LEGEND OF THE MUSE - SUPERNATURAL THRILLER Movie HD
Transcript
00:00:30You're gonna help me out here?
00:00:58I told you to fucking slow...
00:01:08You hear that?
00:01:09Hear what?
00:01:10That.
00:01:11What are you doing?
00:01:12What are you doing?
00:01:14What are you doing?
00:01:28I'll be back.
00:01:58I'll be back.
00:02:17Gas!
00:02:28What the fuck are you doing?
00:02:58What are you doing?
00:03:27No!
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00:05:27I don't care what the fuck you heard or what the fuck you saw, get your ass back there
00:05:57and finish the job!
00:06:04Fuck!
00:06:07Yo, Adam, wait up, I meant to tell you, I had to raise the rents again.
00:06:27Oh.
00:06:28Trying to get rid of the lowlifes around here, you know, raise the water, drown the rats.
00:06:34Okay.
00:06:35It's just another 50.
00:06:38Yeah.
00:06:39Hold on.
00:06:40Hey, new guy!
00:06:42Hector!
00:06:46I need to, uh...
00:06:47You need to what?
00:06:49I need the rest of the deposit.
00:06:54Okay.
00:07:07And there's no smoking inside.
00:07:13Fuck.
00:07:16Asshole.
00:07:18Hey, Adam, don't think I forgot about that 50.
00:07:21I'll be by tomorrow.
00:07:51Fuck.
00:07:57Fuck.
00:08:03Fuck.
00:08:09Fuck.
00:08:15Fuck.
00:08:23Fuck.
00:08:31Fuck.
00:08:40Fuck.
00:08:46Fuck.
00:08:52Fuck.
00:08:58Fuck.
00:09:04Fuck.
00:09:09Fuck.
00:09:13This is some good shit.
00:09:15Nice.
00:09:17I don't know.
00:09:19It's missing something.
00:09:21Like what?
00:09:24That's what I'm trying to figure out.
00:09:27Well, you know what I think your problem is?
00:09:31You are in the wrong place, my friend.
00:09:35You need inspiration, right?
00:09:39You're not going to find it up here.
00:09:42What you need to do is get the fuck out of this shithole.
00:09:46You're in luck, though.
00:09:48I got to catch a ride to this place just outside of town not too far.
00:09:56That's where you come in.
00:09:58You don't have a car?
00:09:59Nah, I don't drive.
00:10:02Look, I'm not looking for any free rides, okay?
00:10:06I'll pay you a good amount of money for the gas.
00:10:16I don't, I don't...
00:10:17Come on, man.
00:10:19This is a place that will really inspire you.
00:10:24I appreciate the offer, but...
00:10:30Don't think about it, okay?
00:10:32Think about this.
00:10:34Two hours of your time to fix all your problems,
00:10:38and all you have to do is come for a ride.
00:10:42You are not going to get a better deal than that.
00:10:46I swear.
00:10:54I got it.
00:11:01Nowhere to find me.
00:11:24Oh my god, I'm sorry, uh...
00:11:28Oh no, no, no, let me, I got it.
00:11:35That's my...
00:11:43You're in 306, right?
00:11:45Yeah.
00:11:46Yeah, I'm your neighbor right around the corner.
00:11:48I'm Maria.
00:11:50Adam.
00:11:51Cool.
00:11:53I'm headed to Gallery 440.
00:11:55There's an opening tonight.
00:11:58You should swing by.
00:11:59Yeah, that sounds great.
00:12:04Oh, I have to go.
00:12:07Okay, um...
00:13:37Hey.
00:13:38Hey.
00:13:39Are you leaving?
00:13:40No, I was just, uh...
00:13:41♪
00:13:46You know the pace tap, right?
00:13:48I was thinking this fashion about...
00:13:49Yes, I know the pace, but, um...
00:13:52Yes.
00:13:53Hey.
00:13:54Hey.
00:13:55Are you leaving?
00:13:57No, I was just, um...
00:14:00♪
00:14:03Let's get a drink.
00:14:05There's a lot of people here.
00:14:20Yeah, there are.
00:14:22These artists have a lot of fans.
00:14:30I'm really glad you came.
00:14:32Me too.
00:14:35Hey, what's going on?
00:14:37Hey, nothing.
00:14:39Who's this?
00:14:41This is a friend of mine from the building.
00:14:43A friend?
00:14:44Mm-hmm.
00:14:46Adam, this is Jason.
00:14:47He is one of the artists.
00:14:49Hi.
00:14:58Very nice.
00:15:16You look lost.
00:15:18Oh, I was just about to leave.
00:15:22Are you a friend of one of the artists?
00:15:24No.
00:15:26I wish I could create something like this.
00:15:30What about you?
00:15:32I'm Valerie Clary.
00:15:36I own the place.
00:15:39I'm so sorry, I should just go.
00:15:48Every true artist has someone calling out to him.
00:15:53Begging to be discovered.
00:15:57To fill him with power.
00:16:00To inspire him.
00:16:04Find her.
00:16:07Your muse.
00:16:15I'm trying.
00:16:17Well, if you're trying, you haven't found her yet.
00:16:48I'm sorry.
00:16:57I'm sorry.
00:17:07I'm sorry.
00:17:38Right there.
00:17:51What do we do now?
00:17:54You wait here.
00:17:57And you don't fucking move.
00:18:27Yo, my man!
00:18:28Shit.
00:18:29Hey.
00:18:30Calm down, calm down.
00:18:31Have a seat.
00:18:32No, I swear they never showed.
00:18:34Chill out.
00:18:36Give me a cigarette.
00:18:40I don't believe you.
00:18:43Stop!
00:18:45The fuck is going on out here?
00:18:47The fuck's going on is that I don't have my product.
00:18:57Shit.
00:18:58What?
00:19:00What the fuck?
00:20:28What the fuck?
00:20:40Get in, get in.
00:20:44Go, go, go, go, go.
00:20:48Fuck, fuck man!
00:20:51You're a fucking asshole, man.
00:20:53I'm a fucking asshole!
00:20:54I don't know what happened back there.
00:20:55I don't know what fucking happened.
00:20:56He almost got us fucking killed, that's what fucking happened.
00:20:59I messed up, okay?
00:21:00No, this guy, he messed up.
00:21:02No, there was something, I heard something in the forest.
00:21:04What could you have possibly heard?
00:21:06I don't know, okay?
00:21:07You know what the fuck I know?
00:21:25Did you see that?
00:21:26Yeah.
00:21:31It's one of my guys.
00:21:49Fuck.
00:21:51Oh, God.
00:21:52I'm fucking telling the truth.
00:21:54Oh, God.
00:21:56Fuck.
00:22:14Hey, hey, hey, hey.
00:22:16Wait, wait, wait, wait.
00:22:17There's someone out there.
00:22:19There's someone.
00:22:20There's nothing there.
00:22:21No, no, no.
00:22:22I saw someone.
00:22:23There's someone out there.
00:22:26Hey.
00:22:29What happened here?
00:22:32Do you hear me?
00:22:35I need to know what happened to my fucking guy right...
00:22:43Where'd she go?
00:22:51What the fuck was that?
00:22:57Come on, let's go.
00:22:58No, no, we can't leave.
00:22:59Let's go, let's go.
00:23:00We can't leave.
00:23:01What do you mean we can't leave her?
00:23:02We can't leave her.
00:23:03What the fuck are you talking about?
00:23:04We can't leave her.
00:23:05My guy is dead.
00:23:06My guy is dead.
00:23:09We need to get the fuck out of here.
00:23:11Let's go.
00:23:17What the fuck?
00:23:18What the fuck is he doing?
00:23:20Come on, get up, get up, get up.
00:23:22Get up, come on, come on.
00:23:23Listen, get in.
00:23:24Get in.
00:23:27Get in.
00:23:33Dude, we can't fucking leave her back there.
00:23:35What the fuck?
00:23:56What the fuck?
00:24:26What the fuck?
00:24:44You were never talking about what happened tonight.
00:24:50Ever.
00:24:56Ever.
00:25:26Ever.
00:25:56Ever.
00:25:57Ever.
00:26:26Ever.
00:26:27Ever.
00:26:28Ever.
00:26:29Ever.
00:26:30Ever.
00:26:31Ever.
00:26:32Ever.
00:26:33Ever.
00:26:34Ever.
00:26:35Ever.
00:26:36Ever.
00:26:37Ever.
00:26:38Ever.
00:26:39Ever.
00:26:40Ever.
00:26:41Ever.
00:26:42Ever.
00:26:43Ever.
00:26:44Ever.
00:26:45Ever.
00:26:46Ever.
00:26:47Ever.
00:26:48Ever.
00:26:49Ever.
00:26:50Ever.
00:26:51Ever.
00:26:52Ever.
00:26:53Ever.
00:26:54Ever.
00:26:55Ever.
00:26:56Ever.
00:26:57Ever.
00:26:58Ever.
00:27:13God.
00:27:25God.
00:27:26God.
00:27:27God.
00:27:28God.
00:27:29God.
00:27:30God.
00:27:31God.
00:27:32God.
00:27:33God.
00:27:34God.
00:27:35God.
00:27:36God.
00:27:37God.
00:27:38God.
00:27:39God.
00:27:40God.
00:27:41God.
00:27:42God.
00:27:43God.
00:27:44God.
00:27:45God.
00:27:46God.
00:27:47God.
00:27:48God.
00:27:49God.
00:27:50God.
00:27:51God.
00:27:52God.
00:27:53God.
00:27:55God.
00:28:03What's up, man?
00:28:06Hey.
00:28:08Wait, what is that?
00:28:13Woo!
00:28:15Wow.
00:28:16Wow. That's her, right?
00:28:23No.
00:28:24Adam.
00:28:25Oh, such a shame, you know?
00:28:30She saw your face.
00:28:33She saw mine.
00:28:38I don't think you get that.
00:28:40It's a problem.
00:28:44I get it.
00:28:46Are you sure you get that?
00:28:50Yeah.
00:28:51Yeah.
00:28:54So you're saying we're straight.
00:28:57Right?
00:28:58Yeah.
00:29:03Put your hand out.
00:29:06Put your hand out.
00:29:08Come on. Come on.
00:29:16One, two, three hundred bills.
00:29:26It's because you got the right answer.
00:29:38That's just in case you had the wrong answer.
00:29:42But she didn't give me the wrong answer.
00:29:53You didn't do that.
00:29:57I gots to go.
00:29:59I'm fine.
00:30:03See you around.
00:30:22Last time I saw something like this, I was in Paris.
00:30:43Tell me about this one.
00:30:45Oh, um.
00:30:54There's something different about this.
00:31:00Something dark and mysterious and wonderful.
00:31:18Well, whatever it is, I find it quite compelling.
00:31:20So if you have more work like that, I'd like you to bring it by.
00:31:23Yeah.
00:31:53I know you're in here.
00:32:16I saw you by the window.
00:32:21I just want you to come out so we can talk.
00:32:36Gotcha.
00:32:41I'm tired of playing these fucking games.
00:32:44I know you're here.
00:32:50Come on, man.
00:33:13I just want to talk.
00:33:19My God.
00:33:28You're such a pretty, pretty girl.
00:33:39I hate to do this.
00:33:41I really hate to do this.
00:33:45Sometimes life's a bitch.
00:34:14Hello?
00:34:29Hello?
00:34:36Okay, I know.
00:35:06Hello?
00:35:26Hello?
00:35:46Hello?
00:36:06Hello?
00:36:26Hello?
00:36:46Hello?
00:37:06Hello?
00:37:26Hello?
00:37:46Hello?
00:38:06Hello?
00:38:26Hello?
00:38:46Hello?
00:39:16Hello?
00:39:34Hey.
00:39:35Hey.
00:39:36Hi, how are you?
00:39:37Great.
00:39:38Valerie wants to show my work.
00:39:40That's amazing.
00:39:41That's great.
00:39:43I know.
00:39:45Good for you.
00:39:46Thanks.
00:39:47Yeah.
00:39:49Listen, about the other night, I just...
00:39:52Hey.
00:39:54Hey.
00:39:56Isn't this your friend?
00:39:57Yeah.
00:39:58Jason, this is Adam.
00:40:00Yeah, I remember.
00:40:02I was meeting Valerie.
00:40:04Oh, nice.
00:40:05Hey, I'm having another opening in a couple weeks.
00:40:08You should swing by.
00:40:11Sure.
00:40:14Oh, and hey, if you ever need any advice or anything on your work, just ask.
00:40:18It must be hard to be a beginner.
00:40:21Thanks.
00:40:38I have a name?
00:40:45Whoever you are, I'm glad I found you.
00:41:14You're welcome.
00:41:34Hey.
00:41:54Hey.
00:42:14Hey.
00:42:34Oh, fuck.
00:42:48You got to watch where you put your crap.
00:42:50What are you doing here?
00:42:52I knocked three times.
00:42:54What do you want?
00:42:55Huh?
00:42:56I'm walking by, minding my business, and I see that the door frame is cracked.
00:43:01I didn't even need these to get in.
00:43:03How the hell did this happen?
00:43:05Yeah, it was an accident from the other day.
00:43:08You did this?
00:43:10Yeah, yeah.
00:43:12Yeah, look, I'm real sorry.
00:43:14I'm real sorry, Lance.
00:43:15Yeah, well, I can fix it, but it's going to cost you $200 to fix the frame.
00:43:21Yeah.
00:43:22Yeah, that's fine.
00:43:23That's fine.
00:43:24And another $100 for labor.
00:43:26Okay.
00:43:27And if I have to worry about you getting rough in here and damaging the structure,
00:43:31I'm going to have to collect an extra deposit, you know?
00:43:35Yeah, you don't have to worry about me at all, Lance.
00:43:41We're good.
00:43:42We're good.
00:43:43Oh, you know, actually, I have that $50.
00:43:46Yeah, you do.
00:43:47Or was it $100?
00:43:53We good?
00:43:59Hey.
00:44:00Somebody in there?
00:44:01No.
00:44:05You know, the lease rate is for a single occupancy unit.
00:44:08Yeah, yeah, of course.
00:44:10Of course it is.
00:44:11We got somebody living in here.
00:44:13No, Lance.
00:44:14You owe me twice as much.
00:44:15Lance.
00:44:16You know that, you sneaky bastard.
00:44:17No, Lance.
00:44:18No, wait.
00:44:26See?
00:44:28It's weird.
00:44:29Just me.
00:44:30It's just me.
00:44:32Did that steam come from nobody?
00:44:34I was in the shower.
00:44:36I was taking a shower.
00:44:38You dry off fast, you know?
00:44:40Hey, look.
00:44:41Lance.
00:44:42Lance.
00:44:43I'm real sorry about the whole misunderstanding with the door.
00:44:48But there's nothing here for you.
00:44:50I need you to go.
00:44:53Hey, listen.
00:44:55I need you to go.
00:45:16Lance.
00:45:17Lance, no.
00:45:18Wait, wait, wait.
00:45:19Lance.
00:45:20Oh, my God.
00:45:22Lance.
00:45:23Lance.
00:45:24Lance.
00:45:25Lance, look.
00:45:26You sick fuck.
00:45:29Lance, it's not what it looks like.
00:45:30It's okay.
00:45:31Shut up.
00:45:32Lance.
00:45:33Shut up.
00:45:34I'm calling 911.
00:45:35Don't call the cops.
00:45:36I'm calling the cops.
00:45:37You shut the fuck up.
00:45:38Lance, don't call the cops.
00:45:39Shut up.
00:45:40You're broken.
00:45:41Come on.
00:45:44Come on.
00:45:55Lance.
00:45:56Lance.
00:46:25Lance.
00:46:28Lance.
00:46:55Lance.
00:47:15Hey, you.
00:47:18I heard you got a show coming up.
00:47:20Yeah, this weekend.
00:47:22Well, Valerie hasn't really been interested in my work recently.
00:47:27Things sure turned around for you, didn't they?
00:47:30It's weird how fast that happened.
00:47:33Yeah.
00:47:36Things have been good.
00:47:42Oh.
00:47:45And if you ever need any advice on your work, just ask.
00:47:48I know it must be hard being yesterday's news.
00:47:59Yo.
00:48:02Man, knock on the door.
00:48:04Yo, I know you in there.
00:48:07I don't think he's in there.
00:48:09Man, this is your fault.
00:48:10My fault?
00:48:13Come on!
00:48:18Open up!
00:48:24Wasted my time.
00:48:26What did I do?
00:48:29I don't want to be friends with a weasel.
00:48:32That's not what I said.
00:48:33That's not what I meant.
00:48:34Yes, it is.
00:48:35You have to figure out what you want.
00:48:36What do you want from me?
00:48:37Look, I have a career.
00:48:38I'm fine.
00:48:39I'm fine.
00:48:40I'm fine.
00:48:41I'm fine.
00:48:42I'm fine.
00:48:43I'm fine.
00:48:44I'm fine.
00:48:45I'm fine.
00:48:46I'm fine.
00:48:47I'm fine.
00:48:48I'm fine.
00:48:49I'm fine.
00:48:50I'm fine.
00:48:51I'm fine.
00:48:52I'm fine.
00:48:53I'm fine.
00:48:54I'm fine.
00:48:55I'm fine.
00:48:56I'm fine.
00:48:57I'm fine.
00:48:58I'm fine.
00:48:59I'm fine.
00:49:00I'm fine.
00:49:01I'm fine.
00:49:02I'm fine.
00:49:03I'm fine.
00:49:04I'm fine.
00:49:05I'm fine.
00:49:06I'm fine.
00:49:07I'm fine.
00:49:08I'm fine.
00:49:09I'm fine.
00:49:10I'm fine.
00:49:11I'm fine.
00:49:12I'm fine.
00:49:13I'm fine.
00:49:14I'm fine.
00:49:15I'm fine.
00:49:16I'm fine.
00:49:17I'm fine.
00:49:18I'm fine.
00:49:19I'm fine.
00:49:20I'm fine.
00:49:21I'm fine.
00:49:22I'm fine.
00:49:23I'm fine.
00:49:24I'm fine.
00:49:25I'm fine.
00:49:26I'm fine.
00:49:27I'm fine.
00:49:28I'm fine.
00:49:29I'm fine.
00:49:30I'm fine.
00:49:35Hey!
00:49:36Hey!
00:49:39What are you doing up this late?
00:49:40Oh no nothing, I just went for a walk.
00:49:44Are you sure you won't come back?
00:49:58No, I'm not sure.
00:50:03But if he does, I'll call the cops.
00:50:07Good.
00:50:08Or maybe I'll call you, huh?
00:50:12Would you get rid of him for me?
00:50:21Yeah, I would.
00:50:29I don't know what I was thinking.
00:50:35I guess he wasn't always that bad, you know?
00:50:39Yeah.
00:50:42Yeah, he was.
00:50:48Yeah, maybe he was.
00:51:07Thanks for dealing with me.
00:51:38Huh.
00:51:40Morning.
00:51:45What?
00:52:07Morning.
00:52:21And I thought this one would be best here in front.
00:52:29Yeah.
00:52:32Yeah, I like that.
00:52:34I guess I thought you would.
00:52:40Are you ready for this evening?
00:52:46I think so.
00:52:50It'll be brilliant.
00:52:54You'll be brilliant.
00:52:57She's a lovely, vicious thing, isn't she?
00:53:00Your lananché.
00:53:02What?
00:53:04The lananché.
00:53:06Beautiful creatures.
00:53:09If you were lucky enough to find one, she will love you, inspire you, and protect you.
00:53:21A memory from my childhood.
00:53:24Protect me.
00:53:31Yes.
00:53:33Her devotion is matched only by the ferocity with which she will defend you.
00:53:41When you are with her, you have no one else to fear.
00:54:10Open up, motherfucking!
00:54:33Now we know you in there!
00:54:36Dude just fucking vanished.
00:54:38Fuck that!
00:54:39Nobody just disappears!
00:54:41Come on, man.
00:54:43Let's get out of here.
00:54:44No, no, no, no.
00:54:46I'm gonna knock down every damn door in this hallway.
00:54:49Every damn door.
00:54:51Yeah.
00:54:52Yeah, we can do that.
00:54:54Yeah.
00:54:55That's a good idea.
00:54:57I think I heard something.
00:54:59But hold on, hold on.
00:55:01I don't hear anything.
00:55:02There's no one in there.
00:55:04Hey!
00:55:05He's talking.
00:55:06Hey!
00:55:08Somebody's in there.
00:55:11Hey.
00:55:13Hey.
00:55:19Don't you remember me?
00:55:22Is that...
00:55:28Hector's dead.
00:55:32Leave now or you will be too.
00:55:46But you over there, you have no one to fear.
00:55:56I'm gonna kick your ass.
00:56:27I'm gonna kick your ass.
00:56:33I'm gonna kick your ass.
00:56:39I'm gonna kick your ass.
00:56:45I'm gonna kick your ass.
00:56:52I'm gonna kick your ass.
00:57:00I'm gonna kick your ass.
00:57:06I'm gonna kick your ass.
00:57:14Hey.
00:57:17Hi.
00:57:19You're almost five.
00:57:20Adam, look at this.
00:57:22Look at you.
00:57:24I know.
00:57:26It's hard to believe it all happened so fast.
00:57:29Just don't forget about me and how you're a big art star.
00:57:34Come on.
00:57:35You know I'm not going to do that.
00:57:39All right, here we go.
00:57:40Come on.
00:57:41Come on.
00:57:44I have a better idea.
00:58:02There is a chicken breathing fire.
00:58:07No, it's a...
00:58:08Oh, okay, it's a guy having sex with a donkey.
00:58:19Okay.
00:58:21I think that'll do.
00:58:23Go talk to some people.
00:58:25Oh.
00:58:27Well, goodnight.
00:58:32Let's hang out again soon.
00:58:36Sometime when you can walk me home after.
00:59:06Okay.
00:59:25Cheers.
00:59:28Oh.
00:59:33Could you tell me more about the Lunanshi?
00:59:40As legend goes, they tend to seek out artists,
00:59:47painters, poets, musicians, and the like,
00:59:53and they grow very attached.
00:59:58It's as if you become one,
01:00:01and you accomplish these amazing things together.
01:00:09And then you die very soon after.
01:00:11Wait.
01:00:12What?
01:00:14For he who meets a Lunanshi
01:00:17is destined to live a short but inspired life.
01:00:24Her spell shall flourish with thy art.
01:00:28Her song shall bind thy human heart.
01:00:32For if you chance to meet her face,
01:00:36her hold shall be thy last embrace.
01:00:44Don't look so sad.
01:00:47The lover of the Lunanshi dies happy doing what he loves.
01:00:52It's those around him that tend to meet a more tragic demise.
01:01:45Adam?
01:01:56Adam?
01:02:09Adam?
01:02:15I had such a great time tonight.
01:02:18I thought maybe it didn't have to end quite yet.
01:02:28Adam?
01:02:44Adam?
01:03:14Adam?
01:03:30Oh, my God.
01:03:31What are you doing in here?
01:03:32Oh, my God, you scared me.
01:03:33How did you get in?
01:03:36Well, the door was open, and I thought...
01:03:39Okay, come on, you have to go.
01:03:40Wait.
01:03:41Come on, you can't be in here.
01:03:42Wait, Adam, hold on.
01:03:43What's going on?
01:03:44I was just about to ask the same thing.
01:03:48Jason, what are you doing here?
01:03:51I fucking knew it.
01:03:52No.
01:03:53You don't understand.
01:03:54No, I know exactly what's going on.
01:03:55No, I'm not...
01:03:56It wasn't enough for you to take my work or to take my fans.
01:04:00You had to take her, too?
01:04:01No.
01:04:02It's not what happened, okay?
01:04:03Don't you fucking lie to me.
01:04:04No, Jason, no!
01:04:06You don't know what you're doing.
01:04:07No, I know exactly what I'm doing.
01:04:09Jason, no.
01:04:10Yeah, really?
01:04:11I can explain.
01:04:12I said let her go.
01:04:13Jason.
01:04:14What?
01:04:15I said let her go.
01:04:16Why?
01:04:17Because I don't want her to see what's about to happen to you.
01:04:18What the fuck are you talking about?
01:04:19Are you fucking threatening me?
01:04:20No, Jason!
01:04:25What's going on?
01:04:42We have to go.
01:04:43We have to go.
01:05:12Okay, I will take care of all of this, all right?
01:05:19This is all going to be okay.
01:05:20Please don't leave.
01:05:21Do not tell anyone about this.
01:05:22It's going to be okay.
01:05:23What is happening?
01:05:24What is happening?
01:05:25What is happening?
01:05:26Please come back here.
01:05:27Please.
01:05:28Please.
01:05:29Please don't go.
01:05:30Please.
01:05:31Please.
01:05:32Please don't go.
01:05:33Please.
01:05:34Please.
01:05:35Please.
01:05:36Please.
01:05:37Please.
01:05:38Please.
01:05:39Please.
01:05:40Please.
01:05:41What is it?
01:05:43What is it?
01:06:11What is it?
01:06:41What is it?
01:06:43What is it?
01:06:45What is it?
01:06:47What is it?
01:06:49What is it?
01:06:51What is it?
01:06:53What is it?
01:06:55What is it?
01:06:57What is it?
01:06:59What is it?
01:07:01What is it?
01:07:03What is it?
01:07:05What is it?
01:07:07What is it?
01:07:09What is it?
01:07:11What is it?
01:07:13What is it?
01:07:15What is it?
01:07:17What is it?
01:07:19What is it?
01:07:21What is it?
01:07:23What is it?
01:07:25What is it?
01:07:27What is it?
01:07:29What is it?
01:07:31What is it?
01:07:33What is it?
01:07:35What is it?
01:07:37What is it?
01:07:39What is it?
01:07:41What is it?
01:07:43What is it?
01:07:45What is it?
01:07:47What is it?
01:07:49What is it?
01:07:51What is it?
01:07:53What is it?
01:07:55What is it?
01:07:57What is it?
01:07:59What is it?
01:08:01What is it?
01:08:03What is it?
01:08:05What is it?
01:08:07What is it?
01:08:09What is it?
01:08:11What is it?
01:08:35What's up?
01:08:47So, what did you think?
01:08:49I absolutely adored
01:08:51the Van Hosen collection.
01:08:53So I will be in touch with you
01:08:55about the rest of the series.
01:08:57Excellent.
01:08:59Take care.
01:09:01Thank you.
01:09:05It's brilliant.
01:09:23Adam, are you alright?
01:09:30Yeah.
01:09:31I'm more than alright.
01:09:34And I'm doing the best work that I've ever done.
01:09:41Your work is excellent.
01:09:42But you, your health, when was the last time you ate anything?
01:09:48I'm fine.
01:09:49You're not fine.
01:09:50I'm fine.
01:09:51Why won't you talk to me?
01:09:56I can't.
01:09:57I can't let anyone get close to me.
01:10:03What are you talking about?
01:10:07Why?
01:10:08It's not safe.
01:10:19She's real.
01:10:50Adam, she's not here.
01:11:07Yes, she is.
01:11:12No, she's not.
01:11:17She's here.
01:11:18She's here.
01:11:19Yeah.
01:11:20Let me tell you another story, a true story, not a fairy tale.
01:11:30I was once in love with a young musician, a long time ago.
01:11:35He was from the town I grew up in, and one day he wrote the most beautiful song I'd ever
01:11:41heard.
01:11:42But he became very strange after that.
01:11:46He would spend his days alone, locked up, and one day he disappeared into the forest
01:11:52and he never came back.
01:11:55Many said that he had found his Lenorne shape, but that's not what happened.
01:12:03What happened is he became obsessed with his work, and it drove him mad.
01:12:12Eventually, it killed him.
01:12:17No.
01:12:19She's not real, Adam.
01:12:21No.
01:12:22You created her.
01:12:24Think, Adam.
01:12:27What came first?
01:12:28Was it her?
01:12:29Or was it your visions?
01:12:30Huh?
01:12:31Or was it your work?
01:12:32Was she real?
01:12:34Or did you manifest her to justify what you needed to do?
01:12:58No.
01:13:03Adam!
01:13:33It's okay.
01:13:44I only wish you'd told me.
01:13:55I just wanted to protect you.
01:14:04You said that anyone who got close to me would die.
01:14:09Not anyone.
01:14:10Only those that pose a threat.
01:14:13The Lenorne shape is immortal so long as she has her lover, so she'll only attack someone
01:14:19that might take him from her.
01:14:22What?
01:14:25What did you say?
01:14:27No.
01:14:28No, perhaps I shouldn't.
01:14:34Say it again.
01:14:35I said she would only attack someone that might take her lover.
01:14:42Oh, God.
01:14:52She's real.
01:15:04Adam.
01:15:16Hello?
01:15:33Adam?
01:15:43Hello?
01:16:03Adam?
01:16:33Adam?
01:17:03Adam!
01:17:04Adam!
01:17:05Adam!
01:17:06Adam!
01:17:07Adam!
01:17:08Adam!
01:17:09Adam!
01:17:10Adam!
01:17:11Adam!
01:17:12Adam!
01:17:13Adam!
01:17:14Adam!
01:17:15Adam!
01:17:16Adam!
01:17:17Adam!
01:17:18Adam!
01:17:19Adam!
01:17:20Adam!
01:17:21Adam!
01:17:22Adam!
01:17:23Adam!
01:17:24Adam!
01:17:25Adam!
01:17:26Adam!
01:17:27Adam!
01:17:28Adam!
01:17:29Adam!
01:17:30Adam!
01:17:31Adam!
01:17:32Adam!
01:17:33Adam!
01:17:34Adam!
01:17:35Adam!
01:17:36Adam!
01:17:37Adam!
01:17:38Adam!
01:17:39Adam!
01:17:40Adam!
01:17:41Adam!
01:17:42Adam!
01:17:43Adam!
01:17:44Adam!
01:17:45Adam!
01:17:46Adam!
01:17:47Adam!
01:17:48Adam!
01:17:49Adam!
01:17:50Adam!
01:17:51Adam!
01:17:52Adam!
01:17:53Adam!
01:17:54Adam!
01:17:55Adam!
01:17:56Adam!
01:17:57Adam!
01:17:58Adam!
01:17:59Adam!
01:18:00Adam!
01:18:01Adam!
01:18:02Adam!
01:18:03Adam!
01:18:04Adam!
01:18:05Adam!
01:18:06Adam!
01:18:07Adam!
01:18:08Adam!
01:18:09Adam!
01:18:10Adam!
01:18:11Adam!
01:18:12Adam!
01:18:13Adam!
01:18:14Adam!
01:18:15Adam!
01:18:16Adam!
01:18:17Adam!
01:18:18Adam!
01:18:19Adam!
01:18:20Adam!
01:18:21Adam!
01:18:22Adam!
01:18:23Adam!
01:18:24Adam!
01:18:25Adam!
01:18:26Adam!
01:18:27Adam!
01:18:28Adam!
01:18:29Adam!
01:18:30Adam!
01:18:31Adam!
01:18:32Adam!
01:18:33Adam!
01:18:34Adam!
01:18:35Adam!
01:18:36Adam!
01:18:37Adam!
01:18:38Adam!
01:18:39Adam!
01:18:40Adam!
01:18:41Adam!
01:18:42Adam!
01:18:43Adam!
01:18:44Adam!
01:18:45Adam!
01:18:46Adam!
01:18:47Adam!
01:18:48Adam!
01:18:49Adam!
01:18:50Adam!
01:18:51Adam!
01:18:52Adam!
01:18:53Adam!
01:18:54Adam!
01:18:55Adam!
01:18:56Adam!
01:18:57Adam!
01:18:58Adam.
01:19:01Leave her alone.
01:19:11She's real.
01:19:25Just let it go.
01:19:28Don't do it.
01:19:30Don't do it.
01:19:32Don't do it.
01:19:48Please stop.
01:19:52Don't do it.
01:19:58Don't do it.
01:20:28Don't do it.
01:20:59It's time.
01:21:07No.
01:21:13I'll do it.
01:21:28Don't do it.
01:21:58Don't do it.
01:22:28Don't do it.
01:22:58Don't do it.
01:23:00Don't do it.
01:23:02Don't do it.
01:23:04Don't do it.
01:23:06Don't do it.
01:23:08Don't do it.
01:23:10Don't do it.
01:23:12Don't do it.
01:23:14Don't do it.
01:23:16Don't do it.
01:23:18Don't do it.
01:23:20Don't do it.
01:23:22Don't do it.
01:23:24Don't do it.
01:23:26Don't do it.
01:23:28Don't do it.
01:23:30Don't do it.
01:23:32Don't do it.
01:23:34Don't do it.
01:23:36Don't do it.
01:23:38Don't do it.
01:23:40Don't do it.
01:23:42Don't do it.
01:23:44Don't do it.
01:23:46Don't do it.
01:23:48Don't do it.
01:23:50Don't do it.
01:23:52Don't do it.
01:23:54Don't do it.
01:23:56Don't do it.
01:23:58Don't do it.
01:24:00Don't do it.
01:24:02Don't do it.
01:24:04Don't do it.
01:24:06Don't do it.
01:24:08Don't do it.
01:24:10Don't do it.
01:24:12Don't do it.
01:24:14Don't do it.
01:24:16Don't do it.
01:24:18Don't do it.
01:24:20Don't do it.
01:24:22Don't do it.
01:24:24Don't do it.
01:24:26Don't do it.
01:24:28Don't do it.
01:24:30Don't do it.
01:24:32Don't do it.
01:24:34Don't do it.
01:24:36Don't do it.
01:24:38Don't do it.
01:24:40Don't do it.
01:24:42Don't do it.
01:24:44Don't do it.
01:24:46Don't do it.
01:24:48Don't do it.
01:24:50Don't do it.
01:24:52Don't do it.
01:24:54Don't do it.
01:24:56Don't do it.
01:24:58Don't do it.
01:25:00Don't do it.
01:25:02Don't do it.
01:25:04Don't do it.
01:25:06Don't do it.
01:25:08Don't do it.
01:25:10Don't do it.
01:25:12Don't do it.
01:25:14Don't do it.
01:25:16Don't do it.
01:25:18Don't do it.
01:25:20Don't do it.
01:25:22Don't do it.
01:25:24Don't do it.
01:25:26Don't do it.
01:25:28Don't do it.
01:25:30Don't do it.
01:25:32Don't do it.
01:25:34Don't do it.
01:25:36Don't do it.
01:25:38Don't do it.
01:25:40Don't do it.
01:25:42Don't do it.
01:25:44Don't do it.
01:25:46Don't do it.
01:25:48Don't do it.
01:25:50Don't do it.
01:25:52Don't do it.
01:25:54Don't do it.
01:25:56Don't do it.
01:25:58Don't do it.
01:26:00Don't do it.
01:26:02Don't do it.
01:26:04Don't do it.
01:26:06Don't do it.
01:26:08Don't do it.
01:26:10Don't do it.
01:26:12Don't do it.
01:26:14Don't do it.
01:26:16Don't do it.
01:26:18Don't do it.
01:26:20Don't do it.
01:26:22Don't do it.
01:26:24Don't do it.
01:26:26Don't do it.
01:26:28Don't do it.
01:26:30Don't do it.
01:26:32Don't do it.
01:26:34Don't do it.
01:26:36Don't do it.
01:26:38Don't do it.
01:26:40Don't do it.
01:26:42Don't do it.
01:26:44Don't do it.
01:26:46Don't do it.
01:26:48Don't do it.
01:26:50Don't do it.
01:26:52Don't do it.
01:26:54Don't do it.
01:26:56Don't do it.
01:26:58Don't do it.
01:27:00Don't do it.
01:27:02Don't do it.
01:27:04Don't do it.
01:27:06Don't do it.
01:27:08Don't do it.
01:27:10Don't do it.
01:27:12Don't do it.
01:27:14Don't do it.
01:27:16Don't do it.
01:27:18Don't do it.
01:27:20Don't do it.
01:27:22Don't do it.
01:27:24Don't do it.
01:27:26Don't do it.
01:27:28Don't do it.
01:27:30Don't do it.
01:27:32Don't do it.
01:27:34Don't do it.
01:27:36Don't do it.
01:27:38Don't do it.
01:27:46Every true artist
01:27:48has someone calling out to him.
01:27:54They begin to be discovered.
01:27:58Your muse.
01:28:00Find her.
01:28:04Hello?
01:28:09Oh, God.
01:28:12She's real.
01:28:16Can you tell me more about the Wenatchee?
01:28:19As legend goes, they tend to seek out artists.
01:28:24And you accomplish these amazing things together.
01:28:26She will love you,
01:28:28inspire you,
01:28:31and protect you.
01:28:33I'm Maria.
01:28:34Adam.
01:28:35She would only attack someone that might take her.
01:28:37I love her.
01:28:45Hello?
01:28:51She's not here.
01:28:56She's real.
01:29:02I can't let anyone get close to me.
01:29:06I can feel it in my bones.
01:29:11It's gonna be a good year.
01:29:17Let me tell you a story.
01:29:20There once was a lonely painter.
01:29:23Founded by his family and left without friends.
01:29:26He dedicated his life to finding the one thing he yearned for.
01:29:30The thing that would let him express all of his pain.
01:29:35All of his passion.
01:29:37He searched and searched.
01:29:39But still he couldn't find it.
01:29:42Until one day.
01:29:47Welcome to the deleted scenes from The Legend of the Fuse.
01:29:53Where we'll explore some of the moments that didn't make it into the final cut of the film.
01:30:00We had quite a few shots like this of Adam
01:30:03as he made his way around the arts district of downtown LA
01:30:08searching for inspiration.
01:30:11The idea was that Adam had talent
01:30:15but he didn't quite have the passion to create
01:30:19the great work that he had the potential to create.
01:30:22He needed to find the inspiration
01:30:26that soon enough will be provided by
01:30:29the muse character, the Lanache, that he will encounter.
01:30:38Originally the film was going to start with
01:30:42an opening shot of the two henchmen driving
01:30:47and these shoes hanging from the trees
01:30:50to sort of establish the space
01:30:53so that we would recognize it when
01:30:56Valerie and Adam return to it in the final scene.
01:31:00We really liked the visuals of it
01:31:05but we couldn't get the flat tire scene to look like an actual blowout
01:31:10so we decided to cut from that
01:31:14to just having our guys Donnie and Gus arguing.
01:31:18And here we have another shot of Adam driving around.
01:31:21You can see a couple of the producers in the background of that shot
01:31:25which is why I like it.
01:31:27Just meant to show Adam's goal
01:31:31and how far he is from it
01:31:34so that by the end of the film
01:31:37we see that he's literally gone from being an outsider
01:31:40to an insider in the art community.
01:31:44This is a shot of Adam in his apartment
01:31:48before the muse has come into his life.
01:31:51He's sort of uninspired and
01:31:54the idea was that there was a call being made to him.
01:31:59She was calling for him because she's lost her last lover
01:32:02and she needs a new one.
01:32:04And even inside his apartment he could hear it
01:32:07as if she were in the room with him.
01:32:09But he didn't quite know how to get to her yet.
01:32:13So the path has yet to be laid out to him
01:32:18but he does have the sense that there's something else out there
01:32:21ready to inspire him if he just opens his heart to it.
01:32:27I do love a lot of these scenes, especially these moments
01:32:31where Phil as Lance was such a jerk to Adam.
01:32:36I think Phil is just hilariously dirty and sleazy.
01:32:44A lot of these scenes from the beginning of the movie got cut
01:32:47because we wanted to get our muse character under the screen.
01:32:51Elle was just so electric and captivating
01:32:55that the movie really took off when she was there.
01:32:58So we had to sort of streamline the first 20 minutes
01:33:02to get her involved.
01:33:05And this was another scene that we had to pare down a little bit.
01:33:10This is Adam.
01:33:12He's just returned from being out in the middle of nowhere
01:33:15with Hector.
01:33:17And he saw the muse that he needed in his life
01:33:21but he had to leave her behind.
01:33:23So he essentially has this fever dream
01:33:26in which he relives the experience
01:33:30and goes back into the middle of the wilderness
01:33:33and finds her and brings her back.
01:33:36And when we watched this in post-production
01:33:39we realized that it actually made more sense
01:33:42that he almost conjured her with his artwork
01:33:46rather than having to physically retrieve her.
01:33:50So we recut this and I think the end result in the film
01:33:55is actually much more effective.
01:33:58But there are some cool shots in here
01:34:00so I thought we'd show them to you guys.
01:34:02The next scene is from the end of the film
01:34:05after Hector and the muse have taken off.
01:34:08It's in the middle of the wilderness
01:34:11and they're looking for some kind of key.
01:34:14And they have to find a way to get to the museum
01:34:17and at the same time,
01:34:19Hector is still in the middle of the wilderness
01:34:22and he's in a wheelchair.
01:34:24And so they're looking for a way to get to the museum
01:34:27and they're looking for a way to get to the museum
01:34:29end of the film after our Maria character has witnessed the death of her
01:34:36ex-boyfriend Jason. We had a couple of these quiet moments with Maria which I
01:34:43love because Kate just knocked it out of the park with her performance. Again it
01:34:48was an issue of sort of streamlining the ending. We sort of feel like the momentum
01:34:52is leading us towards the big showdown here so we couldn't spend too much time
01:34:57with her but I love the looks that she gives. I love that there's my college
01:35:04sweater over there on her couch which I thought was kind of cool. And she's sort
01:35:12of recovering from trauma and she has this dirty laundry everywhere because she
01:35:16hasn't gotten out of the house in weeks and so it sort of establishes what she's
01:35:21doing when the muse character later appears in her apartment which is she's
01:35:27finally trying to clean up her place and getting her life back in order after the
01:35:33trauma of her last relationship and the trauma of seeing him disposed of so
01:35:38violently. And she's worried about Adam. And here we are back in the final scene
01:35:46and you can see the shoes that were not established by because we cut the scene
01:35:52in the first act so we cut them in the final scene as well. And one more moment
01:36:00here of sort of Adam with Valerie grieving. This is in the film but the
01:36:08continuation of the scene was cut because we went straight out into the
01:36:14forest with him but thought you guys might like to see what the original
01:36:20scene actually involved which was showing how sort of shocking it was to
01:36:26see this powerful muse creature incapacitated by Adam potentially
01:36:32choosing something else over her and how losing her lover can truly end her life
01:36:38if he were to continue through with that choice.
01:36:45And we have one more deleted scene. This was a post-credit sequence that took
01:36:56place months after Adam disappeared into the forest with his muse and as Valerie
01:37:02says threw his life into his work until his life was no more. So much like the
01:37:09emaciated man at the beginning who is wasting away with a harmonica in his
01:37:16hand, Adam is gone and his muse needs a new lover in order to continue and lo and
01:37:24behold a writer hears the call and goes into the middle of the forest and the
01:37:30cycle continues.