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00:00:30♪♪
00:00:40♪♪
00:00:52Homicide at Ramparts.
00:00:53In the bedroom, Sergeant. A woman.
00:00:56♪♪
00:01:06♪♪
00:01:16♪♪
00:01:26♪♪
00:01:36♪♪
00:01:46Where is it?
00:01:49I don't see it.
00:01:51What kind of sicko cuts off a finger?
00:01:54You see that prayer book?
00:01:56I had one just like it when I was in school.
00:01:59♪♪
00:02:03Where was her God when this happened?
00:02:06♪♪
00:02:13In the bedroom, Lieutenant. Thanks.
00:02:15♪♪
00:02:18Keep it cool, Mike.
00:02:20Yep, sure.
00:02:22♪♪
00:02:33You can check the neighbors.
00:02:35Yeah.
00:02:37What are you doing here?
00:02:39We were in the neighborhood.
00:02:41Any thoughts?
00:02:42Nothing you won't figure out for yourself.
00:02:44Let's hear it anyway.
00:02:46Was it a drug hit?
00:02:48It appears she lived here on her own.
00:02:51No weapon, unless it's under her.
00:02:54Missing finger?
00:02:56No marks on the door locks or window locks.
00:02:59Lieutenant, the next door neighbor that discovered her, Mrs. Baum,
00:03:02says she knows her.
00:03:04She's a sister.
00:03:05Whose sister?
00:03:06Not whose.
00:03:08She's a sister, a Catholic nun.
00:03:10♪♪
00:03:14♪♪
00:03:19Donato.
00:03:23We need to talk.
00:03:25We have talked.
00:03:26No.
00:03:27It's time to stop mourning Tommy's death and talk about us.
00:03:31Lieutenant.
00:03:33Another murder, 5th and Main.
00:03:36This one was wearing her habit.
00:03:39♪♪
00:03:44♪♪
00:03:48Hey, mind if we stand on your desk here?
00:03:50No, use the ladder.
00:03:52I'm aside, Lieutenant Richards.
00:03:54Yeah?
00:04:01You know, you figure these people would start with one room first.
00:04:05Central.
00:04:07Good morning.
00:04:08Good morning.
00:04:09Chief Halliday just called.
00:04:10He wants to see you right away.
00:04:11Say what?
00:04:12No.
00:04:13Listen, I don't want the press to find out about the missing fingers,
00:04:15so make sure the officers who secured the scene keep it to themselves.
00:04:19Will do.
00:04:20There she is.
00:04:21We're rolling.
00:04:22All right.
00:04:23Lieutenant.
00:04:24Lieutenant Donato.
00:04:25Any information on the serial killers?
00:04:26Where were they found?
00:04:27No comment.
00:04:28No comment.
00:04:29Can you tell us exactly how many murders have been committed?
00:04:31What parish were the nuns from?
00:04:33What about the autopsy reports?
00:04:34What are they showing?
00:04:36What about the coroner's report?
00:04:37I wish we could solve the case as fast as you guys find out about it.
00:04:40Can you tell us anything more, Lieutenant?
00:04:48Looks like you caught yourself a case, Donato.
00:04:52Thank you, sir.
00:04:54You've got to be very closely scrutinized on this one.
00:04:56Serial killing, nuns, the fact that you're a woman.
00:05:00I see.
00:05:01That's not the only reason I picked you, Lieutenant, clear?
00:05:04Perfectly.
00:05:06I want you to put together a task force.
00:05:08Pick from the best homicide detectives in the city.
00:05:10Any ideas?
00:05:11A few come to mind.
00:05:13What about Mike Donato?
00:05:16No.
00:05:17He wouldn't be on my list.
00:05:21Surprises me that you'd dismiss him so quickly.
00:05:23He is one of the best, Lieutenant.
00:05:25The peak case notwithstanding.
00:05:26As you said, I'll pick from the best.
00:05:28The priority here is to catch the killer.
00:05:31A professional is one who can put aside his personal problems.
00:05:35Are you ordering me to take my father?
00:05:38Think of it as a suggestion.
00:05:44Good luck, Lieutenant.
00:06:02What do you think, Grandpa?
00:06:04I think it needs a little more right down there in that corner.
00:06:11Perfect.
00:06:12Hey, that's perfect.
00:06:14All right.
00:06:15Bellissimo.
00:06:17Hey, Mom.
00:06:18Hey.
00:06:19I'm getting better, aren't I?
00:06:20Without a doubt.
00:06:22Okay, maestro.
00:06:24Let's get cleaned up.
00:06:25Thanks, Mike.
00:06:29Got some time for me?
00:06:32Sure.
00:06:43No, thanks.
00:06:45I'm going to bed.
00:06:47Good night.
00:06:48Good night.
00:06:50No, thanks.
00:06:52You quit?
00:06:53Six months ago.
00:06:55That's right.
00:06:57I should do that.
00:07:02Quit drinking, too?
00:07:04No, but I've cut down.
00:07:06You didn't come here to talk about my vices, did you?
00:07:09Is something wrong with me asking you about your health?
00:07:12No, take it easy, Lieutenant.
00:07:14You can't expect to be a good cop and be thin-skinned.
00:07:19I can tell you're in rare form today.
00:07:24Why does it always come to this?
00:07:26I don't know.
00:07:27It didn't used to be this way.
00:07:49Archbishop O'Malley has been on the phone to the mayor.
00:07:51He's been on the phone to the PC.
00:07:53He's talking to Halliday.
00:07:54He wants me to form a task force.
00:07:56You're going to lead the investigation?
00:07:58You want in?
00:07:59Who have you got so far?
00:08:01Bobby Keegan, Petsky, Bobbins, and Judy.
00:08:04You ought to think about Al Scott.
00:08:06A very good cop.
00:08:07You're better.
00:08:10So what do you say, Donato?
00:08:13No.
00:08:15It wouldn't work, you and me.
00:08:17Well, it might if you stop judging me.
00:08:19Don't you have it turned around?
00:08:20Look, why don't you just tell me what happened to Tommy?
00:08:23You know, there's rumors all over the street.
00:08:24What was it? Was he dirty?
00:08:25I don't want to talk about it.
00:08:26Why not? Don't I deserve to know the truth?
00:08:28He was my brother.
00:08:29I told you all you need to know.
00:08:33Give me a break, Sergeant.
00:08:38Come on, Hal, we're going home.
00:08:40I'll bring you a sheet for this.
00:08:48Mike, she was just reaching out for you.
00:08:51She needs you.
00:08:53Why do you have to be so tough?
00:09:01You know, you think that Dina can take care of herself,
00:09:04but maybe she can't.
00:09:06Maybe she needs a little help from you.
00:09:08She's got a funny way of asking.
00:09:10She's always bringing up Tommy.
00:09:12Tommy's dead.
00:09:14And she just wants to know why.
00:09:17You've told us everything, right?
00:09:21Right.
00:09:23Well, then please don't cut yourself off from us like this.
00:09:27We deserve more from you.
00:09:30We deserve more from you.
00:09:48Didn't meet me in my office.
00:09:50Kneel wanted to see me.
00:09:52Nice meet on neutral ground, huh?
00:09:55I want you in on this case, DiNato.
00:09:58to spy on my daughter for you?
00:10:00No.
00:10:01This is her first big one.
00:10:02I have complete faith in her.
00:10:03So do I.
00:10:04That's why I'm letting her alone.
00:10:06Besides, I like it over there in Rampart.
00:10:08Transferring you there was a favor.
00:10:10It was either that or bringing you up on charges.
00:10:12Wise up, Mike.
00:10:14You need this case as much as I do.
00:10:16As much as Dina does.
00:10:24He splashes the paint on my new shoes.
00:10:25I say, who's going to pay for this?
00:10:28How long is this crap going to last out here?
00:10:31We're taking our lives in our hands just getting to this office.
00:10:34I'm looking for new space, Petsky.
00:10:36So let's just try to go with the flow here, all right?
00:10:40Um, McCartney, you team up with Petsky.
00:10:43What?
00:10:45You got a problem?
00:10:49No, everything's just perfect.
00:10:52First they destroy my desk, now I'm partnered with a skirt.
00:10:55Careful, you might get busted by one.
00:10:58I'm in the flow, Lieutenant. I'm in the flow.
00:11:02Bobbins, you and Keegan.
00:11:04Okay, we're going to hook up with Dr. Stewart here,
00:11:08who's in Atlanta with the behavioral science unit,
00:11:10and she's going to give her opinion about the killer.
00:11:13Everything's fine here.
00:11:14Thanks, David.
00:11:15Morning, Dr. Stewart.
00:11:17Morning, Lieutenant.
00:11:25Sergeant Donato?
00:11:36All right, Dr. Stewart, ready when you are.
00:11:41I believe we're dealing with a psychopath.
00:11:43Surprise, surprise.
00:11:49According to the evidence, I'd say he's in his late 20s or early 30s
00:11:53and could be married and is highly intelligent.
00:11:56Catholic, or more than likely a lapsed one.
00:11:59Perhaps he suffered some kind of torment from a nun as a youth.
00:12:02What about the finger, Doctor?
00:12:04Ah, the ring finger. Indicates the marriage to Christ.
00:12:07Might be significant, but doesn't have to be.
00:12:10Psychopaths like to do bizarre things.
00:12:12They like souvenirs, they want something to look at in privacy.
00:12:15If he is married, wouldn't his wife suspect him?
00:12:17This person has probably been a psychopath from early childhood,
00:12:20but he's never been diagnosed.
00:12:22I've no doubt that he passes for an average person.
00:12:25His thinking is highly rational, even though his motivation isn't.
00:12:28So why now?
00:12:30He's probably killed before.
00:12:32Maybe not as sensationally, but killing a nun attracts attention.
00:12:36The newspapers have picked up on it, and he's hot news.
00:12:38Dr. Stewart, you said before that he's intelligent.
00:12:42Would you say he's egotistical, arrogant?
00:12:46I've no doubt that he probably is.
00:12:48He probably thinks that he's smarter than you,
00:12:51and he's nothing but a bunch of idiots.
00:12:53The problem with a serial killer is that after the first killing,
00:12:57however it was triggered, that motivation can disappear
00:13:00and the killing itself becomes the purpose
00:13:03because the killer enjoys himself and cannot stop.
00:13:07He does not want to stop.
00:13:10The profile Stewart gave us
00:13:12is not the one I'm going to release to the press.
00:13:15You're going to try to provoke him?
00:13:17Right.
00:13:18You think it's smart to force his hand?
00:13:20No matter what we say or do, he's going to kill again.
00:13:23If he's arrogant, he'll know it's a challenge.
00:13:26Maybe, just maybe, his ego will trip him up.
00:13:29Plus, we still hold back the missing finger info.
00:13:31So, what do we do now?
00:13:33I don't know.
00:13:36So, how's Renata, Mike?
00:13:38She misses you.
00:13:40Ever since you moved in with that guy,
00:13:42you don't come around much anymore.
00:13:44Yeah.
00:13:46And what about you and Dina?
00:13:48Not you, too.
00:13:50I don't know.
00:13:52I don't know.
00:13:54I don't know.
00:13:56I don't know.
00:13:58I don't know.
00:14:00I don't know.
00:14:02I don't know.
00:14:04Not you, too.
00:14:06We're working together.
00:14:08What more do you want?
00:14:09Hey, hey, hey.
00:14:10I got my 20 in the Donato family,
00:14:12and I'm not retiring yet.
00:14:13And I don't think you are, either.
00:14:15Anyhow, Dina's fine.
00:14:17Really?
00:14:18And how would you know?
00:14:19You ask her lately?
00:14:21I'll see you later.
00:14:23As you all know, on the evening of January 7th,
00:14:26the body of Sister Angelica was discovered
00:14:29murdered in her apartment.
00:14:30Later that same evening, another nun,
00:14:32Dr. Mary Joseph, was found in a parking lot downtown.
00:14:35Both victims were sexually assaulted
00:14:37and stabbed repeatedly.
00:14:39Chief Halliday has put me in charge of a task force
00:14:41to investigate these crimes.
00:14:43Do you think this is the work of a serial killer?
00:14:45Yes.
00:14:46So how about a motive, lieutenant?
00:14:47I could only give you conjecture at this point.
00:14:49We're still putting together our forensic evidence,
00:14:51and we're speaking to everyone who knew the victims
00:14:53even slightly.
00:14:54A motive will surface.
00:14:55You can count on it.
00:14:56So what's being done to protect the nuns?
00:14:58We're doing everything we can to safeguard them.
00:15:00So what you're saying is that all nuns in L.A.
00:15:02have nothing to fear.
00:15:03I wouldn't presume to say that about anyone in L.A.
00:15:07Were these premeditated murders?
00:15:09It would appear so, yes.
00:15:10So there has to be a motive.
00:15:12I didn't say there wasn't.
00:15:13I said I didn't want to speculate.
00:15:15However, we do have theories,
00:15:16and we have put together a psychological profile
00:15:19of the murderer.
00:15:20Will you give it to us, lieutenant?
00:15:22He's probably in his late 20s, early 30s,
00:15:26unmarried, a loner,
00:15:28has below-average intelligence,
00:15:30and holds a menial job, if any.
00:15:32We believe he's a psychopath.
00:15:43Lieutenant Donato,
00:15:44you've got to start in your office tomorrow.
00:15:46What?
00:15:47I've got a deadline.
00:15:48Well, where are we supposed to go?
00:15:50There's a space for you.
00:15:51It's not great, but it's all we have.
00:15:53Fine, fine.
00:15:54Well, well, where did you do her?
00:15:58Huh?
00:15:59Oh, I never heard that one before.
00:16:02Lieutenant Donato's office.
00:16:06It's for you.
00:16:08Lieutenant Donato.
00:16:12What do you mean you're not picking up Cal?
00:16:17It's your weekend.
00:16:18I'm counting on you.
00:16:21Fine, fine, Gino.
00:16:22Just do what you want.
00:16:23You always do anyway.
00:16:28Hello?
00:16:29Yeah.
00:16:31Lieutenant, it's for you again, line one.
00:16:35What now, Gino?
00:16:36Oh, I bet you'd look cute in a nun's habit, Dina.
00:16:41Who is this?
00:16:42A screamer, too, aren't you?
00:16:46You traced Donato's line one?
00:16:49Well, if you think that,
00:16:50maybe we could meet and talk about it.
00:16:52No, I don't think I could do that just now.
00:16:54See, I'm too busy parking cars and washing dishes.
00:16:57You know what it's like, Lieutenant.
00:16:59Just another day in the life of an indigent psychopath.
00:17:03What do you want? I'm busy.
00:17:04First, let me start by complimenting you on your outfit.
00:17:09What an attractive brocade vest.
00:17:11And the gold brooch, that's a nice touch, too.
00:17:14Such understated elegance for a detective.
00:17:17I'm impressed.
00:17:18So you're a peeper, so what?
00:17:20Oh, I do more than that.
00:17:21I do a lot more.
00:17:23You're not married, are you, Lieutenant?
00:17:25Why?
00:17:26I just noticed you weren't wearing a ring.
00:17:29But don't worry, Dina.
00:17:31I've got a couple of spare.
00:17:41Didn't get it?
00:17:52Tell us about your sister's visit, Birch.
00:17:55Sister's visit?
00:17:56Yeah.
00:17:58You know, how did she seem?
00:18:00How did she seem?
00:18:01Was she happy, troubled, angry? What?
00:18:03Gretchen was always happy.
00:18:04Gretchen?
00:18:06My sister.
00:18:07That was her real name.
00:18:10She couldn't be Sister Gretchen,
00:18:12so she chose Angelica.
00:18:15Angelica.
00:18:16Who could live up to that name?
00:18:18Who could live up to that name?
00:18:20Okay, Bird, after she arrived, what happened?
00:18:23Happened?
00:18:24How'd you spend the afternoon?
00:18:27We went for a walk.
00:18:30How long did you walk?
00:18:32How long?
00:18:36You want to know how long the walk was?
00:18:38Yes!
00:18:41Half an hour?
00:18:44Hour and a half?
00:18:48Two hours?
00:18:49Birch, you don't win anything.
00:18:52Only you know the answer.
00:18:54An hour.
00:18:55What'd you do after the walk?
00:18:58After the walk.
00:19:01Please, Birch, answer the question.
00:19:06I went home.
00:19:09Where'd your sister go?
00:19:11Where did she go?
00:19:14Birch, she walked back to her home.
00:19:16Which way did she walk?
00:19:18She walked back to her home.
00:19:22Here.
00:19:24Notify us before you leave town if you leave town.
00:19:27Leave town?
00:19:28Come down to Central tomorrow and give us your statement.
00:19:30Where would I go?
00:19:31You come down to Central,
00:19:32look for the elevator or the staircase,
00:19:33come up to the second floor...
00:19:34No, not that.
00:19:35You said don't leave town.
00:19:36Where would I go?
00:19:49It's all right, Sarge.
00:20:11Hey, this is wonderful, isn't it?
00:20:13We go from the construction site,
00:20:15This one's hot, too.
00:20:16Anytime you want to go one-on-one, Bob,
00:20:18you let me know, huh?
00:20:19I don't know if you can handle it, Keaton.
00:20:21A bad man.
00:20:22Bring it on.
00:20:23Hey, Judy?
00:20:24Pour me a cup of coffee, would you?
00:20:26Do I look like your mother?
00:20:28Oh, I like her.
00:20:30I like this lady.
00:20:31Partner.
00:20:32I'm afraid so.
00:20:36Can you guys imagine having your daughter
00:20:38as a father?
00:20:39I don't think so.
00:20:40I don't think so.
00:20:41I don't think so.
00:20:42I don't think so.
00:20:43I don't think so.
00:20:44Can you imagine having your daughter as a boss?
00:20:51Good morning, lieutenant.
00:20:54All right, let's get started.
00:20:56Well, forensic determined that both nuns
00:20:58were stabbed with the same weapon,
00:21:00probably a boning knife,
00:21:02also used to cut off their ring fingers.
00:21:04So we know our killer hates nuns.
00:21:06What's the M.O.?
00:21:07He stabs and then he strangles?
00:21:09Because of the beads, the rosary.
00:21:11Yeah, but the rapes come first.
00:21:13And then he's brought back.
00:21:14Those attacks were vicious.
00:21:1617 wounds.
00:21:17Why did he open up their blouses?
00:21:19Why didn't he just stab them through the cloth?
00:21:21The wounds show up better on naked skin.
00:21:23Show up to whom?
00:21:24Us, photographers, anybody who would look.
00:21:27Fame, right.
00:21:28All right, anything else?
00:21:29Um, no weapon or severed finger,
00:21:32found within a 10-block radius.
00:21:34And believe it or not,
00:21:35nobody in Sister Angelica's building
00:21:37heard or saw anything.
00:21:39Mike, there was no evidence of forced entry there,
00:21:43Well, we got a little something.
00:21:46A blonde pubic hair was found mixed with Sister Angelica's.
00:21:51Oops.
00:21:52And...
00:21:55There we go.
00:21:56And a blonde head hair was found mixed
00:21:58with Sister Mary Joseph's.
00:22:00Both hairs belonging to the same guy.
00:22:03Well, that's something.
00:22:04Maybe it won't hold up in court.
00:22:06Yeah, but the match puts the perp
00:22:07right into Dr. Stewart's profile.
00:22:09The forensic zeroed in on a hairspray, gentle mist.
00:22:12The lieutenant means we can start
00:22:14narrowing in on the suspects.
00:22:24All right, let's get to the shopping list.
00:22:29Judy, you and Petsky take the blondes,
00:22:31past, present sex offenders.
00:22:33I used to like blondes.
00:22:35Lieutenant, any more of those phone calls?
00:22:38No, but if he calls again,
00:22:39I'll give him your number, Petsky.
00:22:41Bobbins, you and Keegan do a cross-country search
00:22:44on anything that resembles our guy's M.O.
00:22:46Got it.
00:22:47I'll go to the halfway house
00:22:49and interview the head nun there.
00:22:51Oh, by the way, if you have any snitches,
00:22:53check with them.
00:22:54Hey, Bobbins, we got lunch at 12.30, right?
00:22:56I'm fine.
00:22:57Hey, Keegan, wait up.
00:22:58Sergeant.
00:22:59You got anything for me
00:23:00before I go into the database?
00:23:01Don't act like my interpreter.
00:23:03If this is gonna work, you and me,
00:23:04don't treat me like a child.
00:23:08In the future, don't explain me, you get it?
00:23:12Got it.
00:23:16By the way, I already checked with the halfway house.
00:23:19Sister Margaret can't meet us till this afternoon.
00:23:23See you there at 3.
00:23:30How's it working with your dad?
00:23:32Oh, you know Mike.
00:23:35You two are like two prize fighters
00:23:37afraid to throw a punch.
00:23:39Every time we get close, he shuts down.
00:23:42Then, of course, I walk away.
00:23:44A father like daughter.
00:23:45Oh, like hell.
00:23:47Maybe he doesn't say much,
00:23:49but you gotta know he loves you.
00:23:52He gave a lot to Tommy, I know.
00:23:53I was there.
00:23:55We all love Tommy.
00:23:56Everyone loved Tommy.
00:23:58Tommy's death isn't the only problem here, Dina.
00:24:01You know it.
00:24:03He just never wanted me to become a cop in the first place.
00:24:06Yeah, but when you and Tommy wanted to join,
00:24:08he supported you guys.
00:24:09He was just being a protective father to you.
00:24:11He didn't think I could cut it.
00:24:12He still doesn't.
00:24:13How do you know?
00:24:14You ever ask him?
00:24:15Oh, all right, McCartney.
00:24:16All right, time's up.
00:24:17Session's over.
00:24:19Well, what about you?
00:24:21Well, I've been sick a lot lately.
00:24:25You seen the doctor?
00:24:28And?
00:24:30She said to start painting the extra room.
00:24:34Oh, no.
00:24:36Oh, my God.
00:24:37What does Neal say?
00:24:38He's ecstatic.
00:24:39He's getting a boy.
00:24:41He's really wanted this for a while now.
00:24:42I am so happy for you.
00:24:44Oh, are you gonna get married?
00:24:46I guess I'll have to now.
00:24:47Oh, you don't have to.
00:24:51So you need anything?
00:24:54You wanna go through the labor for me?
00:24:56Uh, no.
00:24:58Just thought I'd ask.
00:25:15Vinnie.
00:25:18Jack?
00:25:20Jack, give me five here.
00:25:25How you doing, Vinnie?
00:25:27Mike.
00:25:28Mike.
00:25:30Well, it's, uh, kind of a long road since the old days, you know?
00:25:35Yeah, it looks like you're staying dry.
00:25:38Um, I was kind of wondering when you might come by.
00:25:42Yeah, well, you know, Vinnie, we're working all the angles.
00:25:46I thought you might have noticed a drifter or Richard Ramirez type coming through the line.
00:25:52Somebody who looked like they needed to make a confession, you know?
00:25:55Well, I gave good confession.
00:25:58Yeah, Vinnie, it was the best.
00:26:00Listen, you still have your collar.
00:26:05Why do you ask, Mike?
00:26:07I want you to do something for me.
00:26:09I want you to poke around the churches and the convents.
00:26:12See if you can maybe detect a priest in trouble.
00:26:15Something like that.
00:26:19I haven't had that collar on for years.
00:26:22For old time's sake, Vinnie.
00:26:24Here.
00:26:26Take this.
00:26:27You have to get out of here.
00:26:29Get some fresh air, sunshine.
00:26:32Just for a while, anyway.
00:26:37Mike.
00:26:42Thanks.
00:26:49Sister Angelica was a very fine nun.
00:26:54She served our Lord for 13 years.
00:26:59Do you like your job?
00:27:03Yeah, I suppose we do.
00:27:07Day after day, you see, man, it is worse, don't you?
00:27:12It's almost as if you were intimate with evil.
00:27:16Yep, and sometimes too close.
00:27:19Did Sister Angelica have any enemies?
00:27:21No, of course not.
00:27:24Anybody particularly difficult?
00:27:29Certainly there were some kids she had to punish.
00:27:33You were taught by nuns, Lieutenant?
00:27:36Yes.
00:27:37We don't use corporal punishment anymore.
00:27:41There's many different kinds of punishment, Sister.
00:27:44Ridicule, humiliation in front of the class.
00:27:47I will not betray my children.
00:27:50We have a list of names we needed.
00:27:53Sister, two nuns have been raped and mutilated.
00:28:06I'll try.
00:28:14Find anything on sex offenders?
00:28:16A couple.
00:28:25What's the emergency?
00:28:26Got a lead from the halfway house.
00:28:28Kid named Posey came in all coked up.
00:28:30Sister Angelica threw him out.
00:28:32He threatened to kill her.
00:28:33Too bad Posey doesn't fit the profile.
00:28:35Profiles have been wrong before.
00:28:37Maybe we ought to check it out.
00:28:39Well, we got nothing to lose by following it up.
00:28:41If we wait too long, he may bolt.
00:28:43It's your call, Lieutenant.
00:29:14Let me in!
00:29:28Posey! It's the police!
00:29:31Open up!
00:29:44Hold it! He's coming out of the window!
00:29:49He's on the fire escape, and he's got a gun.
00:29:51Take the stairs!
00:30:09Police! Freeze!
00:30:13Freeze!
00:30:36You're gonna be fine.
00:30:39Judy Schott, officer involved in shooting.
00:30:41Code 3, Union and Washington.
00:31:12Hey, hey, hey, Mike, Mike, take it easy, all right?
00:31:15Let's not pull this thing, huh?
00:31:17Hey, Schott, Judy.
00:31:19Come on, baby, hold on.
00:31:21You're gonna be fine.
00:31:23You're gonna be just fine.
00:31:25Just hold on, Judy. Stay with me, baby.
00:31:28Hold on, you're gonna be okay.
00:31:31Okay?
00:31:33Come on.
00:31:35Come on, Judy.
00:31:41She's gone.
00:32:11She's gone.
00:32:41She's gone.
00:32:43She's gone.
00:33:12What'd you find?
00:33:14A lot of guns.
00:33:16It's half a taller tank of waterproof bag,
00:33:18but got at least two pounds of coke.
00:33:20So that's why that dirt bag ran.
00:33:22Some more bad news, Sarge.
00:33:24She was in jail when Sister Angelica was whacked.
00:33:27It didn't have anything to do with the murdered nuns.
00:33:29So?
00:33:31I don't know.
00:33:33I don't know.
00:33:35I don't know.
00:33:37I don't know.
00:33:39It didn't have anything to do with the murdered nuns.
00:34:10It's my fault.
00:34:12I should have checked him out first.
00:34:15We follow leads.
00:34:17That's what we do.
00:34:19You don't believe that?
00:34:21You know, I could have checked it more.
00:34:25But I didn't, because I wanted to get that guy as badly as you.
00:34:28It was stupid.
00:34:30Judy died for no reason.
00:34:32You're gonna grow old thinking of reasons, Dina.
00:34:37I was watching you at the funeral.
00:34:39You looked a million miles away.
00:34:42What were you thinking about?
00:34:48Tommy.
00:34:52Me too.
00:34:55He didn't have to die.
00:34:58What went wrong?
00:35:01I don't know.
00:35:03Right.
00:35:09You ever wish it was me who died instead of Tommy?
00:35:15Dina.
00:35:17How can you ask me that?
00:35:21Dina.
00:35:23How can you ask me that?
00:35:43In five minutes, I'm meeting with both the mayor and the archbishop.
00:35:46What have we got?
00:35:48We've got a lot of leads, we've got a lot of bogus confessions.
00:35:50What we don't have is a lot of luck.
00:35:52Lieutenant, we've lost a fine policewoman.
00:35:54We're not a damn bit closer to finding this maniac,
00:35:56and your idea is to get him mad at you?
00:35:58Why didn't you tell me what you were going to do?
00:36:00Sir, we know he's gonna kill again. I'm trying to draw him out.
00:36:02You see, he'll want to correct our image of him.
00:36:04Which means he'll be even smarter.
00:36:06Maybe not. His ego might trip him up.
00:36:09Or he might even appear on the scene, you know, as a looky-loo.
00:36:13I don't know.
00:36:18You really think this can work, Mike?
00:36:20Wait. This is not his decision. It's mine.
00:36:22If you don't like it, take me off the case.
00:36:27Okay, lieutenant. Run with it.
00:36:29But if we have no progress by the end of the week, that's exactly what I'll do.
00:36:32Do you understand? Yes, sir.
00:36:49Mom, how much longer do I have to keep playing the piano?
00:36:53I thought you liked it.
00:36:55It's okay, but...
00:36:58I want to be a cop when I'm older.
00:37:01Not a piano player.
00:37:04Cal, you don't want to be a cop.
00:37:07Why not?
00:37:09Because it's a lot of hard work, and...
00:37:12I might worry about you all the time.
00:37:15You do that anyway, Mom.
00:37:17I want to be like you and Grandpa.
00:37:19Hey, maybe the three of us could even work together.
00:37:25Come here.
00:37:45Come here.
00:38:15Come here.
00:38:45Come here.
00:39:15Who is it? It's me.
00:39:20What's wrong?
00:39:22Are you okay? Yeah, I'm fine.
00:39:25What?
00:39:27I want you to get your coat. Something I want to show you.
00:39:29Andy here will watch, Cal.
00:39:45Her name was Sister Anne-Marie.
00:39:48You sure it's our guy? Pretty sure.
00:39:51Not much blood.
00:39:53We'll get her somewhere else.
00:39:55Every nun in town knows what's going on.
00:39:59How did he get close to them?
00:40:01Well, they got to know him. I think they do.
00:40:04All he needs is a moment to fool them.
00:40:07Why here?
00:40:09Why my neighborhood?
00:40:11He's leading us on.
00:40:15He knows exactly what he's doing.
00:40:26Hello?
00:40:28Ma?
00:40:30What are you doing here?
00:40:32I just wanted to see you. We haven't talked since Judy's funeral.
00:40:35Well, I can't talk about that now. I've got an appointment.
00:40:39All right. Well, I'll walk out with you.
00:40:42So...
00:40:46Ma, what's wrong?
00:40:48Nothing's wrong.
00:40:50I'm just tired of sitting here and staring at empty rooms, that's all.
00:40:54I'm tired of writing letters of condolence.
00:40:58And I'm tired of sitting here waiting for that next knock on the door
00:41:01that's going to tell me who else I've lost.
00:41:06Ma, come on, wait. Let's talk about this.
00:41:09Talk?
00:41:11Did you know that your father was once quite a talker?
00:41:15We talked about family and honor and love everlasting.
00:41:20And I fell in love with him.
00:41:23Now we talk about talking, and nobody says anything.
00:41:28Ma, my father would have set Mike up for life.
00:41:32He could have inherited a multimillion-dollar business.
00:41:35But no, he had to be a cop.
00:41:37He had to have the thrill of going out on stakeouts
00:41:40and hunting down suspects.
00:41:42Anything but success.
00:41:44Maybe being a first-grade detective sergeant is success to him.
00:41:47You ever think of that?
00:41:49Ma, it's been a rough time for him.
00:41:52First Tommy, then being busted down to Rampart.
00:41:54Why was your father busted down to Rampart, Dina?
00:41:56Do you know?
00:41:57Yes. He let a suspect get beaten up in an investigation,
00:42:00and the guy nearly died.
00:42:02That's right. It would be Peek, a drug dealer.
00:42:04But why was Peek almost beaten to death? Do you know?
00:42:07I don't know.
00:42:10One night when your father was asleep, I found Peek's file.
00:42:14And your brother's name was attached to his phone record.
00:42:18Not once, but many times.
00:42:23Did you ask Dad about it?
00:42:26No.
00:42:28I was afraid of what I might find out.
00:42:33Oh, Dina, I'm so sick of cops.
00:42:35Come on, wait.
00:42:38Tommy's dead, Dina.
00:42:40That's all that really matters to me.
00:42:43And it was all pointless,
00:42:45because he never should have been a cop.
00:42:47He wasn't cut out to be a cop.
00:42:49He never really wanted to be a cop.
00:42:52He did it to please his father.
00:42:57Why are you doing it, Dina?
00:43:08Donna?
00:43:12This is Sergeant Donato.
00:43:14If Donna saw something, you might like to know.
00:43:17You're not just trying to hustle a fix, are you?
00:43:20Hey, man, you don't want it, I'll take it someplace else.
00:43:30I'm waiting for this dude.
00:43:32This guy's gonna score for me, you know?
00:43:35And he's late, so I'm hanging out,
00:43:38most of the afternoon, waiting.
00:43:41And I seen one of them nuns going by.
00:43:43Going where?
00:43:45Into this building across the street
00:43:47where the first nun got murdered.
00:43:49So I think maybe she's the one who got the knife.
00:43:52So?
00:43:54So I heard where the murder nun was,
00:43:56this tiny little thing.
00:43:59Yeah? Go on.
00:44:01So the one I saw going into the building,
00:44:03she's real tall.
00:44:05How tall?
00:44:07I just told you, man, real tall.
00:44:09What am I, a human tape measure?
00:44:11All I want to know is how tall that nun was.
00:44:13I told you, this nun was big for a nun.
00:44:17Do you mean big for a woman?
00:44:21Yeah.
00:44:23Yeah.
00:44:25Big for a woman.
00:44:33All right, everyone, listen up.
00:44:35You all know Al Scott.
00:44:37He's gonna be coming on board with us now.
00:44:39Bob. Al Scott.
00:44:41We have reason to believe that our guy
00:44:43was disguising himself as a nun.
00:44:45You gotta be kidding me. He was sloppy.
00:44:47That's right. So what we gotta do is go through
00:44:49all the receipts of all the costume shops
00:44:51in Los Angeles for the past five years.
00:44:53We are looking for a man who bought a nun's costume,
00:44:55probably using a fake name.
00:44:57If we're lucky, he used his real name.
00:44:59I know it's a lot of drudge work,
00:45:01but unless we come up with something,
00:45:03Halliday is taking us off the case.
00:45:05What? The hell he will.
00:45:07I didn't lose a partner and bust my butt on this case
00:45:09so some other jerks can come along
00:45:11and take the credit for what we've all done.
00:45:13All right, then.
00:45:15All right.
00:45:22I saw Mom today.
00:45:25And?
00:45:28She said something about
00:45:30Tommy's death and the peak case being connected.
00:45:33You know anything about that?
00:45:36You know, I really don't want to discuss it.
00:45:40When do you want to discuss it?
00:45:43Some other time.
00:45:47All right, Sergeant.
00:45:50Just remember, life is short.
00:45:53And then you die.
00:45:55I promise.
00:45:58Cal.
00:46:00Oh, Cal, it's me.
00:46:02What is it? What happened?
00:46:04Oh, over there on the desk.
00:46:06It arrived by messenger 20 minutes ago,
00:46:08addressed to Cal.
00:46:10You're not going to believe it.
00:46:21All right.
00:46:23Yeah, I'll finish that room.
00:46:25What do you got there?
00:46:35Do you think he's going to try to hurt you?
00:46:37Oh, I doubt that.
00:46:39But I'm not going to take any chances with you, Dina, nor Cal.
00:46:42Well, what about Dina?
00:46:44How are you going to protect her?
00:46:46She'll be with me.
00:46:48You should not have said anything to her about U.B. Peake.
00:46:56This isn't about Peake.
00:46:59This is about us.
00:47:04I think that...
00:47:06that we should take advantage of this time while I'm gone
00:47:09to try to figure out exactly what it is we want from each other.
00:47:13I know what I want.
00:47:15I want for us to stay together.
00:47:17Well, that's good, Mike.
00:47:23But there are going to have to be some changes.
00:47:29We can't go on the way we have been.
00:47:32Okay?
00:47:35I want to come home with you.
00:47:37Sorry, honey, you can't do that right now.
00:47:39But I promise you, you'll always be my best friend.
00:47:42I love you.
00:47:44I love you.
00:47:46I love you.
00:47:48I love you.
00:47:50I love you.
00:47:52I love you.
00:47:54I love you.
00:47:56I love you.
00:47:58I love you.
00:48:00I love you.
00:48:02You can't do that right now, but I promise you,
00:48:04you'll only be at Aunt Carol's a little while, okay?
00:48:07This has something to do with these murders.
00:48:09Oh, come on.
00:48:11Give me a break, okay?
00:48:13You don't have to protect me from the truth.
00:48:15I'm not a baby anymore.
00:48:17Don't you think I know you could get killed like Uncle Tommy?
00:48:23Cal, I'm sorry.
00:48:26I didn't know you worried about that.
00:48:29Why would I worry?
00:48:31Who's going to worry if I don't?
00:48:37I love you.
00:48:48You came after my son. My son!
00:48:50I know it's hard. It's hard on me, too.
00:48:52He is my grandson.
00:48:54But you can't make it personal.
00:48:56Your emotions will get in the way.
00:48:58Son of a bitch, I swear it.
00:49:00Dina.
00:49:02You stay here with me. Security is tighter.
00:49:05Oh, what? Where are you going to put me?
00:49:07My old room's filled with paintings.
00:49:09You can stay in Tommy's room.
00:49:28Thank you.
00:49:59Excuse me, sister.
00:50:01You shouldn't be walking alone.
00:50:03Oh, yes, I know. I've been behind schedule all day.
00:50:06May I escort you to your destination?
00:50:08I'm just four blocks from home, officer.
00:50:10Well, if you don't mind me asking,
00:50:12do you know where I can find a place to stay for the night?
00:50:15No, I don't.
00:50:17Well, if you don't mind me asking,
00:50:19do you know where I can find a place to stay for the night?
00:50:22No, I don't.
00:50:24Well, if you don't mind me asking,
00:50:26do you know where I can find a place to stay for the night?
00:50:29No, I don't.
00:50:31Well, if you don't mind me asking,
00:50:33do you know where I can find a place to stay for the night?
00:50:36No, I don't.
00:50:38Well, if you don't mind me asking,
00:50:40do you know where I can find a place to stay for the night?
00:50:43No, I don't.
00:50:45Just four blocks from home, officer.
00:50:47Well, we've been given special instructions
00:50:49to extend protection to all sisters in base,
00:50:51so I'd only be following orders if you let me walk you home.
00:50:54The super says that there's a photographer in the penthouse.
00:50:56His name is Kim Lyle.
00:50:57It seems that he likes to dress up in costumes and party.
00:51:00Donato and I will start there, work our way down.
00:51:03You guys start at the bottom, work your way up.
00:51:05You take the ref.
00:51:09We found a murdered nun in your elevator.
00:51:12What?
00:51:13We heard you like to wear costumes.
00:51:15Do you have some kind of dress up outfit,
00:51:17like a nun's habit?
00:51:20I have a cape.
00:51:21I do not have a nun's habit.
00:51:23What is this, Nazi Germany?
00:51:25Are you really allowed to search
00:51:26my apartment without a warrant?
00:51:28We're not searching your apartment, Mr. Lyle.
00:51:30If I was to search this apartment,
00:51:32you'd really know it.
00:51:33You want us to search the apartment?
00:51:34Can we see the cape, please?
00:51:38I have nothing to hide.
00:51:51Can I use your bathroom?
00:51:53It's in there.
00:52:07Where were you last night?
00:52:09I was home.
00:52:12Wait, wait, wait, wait.
00:52:14I'm not a suspect, am I?
00:52:16Was anyone with you?
00:52:18Oh, no, wait.
00:52:19Who would kill someone in the elevator of his own building?
00:52:24You don't really think I would do that?
00:52:24Highly unlikely.
00:52:26Unless, of course, the killer was taunting the police.
00:52:29I'll tell you what.
00:52:30We can eliminate you as a suspect
00:52:31by letting forensic come in here and look the place over.
00:52:35You might want to call your lawyer.
00:52:36A lawyer?
00:52:37I don't have a lawyer.
00:52:41All right, yes, fine.
00:52:42They can come in.
00:52:45Can I get dressed?
00:52:47Your bathroom was a mess.
00:52:49Use of some god-awful hair gel.
00:52:51Stand up a set of your golf clubs with that junk.
00:53:02Yes?
00:53:03Los Angeles police.
00:53:10You don't think someone in this building did it, do you?
00:53:12Why would someone murder someone and then put the body
00:53:15in an elevator in his own building?
00:53:17We're not sure.
00:53:18Did you hear any strange noises outside
00:53:20the elevator last night?
00:53:21No.
00:53:22My wife and I went to bed rather early.
00:53:24What do you do for a living, Mr. Loring?
00:53:26I'm a vice president and a financial consultant
00:53:29at Cornell Loring.
00:53:30Lieutenant, I'm sorry, but you know all that coffee
00:53:33I had this morning?
00:53:34It's finally caught up with me.
00:53:36Can I use your bathroom?
00:53:38Of course.
00:53:39Right in there on the left.
00:53:43Are you Catholic, Mr. Loring?
00:53:46No, are you?
00:53:48I think that's beside the point.
00:53:50Come on, Lieutenant, tip for tab.
00:53:52If I ask you a question and you answer me,
00:53:54then it feels more like a conversation,
00:53:56less like an interrogation.
00:53:59Yes, I'm Catholic.
00:54:01Then you must have an even more personal reason
00:54:02to want to catch this maniac.
00:54:08My wife, Andrea, this is Lieutenant Donato.
00:54:11This is Lauren.
00:54:12Nice to meet you.
00:54:13There's a nun found murdered in our building.
00:54:16Oh my God, it's horrible.
00:54:18This is my wife, Andrea Loring.
00:54:20Mrs. Loring, I'm with her.
00:54:22Say, do you mind if we bring some people in here
00:54:24to examine the apartment?
00:54:25What for?
00:54:27They're looking for evidence.
00:54:29Oh, you don't suspect us, do you?
00:54:31Calm down, Andrea, they're just doing their job.
00:54:34At this point, everybody's a suspect,
00:54:35isn't that right, Lieutenant?
00:54:36That's right.
00:54:37However, I do think it'd be more appropriate
00:54:39if we got ahold of a search warrant first.
00:54:41That way we can keep everything nice and tidy.
00:54:42That's fine, that'll be fine with me.
00:54:48So what do you think of our neighbor, Mr. Lyle?
00:54:50Well, like you said, everybody's a suspect.
00:54:53You seem to know a lot about police procedure.
00:54:56I guess it's all that reality programming on the tube.
00:54:58I think that's all we need.
00:54:59Thank you, Mrs. Loring, Mr. Lyle.
00:55:01Goodbye.
00:55:02Hope you get your man.
00:55:02Oh, we will.
00:55:03Good luck, Lieutenant.
00:55:12The bathroom is immaculate,
00:55:13and I found a can of genovese.
00:55:15Yeah?
00:55:16Yeah, it puts a little remedy.
00:55:18The other thing that bothered me,
00:55:19he couldn't keep his eyes on me.
00:55:21Every time I'd ask a question,
00:55:23he would look at you when he answered.
00:55:25Is that the father or the detective talking?
00:55:28I don't know.
00:55:30I think it's important for him to be cool.
00:55:32He's such a climbing phony.
00:55:34If we arrested all the phonies in LA,
00:55:36we'd be in one hell of a mess.
00:55:38And what do you think about Lyle?
00:55:39A little weird, and no alibi.
00:55:42Let's put a tail on him and run a deep check.
00:55:45Let's find out where Loring comes from.
00:55:46I'm gonna go down and nose around where he works.
00:55:52♪♪♪
00:56:16♪♪♪
00:56:21♪♪♪
00:56:26♪♪♪
00:56:31♪♪♪
00:56:37♪♪♪
00:56:42♪♪♪
00:56:49What are you driving at, Miss...?
00:56:51Lieutenant Donato.
00:56:52I'm a busy man.
00:56:53I'm a busy woman.
00:56:54I assure you, Mr. Cornell, my questions are important.
00:56:57♪♪♪
00:57:02My wife doesn't care for Russ Loring.
00:57:04Is that what you want to know?
00:57:05She finds him cold.
00:57:07And you, Mr. Cornell, do you find him cold?
00:57:09I find him just fine.
00:57:11Do you happen to know where Mr. Loring was
00:57:13on the evening of the 7th?
00:57:15Grace, ask Irene to bring Russ's appointment book in here.
00:57:18Yes, sir.
00:57:19Now we'll see how ridiculous the questions really are.
00:57:22♪♪♪
00:57:27♪♪♪
00:57:32♪♪♪
00:57:38What are you doing here?
00:57:40I just met Robert Cornell, your partner,
00:57:42and Irene, your secretary.
00:57:44Very nice group.
00:57:45You were talking about me, weren't you?
00:57:47Yes.
00:57:48They said some interesting things about you.
00:57:50I hate to see you waste your time, Lieutenant.
00:57:52Oh, I waste a lot of my time, Mr. Loring.
00:57:54Sometimes I get lucky.
00:57:57Well, I hope you don't force me to call my lawyer.
00:58:00What's the problem?
00:58:01I think this qualifies as harassment.
00:58:03I'm just doing my job.
00:58:04Why don't you go back upstairs and do yours?
00:58:06Don't be smug with me.
00:58:08Oh, now this is a problem.
00:58:11If you don't remove your hand,
00:58:13I will arrest you for assault.
00:58:16Sorry.
00:58:28We've checked out every costume joint in this town
00:58:32that has rented or sold a nun's habit
00:58:35in the past five years.
00:58:37We checked the most recent first.
00:58:39We came up with three purchases in the last year.
00:58:43Two of them, check out.
00:58:45One, Keith Lang, is not check out.
00:58:50Right address, wrong name.
00:58:53Come on, Pesky, let's have it.
00:58:5913101 Wilshire.
00:59:03That's where we found the body this morning.
00:59:05We finally get a break.
00:59:07Okay, I think Keith Lang is Ress Loring.
00:59:12The bastard is taunting us.
00:59:13He's saying, I'm so good, you can't catch me
00:59:16even if I lead you right to my front door.
00:59:18No, but Kim Lyle's initials fit perfectly.
00:59:21Ress Loring does not.
00:59:22I go with Lyle. The guy's a flake.
00:59:25My money's on Loring.
00:59:26You remember what he said about the elevator?
00:59:28Lyle said who would kill somebody in the elevator
00:59:31in his own building.
00:59:32But Loring said who would put a body in the elevator
00:59:36in his own building.
00:59:38What's the difference?
00:59:39Well, everybody assumes that a body is found
00:59:41where the killing took place, like Lyle did.
00:59:44Could be a manner of speech.
00:59:45I don't think so.
00:59:46Me neither.
00:59:47He thinks he's brilliant, and we're dumb.
00:59:49He's everything Dr. Stewart said he'd be.
00:59:51Loring physically confronted the lieutenant this morning
00:59:54in his office building.
00:59:55Now, I think he might feel that he went too far,
00:59:59so let's just keep pushing him.
01:00:00Bobbins, stick with your pal Lyle.
01:00:02Thank you.
01:00:03Pesky, Scott, keep searching the database
01:00:05for similar M.O.s where Loring used to live.
01:00:07Donato, might as well take his hometown.
01:00:10Let's see.
01:00:12Hyrule, Arizona.
01:00:14Keegan, let's set up a tail.
01:00:16Let's go.
01:00:17Keep an eye on her while I'm going.
01:00:19Yes, sir.
01:00:38Chief Stone.
01:00:40Sergeant Donato, Los Angeles Police.
01:00:43Been a long time since anybody called me chief.
01:00:46Ten years, retired.
01:00:50You've come to ask me about Russ Loring.
01:00:53Yeah, how'd you know that?
01:00:55You've been poking your head around.
01:00:57I've been looking for you.
01:00:59I've been looking for you.
01:01:01I've been looking for you.
01:01:03I've been looking for you.
01:01:04I've been looking for you.
01:01:06I've been looking for you all around,
01:01:08and nothing happens in this town I don't know about.
01:01:11About Russ, has he ever been in trouble with the law here?
01:01:15Thought we had something on him once.
01:01:17Never panned out.
01:01:19Anything to do with rape or mutilation?
01:01:24No.
01:01:27Well, there was that girl that disappeared once.
01:01:30Did Russ know her?
01:01:31They went together during high school.
01:01:34Russ, decent girl, nice family.
01:01:37Everybody knew there was something strange about Russ.
01:01:40Dorothy was the only girl who would go out with him.
01:01:43Oh, he was a real charmer.
01:01:45But spoiled, got what he wanted.
01:01:48She tried to break up with him after about a year.
01:01:51Dorothy's mother told me he did everything he could to change her mind.
01:01:56And he turned real nasty.
01:01:58Mean kid.
01:02:01One day, Dorothy didn't show up for school.
01:02:03The whole town searched for her.
01:02:07But we never found her.
01:02:09Did you investigate Russ?
01:02:13Couldn't prove nothing.
01:02:15His mother, Adele.
01:02:18What a piece of work that woman is.
01:02:21Swore Russ was home with her the whole night.
01:02:26It's awful hard on a small town like this.
01:02:31Someone they know disappears into thin air.
01:02:34No explanation.
01:02:36And then later on, they start to realize who'd done it.
01:02:39But there ain't anything anybody can do.
01:02:44It just makes me sick.
01:02:49I'll tell you something else, too.
01:02:51There was something awful suspicious about the way his father, Ken, died.
01:02:56His father's name was Ken?
01:02:59Ken Loring.
01:03:15He spotted me. He's in.
01:03:18He's right below me.
01:03:20Stay with him, Scott.
01:03:47Mrs. Loring?
01:04:10Yes?
01:04:12I'm Sergeant Donato, Los Angeles Police.
01:04:16What's wrong? Something happen to Russ?
01:04:19Oh, no, no. I just want to talk to you about him.
01:04:22And about Dorothy Wells.
01:04:24That's all I've been done with.
01:04:26Water under the bridge.
01:04:27Yeah.
01:04:29What do you think happened to Dorothy?
01:04:31Who knows?
01:04:33Somebody must have gotten her, I suppose.
01:04:35What do you mean, gotten her?
01:04:37Why are we going over all this old ground?
01:04:40Well, Mrs. Loring, we think your son may have been killing women in Los Angeles.
01:04:47If that's true, why haven't you arrested him?
01:04:49We will. Just a matter of time.
01:04:54In other words, you haven't got any evidence.
01:04:59Now you expect me to stand here and help you.
01:05:02It's the same thing all over again.
01:05:05What do you mean, same thing all over again?
01:05:08A person like you can't understand a person of Russ's quality.
01:05:12Don't you care that your son may be killing women?
01:05:16I'm sure none of them is worth what Russ is worth.
01:05:19What happened that night, Mrs. Loring?
01:05:22Did your son lose it and then kill Dorothy?
01:05:26She was a person of no quality at all. None.
01:05:29She may have had this whole town fooled, but not me, not Russ either.
01:05:33Dorothy was a Catholic, wasn't she?
01:05:34Didn't they tell you?
01:05:36She decided to leave town. She was going to become a nun.
01:05:40Isn't that a laugh?
01:05:41Kind of like the garbage man pretending he didn't stink.
01:05:46You knew exactly what your son did, but you wouldn't say a word, would you?
01:05:50I don't know what you're talking about.
01:05:53Russ was at home with me that night.
01:05:55Did he kill your husband too?
01:05:58If he did, it was no great loss, I can assure you.
01:06:01The man was a monster.
01:06:03Oh, Mrs.
01:06:05How do you sleep at night?
01:06:07Like an angel, Sergeant. Just like an angel.
01:06:11And now I think it's time for you to get the hell out of here.
01:06:16You try and stop me.
01:06:34Where the hell is he?
01:06:37The secretary just locked out the door. The office is all dark.
01:06:40He didn't come out this way.
01:07:03Come on.
01:07:34You guys want to come over here and have a look?
01:07:37These are the victims before they became nuns.
01:07:41Can you see what they all have in common?
01:07:44Women, they're pretty women. They're white women.
01:07:48About the same age.
01:07:50They have dark hair. They all kind of look alike.
01:07:54That's right. They look alike.
01:07:57Now, look at this. This is Dorothy Wells.
01:08:01You know something, Sergeant?
01:08:03Looks like they all could have come from the same family.
01:08:07She looks a little like you too, Lieutenant.
01:08:21There's a composite sketch from the costume company.
01:08:24It's not much. It could be anybody.
01:08:26Yeah, it could be anybody.
01:08:28Yeah, it could be anybody.
01:08:30But I'll bet if we show this to Loring, he'll see only himself.
01:08:34Lieutenant, five years ago, Loring lived in West Texas.
01:08:39A couple of nuns. Same M.O.
01:08:41The killing stopped soon after he left town.
01:08:44I see this.
01:08:46Bogey at 12 o'clock.
01:08:50Lieutenant Donato. Yes.
01:08:52Martin Reddick, Russ Loring's attorney.
01:08:55This is a temporary restraining order from Judge Thomas Belmont
01:08:58ordering you and the rest of the LAPD to stop your surveillance of my client.
01:09:03If you have evidence, arrest him. If not, leave him alone.
01:09:07Have you seen your client today, Counselor?
01:09:10Why?
01:09:12We'd like to ask him some questions.
01:09:14He said all he's going to say to you, Lieutenant,
01:09:17he's minding his own business.
01:09:20Need I say more?
01:09:25Come on.
01:09:55Come on.
01:09:57Come on.
01:10:23Let's check around.
01:10:25Come on.
01:10:56You check the terrace?
01:10:58No.
01:11:26Donato!
01:11:37He came into the terrace.
01:11:45I'll take this side.
01:11:55Come on.
01:12:12Did you find anything?
01:12:14No, he's gone.
01:12:16You killed that son of a bitch.
01:12:18Come on, Dina.
01:12:19You would.
01:12:21Because I would doesn't mean you should.
01:12:24Fine.
01:12:26I'm all right. I'm fine.
01:12:38This is exactly what Mom is always afraid of, isn't it?
01:12:43Yeah, I suppose.
01:12:45But you know you can deal with fear.
01:12:48It's the unexpected, the things you can't imagine that get you.
01:12:53Like Tommy.
01:12:59You ever wanted to know about Tommy, I'll tell you.
01:13:05You know, Tommy's life turned a bad corner,
01:13:08and I didn't know how to handle it.
01:13:16He didn't get shot.
01:13:18He didn't get shot.
01:13:22Your brother OD'd.
01:13:25When I found him, he was still in his uniform with a needle stuck up his arm.
01:13:30There was a note lying beside him that said goodbye.
01:13:33That's all. Just goodbye.
01:13:41So I burned it, and then I tracked down his dealer.
01:13:45UV Peak. That's what happened. You had him beaten up on purpose.
01:13:49We had enough on Peak to put him away for a long time,
01:13:51but that wasn't enough for me, and that's why I rearranged his face.
01:13:54I should have known.
01:13:58You could have told me. I would have understood.
01:14:01Dina, I couldn't tell you your brother was a junkie.
01:14:04I couldn't tell your mother. I couldn't tell anybody.
01:14:10That's why I covered it up.
01:14:15I guess I shouldn't have pushed him into becoming a cop.
01:14:18It would have been... Things would have been different.
01:14:24I knew something was wrong. I didn't do... a thing.
01:14:30My whole life, I felt like I had to fight for your approval,
01:14:35and it seemed like the harder I fought, the more Tommy got.
01:14:41And I blamed him, and I blame you.
01:14:44Dina, can't you see? You were the strong one.
01:14:48I knew you were gonna be okay, but Tommy... Tommy needed help.
01:14:56I guess I failed you both.
01:14:59Oh, no. No.
01:15:04You didn't fail me.
01:15:06You didn't fail me.
01:15:11I just needed to know that you loved me.
01:15:14Oh, Dina.
01:15:18I always loved you. I still love you.
01:15:36I love you.
01:16:07I think so. I mean, especially with a portfolio like yours,
01:16:10you can expect to see redistribution into development again for the first time.
01:16:16And at least four years where people have been really reminiscent
01:16:20about getting involved, especially in downtown,
01:16:23with everything that got so dead, and then, you know...
01:16:28Would you excuse me?
01:16:31Here he comes.
01:16:35Well, what brings you here?
01:16:37Having some lunch. Spanish omelette. I recommend it.
01:16:41Why don't you join us, Russ?
01:16:46You're harassing me.
01:16:48No, I'm not harassing you.
01:16:50I'm not harassing you.
01:16:53You're harassing me again.
01:16:55Oh, we don't harass. But there are a couple holes in your alibi.
01:16:59Clients not meeting you, things like that.
01:17:01Well, they must be mistaken.
01:17:03We also found a Keith Lang who bought a nun's habit and a police uniform.
01:17:07Well, I don't know any Keith Lang.
01:17:10How about Dorothy?
01:17:12Yeah, how'd you feel when Dorothy dumped you to become a nun, Russ?
01:17:16I see you've been checking out my background.
01:17:19What do you suppose happened to her?
01:17:21I haven't the vaguest idea.
01:17:23You remember Chief Stone? He's looking into it again.
01:17:26He thinks maybe he might have missed something.
01:17:28Well, he won't find anything because there is nothing to be found.
01:17:31Oh. That was a lie of witness.
01:17:34Several people saw the killer described him to the police artist.
01:17:37People saw the killer?
01:17:39Mm-hmm.
01:17:41Can you identify that guy?
01:17:51You jackass. You think I don't recognize myself?
01:17:54We thought it looked like you, too.
01:17:56That's why we're trying it out in Texas today.
01:17:58You used to live in Texas, didn't you, Russ?
01:18:00Want some more water, Dad?
01:18:02No, thanks.
01:18:04Listen carefully.
01:18:06I know my rights.
01:18:08You two better back off or you're going to be facing one hell of a lawsuit.
01:18:13He's coming out. Stick with him.
01:18:15We got it.
01:18:17I don't like it.
01:18:19There's evidence in that apartment and he destroys it before we get there.
01:18:21We're dead.
01:18:23Get the check. I'll meet you there.
01:18:39Looking for this?
01:18:48What are you doing with this?
01:18:53Come here, Andrea.
01:18:56What are you doing with this?
01:19:01Come here, Andrea.
01:19:16What are you thinking?
01:19:22No!
01:19:26No. No.
01:19:46Here she is.
01:19:50Where's Dena?
01:19:52She's on his way.
01:19:54Did you get the warrant?
01:19:56Scott's still at the judge's office.
01:19:58Loring's lawyer heard about it and he's causing problems.
01:20:00Damn it. All right.
01:20:02Bob and Stetsky cover the exits.
01:20:04Keegan, see if you can find a window across the street that looks into Loring's apartment.
01:20:06You got it.
01:20:08I'm going to stall until the warrant gets here.
01:20:10What do you mean? You can't go in there.
01:20:12Hell, I can.
01:20:14Where is she?
01:20:16She went upstairs.
01:20:18She said she's going to stall until the warrant gets here.
01:20:44Come on.
01:21:14You can't win her without backup.
01:21:16I need to buy us some time.
01:21:18I don't want you to win her.
01:21:20It's not your call, Sergeant. It's mine.
01:21:22Yes?
01:21:24It's Lieutenant Donato, Mr. Loring.
01:21:34Do you have that warrant, Lieutenant?
01:21:36No, sir.
01:21:38But I would like to talk to you for a moment.
01:21:44Here we are, once again.
01:21:46It must be Kismet.
01:21:48I came to apologize.
01:21:50Oh, you did, did you?
01:21:52It seems that we were wrong about you.
01:21:54Right after you left,
01:21:56we got word that the killer had been found.
01:21:58He'd turned himself in.
01:22:00No.
01:22:02Yes, so I was hoping to convince you
01:22:04not to pursue those harassment charges.
01:22:06I'm sorry.
01:22:08I'm sorry.
01:22:10I'm sorry.
01:22:12I'm sorry about the harassment charges.
01:22:16May I?
01:22:18By all means.
01:22:20Come in, please.
01:22:36May I take a coat?
01:22:38Yes, thank you.
01:22:42Care for some coffee?
01:22:44That would be wonderful.
01:22:50I can take it.
01:22:52I was just planning. Thank you.
01:22:54Thank you.
01:23:10Keegan, can you see them?
01:23:12I got them. Everything's fine.
01:23:14Anything that looks funny,
01:23:16you give me a yell.
01:23:20So you made a little mistake, huh?
01:23:22Yes, yes.
01:23:24I know we push you kind of hard.
01:23:26Sometimes when it's a high-profile case like this,
01:23:28we kind of get carried away.
01:23:30All I can tell you is it wasn't personal.
01:23:32We're just trying to catch a killer.
01:23:34I can understand that.
01:23:38You're a little cutthroat in my line of work, too, sometimes.
01:23:52Help me.
01:23:54You know, I have to be honest with you, Lieutenant.
01:23:58If it had been anybody else,
01:24:00I probably would have slammed the door right in their face.
01:24:02But...
01:24:04I haven't been able to take my eyes off of you
01:24:06from the first time I saw you.
01:24:08Mr. Warren, you're a married man.
01:24:10What would your wife say if she could hear me now?
01:24:12She couldn't possibly.
01:24:14She's in San Diego visiting her mother.
01:24:16Am I embarrassing you?
01:24:18No, no.
01:24:20I just think that I've said what I came to say.
01:24:22Don't go, Lieutenant.
01:24:24We're just getting to know each other.
01:24:26Come on, Keegan, talk to me.
01:24:28What's happening?
01:24:30Wait a minute.
01:24:32Wait a minute.
01:24:34Lieutenant's back.
01:24:36He's back.
01:24:38He's back.
01:24:40He's back.
01:24:42He's back.
01:24:44Wait a minute.
01:24:46Lieutenant's moving towards the living room.
01:24:48Well, I'm going to get back to work.
01:24:50You've got your coat.
01:24:58Donato!
01:25:00Whoa.
01:25:02Don't you do anything stupid.
01:25:04Go to hell.
01:25:06You want your baby back?
01:25:08Get me a helicopter on the roof now
01:25:10or she and I will take a little lover's leap over the edge.
01:25:12You got that?
01:25:14You'll get your helicopter, but don't you hurt her.
01:25:16Shoot the son of a bitch!
01:25:22Keegan, he's taken Lina to the roof.
01:25:24Get a helicopter up there now.
01:25:26This is what I want you to tell them to do.
01:25:38Keegan,
01:25:40Mrs. Loring has been stabbed.
01:25:42She's lost a lot of blood.
01:25:48Give it up, Loring.
01:25:50If I give it up, Lieutenant,
01:25:52you'll be the first to know.
01:25:54We're either going up
01:25:56or we're going down.
01:26:10The chopper's on its way.
01:26:12Let's take it easy.
01:26:14Stay back!
01:26:16If you come any closer,
01:26:18and we're over the edge, you know I'll do it.
01:26:20Blow him away, Donato.
01:26:22Come on, Loring, let her go.
01:26:24You can use me for a hostage.
01:26:26Are you kidding me?
01:26:28No, no, if I take a dive,
01:26:30I'd much rather be holding onto her and watching you.
01:26:34Time is running out, Mike.
01:26:40We've got to get out of here.
01:27:10It's nothing. I'm fine. I'm fine.
01:27:12You're one hell of a cop, Lieutenant.
01:27:14I know.
01:27:16I know.
01:27:18I know.
01:27:20I'm sorry.
01:27:22I'm sorry.
01:27:24I'm sorry.
01:27:26I'm sorry.
01:27:28I'm sorry.
01:27:30I'm sorry.
01:27:32I'm sorry.
01:27:34I'm sorry.
01:27:36I'm sorry.
01:27:38I know, Dad.
01:27:44Thanks.
01:27:52I should never have allowed you
01:27:54to go into that apartment on your own.
01:27:56Oh, I had everything under control.
01:27:58If I weren't your daughter,
01:28:00you would have opened fire in the apartment.
01:28:02You being my daughter had nothing to do with it.
01:28:04Yes, right. You're always protective.
01:28:06You always have been.
01:28:08Me? Always protective? Never.
01:28:36Never.
01:28:38Never.
01:28:40Never.
01:28:42Never.
01:28:44Never.
01:28:46Never.
01:28:48Never.
01:28:50Never.
01:28:52Never.
01:28:54Never.
01:28:56Never.
01:28:58Never.
01:29:00Never.
01:29:02Never.
01:29:04Never.
01:29:06Never.
01:29:08Never.
01:29:10Never.
01:29:12Never.
01:29:14Never.
01:29:16Never.
01:29:18Never.