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Short filmTranscript
00:00♪♪
00:30¿Y has pensado en cómo pagarle al celador?
00:33¿Crees que esta pulsera serviría?
00:37El señor Castillo cree que la señora Darre ha muerto
00:40y va al pueblo a comprobar que está la lápida
00:42y cuando la vea, la señora Darre estará fuera de peligro.
00:45Pero eso pueden pasar días, y yo necesito verla antes.
00:48¿Investigar, dices?
00:50Pues ya me dirás cómo lo haces, porque yo no te veo mover un dedo.
00:52Petra, ambos queremos llegar al fondo del asunto
00:56y he oído que tú tienes alguna información.
00:59¿Yo?
01:06¿Es eso cierto, Petra?
01:08¿Por qué demonios no me has dicho que habías averiguado algo
01:11sobre el envenenamiento?
01:13Bueno, realmente, señora, yo...
01:16¿Yo qué? ¡Basta ya de misterios! ¡Habla!
01:21Sería la palabra de una criada contra la de un conde
01:24y ya no tienes a Cruz a tu lado para que te defienda.
01:27¿Qué piensas que van a creer?
01:30Tendrá usted que disculparme, señora,
01:33pero no sé nada nuevo del asunto.
01:38¿Acaso lo que dice Ignacio es una invención?
01:41No, no, no, es exactamente así, no.
01:43Pues explícate bien, porque esto no es un asunto para andar de broma.
01:47No, desde luego que no lo es.
01:51El caso es que en algún momento dado yo comenté
01:55en presencia del conde mi intención de investigar a fondo
01:59las causas de su envenenamiento.
02:02¿Investigar tú? ¿Cómo?
02:05Bueno, señora, al ser el ama de llaves
02:08tengo acceso a la información del servicio y a sus rumores.
02:12Ya, me parece que se te ha subido un poco el cargo a la cabeza.
02:16El caso es que, a pesar de mis pesquisas,
02:19no he conseguido dar con nada que pueda arrojar luz a lo sucedido.
02:24No me digas. Así que nos has generado una expectativa para nada.
02:28Bueno, para hacernos perder el tiempo.
02:30Deberá usted disculparme, señora.
02:33Y ahora, con su permiso, tengo mucho trabajo que hacer.
02:37Sí, mejor será.
02:41Desde luego esta mujer no es ni la sombra de lo que era.
02:45Lamento haber levantado la liebre por nada.
02:48Pensaba que tenía alguna información jugosa, la verdad.
02:54Yo soy el héroe
02:56Yo soy el pior
03:00No sé si puedo contarte
03:04Las cosas que han pasado desde que te vi
03:08Las luces que han bailado por nuestro jardín
03:12Los rumores nuevos entre el corazón y las murallas
03:17In the promise, there will be particles of love in motion
03:24There will be secrets that will never come out
03:28It will be as beautiful as the flight of a plane
03:34In the promise, the farewells are spins on the ground
03:41Even the flowers will dance in their own way
03:45Balancers between fear and passion
03:51We are like a jump to the D3
03:55We are love when you live life to death
03:59A long way to go
04:03In the promise, you will be a matter of luck
04:08We are like a jump to the D3
04:12We are love when you live life to death
04:16A long way to go
04:20In the promise, you will be a matter of luck
04:43These are Portuguese sweets. They are called Belém cakes.
04:49And whose recipe is it? Lopillo's?
04:52No, it's a traditional sweet from the neighboring country.
04:56You know that girl Bruna, the Portuguese woman who lives in Luján?
04:59Yes, a very good person.
05:01And how is this prepared? Because this looks like puff pastry.
05:05That's right. Stuffed puff pastry with pastry cream.
05:08But we don't have a bakery.
05:10To take advantage of the leftovers, Candela.
05:12A kitchen of exploitation.
05:14Judy, if you want food, that's a mortal sin.
05:17Besides, pastry cream and puff pastry have milk, sugar, egg yolk ...
05:22Who's going to notice the difference?
05:23López, for example.
05:25What have you given me?
05:27This sweet is a flag.
05:31Save one for me then.
05:33How are you, daughter?
05:35Well, there. I hope today is better than yesterday.
05:39It ended like the Rosary of Aurora.
05:42What happened to you?
05:44At the last hour of the afternoon, Doña Petra sent me to her office.
05:48This woman does not get tired when it comes to taking care of you.
05:52Look, yesterday she apologized to Mr. Pellicer.
05:55For a moment I thought she had relaxed.
05:57She is always willing to upset the staff.
06:00And what did the Marimandra Joss tell you?
06:02Well, our dear keymaker was not very happy with how she had messed up the stairs.
06:08What nonsense is that? They are very clean.
06:11Well, according to her, she had not made them shine and they were all messed up.
06:15That little word she told you, she was already messed up.
06:19Whatever Petra tells you, it goes in one ear and out the other.
06:22I know. But I just did the opposite.
06:26I couldn't take it anymore and I ended up letting go of what I think of her.
06:31God bless. Everything?
06:33Well, I don't know if everything, but of course a lot.
06:36Well, the truth of the boatman, come on.
06:38And what did she tell you?
06:39That she was not going to give me explanations, because totally.
06:42For the short time I have left in the promise.
06:45Will it be bad and harmful?
06:47Well, I'd better shut up because if not, they're going to take me to hell.
06:51But did she say that to annoy you or is she aware of everything?
06:55Well, I don't know how, but she found out about my intentions to go to work at Mr. Fermin's house.
06:59What a snitch. I can't think of anyone who could have heard her with the story.
07:03That's the least of it. Candela, the important thing is that she is now prevented.
07:07And I think she is able to leave me on the street before she can go to work with the priest.
07:11No, she can't do that.
07:13If she can, it's Petra.
07:15The girl is right.
07:17Power?
07:18I don't know if she's going to be able to.
07:20But she's not going to need money.
07:22Mr. Baeza is not going to allow it.
07:24Don't worry, daughter.
07:26I'm afraid of running out of a house.
07:28Without a job.
07:30Without the money my in-laws demand of me.
07:32Without my child.
07:34That's not going to happen, okay?
07:36Look, daughter.
07:38Even the darkest day has its ray of sun.
07:42That's very nice, mother.
07:44And a truth like a temple.
07:46Yesterday, Salvador and Hanna came up with the idea that, among all the servants,
07:52we can raise the money your in-laws demand of you.
07:56But how are you going to do that?
08:00It's not the first time.
08:02We did it a long time ago, to cost Salvador's eye surgery.
08:06But Salvador is Salvador.
08:08And I just got here.
08:10No, you've been here longer than Salvador when we paid for his eye.
08:14You've been one of us for a long time.
08:18And you're Simona's daughter.
08:20We love your mother very much.
08:22And you, therefore.
08:24Are you serious?
08:26God bless you.
08:28God bless you, you are the most beautiful thing there is.
08:30Well, you and all the service of the promise.
08:50What the hell is Ignacio playing at?
08:54What did the number you set up last night do?
08:56What's up, Petra?
08:58Don't you like challenges?
09:00Are you aware of what could have happened to you if I came to talk?
09:04Are you aware of what could happen to you?
09:06Trinidad!
09:08Stop cleaning the rooms.
09:10They're not going to clean themselves.
09:12Come on!
09:14Yes, Mr. Count.
09:16I will take into account your instructions for the return.
09:18I told you.
09:20I knew that the relationship between you and Cruz was not at its best and that you would not speak.
09:24You would not speak.
09:26I, that you would watch out.
09:28Because my relationship with the Marquise will be what it was again.
09:32I assure you.
09:34You've already talked about that.
09:36Stop humiliating yourself.
09:38Do what you do.
09:40It will hurt you more than me.
09:42Don't intimidate me.
09:44You don't even scare me, Petra.
09:46Besides, we both know perfectly well that you don't give a damn what happens to Martina.
09:52You won't even risk a hair to help her.
09:56Maybe you're right.
09:58And that Miss Martina is not holy to my devotion.
10:02And that she thinks that a little discipline would be good for her.
10:06But I still think that she is a young woman.
10:08With her whole life ahead of her.
10:10Full of dreams.
10:14And that makes it easier for me to put myself in her place.
10:18You putting yourself in someone else's place?
10:26Put me for Eva Ignacio.
10:28If Miss Martina does not return in a prudent time,
10:32I will speak.
10:34And I will tell everything I know.
10:36Because I don't care about the consequences.
10:48Thank you.
11:10Miss.
11:14Take it.
11:16I don't want anyone to miss it, but I thought you'd like to know what's going on in the world.
11:20Thank you, Hanna. It's good to know what's going on outside these four walls.
11:24Well, being locked up here, well ...
11:26Well, locked up by your own will, I remind you.
11:30In any case, I wanted to know what was going on in the news.
11:33I'm sorry if I violated you with the subject.
11:36I'm a little sorry that I'm back here.
11:39Well, I went to investigate.
11:42To prevent them from locking up my cousin, but I failed.
11:46My position in La Promesa no longer makes any sense.
11:49I'm sorry for you. The service ...
11:52No, I have nothing to reproach you for.
11:55So I guess, by default, his family has to reproach him.
12:00That's right.
12:02And there is a particular member who monopolizes most of my reproaches.
12:06Let me guess. His stepmother?
12:09It wasn't a very difficult riddle, was it?
12:12Well, but I still feel sorry that I stopped seeing the others because of her.
12:16I'm very afraid that there is nothing to do about it.
12:19The situation has reached a point where the less we cross paths, the better for everyone.
12:25Anyway ...
12:27How are things around the palace?
12:29Do you know anything about my cousin?
12:31Well, not for now. There is no news from the sanatorium.
12:34As far as I know, of course.
12:36It's horrible.
12:38Unfair.
12:40I know, and you're right, but ...
12:42At least Mrs. Margarita says that it is precious.
12:45And that she is already receiving all kinds of attention.
12:48Yeah, that's what they say.
12:50But it's a shame that we can't check it ourselves.
12:54Anyway, apparently they are very strict with visits and they don't allow them
12:57until several weeks have elapsed since his arrest.
13:00And that doesn't inspire confidence in me either.
13:03But we can't do anything about this either.
13:06Especially if there is no one investigating what happened.
13:09Well, you were doing it until the hangar came back.
13:13And there is nothing. I assure you.
13:16But I am convinced that my cousin is innocent.
13:19We all know she didn't do anything.
13:21And I wish we could prove it.
13:25Well, I'll let you read the newspaper.
13:27I'll clean up around there, if you like.
13:29Thanks for everything, Hanna.
13:36Bye.
13:48Hanna?
13:50What's going on?
14:02My God.
14:06What's going on?
14:15What a kitchen, yes.
14:17I ordered them to prepare a tisana for Mr. Márquez.
14:20He read a piece of news in the newspaper and left him completely upset.
14:27Mr. Pellicer.
14:29Mr. Baeza.
14:30I just wanted to ask you how everything is going.
14:32Has he fully adapted to the routines of La Promesa?
14:35I think if it hadn't been like that, he would have kicked me out.
14:38I see.
14:41Mr. Baeza, I have a man who speaks clearly.
14:43And that's why I think he wants to talk to me about a matter that he doesn't dare to address.
14:47You are right, Mr. Pellicer.
14:50And I don't know why, but I also have the impression that someone has come to me with the story
14:54about an incident in which Vera is involved.
14:57Well, you're right again.
14:59And who has been the kind informant?
15:01Who do I have to thank for such a disinterested gesture?
15:05My father?
15:06Maybe López.
15:07That's the least of it.
15:09He has been in charge of La Promesa for many years.
15:12And well, he has found a way to have eyes and ears in every corner.
15:16I understand.
15:17It must have been both of them.
15:19Look, I'm going to be direct.
15:21Do you want to tell me your version of this matter?
15:25The truth is no.
15:27I already told my father everything with hair and signs.
15:30Okay, then.
15:31Case closed.
15:33Before you go, I would like you to remember something.
15:40Do you remember why you are here?
15:42Excuse me?
15:43Do you know who made you call La Promesa here?
15:47Yes, I think it was a commitment of his.
15:50Exactly.
15:51And not everyone agreed.
15:54And have you ever wondered why I did it?
15:59Look, if I wanted to have you here in La Promesa,
16:03it was because I always believed that you were a young man with great potential.
16:08And I thank you for your trust.
16:10Don't thank me for words, but give me back the trust that I placed in you.
16:16Of course, of course.
16:18What do I have to do to ...?
16:19Well, what you have to do is take advantage of the opportunities that life gives you.
16:24And continue with that commitment and that courage that characterizes you.
16:27But without forgetting that the path to follow is probably not the easiest.
16:32Mr. Baeza, I urge you to be a little clearer.
16:36A good understander does not need many words.
16:38And you are better than good, Mr. Pellicer.
16:42If so far I have wanted to convey my trust in your worth,
16:46know that this can change at any time.
16:50I will do my best because that does not happen.
16:52Focus on avoiding conflict and disagreement.
16:56Disagreement?
16:57Yes, with the rest of the service.
17:00With Mr. Ruiz, with his father, and even with Miss González.
17:06Did I explain myself well?
17:09I think so.
17:10Because otherwise I would be forced to disregard your services.
17:15And that is something that neither you nor I want, right?
17:19Of course not.
17:27The explosions not only affected the center of cities like Nancy,
17:31causing hundreds of civilian victims,
17:33but also the surrounding forests,
17:36where the deployed battalions have registered the highest number of casualties
17:40since the confrontation began.
17:43My God.
17:45Manuel is in those forests.
17:47From there he wrote the letter, the last one that arrived.
17:50Cruz.
17:51That region is as extensive as the entire province of Córdoba.
17:54It is most likely that neither Manuel nor Curro have been affected by that bombing.
17:58You can't bomb an entire province, right?
18:00Of course not.
18:05I have the feeling that this news is only the confirmation of all my feelings.
18:10Hence so many nightmares and bad omens.
18:12Cruz.
18:14Please, don't draw conclusions that have no logic.
18:16But I saw it, María Antonia.
18:18I saw my son in danger, I saw him drowning in the rough waters of a river.
18:22But we already talked about it yesterday, Cruz.
18:25There are a thousand reasons that can cause those nightmares.
18:27Do you think this is consolation for me?
18:29The image was very real, María Antonia, very vivid.
18:32My son was dying before my eyes and I couldn't do anything to help him.
18:36Leave it, Cruz, please.
18:38Manuel will be fine, you'll see.
18:40This is a premonition.
18:42My son is really needing my help right now.
18:45Be reasonable, please.
18:48You can't spend the day tangled up in such futile thoughts.
18:52Come on, let's go for a walk and get some fresh air.
18:55Now?
18:56Why not? It's a great day.
18:58No, no.
18:59The other day I went out and a wasp bit me.
19:01You're going to stop going out as soon as the wasps bite you.
19:03I said no, please!
19:07Forgive me.
19:09I'm very distressed, I don't feel like doing anything.
19:12This situation is getting the better of me.
19:14But Cruz, I have a bad feeling that something bad is going to happen.
19:19If it hasn't already.
19:29I don't get it.
19:30They wanted to have a good time with us
19:32and instead of being at the game, they were arguing all the time.
19:36What's the point of playing without money?
19:38That bad guy has a very bad temper.
19:40Very bad, but good.
19:42Yeah, but he pays for it with his girlfriend.
19:45That's another thing I'll never understand, that they're together.
19:48Come on, love is blind, but not stupid.
19:51No, it doesn't apply.
19:53And all the time they've been together, I've never seen them have a fun time.
19:57Like the ones you and I have, for example.
20:00Well, to have a fun time like ours, you have to love each other a lot.
20:04Salvador, that's not what I mean.
20:06We're always thinking about the same thing.
20:10I don't know what they're going to do in their intimacy, I don't care.
20:14I just have a knot in my stomach that tells me that something weird is going on.
20:20And especially with Vera.
20:22Well, something weird is going on.
20:24I can't get my head out of the face of Vera's anguished face on the day of the wedding.
20:29Yeah, it didn't seem like she was having a great time.
20:32No, she was looking at us as if we were a lamb about to take it to the slaughterhouse.
20:36Come on, as if she were looking from afar at her slaughterhouse with a knife in her hand.
20:40Now that you mention it, Maria, I have to tell you something.
20:44I talked to Lope and ...
20:46Salvador, I was looking for you.
20:49Do you need help with any task?
20:51What I need is to thank you.
20:54Well, you and everyone else.
20:56Thank you for what?
20:58Because this morning my mother and Candela told me about the crutch that was made for your operation.
21:03And that you are going to repeat the same thing to get the 550 pesetas and get my son back.
21:09Yes, well, the truth is that it was more Hanna's initiative, but I have also put my grain of sand.
21:14Well, and we are all going to put it.
21:16Even fill a desert if you do.
21:18Come here.
21:20What a good idea, Salvador, if you have a golden heart.
21:23It's not that much.
21:24If we get you to operate on my eye, what less than to gather quarters to bring your creature, right?
21:29And very cute that they left it.
21:31Look at it, identical.
21:33What is clear is that together we can do anything.
21:36That's right.
21:38Thank you.
21:40From the heart.
21:43No, if you are going to get excited and you are going to shed a tear.
21:47It makes me so excited to think that I can get my Adolfito back.
21:52Although I prefer to be cautious.
21:55That something always arises that complicates everything.
21:59No, you're going to get it.
22:01You just have to believe.
22:04You're right, Maria.
22:06I have to make an effort and start seeing life in a different way.
22:10More positive.
22:12Of course.
22:13Even if it's just to adapt to our height.
22:17Bye.
22:18Bye.
22:25Five hundred and fifty pesetas is not a small amount of payment.
22:28No, but we don't have a hard time trying.
22:31I'm going to be a hurricane.
22:33A coin that shines, a coin that hits the target.
22:47The press speaks of an intense bombing, but it does not specify the specific areas.
22:52And even if I did, I wouldn't be sure of anything.
22:57That's how it is.
22:58There is no way of knowing if my brother and my cousin are also or not.
23:01I see.
23:04Do you know when the bombing was?
23:07Yesterday.
23:09So it's too soon to know about them.
23:13I'm sorry.
23:15Catalina.
23:17It must be hell to live with that uncertainty.
23:22And I would like to be able to help you.
23:26No one can do anything to get Manuel back to work.
23:31Maybe there is something that can be done.
23:34What?
23:36I could entertain you.
23:39Or try to do it.
23:42I know some sayings and my father taught me a song from a tavern that is not very soft.
23:50I'm sorry, I just wanted to help you.
23:52I'm a jerk.
23:54Thank you for trying.
23:56But hey, tell me something about you that I haven't stopped talking about since you arrived.
24:01I don't know, the only thing I can tell you is that I'm quite exhausted.
24:05I never imagined that my father's business would involve so much work.
24:08I remember when I was a kid, he would get up at dawn and go to bed shortly after sunset.
24:13And he never complained.
24:15And now you arrive ...
24:16And I'm crying like a baby.
24:19Come on, I deserve all the stones that I find lying around.
24:23You'll get used to it.
24:27And the work will be more bearable.
24:30I hope that one day I can take things more calmly.
24:33Even face new projects.
24:37Like the tavern songs?
24:41No, I meant something more fruitful.
24:46Like ...
24:48Restarting your jam business.
24:51I know you don't aspire to much, but I could be one of your fruit suppliers.
24:55Man, you have plenty of fruit trees.
24:57Oh yeah?
24:59You know what?
25:01I'm curious to know how your company started.
25:04Well, it all started with the talent of one of La Promesa's servants.
25:07Lope.
25:09A lackey who didn't stand out as a lackey, but he has a gift for the kitchen.
25:14And he made the first jams?
25:16That's right.
25:18Although saying that it was all thanks to him would not be fair.
25:21He contributed to the innovation, but without the good work of Simona and Candela,
25:25making the jams would have been impossible.
25:28I suppose you would also do your part.
25:31And then there's how much Lujan's women helped.
25:34Although I guess you're aware.
25:36A company is a collective task.
25:49Close the door and sit down, Santos.
25:54Thank you very much for coming so quickly to my call.
25:58I had no choice.
26:00Considering that another Rapapolo is waiting for me.
26:02In this case, you're wrong, Raúl.
26:04I'm not trying to pick a fight or anything like that.
26:08In fact, I would love for us to leave all that behind.
26:13Oh yeah?
26:15No more?
26:16Yes, and I know it won't be easy.
26:19But if we could start over, at least in this palace,
26:23nothing would make me happier than you stop seeing me as an enemy.
26:30I don't see him as an enemy, Father.
26:33I understand that from time to time he has to keep up with me.
26:37After all, he is my superior and I suppose that goes implicitly in the position.
26:41Do you really understand that?
26:44Yes.
26:46Do you really understand that?
26:49Neva, Ronto.
26:51It shouldn't be easy.
26:54Well, no.
26:55No, it's not.
26:57It's very hard for me to separate my feelings towards you
27:00and forget that, above all, we are father and son.
27:04There's something I've never told you
27:09because I didn't dare to share it with you.
27:12It's about your grandfather, my father.
27:15No.
27:16I've never talked about him.
27:18You didn't get to meet him.
27:19And how was he?
27:21Well, he was a person with iron principles,
27:27obsessed with hard work
27:30and very marked by the bitter experiences he had in his youth.
27:34I understand that it was in other times.
27:36And that's why he was so determined to instill those values in me.
27:40But our relationship was ...
27:47complicated.
27:49I didn't know.
27:51Well, that's how it was.
27:52I wasn't in favor of following his dictates.
27:55I wanted him to continue working in the family farm.
28:00A farm?
28:02Yes, I didn't want to work the land or milk cows.
28:07If it's good for him, I don't imagine it's good for my father either.
28:11As far as I can tell,
28:13my dream has always been to work in a farm like this,
28:16serving great men.
28:18And your father opposed it.
28:19He didn't understand that I preferred to work for others
28:25having a farm on my property to get ahead.
28:28And that's why we argued.
28:31We talked about a strong argument.
28:35Yes.
28:36Yes, so strong that I ended up leaving forever.
28:39And I left with one hand in front and the other behind.
28:42I never imagined, father, that you could be rebellious and rebellious.
28:48You have always been so ... correct.
28:52Well, you see.
28:54So I went to Cordoba
28:56and soon I started working on what I wanted.
29:00Serving?
29:02Yes.
29:03I've always been tenacious and persevering, like you.
29:07And that's why I've always done well from the beginning.
29:10And thanks to that, where are you now?
29:13Well, the ...
29:16The thing is that ...
29:20being away from home,
29:23there I understood that, despite our differences,
29:28my ...
29:31my father always ...
29:33always wanted the best for me.
29:38So, some time later, I tried ...
29:42I tried to find him to reconcile us.
29:46And could you make peace?
29:50No.
29:52No, I can't anymore.
29:54He ... he had died.
29:57And ... and I didn't know.
30:02I could never thank him for all the values he instilled in me.
30:09How sorry, father.
30:13And I don't want that to happen to me with my son.
30:19I suppose Cruz is very affected.
30:22Me too.
30:24How should you be? After all, it is our children who are in danger.
30:28I prefer to think that they are at the front carrying out a heroic gesture.
30:33It seems that this bombing has been a massacre.
30:36What do you think, as a soldier?
30:38No matter how much experience you have, it is difficult to shed some light on this matter,
30:42only in my opinion.
30:45It is difficult to shed some light on this matter,
30:47only from the information in the newspapers.
30:51And do you have more data?
30:53Silence.
30:55Although judging by the ammunition used by the German aviation,
30:59I intuit that the consequences have been devastating.
31:04I feared it.
31:06Although I also tell you that it takes many horses to destroy the forests of Alsace and Lorena.
31:12But a single projectile to end the lives of our children.
31:18Not knowing anything else makes me feel very powerless.
31:22Couldn't you find out something?
31:24Let's do one thing.
31:26I'm going to put you in contact with the superior I had dinner with the other night.
31:30Maybe when he notices your desperation, he will come to tell you something else.
31:33Yes, give me the signals. I'll call him.
31:37And do we know anything about Martina?
31:40No.
31:41I hope her stay in that sanatorium is less regrettable than Cruz says.
31:46She, better than anyone, should know that those places are not as terrible as it seems.
31:51Maybe I should take notes on the matter.
31:54Do you also want to know my opinion?
31:56No.
31:57But you're going to give it to me anyway.
32:00You see, the way I see it,
32:02one has to breastfeed with what he does.
32:05And that girl has tried to poison Yala.
32:07That is to prove.
32:08Whatever you say.
32:09Whether it is proven or not, what is true is that Yala was right to say that
32:14that place is much better for Martina than jail.
32:17Any place is better than jail.
32:19Better than the French front?
32:22Not everything is black or white, Alonso.
32:25At this point, you should know.
32:28Fuck.
32:35So much effort trying to get that business going,
32:38and she puts it in the hands of that captain who, from what I see, doesn't trust a bit of him.
32:43That's right.
32:45Things are like this, Adriano, but I prefer to leave it be.
32:48I don't want to stir it up anymore.
32:51As he did with the management of his farm, which you used to take care of, right?
32:57Yes, as you said, that was before.
33:01Past water does not move mills, as the saying goes.
33:04That's right.
33:06But he also says that the waters return to their course.
33:10And in his case, it seems inevitable.
33:13What do you mean?
33:16Well, sooner or later he will be in charge of his farm's management again,
33:20as well as the marmalade business.
33:23Now I see it complicated.
33:27Oh my God, I think I'm a little late.
33:31I'm sorry to have entertained you.
33:33I just wanted you to take a book to read.
33:35A book?
33:37You already know that books and I are not good friends.
33:41Well, it's time for you to start doing them.
33:43Any recommendations?
33:46Do you intend to fill the whole bookshelf?
33:51I don't like all the ones I brought on my last visit to the palace.
33:54I don't like having them like this, but my shelf has broken and I don't know where to put them.
33:58So, I insist, take one.
34:02If I can think of something better, let me set up a shelf.
34:06You don't want to read either? Do you prefer to set up a shelf?
34:09It will be more practical. Let me do it. It's my way of helping you.
34:15Okay.
34:17You'll see how I do it in a moment.
34:19And in the meantime, you can keep telling me things.
34:22Well, go ahead if you think I'm going to let you do it alone.
34:33As I told you, Santos was very cordial and willing to start over.
34:39Without so much friction.
34:41But that's great news, Ricardo. I'm very happy for you.
34:44Yes, of course. But the funny thing is that I had already tried to get close to him many times.
34:50And I had never succeeded. What could have changed in his attitude?
34:53What else? Today was the day and that's it.
34:55Yeah, but I don't quite understand why.
34:58Well, I don't know. Did you tell him something that made him reconsider?
35:02I told him about my father. I had never talked about him before.
35:05And I told him about all our differences and how things ended.
35:10It must have been that. For the first time, he put himself in your shoes.
35:13And he understood that it is not easy to be a son, but it is not easy to be a father either.
35:18Much less to be welcome.
35:20Yes, I think so. I think for the first time he looked at me in a different way.
35:27And that smile?
35:29Oh, nothing. I'm glad for you.
35:32Well, it seems to me that he has surprised you quite a bit.
35:34Considering how Santos always makes me difficult things.
35:38Well, it's a matter of time for him to fix your differences.
35:41Well, it doesn't always happen. My father and I don't go any further.
35:44Don't worry, that's fine with you.
35:45Well, but the fact that he listened to me without interrupting me scares me.
35:50You don't have anything to do with it, do you?
35:52Me?
35:53Have you talked to him?
35:54No, not at all.
35:56Are you afraid to deny it? It makes you suspicious, doesn't it?
35:58No.
35:59Let's finish.
36:01It seems to me that I have just caught the impeccable Romulo Baeza in a lie.
36:08Come on, confess it. Have you talked to him?
36:11The only thing I told him was that he had to soften things with the service, including you.
36:15Despite the fact that I asked you, I would take care of it.
36:19Thank you very much, Romulo. He is a very good friend.
36:22Now the important thing is that we recover that good boy who is under that armor of pride.
36:52Thank you for waiting for me with the lights on, Hanna.
37:04If I don't pee before going to bed ...
37:06I know.
37:09What's wrong with you? I already feel sad.
37:13I'm tired.
37:15Why?
37:20Because of the news of the bombing in Sasia and Loreta, right?
37:25The truth is that it has me with the soul, Milo.
37:27The newspaper has said that ... that it was an intended carnage, so ...
37:34How you want to scare people.
37:36Couldn't they put more beautiful news in the newspapers?
37:40Well, it must have been terrible, really.
37:43All wars are, Hanna.
37:46But don't get yourself into the worst, I'm sure Manuel and Mr. Curro won't be there.
37:50Maybe yes.
37:52Because the last time I wrote a letter to Manuel, he came from that area.
37:58Well, don't say huge things, because if I don't, I'll turn off the light and we'll both go to sleep.
38:01If you dare to turn off the light, I don't want to close my eyes.
38:04In the end I'm going to end up imagining horrible things.
38:07Do you know what I'm going to do? I'm going to go down to the kitchen for a glass of milk.
38:10They say it's holy water, it will reconcile sleep.
38:13Maria, I really don't think ...
38:14You shut up and obey.
38:15Because you will agree with me that you cannot spend the whole night in the candle.
38:18No.
38:20Well, then you stay here quiet and I'll be right back with the glass of milk.
38:41And have you managed to find out anything about what I told you?
38:46That's right.
38:48And well?
38:50I told you the truth.
38:53Really?
38:55I went to the town of Pia and visited the cemetery.
39:01His grave had the earth removed.
39:05Pia?
39:06Pia?
39:08I waited for it to get dark to make the relevant checks.
39:13Did you dig his grave?
39:16No, Mrs. Narcos, I didn't dig any grave.
39:21Because when I opened the coffin ...
39:26it was empty.
39:28Jesus Maria and Joseph!
39:29Joseph!
39:32Yes, for being extravagant, everything indicates that you were right.
39:39Pia lives.
39:42And she will be hidden somewhere near here, probably taking care of that intruder Hanna.
39:50And what are you going to do now?
39:53Follow that maid, of course.
39:56Find out where she is going when she leaves the palace and give her my wife's whereabouts.
40:01For her I need your help.
40:04Count on it.
40:06I have already started to do my part.
40:09What do you mean?
40:11Well, yesterday I apologized to everyone for my attitude lately.
40:16But as you will understand, I only intended to lower the guard.
40:20It seems very successful.
40:22I need you to be my eyes and my ears.
40:26The promise.
40:28Count on them, Mr. Castillo.
40:30But now leave.
40:32It is convenient that no one sees you around here.
40:52Hanna.
40:56Hanna.
40:58What are you doing, Maria? Don't you see that you are not letting me sleep in peace?
41:01I was surprised to see Petra on the garden stairs, talking to Gregorio.
41:05What? Gregorio is here?
41:07Yes, I've seen him with these two eyes, they were talking in the dark and those two can't get in good hands.
41:12But where are you going in such a hurry?
41:14To talk to Don Ramulo.
41:16But are you crazy until now?
41:18Maria, there is no time to appear, this is very serious.
41:19I'm coming.
41:26It will hardly be an escape.
41:28A few days away from the promise, away from all this noise.
41:31I just don't know if it's appropriate, Ignacio.
41:33I think that after everything that has happened, you and I deserve it.
41:37I just don't feel like doing a leisure trip when my daughter is hospitalized in a sanatorium.
41:42Precisely.
41:44This trip is to compensate you for so much suffering.
41:46Really?
41:48And who will compensate her?
41:50You know she can't receive visits in the first few weeks.
41:53Your suffering doesn't help her at all.
41:55Let's go far away.
41:57Let's recover energy.
41:59You will need it when they finally let you visit her.
42:02I don't know, maybe you're right.
42:05It's just that this topic is driving me crazy.
42:08It will be wonderful for you, you'll see.
42:10Let's go to the coast, near the sea.
42:13Well, it may be fine, yes.
42:14I have some friends, the barons of Escañuela, Don Antonio and Doña Bárbara,
42:17they have a palace in Sanlúcar de Barrameda.
42:21I'm not in the mood.
42:23It's just a charm.
42:25They recently wrote to me and invited me to spend a few days with them.
42:28It's not far away.
42:30What do you think?
42:32I don't know, Ignacio, I have doubts about all this.
42:35Cruz.
42:37Good night.
42:39What are you doing up so late?
42:41We were sleeping at this time.
42:42I can't sleep.
42:44I suspect that neither can you.
42:46But you have to rest, dear.
42:48I prefer to be up.
42:50I refuse to go around in bed.
42:52Do you want us to make you a herbal tea?
42:54Maybe that way you can sleep.
42:56No, you don't understand, Ignacio. I don't want to sleep.
42:58For nothing in the world I would like to have one of those nightmares again.
43:02Well, then stay with us.
43:10What were you talking about?
43:12Well, nothing important. We were making plans.
43:15What kind of plans?
43:17Nothing much, given the current circumstances with Martina, who has just been admitted.
43:21Have you heard anything else from her?
43:23No.
43:25The truth is, no.
43:27We can't be calling day after day.
43:29I already told you.
43:31Until a few days pass and the doctors see how she adapts, they won't be able to tell us anything.
43:35This is another issue that doesn't allow me to continue the dream.
43:40There were no forms.
43:42You took her from here, from the palace, at midnight.
43:45Without even allowing me to do anything about it.
43:48You shouldn't have done anything, Cruz.
43:50Oh, no? Not even say goodbye to her?
43:52We didn't do the right thing.
43:54You acted heartlessly.
43:56And with a lot of selfishness. That's the truth.
43:58Well, enough. I'm a little fed up with so much hypocrisy.
44:00You're a lynx looking at the straw in someone else's eye and not looking at the vein in Cruz's own.
44:04Don't talk to me in that tone.
44:06Well, as I've been told, you did exactly the same with your sister Eugenia on your last visit.
44:09You took her out of the palace, at midnight, without letting her say goodbye to her son.
44:15My poor sister has a real disorder.
44:17She has no point of comparison.
44:19That doesn't justify how you behaved.
44:21Well, in our defense, I will say that we follow the recommendations of the specialists.
44:25They advised us to spare Martina the disgust of saying goodbye to her family.
44:30Exactly. Nothing to do with depriving Curro of an undeserved sense of saying goodbye to his mother.
44:34Well, enough. And stop mentioning Curro.
44:36That spoiled brat.
44:38There's no right for you to talk about him like that.
44:40No, yes, yes, I have a right. And do you know why?
44:43Because if it weren't because that capricious man was put between eyebrows and eyebrows to go to the front,
44:48right now my son would be in La Promesa, safe and sound.
45:01How has Mr. Castillo been in La Promesa?
45:03María Fernández saw him.
45:05When?
45:07A moment ago, he went down to the service floor for a glass of milk and saw him talking to Mrs. Petra,
45:11who was on the stairs that lead to the garden.
45:14María Fernández is completely sure that it was him.
45:17She couldn't have confused him with ...
45:19It was him, Mr. Baeza, it was him.
45:21And I think we should wake everyone up to see if they catch him.
45:24No. I'm sure he's already left.
45:26The same as he came in.
45:27The same as he came in.
45:29Giving the body to the soul, the only thing we're going to get is to give Mr. Arco a warning.
45:33Yes. Now I understand about his apologies.
45:36If he asked for forgiveness, it was so that we would lower the guard.
45:39That's right, that's right.
45:41And I have achieved it. That man has entered a palace, it shows how exposed we are.
45:46But what are we going to do?
45:48Because it is clear that we have to continue bringing him food and supplies to Mrs. Pia.
45:52That is out of the question.
45:54Mrs. Petra is watching us.
45:57And now we know who is going to tell her anything if she finds out something.
46:00Well, we will have to be extremely careful if there is a spy.
46:05They also have their point of view on me.
46:07And in fact, I am convinced that Gregorio knows about my whereabouts, so ...
46:11Yes, of course. You are in grave danger.
46:14That man may be on the lookout to follow you next time.
46:18You don't have to go back to that cave.
46:21No, no, no, no. Because you are not only putting yourself in danger, you are also putting Mrs. Pia in danger.
46:28And then who is going to take the supplies?
46:30I don't know.
46:32Well, we have to think about it quickly.
46:34Because we are thinking too much about the agreement and Mrs. Pia has neither water nor food.
46:37You are absolutely right.
46:40What are we going to do?
46:42For a moment, take a deep breath and relax.
46:45It is clear that this man is not going to do anything tonight.
46:47It is true that we have to act in haste, but it is essential to do things cautiously.
46:52Tonight I will reflect, tomorrow we will talk.
46:55Good.
46:57Come on.
47:21Lope.
47:23Good morning.
47:25Good morning.
47:27Claro, what do you need?
47:30I have not been able to get my head out of the conversation we had.
47:34And I have come to the conclusion that you are right.
47:37All the reason.
47:39That I can't go on like this and that I have to face Santos.
47:44Are you serious?
47:47I have been naive not to want to face him and I can't delay it any longer.
47:53I agree.
47:54I have to stop.
47:56Because if not, all this will go further and I will end up going crazy.
48:01So I have decided that I will try to solve all this for good.
48:08And if Santos does not agree?
48:11Well, he will have to accept my decision.
48:14And if he doesn't, Vera?
48:16And if he decides to reveal the secret of your past, what?
48:19Well, then I will have to assume the consequences.
48:21If only you told me what it is about.
48:26Lope, I appreciate that you have supported me so far without knowing it and for the moment I prefer it to continue like this.
48:34Okay. As you prefer.
48:38You know you have me for what you need. You know that, right?
48:44I know.
48:45Thank you.
48:50I am glad of that decision you are making with respect to Santos.
48:54You are being very brave, Vera.
48:57I am really very proud of you.
49:01Well, I wouldn't have achieved all this if it weren't for your help.
49:08In fact, I haven't achieved anything yet.
49:12But you will.
49:15You will see.
49:20And...
49:22If you want,
49:24after I solve all this,
49:28we can get back what was between us.
49:32Of course.
49:36Because I need you to breathe, Vera.
49:42But I am very afraid.
49:45Very.
50:09So you didn't have problems with the isolator, then?
50:12I already told you no.
50:13Come on, my eyes got teary when I saw the bracelet.
50:17You don't know how much I appreciate it.
50:19It has been a pleasure helping you, friend.
50:21You can't imagine how happy I am to know that letter is coming.
50:24Thank you, my love.
50:25It's only a matter of time before it arrives at its destination.
50:28Well, now, with all this war, things are going slower than usual, but...
50:32But yes.
50:33But it will arrive. You'll see.
50:35And that's what matters.
50:37God hears you.
50:38And when that letter arrives at the hands of Curro, he will know where you are and he will know that you still want to kiss him.
50:43I hope so.
50:49Wait a minute.
50:52Do you know his name?
50:56Curro?
50:57That's his name, isn't it?
50:58Yes.
51:00Yes, but I haven't told you how you know his name is Curro.
51:04He must have escaped from you.
51:05Otherwise, how would I know?
51:06No, he didn't escape from me. How do you know?
51:10Maybe I read it in the envelope.
51:12When you gave it to me.
51:13To send it.
51:14Yes, I know you put Francisco, but Curro is short for Francisco, isn't it?
51:18Yes.
51:19And it's also Fran and Cisco and Paco.
51:22How do you know it's Curro?
51:23I tried my luck.
51:25You'll introduce him to me, won't you?
51:28Come on, let's continue with the walk.
51:37Is it my bracelet?
51:39No, it's mine.
51:40No, no, it's the bracelet you were going to give to the jailer so he could send the letter to Curro.
51:43What are you talking about? This bracelet is mine. It's Martina's.
51:47Yes, and Martina is me.
51:49That's not true. I'm Martina. I'm Martina and Curro is my boyfriend.
51:52What? Juana, please give me the bracelet.
51:54It's mine.
51:55I'm Martina.
51:57You can't imagine how much I miss you, Curro.
52:00And the desire I have to hug you.
52:03I pray every day that you end that war and come back safe and sound.
52:06Have you read my letter?
52:08It's my letter.
52:09It was an intimate letter.
52:10It was my letter.
52:11What's this game about? I don't understand it.
52:13My letter. Martina's letter.
52:15My bracelet. Martina's bracelet.
52:17What?
52:18Curro, my boyfriend. Martina's boyfriend.
52:20What are you talking about? Are you crazy?
52:25Juana, Juana, Juana, please help me.
52:29Juana, please.
52:39Since Martina is recovering in the sanatorium,
52:43you and I should definitely seal our love.
52:46Are you talking about getting married?
52:49Yes.
52:50Are you rejecting a gift from me?
52:53I could accept it on one condition.
52:55And what is that condition that you want to put?
52:58That she accepts my invitation to dinner.
53:00When I call to explain what happened, they kick me out.
53:03It torments me to think about what is happening to my niece there, locked up.
53:07How did it happen that Gregorio came back here?
53:09Has he made any decision about it?
53:11He has decided that Maria Fernández and you will leave here.
53:15And me?
53:16What do you mean we're leaving?
53:17Where are we going?
53:18Those days you say, how many days are they?
53:20And above all, Jana, why are we leaving?
53:23No matter how hard you try to hide it,
53:25every time you notice more that something happens to you.
53:27Well, even if it is,
53:29I ask you, please, not to meddle.
53:31There are things that it is better not to remove.
53:33I'm offering myself to help you.
53:35It would be good for me to vent.
53:37Of course it would be good for you.
53:39It seems that there have been several attacks from the enemy
53:42in the place where Curro and Manuel were.
53:46And there are many dead.
53:50The problem is that many of them are unidentified.