1995 Under Lock And Key Wendi Westbrook Barbara Niven HOT MILF MOVIE
An FBI agent goes under cover in a women's prison in search of a codebook to help topple a drug dealer. When she is removed from the case, her daughter is then kidnapped, and she enlists the help of a security guard to tackle the mob.
Transcript
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00:01:45Section A!
00:01:47Section B!
00:01:49Section C!
00:01:52Get up!
00:01:54Get up!
00:01:56Out the door!
00:01:59Get up!
00:02:01Get up!
00:02:03♪♪
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00:02:41I hope you stay out of solitary this time, Saldo.
00:02:51Wash up, we got two minutes.
00:03:12She picks up.
00:03:25Hey.
00:03:28Sorry?
00:03:30I didn't see you there.
00:03:32Get that broom away from me or I'll stick it down your throat.
00:03:41Get your fucking hands.
00:04:12Hi, Sarah.
00:04:15What are you reading, dear?
00:04:17It's called a book and it doesn't have any pictures in it,
00:04:20so you wouldn't be interested.
00:04:22There's something I want to talk to you about.
00:04:25I'm not interested.
00:04:27Oh, I think you will be.
00:04:30Where is he?
00:04:42Damn!
00:04:44I'll lose teeth!
00:04:46Get out of here!
00:04:48Come on!
00:04:50♪♪
00:05:01♪♪
00:05:07Hey!
00:05:09♪♪
00:05:17♪♪
00:05:24Tell me where he is.
00:05:27Move!
00:05:29♪♪
00:05:43Shit.
00:05:45♪♪
00:05:55Break it up!
00:05:57Break it up!
00:05:59Break it up!
00:06:01That's enough!
00:06:03Break it up!
00:06:05That's enough!
00:06:07Break it up!
00:06:09Where's Zelda?
00:06:11I haven't seen her.
00:06:13Shit.
00:06:14All right, that's it!
00:06:19Get her, Di!
00:06:21Get her!
00:06:25My girl's been taking about Zelda's assassination.
00:06:27Break it up! Break it up!
00:06:30All right, who started it?
00:06:32She did it.
00:06:34Bitch started hitting on me for no reason.
00:06:36I did not. Shut up!
00:06:38Get that crazy bitch away from me.
00:06:40Sarah, who started it?
00:06:42Here, put them all inside you.
00:06:46Good idea.
00:06:47Let's go.
00:06:48Move it!
00:06:55Come on, move it.
00:06:56There.
00:06:58You, there.
00:07:02Get over there.
00:07:07Move it, Dot.
00:07:12Quit fooling around and get in the cell.
00:07:14You, there.
00:07:16Shut up, Zelda.
00:07:18Bitch.
00:07:19Get in the cell, Peters.
00:07:20Look, they were trying to kill Sarah.
00:07:21Yeah, I've heard it before.
00:07:22Get in the cell.
00:07:24They had a knife.
00:07:25Look, Peters.
00:07:27I don't like troublemakers.
00:07:28I'm not!
00:07:29Shut up and sit down.
00:07:31And if you're a real good girl,
00:07:32I might let you out in a week or two.
00:07:43You're a bitch.
00:07:54Sarah?
00:07:58You okay?
00:08:02What happened out there?
00:08:04Nothing.
00:08:12Let's go.
00:08:43Cell 17.
00:08:52What?
00:09:13Cell 17.
00:09:18Shit.
00:09:28What?
00:09:29Message for you.
00:09:37What?
00:09:39What?
00:10:10Warden says you got yourself a new roommate.
00:10:16Peters.
00:10:18I don't know why,
00:10:19but the warden thinks you're something special.
00:10:21Well, I don't, and while you're on my cell block,
00:10:23you do exactly as I say.
00:10:24You got that?
00:10:26Yeah.
00:10:30Good luck.
00:10:40Thanks.
00:10:47They weren't going to kill me.
00:10:49Oh, yeah? What makes you so sure?
00:10:51All they wanted was...
00:10:54Forget it.
00:10:57If...
00:10:59If it makes you feel any better, thanks.
00:11:05Go to sleep.
00:11:26Fuck!
00:11:38Are you okay?
00:11:49I thought I warned you.
00:11:51No more illegal searches.
00:11:52Look, Tina, drugs are getting in here,
00:11:54and a lot of my shit is on yours.
00:11:56That's bullshit.
00:11:57I am sick of you and your disgusting little searches.
00:12:00Screw you. Get out of my way.
00:12:04My arm. You're breaking my arm.
00:12:06If I wanted to break it, you've heard it snap already.
00:12:09Now lay off the prisoners,
00:12:11especially Sarah. You got that?
00:12:14And if I don't?
00:12:16All right, all right.
00:12:18Understood? Just let me go.
00:12:22Are we clear now?
00:12:23Everything's got to be by the book with you, lamb, doesn't it?
00:12:26That's right. That way nobody gets hurt.
00:12:54Hello, Nicholas.
00:12:56Is this your first conjugal visit?
00:12:58Um, yes.
00:13:00Well, these are the rules.
00:13:01You and the prisoner you're visiting
00:13:03are confined to the room at all times.
00:13:05There are guards stationed outside,
00:13:07so don't try anything stupid.
00:13:09If you have an emergency of any kind, just call out.
00:13:13If you wish to leave, call out.
00:13:15If you wish to stay, call out.
00:13:17If you wish to leave, call out.
00:13:19If you wish to stay, call out.
00:13:21If you wish to leave, call out.
00:13:23If we hear anything suspicious,
00:13:25we will come in for inspection.
00:13:27If we hear any fighting, violence,
00:13:29or anything out of the ordinary,
00:13:31again, we will come in for inspection.
00:13:33Is this understood?
00:13:35Yeah, yeah.
00:13:42Your wife will be here in a minute.
00:13:52Hi.
00:13:53Hi.
00:13:54So what do you think, huh?
00:13:56Gene.
00:13:57General.
00:13:58General.
00:13:59What are you doing?
00:14:01Take off your clothes.
00:14:03What?
00:14:04Take off your clothes.
00:14:06Why?
00:14:07Take off your clothes.
00:14:08Get under the covers.
00:14:09If they were looking in on us,
00:14:10you've got to make this look good for me.
00:14:12Are you telling me they're going to be watching us?
00:14:14They will be watching us.
00:14:16They will be watching us.
00:14:18Are you telling me they're going to be watching us?
00:14:20They might be watching us right now.
00:14:22Come on.
00:14:24Listen, Jerry.
00:14:25I've been in this...
00:14:27What's wrong?
00:14:28What did I do?
00:14:29What did you do?
00:14:30It'd take you so long to come here to visit me.
00:14:32I mean, six months?
00:14:34You could come two months ago.
00:14:45Come on.
00:14:49Come on.
00:14:56Good morning.
00:14:57Good morning.
00:15:02All right.
00:15:03How was it?
00:15:05What do you think?
00:15:06I guess you married him for a reason.
00:15:11Do you want to know a little secret?
00:15:13Yeah, sure.
00:15:16He's not really my husband.
00:15:19Get out of here.
00:15:21The prison thinks that you're married?
00:15:23Yeah.
00:15:24My husband is a forger.
00:15:27I mean, he does, like, credit cards,
00:15:29I.D.s, screen cards, wedding certificates, you name it.
00:15:32Boy, we used to pull some scams together, you know.
00:15:37I mean, just small-time stuff, but still.
00:15:39Hey, that's what landed me in here, so...
00:15:42I don't know.
00:15:43Lucky bastard, he's still out there free, though.
00:15:45You know, I just...
00:15:47I just hope he's not, you know, like, scamming on me
00:15:49with another dame on the side or...
00:15:51Anyway.
00:15:56So how about you?
00:15:57I mean, you mentioned that you had a boyfriend the other day.
00:15:59What's up with you and him?
00:16:01You don't know who I am, do you?
00:16:04Just another little cutie doll in here, I guess.
00:16:07My boyfriend was Carlos Vega.
00:16:12He's a drug dealer, big time.
00:16:17You?
00:16:19Shacked up with a drug dealer?
00:16:21What's so funny about that?
00:16:23I don't know.
00:16:24I mean, I just expected you to be, like,
00:16:26living with your poetry teacher or something.
00:16:31I guess I'm not the typical drug dealer's whore.
00:16:35No, that you're not.
00:16:40You know how it goes sometimes.
00:16:43When I was 16, I ran away from home,
00:16:45and, uh, like a lot of other girls.
00:16:48By the time I realized it was a mistake,
00:16:50I couldn't go back,
00:16:52and then I met Carlos at this party.
00:16:55I needed some money and a place to stay,
00:16:57and he offered me both.
00:16:59I knew how he made his money, but I took it.
00:17:05So then what happened?
00:17:07I finally came to my senses, and I left.
00:17:10Believe me, it wasn't easy.
00:17:12But then, I mean, how did you end up in here?
00:17:18I shot a man.
00:17:20He tried to rape me.
00:17:22I was hiding out from Carlos, and there was this man.
00:17:25I don't know who he was, but I think Carlos sent him.
00:17:29So is Carlos trying to kill you?
00:17:32Not exactly.
00:17:33I have something he wants back really bad.
00:17:36Why don't you just give it back to him,
00:17:38and maybe he'd leave you alone?
00:17:40It's my insurance.
00:17:41Without it, he'd have already killed me.
00:17:49I'm really beginning to wonder about you, Peters.
00:17:52You did it again.
00:17:54Looks like you're going to have some company
00:17:56when we transfer you tomorrow, Sarah.
00:17:59Danielle, you're coming with me?
00:18:02Good behavior.
00:18:04I don't belong in this joint anyway.
00:18:07I can tell it's going to be a real cozy ride tomorrow.
00:18:11Get your stuff ready.
00:18:12We leave in the morning.
00:18:13Early.
00:18:19What is her problem?
00:18:29What are you doing?
00:18:30Where are you taking me?
00:18:32I'm being transferred tomorrow.
00:18:33It's already been approved.
00:18:35Not quite.
00:18:37I'm not so sure that you're fit for a transfer at this time.
00:18:40What are you talking about?
00:18:42You don't have the authority to keep me here.
00:18:45The doctor does.
00:18:48You got something you want to tell me, maybe?
00:18:53You are a stubborn little bitch, aren't you?
00:18:57We'll just see what the doctor has to say.
00:19:03Doctor, this is the prisoner who needs evaluation for transfer.
00:19:07As I told you, she was in a fight the other day
00:19:09and was hurt and hasn't been well.
00:19:11She was beaten badly by another prisoner.
00:19:14She's unfit for transfer, in my opinion.
00:19:19Sarah Sands?
00:19:21Is that right?
00:19:24Sarah, your past medical history looks good.
00:19:27But you understand, Sarah, we can't do this.
00:19:30But you understand, Sarah, we can't transfer you
00:19:33without being certain about your condition.
00:19:36It's something the state stipulates for its own protection.
00:19:39I feel fine, doctor.
00:19:41I wasn't injured in the fight.
00:19:43I'm fine.
00:19:46All right, Sarah, go ahead.
00:19:48Get undressed, please.
00:19:53All right.
00:19:55Get the hell out of here.
00:20:00Come on.
00:20:20Hold it. Okay, come on forward.
00:20:24Stay on the yellow line.
00:20:28Come on, Peters. Don't hold it up.
00:20:34Name and number.
00:20:36Sarah Sands, 54776.
00:20:42Name and number.
00:20:44Name and number!
00:20:46Danielle Peters, 12513.
00:20:50Name and number.
00:20:52Margaret Murphy, 02215.
00:20:57Come on.
00:21:19Come on.
00:21:49Come on.
00:22:19Hey, so what the hell is this thing
00:22:22that Carlos wants back from you so bad?
00:22:29Oh, come on. I mean, it's been bugging me
00:22:31ever since you mentioned it yesterday.
00:22:35What the hell is it?
00:22:37It's a little black book filled with numbers and codes.
00:22:40That's all.
00:22:42It's something that could put an end
00:22:44to Carlos's underworld dealings.
00:22:46Oh.
00:22:48So that's why he wants it back so bad.
00:22:50That's why, as long as I have it somewhere,
00:22:52he won't dare kill me.
00:22:54Without it, I'd be dead already.
00:22:56What makes you so sure?
00:22:58I'm still here, aren't I?
00:23:00Well, that's true.
00:23:02Well, why don't you just go to the police with it?
00:23:05Are you crazy?
00:23:07They can't protect me from Carlos.
00:23:10Well, I hope you got that thing well hidden, girl.
00:23:13I do.
00:23:15And I have a really good memory.
00:23:30Hey, chauffeur!
00:23:32Come on, aren't we there yet?
00:23:36Cool it, Maggie.
00:23:38You're on the second stop anyway.
00:23:45Let's go.
00:24:16Hey! Hey!
00:24:18Stop! Stop!
00:24:20Stop! Stop!
00:24:22Come on.
00:24:24I've been in a car accident.
00:24:26My brain's all hurt. Come on.
00:24:28No, come on. Please come on.
00:24:30We've been in a car accident.
00:24:32Hang on. I'll check it out.
00:24:34Why don't you call in our position?
00:24:36And better call an ambulance, too.
00:24:38Look, I don't want to hear a peep out of any of you.
00:24:46This is Department of Corrections vehicle number 00941.
00:24:50Hazel's got a pulse. She's alive.
00:24:52Come in. Come in.
00:24:58Get down.
00:25:00Hey!
00:25:11Oh, my God. Get down.
00:25:13Don't you dare get near that engine, bitch.
00:25:15I'll just waste all of you in there, and I mean it.
00:25:17You wouldn't want that, would you?
00:25:19Come on, lady, you're sitting duck here.
00:25:21Just give us Sarah, and we'll be all right.
00:25:23Come on, let's be friends. Let's talk about it, okay?
00:25:26Hey, you wasted my best gal.
00:25:29Now I am willing to forgive and forget.
00:25:32Give us Sarah, and you can go on your merry way.
00:25:35Hey, man, I ain't got nothing to do with it, all right?
00:25:38She's right here. She's right here, and I will help you.
00:25:42Oh, man, I'm sorry about that.
00:25:44I just couldn't resist. I hate loudmouths.
00:25:47Hope we can still be friends, huh?
00:25:50Quit fucking around and give us Sarah.
00:25:53I mean it.
00:25:55I can't do that.
00:25:56Why can't you do it?
00:25:58Are you afraid you're going to lose your job?
00:26:06You got to be kidding me.
00:26:09You guys are late!
00:26:14Sorry, Slash, we had some problems.
00:26:21Listen, lady, I got party guests here, and you're in a whole heap of trouble.
00:26:25Go!
00:26:26Well, I suggest you leave.
00:26:28Damn it!
00:26:32Come on, let's go get them!
00:26:38Okay.
00:26:59That bitch hit my tire!
00:27:01Well, don't just stand there! Go get some help, you idiot!
00:27:05Come on.
00:27:06Jesus, won't this thing go any faster?
00:27:08I'm trying, I'm trying!
00:27:11Something's wrong.
00:27:15We're going to have to go on foot.
00:27:17Come on.
00:27:18Come on, Sarah, let's go.
00:27:20Sarah?
00:27:22No!
00:27:24She's dead.
00:27:26Come on, Pierce.
00:27:28Come on, we've got to leave her.
00:27:30Let me out!
00:27:33Come on.
00:27:34Quick, down here!
00:27:41Hold it!
00:27:42Give me the gun.
00:27:43What are you talking about?
00:27:45I don't know who you are, Peters.
00:27:47I'm not taking any chances now.
00:27:49Tina, I'm a federal agent.
00:27:51Special Agent Danielle Peters with the FBI.
00:27:53Who's the FBI, my ass? Give me the gun!
00:27:55Unless you want your little prince back there to catch up to us.
00:27:59Jesus Christ!
00:28:01Why don't you just try using the keys?
00:28:03Because I don't have the keys back in the van.
00:28:05Now start running, you out front.
00:28:07Move it!
00:28:13God, this is bullshit.
00:28:15Fucking bullshit.
00:28:18Hey, Slash, you better see this.
00:28:20What?
00:28:21You better see this.
00:28:23What?
00:28:24You better see this.
00:28:26Hey, Slash, you better see this.
00:28:28What is it?
00:28:29Sarah, she's dead.
00:28:31Oh, you stupid bitch!
00:28:33God damn it!
00:28:43Halt.
00:28:45Turn around.
00:28:47Slowly.
00:28:50Hold out your arms.
00:28:57Now cuff yourself to my wrist.
00:29:00Just to make sure you don't try anything funny.
00:29:03Tina, this is not necessary.
00:29:07That was the key.
00:29:08So if you're thinking of going anywhere without me, don't.
00:29:11Tina, I am not a convict.
00:29:13I am a federal agent working undercover, all right?
00:29:16Right.
00:29:17I was assigned to keep an eye on Sarah,
00:29:19to find out what she knows and to protect her.
00:29:21Well, it doesn't look like you did such a great job then, does it?
00:29:24Well, it doesn't look like you did either, did you?
00:29:27You are my prisoner, Peters, so start walking.
00:29:30Move it.
00:29:31Fine.
00:29:36Hello?
00:29:38Can anybody hear me?
00:29:40Tina, we are in the middle of a deserted road.
00:29:43Do you really think anybody's going to hear you?
00:29:45Just step it, Peters.
00:29:47This way.
00:29:49Come on.
00:29:50Hang on.
00:29:51I got an inch.
00:29:53Are you finished?
00:29:54Yes, I'm finished.
00:29:55I had to handcuff myself to the biggest mouth in the prison.
00:30:00Hey, look, there's a telephone.
00:30:01Let me make a call.
00:30:02Ah!
00:30:04Why would I let you do that?
00:30:06I'll call the bureau.
00:30:07They'll send a car out, and it'll be the proof that you need, okay?
00:30:10You just don't give up, do you, Peters?
00:30:12Tina, this is a federal investigation.
00:30:15And you know what?
00:30:16If you don't let me make a call,
00:30:18I'll see to it that you're sharing a cell with Zelda by tomorrow.
00:30:22I'll see to it that you're sharing a cell with Zelda by tonight
00:30:25for interfering in a federal investigation.
00:30:27You got that?
00:30:31Okay, one call, but I'm watching you, Peters.
00:30:34Come on.
00:30:35Slow down.
00:30:36Speed up.
00:30:43God, not if I can just remember my calling card number.
00:30:47Damn.
00:30:48Do you have a quarter?
00:30:49Do I look like a bank to you?
00:30:51No.
00:30:52Fine.
00:30:53What are you doing?
00:30:54I'm getting some change.
00:30:56You are not breaking into that phone booth while you are handcuffed to me, Peters.
00:31:00Fine.
00:31:01You're right.
00:31:02What have I done?
00:31:03I'm sorry.
00:31:05I told you not to do that.
00:31:08Change.
00:31:22Carlos, what do you think?
00:31:27Turn around.
00:31:32Roberto, venga aca.
00:31:34Give me some stills right away.
00:31:36That's beautiful, baby.
00:31:37Beautiful.
00:31:38Exactly what I want.
00:31:40We'll have dinner tonight.
00:31:41Thank you.
00:31:42Thank you.
00:31:43Thank you.
00:31:44Thank you.
00:31:45Thank you.
00:31:46Thank you.
00:31:47Thank you.
00:31:48Thank you.
00:31:49Thank you.
00:31:50We'll have dinner tonight.
00:31:51Thank you, Carlos.
00:31:52God damn it.
00:31:53Be careful with that fabric.
00:31:54Oh, I'm sorry, Mr. Vega.
00:31:57I apologize.
00:31:58I shouldn't yell at you like that.
00:32:00That fabric is for my show this weekend.
00:32:02Please, be careful with it.
00:32:11Carlos.
00:32:13It didn't happen.
00:32:14Slash is in the back.
00:32:16God damn it.
00:32:21God damn it.
00:32:33Idiot.
00:32:35Idiot.
00:32:50Idiot.
00:33:12What the fuck is this?
00:33:14Did I tell you to use these colors?
00:33:16Huh?
00:33:17Did I tell you to use these colors?
00:33:19Teresa.
00:33:23Slash.
00:33:32I heard about the ambush.
00:33:35Very messy, Slash.
00:33:38Very messy.
00:33:41Oh, man, Carlos, I did everything just the way you said.
00:33:43I went in there.
00:33:44I was...
00:33:45It was so clean, man.
00:33:46I'm sorry.
00:33:48Sara's dead.
00:33:50Well, then.
00:33:52I hope you found out where she hid the code book.
00:33:54See, that's the thing.
00:33:56Feds are closing in on me,
00:33:58and you come in here with that kind of fucking news?
00:34:01I'm very disappointed in you, Slash.
00:34:04Very disappointed.
00:34:06Oh, Carlos, man, I did everything right.
00:34:08Everything just the way you said.
00:34:10It wasn't me.
00:34:11It was this girl.
00:34:12She came out of nowhere.
00:34:13She started shooting.
00:34:14She ain't no regular prisoner, Carlos.
00:34:15She ain't no regular prisoner.
00:34:17Just give me one more shot, man.
00:34:18I know I can get her.
00:34:19I know I can.
00:34:21You know, Slash,
00:34:23I've always loved this country.
00:34:26My work, my women.
00:34:29But if this bitch turns out to be a fed,
00:34:32I'm gonna have to leave.
00:34:34I'm sorry, man.
00:34:35Just give me one more shot.
00:34:36I can do it.
00:34:37I'll make it real clean.
00:34:41Wait for me outside, Slash.
00:34:43Oh, come on.
00:34:44I'll just go in just a couple...
00:34:46Inside.
00:34:47Yeah, man.
00:34:48Let's go.
00:34:58Ferrario.
00:34:59Phone.
00:35:12Hello?
00:35:13Yeah.
00:35:14It's me.
00:35:16I want you to find out about a woman.
00:35:19Where she lives,
00:35:20who she lives with,
00:35:21everything.
00:35:23I don't care what it costs,
00:35:24what you gotta do.
00:35:26Just do it.
00:35:27Do it now.
00:35:28Right now.
00:35:29Yesterday.
00:35:35Hey, there's the car.
00:35:36Come on, let's go.
00:35:40Ow!
00:35:42FBI.
00:35:43Don't shoot.
00:35:44All right.
00:35:45Get out of the car.
00:35:47Slowly.
00:35:51Keep your hands where I can see them.
00:35:54Now let me see some ID.
00:36:00There.
00:36:01Are you satisfied now?
00:36:05Maybe.
00:36:07Oh, God.
00:36:08Come on.
00:36:09I'll go along with it for now.
00:36:10Shut up and get in.
00:36:16Let's go.
00:36:28Can we go get some ice cream?
00:36:30No, Jessica.
00:36:31You know we can't
00:36:32because it's getting late
00:36:33and you're going to have dinner soon.
00:36:35And besides, your mom wouldn't like it.
00:36:38Mommy!
00:36:39Mommy!
00:36:40Mommy!
00:36:41Mommy!
00:36:42Mommy!
00:37:08TINA, ARE YOU THERE?
00:37:21Come in.
00:37:27Tina, this is my field supervisor, Jerry Fleur.
00:37:29I'm glad to meet you, Tina.
00:37:31Nice to meet you.
00:37:32Have a seat.
00:37:33Both of you.
00:37:37I've got some bad news, Danielle.
00:37:41A few hours ago, someone kidnapped your daughter.
00:37:45There were two men.
00:37:49We don't know who they were, but we think they may have been hired by Carlos Vega.
00:37:53But why? I mean...
00:37:57If it wasn't for Carlos Vega, I don't know what would have happened.
00:38:01I don't know what would have happened.
00:38:05If it was Vega, he probably thinks
00:38:09you found out where Sarah hid that code book.
00:38:13In which case, he's probably using Jessica to try to negotiate his freedom.
00:38:17I'm really sorry, Danielle.
00:38:21We're doing absolutely everything that we can.
00:38:25What about Mary? I mean, is she okay?
00:38:29Yeah, she's fine. She just got roughed up a little bit.
00:38:35That son of a bitch hurts Jessica. I'll kill him.
00:38:39Listen, Dani. You can't be irresponsible right now.
00:38:43At present, we don't even know who was Vega that took Jessica.
00:38:47Sit down. Get yourself together.
00:38:51Listen, you're okay. I've got to ask you a couple questions.
00:38:55We've been busy since the time you called in.
00:38:59We've recovered the prison van, along with Sarah's body.
00:39:03We've searched both in and outside the prison. Her clothes, her books, everything.
00:39:07But we came up empty.
00:39:11We've got no clue right now where she hid that damn code book.
00:39:15We're right back at square one. We've got nothing on Carlos Vega.
00:39:19So I've got to ask you, is there anything you can tell us
00:39:23that can give us a lead on that damn code book?
00:39:27She just told me that in addition to hiding it, that she memorized it.
00:39:31That doesn't do us any good right now, does it?
00:39:35Excuse me. I mean, if you don't mind my asking, what is this code book?
00:39:43Vega is, um...
00:39:47Vega's a drug dealer that we've been after.
00:39:51And Sarah was his girlfriend.
00:39:55And when she felt that our life was in danger, she stole the code book.
00:39:59It had his money laundering and his drug contacts in it.
00:40:03So that's what you were after then?
00:40:07Yeah.
00:40:11Listen, um, why don't you go on home? Try to get some rest.
00:40:15I'll keep you informed if anything develops.
00:40:19Wait a minute. You're taking me off the case?
00:40:23I'm sorry, Daniela. You know the rules.
00:40:27We're talking about my daughter here.
00:40:31She is kidnapped because of me.
00:40:35And you expect me to just go home and sit and wait while you keep me informed?
00:40:39I'm sorry, Jerry. I can't do that.
00:40:43Listen, I'll have somebody drive you home.
00:40:47Don't bother! I've got my own car here.
00:40:51Tina.
00:40:55I haven't been properly debriefed.
00:40:59I'm going to have to trust you not to repeat anything you've heard here.
00:41:03Not a word. Not to anyone.
00:41:07That's what I like about the government. All those little secrets.
00:41:11God.
00:41:15I really love your car.
00:41:19How fast does this thing go anyway?
00:41:23It does okay. Just don't try pegging the needles. I just paid it off.
00:41:27Don't worry. You sure you don't want to come in for some coffee?
00:41:31No. It's been a long day. I have a friend who lives close by. She'll let me crash there.
00:41:35All right.
00:41:39Just bring it back in the morning. It's okay. Don't worry.
00:41:43You sure you're going to be all right?
00:41:47Well, nothing that a hot shower won't kill for the time being.
00:41:51All right. Good night.
00:42:09Good night.
00:42:39Good night.
00:43:09I'm sorry, Jess.
00:43:39I'm sorry.
00:44:09So, at last we meet.
00:44:13Up close and personal, Miss Federal Agent.
00:44:17What do you want?
00:44:21Such a silly question.
00:44:25But to the point, I guess.
00:44:29Carlos wanted me to tell you...
00:44:33Oh, yeah. He's got you.
00:44:37Temper, temper. You don't want to lose your head over this now, do you?
00:44:41Leave your little girl an orphan? I don't think so.
00:44:45If he hurts Jessica, he can bet I will personally see him dead.
00:44:49Relax. Your kid's going to be okay.
00:44:53For as long as you cooperate.
00:44:57Well, if he's worried about his precious little code book.
00:45:01Just tell him he needn't be.
00:45:05Sarah didn't tell me anything before you so stupidly killed her.
00:45:09We got a problem there, because, um...
00:45:13No matter what you tell us, how are we going to believe you?
00:45:17So, here's the deal.
00:45:21If you or your federal agents come anywhere near Carlos,
00:45:25you just might find that little kid of yours just kind of floating upside down in a swimming pool.
00:45:29So, I'm going to tell you what to do.
00:45:33You and your people.
00:45:37I would convince your friends just to lay off Carlos for a little while.
00:45:41Give him two weeks so he can get out of the country.
00:45:45And when he feels good and safe, you'll get your kid back.
00:45:49Yeah. And how can I be sure he'll do what he says, huh?
00:45:53You got his word.
00:45:57See? We're holding all the cards.
00:46:01But the only reason that you and your little girl are alive
00:46:05is because you're going to cooperate with us.
00:46:09Never!
00:46:13You know what?
00:46:17Personally, I would love to see you dead.
00:46:21I would love to kill you.
00:46:25But Carlos, he kind of wants you and Freddy here to kind of get to know each other a little better.
00:46:29Fuck!
00:46:49What do we do with the body?
00:46:53I'll call a friend. He'll take care of it.
00:46:57Yeah. So, how'd you learn to fight like that?
00:47:01To protect myself from prisoners like you.
00:47:05I'm really glad you came back.
00:47:09Yeah. I didn't think you should be alone tonight.
00:47:13Tina, I'm going after Carlos Fagan. I need your help.
00:47:17Uh-uh. You heard your boss. You're off the case.
00:47:21He's got my daughter. What am I supposed to do?
00:47:25We need to get him out of the country before they even figure out what they can pin him on.
00:47:29Danielle, I'm just a prison guard. I'm not trained for this kind of stuff.
00:47:33Well, what about Jesse, huh?
00:47:37I'm sorry. I really don't think that Carlos Fagan is taking Jessica out for ice cream in the park.
00:47:41The FBI's going to handle it.
00:47:45The FBI? They're all tied up in their procedures and rules. They're never going to be able to act fast enough.
00:47:49Look, Danielle, come on. I'd really like to help you.
00:47:53This is crazy. First, okay, we'd have to break every law in the book to get to Carlos.
00:47:57And second, minor detail here, we'll get killed.
00:48:01And if we don't get killed, we'll get locked up. At the very least.
00:48:05Look, Carlos Fagan is a cold-blooded killer.
00:48:09A ruthless convict, and the man has to be stopped.
00:48:13Hello? Hasn't what has happened in the last 24 hours convinced you of that?
00:48:17Tina, I've got to get Jesse back.
00:48:21You can at least have a shower first.
00:48:35Okay, so just take a second.
00:48:39I've got to bypass this logon password so I don't run into it in the file.
00:48:43I don't know. I'm so not so sure we should be doing this.
00:48:47Tina, just trust me. Hurry up!
00:48:51There. I'm in.
00:48:55That's Carlos Fagan? Why does he look familiar?
00:48:59You know, Carlos Fagan, the fashion designer. You're kidding me. You mean THE Fagan?
00:49:03He does some great stuff. I wish I could afford it.
00:49:07Yeah, me too. He used this business as a front.
00:49:11As far as we can tell, the business is totally legit.
00:49:15Wait, wait.
00:49:19Looks like Jerry's investigation has narrowed it down to two locations that they think Carlos is holding Jesse.
00:49:23One's his mansion, and the other is this...
00:49:27warehouse he's got under an assumed name.
00:49:31Hmm. His mansion's like a fortress. Heaven knows he'd be guarding it more heavily now.
00:49:35Yeah. What about this warehouse, though?
00:49:39You think Jesse might be in there?
00:49:43Could be.
00:50:03Okay. Well, that's the warehouse.
00:50:07We should probably go in on foot from here.
00:50:11Yeah, it does.
00:50:31You know what to do, right?
00:50:35Yeah.
00:50:39You okay? I'm fine. Let's just do it.
00:50:43Excuse me. Look, this is gonna be real easy. All we're gonna do is go in, take a look around.
00:50:47I'll take the lead, but you can't want me to cover you now if the shit starts flying.
00:50:51Oh, that's comforting. Come on.
00:51:09I doubt if he'd just leave the door open for us.
00:51:13Do you think he knew that I was trying to hide something?
00:51:17Maybe that's exactly what he wants us to think, then.
00:51:21Come on. Let's go.
00:51:39Jesus.
00:51:43It's almost too quiet.
00:51:47I know. Come on. Let's go.
00:52:09All right. You stay here. I'm gonna go inside and check it out.
00:52:13Be careful.
00:52:39Come on.
00:52:43I can't believe this. Nothing.
00:52:47I guess that means we're breaking in and entering his mansion next.
00:52:51You bet your sweet ass.
00:52:55Drop your guns. Put your hands in the air.
00:52:59Come on.
00:53:03Come on.
00:53:07Come on.
00:53:11Put your hands in the air.
00:53:15Come on. Do it now.
00:53:19Look, uh, maybe we can work something out, huh?
00:53:23I'm serious, you guys.
00:53:27Look, we do something for you, you do something for us.
00:53:31You know what, Tina? I'm sorry. Look at these guys. They don't look like the kind of guys that that's gonna work with.
00:53:35Dad, no! I'm trying to work something out here.
00:53:41Come on.
00:54:03Hold it right there! Nobody move!
00:54:07This time you're over the line. You almost killed two of my men.
00:54:11Well, they should have identified themselves.
00:54:15Don't you open your mouth. I'm not finished.
00:54:19You completely ignored the fact that I've taken you off this case.
00:54:23Not to mention Tina, who you've now got investigating in a top-level federal investigation with no security clearance of any kind.
00:54:27Did you even think of the danger you're putting her in?
00:54:31Hey, it was my choice. I was acting on my own.
00:54:35You act on your own in a federal case.
00:54:39Well, I do. When it comes to my daughter's life, not you or the Bureau or anybody else is gonna stand in the way of that.
00:54:43Really? Were you thinking of your daughter's safety?
00:54:47Or were you just thinking about your own guilt?
00:54:51Don't fuck up this case just because you feel guilty about putting Jesse in danger.
00:54:55It's not your fault. Now sit down.
00:54:59Despite what you think, we have been doing all we can.
00:55:03We've been surveying Carlos' mansion and the warehouse.
00:55:07You could have really screwed things up at the warehouse, but I don't think his men saw what happened.
00:55:11I can't help but think that you have some information you're withholding from me.
00:55:15Has Carlos contacted you?
00:55:19Has he threatened to hurt Jessica?
00:55:23No.
00:55:27If you have any proof that he's holding her, I can get a search warrant in two hours.
00:55:31Oh, come on, Jerry.
00:55:35You know as well as I do that Carlos Vega would know about a search warrant before the ink even had a chance to dry.
00:55:39Do you have any better ideas?
00:55:43Listen, Danielle, I've been after Carlos Vega for a long time.
00:55:47I want him bad.
00:55:51Now with Jessica being kidnapped, I can't do anything.
00:55:55But I can't just bust in there.
00:55:59We have to do this right or we're never going to hold him.
00:56:03I know, Jerry.
00:56:07Do you have any proof that he's got her?
00:56:11No.
00:56:15I have no choice but to suspend you.
00:56:19No! What?
00:56:23No.
00:56:39Hey, do you mind?
00:56:43Oh, no, go ahead. I'm starving.
00:56:47Chavaz is always such a fun guy.
00:56:51I was totally out of line asking for your help on this.
00:56:55Don't be ridiculous, Danielle.
00:56:59No, I'm serious. I had no right to get you involved.
00:57:03Will you give me a little credit? It was my decision.
00:57:07Thanks. You're welcome.
00:57:11You are still going after her, aren't you?
00:57:15I don't think I have much choice now, do I?
00:57:19No. I cannot ask you for your help on this.
00:57:23It'll be too dangerous.
00:57:27And I'm telling you, no. It'll be too dangerous.
00:57:31Will you give me a little credit? I'm a prison guard. I can handle myself.
00:57:35Besides, I think I sort of have a knack for this job, don't you?
00:57:43All right.
00:57:47Partner.
00:58:03Excuse me. Jennifer, you have a phone call.
00:58:07Thank you. Hello?
00:58:11Jennifer. Hi. Danielle Peters.
00:58:15Listen, I'm in a bit of a bind. I kind of need to see you.
00:58:19Yeah. Yeah, I'll be there.
00:58:23All right. I'll see you then. Okay. Bye-bye.
00:58:27Thank you. You're welcome.
00:58:35Hi, Jennifer. Come on in.
00:58:39Tina, may I introduce to you Jennifer Springer.
00:58:43Probably one of the most sought-after Paris models.
00:58:47Hi, I'm Tina Lamb. Hi, Tina.
00:58:51Stop.
00:58:55No problem. Trust me. I want to do all I can to help you, Danielle.
00:58:59Jennifer's not only a high-fashion model, but she also works for several
00:59:03European secret service agencies on occasion.
00:59:07A couple of years ago, we worked together on a case.
00:59:11It got pretty hairy. And basically, she saved my ass.
00:59:15I don't know that it was nearly exciting or half as
00:59:19heroic as she makes it out to be. Hey, it was a close call.
00:59:23So here I am. Let's get down to business.
00:59:27What's the plan, boss? Well, I'm positive that
00:59:31Carlos has got Jessie somewhere in his mansion. He's got a fashion show coming up on Sunday.
00:59:35That's in two days. So we don't have much time.
00:59:39My guess is, as soon as that fashion show's over, he's going to try and leave the country and take Jessie with him.
00:59:43Right. So we have to do something before then. We're planning tomorrow night.
00:59:47Oh, his mansion's a really weird place.
00:59:51I mean, for his safety, he's built his own fashion business, including his
00:59:55garment factory in his backyard. Security's really tight around there, though.
00:59:59But he's real quirky about it, in that he relies more on armed guards
01:00:03and less on electronic surveillance. We may be able to use that
01:00:07advantage, then. Bingo. I do know a little bit about his habits.
01:00:11I know that he always prepares for his shows at his mansion.
01:00:15That means the models always go there first for the rehearsals and preparations.
01:00:19Then he wraps up and ships out to the show. Exactly. So Saturday night,
01:00:23the place should be teeming with models. And that's our opportunity to get in.
01:00:27Right. And that's where we need you, Jen. Wait a second.
01:00:31What about the FBI? Good old Jerry's probably
01:00:35going to have his men covering the mansion, won't he?
01:00:39We'll just have to hope that we find Jessica. Or they find us.
01:00:43Right. Let's give it a shot.
01:01:05Good evening, ladies.
01:01:09Hi, guys. How's it going? Fine, thank you.
01:01:13Listen, we had a little bit of a problem with the bomb scare earlier,
01:01:17so we're having to check everybody in. I know it's a hassle,
01:01:21but I hope you don't mind. Well, we're very late already,
01:01:25so I hope it doesn't take long. No, it should just take a minute.
01:01:29Would you ladies step out of the car, please?
01:01:33Got your hands behind the car?
01:01:37Sorry about this. Really.
01:01:45All right. I'll need your names.
01:01:49Jennifer Springer. Oh, yeah.
01:01:53I've seen your work. Oh, have you? That's great.
01:01:57Oh, this is Laura.
01:02:01Oh, this is Laurie. She does my hair and makeup.
01:02:05Hi. Hi.
01:02:09Oh, it's just makeup and stuff. It's okay.
01:02:13It seems we have a problem here. Your names aren't on the list.
01:02:17You've got to be kidding me. No. I cannot believe this.
01:02:21My agent just called me a few hours ago and told me to drop everything.
01:02:25I got here as soon as I could, and now this?
01:02:29Look, I can call in. We can clear this up.
01:02:33Look, I'm sure they just didn't get a chance to put my name on the list yet.
01:02:37I mean, can't you just let us through? You know who I am.
01:02:41No. Are you girls trying to keep me from calling this in?
01:02:45No. We're late for rehearsal already, all right? You know how Carlos is about this.
01:02:49Way to go, Rambo.
01:02:53Hey, you guys were in trouble. I had to do something.
01:02:57Well, I know, but what about the plan? You think they're not going to realize these two guys are missing?
01:03:01Yeah, and the feds would spot what's happened if they haven't already.
01:03:05Did we abort? No. We're not going to get another chance.
01:03:09Thanks, Danny. Jennifer, you go in with me.
01:03:13Go around back. Hey, you could say thank you.
01:03:17Thanks.
01:03:21Jennifer. Yeah?
01:03:45Talk about money.
01:03:49God, this place is huge. Yeah, I know. I told you.
01:03:53Hmm.
01:03:57Tina's going to go check out the warehouse. We should see what the garment factory is like.
01:04:01Oh, all right. Come on.
01:04:05You go in first. Okay.
01:04:09This place is really huge. We've got a lot of ground to cover, kiddo.
01:04:34Yeah. You think Jessica's over there?
01:04:38I don't know. Check it out. Yeah, right.
01:05:03Hi. Hi.
01:05:13Hi.
01:05:17So now what do we do?
01:05:19Um, I think I'm going to go take a look around, okay?
01:05:49Okay.
01:06:18Okay.
01:06:40This is the dress and shoes that you'll be wearing this evening if you'd like to go and slip those on.
01:06:44Okay. Thank you.
01:07:15Okay.
01:07:36Nothing.
01:07:37So now what do we do?
01:07:41I don't know. I guess we just keep looking.
01:07:58So.
01:08:01We meet again pretty late.
01:08:06Mr. Baker, I redid the turquoise low-cut evening gown.
01:08:09That's fine. Fine. Terrific.
01:08:20That dress is just beautiful. Beautiful on you.
01:08:23Well, of course, Carlos. It's one of your creations.
01:08:26Have we met? You look awfully familiar.
01:08:29Uh, yes. We were introduced a couple of years ago at another show.
01:08:32Um, Jennifer Springer.
01:08:34Ah, Jennifer Springer. Of course. I know the name. Glad to have you.
01:08:41Now that we've been introduced, who might this be?
01:08:45This is my, uh, personal makeup and hair stylist, Lori.
01:08:49Well, don't let me keep you then.
01:08:53Excuse me, ladies.
01:09:22I was just wondering if I might ask your opinion on something.
01:09:25Well, actually, it's more of a question rather than an opinion.
01:09:29You see, I was just wondering whether or not you've had any luck finding your kid.
01:09:36I'm sorry, son of a bitch.
01:09:39I'm waiting for an answer.
01:09:45Where is she?
01:09:54I can do it by myself.
01:10:09So what did you do with Tina?
01:10:11Ah, your pesky little friend.
01:10:14Not to worry. We're going to visit with her right now.
01:10:25They need you upstairs to proof the dresses.
01:10:27I don't give a fuck about no damn dresses right now.
01:10:30Can't you see the feds are closing in on me?
01:10:32You just get Roberto Carangelo on the phone.
01:10:35Tell him to transfer my money to the school.
01:10:37You just get Roberto Carangelo on the phone.
01:10:39Tell him to transfer my money to the Swiss accounts.
01:10:42And tell him I said every last cent or I'll have Rosario blow his head off.
01:10:45Go ahead.
01:10:46Yes, Carlos.
01:10:47Ladies, your friend is waiting.
01:10:55Ah, it's party time. Sit, bitch.
01:11:12Did you ladies actually think you could come into my house,
01:11:17La Casa de Carlo Vega, and fuck with me?
01:11:24No, I thought we had an understanding, you and me.
01:11:27You know, I'm okay, your kid's okay.
01:11:33So, with that in mind, tell me, why did the feds send you in here?
01:11:40I mean, what is it they're up to?
01:11:44They're not up to anything.
01:11:48We came in here on our own.
01:11:51Look, I want my daughter back.
01:11:53If you just give me my daughter and let my friends go,
01:11:57you can do whatever you want with me.
01:12:01And then what?
01:12:03The feds are gonna let me just waltz out of here?
01:12:06Is that what you're telling me?
01:12:08Sarah never told me anything about your stupid little code book.
01:12:13The feds don't have anything on you.
01:12:15Oh.
01:12:17So then I should let you all go?
01:12:22Well, I don't think that's such a good idea.
01:12:27Slash, what do you think?
01:12:30I don't know.
01:12:31Little Miss Federal Agent hasn't been too nice to me.
01:12:35I wouldn't trust her.
01:12:36Si, si.
01:12:40Dorario, go play.
01:12:45T.K.!
01:12:46Hey!
01:12:47Let her go!
01:12:49Just let her go!
01:12:51Look, why are you doing this, huh?
01:12:53What do you want from us?
01:12:55Why don't you just tell us what the feds are up to outside, okay?
01:12:58We came in here on our own.
01:13:00They've taken me off the case.
01:13:02Yeah, well, why don't you tell us what you do know?
01:13:05I mean, just think of what you're doing to that poor friend of yours.
01:13:08Not to mention what you're doing to that poor little daughter of yours.
01:13:13Jesus Christ.
01:13:15I don't know anything.
01:13:18Just listen to her.
01:13:19She's telling you the truth.
01:13:20They don't have your code book, and I don't know what they're planning.
01:13:23All right?
01:13:24Okay, ladies.
01:13:25Let's cut the fucking bullshit.
01:13:27Slash?
01:13:28Yeah?
01:13:29Let's take them for a little walk.
01:13:34Come on, princess.
01:13:37Come on.
01:13:53Smile.
01:13:54All the party guests have a little kiss.
01:13:56Smile real cute.
01:13:57All the party guests love the little lady.
01:13:59Smile.
01:14:00Come on, smile.
01:14:02All them, they're models, huh?
01:14:04You could be pretty, too, but you ain't gonna be, not after I'm done with you.
01:14:08You haven't seen my knife tricks, have you?
01:14:11Too bad, babe.
01:14:12It's my specialty.
01:14:14Really, I thought your specialty was being Carlos' pet bulldog.
01:14:19Bitch.
01:14:23Get out of here!
01:14:24Get down!
01:14:25Get down!
01:14:30This is the FBI!
01:14:31Put down your weapons!
01:14:32I repeat, this is the FBI!
01:14:33You are surrounded!
01:14:34Come on, bitch.
01:14:35Come on.
01:14:36Come on.
01:14:37You think you got it?
01:14:38You come to me, bitch.
01:14:39Ah!
01:14:40Ah!
01:14:41Ah!
01:14:42Ah!
01:14:43Ah!
01:14:44Ah!
01:14:45Ah!
01:14:46Ah!
01:14:47Ah!
01:14:48Ah!
01:14:49Ah!
01:14:50Ah!
01:14:51Ah!
01:14:52Ah!
01:14:53Ah!
01:14:54Ah!
01:14:55Ah!
01:14:56Ah!
01:14:57Ah!
01:14:58Ah!
01:14:59Ah!
01:15:00Ah!
01:15:01Ah!
01:15:02Ah!
01:15:03Ah!
01:15:04Ah!
01:15:05Ah!
01:15:06Ah!
01:15:07Ah!
01:15:08Ah!
01:15:09Ah!
01:15:10Ah!
01:15:11Ah!
01:15:12Ah!
01:15:13Ah!
01:15:14How's about this?
01:15:15Take them off right now.
01:15:17Ah!
01:15:18Ah!
01:15:19Ah!
01:15:20Ah!
01:15:21Ah!
01:15:22Ah!
01:15:23Ah!
01:15:24Ah!
01:15:25Ah!
01:15:26Keep going.
01:15:50FBI!
01:15:50Move to your left!
01:15:51Drop your weapons!
01:15:52Drop them!
01:15:56Nice.
01:15:57Freeze you ugly fuck!
01:16:03Drop your piece!
01:16:09Drop it!
01:16:13Bring me the casualties report right away.
01:16:23Let her go.
01:16:24Let her go.
01:16:26Let her go.
01:16:27Mommy.
01:16:28Mommy.
01:16:29Congratulations, Miss FBI.
01:16:30You made it to the bonus round.
01:16:32Now, how do they say it?
01:16:34I could kill her now or I could kill her later.
01:16:37You decide.
01:16:38Ow!
01:16:39Come on, Jeff.
01:16:40You know what?
01:16:41You picked the wrong kid to kidnap.
01:16:54Danny!
01:16:55It's not worth it.
01:16:56Come on.
01:16:57Come on.
01:16:58Back off, Danny.
01:16:59Get this dirt out of here.
01:17:00Nobody until I say so.
01:17:01You're okay.
01:17:02Jesse!
01:17:03Jesse!
01:17:04Jesse!
01:17:05Jesse!
01:17:06Jesse!
01:17:07Jesse!
01:17:08Jesse!
01:17:09Jesse!
01:17:10Jesse!
01:17:11Jesse!
01:17:12Jesse!
01:17:13Jesse!
01:17:14Jesse!
01:17:15Jesse!
01:17:16Jesse!
01:17:17Jesse!
01:17:18Jesse!
01:17:19Jesse!
01:17:20Jesse!
01:17:21Jesse!
01:17:22Jesse!
01:17:23Jesse, you're okay.
01:17:24Jennifer.
01:17:25Jennifer.
01:17:26You saved your buddy, all right.
01:17:27Oh, Jed.
01:17:28Oh, Jerry.
01:17:29Thanks for coming in after us.
01:17:30You didn't leave me much choice, did you?
01:17:31After the way you all busted into this place.
01:17:32Hey, I'm just glad Jessica's okay.
01:17:33Oh.
01:17:34Oh.
01:17:35Oh.
01:17:36Oh.
01:17:37Oh.
01:17:38Oh.
01:17:39Oh.
01:17:40Oh.
01:17:41Oh.
01:17:42Oh.
01:17:43Oh.
01:17:44Oh.
01:17:45Oh.
01:17:46Oh.
01:17:47Oh.
01:17:48Oh.
01:17:49Oh.
01:17:50Oh.
01:17:51Oh.
01:17:52Oh.
01:17:53Oh.
01:17:54I'm just sorry you didn't get Carlos.
01:17:55I don't think we should have any problem holding him.
01:18:00The code book?
01:18:01That's it.
01:18:02Oh my God.
01:18:03But, I mean, how did you get it?
01:18:04Sarah.
01:18:05You know she had a tattoo of a small black rose on her thigh.
01:18:10First I didn't think anything about it because most inmates have tattoos of some kind.
01:18:13But it kept bugging me.
01:18:15So I did some rechecking.
01:18:17Turns out she has an aunt that lives in Texas, she's the only member of her family that Sarah
01:18:22stayed in touch with after she ran away from home.
01:18:24This aunt began growing black roses some years ago.
01:18:28She's actually quite well known for them.
01:18:30There's no such thing as a true black rose,
01:18:32so anything that even comes close is considered very rare.
01:18:34And this aunt sent Sarah black roses on her birthday.
01:18:38It's telling her how rare she was.
01:18:40And we found out that's where she had sent the code book
01:18:42in case anything happened to her.
01:18:43Wow.
01:18:45She was definitely a rare breed.
01:18:47Looks like she told you what you wanted to know after all, huh?
01:18:52I also did some checking on you, Tina.
01:18:54What?
01:18:55I had to make sure you weren't a plant by Vega.
01:18:56Jerry, give me a break.
01:19:00Well, I found out that you've applied
01:19:02to the Bureau a couple of times.
01:19:04You know about that?
01:19:06Yeah.
01:19:07You may not know this, but I can make sure appointments
01:19:08go through for specially qualified applicants.
01:19:14I told you I'd enact for this stuff.
01:19:17Yeah, and I need all the help I can get
01:19:19keeping an eye on a particular agent.
01:19:21I know what you mean.
01:19:22Hey!
01:19:23Danielle, do you have any idea the kind of trouble
01:19:25an agent that was on, say, suspension, would be in
01:19:28if they were involved in the kind of activity
01:19:30going on here tonight?
01:19:31Fortunately, your suspension's going to begin
01:19:35after you come back to the office
01:19:36and do all the paperwork on this case.
01:19:39I think two weeks with Jessica should be about enough.
01:19:44Come on, Jess.
01:19:47Oh, Jerry, can it be three?
01:19:50Don't push it.
01:19:51Don't push it, Peters.
01:19:53Come on, let's get out of here.
01:19:55Oh, I was wrong.
01:19:56You are a fun guy.
01:19:57Oh, shut up.
01:20:00Come on, sweetie.
01:20:01Let's let the lab guys have this place.
01:20:04♪♪
01:20:14♪♪
01:20:24♪♪