"Bloodline Assassin" is a gritty action-thriller that delves into themes of vengeance, loyalty, and the dark secrets of one's heritage. The film follows the story of Alex Kane, a highly skilled and deadly assassin who has been living a double life. By day, Alex is a devoted family man and loving father, but by night, he operates in the shadowy underworld of contract killers.
The plot kicks into high gear when Alex's past catches up with him. A powerful crime syndicate, led by the ruthless Viktor Dragovich, discovers Alex's true identity and decides to eliminate him. This brutal confrontation leads to a tragic event where Alex's family is caught in the crossfire, and his wife and child are killed.
Driven by an unquenchable thirst for revenge, Alex embarks on a relentless quest to dismantle Dragovich's empire. He navigates a dangerous world filled with corrupt officials, rival assassins, and double-crossing allies. Along the way, he uncovers shocking revelations about his own bloodline and the sinister forces that have been manipulating his life from the shadows.
As Alex's journey of vengeance intensifies, he forms an uneasy alliance with Mia, a former assassin with her own vendetta against Dragovich. Together, they wage a brutal war against the syndicate, taking down key players and unraveling a conspiracy that goes far deeper than they ever imagined.
The film is a high-octane blend of intense action sequences, emotional depth, and complex character arcs. Alex's transformation from a cold-blooded killer to a man fighting for justice and redemption is central to the narrative. "Bloodline Assassin" culminates in a climactic showdown between Alex and Dragovich, where the stakes are life and death, and the true meaning of family and honor is put to the ultimate test.
With its gripping storyline, dynamic characters, and explosive action, "Bloodline Assassin" offers a thrilling cinematic experience that keeps audiences on the edge of their seats from start to finish.
The plot kicks into high gear when Alex's past catches up with him. A powerful crime syndicate, led by the ruthless Viktor Dragovich, discovers Alex's true identity and decides to eliminate him. This brutal confrontation leads to a tragic event where Alex's family is caught in the crossfire, and his wife and child are killed.
Driven by an unquenchable thirst for revenge, Alex embarks on a relentless quest to dismantle Dragovich's empire. He navigates a dangerous world filled with corrupt officials, rival assassins, and double-crossing allies. Along the way, he uncovers shocking revelations about his own bloodline and the sinister forces that have been manipulating his life from the shadows.
As Alex's journey of vengeance intensifies, he forms an uneasy alliance with Mia, a former assassin with her own vendetta against Dragovich. Together, they wage a brutal war against the syndicate, taking down key players and unraveling a conspiracy that goes far deeper than they ever imagined.
The film is a high-octane blend of intense action sequences, emotional depth, and complex character arcs. Alex's transformation from a cold-blooded killer to a man fighting for justice and redemption is central to the narrative. "Bloodline Assassin" culminates in a climactic showdown between Alex and Dragovich, where the stakes are life and death, and the true meaning of family and honor is put to the ultimate test.
With its gripping storyline, dynamic characters, and explosive action, "Bloodline Assassin" offers a thrilling cinematic experience that keeps audiences on the edge of their seats from start to finish.
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Short filmTranscript
00:00:00Training Flight Zulu Bravo One-Niner, this is Tower.
00:00:06Tower, this is One-Niner, go ahead.
00:00:08We're gonna have you come back in. We're getting reports a civilian aircraft may have wandered into your sector.
00:00:14We're gonna see if we can't run him off. Abort your training exercise and report back to base immediately.
00:00:19Roger that, Tower.
00:00:21This is Team Leader. You heard him. I think that'll do it for today. Let's head on home.
00:00:27Roger that, sir. You guys whooped us pretty good today.
00:00:31Like the song says, Martinez, there's always tomorrow.
00:00:35Didn't know you were into show tunes, sir.
00:00:37I guess you'll be one guy I won't have to worry about sneaking in my tent at night.
00:00:41You'll pay for that one, Martinez.
00:00:45Promises, promises, sir.
00:00:58Shit!
00:01:06Tower, this is Zulu Bravo One-Niner.
00:01:08Zulu Bravo One-Niner, this is Tower, go ahead.
00:01:11We have been engaged by an unidentified aircraft. I repeat, we have been engaged by an unidentified aircraft.
00:01:17I have one bird down. Martinez is dead.
00:01:22What type of aircraft, One-Niner?
00:01:24Scorpion. Black. No markings of any kind.
00:01:28I'm in pursuit.
00:01:30Stay with me, One-Niner. I have six birds en route to your coordinates. I repeat, I have six birds en route.
00:01:42Where is he?
00:01:48Tron.
00:01:50Tower, where are these...
00:01:51Six birds!
00:01:55Six!
00:01:58God damn it, I'm hit!
00:02:01Hang in there, One-Niner. Hang in there.
00:02:09Tower will be there in two minutes.
00:02:11Come on. Come on, man.
00:02:21Die!
00:02:24Die!
00:02:33Shit.
00:02:47Watch out for the water, Daddy.
00:02:49Oh, really? Well, I would watch out for the water, but somebody has their hands over my eyes.
00:02:54You've got to trust me, Daddy.
00:02:56Oh, trust you? Last time I trusted you, I had to buy a new pair of shoes.
00:03:00Oh, you think that's funny, huh? You think that's...
00:03:03Oh, you think that's funny.
00:03:08Look, a sea monster!
00:03:10A sea monster? A sea monster? Where?
00:03:12Oh, no! You tricked me.
00:03:16Come here.
00:03:18Hey, come here.
00:03:46Bailey! Bailey!
00:03:48Now get away from the water!
00:03:51Get away from the water.
00:03:54Come on.
00:04:15Come on.
00:04:45Come on.
00:05:01Bailey, Bailey, stop. Stop.
00:05:04We've got to get going.
00:05:06No.
00:05:08Yes. Come on. Your mother will kill me if you miss your plane.
00:05:16What's the matter?
00:05:18I don't want to go to New York.
00:05:21Really? Don't you want to see Grandma?
00:05:24No. I hate it when she pinches my cheeks.
00:05:28Pinch her back. Always works for me.
00:05:46Excuse me, but aren't you George McNamara?
00:05:51Yes, well, guilty.
00:05:53Oh, see, Stanley, I told you.
00:05:56That's my husband Stanley. He didn't believe me.
00:05:59You should know better.
00:06:01You know, I just... I have to tell you that State of the Nation
00:06:04is one of our favorite programs. We never miss it.
00:06:07Thank you very much.
00:06:09And I've been watching you since you were just a reporter,
00:06:12and now you have your own show and all.
00:06:15Wow.
00:06:17Yeah. Wow.
00:06:19Um, would you mind...
00:06:21An autograph.
00:06:23Terribly? Oh, no. Well, who said anything about an autograph?
00:06:26Stanley, could you come over here and take a picture of me and Jordan?
00:06:29Yeah, yeah.
00:06:34So, is that your little girl?
00:06:37Yes, this is, uh, this is Bailey. Bailey, say hi.
00:06:40Hi. You're tall, buddy.
00:06:42Bailey.
00:06:44Isn't she sweet?
00:06:46Marge, what's wrong with the flag?
00:06:56Okay, I think I got it now. Let's see.
00:07:05Okay, school's in. Say TV.
00:07:09So, did you ever find out what happened to that poor soldier,
00:07:12that Captain England?
00:07:14Edlund. Edlund, no. Still working on that one.
00:07:17Oh, well, I hope that you do, because that was just horrible.
00:07:31You know, this country's going to hell in a handbasket.
00:07:34Will you take the picture already?
00:07:37So, you got any plans to come to Akron?
00:07:45Oh, well, if you ever do.
00:07:48All right, Stanley.
00:07:52So, thank you. Thank you.
00:07:54Okay, thank you.
00:07:55Boy, I'm going to be the envy of all my girlfriends.
00:07:58Thanks.
00:07:59Okay, thank you.
00:08:00Bye.
00:08:01Okay, bye.
00:08:05Are you in position?
00:08:07Yes, sir.
00:08:08All right.
00:08:09All right.
00:08:10All right.
00:08:11All right.
00:08:12All right.
00:08:13All right.
00:08:14All right.
00:08:15All right.
00:08:16All right.
00:08:17All right.
00:08:18All right.
00:08:19Are you in position?
00:08:23Yes.
00:08:25Well, I got the target spotted.
00:08:29He's about 20 meters south of me.
00:08:34Track with me now. I'm moving towards him.
00:08:37I'm going to walk right by him.
00:08:39He's white male, gray hair, approximately 45 years old.
00:08:43White or brown jacket.
00:08:49Got him.
00:09:07Door.
00:09:08Door.
00:09:17Jesus.
00:09:23It's annoying, isn't it?
00:09:25It's annoying to me, too.
00:09:29You're the most important thing in the world to me.
00:09:32I swear.
00:09:34I swear.
00:09:36All right.
00:09:37Let's say goodbye to the ocean, okay?
00:09:39Then we've got to go.
00:09:40Okay.
00:09:44He's clear.
00:09:47Take the shot.
00:09:49Have you lost your fucking mind?
00:09:51Take the shot.
00:09:54He's a reporter for Christ Sakes.
00:09:57You will take the shot.
00:10:01That's an order.
00:10:03Do you copy?
00:10:05Copy.
00:10:35Whoa.
00:10:37Fuck you, Dalton.
00:10:39Dad, look, the sand.
00:10:41What about it, sweetheart?
00:10:43Something's under the sand, right next to that man.
00:10:48Maybe it's a sea monster, huh?
00:10:51Maybe you should warn the nice man.
00:10:55I don't think so.
00:10:57I don't think so.
00:10:58I don't think so.
00:10:59I don't think so.
00:11:00I don't think so.
00:11:01I don't think so.
00:11:02Maybe you should warn the nice man.
00:11:09Suddenly she's shy.
00:11:11Yeah.
00:11:12Mine are the same way.
00:11:15Have a good one.
00:11:17You do the same.
00:11:25The dog won't hunt.
00:11:30Put her to sleep.
00:11:32Yeah.
00:12:03Excuse me.
00:12:05You gentlemen have to sign in.
00:12:32Fuck.
00:13:02Fuck.
00:13:33Hey.
00:13:36You gonna be here a minute?
00:13:37Yeah, sure.
00:13:38I'm gonna make a quick round.
00:13:39Do me a favor and keep an eye on the door, okay?
00:13:41No problem.
00:13:42Thanks.
00:14:02Fuck.
00:14:33Fuck.
00:14:51What the fuck?
00:14:53Central.
00:14:54This is Ron at 701 Ocean.
00:14:56I need the cops out here now.
00:14:58I got a dead guy up on the roof.
00:15:00He's got a gun.
00:15:02Come back a dead what?
00:15:03A dead guy.
00:15:04As in not breathing anymore?
00:15:06With a gun as in what I'm gonna shoot your ass with a gun.
00:15:08Get somebody out here now.
00:15:16I'm gonna shoot your ass with a gun.
00:15:18I'm gonna shoot your ass with a gun.
00:15:21I don't believe this.
00:15:26Sweet.
00:15:27Oh, God.
00:15:28Lady, lady.
00:15:29Sir, are you gonna help me?
00:15:30Are you all right?
00:15:31This man, he just came out of nowhere
00:15:33and he killed this tremendous man.
00:15:34Okay, okay.
00:15:35We need to get you out of here, okay?
00:15:36We need to get out of here, all right?
00:15:37This is gonna kill everybody.
00:15:38I'm afraid, I'm afraid.
00:15:39Come with me.
00:15:40Come with me.
00:15:41It's all right.
00:15:42The police will be here any second, all right?
00:15:43Sam has reports.
00:15:46Murdoch.
00:15:48Murdoch, report.
00:15:52Murdoch, Samuels, report.
00:15:56You guys hear me or what?
00:16:00It's okay.
00:16:01Everything's gonna be all right.
00:16:15Come on.
00:16:46Come on.
00:16:59Security just put in a 911 call.
00:17:01Locals are on their way.
00:17:02SWAT team, the whole deal.
00:17:04Meteo probably beat him there.
00:17:06That little bitch.
00:17:11Let's get the hell out of here.
00:17:13Give me that phone.
00:17:14You know what I'm waiting for?
00:17:17She's not even in the same zip code anymore.
00:17:21Yeah, this is Dalton.
00:17:23We're coming in.
00:17:31Searching.
00:17:38Oh, God bless you.
00:17:40Oh, my...
00:17:57Identify yourself.
00:17:58It's me.
00:17:59Well, that narrows it down some, don't it?
00:18:01You're gonna have to do better than that.
00:18:03God damn it, Marcus, I don't have time for this.
00:18:05Just let me in or I'm gonna fucking kill you.
00:18:07Hey, girl, you should have just started out with all those curse words.
00:18:09Then I would have known it was you right off.
00:18:11Marcus.
00:18:12Okay, okay.
00:18:37You're about two days early.
00:18:39Two days late, depending on how you look at it.
00:18:41Oh, look at you.
00:18:43Rough day at the office?
00:18:47I guess so.
00:18:51What's wrong?
00:18:54What's up?
00:18:56I need your help.
00:18:58Oh, see, in here I thought you finally came to your senses
00:19:00and decided to seduce a brother.
00:19:04What do you need?
00:19:05I need an address.
00:19:07It's not a problem.
00:19:09Let's just take a little trip to the DMV.
00:19:14You gonna tell me what happened?
00:19:19They tried to kill me this morning.
00:19:22See, that's management for you.
00:19:24Always trying to fire you before you can quit on them.
00:19:27It's a good thing we put together that severance package, huh?
00:19:30You got a name for me?
00:19:32Jordan McNamara.
00:19:34Jordan McNamara.
00:19:35Jordan McNamara.
00:19:36That name sounds familiar, but I don't know where from.
00:19:39He was on that news show, State of the Nation.
00:19:42Oh, right.
00:19:43I don't watch very much TV.
00:19:45You kidding, ever?
00:19:47You know, I find TV to be very educational.
00:19:49The minute somebody turns it on,
00:19:51I go to the library and read a good book.
00:19:53Groucho Marx.
00:19:55Welcome to the Department of Motor Vehicles.
00:19:59That's him?
00:20:01You're fucking fabulous.
00:20:03Yeah, I know.
00:20:04So, how do we know him?
00:20:08He was my target this morning.
00:20:12Yeah.
00:20:13Okay.
00:20:14Famous, rich, handsome.
00:20:16That's reason to kill him right there.
00:20:19Another job well done, Mr. Dalton.
00:20:25Four of our operatives down.
00:20:27Four of our operatives down.
00:20:29A veritable media circus.
00:20:32And the local police have a description of a woman
00:20:35who it appears would be quite adept with firearms.
00:20:38I'm sure it's just an oversight on your part,
00:20:40but maybe you missed the memo whereby I gave the order
00:20:43that she be terminated at the earliest possible convenience.
00:20:46That's exactly what I was trying to do.
00:20:48I was trying to follow that order.
00:20:50Well, you've lost me.
00:20:53Because it would appear that not only was the order not followed,
00:20:57but that she was given an assignment
00:21:00upon which the very survival of this organization depends.
00:21:03We had a plan to terminate her
00:21:07after she completed the sanction on McNamara.
00:21:12Seems to me you're missing the goddamn point, Mr. Dalton.
00:21:15My problem is that she was given the assignment in the first place.
00:21:18It was a 950-yard shot.
00:21:22No, she took out Janos Medovic in Sarajevo
00:21:27at 1,175.
00:21:31Um, I didn't hear any complaints then.
00:21:35I picked the best person for the job.
00:21:38Let's not horseshit around.
00:21:41I think we both know why you picked her.
00:21:44Find her.
00:21:46Before the police do.
00:21:49I'd like to keep this in the family.
00:21:52McNamara. Contingency plan.
00:21:55We'll have surveillance following him out to his ex-wife's house in Laguna.
00:22:00Should take him about an hour to get there.
00:22:04Hour and a half to get back.
00:22:07And as soon as he gets there, we're gonna take him out.
00:22:10Then we'll go inside and clean up everything.
00:22:13Computer disks, paperwork.
00:22:16And, uh, it'll all be taken care of.
00:22:19All right, let's try not to fuck this one up, shall we?
00:22:27You are gonna change that shirt, aren't you?
00:22:31Yeah.
00:22:47Okay.
00:22:49We got one Colt M4, carbine.
00:22:52.223 caliber, nine-inch barrel.
00:22:56.16 Sauer P229, .40 caliber, Smith & Wesson.
00:23:01Optical sight on the M4.
00:23:03Tritium night sight on the Sig.
00:23:07Chambers, throated, ramped and polished.
00:23:10Nice work.
00:23:14Nice work.
00:23:19Four-pound trigger.
00:23:21Come on.
00:23:23One polymer dagger, razor sharp.
00:23:26Undetectable by conventional X-ray scanners.
00:23:29Okay.
00:23:31Four extra mags.
00:23:33A thousand rounds of frangible ammunition for each.
00:23:35Armor-piercing for the .223
00:23:38and subsonic for the .40 caliber Smith & Wesson.
00:23:41Now, this ought to keep you out of trouble,
00:23:43although I doubt that's possible.
00:23:45Okay, passports.
00:23:47Not one, but three.
00:23:49Credit cards to match.
00:23:51Platinum.
00:23:53Come on, now I run a professional operation here.
00:23:57Plane tickets.
00:23:59I gotta get you new ones, okay?
00:24:01These got you going through Mexico.
00:24:03Remember what happened the last time we were in Mexico.
00:24:05I'm not going anywhere.
00:24:07Oh.
00:24:09Well, I guess I had it all wrong.
00:24:11I thought the idea was to disappear,
00:24:13you know, live happily ever after.
00:24:15It was, but it's not now.
00:24:17This is why you can't keep a man, all right?
00:24:19Half of this stuff here will intimidate the crap
00:24:21out of your average guy, all right?
00:24:23Make him think twice about making a move on you.
00:24:25Maybe even three or four times.
00:24:27You'd be surprised.
00:24:29Why are you doing this?
00:24:31Just some things you can't run away from.
00:24:35All right, look.
00:24:37This is all I have so you can get out of this, all right?
00:24:39Disappear. They can't trace you.
00:24:41It's clean.
00:24:43You go back in there, you're gonna die.
00:24:45I died a long time ago,
00:24:47and a hundred times since.
00:24:49First Edlin, now McNamara,
00:24:51and I just gotta make it stop.
00:24:57So what are you gonna do?
00:24:59Well, Dalton's gonna move in on this guy today.
00:25:01I just gotta get there first.
00:25:07Okay.
00:25:23Mr. Dalton?
00:25:25Yeah.
00:25:27He's checking his messages through his cell phone.
00:25:29You have one message.
00:25:33Hey, dude, it's Pettinato,
00:25:35producer calling. Having a nice day?
00:25:37Well, I'm gonna fucking ruin it.
00:25:39Look, I need something on the Edlin story by first thing tomorrow.
00:25:41Call if you have a problem.
00:25:43Goddamn right there's a problem.
00:25:45He's calling his producer now.
00:25:49Well, see if he can jam it.
00:25:51You're the man, sir. Consider it done.
00:25:53Mr. Pettinato will be with you in just a moment.
00:25:55He just called me.
00:25:57It's okay. You can break into the meeting.
00:25:59Ladies and gentlemen,
00:26:01we are having
00:26:03technical difficulties.
00:26:05The trouble is not in your scent.
00:26:09Hello? Hello?
00:26:11Are you there?
00:26:13Oh, shit. That's it. I'm going digital.
00:26:25That's him. He's coming in.
00:26:33Oh, shit.
00:27:03Hi, there.
00:27:05Are you Jordan McNamara?
00:27:07Yeah, and you are?
00:27:09Special Agent Richards, FBI.
00:27:11Well, what can I do for you?
00:27:13Well, you can drop the weapon for one.
00:27:15Makes me nervous.
00:27:17It's my daughter's.
00:27:19I should hope so. You look a little old for that.
00:27:21So, uh, what, uh...
00:27:23It's pretty routine, actually.
00:27:25We need to ask you a few questions about the Edlin matter.
00:27:27We need you to come down to the office with us.
00:27:29What about Edlin?
00:27:31Uh, we'll get into that down at the office
00:27:33if you'll just come with us.
00:27:35Am I under arrest? No, no, nothing like that.
00:27:37It's a few questions, and, uh, I'll get you right back here.
00:27:39Listen, I can't answer
00:27:41any questions on that story without the advice
00:27:43of a network attorney.
00:27:45I understand. Do you want to make a phone call?
00:27:47Have him come down and join us.
00:27:49Okay. Just give me a second.
00:27:51He didn't bite. Come on in.
00:27:53Excuse me.
00:28:01If you want to live, you'll come with me.
00:28:03Who are you?
00:28:05I'm the fucking Tooth Fairy. Come on.
00:28:07You just killed two FBI agents.
00:28:09They're not FBI, and they were here to kill you.
00:28:13Look, I got about 30 seconds.
00:28:15How do I know you're not here to do the same thing?
00:28:17Because you're still alive. There's your first fucking clue.
00:28:21There's your second.
00:28:23Come on!
00:28:31Help me!
00:28:33She got Frank.
00:28:37That fucking bitch.
00:28:39I'm hit!
00:28:43She's using him as bait.
00:28:47Yeah, I taught her how to do that.
00:28:49We got to do something.
00:28:51We got to do something.
00:28:53We got to do something.
00:28:55We got to do something.
00:28:57We got to do something.
00:28:59We got to do something.
00:29:07How's that, baby?
00:29:17Hey, honey.
00:29:19I tell you what.
00:29:21Why don't we make a deal?
00:29:29You complete the sanction on the newsboy,
00:29:33and we'll go out and have a drink
00:29:35and call it a day.
00:29:37What do you think?
00:29:39Complete the sanction? Does that mean...
00:29:41They're going to try and flank us.
00:29:43We got to get out of here.
00:29:45I'm not hearing nothing.
00:29:47That's a bad sign. Come on, honey.
00:29:49Let's be friends.
00:29:51Here, take this.
00:29:53What?
00:29:55Take it.
00:29:57There's a road across the railroad tracks
00:29:59about a mile that way.
00:30:01Black Canyon Road, yeah?
00:30:03Yeah. There's a blue pickup truck parked on the shoulder.
00:30:05Find it and wait for me.
00:30:07Are you kidding? They're shooting?
00:30:09I'll cover for you. Just get going.
00:30:11Jesus.
00:30:13Listen, I got this all figured out.
00:30:15You head for Black Canyon Road.
00:30:19She'll insert there.
00:30:23She'll be heading cross-country
00:30:25with the vehicle.
00:30:55Drop it.
00:31:01Hands on the head.
00:31:03Turn around.
00:31:05This is gonna be fun.
00:31:09That was for me,
00:31:11you fucking bitch.
00:31:13And this one's for Frank.
00:31:17I'll tell Dalton what a good job you did.
00:31:25Ugh!
00:31:55Fuck this.
00:32:25Fuck.
00:32:45I thought I told you to head for the road.
00:32:47You weren't avoiding me, were you?
00:32:49No.
00:32:51Good.
00:32:53Give me your pistol back.
00:32:59Shall we?
00:33:07Who are you?
00:33:09What is going on here?
00:33:11I used to work for the government.
00:33:13The government.
00:33:15Let me guess. Postal service.
00:33:17Come on. CIA?
00:33:19Why do they want you dead?
00:33:21They who?
00:33:23I'll get to that.
00:33:25You know something that they're afraid of. What is it?
00:33:27I...
00:33:29This is getting surreal.
00:33:31Look, I can't help you
00:33:33if I don't know why they want you dead, so...
00:33:35Well, you've done a great job helping so far.
00:33:37I mean, just this morning I was saying,
00:33:39you know, I haven't been shot at enough lately.
00:33:41Really got to do something about that.
00:33:43Didn't look that way to me.
00:33:45What? What are you talking about?
00:33:47The beach this morning with your daughter.
00:33:49What are you talking about?
00:33:51The man back there, he didn't look familiar.
00:33:53Why should he?
00:33:55That's right.
00:33:57He was there to kill me?
00:33:59With my daughter?
00:34:01He was there as a spotter for a sniper.
00:34:05How do you know?
00:34:07There's a road. Come on.
00:34:15We're in luck.
00:34:19Thought that was your truck back there.
00:34:21It was.
00:34:23So whose is this, then?
00:34:25I don't know. Probably some hikers.
00:34:27You going to answer my question?
00:34:31Until this morning,
00:34:33I used to work for the people that are after you.
00:34:35And who are they?
00:34:37An elite C.T. unit.
00:34:39Ultra Black, called Alpha Section.
00:34:41C.T.
00:34:43Counter-terrorist?
00:34:45Counter-terrorist?
00:34:49What are you doing?
00:34:51I need a car.
00:34:53Excuse me.
00:34:55Someone's going to hear this.
00:34:57Call the police. Hold that.
00:34:59You always call 911
00:35:01when you hear a car alarm go off?
00:35:09What did you do with this C.T. unit?
00:35:11I was a specialist in executive operations.
00:35:15You're an assassin.
00:35:17Jesus Christ.
00:35:27You didn't shoot me.
00:35:31What's stopped you?
00:35:33Get in the goddamn car.
00:35:35No, I'm not getting in a car with a gun.
00:35:37Get in the goddamn car!
00:35:45Get in the goddamn car!
00:35:51You don't listen very well, do you?
00:35:55Shit!
00:36:15Shit!
00:36:45Yeah, this is Dalton here.
00:36:47Go ahead, Dalton.
00:36:49I need an air unit.
00:36:51Copy that. Got a 20?
00:36:53Black Canyon.
00:36:57This is not happening.
00:37:01Denial. That's a good sign. Healthy.
00:37:05This is about the Thomas Edlin murder.
00:37:07He was killed for what he knew
00:37:09about the Army helicopter incident in Arizona.
00:37:11Is that it?
00:37:15Last summer, the Army helicopters that were shot down
00:37:17by the supposed militia group,
00:37:19Edlin headed the Army investigation.
00:37:21Noticed strange things happening
00:37:23from the day he was assigned to the case.
00:37:25Strange?
00:37:27He came across evidence that may have been a government cover-up.
00:37:29What kind of evidence?
00:37:31Key pieces of the wreckage that had been logged in
00:37:33just disappeared.
00:37:35So he went back out to the crash site
00:37:37and he found a piece of the so-called militia chopper
00:37:39that he could I.D.
00:37:41That chopper had been delivered back in 1985
00:37:43to Trident Limited International,
00:37:45about which I've been able to find out
00:37:47exactly zero.
00:37:49Now, the FAA records show that
00:37:51this chopper crashed in 1994
00:37:53after it was sold to a guy with
00:37:55associations to an Arizona militia group.
00:37:57But this guy
00:37:59had been killed later in an A.T.F. raid
00:38:01that went awry, so he couldn't be questioned.
00:38:03It's convenient and just a little strange.
00:38:05Now, when you mention Trident International,
00:38:07nothing sounds strange.
00:38:09You know who they are.
00:38:11They're the front for Alpha's section.
00:38:13So Edlund, he, uh...
00:38:15He was forced off the case?
00:38:17Technically, he quit.
00:38:19Just before he went to his superiors with his evidence,
00:38:21he was visited by a group of men
00:38:23who said that if he and his family
00:38:25wanted to continue to enjoy good health,
00:38:27he should stick to evidence that pointed to militia involvement.
00:38:29Domestic terrorism was their phrase.
00:38:31So that's the game.
00:38:33The game?
00:38:35Domestic terrorism.
00:38:37Alpha's operations overseas have been virtually shut down.
00:38:39All wet ops have been suspended.
00:38:41Assassinations, you talk.
00:38:43It's like ordering television not to run commercials.
00:38:45So we've changed our focus
00:38:47to domestic terrorism.
00:38:49That's the F.B.I.'s turf.
00:38:51Exactly. It's a pretty choice piece.
00:38:53They're trying to show that the F.B.I.
00:38:55can't handle it alone.
00:38:57So they've created a threat where there was none.
00:38:59So Alpha's section,
00:39:01a U.S. government agency,
00:39:03killed American soldiers
00:39:05to justify their existence,
00:39:07and they killed another soldier just to cover it up?
00:39:11Welcome to the intelligence community.
00:39:23Who is it?
00:39:25It's us.
00:39:33What the hell happened?
00:39:35I was getting worried.
00:39:37Piece of cake.
00:39:39Even brought you a new car.
00:39:41What happened to the old one?
00:39:43You don't want to know.
00:39:47Ahem.
00:39:51Ahem.
00:39:55Well, since you're gonna be so rude
00:39:57as to not introduce us, I'm Marcus.
00:39:59Jordan McNamara.
00:40:01As seen on TV.
00:40:03It's nice to meet you and all, but you gotta forgive me.
00:40:05I don't watch a lot of TV. I feel it's the bland...
00:40:07Bleeding the bland. I've heard them all.
00:40:09Believe me.
00:40:11Hey, what's this? It's nice.
00:40:13Oh, that's something I'm wor...
00:40:15Yeah, sure. Go right ahead. Put it on.
00:40:17Thanks, Kenny. I'll get it.
00:40:19Never realized
00:40:21how important the proper jewelry was
00:40:23in your line of work.
00:40:25This is no ordinary piece of jewelry, Mr. McNamara.
00:40:33Can I wave to the lady?
00:40:39Fiber optic cables,
00:40:41microtransmitter, broadcast range a mile.
00:40:43Picture and sound. What do you think?
00:40:45Works for me.
00:40:47Works for you.
00:40:49Two hours ago, I was fucking fabulous.
00:40:51It's been a long day.
00:40:53Ask him.
00:40:55It has.
00:40:57Well, I haven't been exactly here eating bonbons, you know.
00:40:59Listen, you know what?
00:41:01I wanted to ask you a question. Could I...
00:41:03She wants to ask me a favor.
00:41:05She wants to ask me a favor.
00:41:07I just wanted to know if I could use a shower.
00:41:09Is that okay?
00:41:11Shit, baby. Mi casa es su casa.
00:41:13Okay.
00:41:15Thanks.
00:41:17And while you're at it,
00:41:19you should take a nap,
00:41:21because you look like shit!
00:41:23You're always there with a kind word, aren't you?
00:41:25No, hun, I'm always here.
00:41:27Got that?
00:41:33The Invisible Man.
00:41:35This guy cracked in
00:41:37the Department of Defense, NORAD,
00:41:39Fujimoto Bank, I mean, not to mention
00:41:41the White House.
00:41:43You know him?
00:41:45No, let's just say I'm a fan.
00:41:47You know his name?
00:41:49No. Hence the name, The Invisible Man.
00:41:51Why?
00:41:53Oh, it...
00:41:55I did a story on him.
00:41:57Back before I became a rich and famous newsreader.
00:41:59But he's just a fascinating character.
00:42:01A lot of people thought so.
00:42:03Ratings went through the roof on that story.
00:42:05Hey, that story was one gross
00:42:07inaccuracy after another.
00:42:09I thought you didn't watch TV.
00:42:11Well, you know, PBS and whatnot.
00:42:13I'm on WWZN.
00:42:17You know, I sometimes leave it on in the background.
00:42:25Come here for a second.
00:42:33Oh, gee.
00:42:35Now that is one hell of a woman.
00:42:37Take it off the daddy.
00:42:39Yeah, you should see that woman with the handgun.
00:42:41Oh, I have.
00:42:43Believe you me.
00:42:49Hmm.
00:42:51Hmm.
00:42:55Damn.
00:42:57Oh, I guess she told me.
00:42:59Look, I'm hungry.
00:43:01I'm gonna go get something to eat.
00:43:03What exactly
00:43:05do you do for her?
00:43:07Well,
00:43:09a woman in her line of work sometimes
00:43:11requires certain items that can't be found in stores.
00:43:13And, uh, requires certain services
00:43:15that aren't in the yellow pages.
00:43:17You know what I'm saying?
00:43:19Hmm. Pick.
00:43:21I don't like Chinese.
00:43:23Well, she does.
00:43:25So guess what.
00:43:27Kung pao chicken.
00:43:29All right, what are you doing for her now?
00:43:31Okay, well, last week she came in and she wanted to become,
00:43:33shall we say, like the invisible man.
00:43:35She wants to disappear?
00:43:37That's right, and I made it possible.
00:43:39Wait, wait. This was last week.
00:43:41Yeah, well, see,
00:43:43whatever happened that day, it made her want out.
00:43:45And the people she works for, you just can't
00:43:47take your two weeks' notice and be on your merry way.
00:43:49It took a lot of planning.
00:43:51And now she wants to give it up all for your sorry ass.
00:43:53Hey.
00:43:55I didn't ask for her help.
00:43:57Yeah, but you certainly are glad you got it, aren't you?
00:44:07Tell them it's for their own protection.
00:44:09Tell them, uh, there's been a threat on their lives.
00:44:11But don't touch anybody until you hear from me.
00:44:13Do you understand that?
00:44:15Okay, hold on.
00:44:17What the fuck is McNamara's wife?
00:44:19What's her maiden name?
00:44:21Um, rose daniels.
00:44:23Her mother?
00:44:25Mm-hmm. Rose daniels.
00:44:27Rose daniels.
00:44:29Now connect me.
00:44:35Hello, rose.
00:44:41How old are you guys now, 12?
00:44:45Where's marcus?
00:44:47He went to get chinese food.
00:44:49Oh, that man's full of good ideas.
00:44:51He's a big fan of yours, too.
00:44:57What?
00:44:59Edelman.
00:45:01That was you, wasn't it?
00:45:05It was a blind hit.
00:45:07They give me a call,
00:45:09a location.
00:45:11The minute I arrive, they give me a target.
00:45:13And that day, it just happened to be him.
00:45:15Just like that?
00:45:17Yeah, just like that.
00:45:19Well, I guess I should be real happy
00:45:21you got an attack of conscience
00:45:23for my... sanction.
00:45:27You know, you can go fuck yourself.
00:45:29I didn't even know
00:45:31who he was until the next day.
00:45:33I saw the t.v. reports, the news.
00:45:35I even saw your piece on him.
00:45:37But I'm just never gonna forget
00:45:39the look on his wife's face.
00:45:41It's just not what I got into this for.
00:45:45What did you get into it for?
00:45:47I thought it was better
00:45:49than being found dead of unknown causes.
00:45:51They threatened you?
00:45:53No, they have a more
00:45:55oblique way of saying it.
00:45:57They chose me.
00:45:59So you were just following orders.
00:46:01Is that it?
00:46:03Fuck this.
00:46:11Fuck this.
00:46:31I'm sorry.
00:46:33I'm not used to...
00:46:37You know, this is all just a little over.
00:46:41I guess I just don't know how you handle this.
00:46:43Who says I do?
00:46:47Do you ever...
00:46:49feel guilty?
00:46:51Every goddamn day.
00:46:55For a while there,
00:46:57I thought I was on the right side.
00:46:59And now?
00:47:03What changed?
00:47:05The director altered our mission.
00:47:07Instituted directive seven.
00:47:09Well, what was that?
00:47:11Let's say it's
00:47:13stress preemption over retaliation.
00:47:15Meaning that they
00:47:17assassinated people who...
00:47:19Who were known to be involved with certain
00:47:21terrorist groups in places
00:47:23like Iraq, Syria,
00:47:25former Yugoslavia.
00:47:27But they hadn't actually done anything?
00:47:31Potentials.
00:47:33Isn't that outright murder?
00:47:39What would you need to break this story?
00:47:43Sort of an outright confession?
00:47:45Something solid to document?
00:47:49Or someone from the inside
00:47:51who's willing to go on record?
00:47:55What do you think?
00:47:57I think we'd both be dead
00:47:59before you could turn on the cameras.
00:48:03I should have just kept running.
00:48:09Do you want to see me?
00:48:11I'd like your opinion, Mr. Dalton.
00:48:17On?
00:48:19On who should be your replacement.
00:48:23Uh...
00:48:25This is all gonna be over
00:48:27in a couple of hours.
00:48:29I don't think so.
00:48:31I don't think so.
00:48:33I don't think so.
00:48:35I don't think so.
00:48:37A couple of hours.
00:48:41You know, I walked in this morning
00:48:43thinking the same thing.
00:48:45Funny how things
00:48:47have a way of turning out.
00:48:49Listen, this, uh,
00:48:51McNamara,
00:48:53he's gonna lead us
00:48:55right to her, and, uh,
00:48:57it's only a matter of time
00:48:59before he checks in.
00:49:01And if he should decline?
00:49:03Well, he's a very
00:49:05reasonable man, and, uh,
00:49:07I think he'll do
00:49:09the right thing.
00:49:11Boy, I'd really like to see
00:49:13this behind us, Mr. Dalton.
00:49:15Yeah.
00:49:21You know, I would have never agreed to have done this
00:49:23if I didn't know how many buildings there were
00:49:25in county records.
00:49:27Well, I have confidence in you if that means anything.
00:49:29Doesn't mean shit.
00:49:31Listen, I need to call New York. Can I use your phone to do that?
00:49:33Yeah, sure. Go right ahead.
00:49:35No, hold it. No calls.
00:49:37Well, this one here is secure.
00:49:39Have another dumpling,
00:49:41my dumpling, let the man make his call.
00:49:43You just
00:49:45gotta show him who's the boss.
00:49:47Can I have some privacy
00:49:49someplace? In the bathroom.
00:49:51Yeah, there's a lot of privacy
00:49:53there.
00:49:55I'll just...
00:49:57go out here.
00:49:59Dumpling?
00:50:01Okay, here we go.
00:50:035203 Argyle.
00:50:05Look, I don't want to sound negative
00:50:07or anything like that, but there's no way they're just gonna let you
00:50:09waltz through the front door.
00:50:11Right, but that's exactly what we're gonna do.
00:50:13What are you looking for?
00:50:15A wet wall.
00:50:17How can you tell
00:50:19from a drawing?
00:50:21Tell what?
00:50:23The wall's wet.
00:50:25Because I can...
00:50:27I'm playing. I'm joking, okay?
00:50:29You're all uptight and shit.
00:50:35Oh, hey, Rose.
00:50:37It's Jordan.
00:50:39I just called to make sure she got in, okay?
00:50:43What do you mean?
00:50:45Look, there's also a crawl space
00:50:47between the steel joists here.
00:50:49Between the first floor
00:50:51and the basement. And it looks like
00:50:53they'll have about 16 inches
00:50:55between the walls and 24
00:50:57between the joists.
00:50:59Shit.
00:51:01You could have 10 inches right now
00:51:03if you just wanted to know...
00:51:05Oh! That hurt.
00:51:07Yeah, it was supposed to.
00:51:11Dalton has my daughter.
00:51:17Dammit, this is my child we're talking about.
00:51:19I'm gonna do whatever he wants.
00:51:21You're already doing it. You're panicking.
00:51:23And when you panic, he controls the game.
00:51:25This may be a game to you,
00:51:27but it's a little more than that to me.
00:51:29Well, it's a game to him.
00:51:31And if we don't play,
00:51:33you're never gonna see your daughter again.
00:51:35You're gonna talk to Dalton,
00:51:37but after Marcus and I do the finishing touches on our plan.
00:51:39Whoa, whoa, whoa, whoa, whoa.
00:51:41Now, Marcus is in on it?
00:51:43You've always been in on it.
00:51:45Look, why don't you get a book or something and go outside?
00:51:47We've got work to do, all right?
00:51:49If I'm gonna be involved in this,
00:51:51don't you think I should know the details of this little plan?
00:51:53You can't. I'll explain it later.
00:51:55No, you'll explain now.
00:51:57Maybe you should, you know,
00:51:59because...
00:52:01You're gonna go talk to Dalton.
00:52:03He's gonna take you to the shitty little storage room
00:52:05at Alpha's field office.
00:52:07He's gonna tie you to a chair,
00:52:09and he's gonna use one of several techniques
00:52:11to try and get as much information out of you as he wants,
00:52:13including our plan.
00:52:17This is just great.
00:52:19So I'm just gonna walk into the lion's den
00:52:21with no assurance that I'll walk out again?
00:52:23You're just gonna have to trust me.
00:52:25Trust you?
00:52:27You know, you work for an agency
00:52:29that lies as a matter of policy.
00:52:31But I have to trust you.
00:52:33Look, the way I see it
00:52:35is you don't have much of a choice.
00:52:37But if you have any ideas, I'm all ears.
00:52:39Needed a catch-up on my reading anyway.
00:52:45You mind telling me the plan, Your Highness?
00:52:51So, if we look at the coordinates...
00:52:53That's right.
00:52:55I've got something to tell you, Your Highness.
00:52:57What is it?
00:52:59I've got something to tell you, Your Highness.
00:53:01What is it?
00:53:03I've got something to tell you, Your Highness.
00:53:05What is it?
00:53:07That's right.
00:53:11Yeah, this is Dalton.
00:53:13Where's my daughter?
00:53:15Oh, I'm not so sure.
00:53:17I like that tone.
00:53:19Where is she?
00:53:21Oh, there you go again.
00:53:23You know, uh...
00:53:25Do you mind if I call you by your first name?
00:53:27It's Jordan, I believe.
00:53:31Hello?
00:53:33Hello?
00:53:35I'm here.
00:53:37Oh, I thought maybe you hung up.
00:53:39You know,
00:53:41you're really in no position to make any demands from me.
00:53:43I mean,
00:53:45this isn't your silly television show, okay?
00:53:47You'd get a lot farther with me
00:53:49if you'd speak nicer, you know,
00:53:51use words like, uh,
00:53:53sweetheart.
00:53:55Don't be coy.
00:53:57I know you're there,
00:53:59and I know you're listening.
00:54:01I know you're listening.
00:54:03I know you're watching that second-hand tick.
00:54:05I don't even need to trace the call
00:54:07because I know where you are.
00:54:09I want you both here
00:54:11in one hour,
00:54:13and if you're not,
00:54:15I'm gonna call that snobby little preschool,
00:54:17and I'm gonna tell them
00:54:19that there's an opening
00:54:21on their waiting list
00:54:23next semester.
00:54:25Eight seconds left.
00:54:27Not bad, huh?
00:54:555203 Argyle.
00:54:57Alpha Section's field office
00:54:59is in the basement.
00:55:01You can tell from the outside
00:55:03they let life go on as usual.
00:55:05That way nobody notices them.
00:55:07Show up at the desk.
00:55:09They'll take it from there.
00:55:11Show up at the desk.
00:55:13They'll take it from there.
00:55:25Looking for Mr. Dalton?
00:55:27Good for you.
00:55:31Is he here?
00:55:33Excuse me, I'm on the phone.
00:55:35McNamara.
00:55:37Come with me, please.
00:55:39Please.
00:55:41Come with me.
00:55:59There seems to be
00:56:01one less person than I expected.
00:56:03Where's my daughter?
00:56:05Well, first thing's first.
00:56:07She wouldn't come.
00:56:09Ah, you know, you see,
00:56:11that's just like her.
00:56:13She's hard-headed and selfish,
00:56:15and she has no idea
00:56:17the effect that her actions have
00:56:19on the emotions of other people.
00:56:21How do you like our little complex here?
00:56:23I'll give you my opinion
00:56:25when I see my daughter.
00:56:27You know, I'm surprised
00:56:29at the aggressive tone of voice
00:56:31you have there,
00:56:33considering your situation.
00:56:35Yeah?
00:56:37Why?
00:56:39It was a nice move,
00:56:41but you're not likely to see it again
00:56:43for quite some time.
00:56:45Why don't you escort
00:56:47Mr. McNamara to his room,
00:56:49and I'm gonna go find Lester,
00:56:51and I'll see you in a minute.
00:56:53Okay.
00:56:55Mr. McNamara, please, right this way.
00:56:57Please.
00:57:01I just want you to know
00:57:03you're the worst kind.
00:57:05Sue me.
00:57:07Believe you me, I'm thinking about it.
00:57:09Relax, Marcus. Play the part and have some fun.
00:57:15I'm here.
00:57:17Yeah, uh, listen,
00:57:19this bitch is holding out on me,
00:57:21so I need a room so I can take it out and trade.
00:57:23$25 an hour.
00:57:25In advance.
00:57:27$25 an...
00:57:29Nigga, that's highway robbery.
00:57:31Take or deliver?
00:57:33Well, maybe we could come to a little agreement,
00:57:35you know?
00:57:37You come up in about an hour,
00:57:39I'll let you test-drive this little baby.
00:57:41Oh!
00:57:47Um, sir,
00:57:49is 303 available?
00:57:51Yes.
00:57:55It's on the right side
00:57:57as you go up the stairs.
00:57:59You're an angel.
00:58:07What?
00:58:09Damn it, woman, that shit hurt.
00:58:11Ow!
00:58:13You told me to have fun, right?
00:58:15You don't have that much fun.
00:58:29Ah.
00:58:49You sure this is gonna work?
00:58:51Yeah, it's gonna work.
00:58:53On contact. Just remember,
00:58:55don't touch it with your fingers.
00:58:57You're gonna have to relax and completely fuck up your day.
00:59:11Women and power tools.
00:59:21What?
00:59:23Turn up the radio.
00:59:25What's the noise?
00:59:27Up.
00:59:29Turn it up.
00:59:31That is up.
00:59:33All the way.
00:59:35That is all the way.
00:59:37Then jump on the bed.
00:59:39What?
00:59:41Jump on the bed.
00:59:43You're supposed to be here taking it out in trades,
00:59:45so why don't you act like you're really giving it to me?
00:59:47Shit, that's all you need to say.
00:59:55Oh, yeah.
00:59:57Good morning.
00:59:59You like that, right?
01:00:01You gonna help me out?
01:00:03Oh, yeah.
01:00:05Tell me you love it. Yeah.
01:00:07I know you love it. Doggy style.
01:00:09Doggy style.
01:00:13Yeah. Come on, doggy style.
01:00:15Doggy style. Doggy style.
01:00:17Oh, baby, I know I want it.
01:00:19You're too big, daddy.
01:00:21Let's go. Let's go.
01:00:23Oh, baby.
01:00:27Almost there.
01:00:29I'm there.
01:00:31All right. All right.
01:00:33Huh?
01:00:39Was it good for you?
01:00:41You know what?
01:00:43I faked it. Sorry.
01:00:45Listen, give me the harness and the tool bag.
01:00:47Don't you want to hold me for a while?
01:00:49Just gonna get it.
01:00:53Just be a minute.
01:00:59How's it look down there?
01:01:05I'm almost to the crawl space.
01:01:07Just a couple more feet.
01:01:19All right.
01:01:21All right. I'm at the crawl space.
01:01:23Unhooking the harness now.
01:01:25You got it.
01:01:37Hey, Giordo.
01:01:39This is my friend, Lester.
01:01:41How you doing?
01:01:45We go way back, me and him.
01:01:47Maybe too far.
01:01:51So your friend here beats the crap out of me
01:01:53until I tell you what you want to know.
01:01:55No. That's my job.
01:02:01I'm opposed to violence.
01:02:05That's true.
01:02:07Actually, he's a chemist.
01:02:21Have you ever done any drugs?
01:02:27Oh, occasionally.
01:02:29Smoked a joint, you know, once in a blue moon.
01:02:31I even inhaled.
01:02:33I just want you to know
01:02:35between me and you,
01:02:37this ain't personal.
01:02:39I think you show us
01:02:41one of the most thought-provoking forms
01:02:43on the air at this time.
01:02:47In about three minutes,
01:02:49I'm gonna tell you something really good.
01:02:51So good, in fact, that you're gonna tell me
01:02:53everything that I want to know,
01:02:55including whatever in the hell is a blue moon.
01:03:19♪ ♪
01:03:49♪ ♪
01:04:09Worked like a charm.
01:04:11See, I told you it would.
01:04:13Now, what's the lesson we've learned here today?
01:04:15Marcus is always right.
01:04:17All right, I'm going in.
01:04:29All right, talk to me.
01:04:35How's the view?
01:04:39Spectacular.
01:04:41Yo, that's the ZF-99.
01:04:43I'd kill for one of those.
01:04:45Marcus, would you just get me in
01:04:47so I can get the hell out?
01:04:49Uh, right, um, okay.
01:04:51All right, first things first,
01:04:53it's the loaded disc I gave you.
01:04:57And then?
01:04:59Oh, one thing at a time, one thing at a time.
01:05:01You know, I just gotta say
01:05:03that you're being a lot less than cooperative here.
01:05:05I'm doing the best I can.
01:05:07I should always do your very best.
01:05:09That's what I'm doing.
01:05:15Well, you know,
01:05:17your best
01:05:19just ain't getting there for me, my friend.
01:05:25I'm gonna ask you again.
01:05:27One more time.
01:05:29Where is she?
01:05:31She didn't tell me anything.
01:05:35Ah, Giorno.
01:05:41What am I gonna do with you?
01:05:45Getting ready to give you a smack.
01:05:47Hey, man, let's learn some patience.
01:05:49Violence don't help you accomplish anything.
01:06:03All right, here it is.
01:06:05Directive 7.
01:06:07All right, get the helicopter file
01:06:09and let's go.
01:06:11All right, I've been looking for it.
01:06:13Wait.
01:06:15All right.
01:06:17He doesn't know nothing.
01:06:19He knows enough.
01:06:23Get Lester back in here.
01:06:25You know how Lester feels about blood.
01:06:27Go get him!
01:06:31Marcus.
01:06:33This is it.
01:06:35You got it?
01:06:37Yeah, I do.
01:06:39Jesus, this is incredible.
01:06:41Yeah, it is.
01:06:43Look, let's get you out of there
01:06:45and worry about this later.
01:06:47I'm dropping a red flag in the system.
01:06:53Hey.
01:06:55You want to see your daughter again,
01:06:57I presume.
01:06:59That'd be good for everyone, right?
01:07:01Yeah.
01:07:03Yeah.
01:07:05Yes.
01:07:07What's her name again?
01:07:09Bailey.
01:07:11Bailey, right, yeah.
01:07:15I'm getting a little tired of you.
01:07:17Lester here's gonna give you another shot.
01:07:21But this one's kind of different.
01:07:23It's gonna mess up your brain
01:07:25really bad,
01:07:27so bad that you won't recognize anybody,
01:07:29no matter who they are.
01:07:31You might not even recognize yourself in the mirror.
01:07:37Paul in here.
01:07:39You're kidding me.
01:07:43We have a security breach in the computer room.
01:07:45Let's go.
01:07:51Give him the shot.
01:08:07Come on.
01:08:11Come on, get up.
01:08:13I don't know if...
01:08:15You have to. We don't have much time.
01:08:25Here.
01:08:27Try and lift it somewhere.
01:08:31Well, well, well.
01:08:33We're a little ambitious, aren't we?
01:08:37You made a miraculous recovery.
01:08:41You look good, honey.
01:08:43Good hair.
01:08:47Did you do that?
01:08:49Lester never hurt anybody.
01:08:53Get him out of here!
01:08:55Get him out!
01:08:57Bring the old man back.
01:08:59Put your hands on your head.
01:09:03Do it.
01:09:05Do it.
01:09:13That's better.
01:09:19You look marvelous.
01:09:23That's cute.
01:09:29You know,
01:09:31you should have stuck with me,
01:09:33everything would have been all right.
01:09:37Let's see who you're listening to.
01:09:45What have you got for me?
01:09:53What's the matter?
01:09:55Getting a little worked up?
01:09:57Why would I do that now?
01:09:59You know,
01:10:01I think I'm gonna miss you a little bit.
01:10:03I won't.
01:10:25Fuck you.
01:10:27Fuck you.
01:10:29Did she tell you that
01:10:31she almost killed you?
01:10:33Did you tell him that?
01:10:35He knows.
01:10:37I'm almost sorry
01:10:39that you didn't get away.
01:10:41I bet.
01:10:43It would have been nice knowing
01:10:45that you were out there somewhere.
01:10:47Like you'd have just left me out there.
01:10:49I'd like to think
01:10:51that you would have done the same for me.
01:10:57Please, don't anybody get up.
01:11:01Mr. McNamara,
01:11:03huge fan.
01:11:05Sorry we had to meet
01:11:07under these circumstances.
01:11:11You know, I'm just
01:11:13your average John Q. public,
01:11:15but it seems to me
01:11:17that you would have been better served
01:11:19to stick with stories
01:11:21about supermarkets
01:11:23and drug dealers
01:11:25or better served to stick with stories
01:11:27about supermarkets and tainted beef.
01:11:29But what do I know?
01:11:31And you, my little pretty.
01:11:33Taxpayers have racked up
01:11:35a pretty good bill training you.
01:11:37Whatever gave you the idea
01:11:39that you could take early retirement?
01:11:41How about the four men
01:11:43you sent out as a pink slip this morning?
01:11:45Ah.
01:11:47Downsizing.
01:11:49Back to life in the 90s.
01:11:51What have you done
01:11:53with my daughter?
01:11:55You see, that's the problem with you, brethren of the media.
01:11:57You always think
01:11:59you're entitled to have all the information.
01:12:01That six-year-old
01:12:03child has nothing
01:12:05to do with this.
01:12:07Well,
01:12:09you got me there.
01:12:11She's safe.
01:12:13She's in a hotel by JFK
01:12:15the Cosmopolitan.
01:12:17Very nice suite.
01:12:19Any further questions?
01:12:21Here's your big chance
01:12:23for your last interview, McNamara.
01:12:29What?
01:12:31Yeah, I have a question.
01:12:33Why
01:12:35are you killing me?
01:12:37I mean, before I die,
01:12:39would you just tell me why?
01:12:41Why any of this?
01:12:43I mean, Thomas Edel.
01:12:45Why would you kill Thomas Edel?
01:12:47No, I didn't kill him.
01:12:49She did.
01:12:51On your orders. Come on, please.
01:12:53He had little knowledge.
01:12:55That's a dangerous thing.
01:12:57Meaning, I suppose,
01:12:59that he knew about the attack on the Army helicopters
01:13:01that you staged in Arizona?
01:13:03Something like that.
01:13:05Why would you kill American soldiers?
01:13:07Why?
01:13:09You know, this probably comes
01:13:11as no surprise to a journalist of your caliber,
01:13:13but
01:13:15there seems to be a growing
01:13:17concern in this country against domestic terrorism.
01:13:19You know, anthrax scares,
01:13:21militia groups,
01:13:23World Trade Center, Oklahoma City bombings,
01:13:25things of that nature.
01:13:27We thought
01:13:29we could use these threats to our advantage.
01:13:31That these types of
01:13:33incidents, as
01:13:35tragic as they really are,
01:13:37would serve to
01:13:39bolster the public outcry,
01:13:41which would, in turn, get our funding
01:13:43back up to the level
01:13:45where it should be.
01:13:47And all you had to do was kill innocent people.
01:13:49Well,
01:13:51if a couple of people
01:13:53have to die, it's...
01:13:55Phone rings
01:13:57Phone rings
01:13:59Home here.
01:14:01Look, is this weight pleaser in the middle of something?
01:14:03Many brave men and women have given their lives
01:14:05to a country who has turned its back on them.
01:14:07I just
01:14:09couldn't sit by and let that continue to happen.
01:14:11Well, you know,
01:14:13you're worse
01:14:15than anyone you claim to be fighting.
01:14:17Oh, really?
01:14:19And have you ever looked a terrorist in the eye,
01:14:21Mr. McNamara?
01:14:23I have now.
01:14:25Oh, don't kid yourself.
01:14:27Bring down a couple of choppers,
01:14:29snuff out a nosy fanatic.
01:14:31That doesn't put me in the league with the Hezbollah.
01:14:33Excuse me, sir. I'm sorry to interrupt.
01:14:35What?!
01:14:37That was just media surveillance.
01:14:39They suggested that we turn on the television.
01:14:41WWZN.
01:14:45Yes, sir.
01:14:51Ed So from the basement of 5203
01:14:53Argyle Street, headquarters of Alpha Section,
01:14:55a rogue counter-terrorist agency
01:14:57of the United States government.
01:15:03This is Jordan McNamara.
01:15:05Reporting.
01:15:07Live.
01:15:11Mr. Haldeman.
01:15:13Yes, sir.
01:15:15May I please have your sidearm?
01:15:21Please make sure a car is standing by
01:15:23for Mr. Dalton and myself.
01:15:25Yes, sir.
01:15:29This is your own doing.
01:15:33Congratulations.
01:15:35Thank you.
01:15:37Congratulations.
01:15:49Shoot her!
01:15:51Hold your fire.
01:15:53Shoot her!
01:15:55Hold your fire!
01:15:57Shoot her!
01:15:59You really want to die for these guys?
01:16:01I don't think they give a shit about you.
01:16:07Okay.
01:16:09Come on.
01:16:11Let's go.
01:16:19Perfect.
01:16:21We have a situation here.
01:16:23Everybody just stay cool.
01:16:25You heard him. We have a situation.
01:16:31Shoot her!
01:16:33Hold your fire!
01:16:35Hold your fire!
01:16:41Somebody shoot that bitch!
01:16:43Don't even think about it!
01:17:05Come on!
01:17:19Come on! Go!
01:17:31Fuck!
01:17:35Fuck!
01:17:41Where the fuck is my car?
01:17:43It's right outside, sir.
01:17:45What the hell's going on?
01:17:47What do you think?
01:18:05Come on.
01:18:25Hey, honey.
01:18:29I don't know about you, but...
01:18:31I'm having a great time.
01:18:35Why don't you come out where I can see you?
01:18:51You know...
01:18:53I can't believe you did what you did.
01:18:55I must say...
01:18:57I didn't think you had it in you.
01:18:59Now?
01:19:05Now what?
01:19:35Now what?
01:20:05Fuck!
01:20:35Fuck!
01:20:47About damn time you woke up.
01:20:51So...
01:20:53How long have you been here?
01:20:55Long enough to know that that chair over there
01:20:57was not designed for comfort.
01:21:01Where is...
01:21:03But you know.
01:21:05Yeah, I do.
01:21:07Still not gonna tell you.
01:21:15So...
01:21:17Question.
01:21:19The broadcast.
01:21:21How?
01:21:23Easy. Live feed.
01:21:25Yeah, but how did you get it past my producer?
01:21:27Well, your producer had no choice.
01:21:29I interrupted his regularly scheduled programming.
01:21:31Huh.
01:21:35So...
01:21:37The invisible man strikes again.
01:21:39I mean...
01:21:41I knew it last night.
01:21:43You know, it's still kind of hard to believe, though.
01:21:45What the hell did you expect?
01:21:47Some pimple-faced white boy with coke-bottle glasses
01:21:49and a pocket protector?
01:21:51Yeah.
01:21:55So thanks.
01:21:57For what?
01:21:59For allowing me to be a reporter again.
01:22:03Oh, I seem to remember it being a whole lot easier than this.
01:22:09Where will she go?
01:22:11Man...
01:22:13Don't make me have to hurt you.
01:22:15Just not on the left side, okay?
01:22:19Tell me something.
01:22:21What's up?
01:22:23How'd you break into the White House computer?
01:22:25Simple.
01:22:27That was Al Gore.
01:22:57Oh, my God.
01:23:27Hey, hey, hey.