**Cat-Fighter: Best Hollywood Action Adventure**
In the electrifying world of underground fighting, "Cat-Fighter" stands out as a pulse-pounding action-adventure film that keeps audiences on the edge of their seats. The movie follows the journey of Mia "The Panther" Sanders (played by a top Hollywood actress), a fierce and agile fighter known for her lightning-fast reflexes and unparalleled combat skills. After witnessing the brutal murder of her brother by a notorious crime syndicate, Mia vows to bring justice to her family by infiltrating the dangerous world of underground fighting where her brother lost his life.
Mia's path is fraught with peril as she battles her way through a series of high-stakes matches, each one more dangerous than the last. Along the way, she forms an uneasy alliance with Jack "The Hawk" Thompson (played by a charismatic action star), a former champion fighter with his own dark past. Together, they uncover a web of corruption that extends far beyond the fighting ring, involving powerful criminals, crooked officials, and a sinister mastermind pulling the strings from the shadows.
Directed by a renowned action filmmaker, "Cat-Fighter" delivers heart-pounding fight sequences choreographed by world-class martial artists. The film's breathtaking stunts and visceral combat scenes are complemented by a gripping storyline filled with twists and turns. As Mia and Jack get closer to uncovering the truth, they must confront their own inner demons and rely on each other to survive.
With stunning cinematography capturing the gritty, neon-lit underworld and a pulse-pounding soundtrack that amplifies the adrenaline, "Cat-Fighter" is a cinematic thrill ride that explores themes of vengeance, redemption, and the unbreakable human spirit. This action-packed adventure is a must-watch for fans of high-octane fight films and compelling character-driven narratives.
In the electrifying world of underground fighting, "Cat-Fighter" stands out as a pulse-pounding action-adventure film that keeps audiences on the edge of their seats. The movie follows the journey of Mia "The Panther" Sanders (played by a top Hollywood actress), a fierce and agile fighter known for her lightning-fast reflexes and unparalleled combat skills. After witnessing the brutal murder of her brother by a notorious crime syndicate, Mia vows to bring justice to her family by infiltrating the dangerous world of underground fighting where her brother lost his life.
Mia's path is fraught with peril as she battles her way through a series of high-stakes matches, each one more dangerous than the last. Along the way, she forms an uneasy alliance with Jack "The Hawk" Thompson (played by a charismatic action star), a former champion fighter with his own dark past. Together, they uncover a web of corruption that extends far beyond the fighting ring, involving powerful criminals, crooked officials, and a sinister mastermind pulling the strings from the shadows.
Directed by a renowned action filmmaker, "Cat-Fighter" delivers heart-pounding fight sequences choreographed by world-class martial artists. The film's breathtaking stunts and visceral combat scenes are complemented by a gripping storyline filled with twists and turns. As Mia and Jack get closer to uncovering the truth, they must confront their own inner demons and rely on each other to survive.
With stunning cinematography capturing the gritty, neon-lit underworld and a pulse-pounding soundtrack that amplifies the adrenaline, "Cat-Fighter" is a cinematic thrill ride that explores themes of vengeance, redemption, and the unbreakable human spirit. This action-packed adventure is a must-watch for fans of high-octane fight films and compelling character-driven narratives.
Category
🎥
Short filmTranscript
00:00:00We're gonna need your asses!
00:00:28Suppressing fire!
00:00:35Hands up!
00:00:38Move to the floor!
00:00:43Move to the floor!
00:00:47Move to the floor!
00:00:51Move to the floor!
00:00:57Move to the floor!
00:01:00Move to the floor!
00:01:03Move to the floor!
00:01:06Move to the floor!
00:01:09Move to the floor!
00:01:12Move to the floor!
00:01:15Move to the floor!
00:01:18Move to the floor!
00:01:21Move to the floor!
00:01:24Move to the floor!
00:01:27Move to the floor!
00:01:30Let's move!
00:01:58Don't look. That's four.
00:02:24On your six!
00:02:27We have two minutes before this place is full of the patrol's men!
00:02:58We're out of time. Leave him!
00:03:05What you got there?
00:03:06Look at me. Don't look over your eyes.
00:03:10What's he doing?
00:03:18Look, I want you to remember this.
00:03:22You hear me?
00:03:24No matter how much it hurts.
00:03:26No matter how much you want to.
00:03:32Has anyone seen Gabriel?
00:03:35What are you doing?
00:03:53What did you just say to me?
00:03:57Hey! Gabriel!
00:04:01He's reaching for his gun.
00:04:27Goddamn... God...
00:04:30Goddamn... Bullshit.
00:04:34Amateur hour bullshit.
00:04:42Nice.
00:04:46I'm sorry.
00:04:48I'm sorry.
00:04:50I'm sorry.
00:04:52I'm sorry.
00:04:53Nice.
00:04:59Hey. Hey, I'm talking to you.
00:05:04The Caymans.
00:05:06You stupid.
00:05:08Don't you see? Look. The Caymans.
00:05:11Switzerland. It's all there.
00:05:24Here.
00:05:26Let's just take him.
00:05:35All right, listen up.
00:05:39We got the SWIFT codes and the BICs for all the major dealers.
00:05:43Russian mafia, Spanish cartel, Mexican drug lords. All of them.
00:05:48Every major crime syndicate of the past ten years.
00:05:51The ones the government wanted erased.
00:05:55Watch for tails.
00:05:57Everyone do circle backs.
00:05:59We reconvene here in seven days.
00:06:02If anyone doesn't want to accept the risks,
00:06:06take your shares up to the collector.
00:06:09Get your cut. This will be the end of our arrangement.
00:06:12No questions asked.
00:06:13This will be the end of our arrangement. No questions asked.
00:06:26All right.
00:06:28Settle then.
00:06:38Military training.
00:06:40Discharge for hyper-aggression.
00:06:43Discharge for hyper-aggression.
00:07:06No, you don't go after him.
00:07:09It's his sister.
00:07:14Call her the Reaper.
00:07:16The Reaper?
00:07:18Saw him in this commission to do a black ops mission in Waziristan.
00:07:22Got double-crossed.
00:07:24Day shelled him for ransom.
00:07:26CIA officially tried to bury the whole story,
00:07:29but the rumor is the person who did the rescue was fluent in over 20 languages.
00:07:35We will meet again.
00:07:40It's for the family.
00:07:42It's for the family.
00:08:07Hand-to-hand combat.
00:08:09Weapon specialist.
00:08:11Twelve dead.
00:08:13Decapitated. No trace.
00:08:15And once I'm done, she's the one.
00:08:21Shira.
00:08:23Rumor has it she lost her brother in a human trafficking ring.
00:08:26East Asia.
00:08:28She was a personal security detail for Al-Pektan al-Naw.
00:08:31The richest Saudi sheikh in Abu Dhabi.
00:08:34The only woman to ever make it through the Ministry's defense system.
00:08:38And literally only sued 11.
00:08:42She's the driver?
00:08:44Putting her behind the wheels for our security.
00:08:53This one's a ghost.
00:08:55Don't know much about him.
00:09:12Hmm.
00:09:18Brats.
00:09:33It's all there.
00:09:35What do you want in exchange for these dossiers?
00:09:39Hey, easy, easy, easy.
00:09:42Michael.
00:09:44Michael.
00:09:49Tell me why I shouldn't kill you.
00:09:52Right where you stand.
00:09:56Freedom.
00:09:58I want out.
00:10:00I want out.
00:10:01Freedom.
00:10:03I want out.
00:10:05I'm tired of doing all the work and only getting fifth.
00:10:09Time to believe your story.
00:10:13I am to fortify all my safe houses across Texas.
00:10:19This is impossible in a week's time.
00:10:26No.
00:10:27No.
00:10:29I'm going to keep the key code on me.
00:10:35If you're wrong,
00:10:38Alvin will deliver your intestines to 1748 Alfenfelder Drive.
00:10:48Maybe.
00:10:51I cut off your tongue
00:10:53and hand it to your sister, Jor.
00:10:58In Croatia.
00:11:06All right, listen up.
00:11:09Thanks.
00:11:10No problem.
00:11:12Now, we are officially burned.
00:11:15Every governmental database from here to the Middle East will have our photo.
00:11:19But the direct shoot to kill are attached to it.
00:11:22Our intel has confirmed that Botero has moved over 80 million in cash assets from his safe houses.
00:11:28What's that, 40%?
00:11:32It's enough to know that he's spooked.
00:11:35And that our little snatch and grab job last week got his attention.
00:11:40I wonder if he has a badass shark tank.
00:11:43I bet he'd look good in my shark tank.
00:11:46Botero will move all of his assets into this compound.
00:11:49All right, it's state of the art.
00:11:51I'm talking motion sensors positioned in and around.
00:11:55Fiber optic source embedding that stores data off-site remotely.
00:11:59And it shifts and changes IPs every 15 seconds.
00:12:02The key codes will be stored in an anechoic chamber.
00:12:05What's that?
00:12:07Sound dampening room.
00:12:11No sound in.
00:12:14No sound out.
00:12:1780 million dollars.
00:12:18I say to hell with the key codes. Let's take the sure thing and get out.
00:12:22Good luck spending any of that.
00:12:24And mark bills will have you tagged and flagged like that.
00:12:28BSE and bank code we took from Botero's safe house was calculated.
00:12:32It was the least guarded, the least likely to be thought of by anyone trying to make a move on Botero.
00:12:38Which is why he felt safe enough to store all the information that's going to lead us to the money that the feds wanted off the books.
00:12:44We're talking one billion.
00:12:46Clean.
00:12:49One billion.
00:12:51Split five ways?
00:12:53No.
00:12:56One billion per account routing number.
00:13:04We get the key code.
00:13:06Which links all the accounts to one central withdrawal.
00:13:09Bitcoin exchange, stocks, bonds.
00:13:12Everything the Mexican cartel and the Russian mob have laundered with the help of the CIA and FBI.
00:13:22I'm going to buy a boat.
00:13:26What's the catch?
00:13:29We take the key codes.
00:13:31Get out clean.
00:13:33If we make it out alive, what's the catch?
00:13:38We have to do it.
00:13:40We have to do this tomorrow night.
00:13:43It's suicide.
00:13:45Hey, everybody shut up.
00:13:47We didn't just steal from the cartel.
00:13:50Every governmental agency, ones you know, ones you never knew existed.
00:13:54The entire Flangley gang is headed this way.
00:13:57The only thing we have at our disposal is the element of surprise.
00:14:02Money ain't no good if you ain't allowed to spend it.
00:14:05It's not going to matter. We're all ghosts anyway.
00:14:10What the hell does that mean?
00:14:13Hey, let it go.
00:14:16No, seriously.
00:14:18We've all got pretty goddamn close with you.
00:14:21Don't think about me.
00:14:26I'm just humble servant.
00:14:32What the hell does that mean?
00:14:34Hey, alright.
00:14:35Alright.
00:14:38Look, if y'all are done,
00:14:43the way I see it is there's only two ways you're going to leave this.
00:14:47And that's looking over your shoulder for the rest of your life until you are hunted and killed.
00:14:53Or looking over your shoulder with enough money to buy your way out of hell once your time is up.
00:14:59It's your choice.
00:15:052100.
00:15:08If you're late, don't bother showing up.
00:15:27Keep pressure on this.
00:15:29Shoot it! Drive! Drive!
00:15:33He's going to bleed out.
00:15:35Stay with us.
00:15:42We have to make it to the pier.
00:15:46Hammer us!
00:15:49Sage, what do you want to do?
00:16:00I'm pulling in.
00:16:05I'm pulling in.
00:16:36On the ground!
00:16:58We're moving.
00:17:05We're moving.
00:17:36Phew.
00:17:41Solomon.
00:17:51What is this?
00:17:53They haven't moved.
00:17:57I said everyone get on the ground.
00:18:02Right now.
00:18:05Right now.
00:18:21Hey, check this out.
00:18:32Start the bleeding.
00:18:33But?
00:18:34But there's what?
00:18:35What is it?
00:18:37Look for yourself.
00:18:44Watch them.
00:18:46I'm going to check for traces in the car.
00:18:49We need to find a getaway.
00:18:51I'm sure they made our flights.
00:19:04What?
00:19:25He's lost too much blood.
00:19:28Right now.
00:19:30He's going to go into kidney failure.
00:19:33And his body will continue to shut down.
00:20:03We need to get out of here.
00:20:33We need to get out of here.
00:21:03We need to get out of here.
00:21:33We need to get out of here.
00:22:03We need to get out of here.
00:22:27What?
00:22:29How are we supposed to get answers now?
00:22:34It should be about answers.
00:22:35I told you not to bring that god damn freak.
00:22:37So I told you.
00:22:38Fooled you.
00:22:39Now you got every one of us.
00:22:41This is on you.
00:22:43All of you.
00:22:59Gabriel needs blood.
00:23:01And he needs it within the hour.
00:23:04Ammo?
00:23:06Charlie took locks, three magazines.
00:23:08That's it.
00:23:15Sage found a grade two tracker on the car.
00:23:18Which means they had us pinned from the very beginning.
00:23:21How is that possible?
00:23:23I don't know.
00:23:25I don't know.
00:23:26How is that possible?
00:23:30I don't know.
00:23:32Well maybe they got to it while we were inside.
00:23:36Now this level of access requires the full sophistication.
00:23:42And the only ones without are the ones in this room.
00:23:46Still doesn't explain how he made out with eight million bills.
00:23:49Five.
00:23:53Five.
00:23:54Five.
00:23:56We're lucky we made it out with any take at all.
00:23:59Five million.
00:24:02The same getaway money, it's very low expenses.
00:24:05Hey, if they made our plates we need to find a getaway card.
00:24:08Clean.
00:24:12How much time do we have before they come knocking on every door?
00:24:17A couple of hours, max.
00:24:19Five million.
00:24:21How do we even know that there are ever any key codes?
00:24:22If you've got something that needs clarifying, ask.
00:24:25No one could have predicted that Butera would lead us into a trap, okay?
00:24:30There's something here, Thomas.
00:24:32This whole thing smells.
00:24:41What do we do with the family in the other room?
00:24:44They've seen our faces.
00:24:48We do nothing until we know where we are and we find a different escape route.
00:24:53That burning could be wave forcing on the other side.
00:24:56So that's it, they just sit and wait.
00:25:00What about Gabriel?
00:25:04How do we get out of the country?
00:25:09With their help.
00:25:18Stashed him in the trunk.
00:25:23Hey.
00:25:25Hey, look at me.
00:25:27How did you know we were coming?
00:25:33Answer me.
00:25:35That's enough.
00:25:36No, I don't hear what the fuck he has to say.
00:25:38Ah, shit.
00:25:42You okay?
00:25:44I'm fine.
00:25:45Tell me what's going on.
00:25:47What's going on?
00:25:49What's going on?
00:25:50You okay?
00:25:51I'm fine.
00:25:52Settle down, everyone.
00:25:55Alright, we're gonna do this my way.
00:25:57Does anyone have a problem with that?
00:26:00No more of this cavalier shit, you got me?
00:26:03What?
00:26:08You must be in shock.
00:26:12Someone's here.
00:26:17Don't make noises.
00:26:19You are going to keep her quiet for the next 15 minutes
00:26:23or I will dissect your head from your body.
00:26:26You speak that clearly?
00:26:29Move, come on.
00:26:33How's your hand?
00:26:35Yeah, I'll live.
00:26:39What are we doing about him?
00:26:41Take him to the back, keep him quiet.
00:26:49Not empty-handed, huh?
00:26:54Four place for after we get acquainted.
00:26:57There we go.
00:26:59One hour.
00:27:01After that, every man for himself.
00:27:04Come on, let's go.
00:27:18Come on.
00:27:48Don't open this door.
00:27:50And don't move until we come get you.
00:28:18Come on.
00:28:38Come inside.
00:28:39On me.
00:28:41Moving.
00:28:49What are you doing here?
00:28:53Do you know us?
00:28:54My name is Luther and you're trespassing in my home.
00:28:58Did Plutero send you?
00:29:00I don't know anyone by that name.
00:29:02He's lying.
00:29:05Take whatever you need and please leave.
00:29:10Why do you have people chained?
00:29:14I don't know.
00:29:15Why do you have people chained?
00:29:18Choose your next words very carefully.
00:29:22Shit.
00:29:24This is my squatter's home.
00:29:26People looking to escape their situations come here.
00:29:32Sometimes, families.
00:29:39Check this out.
00:29:45Hmm.
00:29:52Seems legit.
00:29:55Goddamn sanctuary for obese families.
00:29:59We require a vehicle.
00:30:01And ammunition you have.
00:30:03Maybe you'll make it to see Dawn.
00:30:05I have a car in the garage.
00:30:08You'll do that for me?
00:30:10It's fully gassed and big enough for all of you.
00:30:14Just take it and go.
00:30:16I don't want any more trouble.
00:30:21Kira.
00:30:29Take Mr. Luther to the garage.
00:30:33If he's lying, put a bullet in his head.
00:30:40Come on. Let's move.
00:30:44We get the car and we load up.
00:30:47Anyone not in the car in half an hour, you're on your own.
00:31:14Keep your hands on your head.
00:31:16Move.
00:31:29I don't know what you've done.
00:31:31But it's not too late to try again.
00:31:34You're not alone.
00:31:36You're not alone.
00:31:38You're not alone.
00:31:40You're not alone.
00:31:42But it's not too late to turn around and walk away.
00:31:47What plan can walking away be?
00:31:50Rich and alone?
00:31:58I have a confession to make.
00:32:00Stop.
00:32:12What?
00:32:34Luther?
00:32:41I'm not around.
00:32:44Where are you?
00:33:12We need to figure this shit out.
00:33:24It's Gabriel.
00:33:26I'll go check it out.
00:33:34Kira should have been back by now.
00:33:36Maybe she's up there telling Luther all our little secrets.
00:33:42Maybe.
00:33:45She did what we all should have done and took that car and...
00:33:50We're looking out for ourselves.
00:33:58I'm going to go see where our Spanish Flasdaw is for this potluck.
00:34:02I'm going to go see where our Spanish Flasdaw is for this potluck.
00:34:15I'm here.
00:34:25Solomon.
00:34:27You need to leave this place, brother.
00:34:31You need...
00:34:33to leave.
00:34:37You need to leave this place...
00:34:40before it's...
00:34:44before it's too late.
00:34:46We got a car.
00:34:48We're going to get you to a hospital.
00:34:56We're going to get you to a hospital.
00:35:01I'll tell you something, buddy.
00:35:06I ain't in one of them.
00:35:15Oh, look at you.
00:35:17You must have been one of his top men.
00:35:20Where are the key codes?
00:35:22Where's the drive?
00:35:27I told you full play's for later.
00:35:40The codes!
00:35:57Oh, man.
00:36:01What are you talking about?
00:36:07I couldn't save you.
00:36:09I couldn't.
00:36:16I couldn't save you.
00:36:21I couldn't save you.
00:36:26I couldn't save her.
00:36:31Her?
00:36:32What are you talking about?
00:36:39You were...
00:36:41in the shadow...
00:36:45of the devil.
00:36:48Do you hear me?
00:36:51Do you hear me?
00:36:54There's nothing...
00:36:57nothing...
00:37:00that you could do...
00:37:02not...
00:37:09Nibiru.
00:37:11Nibiru.
00:37:21Go in peace, brother.
00:37:27It's on a jump drive.
00:37:39You're going to tell me everything you know.
00:37:56No!
00:38:06Do it!
00:38:26Do it!
00:38:43I've seen some crazy shit...
00:38:45but I've never fought.
00:38:50That's Daya.
00:38:51Daya.
00:38:54My grandmother would tell us tales...
00:38:58to drown out the screams...
00:39:01from people being murdered in the streets of Serbia.
00:39:06It began with tales of the Babaroga...
00:39:10creatures...
00:39:12who feasted off the livestock...
00:39:14and became about as Daya.
00:39:17The Devil of Three Faces.
00:39:23She used to say...
00:39:29as Daya will reveal what you want to see...
00:39:35the evil you want to hide...
00:39:39and what evil you truly are.
00:39:41So you're telling me that, uh...
00:39:44is that our compadre here...
00:39:48some sort of monster?
00:39:53In her stories...
00:39:56the monsters were always man.
00:40:03As Daya is our penance...
00:40:06and the Devil of Three Faces...
00:40:08as Daya is our penance...
00:40:11our punishment for being wicked.
00:40:23Someone's here.
00:40:28Luther?
00:40:29Not sure.
00:40:34Officer Mater...
00:40:36Check in on a complaint.
00:40:40Be... smart.
00:40:41Officer Mater...
00:40:43Anybody home?
00:40:57Sorry to bother you.
00:40:58The neighbors reported hearing large commotions coming from this area.
00:41:02Have you heard anything?
00:41:03Anything suspicious...
00:41:05or out of the ordinary?
00:41:11Ma'am?
00:41:14Yeah.
00:41:16Sorry.
00:41:18Everything's fine.
00:41:21I was... moving a very large table.
00:41:26It must have been louder than I thought.
00:41:34Moving furniture...
00:41:35do that to you?
00:41:44This is a shelter...
00:41:47for those who need help.
00:41:50For those who can't help themselves.
00:41:53I'm so sorry.
00:41:57It's fine.
00:41:58Just go ahead and keep it down.
00:41:59We don't want dispatches sending more people to disturb you.
00:42:01No, we wouldn't.
00:42:03Keep the radio off.
00:42:11Just one more thing.
00:42:14I used to be one of those women.
00:42:16I will often forget my story as well.
00:42:21Hands up now!
00:42:23You got a gun to her head...
00:42:25a gun to your side.
00:42:27You got a gun to her head...
00:42:29a gun to your side.
00:42:31Would you care to repeat, Officer Majors?
00:42:36Ma'am...
00:42:38I need you to walk towards me.
00:42:40I can't do that.
00:42:42If she moves, I will shoot her.
00:42:45You gotta listen to me.
00:42:47Trust me.
00:42:48I'm wearing a body cam.
00:42:49I'm gonna count to three.
00:42:50They will not shoot you.
00:42:51Because if they do...
00:42:53every cop...
00:42:54in a 20-mile radius...
00:42:56will converge in this place.
00:42:57One.
00:42:59Ma'am...
00:43:00Two.
00:43:01You have to trust me.
00:43:02Walk towards me.
00:43:03Now.
00:43:05That's it.
00:43:06That's it.
00:43:07Keep coming.
00:43:08Get behind me.
00:43:09Now we're gonna get into this car.
00:43:11Get behind me.
00:43:13I don't know your names.
00:43:15I haven't seen your faces.
00:43:18We're gonna get out of here.
00:43:19Both of us.
00:43:20How about now?
00:43:24Her face clear enough for you?
00:43:28We can't let you take her.
00:43:31She has something very valuable to us.
00:43:35I don't know who you are.
00:43:38I'm gonna take her.
00:43:41We're gonna get into this car.
00:43:54Oh, my God!
00:43:55Oh, God!
00:43:56Oh, God!
00:43:58No!
00:44:01No!
00:44:03We're gonna get the fuck out of here.
00:44:04Right now.
00:44:05Goddamn giant thing.
00:44:10Sage, are you okay?
00:44:12What are our exit points?
00:44:15It's too damn far.
00:44:16James.
00:44:17Walk it off.
00:44:19James, walk it off now.
00:44:22We need to be ready for whenever that thing comes back.
00:44:29Hey.
00:44:32Finish your story.
00:44:37Finish your goddamn story.
00:44:39The beast, Hezdiah, is afraid of sunlight.
00:44:44But he's not afraid of the dark.
00:44:47He's afraid of the light.
00:44:48Hezdiah is afraid of sunlight.
00:44:51What else?
00:44:52Garlic.
00:44:56Wind stakes.
00:44:57I don't know.
00:44:59I can't remember.
00:45:01What else?
00:45:02I don't know.
00:45:04Whatever that thing was,
00:45:06I believe Gabriel was trying to warn us.
00:45:09It could have been one and the same.
00:45:11What does that mean?
00:45:13If that thing is what I think it is,
00:45:16then bullets won't do us any good.
00:45:18Like with Gabriel.
00:45:23And unlike Gabriel,
00:45:24we won't have a giant table to throw that thing onto.
00:45:29So I suggest we figure out how to survive till dawn.
00:45:35Great.
00:45:48Okay.
00:46:10You're gonna get out.
00:46:11You're gonna get out.
00:46:12You're gonna get out.
00:46:13You're gonna make it.
00:46:14You're gonna make it.
00:46:16Let's make this fast.
00:46:18Let's make this fast.
00:46:24I'm gonna buy that boat, James.
00:46:25I'm gonna buy it.
00:46:28Yeah, you're gonna get it.
00:46:29You're gonna do it.
00:46:30You're gonna buy it.
00:46:45How long have you been here?
00:46:48How long have you been here?
00:46:54She needs...
00:46:56a sandwich.
00:46:57A sandwich, Sage.
00:47:08Sage.
00:47:14What did she say?
00:47:16She wished us luck.
00:47:20Thought so.
00:47:25Get up.
00:47:27Get up.
00:47:32Go find us as much wood as you can find.
00:47:34You hear me?
00:47:35Go.
00:47:38And hey,
00:47:39you pull that again,
00:47:41and I will put a bullet in your head.
00:47:42Do we understand each other?
00:47:44You two,
00:47:46I want you against the wall with your backs to us.
00:47:49I want you against the wall with your backs to us.
00:48:07You said we needed her back there.
00:48:10I think she's dead.
00:48:12I think she knows what this is.
00:48:21She may be the last link to the money.
00:48:25I hope you're right.
00:48:28Oh, she's definitely right.
00:48:30Now, now.
00:48:32Let's not do anything we'll regret.
00:48:36Put the guns down.
00:48:38Come on, you can do it.
00:48:41Yeah, good boy.
00:48:42That's a good boy.
00:48:45You too, gorgeous.
00:48:48I got a shot.
00:48:49Sage, do what he says.
00:48:52Do what he says, Sage.
00:48:54Drop the gun, Sage.
00:48:58Slide it.
00:49:05Now let's play a little game
00:49:08of finders keepers.
00:49:11Come on.
00:49:17I found these in the closet upstairs.
00:49:23With the owners all shredded to pieces.
00:49:27Now, I'm going to be around to find out who or what.
00:49:32No.
00:49:33No, I'm getting out of here.
00:49:35Tonight.
00:49:36James, we don't know what's out there.
00:49:38Our best idea is to stay until dawn.
00:49:40We're going to identify this place
00:49:41and make sure we get out of here alive.
00:49:42Shut up.
00:49:43Shut up.
00:49:47You.
00:49:48James, you're drunk.
00:49:51The only way out of this is together.
00:49:52You lied to me.
00:49:54You're wasting time.
00:49:55You lied to me.
00:49:57What did you take from Botero's office?
00:49:59I told you we didn't take anything from him.
00:50:00Give it to me.
00:50:03I told you we didn't take anything from him.
00:50:08You still made me refreshed.
00:50:11No.
00:50:13What do you want me to put one in his skull?
00:50:32You know, I had a chat.
00:50:36A little chat with our angel here earlier.
00:50:40Turns out we have mutual friends.
00:50:42You dimed us out.
00:50:45Act surprised.
00:50:47Suicide mission, remember?
00:50:57This is what $14 billion looks like.
00:51:11I don't want it.
00:51:16I hope you all make it through the night.
00:51:33Where did she go?
00:51:34Where did she go?
00:51:37She couldn't have gone far.
00:51:39She couldn't have gone far.
00:51:42He must have found another way.
00:51:44He's still inside.
00:51:46Solomon.
00:52:05Dad!
00:52:08Dad!
00:52:28I know you can understand me.
00:52:33Something's not right.
00:52:38Hey.
00:52:45Hey, Solomon.
00:52:52It's the same as Gabriel.
00:52:54Exactly.
00:53:08Who are you?
00:53:13Where am I?
00:53:17She asked you a question.
00:53:22Where am I?
00:53:26I speak English.
00:53:30Where I am
00:53:32cannot be understood.
00:53:39What are you and your daughter doing here?
00:53:48What are we fighting?
00:54:00He shouldn't have come here.
00:54:04He will never let you leave.
00:54:09No.
00:54:11Sage.
00:54:13We need to get to the car.
00:54:15Right now.
00:54:28Sage.
00:54:29Get over here.
00:54:32Look.
00:54:35He's taking it.
00:54:39Yes.
00:54:47She couldn't have gone far.
00:54:51Let's go back.
00:54:52Find her.
00:54:56Sage.
00:54:59If this goes south,
00:55:02you don't look back.
00:55:08Stop!
00:55:38Don't be afraid.
00:55:58People see what they want to see.
00:56:02Projections of a world
00:56:04as they want it to be.
00:56:08You were never going to turn me.
00:56:31I turn a root into a flower only to watch it perish.
00:56:45And after all this time, I can finally sense it.
00:56:56I feel it longing to be reunited with its master.
00:57:06She will never stay with you.
00:57:10Never see you for what you truly are.
00:57:21This is why you linger.
00:57:25You have no fate.
00:57:45It's me.
00:57:48What is that thing?
00:57:50I don't know.
00:57:53What are those?
00:57:55Not nearly enough.
00:57:57We should leave.
00:58:12Solomon!
00:58:15Hey, what's happening?
00:58:21You need to move.
00:58:27Get your gun off my brother or I will put one in between your eyes.
00:58:31That is not your brother anymore.
00:58:36I won't ask again.
00:58:43Alright.
00:58:55Hey, Solomon.
00:58:59Solomon, we are getting across that border.
00:59:04Hey, Solomon.
00:59:07When we are fighting, remember.
00:59:11After all...
00:59:21You see? So you can lose the paperweights.
00:59:31Silver hurts like hell.
00:59:38And I'm guessing daylight isn't too fun either.
00:59:41Isn't that right, Ledvin?
00:59:47That's right.
00:59:49Natasha Brenovic Ledvin.
00:59:53I bet your grandmother tells you more than stories.
01:00:00The streets will remember many names.
01:00:04But Otero is but another face to be forgotten over time.
01:00:09And us the devil.
01:00:14You and I know when to be afraid.
01:00:18It won't be long now.
01:00:24They wanted us to capture you.
01:00:27I never intended on letting my money out of my sight.
01:00:32After your hit on my cash house, Otero was no longer a safe alias.
01:00:38What's happening to him?
01:00:41He belongs to him now.
01:00:43Who?
01:00:46Azadiyah.
01:00:49The other vehicle. That's our way out.
01:00:53I don't have another vehicle.
01:00:55The garage.
01:00:57But I won't leave without the codes.
01:01:06Where are they?
01:01:07Third level of the house, with James.
01:01:15If you go near my brother, I'll kill you myself.
01:01:58No.
01:02:21You were never going to get away with it.
01:02:25I know.
01:02:31We both know she won't have the heart to do it.
01:02:36There's still one place that remains vulnerable.
01:02:41And judging by the weight, there's only one bullet left.
01:02:50You wish to kill me?
01:02:53Just show me your face and let's find out.
01:02:56I've waited so long to return the necklace to its rightful owner.
01:03:05I do not wish to harm you.
01:03:09I want to offer you something far greater than death.
01:03:15Far greater than death?
01:03:17Stay away from me.
01:03:20I want to save your brother.
01:03:27What are you talking about?
01:03:30He's becoming a familiar.
01:03:34A ghoul.
01:03:37Soon to be blind to this world.
01:03:40He won't even know your name.
01:03:45But...
01:03:48If you come with me...
01:03:51To me...
01:03:55I shall spare his life.
01:04:09You have until dawn to make your choice.
01:04:15Get up.
01:04:26Get my sister away from here.
01:04:28Solomon, get up.
01:04:30Get up.
01:04:31The necklace.
01:04:32Come on.
01:04:33Solomon.
01:04:35Hey.
01:04:36Now.
01:04:37Come on.
01:04:39Sage.
01:04:43Sage.
01:04:46There's only an hour until dawn.
01:04:49Hey.
01:04:50Sage.
01:04:51Hey.
01:04:54Don't follow me.
01:04:59It's gonna be alright.
01:05:12It's gonna be alright.
01:05:29Sage?
01:05:34I told you not to follow me.
01:05:42No.
01:06:12No.
01:06:43No.
01:07:03I have no choice.
01:07:06I have to push.
01:07:09Fight myself.
01:07:13My brother?
01:07:18Certain...
01:07:21Sacrifices...
01:07:24Must be made.
01:07:27Sacrifices?
01:07:31Give me your hand.
01:07:36Let me show you...
01:07:38A place...
01:07:40Where your limited human vessel...
01:07:48Have you watched...
01:07:50Legend once...
01:07:54Taken from me.
01:07:58I will not watch you perish...
01:08:03As much...
01:08:06As you...
01:08:09Shall...
01:08:11Possess...
01:08:14Perhaps...
01:08:16As you...
01:08:33As you...
01:08:36Shall...
01:08:39Possess...
01:09:02Come on.
01:09:32Come on.
01:10:02Come on.
01:10:32Come on.
01:11:02Come on.
01:11:32Come on.
01:11:51As much...
01:11:54As you...
01:11:57Shall...
01:11:59As beautiful...
01:12:02As you...
01:12:04Be...
01:12:06A part of you...
01:12:27I...
01:12:29I...
01:12:31I...
01:12:33I...
01:12:35I...
01:12:37I...
01:12:39I...
01:12:41I...
01:12:43I...
01:12:45I...
01:12:47I...
01:12:49I...
01:12:51I...
01:12:53I...
01:12:55I...
01:13:25I...
01:13:27♪♪
01:13:37♪♪
01:13:47♪♪
01:13:53Miguel, get inside.
01:13:57Children.
01:13:59Had a daughter just this afternoon.
01:14:03Yeah.
01:14:04It can be a handful.
01:14:06♪♪
01:14:10Who did you save from the cancer?
01:14:12♪♪
01:14:17El Diablo.
01:14:19♪♪
01:14:25Looking for such a man would be dangerous.
01:14:28♪♪
01:14:31Go ahead.
01:14:33♪♪
01:14:43♪♪
01:14:54Welcome to Mexico, Mrs. Helsing.
01:14:57♪♪