them that I partly understand them.
00:15:07Because it is true that when they took him in for the first time, Adolfito was in very bad shape.
00:15:13And they had to spend a lot of money to get him back.
00:15:18I think they want to cover it up in case it happens again in the future.
00:15:23If that happens again ...
00:15:27Again, we don't want anyone, Virtue.
00:15:30What did I ask for? So much money?
00:15:33So happily? Just for a slap in the face?
00:15:36As if it were twice as much, Candela.
00:15:38I have to get that money anyway.
00:15:41To be back with my son.
00:15:49I arrived just in time.
00:15:51LĆ³pez was out of his mind.
00:15:53And well, you already know my son Santos.
00:15:55He was going to return all the blows as hard as he could.
00:15:59But that was not the worst.
00:16:01No, because I have already separated Santos from a lot of people.
00:16:05And I'm afraid it won't be the last.
00:16:07So what was the worst?
00:16:10Vera.
00:16:12Her eyes.
00:16:14She was ...
00:16:17She was ...
00:16:19She was terrified. Her whole body was shaking.
00:16:22And I know it wasn't because of the fight.
00:16:25It was because of what my son could have done to her before.
00:16:28But did any of them confirm that your son was forcing her?
00:16:32LĆ³pez. LĆ³pez accused him.
00:16:34And he said that was the beginning of the rebellion.
00:16:37And of course, Santos denied it.
00:16:40Well, then logically, the last word is in Miss GonzƔlez's hands.
00:16:43She said they were doing things as a couple.
00:16:46And that Santos wanted to go one step further.
00:16:49But not to turn him around anymore because she refused because of the lack of decorum.
00:16:53Oh, then my friend, it's all said and done.
00:16:55I understand your jealousy, because Mr. Ruiz's accusation is very serious.
00:16:59Yes, I know.
00:17:00That's why I regret not having shared it with you before.
00:17:02But it's just that ...
00:17:04I was ashamed of my son's proceedings.
00:17:08It was completely inappropriate.
00:17:10Now we have to keep an eye on both of them so that this doesn't happen again.
00:17:13Of course.
00:17:14And I will talk to him.
00:17:15After all, much of the blame for this happening is mine.
00:17:18Why?
00:17:19Because if he's here, it's because I insisted.
00:17:21But that doesn't hold you responsible for anything.
00:17:24No, no, no.
00:17:25But you warned me, literally, against him and I stepped in.
00:17:28Yes, but you did it for his own good, just like you are doing now.
00:17:31No one could have foreseen this indecorous behavior towards Miss GonzƔlez.
00:17:34But his fame preceded him.
00:17:36And sadly well-earned.
00:17:37Because my son Santos is a picaflor.
00:17:39A vain Don Juan.
00:17:41Or a fool.
00:17:43What youth is this?
00:17:46From now on, we are going to take Vera's words.
00:17:49And in the meantime, be careful so that this doesn't happen again.
00:17:53Very well, I agree.
00:17:54But I ask you a favor.
00:17:56Let me talk to Santos.
00:17:57As you wish.
00:17:59I'm going to give you some advice, even if you didn't ask for it.
00:18:02It's more of a caress than a thousand blows to the side.
00:18:08Oh, really.
00:18:09Give me that.
00:18:12What bad luck, hey.
00:18:15Wait here a moment.
00:18:16I'm going to tell Lacayo to take you upstairs.
00:18:18No, it won't be necessary.
00:18:19It seems to me that I will be recovering the sensitivity of the foot.
00:18:23Thank goodness we were close to the palace, huh?
00:18:25Thank goodness?
00:18:27Sorry.
00:18:28It's true.
00:18:29The idea would have been that I hadn't bitten that wasp.
00:18:31It's just that more than a wasp, it was the whole hive, that.
00:18:34Well, it seems that the inflammation is already going down.
00:18:36Well, come on, come on.
00:18:37Let's go to your office.
00:18:38Is it true that I have such bad luck?
00:18:39Well, luck or fate, whatever you want to call it.
00:18:41Is it clear?
00:18:42That it's not on my side.
00:18:43Don't draw conclusions for a simple bite.
00:18:45It's the icing on the cake.
00:18:47What's right in my life?
00:18:49My son at war.
00:18:50Martina in the sanatorium.
00:18:52Catalina, more unbearable than ever, making me suffer.
00:18:55And Alonso, well, let's not talk about Alonso.
00:18:58Are you back?
00:18:59Yes.
00:19:00Yes.
00:19:01An interview made us come back in a hurry.
00:19:04You look good.
00:19:05Did Alonso warn you?
00:19:06Please.
00:19:07Just a bite of wasp.
00:19:08You don't have to take things out of your chest.
00:19:10Yes, but it was very painful.
00:19:11In that case, vinegar is the best for your poison.
00:19:14Another knowledge you acquired in the front, Captain.
00:19:17It relieves pain and helps prevent future infections.
00:19:20Well, we'll also put ice on it to lower the inflammation.
00:19:23Very good idea.
00:19:24I'm going to let them know.
00:19:27Where are you going?
00:19:29I'm going to let them know.
00:19:30Where are you going?
00:19:31To my alcove.
00:19:32I don't want to go without meaning anymore.
00:19:34Vinegar and ice?
00:19:35It's my ankle, not a gazpacho.
00:19:37And you don't have to come with me.
00:19:41Wait.
00:19:45How did you know he was in the hangar?
00:19:47Well, I didn't know.
00:19:48But I preferred to try my luck before setting foot in his palace again.
00:19:53I'm very sorry.
00:19:56It had to be very unpleasant for you.
00:20:00I was afraid you wouldn't want to see me again.
00:20:03Well, you see I don't.
00:20:06It had to seem like a cage to you.
00:20:08I shouldn't have invited you there.
00:20:11It's just my fault, forgive me.
00:20:13Catalina ...
00:20:15Miss, I have nothing to forgive you.
00:20:18And much less you have nothing to blame for.
00:20:22The one who proved we don't have Dale was her stepmother.
00:20:26That's a very fine way of saying it.
00:20:28That it was a total mess.
00:20:31Notice that I thought that people with titles were given a little ...
00:20:35education.
00:20:38You see that some lesson has already been skipped.
00:20:42Do you want?
00:20:43It's coffee, not tea.
00:20:45Yes.
00:20:48Well, some lesson, no.
00:20:49All of them.
00:20:51Now I understand how unfair it was with you telling him to return to the palace.
00:20:55I wouldn't last half a minute in that madhouse.
00:20:59Well, fortunately they are not all the same.
00:21:03As long as there is only one, I have enough.
00:21:06And me.
00:21:07You see how little it took me to return to my refuge.
00:21:12Miss,
00:21:13from the one I came here from, I remembered a story that happened to me with my father.
00:21:18That comes quite often.
00:21:21I hope my stepmother doesn't appear in that story.
00:21:23No.
00:21:26You see, it was in the town market.
00:21:28I was a child, I accompanied my father to sell fruit.
00:21:32And what surprised me about all that was that he knew everyone.
00:21:36Or that was what it seemed to me.
00:21:38He greeted everyone equally.
00:21:40No matter if it was the mayor, the priest or the most humble of the day laborers.
00:21:46NicolƔs Mendigo made distinctions.
00:21:48In fact, he gave him fruit to relieve his fatigue.
00:21:52Your father had a big heart.
00:21:58And when we were picking up the stall in the afternoon,
00:22:03I asked him how it was possible that he was a friend of everyone.
00:22:06And he told me that he didn't even know many of them.
00:22:09So?
00:22:11He said that we never know who we can have in front of us.
00:22:14And the difficulties that may be happening.
00:22:19A nice word can change their day for the better.
00:22:24A great advice.
00:22:25Yes.
00:22:27He said that respect is a matter of humanity.
00:22:30That we all deserve it.
00:22:35Maybe he asks you to repeat that story to my stepmother.
00:22:38It would be good for you to hear it.
00:22:40No.
00:22:41I thought you were keeping something precious from me.
00:22:44No.
00:22:48I can't stop thinking about what Cruz told us when he found us hugged.
00:22:56Miss.
00:22:58It's best if you forget that.
00:23:02That she affirms that we were doing something indecent.
00:23:07You and I just hugged each other.
00:23:10That I needed.
00:23:11I was heartbroken by my cousin's death.
00:23:14I know.
00:23:17And that you and I didn't do anything wrong.
00:23:20The only sinful thing in that room was the cursed imagination of your stepmother.
00:23:26You're absolutely right.
00:23:28It's best to forget it and that's it.
00:23:42How did you leave Cruz?
00:23:45Angry.
00:23:47He's still mad at that bitch.
00:23:50I'm telling you, he came to attack.
00:23:52Well, no.
00:23:53Don't even remind me.
00:23:54I insisted so much that I already looked stupid.
00:23:57I admire your work, MarĆa Antonia.
00:24:00Cruz is not an easy woman to deal with.
00:24:03Well, I do it with pleasure.
00:24:05Nobody forces me.
00:24:06That honors you even more.
00:24:08Although I see that it also has its cost.
00:24:10You look exhausted.
00:24:14Well, yes. A little tired, so I am, really.
00:24:17And correct me if I'm wrong, but that fatigue has not only to do with my dear sister-in-law, right?
00:24:24It may be.
00:24:25But hey, that's just my thing.
00:24:27I don't think anyone cares.
00:24:28I care.
00:24:31I'm worried about your well-being.
00:24:32Especially if that well-being is committed by someone like Alonso.
00:24:37Good try, Lorenzo.
00:24:38Good try.
00:24:39Yes, but you're wrong all the way.
00:24:42Really?
00:24:44I apologize, then.
00:24:46Although you understand my mistake.
00:24:48You've been like this since the night I kept Cruz busy so that you could solve your problems.
00:24:54You get on my nerves, Lorenzo.
00:24:57As you said, those issues only concern MarquƩs and me.
00:25:00I just wanted to show you my support.
00:25:04I'm going to ask for more water.
00:25:05I'm thirsty.
00:25:09Come on.
00:25:39Ana, you are the woman of my life.
00:25:42I thought we both knew that.
00:25:43Please, stop joking.
00:25:47Okay.
00:25:49What's wrong?
00:25:51I'm sorry, it's just that it's very important.
00:25:57Okay, then.
00:25:58I'd rather you tell me now because you're scaring me.
00:26:10I'm sorry.
00:26:36I'm sorry.
00:26:39Do you want to marry me?
00:27:04Listen to me.
00:27:06I promise you that I'll come back before you miss me.
00:27:13Don't promise me things you can't keep.
00:27:22Then I promise you that when I come back, we'll get married.
00:27:28We'll get married.
00:27:31Yes.
00:27:34And something tells me that we're going to be happy.
00:27:37Very happy.
00:27:40Like in the stories.
00:27:42No.
00:27:57Where are you, Manuela?
00:28:01Why don't you keep your promise and come back soon?
00:28:05Oh.
00:28:10What a scare I gave you.
00:28:17What were you thinking about your Manuel?
00:28:22You don't know how much I miss him, Maria.
00:28:27I miss him so much that it hurts.
00:28:35That's it, that's it.
00:28:38How old are you that you have to cry over these things?
00:28:42And not put up with them.
00:28:45I swear I'd be a tramp in that war if I had to see him again.
00:28:50Well, don't say you don't miss him. A war is a serious thing.
00:28:59I'd do anything, Maria.
00:29:01Anything to have him in my arms again.
00:29:06Well, but you know that for the moment that can't be.
00:29:11But you'll see how soon he'll receive another one of his letters.
00:29:15Well, I hope so.
00:29:17Because that means he's alive and that's all I want.
00:29:22That he's still alive and that he comes back soon, that's all.
00:29:25Of course, but while he waits, you can't come down.
00:29:28That's what I wouldn't want, Manuel.
00:29:31I know.
00:29:34But suddenly my worries come to life and they overflow.
00:29:39What other worries do you have apart from your lover?
00:29:43I swear.
00:29:49All I want is for them both to be alive, for them to come back safe and sound and that's it.
00:29:56Well, let's change the subject.
00:29:59Everyone knows that if you go to bed with sadness, you dream nightmares.
00:30:03And I don't want you to wake me up at midnight with a scream.
00:30:09Why did the Marquis require you?
00:30:12Because he had been bitten by a wasp.
00:30:14I heard that.
00:30:16But it seemed too much to me, the sting of such a small bug.
00:30:20So I must have gone to the mountains and come back with two or three of those stings.
00:30:23Well, it can be lethal.
00:30:25But not for the Marquis, right?
00:30:28Well, the truth is that no, because when I went they didn't have a wasp.
00:30:31That's why I say it's an exaggeration.
00:30:34Come on, I think he has so much poison in his body that a little more is not even noticeable.
00:30:54I have to admit that it is more comfortable than any of my dresses.
00:30:58When you return home you will miss it, you will see.
00:31:07Very good Martina, what a great joy to see you already with the uniform on.
00:31:11At first I needed a little push, but that's what friends are for.
00:31:15I was sure you two would get along.
00:31:17No one better than Juana to help you integrate here.
00:31:19I'm sorry, but I have no intention of integrating here.
00:31:22What I want is to talk to the doctor, I already told him.
00:31:25I know.
00:31:27It's been notified, don't worry.
00:31:29And he insisted that you take the pill first.
00:31:32The pill? What pill?
00:31:34I'm not sick, I don't need any pill.
00:31:37It's just a very soft sedative to flatten the nerves of the arrival.
00:31:41Because I'm not nervous here, what nerves?
00:31:43I also took it at the beginning.
00:31:45You'll see how it does you a lot of good.
00:31:47Take it.
00:31:51I told you to take it.
00:32:16You have to take it with me in front.
00:32:46Hey.
00:32:48What's wrong?
00:32:50Nothing, a puncture.
00:32:53Really, huh?
00:32:55Look, I'm not superstitious, but lately it seems to me that I have a black eye,
00:32:59or that they have cast an evil eye on me, or I don't know.
00:33:02Maybe you have your head elsewhere.
00:33:04Well, I'm the same.
00:33:06I've read the same page of this magazine three times.
00:33:09I haven't found out anything.
00:33:11That will be your fault.
00:33:12Cruz, let's not start.
00:33:14Well, you know what?
00:33:16I'm going to ask them to prepare the car for me.
00:33:19For what?
00:33:21You and I are going right now to see Martina at the sanatorium.
00:33:24No.
00:33:26That's not going to be possible.
00:33:28Why not?
00:33:30It's not that far.
00:33:32We come back before lunch, we just go, say hello and make sure she's okay.
00:33:36No, it can't be, Cruz.
00:33:38So please sit down.
00:33:39Why?
00:33:41Have I been forbidden to visit?
00:33:43Well ...
00:33:45Something like that.
00:33:47I see.
00:33:49These places all work the same.
00:33:51It was an express order from the doctor when we admitted her.
00:33:55No visits for the first three or four weeks.
00:33:58They did the same to me.
00:34:00Those morons.
00:34:02They are all cut off by the same boss.
00:34:04They just told us that you were sick.
00:34:06They are all cut off by the same boss.
00:34:08No, they just told us that the visits cause pain to both patients and families.
00:34:13Which also slows down the patient's adaptation process.
00:34:16And they told us that they do it so that the patients tell us what they are doing there.
00:34:20Always thinking about the best of everyone.
00:34:22And you still believe that that is little less than a spa.
00:34:25Well, Cruz, leave that there.
00:34:27Leave that there, please.
00:34:29If my daughter is there, it is for a reason of weight and you know it.
00:34:32Yes?
00:34:33For a blackmail that you have lent yourself.
00:34:35Without offering a minimum of resistance.
00:34:37No, there was simply no other option.
00:34:39Don't tell me that, Margarita.
00:34:41Tell your daughter when you go to see her in three or four weeks.
00:34:45You are being very unfair.
00:34:48The truth hurts, dear.
00:35:04Are you okay?
00:35:08Call a nurse.
00:35:10No, no, no, don't call anyone.
00:35:12It was ...
00:35:14It was the pill.
00:35:16It's going to happen to me right away, I'm sure.
00:35:18You are right.
00:35:20It's not the first time I've heard a colleague complain about that.
00:35:22Dizziness and nausea.
00:35:25That's it.
00:35:27That's it.
00:35:29That's it.
00:35:31That's it.
00:35:33At least it was a little.
00:35:35Or so they say.
00:35:38I shouldn't have taken the pill.
00:35:40You did what you had to do.
00:35:42If you go by the rules, it's worse, believe me.
00:35:47What do you mean?
00:35:50The doctors and nurses are in charge here.
00:35:52You and I can tell Misa that they don't care.
00:35:55Yeah, and what happens if you refuse?
00:35:57Hey.
00:35:59Why don't we take a walk?
00:36:02Fresh air will help you get over dizzy.
00:36:07No, no, no.
00:36:09I don't know if I'm going to feel good doing this.
00:36:14Anyway,
00:36:17we can go outside.
00:36:19Of course, woman.
00:36:21Do you think this is a prison?
00:36:23Besides, I have to introduce you to the people.
00:36:25Most of them are very nice.
00:36:27Most of them?
00:36:29Of course.
00:36:31You don't intend to please everyone, do you?
00:36:33Let's go.
00:36:36Wait, I can't walk.
00:36:44I think I need five minutes.
00:36:48No problem.
00:36:50The gardens won't move from their place.
00:36:53Neither will the lanterns.
00:37:08It's just that...
00:37:10it's 550 pesetas.
00:37:12Don't say that again.
00:37:14It's like they give you money every time you talk like a chicken.
00:37:17Well, I hope so.
00:37:19I'd give it to Virgen if I were her.
00:37:20Because I'd give it to her as a gift
00:37:23so your in-laws wouldn't be mad at her.
00:37:25The truth is, it's a lot, girl.
00:37:28A lot? It's money.
00:37:30Those people think your daughter is a money-grubber.
00:37:32I'd give my daughter all my savings.
00:37:35She can't even start with that.
00:37:37I'd help her as much as I could.
00:37:39Although, I don't know about you, Simona,
00:37:42but I think that...
00:37:44How do you say it?
00:37:46Economic solvency.
00:37:48That's it. That's what I'm looking for.
00:37:50These two are well-off,
00:37:52and all they want is money,
00:37:54from your daughter's desire to get her child back.
00:37:57No, I don't think so.
00:37:59Because until today, those people have taken care of the child
00:38:01without asking for a single peseta in return.
00:38:03Don't you think that's exactly what they want?
00:38:05That Virtudes can't pay for it?
00:38:07Because that way, they'll keep the child,
00:38:09and then glory.
00:38:11Don't you think that's a bit too much?
00:38:13Then why are they asking for so much money?
00:38:15I know that my Virtudes won't give up
00:38:18until they get the last peseta.
00:38:20I don't know where they'll get it from.
00:38:22From their salary?
00:38:24Because with how little they give us here,
00:38:26when your daughter saves it,
00:38:28your grandson will have a grandson.
00:38:30It's not fair that my Adolfito
00:38:32grows up far from his mother.
00:38:34I'm telling you, that's exactly what your in-laws want.
00:38:37No, Candela, I don't think so.
00:38:39The times I've been there,
00:38:41you can see that they're good people,
00:38:43and they've treated me very well.
00:38:45And you can tell that they don't care about the child.
00:38:47I don't think it's a bad intention.
00:38:48I don't think it's a bad intention
00:38:50to end up in Pedro Botero's hands.
00:38:52I just hope that my Virtudes
00:38:54find a way to get that money.
00:38:57But it's 550 pesetas.
00:38:59Candela, please, don't repeat the amount!
00:39:18But don't you see that you're leaving a lot of wrinkles?
00:39:21You have to iron the garment well
00:39:23before putting the iron on top.
00:39:30Now I'll send someone to give you a hand.
00:39:34Thank you very much.
00:39:36By the way, Hanna,
00:39:38have you heard anything about what's being said in town?
00:39:42I don't know what you mean.
00:39:44Well, I was there yesterday afternoon
00:39:46and I was surprised that not one,
00:39:48but several of my acquaintances
00:39:50asked me about Pia.
00:39:52Because...
00:39:54people have been saying that Pia is dead.
00:39:57Did you know anything?
00:40:00Well, no. I don't know what you're talking about.
00:40:02Come on, Hanna.
00:40:04You're a very smart person
00:40:06and you always know everything.
00:40:08So, come on.
00:40:10Tell me who's gone too far.
00:40:12I don't know.
00:40:13And anyway,
00:40:15I don't think it's such a strange rumor.
00:40:17It's what happened.
00:40:19And what does that mean?
00:40:21That Mr. Marquez has already given the order
00:40:23to spread the news about Pia's death?
00:40:25Once again, you ask me a question I can't answer.
00:40:27Maybe Mr. Baeza can help you.
00:40:29Well, yes.
00:40:31I'll have to talk to him.
00:40:33Because if the situation gets out of hand,
00:40:35it would be terrible for the honor of the family.
00:40:38Indeed, it can't be.
00:40:40We should avoid it, yes.
00:40:41What if they heard that Pia has died here in the palace?
00:40:44That she has taken her own life.
00:40:46Mrs. Petra, that's a lot of budget.
00:40:48And besides, Mr. Marquez did want to know
00:40:51that she had died in his town.
00:40:53Yes.
00:40:55But rumors can't be controlled.
00:40:57You know where they take us.
00:41:00I knew that such a hasty way of acting
00:41:02was going to bring us problems.
00:41:04What do you mean by hasty?
00:41:06That way of taking the body from here
00:41:08and to that burial.
00:41:09And to that burial.
00:41:12Well, I think that in this case,
00:41:14the urgency went hand in hand with discretion.
00:41:16Well, it's obvious that it wasn't enough.
00:41:19Because what she did was to sow doubts in people.
00:41:23Because whoever acts hastily at night
00:41:26has something to hide.
00:41:28Juana,
00:41:30there were other reasons to act with that diligence.
00:41:33What other reasons could there be?
00:41:35Mr. Baeza, do you have a moment?
00:41:40Viviana.
00:41:42Vera, Mrs. Petra had a doubt
00:41:44and she hasn't been able to resolve it.
00:41:47It's just that rumors are starting to spread
00:41:50about the town that I saw die.
00:41:53And we were wondering
00:41:55if Mr. Marquez had given the order
00:41:57to tell the truth.
00:41:59I understand.
00:42:00Miss ExpĆ³sito,
00:42:02you can finish your homework.
00:42:04Mrs. Arcos,
00:42:06if you don't mind,
00:42:08come with me to the office.
00:42:10There is something you should know.
00:42:31What do you think?
00:42:33It's wonderful!
00:42:39I've spent so much time here
00:42:41that I can tell the caterpillars from each other.
00:42:43I'll have to give them names.
00:42:47Good morning, Mrs. Maite!
00:42:54Poor Maitecita.
00:42:57They say that when she was young
00:42:58she was more beautiful than the Argentinita
00:43:00and that's why she pretended to be a duke
00:43:02very close to the king.
00:43:04But he left her planted on the altar
00:43:06and she totally lost her mind.
00:43:10Martina, you haven't said a word
00:43:12throughout the walk.
00:43:14I was listening to you.
00:43:16Yeah.
00:43:18You don't know
00:43:20because it's a secret that only crazy people know.
00:43:22What?
00:43:24What do you mean?
00:43:26It's about
00:43:28the...
00:43:31Let's read minds, Martina.
00:43:35Oh.
00:43:37For example, right now you're thinking
00:43:39what the hell are you doing in this place
00:43:41if you're completely naked.
00:43:45It's a joke.
00:43:50Come on.
00:43:52Do you know why they put us together in the room?
00:43:55Because we're healthy.
00:43:57That you and I are in this sanatorium
00:43:59has nothing to do with our heads
00:44:01but with our families.
00:44:03I was wrong.
00:44:07Why did they lock you up here?
00:44:12To fall in love with the wrong person.
00:44:14My father never accepted it.
00:44:16He wanted to marry me to a despicable man
00:44:18because I had money.
00:44:20I tried to escape with my lover but they caught us.
00:44:22And yet that man didn't want to marry me anymore.
00:44:24So to ruin his business,
00:44:26my father put me in this place.
00:44:28And are they going to lock you up here forever?
00:44:31No.
00:44:33No, no, no. Of course not.
00:44:35I wouldn't allow it.
00:44:37I guess they'll punish me
00:44:39when I marry someone else
00:44:41or when I leave town.
00:44:43That's how my father makes sure
00:44:45he learns his lesson.
00:44:47How sad.
00:44:49And you?
00:44:51How did you end up in this sanatorium?
00:44:52It's a long story.
00:44:54You don't have to tell me.
00:44:56But what's your story?
00:44:59Come on, don't be shy.
00:45:07We met when we were kids
00:45:11but we never thought about anything romantic.
00:45:16Is he poor?
00:45:18No, he's not poor but he's from my family.
00:45:20He's my cousin.
00:45:22Well, he's not my blood cousin.
00:45:24I understand.
00:45:28One day we realized
00:45:30that we were madly in love with each other
00:45:33but the situation in the family was complicated
00:45:36so we had to hide it.
00:45:38A clandestine relationship?
00:45:40How nice.
00:45:43Those were the happiest months of my life.
00:45:49What happened then?
00:45:53My father died.
00:45:56I'm sorry.
00:45:58Thank you.
00:46:00It was hard for me to accept his death
00:46:02and it's still hard for me.
00:46:04I made the mistake of blaming him.
00:46:08Now I'd rather apologize
00:46:11and admit I was wrong.
00:46:13What's stopping you?
00:46:17He went far away
00:46:19and all I knew about him
00:46:20was the letters my uncles sent me.
00:46:22But I don't even have that consolation here.
00:46:25Let's stop talking about this
00:46:27because I start crying like an idiot.
00:46:36Letters.
00:46:48What's going on?
00:46:50You didn't like them?
00:46:52Yes, I have a headache.
00:46:54Thinking about your cousin, right?
00:46:56I feel like I've failed.
00:46:59I haven't done enough
00:47:01to keep her locked up in that sanatorium.
00:47:04Ma'am, it wasn't your decision to lock her up.
00:47:07You don't have to carry that guilt on your shoulders.
00:47:10But I promised her I'd find out the truth
00:47:12and I have nothing.
00:47:14There's still time.
00:47:16We still have time.
00:47:17What I had in my hand...
00:47:19Actually, there's one thing you could do for me.
00:47:23Well, you know what I need.
00:47:26Tadeo and I came to the conclusion
00:47:28that Zicuta had to leave the pharmacy.
00:47:30So I told him to try to buy a bottle
00:47:33but I haven't seen him again.
00:47:35Ma'am, I don't want to discourage you,
00:47:37but Tadeo hasn't been able to get anything.
00:47:40What?
00:47:43The pharmacist has refused to sell him anything.
00:47:46But he told me that man would give him anything in exchange for money.
00:47:50Yes, but not Zicuta.
00:47:53Tadeo thinks that rumors might have reached the pharmacy's ears
00:47:58about his cousin Martina and Conde Ayala.
00:48:00That's why he might be on the lookout.
00:48:02Well, then we'll have to insist.
00:48:05Tadeo is already trying.
00:48:07That's why I haven't told him anything yet.
00:48:10Well, I was going to ask you to talk to him
00:48:13to try to help him.
00:48:15But I'm afraid it wouldn't do us any good, ma'am.
00:48:17Ma'am.
00:48:44What are you writing?
00:48:46Nothing.
00:48:48MarĆa, don't come to me again with that nonsense
00:48:51that these are your homework.
00:48:53It's exactly what it is, Hanna.
00:48:55My homework.
00:48:58And I mean it.
00:49:00MarĆa, do you really think I was born yesterday?
00:49:03I know you're writing in secret
00:49:05and also at night when you think I'm asleep.
00:49:08You're not asleep?
00:49:10Well, you see I'm not.
00:49:12So tell me. Is it a diary or what?
00:49:13No, Hanna, these are my things, only mine.
00:49:16So don't insist anymore.
00:49:18Curiosity killed a cat.
00:49:20Yes, two cats.
00:49:22I don't know why you're trying to hide it from me.
00:49:24In the end, I'm going to end up thinking
00:49:26that you're writing something bad about me.
00:49:28Because I'm ashamed.
00:49:30But how are you going to be ashamed, MarĆa?
00:49:32Yes, so don't insist anymore.
00:49:34Let's see, all I want is for you to tell me
00:49:36that you're writing...
00:49:37But I don't want to tell you, Hanna.
00:49:39I want to know what's wrong with you two.
00:49:41Nothing, so leave me alone.
00:49:43MarĆa, what are you writing about?
00:49:46Oh, you know?
00:49:48Yes, she knows.
00:49:50And she's not going to tell you anything
00:49:52because they're my things.
00:49:54But what's wrong with her?
00:49:56That's what I want to know.
00:49:58In the end, I'm going to be the worst, MarĆa.
00:50:00Well, don't get involved.
00:50:02MarĆa, she doesn't want to know
00:50:04because she's your friend.
00:50:06Exactly.
00:50:08Well, look...
00:50:10Don't even think about it.
00:50:12It's a love story book.
00:50:17Yes, they're love stories.
00:50:19And don't even think about laughing
00:50:21that I'm looking at you, Hanna.
00:50:23Why would I do that, MarĆa?
00:50:25I think it's a great idea.
00:50:27You think so?
00:50:29Of course, who better than you to write something
00:50:31so you have a gift for the word?
00:50:33Nice way of telling me
00:50:35that I didn't fall for it, huh?
00:50:37I'm serious.
00:50:39Why don't you read us something?
00:50:42No, no, no.
00:50:44No.
00:50:46What do you mean, no?
00:50:48No.
00:50:50Are you sure you wrote it for someone to read?
00:50:52Okay, fine.
00:50:54I'll let you read it,
00:50:56but when I finish it.
00:50:58And not before.
00:51:00And I have to think about it
00:51:02because I'm not sure.
00:51:04I'll decide later.
00:51:12Won't you have the last one?
00:51:22So, have you finished planting the plots?
00:51:25Yes,
00:51:27but it hasn't been easy.
00:51:29Why?
00:51:31Did you need more seeds
00:51:33or did you have problems with the plowing?
00:51:35No, we've had problems
00:51:37with a scarecrow.
00:51:38Do you know Gerardo?
00:51:40Yes, from when he worked with your father.
00:51:42Does he know his motto?
00:51:44No.
00:51:45No?
00:51:47They call him the Pocamecha.
00:51:49He's got a genius of a thousand demons.
00:51:51I can imagine it perfectly.
00:51:53And that he took it with the scarecrow?
00:51:55No, no.
00:51:57On the contrary, the scarecrows scare him.
00:51:59He says they're evil.
00:52:01Don't take it seriously.
00:52:03Can you imagine how angry the Macones are?
00:52:05Poor scarecrow.
00:52:06Poor Pocamecha.
00:52:08But I came up with an idea
00:52:10that seems to have worked.
00:52:14What?
00:52:16Covering his eyes to go to the field?
00:52:18Can you imagine?
00:52:20What I did was
00:52:22I took my father's old clothes
00:52:24and I put on the scarecrow.
00:52:26Gerardo respected it a lot.
00:52:28I told him it was a tribute.
00:52:30A strange tribute.
00:52:32Anyway,
00:52:34the man calmed down
00:52:36and now he has lunch
00:52:38with the scarecrow.
00:52:40He tells him about his life
00:52:42and you call it that?
00:52:44You're making all this up.
00:52:46No, I swear I'm not.
00:52:54What's wrong?
00:52:56Do I have a spot?
00:52:58My beard?
00:53:00No, no.
00:53:02I wasn't thinking about how good
00:53:04your job is.
00:53:06Well, it's too soon to say, right?
00:53:09You don't just have to know the field well,
00:53:12you have to know the people who have worked with you.
00:53:15And what you've done for that man is important.
00:53:18You've helped him overcome his fears.
00:53:21You know how silly you are.
00:53:24And that speaks better of you.
00:53:27You don't even care when you help someone.
00:53:31Like you did with me.
00:53:37Come here.
00:53:45I think it's time
00:53:47I gave you back your scapular.
00:53:54Give it to me.
00:54:06Give it to me.
00:54:37Vera, how are you?
00:54:39We haven't seen each other all day.
00:54:43I'm fine.
00:54:45And you?
00:54:47Fine, fine.
00:54:49I'm out of breath, but like everyone else, I guess.
00:54:51How are you?
00:54:53Very busy?
00:54:55I'm also out of breath.
00:54:57Good.
00:54:59With Mrs. Petra,
00:55:01she doesn't even have time to rest.
00:55:03Yes.
00:55:07Good night, Lope.
00:55:09Good night.
00:55:11Wait a minute.
00:55:19Is something wrong?
00:55:21I mean, is something wrong with me?
00:55:23Because you've been avoiding me all day and you've been doing it since yesterday.
00:55:28Did I do something that made you angry?
00:55:30No.
00:55:32Of course not.
00:55:33You haven't done anything, Lope.
00:55:35Vera, you don't have to go through this alone.
00:55:39Lope, please.
00:55:40I'm serious.
00:55:42Vera, if something happens to you, I'll never forgive myself.
00:55:45Never.
00:55:48Lope, it's really nothing.
00:55:50Everything is fine.
00:55:51Vera, for God's sake.
00:55:52I wasn't born yesterday
00:55:54and your face doesn't say that everything is fine.
00:55:56Maybe saying that it's a boyfriend thing works for you with Mr. Ricardo,
00:55:59but not with me.
00:56:04Listen to me.
00:56:06Look at me.
00:56:08I don't want to put you in an uncomfortable position,
00:56:10but it's killing me to see you like this.
00:56:13Lope, this is not a matter of...
00:56:14Yes, yes, it is, Vera.
00:56:16Of course it is.
00:56:18I'm no one to tell you who you have to be with,
00:56:20but I need you to open your eyes.
00:56:23Because you're playing with fire and you're burning.
00:56:25Lope, you don't understand.
00:56:26No, I don't understand.
00:56:27Vera, of course I don't understand.
00:56:29That's why I need you to explain it to me.
00:56:31Please.
00:56:34Please tell me.
00:57:04Please.
00:57:34Please.
00:58:05Yes.
00:58:07Although I'm still surprised that you asked me to come here.
00:58:11At this time, it's the quietest place to talk discreetly.
00:58:15I hope so.
00:58:17I don't want to meet anyone
00:58:19and I doubt anyone wants to meet me.
00:58:23What do you want, Mrs. Alcos?
00:58:27I have information that will surely be of great interest to you,
00:58:31Mr. Gregorio.
00:58:34What?
00:58:40The in-laws of my daughter have asked my virtues
00:58:42that they have to give them 550 pesetas
00:58:45to return to their son.
00:58:46But that's the money the in-laws have asked for.
00:58:48Won't the virtue of so much money like that
00:58:50please her maid?
00:58:52Well, I think I could get it in a few weeks.
00:58:55I don't want you to go around saying that
00:58:58absurd theory of yours that I poisoned myself.
00:59:04I've made her more and more stubborn.
00:59:06You do all this just to annoy me?
00:59:09And I assure you that I just started, Ignacio.
00:59:11What about Maria Antonia?
00:59:13I was hoping you would tell me.
00:59:15I haven't seen her in days.
00:59:16And why do I have to know what's wrong with her?
00:59:19Because I haven't seen her since the day I found you
00:59:22arguing in the greenhouse.
00:59:24Thank you very much.
00:59:25You don't know how good this is for me.
00:59:27To write that saga you want so much.
00:59:28If I already knew it.
00:59:29That right now I get into it.
00:59:30But how did you get it?
00:59:31I got it.
00:59:32I can get almost anything I want in here.
00:59:34Your daughter is locked up in a asylum.
00:59:36And you're not doing anything to get her out of there.
00:59:38What can I do?
00:59:39I don't know, I don't know.
00:59:40But something, something.
00:59:41I don't know how Mrs. Darre will be,
00:59:43but I haven't seen her in days.
00:59:45But the last time she got a lot of water and food, right?
00:59:48Well, yes, but I've been doing calculations and ...
00:59:52It may not be enough.
00:59:55If it's not the finish line, of course.
01:00:01I don't know.