La Vida Prometida - Capitulo 4
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00:00:30Io ti cerco, ti invoco follemente Per dirti che ti amo, appassionato
00:00:50Amapola, dolcissima amapola La luce dei miei giorni splendente
00:01:07Fai fiorire la passione Come il suono della mia canzone
00:01:37Amapola, dolcissima amapola La luce dei miei giorni splendente
00:02:07Amapola, dolcissima amapola La luce dei miei giorni splendente
00:02:37Amapola, dolcissima amapola La luce dei miei giorni splendente
00:03:07Amapola, dolcissima amapola La luce dei miei giorni splendente
00:03:37Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:08E a ti, Duri, quanto ti ho fatto di meno, Duri?
00:04:13Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:23Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:33Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:44Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:53Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:04Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:14Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:25Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:36Not here, madam. Use the back door.
00:05:40Ah, no le entiendo. Don't speak...
00:05:42You must use the back entrance around...
00:05:44Eh, I'm a lady, no me toque, eh?
00:05:46¿Cómo se atreve? I'm a friend of Mr. Ferry.
00:05:49Look, aquí. Es italiano.
00:05:51Mr. Ferry, oh.
00:05:52Sí.
00:05:53Welcome to the Walford Hotel, Miss Carmela.
00:05:56Thank you.
00:05:57Welcome.
00:06:06Good morning.
00:06:07Who is this lady?
00:06:08No idea.
00:06:14Sorry, I'll call you back.
00:06:27Soy friend de Mr. Ferry.
00:06:30Sure, Mr. Ferry.
00:06:32De Mr. Ferry.
00:06:33Sure, Mr. Ferry is waiting for you.
00:06:36Please come in.
00:06:37Thank you.
00:06:38Please.
00:06:41Doña Carmela, por fin.
00:06:43Qué placer, Mr. Ferry.
00:06:45Pase, pase, por favor. Gracias, Maureen.
00:06:50Vaya, se ha instalado muy bien aquí.
00:06:56¿Y usted ha podido instalarse bien?
00:06:59No me quejo.
00:07:03Desde luego tiene buenas vistas.
00:07:06Desde aquí se ve todo.
00:07:08Lo bonito y lo feo, como me dijo aquel día en el barco.
00:07:12Eso también pasa en Monroe Street.
00:07:17Entonces, ¿vive usted en un hotel y trabaja aquí?
00:07:21Doña Carmela, en mi casa son un baúl, un telégrafo, un teléfono.
00:07:26Debo estar siempre listo para cambiar y partir.
00:07:29Eso me ha enseñado la vida.
00:07:31Pero veo que aún sigue llevando arrugadas las camisas.
00:07:35Sí.
00:07:39Por favor, siéntese.
00:07:41Gracias.
00:07:43Me ha costado mucho encontrarla, lo sabía.
00:07:46Pero lo ha conseguido.
00:07:47Sí, pero no ha sido fácil, porque ha cambiado de apellido.
00:07:50Ahora se apellida Ritzwinisquiabón, que suena como apellido de noble.
00:07:56Menudo varón mi marido, el de los cacahuetes.
00:08:02¿Y sus hijos? ¿Están bien?
00:08:04Sí, sí, están muy bien.
00:08:06He sabido que Alfredo estudia y es muy aplicado.
00:08:09Sí.
00:08:11No le di las gracias por lo que hizo usted por mí,
00:08:15en la oficina de inmigración, por Rocco.
00:08:20Mr. Ferry, should I ask the driver to wait for you for your appointment with Mr. Brady?
00:08:25Ah, tiene un appointment.
00:08:28¿Está ocupado? ¿Está busy?
00:08:30¿Se defiende en inglés?
00:08:33Yes, yes, I'm coming.
00:08:38Lo lamento.
00:08:39No, tranquilo, el trabajo es el trabajo.
00:08:42Ah, por cierto, he sabido que buscan personal en la lavandería del Walford.
00:08:47Si está usted buscando trabajo, es una posibilidad.
00:08:51¿Habla en serio?
00:08:52Sí.
00:08:53Ah, qué bien.
00:08:54Al menos alguien cuidará de que no tenga las camisas arrugadas.
00:08:58Bien, gracias.
00:09:01Ahora me marcho.
00:09:03Yo la acompaño.
00:09:12Goodbye.
00:09:13Bye bye.
00:09:16Gracias.
00:09:24No work, no pay.
00:09:48No work, no pay.
00:09:50Ding, ding, ding, ding.
00:09:52Es que no lo puedo soportar.
00:09:58Mr. Ferry.
00:10:06Un trabajo así por cinco dólares a la semana.
00:10:09¿Cómo iba a decir que no?
00:10:11Comida no nos falta.
00:10:13Yo traigo dinero a casa.
00:10:14Miquele trabaja y Antonio también.
00:10:16Todos juntos ganáis cinco dólares a la semana.
00:10:22Quiero lo mejor para mis hijos.
00:10:25¿Y qué problema? Yo me ocupo.
00:10:27Ya estamos.
00:10:28¿Ya estamos con qué?
00:10:30¿Que crees que no soy capaz?
00:10:32¿Eso crees? ¿Crees que soy un pobre idiota?
00:10:35Cuando llegué tenía 20 liras en el bolsillo.
00:10:38Y con lo de los cacahuetes me compré la bodega.
00:10:40Luego la perdiste.
00:10:41La perdí.
00:10:42¿Y qué has hecho tú para ayudarme a recuperarla?
00:10:44Nada, solo tus hijos, siempre tus hijos.
00:10:47Para ti no existo, solo existen ellos.
00:10:50¿Dónde están ahora tus hijos?
00:10:52En la casa de Italia bailando.
00:10:54Todos menos el que está arriba tocando la flauta.
00:10:57Tus hijos.
00:10:59Mírame.
00:11:00Pero hazme caso.
00:11:02Estoy aquí.
00:11:04Muy bien, ya te miro.
00:11:05Te miro, dime.
00:11:06Dime.
00:11:07Yo por tu amor lo he aceptado todo.
00:11:09Hasta que me acusaran de tener aquí a un chivato, Antonio,
00:11:12que mandó a salvo al reformatorio.
00:11:14Hizo lo correcto.
00:11:15Tú a mis hijos ni los toques.
00:11:17¿Queda claro?
00:11:18No puedes decir esas cosas.
00:11:19Si no te las digo a ti, ¿a quién se las digo?
00:11:22Además, es la verdad.
00:11:24Es la verdad.
00:11:27Pratos.
00:11:32¿Sabes una cosa?
00:11:33Que no voy a dejar ese trabajo.
00:11:35No pienso dejarlo.
00:11:37Y punto.
00:11:48Rocco, mete esa pierna, anda.
00:12:03Hazme el favor, ven dentro, que es peligroso.
00:12:06Mete esa pierna, por favor.
00:12:09Venga.
00:12:16¿Te gustan las palomas?
00:12:18Eran la pasión de mi mujer.
00:12:21Les puso nombre.
00:12:23La grande y negra es Nerón.
00:12:25Porque es mala.
00:12:26Otra Rodolfo Valentino.
00:12:28Como el actor.
00:12:31Rosa es su pareja de siempre.
00:12:37¿Sabes que cuando eligen una pareja,
00:12:39les son fieles toda la vida?
00:12:41Hasta la muerte.
00:12:48Esquiavón.
00:12:49¿Qué es lo que te pasa, Esquiavón?
00:12:56¿Qué es lo que me pasa?
00:12:58Pues...
00:13:09Es muy largo y muy difícil.
00:13:13Es muy largo y muy difícil.
00:13:16Es muy largo y muy difícil.
00:13:21Toca.
00:13:43Toca.
00:13:55¿Has visto?
00:13:56Sí.
00:14:05Ese es mi hermano.
00:14:07Pues baila de maravilla.
00:14:09Chiro me ha hablado de ti.
00:14:11Y a mí de ti.
00:14:12Me ha dicho que estás en el sindicato.
00:14:15¿Sabes?
00:14:17Mi padre también defendía a los trabajadores.
00:14:20Entonces era un buen cristiano.
00:14:23Estamos organizando una huelga.
00:14:25En la fundición Red Hood,
00:14:26donde trabajas tú.
00:14:28Será la primera protesta de verdad contra los patrones.
00:14:31La más grande de todas.
00:14:32Allí está el Yao.
00:14:33Estaremos, ¿no?
00:14:34Te dije que Miquel era buen chico.
00:14:36Te dije que Miquel era buen chico.
00:14:38Bien.
00:14:39Porque cuanto más gente, más fuertes seremos.
00:14:45¿Qué te ocurre?
00:14:46¿Sigues pensando en Miquel?
00:14:47¿Y a ti qué te importa?
00:14:49Eh, entonces dilo.
00:14:51Di que piensas en mí.
00:14:52Anda, vete, que la boca aún te huele a leche.
00:14:55Eres un mocoso.
00:14:56¿Cómo que mocoso?
00:14:57Aquí debajo hay cosas buenas.
00:15:00¿Cómo te atreves?
00:15:07Oh, mira cuántas chicas están llegando.
00:15:12Joan.
00:15:13Hola.
00:15:14How are you?
00:15:15Bien, and you?
00:15:16Bien, bien, bien.
00:15:17Hola.
00:15:18Carlo y Miquel.
00:15:20Hola.
00:15:21This is Beth, this is Sofía, and this is Pat.
00:15:24Un placer.
00:15:25Encantado.
00:15:27Chiro, you know we have a thing for Italian boys.
00:15:32¿Entiendes, Mique?
00:15:33Estas americanas les encantan los italianos, ¿entiendes?
00:15:38¿Qué, vamos a bailar todos?
00:15:40Oye, hablas muy bien nuestro idioma.
00:15:42Estudio los melodramas.
00:15:44Vuestras óperas líricas son preciosas.
00:15:46Verdi, Puccini...
00:15:48¿Quiénes son esos?
00:15:51Miquel, ¿me sacas a bailar o vas a pasarte la noche looking at me?
00:15:57¿Cómo decís vosotros?
00:15:58Embobado.
00:15:59Embobado.
00:16:01Vete.
00:16:02¿Vete?
00:16:04Can... dance...
00:16:06¿Cómo se dice vamos a bailar?
00:16:08Miquel, ¿cómo se dice así?
00:16:10Miqueluzo, vamos.
00:16:21Muy bien.
00:16:22Veamos qué tienes ahí debajo.
00:16:30¡Cacahuetes!
00:16:31¡Cacahuetes tostados!
00:16:33Roasted peanuts, fresh roasted peanuts.
00:16:38Peanuts.
00:16:39Twenty cents, please.
00:16:44Thank you.
00:16:46Sir?
00:16:51Sir!
00:16:52My chains!
00:16:58Buenos días, Mr. Ferry.
00:17:01¿Cómo va?
00:17:02¿Y el trabajo?
00:17:03Bien, bien.
00:17:04¿Sus camisas ya están bien?
00:17:18Acabo de enterarme de que hay una huelga en la fundición.
00:17:22¿Una huelga en la fundición?
00:17:24No quiero asustarla, Carmela,
00:17:26pero al parecer la policía tiene intención de cargar contra los huelguistas.
00:17:31Madre mía.
00:17:32Sería mejor que Miquel no participase.
00:17:34Él me prometió que no se dejaría engatusar por la política como su padre,
00:17:38me lo prometió.
00:17:40Tengo que advertirle, ¿pero qué hago con el trabajo?
00:17:43Ese chino es una hiena y no me dará permiso.
00:17:46Usted no se preocupe, Carmela, ya hablo yo con su jefe.
00:17:49Vamos juntos.
00:18:02Juntos.
00:18:14Juntos, vamos!
00:18:15¡Todos juntos a ella!
00:18:16¡Marcha!
00:18:17¡Para!
00:18:18¡Para!
00:18:19¡A la huelga!
00:18:24¿Qué es lo que están haciendo?
00:18:28Che, ¿que haces?
00:18:29¡دي el mando!
00:18:30We're being provoked. If we fall, it's over.
00:18:32What do you mean provoked?
00:18:33Carlos, they won't take long to load.
00:18:35We're a lot. They don't need it either.
00:18:37Who, Carlos?
00:18:39Let's load ourselves before they load.
00:18:41Come on, let's go get them.
00:18:48What are you doing, mother?
00:18:50Are you crazy or what?
00:18:51Mike!
00:18:52Mom, go away.
00:18:53Get in there.
00:18:54Come on, come on, get in.
00:18:55Come on.
00:18:56With just one that gets in there, everything will be over.
00:18:58You have to go to work. You have to get in.
00:19:00But we have the right to strike.
00:19:02But what right, what right?
00:19:04The poor don't have any rights.
00:19:06And if they're telling you they do,
00:19:08it's because they're lying to you.
00:19:10Get in.
00:19:11Mrs. Carmela, calm down.
00:19:12Those are beasts.
00:19:13Come on.
00:19:14You have to go.
00:19:15This is not a place for women.
00:19:17Go away.
00:19:18Come on.
00:19:19Mom, go away.
00:19:20They're going to load.
00:19:21Mom, go away.
00:19:22What are you doing?
00:19:23What are you doing?
00:19:24Come on.
00:19:25Hold on.
00:19:26Hold on.
00:19:27Come on, Mike.
00:19:28Come with me.
00:19:29Are you forcing me to get in?
00:19:31It's dangerous here, Mom.
00:19:44Chiro!
00:19:45Chiro, no!
00:19:46Chiro!
00:19:49Chiro!
00:19:50No, Mike.
00:19:51Chiro!
00:19:52Don't leave him!
00:19:53No!
00:19:56Chiro, no!
00:19:59Chiro!
00:20:00No, Chiro, no!
00:20:05Chiro!
00:20:06Mike!
00:20:07What did you make me do, Mom?
00:20:13I was wrong and so was my mom.
00:20:17She did it to protect me.
00:20:19I'm here now, and maybe you can't even hear me.
00:20:29Remember what you told me?
00:20:32That we had to fight together.
00:20:35But I'm alone.
00:20:39Carlos has been detained.
00:20:41And you...
00:20:47I swear I can't forgive myself.
00:20:51Forgive me, please.
00:21:00Mikele, we have to go now.
00:21:03No.
00:21:05Is the police here?
00:21:07Not this time, Mayday.
00:21:08Of course they are. Let's go.
00:21:11It's useless to pretend to be a hero.
00:21:13Please. Come on, let's go.
00:21:18Goodbye, friend.
00:21:20Let's go.
00:21:31Doctor!
00:21:46Dr. Wright, we are here for Chiro Malenti.
00:21:49It's too late. I'm sorry.
00:21:54Please, call the other nurse.
00:22:24Mikele.
00:22:38Where are you going at this hour?
00:22:40With all that on your mind?
00:22:43I'm leaving.
00:22:44Leaving?
00:22:47Where? When are you coming back?
00:22:49I don't know.
00:22:51Since when do you leave your family?
00:22:53Since when do you leave like this?
00:22:55I haven't given you any worries, Mom.
00:22:57I've never asked you for anything.
00:23:00I've always thought about you and the family.
00:23:02About you and the family.
00:23:05But you can't treat me like a man when you feel good
00:23:08and like a kid when you feel like it.
00:23:11Mikele, forgive me.
00:23:13Forgive me, Mikele.
00:23:14I was wrong.
00:23:15I was wrong.
00:23:16These things happen.
00:23:18Chiro is dead, Mom.
00:23:20These things happen.
00:23:23He's dead?
00:23:25He's dead, poor thing.
00:23:27I'm sorry, Mikele.
00:23:29I'm sorry.
00:23:31But don't you see that if I hadn't been wrong,
00:23:33you could be in his place now?
00:23:35Maybe it would be better.
00:23:44Thank you.
00:23:46It's easier that way.
00:23:49Forgive me, son.
00:23:50Forgive me.
00:23:56Mikele.
00:24:20Are you in love with her?
00:24:21No.
00:24:22No.
00:24:23No.
00:24:24No.
00:24:25No.
00:24:26No.
00:24:27No.
00:24:28No.
00:24:29No.
00:24:30No.
00:24:31No.
00:24:32No.
00:24:33No.
00:24:34No.
00:24:35No.
00:24:36No.
00:24:37No.
00:24:38No.
00:24:39No.
00:24:40No.
00:24:41No.
00:24:42No.
00:24:43No.
00:24:44No.
00:24:45No.
00:24:46No.
00:24:47No.
00:24:48No.
00:24:49Oh!
00:24:50Oh!
00:24:55No!
00:25:01No!
00:25:14Let's do a test. If everything goes well, maybe the business will be yours again.
00:25:21But it has to go well.
00:25:23Don't worry about anything. Everything will go very well.
00:25:29Here you go.
00:25:33Thank you.
00:25:34Go, go.
00:25:37Goodbye, Antonio.
00:25:45Chivato!
00:25:47You're an imbecile!
00:25:48What the hell are you doing?
00:25:50I've already cleaned everything.
00:25:52I'm sorry, I'm sorry. I've already cleaned everything.
00:25:55Sit down, Salvo. Let's go.
00:25:57It's okay. It's good for the family.
00:26:00They're all cowards.
00:26:02And some chivatos.
00:26:03When did you leave?
00:26:04This morning.
00:26:05Well, you know you left thanks to me.
00:26:07I paid for the reformatory's bail.
00:26:10If you were in debt with me before,
00:26:12now you are.
00:26:14Very well. Thank you, Mr. Matranga.
00:26:16You're useless. Bring him another glass, Salvo,
00:26:18because we're going to toast.
00:26:19Hurry up and don't break anything.
00:26:28Goodbye, Rocco.
00:26:31Goodbye.
00:26:33Goodbye, Mom.
00:26:35Behave yourself at school.
00:26:37Yes.
00:26:43Good morning, Mom.
00:26:46Hello, Antonio.
00:26:47Hey, is it true that Salvo has already left the reformatory?
00:26:52Oh, yes.
00:26:53What a Christmas present.
00:27:01Antonio, we're missing three dollars.
00:27:03Are you telling me?
00:27:06I'm telling the guy who bought a shirt and a new jacket this week.
00:27:10Of course.
00:27:11Because whenever something happens here,
00:27:13who is to blame?
00:27:14Antonio's criminal.
00:27:16Because you always give me reasons.
00:27:18But why? What have I done?
00:27:20I work, don't I?
00:27:21I make money, just like Mikele.
00:27:23But he's your favorite, even if he's gone home.
00:27:25But what are you saying?
00:27:27This time, you shouldn't look at me alone.
00:27:30And who should I look at? Tell me.
00:27:32We'd better leave it.
00:27:33Who should I look at?
00:27:36To Esquiabón.
00:27:38To Esquiabón?
00:27:44What does he have to do with it?
00:27:47Do you know what he sold the cart?
00:27:49The cart?
00:27:51I think he wants to get the business back.
00:27:54He's been talking to Matranga in the warehouse for a long time.
00:27:57About the Black Hand.
00:27:58What's that about the Black Hand? I'm interested, too.
00:28:01It's not about women, Mom.
00:28:03Antonio!
00:28:04Antonio, where are you going?
00:28:06When we talk about something serious, you always leave.
00:28:08Can you explain to me what the Black Hand is?
00:28:10Is it like a mafia?
00:28:12Have we crossed the ocean to meet again in the same situation?
00:28:16Can you explain it to me?
00:28:18Mom, forget it.
00:28:19Antonio!
00:28:20You have to listen to me when I'm talking to you.
00:28:22It's too long, Mom.
00:28:25It's, it's, it's very long.
00:28:27And very, very difficult.
00:28:29It's very long and very, very difficult.
00:28:34Pastorcillo.
00:28:38Oveja.
00:28:42Sorry!
00:28:43What are you doing? You're always here.
00:28:48This is my place.
00:28:49Where else would a fool like me be if they insult and slap everyone?
00:28:54Come on, you hit me too.
00:28:56Come on, shut up.
00:28:57Although they do want to slap you.
00:29:03What's wrong with you now?
00:29:05Matranga again?
00:29:09No, no.
00:29:11My mother.
00:29:12What happened?
00:29:13My Kelly is handsome and strong.
00:29:15Alfredo, smart.
00:29:17Rocco, a bastard.
00:29:19And me?
00:29:20I'm a thief, a liar and a snitch.
00:29:23How many things!
00:29:25I don't like good guys.
00:29:28You know?
00:29:30And why do you like my Kelly?
00:29:32I liked my Kelly.
00:29:34But he prefers the Americans.
00:29:38Come here.
00:29:39Come.
00:29:44I think I'm going to make you a gift, boy.
00:29:48A gift?
00:29:49Yes, it's almost Christmas.
00:29:51Do you feel like it?
00:29:53Yes.
00:30:10Thank you.
00:30:19Where's Antonio?
00:30:20He went out.
00:30:24Rocco?
00:30:26He's on the roof with the pigeons.
00:30:30Very good.
00:30:34And Alfredo?
00:30:35At school, like every morning.
00:30:42And what is the pot of money doing here?
00:30:47I'm watching him.
00:30:49Someone in this family has very long hands.
00:30:52Really?
00:30:54Do you know something, Esquiavo?
00:30:56No.
00:30:57No, I don't.
00:31:01Esquiavo, let's be clear.
00:31:03I know it was you.
00:31:05So tell me why you sold the cart and then pretend to go to work.
00:31:08Did you think I was stupid?
00:31:11What happened?
00:31:14Happened.
00:31:15Happened.
00:31:16Nothing happened.
00:31:18I just want to get the business back.
00:31:20The peanuts were provisional until God took a step back.
00:31:25And how?
00:31:27Business.
00:31:29With whom?
00:31:31You can rest assured.
00:31:33I don't know what that is.
00:31:35I want to know who you're doing business with.
00:31:38I've made money.
00:31:40I've made money.
00:31:41Look.
00:31:42And I put it in the pot.
00:31:44No, no, thank you.
00:31:45Save it for the winery.
00:31:47Who do you do business with?
00:31:48With the black hand?
00:31:50The black hand.
00:31:52The black hand doesn't exist.
00:31:54It's a children's story.
00:31:55The black hand is coming.
00:31:57No, no.
00:31:58No, you trust me.
00:32:00In two months, we'll get the winery back.
00:32:03Mateo's word, Esquiavon.
00:32:06I'll fix everything tonight.
00:32:07I'm busy tonight.
00:32:09I am busy.
00:32:12You're busy.
00:32:14The eggs are very good.
00:32:44I'm sorry, Mr. Ferri.
00:32:50Miss Rizzo is waiting for you in your office.
00:32:53In my office?
00:32:54Yes.
00:32:55Okay, thanks.
00:33:04Mr. Ferri, can you explain to me what that black hand is that everyone is talking about?
00:33:08Something that is better to stay away from.
00:33:11Kidnappings, extortions, homicides, smuggling.
00:33:16It's a mess.
00:33:18There's an article in La Voz d'Italia today.
00:33:22See you this afternoon, Mr. Ferri.
00:33:25See you soon, ma'am.
00:33:26Goodbye.
00:33:29See you later, Maureen.
00:33:33Look.
00:33:35Michele Guarino.
00:33:38The king of New York distilleries.
00:33:41People like him dirty the reputation of the Italians.
00:33:46I'm afraid that black hand has already entered my house.
00:33:49That's why I've come to bother you.
00:33:52Because if someone steals, he's in his house.
00:33:55He has serious problems.
00:33:57Who are you referring to?
00:33:59My husband, Esquiavon.
00:34:01He says he's doing business, but he doesn't look good.
00:34:06And since you have so many friends,
00:34:09like that policeman who managed to find us.
00:34:12I don't know if you could ask him to find out what that bastard is up to.
00:34:17Don't worry, Carmela. I'll take care of it.
00:34:20Thank you. He's a good friend.
00:34:30Carmela.
00:34:33Why don't you stay and eat with me?
00:34:35I'll eat with you.
00:34:37When you called me, I was at the restaurant.
00:34:41For a moment, I was excited, thinking you'd eat with me.
00:34:45No, I can't.
00:34:47I have to go home with my children.
00:34:50Besides, my clothes aren't the right ones.
00:34:53You're beautiful, Carmela.
00:34:55Clothes are just appearance.
00:34:57But appearance doesn't matter.
00:35:00I'm fine where I am.
00:35:02Down, where the Lord put me.
00:35:05Otherwise, it would be a mess.
00:35:08But thank you.
00:35:11Maybe tonight?
00:35:14My appearance will still be a problem.
00:35:21See you later, Carmela.
00:35:31Appearance.
00:35:36Appearance.
00:35:38Appearance.
00:35:40Appearance.
00:35:42Appearance.
00:35:44Appearance.
00:35:46Appearance.
00:35:48Appearance.
00:35:50Appearance.
00:35:52Appearance.
00:35:55Miss Rizzo?
00:35:57Yes, Rizzo Schiavone?
00:35:59Yes, this is for you, from Mr. Ferry.
00:36:02For me?
00:36:03Yes.
00:36:05This?
00:36:07He waits for you at 8 p.m. at the Walford Hotel.
00:36:11I don't understand.
00:36:13Tonight, 8 p.m.
00:36:15Ah, tonight.
00:36:17Yes, yes.
00:36:19Ah, and what do I do with Schiavone?
00:36:21Ah, Schiavone works tonight.
00:36:23He's busy.
00:36:25I'm sorry, I don't understand.
00:36:27Doesn't matter.
00:36:29Tell Mr. Ferry it's okay.
00:36:31Okay.
00:36:33What is this?
00:36:35Is it a dress?
00:36:37Come on, hurry up!
00:36:39Pepe, come on, it's for today.
00:36:41Let's go!
00:36:43Let's see, take the state one for New Jersey.
00:36:45Come on, careful, careful.
00:36:47If there's a checkpoint...
00:36:49You've already told me, I won't stop because I'll go slowly.
00:36:51Schiavone, be careful, you're carrying very valuable merchandise.
00:36:54And above all, it's forbidden.
00:36:56Have you told Matranga?
00:36:58Let me introduce you to Mr. Guarino.
00:37:00The one in charge of all this is...
00:37:01It's the boss.
00:37:03It's an honor.
00:37:05Thank you for your trust, Mr. Guarino.
00:37:07Don't worry.
00:37:09Now we're doing business together, right?
00:37:11That's right.
00:37:13Come on, come on, come on, Mateo, move it, come on.
00:37:15Get to work, Mateo, get to work.
00:37:17Hurry up, hurry up!
00:37:19He's a big mouth.
00:37:21A big mouth.
00:37:23And we send him straight to the police.
00:37:32This time, bad luck won't stop me.
00:37:37Everyone will see that the money is made, Schiavone.
00:37:42And I'll get the business back.
00:37:44Everyone will see it.
00:37:46Guys, hurry up, another truck is loaded, come on.
00:37:49Salvo, move it, come on.
00:37:51Come on, come on, come on, come on.
00:37:53Up, up, come on, come on.
00:37:55Come on, come on.
00:37:57Hurry up.
00:37:59Come on, come on, come on.
00:38:01This is the plan, huh?
00:38:03Schiavone goes south and you go north.
00:38:05In the right direction.
00:38:07Move it, come on, come on.
00:38:32Anacola,
00:38:37Dolcissima Anacola,
00:38:43Padrona del mio cuore,
00:38:47Sei tu sola,
00:38:54Io ti cerco,
00:38:58Ti invoco follemente,
00:39:04Per dirti che ti amo appassionatamente.
00:39:15Anacola,
00:39:20Dolcissima Anacola,
00:39:23La luce dei miei giorni
00:39:27Splende in te,
00:39:33Fai fiorire
00:39:38La passione
00:39:43Come il suono
00:39:47Della mia vita.
00:39:53La canzone
00:40:03This time you won't stop me.
00:40:05I'm not afraid of you.
00:40:07I'm not afraid of anything.
00:40:09Get back.
00:40:11Get back.
00:40:13Don't stop Mateo Schiavone.
00:40:15This time you won't be able to stop Mateo Schiavone.
00:40:18Nobody can stop Mateo Schiavone.
00:40:21Cowards!
00:40:24Ti invoco follemente,
00:40:29Per dirti che ti amo appassionatamente.
00:40:37Let's go.
00:40:39Let's see if he's alive.
00:40:41Take it.
00:40:45Owen, some of these crates.
00:40:47Yeah.
00:40:49Definitely a bootlegger.
00:40:50This crate must be full of gin.
00:40:59Mateo.
00:41:01Oh, Christ.
00:41:03Mateo.
00:41:05Captain O'Connor, what is it?
00:41:08I know this guy.
00:41:10I knew this man.
00:41:12He was called Mateo Schiavone.
00:41:14He was a good man.
00:41:16These fucking crates are empty.
00:41:17They really got us this time, didn't they?
00:41:21You see, Mateo?
00:41:23They've fooled us all.
00:41:48Giovanni?
00:41:50Mrs. Carmel.
00:41:56Your husband...
00:42:04Wait a minute.
00:42:06I have to tell you something.
00:42:08What is it?
00:42:10I have to tell you something.
00:42:12What is it?
00:42:14I have to tell you something.
00:42:15Wait a minute.
00:42:17I have to change.
00:42:36Mr. Ferris, it's late.
00:42:38I'm leaving.
00:42:40Could you cancel the restaurant first?
00:42:41You're not even going to dinner?
00:42:43No, not even me.
00:42:47Thank you.
00:43:06Twenty-nine.
00:43:08Twenty-nine and fifty.
00:43:10Twenty-nine and fifty.
00:43:17No.
00:43:19I don't even have enough for the funeral.
00:43:24And this?
00:43:27How much is it?
00:43:29More than twenty dollars, Mom.
00:43:31I was saving it for school,
00:43:33but you need it more for poor Schiavone.
00:43:35Holy Virgin,
00:43:37how can a child
00:43:39I had to buy him glasses
00:43:41of what he studies
00:43:43gather so much money?
00:43:45No, Mom.
00:43:47It's not what you think.
00:43:49It's all legal.
00:43:51I've earned it.
00:43:53How?
00:43:55At the pier when the Italians arrive.
00:43:57I exchange currency.
00:43:59You fool those people who are like us?
00:44:01Aren't you ashamed?
00:44:03But what have I taught you?
00:44:05I'm not a swindler.
00:44:07In fact, I help poor immigrants.
00:44:09Mr. Ferri taught me.
00:44:11He also started like that.
00:44:13Mr. Ferri?
00:44:15Then he also started badly.
00:44:17But it ended well.
00:44:19I don't want this money
00:44:21soaked in sweat and tears
00:44:23of all those poor people.
00:44:25I prefer to sell my eyes
00:44:27that only serve me to cry with you.
00:44:29I'm going to sell everything
00:44:31to the house of Empeños.
00:44:33I'm leaving.
00:44:35It's a good business.
00:44:37Look at the money, Caco.
00:44:39Save the money for college.
00:44:56Sorry, pawn shop?
00:44:58In the corner, there.
00:45:00Thank you.
00:45:06Good morning.
00:45:10Good morning.
00:45:13I don't speak English.
00:45:16Don't worry, ma'am.
00:45:18You can speak in your language.
00:45:20Thank goodness.
00:45:22I'm from Naples.
00:45:24My grandfather was from Naples.
00:45:27I wanted to know how much it costs me for this.
00:45:30I don't know.
00:45:32I don't know.
00:45:33I want to know how much it costs me for this.
00:45:44It's 8-karat gold.
00:45:47And it's not good?
00:45:49Let's say it's not top quality.
00:45:51But let's weigh it.
00:45:55Can it be opened?
00:45:57There are two photographs inside it.
00:45:59If it stays, I'd like to keep them.
00:46:01I'm fond of them.
00:46:11Is there a problem?
00:46:22Come here a moment, ma'am.
00:46:28Come in, come in.
00:46:29Sit down.
00:46:31You're worrying me.
00:46:33Come on, sit down.
00:46:36Do I sit here?
00:46:38Sit here.
00:46:41I'll be right back.
00:46:44Hey, could it be that you've stolen?
00:46:48Lately, I've only been in trouble.
00:46:59Don't be afraid.
00:47:01Don't worry.
00:47:03I'm worried, but I'm worried.
00:47:05No.
00:47:13Mom.
00:47:17Mom.
00:47:19Mom, it's me, Mom.
00:47:21Maria.
00:47:22Are you Maria?
00:47:24My daughter.
00:47:25My daughter.
00:47:29Maria.
00:47:30Maria.
00:47:32It's me, Mom.
00:47:34You're so beautiful.
00:47:36I've been looking for you.
00:47:39I knew you were alive.
00:47:41I knew it, I felt it in here.
00:47:43I told everyone.
00:47:45I told them, Maria is alive, Maria is alive.
00:47:47Because Maria is alive.
00:47:48I knew Maria was alive.
00:47:51My daughter.
00:47:56And this little one?
00:47:59He's our son, Salvatore.
00:48:03Salvatore.
00:48:07Salvatore.
00:48:11You've called him like your father.
00:48:16Now I have to sit down.
00:48:20He's my husband, Moses.
00:48:21It's a pleasure.
00:48:22Likewise.
00:48:25I told you we'd find her, didn't I?
00:48:26I told you.
00:48:28The truth is, she found us.
00:48:30Salvatore.
00:48:34My daughter.
00:48:37She's the grandmother, eh?
00:48:45She gave this to me when we arrived.
00:48:50Mrs. Carmé, I'm sorry to have to interrogate you
00:48:52just after the funeral of the poor Schiavone,
00:48:55but we have to investigate.
00:48:56Don't worry, I understand.
00:49:00But I can tell you little.
00:49:03Because I didn't pay much attention to the poor Schiavone.
00:49:08He was a good person, that's for sure.
00:49:11And I did wrong.
00:49:13Because he didn't help us much.
00:49:16And don't you think I could help you now?
00:49:18How?
00:49:20We have to find out who set you up.
00:49:22He told me he was doing things to get the business back
00:49:26and that he had sold the cart.
00:49:29He was probably doing someone a favor.
00:49:32But I don't know who.
00:49:34I only hear rumors.
00:49:36Matranga, the Black Hand.
00:49:38And what do you know about that?
00:49:40Only that he's also been killed.
00:49:44We could have stayed where we were.
00:49:48What difference does it make?
00:49:49What difference does it make between these bastards
00:49:51and the murderer of my poor Turi?
00:49:53The difference is that here we do our best
00:49:55to punish the murderers.
00:49:57I'm going to go against Matranga, his accomplices,
00:50:00and Guarino, the king of the distilleries.
00:50:03Mr. Ferry told me about that Guarino.
00:50:06I'm sure there's a connection between the two of them.
00:50:09I'm sure.
00:50:11Trust me, Mrs. Carmé.
00:50:13We're on the right track.
00:50:15This time they have no escape.
00:50:16This time they have no escape.
00:50:21Let's hope so.
00:50:38Angela!
00:50:40Angelina!
00:50:46Angela!
00:50:51Angela!
00:50:53Ah, hello.
00:50:55What?
00:50:57Are you peeing on me?
00:50:59Come in, you're free now.
00:51:01I also gave him a little present.
00:51:03Anto, what did you think?
00:51:05That you were my boyfriend?
00:51:07I'm going with whoever I want.
00:51:11I don't care either!
00:51:13I don't give a shit!
00:51:15Do you see this?
00:51:18Give it to me.
00:51:21This was for you!
00:51:23You're so stupid.
00:51:27Anto.
00:51:29We have to talk.
00:51:31Today, at Esquiabón's funeral,
00:51:33what did Ardigo want from your mother?
00:51:35I have no idea.
00:51:37Esquiabón was set up,
00:51:40and the police are doing their job.
00:51:42Come here.
00:51:44Tell me something.
00:51:46Do you understand?
00:51:48You're such a good boy.
00:51:50Yes, yes.
00:52:01It's good.
00:52:03Yes, my dear.
00:52:05I love this music.
00:52:07Josephine.
00:52:09Have you seen the Gaiteros?
00:52:11Over there.
00:52:13How nice.
00:52:15When is Dad coming?
00:52:17He's coming now.
00:52:19Then we'll go to Grandma's house for dinner.
00:52:25I can't believe it.
00:52:27If it weren't for the poor Esquiabón's death,
00:52:29I would never have been able to find my María.
00:52:32And look,
00:52:33look what she brought me.
00:52:35The wedding rings.
00:52:37One is mine and the other is your father's.
00:52:40And Mrs. Carmel, we've been looking for you.
00:52:42We haven't stopped.
00:52:44But how did you change your last name?
00:52:46No, no, that was a mistake
00:52:48from the immigration office.
00:52:50Grandma is beautiful, she's beautiful.
00:52:52Do you like Rocco's flute?
00:52:54Rocco will teach you all the songs.
00:52:56Grandma, I'm Grandma.
00:52:58I'll teach you all the songs.
00:52:59Grandma, I'm Grandma Carmela.
00:53:01How do you say Grandma in English?
00:53:03Grandmother.
00:53:05What?
00:53:07Grandmother.
00:53:09That's too long.
00:53:11Very, very long.
00:53:13Very difficult.
00:53:15I've learned a new religion.
00:53:17And you, Mom, will learn English.
00:53:25It's true that you celebrate Christmas twice
00:53:27because now you're a grown-up.
00:53:29Is Hanukkah a Jewish holiday?
00:53:31Hanukkah is not like Christmas, Alfred.
00:53:33But it's celebrated on the 24th.
00:53:35We've celebrated Hanukkah at lunchtime
00:53:37and now we're here.
00:53:39But where's Antonio?
00:53:41We're about to sit down at the table.
00:53:43He went out to get a cake.
00:53:45He's always late.
00:53:47Come on, don't be silly.
00:53:49You'll see.
00:53:51Let's see when he comes back.
00:53:53Mom, are we expecting someone else?
00:53:55No.
00:53:57But weren't Conchita and the policeman coming?
00:53:59Maybe it's a gift, Mom.
00:54:01A Christmas gift.
00:54:03Could be.
00:54:07What a surprise.
00:54:09Mrs. Carmela, I hope I'm not bothering you.
00:54:12You never bother me.
00:54:14It's a pleasure to have you here. Come in.
00:54:16Thank you.
00:54:18I brought you a panettone.
00:54:20Do you know what it is?
00:54:22No.
00:54:24It's a sweet that's eaten at Christmas in my homeland,
00:54:26in the north of Italy.
00:54:27Alfredo, take it.
00:54:29I'll keep the coat for you.
00:54:31Thank you.
00:54:34You know, I've found my daughter Maria.
00:54:38Yes, Alfredo told me.
00:54:40He invited me.
00:54:42Thank you, Alfredo.
00:54:44I'm very happy.
00:54:46It's clear that sometimes miracles do happen.
00:54:50Yes, if you believe in them.
00:54:52I'm very happy that you have gathered.
00:54:55You have a beautiful family, Carmela.
00:54:58Family is important.
00:55:00Especially if you find the right person to train you.
00:55:06But please, come in.
00:55:08Come in, Mr. Ferry.
00:55:10Thank you.
00:55:22Thank you.
00:55:32Giovanni Ardigo!
00:55:52If you speak, your mother and you are dead.
00:55:54Do you understand? Shut up!
00:55:57Antonio.
00:55:59Antonio!
00:56:01It's Antonio!
00:56:03Stay with the girl, I'll be right back.
00:56:09Carmela, wait.
00:56:11Don't go away from me.
00:56:13Mom!
00:56:15Wait, come with me.
00:56:20No!
00:56:22Giovanni!
00:56:24No!
00:56:26No!
00:56:28Why?
00:56:32Antonio, my son.
00:56:34My son.
00:56:36Have you seen anything?
00:56:38No, Mom.
00:56:40Have you seen who shot?
00:56:42No, I arrived later.
00:56:44I haven't seen anything, Mom.
00:56:46You have to believe me.
00:56:48Carmela, there's nothing to see here.
00:56:50Let's go home.
00:56:52Poor Ardigo.
00:56:54No!
00:56:58They killed him.
00:57:17I almost forgot how beautiful our land is.
00:57:22You like it, huh?
00:57:24And you want to go to New York?
00:57:26Are you sure you want to give up this paradise?
00:57:29For a bigger paradise, yes, cousin.
00:57:36But in America, I'm going to rule.
00:57:39I want you to know.
00:57:41I'll keep everything.
00:57:44How beautiful you are.
00:57:46You have to be mine.
00:57:48Only mine, Carmela.
00:57:50No! Help!
00:57:53That depends on you.
00:57:56And how willing you are to play, cousin.
00:57:59Because there, the stakes are high, Vince.
00:58:02Very high.
00:58:06Come on, your boss is here.
00:58:09Yes, but for a short time.
00:58:11Sooner or later, all this will be mine.
00:58:15Baron, at your service.
00:58:20At your service, Baron.
00:58:40Let's go.
00:59:10Let's go.
00:59:40Let's go.
01:00:10Let's go.
01:00:40Let's go.
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