Devuelveme La Vida - Capitulo 50
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00:42Okay.
00:45Wow.
00:46We're running out of time to deliver it to the press.
00:48And I need someone to tell me if it's ready to be published.
00:51Did you write this?
00:52Yes, yes, you and me.
00:54Although most of it is mine.
00:56You're messing with dangerous people, daughter.
00:59I know, Dad.
01:00But that's our bet for the magazine.
01:03No, it's well written.
01:06I love it.
01:07The problem is your security when this is published.
01:11It's already decided, Dad.
01:14I swore to you that journalism is my vocation.
01:17Are you thinking of not sponsoring us?
01:19Because we have that money to print it, Dad.
01:23I'm really aware of that and the promise I made you
01:26regarding the money.
01:28The problem is that right now, daughter,
01:30the economy in the hacienda is quite regular.
01:35Is it because of the scam?
01:38What scam?
01:39You don't have to lie to me, Dad.
01:41Tino told me he was helping you find the swindler.
01:43I helped him locate Anselmo Rios myself.
01:46Anselmo Rios?
01:47Yes.
01:48Isn't he the man you're looking for?
01:50What I would like to know, Tino,
01:51is why he was in the hacienda yesterday
01:53and didn't look for me to talk about the investigation.
01:55I don't have much to tell you anyway.
01:57I haven't been able to locate Anselmo.
01:59What is it?
02:00A letter from Anselmo.
02:02A few days ago he sent you a message with a distant aunt.
02:05This morning I went to look for the lady and she gave me that.
02:43Let's go.
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04:08Dionisio.
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04:26I need you to tell me everything you know
04:28about what Anselmo Rios said.
04:30What's going on, Dad?
04:31I can't tell you right now.
04:32Tell me, please.
04:33No, I don't know much because it was Tino who spoke to him.
04:36Do you remember where you found him?
04:41Yes, yes, I know how to get there.
04:43Although the house is not his, so I don't know if he's still there.
04:48Hello?
04:49Hello.
04:50Yes, yes, yes, here it is.
04:51It's Joey.
04:53What happened?
04:54Imagine that I found the guy who is working for Benitez in La Victoria.
04:58Who is it?
04:59Dionisio.
05:00I know him, he's in an abandoned building
05:02and he may also be in Benitez.
05:04Are you sure?
05:05No, I'm not sure, but from what I saw, it's most likely.
05:09Okay, give me the indications and don't do anything until I get there.
05:13A piece of paper to write down.
05:17Okay.
05:18I'm with your dad so he knows.
05:20Take him to the hacienda.
05:21I don't want to see him there when I get there.
05:23Okay.
05:25Okay.
05:26What happened, Dad?
05:27We'll talk later.
05:28Let's go.
05:33Carla, your proposal is very complete.
05:36So, what does that mean?
05:39That you have proven to be a brilliant person for business.
05:43We need you more than ever.
05:45If you propose to make radical changes in the haciendas, I will support you.
05:49I am willing to fight and work to get these lands done.
05:54You have everything very clear.
05:56Okay, Mariana.
05:57So, let's get to work.
06:00Cheers.
06:02Cheers.
06:04Thank you.
06:06This land has been ours for 100 years when my ancestors arrived.
06:11And since then, we have been taking care of it
06:14to support each other.
06:17The truth is that it is a very imposing hacienda.
06:19And it has been fertilized with the blood and courage of the Azcarates.
06:26I would give my life for this hacienda.
06:30And also for my daughter, for Sarita.
06:35Sara is the most important thing in my life right now.
06:38And since I met her, I have only wanted to make her happy.
06:41Believe me when I tell you that my intentions with her are serious.
06:44The girl has a big heart.
06:46But the heart is treacherous.
06:48And it makes us make bad decisions.
06:51Look, I know you must think that I have absolutely nothing to offer you,
06:55that I am an artist, a little bohemian.
06:58But the truth is that I can tell you a little more about my family.
07:01Oh, no need, no need.
07:03I know who your brothers-in-law are.
07:06I know who you are.
07:08I already told you.
07:09Everything that has to do with my granddaughter interests me.
07:13Women and the land are taken care of.
07:16Yes, you are absolutely right.
07:20That's why I ask you, please, convince her to return to Cali.
07:25To carry out that project.
07:27You have all my support.
07:29But I thought you wanted to keep her much closer to you.
07:32No, no, no, no. Things are not safe here.
07:35When everything is calm, she can return.
07:37For now, let's work on that together.
07:40Like the family that we are.
07:50Let's go.
08:03The place is guarded by several armed men.
08:06What about Benitez?
08:08Nothing.
08:10But there's Bonche, who was the one who helped him leave the clinic.
08:13But that doesn't mean he's alone.
08:15He's with someone else.
08:17And if he doesn't show up at any time,
08:20we'll find him.
08:41Was that him?
08:42Yes.
08:44But we're going to pay him for what he did to Berenice.
08:47They're not going to save anyone.
08:56We have to call the police.
08:59If we call the police, we'll lose these people, Joaquin.
09:08Listen carefully, Dionisio.
09:11Take this money to Victoria.
09:13And pay the few employees who are left so they can leave.
09:17I want Victoria bankrupt, without labor.
09:20I want them to disappear.
09:22Is that clear?
09:23Yes, sir.
09:36What do you mean Joaquin is looking for Rogelio?
09:39Does he know where he is?
09:40Yes.
09:41We were following him and we found a clue to the place where he might be hiding.
09:47And did he go alone?
09:49No, no. Joey is accompanying him.
09:51Did they both go alone to face him?
09:53They know what they're doing.
09:55Brazilians don't know what they're doing.
09:57No one can be okay while Rogelio is out there.
10:10I don't know.
10:21Freeze!
10:30Caliche, go see what's going on.
10:31Yes, sir.
10:33Mr. Rogelio is going to be very pleased
10:35because they're going to prevent him from having to go kill them.
10:37He should be the one who has the minutes left.
10:41Oh, Joey.
10:43Drop your weapons and get out.
10:44Don't get killed.
10:46It's very stupid to sacrifice your life for a guy who's going to kill you
10:49as soon as you realize you're in danger.
10:51What did you think? That we were coming alone?
10:53The police are already surrounding them.
11:08Are you okay?
11:09I'm fine, I'm fine.
11:10Where did the shot go?
11:11Get out, get out!
11:14Sir.
11:17We have to go. Joaquin found us.
11:19Help me pick this up.
11:20There's no time, sir.
11:21Get out, you idiot!
11:24I'm taking this.
11:26I'm going too.
11:29Son of a bitch.
11:38Son of a bitch.
11:47Son of a bitch!
11:54Take your weapons and get out!
12:03Benitez! Stop!
12:07Stop!
12:27Stop!
12:28Don't turn it off, don't turn it off!
12:30Get out, get out!
12:34Benitez!
12:35Stop or I'll shoot!
12:46Aren't you going to ask me about the kids?
12:49Why?
12:52If you knew something,
12:54if you knew where my son was, I would have found out, right?
12:59That's true.
13:01There's no news yet,
13:02but my brother and Maria are doing everything they can to find them.
13:06I also did everything I could.
13:13Primitiva, I know you wanted to close that door,
13:16but life goes on.
13:18Sometimes life doesn't go on.
13:20Sometimes it's us who don't have the courage to accept tragedy.
13:24No, don't say that.
13:25I know you feel alone,
13:27but I'm with you.
13:29Everyone deserves to know the truth,
13:31and you can't decide that.
13:33It also hurts me to think that I have a missing nephew.
13:38Josefina, I've lost hope.
13:40No, that's a lie. You haven't lost anything.
13:43If you had lost him, he would have left or gone back home.
13:47Right now, there are two women
13:49who can know the truth about their children who were lost 20 years ago.
13:53They have every right to know the truth.
13:56Why?
13:58You just said it yourself.
14:00We're a family. Why destroy it?
14:02Because the truth comes out sooner or later,
14:05and it's much better if you're the one who communicates it.
14:08But if it's here, it's for a reason.
14:10Maybe it's stubborn and stupid.
14:11No, no, no.
14:12Yes.
14:14There's no blind man who doesn't want to see.
14:16I'm tired.
14:18I'm tired of myself.
14:21That's why I made a promise to my God
14:26that if in three days
14:28I don't know anything,
14:30there's no news of anything,
14:32I...
14:35I'm leaving.
14:37You're so primitive.
14:39Yes, that's right.
14:41If in three days
14:43you don't know anything,
14:46I'm going to my house.
14:49So,
14:51get ready
14:53because this could be the beginning of our farewell.
14:58Okay.
15:05If you need anything, let me know.
15:08Thank you, Grandpa.
15:10And you, Ofe,
15:12be happy as long as you can,
15:14but don't let Grandpa drive you crazy.
15:16Oh, oh, oh, oh.
15:18Oh, my love, if only I could
15:20prevent him from driving me crazy.
15:22Be careful with my granddaughter.
15:24She's my most precious treasure.
15:33And don't forget the way.
15:36Rafael.
15:37Sir.
15:38Take good care of her.
15:39Yes, sir.
15:40But we'll be close,
15:41because we came to visit.
15:42Don't forget what we talked about.
15:43Yes, sir.
15:46Don't worry, sir.
15:48I'll take good care of her.
15:49Rafael.
15:50Don't worry.
15:51I'll take good care of her.
15:52Rafael.
15:53Don't worry.
15:54I'll take good care of her.
15:58A car.
15:59What happened?
16:01What happened?
16:02What?
16:03What happened?
16:04Let's go to mine.
16:05Let's go to mine.
16:09Joey.
16:11Joey, what happened?
16:13I'm going to take him to a hospital.
16:14I'll be right back.
16:17Does it hurt a lot?
16:18No.
16:19Since I saw her, the pain is gone.
16:21Shut up or you'll bleed.
16:24Hey, hey.
16:25What happened?
16:26They shot him.
16:29And they shot Joey in the leg.
16:31The Brazilian told me that they found Rogelio.
16:33Yes, that bastard has always been here.
16:36We have him close.
16:37He has never left.
16:38But where is he?
16:39I don't know.
16:40I think I hurt him.
16:41But he managed to escape.
16:44And what is this?
16:46Your father's.
16:51Don Alfredo.
16:54This is yours.
16:57A part of the money they had stolen from you.
17:01Thank you very much.
17:04Thank you.
17:05But I think it's best if you go to Cali with Sara.
17:08My car is in the garage.
17:09Let's go.
17:12Help us, please.
17:16Then let me help you.
17:19Let's go.
17:26Son.
17:28Tino, can you take me for a moment?
17:31Sure. What do you need?
17:34It's just that...
17:36I think I put too many things in it and now it doesn't close.
17:40Well, let's see.
17:46Well.
17:49It's my fault for forcing things too much.
17:53Like life.
17:54You can't put more than what fits.
17:59Why do you want to leave?
18:01Because it's time.
18:03I have nothing left to do here.
18:06I came for a few days and I've been away from home for more than six months.
18:10And why now?
18:12Because I'm going to be better there.
18:13Coming here alone broke my memories.
18:16I stayed because...
18:18I thought I could get back what I lost.
18:21But it seems that life doesn't want to give me that pleasure.
18:24Well, maybe...
18:26Someday.
18:27No.
18:29I'm not going to stay what's left of my life here.
18:32Chasing ghosts.
18:35And dreaming of what can't be.
18:37Maybe God never wanted me to be a mother.
18:40I don't think it's God's doing.
18:42And if it's the devil's doing, it's worse.
18:45Because who can go against that?
18:47Anyway, whether it's one or the other.
18:52Life wanted to punish me by taking my son away from me.
18:56And I have to accept that...
18:58I'm going to leave this world.
19:01And I'll never see it again.
19:10Sorry.
19:13Don't worry.
19:16As I told you.
19:18I've lost more important things.
19:21I promise I'll fix it.
19:35God.
19:42Miss, can you give me a heads up about the patient?
19:45No one has told me anything.
19:47We have to wait for the doctor.
19:49Please tell me something.
19:56What have they told you about Joel?
19:58No, nothing at all.
20:00Honey, what happened?
20:02Why did you come alone?
20:04You left us all there waiting.
20:06Sorry, sorry. I didn't think.
20:08Well, I'm going to find out how he is.
20:10Thank you, Joaquin.
20:12I shouldn't have left like that.
20:14No, you shouldn't have.
20:16Yes, but I saw him. Very serious.
20:18You didn't see him.
20:20Tell me something.
20:22Does he still matter to you?
20:24He's my friend.
20:26Well, as far as I knew,
20:28you didn't have any kind of relationship, right?
20:30I mean, I don't understand how you can have a friendship
20:33with someone who made you suffer so much.
20:35Rafael.
20:37We don't have any kind of relationship.
20:39But it's normal for people to care, right?
20:42I couldn't leave him there bleeding,
20:44not knowing how he was.
20:46Well, there were a lot of people out there too.
20:48You didn't have to take care of yourself.
20:50No, but I didn't think, as I told you.
20:52I didn't think. Sorry.
20:54Besides, the guy is a criminal.
20:56He doesn't look like a bad guy.
20:58Rafael, Rafael.
21:00Rafael, it's not like you don't know what you're saying.
21:02Well, then, if you don't know, explain it to me.
21:04Good news.
21:06Joel is conscious. He is healthy and safe.
21:08They took some points from him, but he will be fine.
21:10He wants to see you.
21:12Come with me.
21:22They are friends.
21:25Friends.
21:33Definitely, bad herbs never die, right?
21:37Fortunately.
21:42Thank you for coming with me.
21:47I wanted to ask you a question.
21:49Just to know.
21:51What did you do, Armando?
21:54That wasn't mine.
21:56I borrowed it to protect myself.
22:02The truth is that I don't understand your fixation
22:05with always being close to the limit,
22:07always on the verge of danger.
22:09I don't understand.
22:10But believe me when I tell you that I know how to take care of myself.
22:15Three points says otherwise, don't you think?
22:18What is this?
22:20Well, I wanted to ask you another question too.
22:24You went to look for my dad.
22:29I'm looking for the one who has to do with the death of Berenice.
22:35So you think my dad had something to do with that?
22:41So if you found him, what?
22:44Were you going to shoot him?
22:46Joey.
22:48Joey, look at me.
22:53Are you capable of killing my dad?
22:57Sara, I know it hurts.
23:00But your dad is a fugitive from justice.
23:03And that's why you don't have to worry
23:05because he won't hurt us again.
23:06Yes, I heard it.
23:08He's here.
23:10What do you mean you heard it?
23:12Where?
23:15Joey, where?
23:17I'm not going to tell you.
23:20Are you serious?
23:22You think?
23:25Tell me.
23:27Sorry.
23:29I'm going to take the patient.
23:31Take him wherever he needs to go.
23:33I'm going.
23:38Let's move a little.
23:40We're leaving right now.
23:42Are you sure?
23:44Yes, I'm sure.
23:46Joey is fine as usual and I don't care what happens to him.
23:48Let's go.
23:52Yes, I assure you that this week we will have the specimen ready.
23:55I myself took the articles to the printing house.
23:56We're not going to fail him.
23:58Yes, yes, Tino checked everything, of course.
24:01Tino, wait a second, please.
24:04As soon as I have the specimen ready, I'll send it to you, okay?
24:07See you later.
24:11Tino.
24:12Lucy, not right now.
24:14Now yes.
24:16Or when are you going to assume your responsibilities
24:18as editor-in-chief of the magazine?
24:20When I finish a couple of pending cases I have.
24:22Tino.
24:23I got money.
24:25Sponsors are waiting for us.
24:27Well, let them keep waiting.
24:29Setting up a magazine is not easy.
24:31Especially not at the printing stage.
24:33It takes time.
24:35The magazine has already been printed.
24:38What do you mean?
24:40Yes, we had a commitment.
24:42We couldn't go wrong.
24:44And why did you do it without my authorization?
24:46I'm sorry.
24:48I got tired of waiting for you.
24:50Tino!
24:51I need to talk to you urgently.
24:53Hey, no one listens to the phone in this house.
24:55My God.
24:57Why did you do that?
24:59We had agreed that we were going to maintain
25:01a clear, timely and fluid communication.
25:03I understand that you have work, but it is really urgent.
25:05I need it first.
25:07Girls, now!
25:09Then I'll talk to both of you.
25:11I need to get out of here.
25:13No, don't go.
25:15Tino!
25:16What?
25:18Your brother is in the hospital.
25:19Hello?
25:21So everyone gave up.
25:24And there is panic in the region.
25:26I wouldn't know how to tell you, Mr. Alfredo.
25:29Stop covering for Mariano, man.
25:32I know what's going on in the hacienda.
25:34I've always known.
25:36I'm sick of a leg, not the head.
25:38Things are not going well and it's because of Benitez.
25:42That's why I want to ask a favor, Brazilian.
25:44I need you to find Benitez before anyone else.
25:47Sir, but there are already many people looking for him.
25:50That's what I'm trying to tell you.
25:52We need to find Benitez before anyone else.
25:56What do you prefer?
25:58For Joaquin to find him,
26:00kill him and put him in jail,
26:02or for both of us to find him?
26:04Yeah.
26:06And what do you want me to do?
26:08Find him.
26:10And bring him.
26:11I need to talk to Benitez
26:13before they put him in jail.
26:20Joel, what happened?
26:23Nothing, I'm fine.
26:25The doctor told me you were hurt.
26:27What were you doing?
26:29Oh, no, it's a long story.
26:31Get me out of here, I'm sick.
26:36With one condition,
26:38you have to leave this place.
26:39No, with one condition.
26:43I don't want you to take any more risks.
26:47Benitez is free.
26:49He's close.
26:51Because I saw him.
26:53We have to let the police take care of that.
26:56And it's not going to happen with the police.
26:59It's not their responsibility to do justice.
27:01Then whose is it?
27:03I don't know, but it's not yours.
27:05As long as you're in the hacienda
27:07and Benitez is out there, it won't be good.
27:09I want you to go back to Cali.
27:11Why?
27:13Well, to work with me.
27:15I'm not a journalist, Tino.
27:17Come on, it's over.
27:20Benitez is careful.
27:22And as soon as he finds out...
27:25As soon as he finds out what?
27:27That you're behind his back.
27:30Joel, you better take care of yourself.
27:33Benitez, why?
27:35From time to time you're all worried.
27:37I'm just asking you to stay in Cali.
27:40I don't want to stay in Cali.
27:42I'm just asking you that.
27:45It's my case.
27:47For once in your life.
27:49I'm sorry.
27:51I heard what you were talking about and...
27:53Your brother is right.
27:55No, sir.
27:57I told Mrs. Mariana I was going to take care of her.
28:00And that's what I'm going to do.
28:02You come in through one ear and leave through the other.
28:04But I'm not going to argue with you here anymore.
28:06You're staying with me tonight.
28:08I'm going to sign your departure.
28:12Thank you, sir.
28:31I need your help.
28:33It's me.
28:35It's me.
28:37What are you doing here?
28:39What did you do to me?
28:41I'm going to look for you.
28:43No.
28:45No one can know I'm here.
28:47I need you to help me, please.
28:51I'm begging you.
28:57Tino, wait.
28:59Sorry, but I'm in a hurry.
29:01My brother can change his mind at any time.
29:03I don't know, but I'm worried about the letter Anselmo gave me.
29:08Joaquin.
29:10I can't tell you anything.
29:12I can't, I don't have answers.
29:14I think so.
29:17Doctor.
29:19Sorry, I have to manage the departure today.
29:21Doctor, do you think it's possible?
29:32Sarita became a great artist here.
29:35Neither.
29:37But I'll tell you the truth.
29:39Now she's going to set up an academy for other artists.
29:41Well, what we really want to do is offer scholarships
29:44to people who live in this area
29:46and don't have money to pay for college.
29:48Oh, how nice.
29:50So get ready because we're going to welcome good people to this house.
29:52And where are we going to welcome everyone?
29:54I don't know.
29:56Who lives here?
29:58Lucy, Sara, Primitiva.
30:00Don't worry about me, I'm leaving soon.
30:02Primitiva, for God's sake.
30:04I live here, Josefina, Tino.
30:05Tino, your friend, the journalist?
30:07Yes, him.
30:09Didn't you say you lived here too?
30:11I forgot to tell you.
30:15Hello.
30:17Speaking of the king of romance.
30:19Hello.
30:22Are they friends too?
30:24No, they're brothers.
30:26Oh, they're brothers.
30:29How are you? Nice to meet you.
30:31Tino Dominguez.
30:33Rafael Calderon, nice to meet you.
30:35Nice to meet you too.
30:37Guys, are you going to eat something?
30:39No.
30:41Joey, you can't even walk.
30:43Are you okay? Tell me, how do you feel?
30:45I'm fine, I'm fine. It was a joke.
30:47It's not a joke.
30:49Josefina, can he stay here tonight?
30:51Of course he can.
30:53He has a lot of guests anyway.
30:55Let's go.
30:57No, no, no.
30:59Don't worry, we'll get organized here.
31:01The girls can sleep in a room.
31:02And Lucy can stay together.
31:04Tino and Joey can stay in Matilde's room.
31:07And Rafael can stay in Tino's room.
31:09What do you think?
31:11Perfect. Thank you very much.
31:13Are you sure you don't want to eat anything?
31:15No, we're fine.
31:17Guys.
31:21So, doctor, what do you think?
31:24No.
31:26You definitely can't.
31:28I've been checking some records and it's impossible.
31:33I knew it.
31:36Well, thank you very much.
31:49So, you're not going back to sleep tonight at the hacienda?
31:53No, I need to stay in Cancali until tomorrow.
31:57There are still things I need to know.
31:59About Rogelio's whereabouts?
32:01I'd like to tell you yes, but no.
32:03We're still at zero.
32:05I can't find a way to know anything about him.
32:09Is it about our son?
32:11No.
32:13Joaquin, please tell me.
32:16Did you find anything?
32:18I don't want to get your hopes up without being sure.
32:24But apparently there's a clue.
32:25Well, not a clue as such.
32:27It's a doubt that I have.
32:29And what did you find out?
32:31There's a confession from Anselmo where he says
32:34that years ago they adopted two children.
32:37A Norwegian couple.
32:41Well, we have to go.
32:43It's impossible.
32:45That would be like looking for a needle in a haystack.
32:48It doesn't matter.
32:50We have to look for them in every corner if necessary.
32:52Mariana.
32:53Mariana, I'm asking you to please calm down, okay?
32:59It looks like the confession is false.
33:02False?
33:04Yes.
33:06Well, I was checking with Dr. Estrada
33:10and he says that there are no records of adoption procedures
33:15of Norwegian families in all these years.
33:20But I don't understand.
33:22Why would they want to deceive us?
33:24That's what I'm asking myself.
33:26Because they could have said they were dead and that's it, but...
33:29Does that mean they're alive?
33:31Yes.
33:33And closer to what we believe.
33:41I wanted to apologize to you.
33:43Because I know and I'm aware that I didn't handle things well
33:46between you and me.
33:47I just followed my instinct.
33:49But well, here I am.
33:51Well, that means we forgive each other.
33:56Everyone can continue with their life.
33:58Yes.
34:00Yes, I think it's for the best, right?
34:17I would give my soul to the sound of slow bells
34:28I would pray that it is comfort and calm
34:34for the souls of the helpless
34:41Granice.
34:45Cousin.
34:48I wish that wherever you are, you are in a better place than this.
34:54And that you can listen to this song so that you have a good trip.
34:58I love you very much.
35:01For Berenice.
35:03For Berenice.
35:06The organ in the chapel
35:11gives me all devotion
35:41I love you.
36:11I love you.
36:41I love you.
37:11I love you.
37:13I love you.
37:41God and true man
37:45did not die for their sins
37:50but for the sins of others
37:55God and true man
38:12Joy.
38:14Joy.
38:17What do we do?
38:24Love each other.
38:27As always.
38:30Love each other.
38:33Love each other.
38:35Love each other.
38:37Love each other.
38:39Love each other.
38:42I know.
38:44But if not ...
38:53Get dressed.
38:58Get dressed, get dressed.
39:11Get dressed.
39:27Hello.
39:29Can I talk to you?
39:42Rafael, I ...
39:44First of all, I want you to know that I never intended to hurt you.
39:49And please forgive me for what I'm going to tell you.
39:53I really wanted this to work.
39:56And I wanted ...
39:58I wanted to forget, I wanted to get away from my past.
40:00And when I met you, in fact,
40:02I finally felt that I had achieved it.
40:04And then I realized that I still felt things that I thought ...
40:08I don't understand, Sara. What do you mean?
40:09What do you mean?
40:11What's going on?
40:13What I want to tell you is that ...
40:15I don't love you the way ...
40:17the way you deserve it.
40:19And that maybe ...
40:21I'll never do it.
40:23Because I'm still in love with Joy.
40:27I don't understand how you're going to ruin your life
40:30messing with a criminal.
40:32Joy is not a criminal.
40:34That he has done things to him ...
40:36He's a criminal. And you know what?
40:37That you don't realize ...
40:39or that you don't care.
40:41But of course you could expect the daughter of a drug trafficker.
40:46Drug trafficker?
40:48No, no, I don't understand. Now I got lost.
40:51You know what?
40:53I have to thank you very much ...
40:55for your stupidity.
40:57No, you don't come to me to talk like that either.
40:59You're going to hear me for the first time.
41:01And you know why I appreciate it?
41:03Because thanks to that, my family ...
41:05didn't end up related to one of the criminals.
41:08You are very wrong if you say that I allowed you to talk like that,
41:11much less about my family.
41:13No, here the mistake is you.
41:15And you don't come to me to say that you allow me or that you don't allow me.
41:17You allow yourself many things, I also allowed you others.
41:19But that's over.
41:21You know you have the same moral as your father.
41:24You ended up getting involved with his right hand.
41:27To say the things that remain in the family.
41:29Right hand of what?
41:31What are you talking about? Right hand of what?
41:32Are you crazy or what?
41:34I'm not crazy.
41:36No, no, I'm not crazy.
41:38This is the investigation of your little friend, the journalist.
41:40What investigation?
41:42This one.
41:44It has enough evidence to prove that your little friend,
41:46boyfriend, whatever you want to call him,
41:48had an export business of marijuana with your father.
42:03This can't be true.
42:12Police.
42:14Hello.
42:16Hello.
42:18Can I help you?
42:20I would like to...
42:22I can't stop her.
42:25No.
42:27Hello.
42:29If you want to report me,
42:31do it.
42:36But if God is giving me this second chance,
42:42it's because he wants things to be fine.
42:48And that I repent of my sins.
42:54You are not the one who wants that opportunity, right?
42:59Shh.
43:01Look how that wound opened.
43:03Let's go.
43:07Look.
43:28You are not the one who wants that opportunity.