Igra sudbine, Epizoda 1121,Igra sudbine 1122 ,Igra sudbine 1121,Igra sudbine Epizoda 1122, Igra sudbine Epizoda 1121,Epizoda 1122 Igra sudbine ,Epizoda 1121 Igra sudbine
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00:00Welcome, club, parents, brothers.
00:15Andrija, it's not the time for whining.
00:20Believe me, it's not.
00:21Mia is not here all day. Miljana is out of her mind.
00:24It would be fine if it was a standard behavior,
00:29but she's not here all day.
00:31You know what, maybe you should call the police, just in case.
00:35I already did. They're looking for her.
00:38Do you know what she said to this little guy?
00:41What did she say?
00:42Wait, wait, here she is.
00:44See, I told you she'd show up.
00:46Here she is. She says, I'm fine, but you have to find me.
00:53I'm fine.
00:55What does it mean, you have to find me?
00:58I don't know. Maybe she's sending you a message.
01:02You should answer it.
01:04Bye, see you.
01:28Hey, did you just decide to...
01:37Jovana, Jovana, stop it.
01:40Why, what did I do?
01:42You know very well.
01:44Stop whining.
01:47And tell me, please,
01:49where did you get the idea to call the police?
01:53Andrija, it's not my fault that you decided
01:56to surround yourself with women you've hurt.
01:59But you're the only one with a problem.
02:01You think so.
02:03And everything you've done, you'll get back.
02:06I mean, maybe you're great at business,
02:08but your private life is creaking, and you know it.
02:12And you still insist on getting into my private life, right?
02:16Your private life. Didn't we tell you...
02:18I told you.
02:22And to leave Una alone.
02:25I warned you.
02:31Una, Boba, Senka, me.
02:37These are all women who will one day drink your blood.
02:42Andrija.
02:51Oops.
03:22Mmm.
03:29I hope I wasn't too harsh on you and Alex the last time.
03:34What do you mean harsh?
03:36I mean, I don't know what you mean.
03:39I mean, because of those price calculations.
03:41What?
03:42I just didn't want it to turn out
03:44that I'm not doing the job right,
03:46or that I want to steal the money that doesn't belong to me.
03:49I mean...
03:52How should I put it...
03:53I'm not tired of your sarcasm.
03:56You like sarcasm?
03:59Well, I like women who know what they want.
04:02Well, great.
04:04Great.
04:06Anyway, the lesson was helpful for you and for me.
04:10Yes, for me not to get sick anymore,
04:12and for you to tell us everything on time.
04:16Exactly.
04:17You know how well I understand you.
04:20You know what?
04:22I'll make you something.
04:25Something world-famous.
04:28You'll see.
04:38I'm telling you nicely.
04:40I'm worried about that relationship.
04:42I'm just not calm.
04:44I don't think you should compete with Bob.
04:46He's healthy.
04:48Bob is his business partner, and that's all.
04:50I'm not competing with him.
04:52I'm just trying to build trust in my own husband.
04:57And then she shows up at 10 p.m. in our house, and that's it.
05:03It would be best if you didn't interfere in their relationship.
05:07You don't think he'll choose between you two?
05:10No, no.
05:11And I would never ask him that.
05:14I can't not ask him what he wants from him.
05:18You said yourself that Bob had a hard time at work.
05:22Maybe he's just asking for support.
05:25Yes.
05:27And she got it.
05:29Right away.
05:31He went to the office in the morning
05:35and started solving his problems.
05:40Your husband is a good director.
05:43He let his employees suffer.
05:46That should impress you.
05:48You know, it says a lot about him as a man.
05:51I know.
05:53I know, and I wouldn't want him to reject her.
05:56I know I fought for a good man, but...
06:01He was in a hurry.
06:04In a hurry?
06:06Yes, he went to the office in the morning and...
06:10Okay, then we could talk about love.
06:14What love?
06:19What love?
06:21No, I'm not in love.
06:24I'm not in love, but...
06:26I don't trust him.
06:28I don't.
06:31You know what, let's talk about how to solve this.
06:37Okay, there is one solution.
06:40Get used to the fact that Andrija is in a business relationship with Bob.
06:44That's all.
06:46Explain it to yourself.
06:50I'm trying.
06:52It's just...
06:55I don't think it's just a business relationship.
07:07Andrija is in a business relationship with Bob.
07:12How are you going to make it world-famous?
07:16I'm very interested in that.
07:19I'm sorry.
07:21I'm very interested.
07:27I'm sorry.
07:29I'm sorry.
07:31I'm sorry.
07:37I'm just calling to see how you are.
07:40I'm good.
07:42I'm in Milan.
07:44The job is going as it should.
07:47So, tell me.
07:49That's all.
07:50To ask how it is.
07:52Yes, sure.
07:53You called to ask how it is.
07:55Maybe I have something that will cheer you up.
07:58Things are not going well for Andrija.
08:01Yes, yes.
08:02You see, I'm not interested in that at all.
08:04Are you sure?
08:05Yes, I'm sure.
08:06I don't have anything else to do here.
08:09I started a fashion collection that is investing a lot,
08:12so that's my priority now.
08:15As you wish.
08:17And me?
08:18Are you interested in me?
08:20Ivana, what are you talking about?
08:22I could take you to Milan for the weekend.
08:25What do you think?
08:27I don't think there's a need,
08:29because I'm working here.
08:31I don't know where I'm going.
08:33I'm on the other side.
08:35We wouldn't be able to see each other.
08:37That's all I wanted to say.
08:39Come on.
08:57Why do you think their relationship is not just business?
09:00Do you have any proof of that?
09:02No.
09:03No.
09:04Let's be clear.
09:05I don't think they are in some kind of intimate relationship.
09:09I just think they are pretty strangely close.
09:14Aha.
09:16I think I know why you have that impression.
09:20I don't know.
09:22Aha.
09:24I think I know why you have that impression.
09:27Why?
09:29You and Andrija don't have an intimate relationship.
09:33What does that have to do with this?
09:36Wait.
09:37Do you think he needs to prove the lack of that?
09:43No, no, no.
09:45I just think you are exaggerating your relationship with theirs.
09:50I don't understand.
09:53Andrija is close to you, but they are also close to her.
09:58Both relationships imply the lack of sex.
10:01That's why you are exaggerating them.
10:03That's why you think they are close in a different way.
10:07No.
10:08I think there is a big difference.
10:11Maybe in practice, but not in your imagination.
10:15Your brain connects similarities in relationships,
10:18and it knows when to get confused.
10:22I don't know.
10:25I need time to process that.
10:30You have to admit that your husband has a sense for female friendship.
10:34And that's all.
10:37That sounds pretty simple.
10:40We decided to complicate things.
10:42That's how we torture ourselves, and we don't achieve anything.
10:48That's true.
10:50Pretty much.
11:03Come on, Mido.
11:05Cheers.
11:09Oh, sir.
11:12Oh, look, look.
11:14Where are you, sir? Sorry if I'm bothering you.
11:16You're the one who's bothering me.
11:18How can you bother anyone?
11:20Especially me.
11:22Listen.
11:23Can I do something?
11:24Yes, you can.
11:25I just wanted to take a shower.
11:27I don't like to work in a shower booth.
11:30What are you talking about?
11:31My life.
11:32Something is broken at Mido Planović's.
11:34That's impossible.
11:36Something is broken at Mido Planović's,
11:38so I came to ask you to fix it as soon as possible.
11:43As soon as possible?
11:45Let's go right now.
11:47Mido Planović is at your service.
11:50Thank you. He was alive.
11:52You're welcome.
11:55I have an idea.
11:58What?
12:00What do you think?
12:02Let's go to a party.
12:24Hello.
12:50Mirjana.
12:53I know where Mija is, Mirjana.
12:55Hello.
12:57I know where Mija is.
12:59I know.
13:00Mija is on the river, Mirjana.
13:02On the river.
13:04On the river, on that place.
13:06On that place, on the river.
13:08I found that place.
13:22I can't believe it.
13:24Something is broken at Mido Planović's.
13:26You're alive, I won't kill you.
13:28I don't know what it was.
13:31Thank you.
13:32Maybe it's the heat or the river.
13:37You're welcome.
13:42Why are you so surprised?
13:45It's a strange situation.
13:47A strange situation?
13:48Why are you invited to a party?
13:50People go to parties, I don't know.
13:52Yes, but it seems to me that you just ran away from something.
13:56I don't know, maybe I am.
13:58I don't know what it has to do with this.
14:00So you are.
14:02Don't surprise me.
14:04Whatever happened.
14:06Was it a girl?
14:10Yes.
14:12Unfortunately, it was a mistake.
14:15There were many mistakes.
14:19A few.
14:21Well, maybe I could correct your mistake.
14:26Luka, look, let's solve one thing right now.
14:29Come on.
14:30I'm a bad cover for men who want to heal a broken relationship.
14:35Don't play with fire.
14:42Okay, where are you taking me for dinner?
14:52Now I remember that I told her about the river.
14:55But why that starfish?
14:57Why did she run away?
14:58Mirjana, the child is ours.
15:01She just wants to send us something in her own way.
15:05Our child is smart.
15:08How do you understand her message?
15:12I understand everything.
15:14She grew up without us.
15:16She just wants to go back to the way it all started.
15:20To go back to her beginning.
15:23That's how I understand it.
15:24To the river.
15:26Our child wants to reunite us.
15:28Well, yes.
15:30Nothing more to say.
15:35Let's go.
15:37Let's go.
16:00Are you hot and thirsty?
16:03Let's close this window.
16:04What window? I'm used to it.
16:07I'm used to driving a truck around Africa, America, Canada all the time.
16:10You know, in the heat of 1540 degrees.
16:13It's nothing for me, but...
16:15Where is the laundry?
16:16Come with me.
16:17Come on.
16:18Here you go.
16:19Here you go.
16:22Come on, come on, you're free.
16:23I'm sorry, I'm sorry.
16:24Come on, come on.
16:25Just a little bit, so I don't bother you.
16:26Come on, come on.
16:27If I could pass.
16:28Come on, come on, you're free.
16:29I'm afraid I can't help you.
16:30Come on, don't worry.
16:31You can, you can.
16:32It's not that hard.
16:33Come on, come on.
16:34All right.
16:35Thank you.
17:00What are you doing here?
17:03Nothing.
17:04You?
17:05What do you mean nothing, when you tried to get into Mido's room?
17:10Oh, I...
17:11Today, something planetary, slow.
17:12I wanted to talk to Mido, but I see he's locked up.
17:17I really don't know why that man locks himself up every day.
17:25It's like he has an alibi in his room.
17:30I don't know either, but there must be some reason why he locks himself up.
17:34I can't get to talk to you, to ask you about this mess.
17:39I mean, I'm sorry about everything with Trivanović.
17:42And I'm sorry you don't play the piano.
17:44Somehow, I really miss it.
17:48Listen, I know Dad wanted me to marry you.
17:53But my heart beats only for Trivanović.
17:56And that wouldn't be fair.
17:57I'm sorry, I'm begging you.
17:59Oh, God.
18:00Why are you apologizing for your sincerity?
18:02I understand you.
18:03I'd really like you to find a man, a real man.
18:07I mean, Aila Posala didn't think I was a chance for you.
18:13But you, Trivanović, do you have any plans?
18:16How is it going?
18:19We don't.
18:21He can't come to Kosmaj anymore.
18:24And I don't know what to do now.
18:26I have to figure out what to do, but I really don't know.
18:29Yes.
18:30Do you know how sorry I am to hear that?
18:32Do you know how sorry I am?
18:34You'll always have allies and good friends in me,
18:37and someone you can count on.
18:39Believe me.
18:41I'm dying.
18:42My love.
18:45Well, now we'll see what's going on here.
18:50I'll try to find a way out.
18:54Wait, wait.
18:56Mido, do you know anything about water installations?
19:02Oh, God, what are you asking?
19:04You're asking if I'm going to die.
19:06No, I won't.
19:08Listen to me.
19:09The thing that's behind your head,
19:12it's not for you, it's for the battery.
19:14Okay, okay.
19:20I think this is good now.
19:29This battery is good now.
19:32Wait, which one are you talking about?
19:34The bathroom or your battery?
19:38See, see, see what she's asking me.
19:41Okay, okay.
19:43We're starting to get a little crazy, aren't we?
19:46Well, okay.
19:47What's missing?
19:48What's missing?
19:49My battery.
19:50Thank God.
19:51Great.
19:52Thank God.
19:53I can't take it anymore.
19:55I can't take it anymore.
19:56I want it all to fall off.
19:57Don't, don't.
19:58Let the devil in, let the devil in.
20:00How's your battery?
20:02This one?
20:03This one, sir?
20:04Thank you for asking.
20:06It's good.
20:07It's good.
20:08I think it's going to be even better.
20:10I'm so glad.
20:11See, I put this new one for you.
20:15Just in case I find it.
20:17I installed it for you.
20:19Now you can cry as much as you want.
20:21There you go.
20:22Don't worry, don't worry.
20:23It shouldn't be that bad.
20:24Great, great.
20:25Thank you.
20:26You're welcome.
20:27I'm so glad.
20:29Great, bravo, bravo.
20:36Please come to Kosmaj.
20:39I missed you so much.
20:41Ljubinka, I can't come.
20:43Do you realize that there's no chance for me to show up?
20:46Because the boss is following me.
20:48He's following every step I make.
20:50I just want to tell you that we can't go on like this.
20:54We have to come up with a plan.
20:56Here, here, I'll come up with a plan.
20:58Okay, Ljubinka.
20:59Just, if you can, don't come up with a dangerous plan.
21:03Do you know what I just remembered?
21:05What?
21:06That I'm packing my bus
21:08and that I'm coming to Belgrade to see you.
21:13No, Ljubinka.
21:14Please don't come.
21:16I'm begging you.
21:17Don't come because of me.
21:19But we really have to see each other.
21:25We have to see each other.
21:26I understand you.
21:27I understand you.
21:28But you have to understand me as well.
21:30If you come, your dad will follow you.
21:33He'll come to my boss.
21:35Don't worry, we'll tell him everything.
21:37And I'll get fired.
21:38I'm begging you, Ljubinka.
21:39Don't do this.
21:42Here, here, Ljubičica.
21:44Here, I'm thinking.
21:45I have an idea.
21:46I have a very good idea.
21:49Let me wait for it.
21:51Here, this is how we'll do it.
21:52I've thought about it.
21:53Do you know what I'll do?
21:54I'll come one night when everyone's asleep.
21:57You won't fall asleep.
21:58That's a deal.
21:59Everyone's asleep.
22:00Okay.
22:01I'll come.
22:02And then we'll see each other.
22:04Wait, when are you going to call me?
22:06I'll call you exactly when.
22:07Just to reduce those traces.
22:08So that there are no traces left.
22:09Do you understand?
22:10And you know how we'll...
22:12When I come in front of you,
22:14you know how you'll know it's me.
22:16By the glory of this poem.
22:18This is how it'll be, Ljubinka.
22:19This is how it'll be.
22:29I miss you so much.
22:34That means you miss me too.
22:42Great.
22:45I have to ask you.
22:46Do you train?
22:47I mean, now that I'm looking at you,
22:49you're a muscle.
22:51You look great.
22:52I don't train.
22:53I don't train.
22:54I don't do anything.
22:56I drive a truck, you know.
22:58Really?
23:03Are they big trucks?
23:05Big?
23:07You can't believe it.
23:08Do you know how many trucks there are?
23:10When I drive this big,
23:11I don't see myself at all.
23:12Six of them.
23:13And when you push it through the desert,
23:16through Africa,
23:17up to 45,
23:18it has 26 wheels.
23:20Six tires.
23:21When it breaks,
23:22the others work.
23:23It goes.
23:24It's so small.
23:25That's weird.
23:26Can I pee?
23:27What?
23:28My muscles.
23:29You can.
23:30You can't.
23:35Congratulations.
23:36Like a bubble.
23:37Like a bubble.
23:38Like a stone.
23:39Pee.
23:40Pee.
23:41I have to warn you.
23:42Don't pee too much
23:43because I'm not responsible
23:44for my actions.
23:45Come on.
23:46Let's go.
23:47Let's go.
23:48Look, look.
23:49Why are you turning your back on me?
23:51You're such a loser.
23:52Such a loser.
23:53I recorded it.
23:54I recorded it right away.
23:55What?
23:56You.
23:57You.
23:58You have a thousand wives.
23:59Who?
24:00You.
24:03A thousand?
24:04I'm more than that.
24:05Well, me.
24:06Those were your driver's adventures.
24:08I didn't count them.
24:09I didn't count them.
24:10I didn't count them at all.
24:11You know, black, white, yellow,
24:12small, tall, fat,
24:13all pretty,
24:14big hair,
24:15big eyes
24:16when she looks at you.
24:17Yes.
24:18Let's go.
24:19I'd like to go slowly.
24:20Wait, you can't go yet.
24:21Listen,
24:22I have
24:23I have a suggestion.
24:24Because I'm really
24:25infinitely grateful to you
24:26that you came right away.
24:27Thank you.
24:28No, no.
24:29You solved the problem right away.
24:30Yes, it showed.
24:31You solved the problem right away.
24:33I wanted to invite you
24:34because I have
24:35I have a bottle
24:36of top-notch
24:37top-notch
24:38white wine
24:39I brought it from Belgrade.
24:40But I can't
24:41I can't
24:42open up
24:43the situation
24:44to make that wine.
24:45I don't have anyone to drink it with.
24:46So I thought
24:47if you want
24:48to come back in the evening
24:49we'll pour some wine
24:50we'll have a chat
24:51we'll have a chat
24:52maybe some cheese and olives
24:53we'll have a chat
24:54we'll have a drink
24:55I mean
24:56if you agree
24:57if you're for it.
24:58I agree.
24:59Mido agrees
25:00like a board
25:01on a pilaf.
25:02How do you like it?
25:03And look
25:04where are we going to drink
25:05that bottle of wine?
25:06Well, I said
25:07let's not complicate it
25:08here, huh?
25:09One more time.
25:10The best.
25:11Here.
25:12At my place.
25:13You gave me that idea
25:14already when you mentioned it.
25:15Where are you going
25:16better than at my place
25:17to take my words out of my mouth?
25:18That's not hygienic.
25:19So
25:21we all agreed
25:22I'm going
25:23I'm going
25:24Have a nice time
25:25and I'll see you later.
25:26Later.
25:27We'll have a drink
25:28of this wine
25:29from Belgrade.
25:33Don't worry
25:34I'll be right back.
25:37Don't worry
25:38everything's fine.
25:39This is Mido Pljanovic
25:40and I'll fix this.
25:42See you later.
25:43Bye.
25:45Cuckoo
25:50Sigh
26:20Excuse me.
26:21You're finally here.
26:22Param in serbo.
26:23You're always late
26:24by 15 minutes.
26:25I told you
26:26it's important.
26:27Okay, what was it?
26:28The owner of the studio
26:29got fired.
26:30He wants to see you
26:31as soon as possible.
26:32Why?
26:33Where is he paid?
26:34I don't know.
26:35I'll find out
26:36in the evening.
26:37I have to go.
26:38Bye.
26:39Bye.
26:40Bye.
26:41Bye.
26:42Bye.
26:43Bye.
26:44Bye.
26:45Bye.
26:46Bye.
26:47Bye.
26:48Bye.
26:49I'll find out
26:50in the evening.
26:51Honestly,
26:52I'm very worried.
26:54Don't worry.
26:55I'm sure
26:56it's a minor issue.
26:57No.
26:58It doesn't seem like it.
26:59It's not a big deal.
27:00We paid the bills.
27:01Kira's been paid.
27:03Everything's fine.
27:04But I have
27:05something else to tell you.
27:08You'll have to
27:09finish this
27:10in the evening.
27:11Why?
27:13I'm going out
27:14with Luka.
27:17Laura.
27:19You're
27:20messing with him again.
27:22We had a deal
27:23not to do that.
27:25I'm not doing anything.
27:26He invited me
27:27to the party.
27:28I can't kick him out
27:29right now.
27:31I'm going out
27:32with Ravel.
27:33Are you crazy?
27:34Why are you acting like that?
27:38You know
27:40my opinion
27:41about all this.
27:50I'm on my way.
28:04Move!
28:05Here you go.
28:08Tell me.
28:09What did you do?
28:10I can't tell you.
28:11I pulled a few moves
28:13to see
28:14if it can be developed.
28:16Do you think
28:17Do you want me to hang myself on my back, huh?
28:19Do you want me to suck Vesla like your guests
28:21who you talk to all day?
28:23What are you talking about, Shaman?
28:24It's important that we have a plan.
28:25That's the most important.
28:26We do, but I don't know anything concrete.
28:28I can't tell you anything concrete
28:30so that you wouldn't be in danger.
28:32If you come to me like this,
28:33if you really don't make it,
28:35I'll rip out your guts.
28:48Yes?
28:51Bobo, hello.
28:53Hello.
28:56It's wonderful to see the director
28:58in his chair again.
29:00Look, you should know that I like it.
29:02Let me take a little break from the problems.
29:05Says a man who is just solving
29:07a ton of papyrology.
29:09Come on, please.
29:10There are no problems at work
29:12compared to private problems.
29:14I agree.
29:17Let's go.
29:28Dobrice, I really like harmonica.
29:30I beg you.
29:31If you're going to mention harmonica,
29:33violins and trombones,
29:34leave me out of it.
29:36You know what?
29:37I've heard that she plays harmonica
29:39better than the piano.
29:41Just so you know.
29:43Look at you.
29:44You don't know anything.
29:45What's her name?
29:47Listen, listen.
30:01Stop whistling like a god.
30:04Break my brain.
30:06Seljo, do you know that some people
30:09say that only bad people
30:11don't like music?
30:13Well, that's music.
30:14It looks more like our music video
30:16than music.
30:17Oh, God, what are you talking about?
30:19Who sings, doesn't mean evil.
30:23Don't you sing, friend?
30:25You're whistling.
30:40Yes?
30:42Good evening.
30:46Good evening.
30:47Here I am.
30:48Just as agreed.
30:49In a second.
30:50Just as we agreed
30:52on a glass of wine.
30:53Yes, yes, yes.
30:56Here.
30:57Thank you.
30:58Here you go.
30:59Thank you.
31:12He moved you to the shadows
31:14so that I couldn't hear
31:16what Boba was talking about.
31:18Horrible.
31:19Yes.
31:20Do you know what that means?
31:22That means he's going
31:24into a counter-offensive.
31:27But let me tell you,
31:28I'm going to figure out
31:29how I'm going to jump on him.
31:31He won't be able to.
31:32I don't doubt that.
31:41In the next episode
31:46Yes.
31:48And in my village,
31:51the parrots are sitting
31:54and the mother is in the cradle.
31:56Mara,
31:57my dear.
31:58Where are you, kids?
31:59Where are we?
32:00Have you seen where we are going?
32:02I need something.
32:11In the next episode
32:16She was really nice to me.
32:18Really?
32:19Yes.
32:20Was it because of work or...?
32:22Well, it was because of work,
32:24and because...
32:25I'm sorry, I have to go.
32:27I'm sorry.
32:29Tell me, did you have dinner?
32:41In the next episode
32:46Is everything okay?
32:51I think you need to know something.
32:53What?