SPY - English Movie Jason Statham Hollywood Action Movie
Transcript
00:00:002330 at 15 minutes
00:00:28Why does Langley want Kit over so bad?
00:00:31Because he's a top Soviet chemist.
00:00:34Our car thinks he's working on something big.
00:00:38Sonechka, when this one's over, I want you to come with me.
00:00:44Can you handle me 24 hours a day?
00:00:49You have 14 minutes.
00:01:282330 at 15 minutes
00:01:52Helik, yes?
00:01:55Park Kit over there.
00:01:58What you are doing, Helik, is a great thing.
00:02:01Not just for me, but for the whole world.
00:02:05I want you to know that.
00:02:09You don't believe me.
00:02:12Let's just say I've heard a lot of talk about saving the world, Doc.
00:02:16I understand.
00:02:19You're cynical.
00:02:21In your profession, I would be too.
00:02:282330 at 15 minutes
00:02:35Shit.
00:02:37We got a shadow.
00:02:39I don't see anything.
00:02:41Back there, the lights are off.
00:02:46What is the problem?
00:02:48We got a tail, Doc. Tell me you're as important as our court says you are.
00:02:53Good, because I'd hate to die for the colonel's secret recipe.
00:02:56Hang on.
00:03:02Damn it.
00:03:04And do we have to run them?
00:03:06It's on your head for the safe house of my Nisky prospects.
00:03:09Just go. You don't have a choice.
00:03:12It's priority one.
00:03:15It'll be okay.
00:03:18You know what to do.
00:03:27Alex, be careful.
00:03:32Go.
00:03:57Go!
00:03:59Go!
00:04:01Go!
00:04:27I'm sorry.
00:04:30I'm sorry.
00:04:32I'm sorry.
00:04:51Room service.
00:04:55Do your piece, Paul. Mr. Cardinal.
00:05:01When I was a boy,
00:05:04I was a big fan of American baseball.
00:05:07All I wanted to do was play in the major leagues for the Red Sox.
00:05:13Red Sox suck.
00:05:15They don't want a serious sense for the Red Sox like Yankees.
00:05:18Let's just say I like to root for the underdog.
00:05:22Now a word about the rules.
00:05:26Every time you answer incorrectly,
00:05:28or refuse to answer,
00:05:31that's a strike.
00:05:33Tell me what I want to know, you take a base.
00:05:36That'll be clear?
00:05:38What if I hit a homer?
00:05:40The chemist.
00:05:43Where is he?
00:05:48Somewhere between here and there.
00:05:56Strike one.
00:05:59Strike two.
00:06:05You have an accomplice.
00:06:08Red Fox.
00:06:11Who is she?
00:06:14Sister.
00:06:18Strike two.
00:06:25You are in a bad way, my friend.
00:06:26And you can spend the rest of the evening on the bench.
00:06:29What difference does it make?
00:06:31I'm eating pine anyway.
00:06:40I see we have files on each other.
00:06:45You don't mind if I use your codename, do you?
00:06:53When did you...
00:06:54Your wife.
00:06:56Nice to talk.
00:06:58My favorite position.
00:06:59Strike three.
00:07:05You are going to regret that, I promise.
00:07:09Talking back to an official.
00:07:12I'm afraid you're out of the game.
00:07:26Strike three.
00:07:35An interesting place.
00:07:36Self-portrait.
00:07:37So dark.
00:07:53A clue to what I feel.
00:07:54Anger.
00:08:01And I feel sadness.
00:08:03Sadness for my country.
00:08:08So let's go.
00:08:10One day you and your country will be free.
00:08:18Let's go.
00:08:24Let's go.
00:08:39How are we feeling today, Alan?
00:08:45Good. Glad to hear it.
00:08:51It's March 21st today.
00:08:54March 21st.
00:08:58Special day.
00:09:00Do you know why?
00:09:07It is Renault Equinox.
00:09:09First day in spring.
00:09:11Everything is about to change.
00:09:22I suppose...
00:09:24Nothing ever changes in here, does it?
00:09:27If it will make you feel any better...
00:09:30I've had quite a change of fortune lately.
00:09:35And in a way...
00:09:36I have you to thank for it.
00:09:42No. Not today.
00:09:45Alex!
00:09:46Doctor.
00:09:49Stop!
00:09:52Stop!
00:09:54Stop!
00:10:11Doctor.
00:10:12You have a patient.
00:10:14Who?
00:10:20Excuse me.
00:10:22Excuse me.
00:10:23I don't know you.
00:10:31They are French.
00:10:33They are...
00:10:34American.
00:10:50Help!
00:10:53Help!
00:10:55Let's go.
00:10:57Let's get out of here.
00:10:59Let's get out of here.
00:11:02Let's go.
00:11:23Let's go.
00:11:46Yes?
00:11:48Yes.
00:11:50Issues on your logo.
00:11:51I don't know.
00:11:53I don't know yet.
00:12:21Sorry.
00:12:34Excuse me.
00:12:51Excuse me.
00:13:13Wakey, wakey.
00:13:15What is it?
00:13:17I apologize for the restraints.
00:13:19The first taste of freedom in a long time.
00:13:22I was not telling her how to react to being held against his will.
00:13:26Balanian.
00:13:27I thought I smelled your style.
00:13:29Robert Alec Garville.
00:13:32CIA.
00:13:33A genuine cold warrior.
00:13:35Like a stone-age mosquito preserved in ember.
00:13:40A living, breathing fossil of a dead age.
00:13:43I didn't know the KGB was into paleontology.
00:13:46The KGB no longer exists, my friend.
00:13:50I see you don't believe me.
00:13:54Do you know how long you were in that cell?
00:14:01Eleven years.
00:14:06Things have changed while you were gone.
00:14:10America won the Cold War.
00:14:12The Soviet Union collapsed.
00:14:16And I went into business for myself.
00:14:20Don't tell me you bought the Red Sox.
00:14:24An interesting idea.
00:14:27Actually, I'm in shipping.
00:14:29Import-export.
00:14:30A smuggler.
00:14:31I prefer the term commodities broker.
00:14:34But you are correct.
00:14:35I run my operation from this side of the Atlantic.
00:14:39And I enjoy season's tickets to both the Sox and the Symphony.
00:14:43And these two?
00:14:45An employed cellist or your designated hitters?
00:14:48Navid and Yashin used to work for Spetsnaz.
00:14:51Now they work for me.
00:14:53The job's the same.
00:14:54The play is better.
00:14:56Shut up.
00:14:59I arranged your escape, Alec.
00:15:02The drugs I were giving you were replaced with a placebo.
00:15:06I had someone on the inside take care of it.
00:15:08I was supposed to be grateful for that.
00:15:11You put me in there.
00:15:12And I can send you back.
00:15:16We knew you'd come looking for her.
00:15:17You know where she is.
00:15:23Quid pro quo, Alec.
00:15:27Son.
00:15:28Do as I say, and the Red Fox does not become extinct.
00:15:32Let me see her.
00:15:33You have seen her.
00:15:36When the job is done, you will both be free to go.
00:15:39You have my word.
00:15:40Your word.
00:15:43You break it.
00:15:45And I will break you.
00:15:48You should learn to be more trusting, Alec.
00:15:53After all,
00:15:55I am the only friend you have left,
00:15:58Ponyo.
00:16:03Ponyo.
00:16:13Come.
00:16:15Come.
00:16:17I have something to show you.
00:16:30Voila.
00:16:32The original is called Spring.
00:16:35Now it's in the vault at the Atlantic Global Bank in Boston.
00:16:39In two days, the owner will come to collect it.
00:16:43I want your help to obtain it before that happens.
00:16:48You want me to help you obtain this painting?
00:16:51I was planning to simply switch it with this copy,
00:16:54but the Swolech moved it
00:16:57to a more secure location before my people could act.
00:17:01The painting was recently purchased
00:17:04by a rather flamboyant American billionaire
00:17:07by the name of Felix J. Grady.
00:17:09He made his fortune in the oil business
00:17:12and now dabbles in communications.
00:17:17The resemblance is remarkable, Chameleon.
00:17:21With a little work and your talent,
00:17:24no one would be able to tell the difference.
00:17:26Like you said, it's been 11 years.
00:17:29What if I'm a little rusty?
00:17:32You can handle it.
00:17:34Grady has a reputation for being a good man.
00:17:37Grady has a reputation for running on his own schedule.
00:17:41This time, you're a day early.
00:17:44You walk right into the bank
00:17:47and walk right out with the painting.
00:17:50That's easy for you to say.
00:17:54Easy for you to do.
00:17:58The painting for Sonia.
00:18:00The choice is yours.
00:18:03I think you will find the guest room cozy
00:18:06after your recent accommodations.
00:18:09The liquor cabinet is fully stocked.
00:18:12I recommend the cognac.
00:18:14It's 89.
00:18:16A very good year.
00:18:19Well, for some of us.
00:18:25Oh, and Big Brother is watching.
00:18:29There's some homework on the table for you.
00:18:33Simply call me in the night.
00:18:5989 sucked.
00:19:08Felix J. Grady.
00:19:1089 sucked.
00:19:21Felix J. Grady.
00:19:40Smokes a good cigar.
00:19:43He's a fool. She's made it less for her, the lower.
00:20:03And all the people tell us that she's kinda gone insane.
00:20:09Thank you very much.
00:20:11I'd like to thank Colin for that fine introduction.
00:20:14He's gonna get a raise tomorrow.
00:20:17I can't tell you how proud I am to be here today,
00:20:20at the christening of our first satellite of our new communication division.
00:20:26I... we named it, in my honor, Grady Star!
00:20:35Grady Star.
00:20:39Grady Star.
00:20:47Just look at her. Fine piece of machinery she is.
00:20:51One day we'll be able to control the skies with this puppy.
00:20:54I'd like to call it my ticket to fly.
00:20:57My ticket to fly.
00:20:59Thank you. Thank you. Thank you very much.
00:21:02Like my daddy always told me, since Sonny,
00:21:05as long as you got Papa and a whole lot of money,
00:21:08everybody loves you.
00:21:10Especially the honeys.
00:21:12Thank y'all. Thank y'all very much.
00:21:15Keep coming.
00:21:17And all the people tell us that she's kinda gone insane.
00:21:20It don't matter much to him, he loves her just the same.
00:21:25And Mother told him, stay away, she'll get you in the end.
00:21:30Stay away, she'll get you in the end.
00:21:33But she's a prized possession, in love with his best friend.
00:21:43In that shape he wants her, you know it's all over now.
00:21:52Everybody's talking about Kenan and Dylan,
00:21:55and all their friends living in the city.
00:21:58Come to hear what's going on.
00:22:00We've got kids in the back of the town,
00:22:02and on the floor, can't wait to be there.
00:22:05Dylan is the one,
00:22:07that keeps you from the night.
00:22:09She's the one,
00:22:11that keeps you from the night.
00:22:21She's the one,
00:22:23that keeps you from the night.
00:22:26She's the one,
00:22:29that keeps you from the night.
00:22:32She's the one,
00:22:35that keeps you from the night.
00:22:38She's the one,
00:22:41that keeps you from the night.
00:22:44She's the one,
00:22:47that keeps you from the night.
00:22:50She's the one,
00:22:53that keeps you from the night.
00:23:20She's the one,
00:23:23that keeps you from the night.
00:23:51Grady's own mother wouldn't be able to tell you apart.
00:23:55His mistress, maybe.
00:24:00I'm sure you know what this is.
00:24:02Put it on.
00:24:05The bank will want a scan of your thumbprint.
00:24:08Don't worry, my people have already penetrated their computer.
00:24:12They will make sure the system thinks it's a match.
00:24:15And what happens if your people aren't as good as you think?
00:24:18And what happens if your people aren't as good as you think?
00:24:21I prefer to play the odds.
00:24:24Like we say in Russia,
00:24:26cocktail for poultser, abishatz.
00:24:31Piece of cake.
00:24:33Right.
00:24:49Testing, testing. One, two, three.
00:24:52Joseph.
00:24:53Breathing.
00:24:54Gregory.
00:24:56Carville.
00:24:57I think there's something wrong with mine.
00:24:59All I hear is an irritating voice.
00:25:05Remember why you are here, Alec.
00:25:08And what will happen if you fail.
00:25:11Y'all just keep the car running.
00:25:13You hear?
00:25:49Let's go.
00:26:01Can I help you, sir?
00:26:03The better question is, can I help you?
00:26:06Felix J. Grady at your service.
00:26:09And if I may be of service...
00:26:12Mr. Grady, I'll let Vicky...
00:26:14I mean, Miss Best, my boss,
00:26:16I'll let her know you're here.
00:26:18You do that.
00:26:19And when you call, you call me collect now, yeah?
00:26:27Perhaps just a little less jargon.
00:26:30Well, any time you'd like to take over,
00:26:32you just let me know.
00:26:34Just concentrate on the task at hand.
00:26:43Relax, boys.
00:26:45They ain't got vomits in New England like we gots back home.
00:26:48A fella can walk into a bank without worrying
00:26:50he's gonna get caught in the middle of a stick-up.
00:27:03Good afternoon.
00:27:07Made a friend. First time?
00:27:10Very amusing.
00:27:13Mr. Grady.
00:27:15Yes, ma'am.
00:27:17I'm Vicky Best, VP International Accounts.
00:27:19Pleasure to make your acquaintance.
00:27:21We heard about your change of schedule.
00:27:23Yes, I must apologize for that.
00:27:25No, that's fine. My office is upstairs. Shall we?
00:27:28Certainly.
00:27:30Um, excuse me.
00:27:33Maybe you should wait here until we're done.
00:27:36We don't want to intimidate the lady,
00:27:38if you know what I mean.
00:27:40Let him go.
00:27:50Sorry about that.
00:27:52Can I get you a coffee, please?
00:27:54Coffee? Yes, coffee would be wonderful.
00:28:05This shouldn't take long, Mr. Grady.
00:28:08Please, have a seat.
00:28:12After you.
00:28:17Okay.
00:28:19I am going to need to see some picture ID
00:28:21and your social security card, please.
00:28:24I'm very sorry about this.
00:28:26The client did insist.
00:28:28I understand perfectly.
00:28:30After all rules are rules.
00:28:33I think you'll rather enjoy that.
00:28:37I think you'll rather enjoy that picture.
00:28:47Are you okay?
00:28:49Yes.
00:28:51Spending my money always makes me tense.
00:28:54I can't even imagine having this much money to spend.
00:28:57Lynn, is that you? Yes, Ms. Best.
00:28:59Come on in.
00:29:02You're doing well, Alec.
00:29:05Why, thank you, sweetheart.
00:29:30Okay.
00:29:33If I could just get you to put your right thumb on the glass, please.
00:29:59Great.
00:30:01Okay.
00:30:03Just a few more minutes.
00:30:08Last step.
00:30:10Now, if I could just get you to enter your password, we'll be done.
00:30:17My password? Joint.
00:30:22We need more time. Keep her talking a little longer.
00:30:26So soon?
00:30:28I was hoping that we could chat a little longer.
00:30:30Get to know each other a little better.
00:30:32It appears spending money also turns you into a bit of a flirt, Mr. Grady.
00:30:37You know they say that danger is the ultimate aphrodisiac.
00:30:42I think that's a load of hogwash myself.
00:30:45Personally, I don't think you need danger to be horny.
00:30:52Are you going to enter your password or are we going to continue discussing your love life?
00:30:57Mine.
00:30:58Stole her.
00:30:59My password.
00:31:03So many things to forget in life.
00:31:06A password is not one.
00:31:17Not yet.
00:31:24Joint.
00:31:26We have a fireball that just came down and shot us out.
00:31:29My people are already rooting. Five seconds.
00:31:48That was close.
00:31:51Great.
00:31:54Sonia.
00:31:57I'm glad to see she's never far from your mind.
00:32:01No. No, she's not.
00:32:05I beg your pardon?
00:32:06Nothing. Just an internal thought.
00:32:10Ah, that's it. Congratulations.
00:32:15Thank you.
00:32:17Thank you.
00:32:19Shall we go to the vault?
00:32:21Darlene, I will follow you anywhere.
00:32:27One of you go with him.
00:32:39That's right, Dick. I can handle this by myself.
00:32:42I think Sonia would want him to go along, Mr. Grady.
00:32:47You know, on second thought, maybe you should join us.
00:32:52A little culture never hurt anyone. Especially you.
00:32:56You don't mind, do you?
00:32:58No, this is fine.
00:33:00Good.
00:33:13So where do you call home when you're not jet-setting around?
00:33:17Fort Worth.
00:33:19Thought I was born in a little town in Tennessee.
00:33:22Tennessee? The home of Davy Crockett.
00:33:25Those are some big shoes to put on.
00:33:33One day you and your country will be free.
00:33:38One day you and your country will be free.
00:33:53I don't suppose you could tell me who the previous owner was?
00:33:56No, I've never met them.
00:33:58None of our transactions with this client have been done through an offshore corporation.
00:34:03Is that a fact?
00:34:06No.
00:34:18Oh, my. The relationship between the artist and the applications of colors seem rather hurried.
00:34:24And yet there's a raw, hidden talent here.
00:34:30You're not having second thoughts, are you, Mr. Grady?
00:34:33Mr. Grady?
00:34:37Oh, no. No, no. Not at all.
00:34:39Believe me.
00:34:41It is a lifesaver.
00:35:0310 wannabes of Cadillac beauty.
00:35:05My brain is fixin' on the backseat.
00:35:07The upside of my seat.
00:35:12Carville, can you read me?
00:35:16Pelican, Joseph, get out of there.
00:35:20It's Grady. The real Grady just arrived.
00:35:27Gregor, they must not be able to hear me down in the vault.
00:35:31Get them out of there. Hurry.
00:35:57Shit!
00:36:02Shit!
00:36:06Shit!
00:36:08Shit!
00:36:11Shit!
00:36:14My, oh, my. Look at the time. I do hate to cut this short, but we do have a previous engagement on the other side of town.
00:36:19Hope you don't think of me rude.
00:36:20No. I am, however, going to need you to sign this form.
00:36:23No problem. Have this in a while.
00:36:31Give me a minute.
00:37:025.36.
00:37:041.23.
00:37:051.23.
00:37:06Outlaw.
00:37:18What kind of cheap parlor trick is this?
00:37:22Must be Halloween, boys, because we got ourselves an imposter.
00:37:27Now, that's funny.
00:37:31That guy's a total jerk.
00:37:33What in the hell is going on in there? Somebody answer me.
00:37:40I need that painting.
00:37:48Don't just stand there. Would you do something?
00:37:50Okay.
00:37:57Everybody! On the floor!
00:38:02Do it now!
00:38:07Did you hear me? I said on the floor. Now!
00:38:12Not it.
00:38:18Don't do it. It's not worth it.
00:38:26Get out of here.
00:38:57Shit!
00:39:02Don't you mess with me, you son of a bitch!
00:39:13Yeah! Now this is the way I like it!
00:39:26Where are you going? Stay down!
00:39:49Heads up!
00:39:57Get out of here!
00:40:06Damn! That's Moma!
00:40:08Stick your head out there, boy, and let me pick it off.
00:40:16Where'd you go, you snake in the grass?
00:40:19You looking for me, hoss?
00:40:26Come on.
00:40:35Wasir. Wasir!
00:40:38Wasir.
00:40:50I'll take that, Mr. Grady.
00:40:52Why ain't this a pickle?
00:40:54What do we do now?
00:40:57Close the blinds.
00:40:59If they can't see us, they can't shoot us, Grisha. Go.
00:41:25Down!
00:41:35Let's go. Move. Come on, move. Let's go.
00:41:37Everybody move. Come on, come on.
00:41:40Into the corner. Let's go. Come on, come on.
00:41:42Into the corner. Let's go. Let's go.
00:41:44You. Hey, come on. Over to the corner.
00:41:46Grisha, smash it.
00:41:49All right, now we're gonna need a squadron in here.
00:41:51All right, just keep your weapons drawn, but no firing.
00:41:53Let's flank them from around back.
00:41:55We've got windows covered. I want you to be confident.
00:41:57Keep the windows covered.
00:42:04Sir, when that chopper gets here, you let me know.
00:42:12Marshal.
00:42:14Let's flank them from around back. Let's go.
00:42:16Yes, sir?
00:42:18What's the story?
00:42:20Close your blinds! Close your blinds right now!
00:42:23Shut up! Shut up!
00:42:25Don't look at me! Shut up!
00:42:27Don't look at me! Don't look at me! Shut up!
00:42:30It's not easy, man.
00:42:32Hold on here a minute. You're not gonna herd me around like some kind of cattle.
00:42:35Now, you boys have just made a big mistake.
00:42:39You talking to me?
00:42:41Well, I was just merely trying to state my point, that's all.
00:42:46That's enough.
00:42:48What the hell are you doing?
00:42:50Ending this insanity before you get us all killed, you idiot.
00:42:54I have my instructions.
00:42:56You have an employer who'd rather save his own ass than yours.
00:42:59Think about it, Norvit.
00:43:02Are you ready to die for a paycheck?
00:43:08We have a job to do, company man.
00:43:11If you're not part of the solution, you're part of the problem.
00:43:14And I don't need any more problems right now.
00:43:18Yashin!
00:43:25Well, well, well, looky here.
00:43:27Looks like we got ourselves an old-fashioned Mexican standoff.
00:43:44Sit down and shut up!
00:43:50Already?
00:43:58What's it going to be, company man?
00:44:03Hello in the bank!
00:44:05I'm unarmed!
00:44:08I want to come in and talk!
00:44:15What?
00:44:31I'm unarmed! I want to come in and talk!
00:44:33Stop resisting.
00:44:34That's the hard shit.
00:44:35Police shop, now!
00:44:40I'm Detective Delaney. I'll be your negotiator today.
00:44:43Just you!
00:44:45Move!
00:44:46You're Russian, right?
00:44:48Here's the accent. It doesn't take much, I can always tell.
00:44:51Shut up.
00:45:00What's this?
00:45:02It's a tape recorder.
00:45:05For your demands.
00:45:07My demands?
00:45:08Oh, Christ, son. There's obviously a language problem here.
00:45:11Demands, boy. He wants to know what you want.
00:45:13Well, hell, I got one.
00:45:15You shut up or I'll kill her.
00:45:17Well, go ahead. Hell, I prefer blondes anyway.
00:45:19Grigor, put her down.
00:45:22Officer, if you'll just call my hotel the Excelsior and ask for Urquhart,
00:45:26now he'll come down and straighten the whole fool mess out.
00:45:28Shut up.
00:45:32Who's in charge here?
00:45:33I am.
00:45:34My demands.
00:45:38I want a jet, waiting at the airport.
00:45:40And bus to take us there.
00:45:43And 10 million.
00:45:45Cash.
00:45:47I'd better take that down.
00:45:50Jet, bus, 10 million rubles.
00:45:53Dollars, asshole. American dollars!
00:45:55American dollars, not rubles.
00:45:57Don't fuck with me.
00:46:00Oh, 10 million.
00:46:02That's gonna take some time.
00:46:05Norvit.
00:46:07We need to let some of the hostages go.
00:46:09Shut the fuck up.
00:46:12Is he with you?
00:46:13We don't need them.
00:46:16It may speed things up.
00:46:19Yeah, yeah, he's right.
00:46:21It could grease the wheels with the suits downtown.
00:46:28Bring them out.
00:46:29No.
00:46:30Grigor.
00:46:31We're getting the fuck out of here without the hostages.
00:46:33I'd rather kill them than let them go.
00:46:35Don't be a dragon, asshole.
00:46:38Shut up.
00:46:39Who you calling stupid?
00:46:41Both of you, shut up!
00:46:45Grigor, I know what I'm doing. Believe me now.
00:46:47Go get the hostages.
00:46:49Now!
00:46:58Out! Out! Out! Out! Fast!
00:47:01Move!
00:47:03Sit down.
00:47:05Shut up.
00:47:08Run, bitch! I'll kill you!
00:47:11Run, bitch!
00:47:14Run!
00:47:16Run, bitch! I'll kill you, bitch!
00:47:20Come on. Not you. You stay.
00:47:38I make the rules here, policeman. Do you understand?
00:47:41You can't eat your pie and have it too.
00:47:44If we are not on plane by tonight,
00:47:47the billionaire gets it and there will be more like him.
00:47:50Do you understand?
00:47:53Go.
00:47:55It's cake.
00:48:08Fuck.
00:48:23I got you guys.
00:48:24Get the lady.
00:48:25Move! Move! Get him out of the plane!
00:48:38Move!
00:48:44Go! Go! Move! Go!
00:48:46Move it out! Go! Go! Go!
00:48:48Move it out!
00:48:49That's a wuss.
00:48:50I want you there, you up there, you over there.
00:48:53I want every entrance in or out of this bank covered.
00:48:55Let's go. Double time. Look alive.
00:48:58All of it is in Don Quixote.
00:49:00All right. What are you doing here?
00:49:02It's a bank. It's being robbed.
00:49:04With a hostage situation.
00:49:05Smells like federal jurisdiction to me.
00:49:07You're not turning this into your own private wake home.
00:49:09Not like last time. Not on my watch.
00:49:11Those are anti-government extremists and I did what was necessary.
00:49:14Just keep telling yourself that.
00:49:16Let's try to work together on this one, Delaney.
00:49:18Those hostages in there are counting on it.
00:49:20You're not going to listen to anything I have to say anyway.
00:49:23Suit yourself.
00:49:26All right.
00:49:28We got two, maybe three perps.
00:49:31Semi-autos, heavy caliber.
00:49:33Okay.
00:49:35Bought us a little time.
00:49:37Now we just have to figure a way out.
00:49:39We still will find a way.
00:49:43You trust him?
00:49:44You're dumber than I thought.
00:49:46Goodie shot?
00:49:47Yeah, and you killed some poor son of a bitch just to show they were serious.
00:49:52You're a good cop, Delaney.
00:49:53That's why I'm going to let you stay on in advisory capacity.
00:49:55So when you're done telling them where Mel's, I'll be in the back.
00:49:58Thanks, Robocop.
00:50:01Somebody give me a paper towel!
00:50:05All right, so which one of you is the real Felix Grady?
00:50:07Now, you've got to be kidding me.
00:50:09Well, that boy don't look nothing like me.
00:50:11Well, look at me.
00:50:13I'm plump.
00:50:14I'm proud.
00:50:16Hell, I'm one sexy fella.
00:50:18So then who is he?
00:50:20That's a good question, my little filly.
00:50:22I'm not your little filly, you got that?
00:50:25You ugly jerk.
00:50:31Well, well, well, looky here.
00:50:37See what I mean?
00:50:39What the hell are you looking at?
00:50:40Patsy.
00:50:41What did you just call me?
00:50:42You work for the company, don't you?
00:50:45Now what makes you think I'd have anything to do with them people?
00:50:48Urquhart.
00:50:50Thomas Wayne Urquhart.
00:50:53You mentioned his name to the cop.
00:50:55See, I used to work for him too, Grady.
00:50:57A long time ago.
00:51:00And they want the painting, right?
00:51:03They're using you as cover for purchase and pickup.
00:51:08They did the same thing back in the 70s with Howard Hughes.
00:51:12Hide in plain sight.
00:51:13That way you don't attract attention.
00:51:14Yeah, but that doesn't make any sense.
00:51:16I mean, why is a painting worth killing each other over?
00:51:18That's the million dollar question.
00:51:21Try 100 million.
00:51:23That's the million dollar question.
00:51:25Try 100 million.
00:51:27It don't matter.
00:51:28I'm the only one coming out of here smelling like a rose.
00:51:32You're blind, Grady.
00:51:33They're playing you.
00:51:34Can't you see that?
00:51:36Do you even know why you sold out for that thing?
00:51:40You don't, do you?
00:51:43They're just their stooge.
00:51:46Their bag man.
00:51:49It's time you and I squared off.
00:51:51Enough talking!
00:51:52Sit down, I said!
00:51:53And you!
00:51:55Remember, I am in charge now.
00:51:57Then I guess we can kiss our asses goodbye.
00:51:59Don't think I won't kill you because I'm scared of pissing off Bananian.
00:52:03You mean less than shit to me.
00:52:05I'm glad we got that sorted out.
00:52:11I could kill you now.
00:52:13I have nothing else to do today.
00:52:19No!
00:52:24No!
00:52:32Eagles, that was a gunshot.
00:52:33Tell me you see something, over.
00:52:35Negative.
00:52:36We've got zero visibility.
00:52:37Windows covered.
00:52:38Over.
00:52:40Shit's hitting the fan.
00:52:41I'm going to warm up the boys.
00:52:42Keep your pants on for just one minute.
00:52:44We don't know what's going on in there.
00:52:54No!
00:53:14You know,
00:53:16I've been wanting to do this to one of you
00:53:19for a long time.
00:53:20For a long time.
00:53:24For fallen
00:53:26comrades.
00:53:31Joseph,
00:53:32do you read me?
00:53:35Never thought I'd be happy to hear your voice.
00:53:37Alec, where's the paint?
00:53:47Buzz!
00:53:48Where the hell have you been?
00:53:50Control yourself.
00:53:51You are there for one reason,
00:53:52to get me that painting.
00:53:54I need all three of you alive for that.
00:53:57For your information,
00:53:58the building is surrounded by police.
00:54:00I know.
00:54:02Is the painting safe?
00:54:04Yes.
00:54:05Good.
00:54:07Alec, come in.
00:54:08He can't hear you anymore.
00:54:12I am in charge here.
00:54:13I need Alec to complete this operation.
00:54:15What you need, Bananian,
00:54:17is to get us out of here!
00:54:19I'm working on it as we speak.
00:54:22This is a delicate situation.
00:54:25You have done a fine job for me, Joseph.
00:54:29I will not forget it.
00:54:31You just have to trust me.
00:54:35I will not go back to prison.
00:54:39You get us out of here, Bananian,
00:54:42or the police will be knocking on your door tomorrow,
00:54:45comrade!
00:54:47Yes.
00:54:52He will help us.
00:54:55I trust him.
00:55:02Grisha.
00:55:08All right, Delaney, what's up?
00:55:10Look, there was this guy.
00:55:11A guy, a perp?
00:55:12Well, no.
00:55:13Was he armed?
00:55:14Yes, but...
00:55:15Look, if it wasn't for him,
00:55:16we'd be dealing with ten hostages instead of just two.
00:55:18I think he may be the voice of reason.
00:55:20Maybe doesn't cut it.
00:55:21Give me an inside line.
00:55:23Either I call him on the phone,
00:55:25or I go in there.
00:55:26It's up to you.
00:55:33You're a pain in the ass, you know that?
00:55:37I'll make it short.
00:55:47Hello.
00:55:48Hello.
00:55:49This is Detective Delaney.
00:55:51We heard some shooting in there.
00:55:53Is everybody all right?
00:55:54Everyone is fine.
00:55:55We had a little misunderstanding.
00:55:57That's all.
00:55:58I'm glad to hear that.
00:56:00Listen, we're working on your plane and your money.
00:56:03We're just going to take some time.
00:56:05Why don't you do me a favor and let the woman go?
00:56:09You are balls, Detective.
00:56:11I hear a lot of talk, but no action.
00:56:13Look,
00:56:14you let some people go,
00:56:15but then you killed an innocent man for no reason.
00:56:18That doesn't show a lot of good faith.
00:56:20My superiors want somebody rational to deal with,
00:56:23not a raving psychotic.
00:56:25Let me tell you who you're dealing with, Detective.
00:56:29I am Adonis Koy Kosak.
00:56:32My father fought against the Germans in the Great Patriotic War.
00:56:36My grandfather fought against the Bolsheviks in 1917,
00:56:41and my great-grandfather led pogroms against the Jews for the Tsar.
00:56:45We did not get our reputation by acting in good faith.
00:56:50You now have two hours to get me what I want.
00:56:58Smooth, Delaney.
00:57:00Real smooth.
00:57:05You're hard on showing.
00:57:07You're hard on showing.
00:57:09You had your chance.
00:57:11Two hours at 7.50, and I'm going in after dark.
00:57:16Delaney!
00:57:24Now, that's interesting.
00:57:26Yeah, apparently the perp who was killed in front of the bank was already dead.
00:57:30His ID took a bullet, so they had to run his fingerprints through the FBI database.
00:57:34His real name is Caleb Durbitz.
00:57:37He's a Marine from Wisconsin.
00:57:39Apparently he was killed in Desert Storm.
00:57:42Shit.
00:57:48Agent Albright, my name's Urquhart, Justice Department.
00:57:51I need a word with you in private.
00:57:54Detective, would you excuse us, please?
00:58:05This is definitely going to need a stitch.
00:58:09Yeah. Are you sure you know what you're...
00:58:13doing?
00:58:15ER nurse five years,
00:58:17and I decided to try something a little less stressful.
00:58:24Okay, shoot.
00:58:26I want you to know about what's going on inside that bank.
00:58:28Three men have taken hostages. They want money, a plane,
00:58:31and the corpse at the morgue.
00:58:33Don't tell me Justice Department. I wasn't born yesterday.
00:58:35No, he didn't work for Justice, and neither do I.
00:58:38Central Intelligence Agency.
00:58:41What I'm about to tell you is eyes-only information.
00:58:43It does not leave this van. You understand me?
00:58:46A number of our agents were inside that bank
00:58:48on an operation of the highest national security.
00:58:50I can't tell you the details,
00:58:52but I need that building secured as quickly as possible.
00:58:55All other considerations are secondary.
00:58:57Now, we can't just go in there open,
00:58:59and take over. It would violate our charter.
00:59:01It would raise all kinds of questions on Capitol Hill.
00:59:03This has to stay an FBI operation.
00:59:06I can hold you head if necessary,
00:59:08but that would take time I do not have,
00:59:10so I need to know that I can count on you.
00:59:13Thanks.
00:59:15You're welcome.
00:59:19So, um,
00:59:21who are you?
00:59:23I mean, are you Russian? Are you American?
00:59:26I know what I saw,
00:59:28and you were trying to stop all of this.
00:59:32Okay. Uh, a name.
00:59:35Could you at least tell me your name?
00:59:38Okay.
00:59:41Alec.
00:59:44My name is Alec.
00:59:47I'm going to make CIA.
00:59:50Let me get this straight.
00:59:52Eric, you're going to make CIA?
00:59:54Let me get this straight.
00:59:56They're asking me to violate
00:59:58normal FBI protocols and rules of engagement
01:00:01to undermine an ongoing investigation
01:00:04and conceal evidence.
01:00:06That's correct.
01:00:08I've seen your file.
01:00:10You have a predilection for shooting first
01:00:12and asking questions later.
01:00:14Just the kind of man I need.
01:00:16So,
01:00:18how does a blank slate sound,
01:00:20and, uh, I don't know,
01:00:22senior office assistant director Albright?
01:00:28Well, it sounds like I'm going to need a new suit.
01:00:36What do you mean, X?
01:00:38I mean, I've been in a Russian mental institution
01:00:40since 1989.
01:00:44Well, if you're telling the truth,
01:00:46then why didn't the CIA get you out?
01:00:48Standard procedure.
01:00:50When an operative's caught in the field,
01:00:53deny any knowledge.
01:00:55Yeah, but the wall came down in 89.
01:00:57I mean, the Cold War was over.
01:00:59For you, maybe.
01:01:01But when it came down, I was stuck on the wrong side,
01:01:04caught in one long nightmare that never ended.
01:01:11Eleven years.
01:01:15Gone.
01:01:18Just another expendable asset.
01:01:21Bullshit.
01:01:23He's just trying to scare us.
01:01:26Freak boy ain't said nothing that makes sense
01:01:29since he's been in here.
01:01:31Hell, you heard him.
01:01:33He's been taking loony pills for 11 years.
01:01:35Yes, I heard him.
01:01:39What's your excuse?
01:01:47I don't know.
01:02:18Violate normal FBI protocols and rules of engagement
01:02:22to undermine an ongoing investigation
01:02:24and conceal evidence.
01:02:26That's correct. I've seen your file.
01:02:28You have a predilection for shooting first
01:02:30and asking questions later.
01:02:32Just the kind of man I need.
01:02:48I want to think about her.
01:02:50Yeah, and you lay it on pretty thick, too.
01:02:53Just because I said I was in an asylum,
01:02:55that doesn't mean I'm crazy.
01:02:58No, you just like to impersonate billionaires for kicks, right?
01:03:06Touché.
01:03:11I'm sorry.
01:03:14Touché.
01:03:18Back in 89,
01:03:21I had a partner.
01:03:25Actually, she was, uh...
01:03:28She was much more than a partner.
01:03:32So when I escaped from the institution,
01:03:34I tried to find her.
01:03:36But the people who put me up to this,
01:03:38they found me first.
01:03:40And unless I leave here with that painting,
01:03:44they're gonna kill her.
01:03:48So you're saying
01:03:50you're doing all of this for her.
01:03:55I just want my life back.
01:03:58She was my life.
01:04:03And I want her back.
01:04:11It's getting dark.
01:04:13Mm-hmm.
01:04:16The police will be making their move soon.
01:04:21I could use your help.
01:04:41I need your contact number, Grady.
01:04:43Ain't no crazy here, boy.
01:04:45So just take it somewhere else.
01:04:47If you ever want to smoke another cigar
01:04:49or have another satellite named after you,
01:04:51I suggest you cough it up.
01:04:53You know, you don't hear us too well.
01:04:55I said, you're pissing in the wind.
01:04:59Yep.
01:05:01You got the look.
01:05:03It's more that crazy talk.
01:05:05And what the hell is that supposed to mean?
01:05:07And if I thought for one moment you'd listen,
01:05:09I'd tell you.
01:05:11You look scared, Felix.
01:05:13Like a deer in headlights.
01:05:16And down deep inside, you know I'm right.
01:05:19Now, we can all get out of here alive,
01:05:21but it starts with you.
01:05:23I need that number.
01:05:29All right, you guys get over here.
01:05:33This is channel 13.
01:05:36This is channel 13, coming to you live from downtown Boston,
01:05:39where an apparent robbery attempt at Atlantic Global
01:05:42has evolved into a hostage situation.
01:05:45There is no word yet on the number of injuries,
01:05:47but gunfire...
01:05:55Yosef.
01:05:57Boss.
01:05:59What are you doing about getting us out of here?
01:06:01Working on it.
01:06:02You said that two hours ago.
01:06:04Go on. I need to talk to him.
01:06:06What?
01:06:08Our time is up.
01:06:09What for?
01:06:10Remind what for. Just do it.
01:06:14Hey!
01:06:16Bologna. For you.
01:06:27Don't talk. Just listen.
01:06:29Your time is running out, company man.
01:06:32I chose you for this job because I knew
01:06:34you could adapt to unforeseen circumstances.
01:06:37It's time to prove me correct.
01:06:39Sonja's life depends on it.
01:06:42Our will and Yashin are expendable.
01:06:45The painting is not.
01:06:47Say yes if you understand.
01:06:49Yes.
01:06:50Put our friend back on.
01:06:54No.
01:06:55Yosef, Alec is now in charge.
01:06:57He will do as he says.
01:06:59You want to get out of there in one piece?
01:07:01Argue.
01:07:05So, what's happening?
01:07:07Bologna says we have to take orders from this PDR now.
01:07:11Bullshit!
01:07:20Who are you calling?
01:07:27Yes?
01:07:28I need to speak with the piano man.
01:07:30I'm sorry, sir. You must have the wrong number.
01:07:32Yeah.
01:07:34Tell him it's the chameleon.
01:07:36He'll take the call.
01:07:37One moment.
01:07:41Yeah?
01:07:42Piano man, I have a chameleon on the line
01:07:45patching you through.
01:07:52I'll connect you now.
01:07:53Alec? Alec Harville?
01:07:55Hello, Tom.
01:07:56Jesus, I thought you were dead.
01:07:58Where are you?
01:07:59Unless I missed my guests right across the street from you.
01:08:01Good God.
01:08:03Who are you working for, the Chinese, the North Koreans?
01:08:05Does it matter?
01:08:07You see, I have the painting, Tom.
01:08:09So tell the FBI to back off or I'll torch it.
01:08:12Go right ahead. You'll be doing us both a favor.
01:08:14You forget we played poker together, Tom.
01:08:16I know you're bluffing.
01:08:18Alec, do you even know what it is that you're trying to steal?
01:08:21Well, why don't you fill me in?
01:08:25Cold fusion.
01:08:27Unlimited energy from a simple chemical reaction.
01:08:30It's totally non-polluting and cheap as dirt.
01:08:33It was Kidover's baby.
01:08:35Kidover?
01:08:37The chemist?
01:08:38Yeah. He was killed before they could get it out of him.
01:08:41For 11 years, everyone assumed he took the secret with him to his grave.
01:08:44And a few weeks ago, CIA gets an anonymous e-mail.
01:08:48A hundred million and the formula's yours.
01:08:50And that's where Grady comes in.
01:08:52In exchange for certain black technology rights,
01:08:54he buys the painting and turns it over to us.
01:08:56The money never shows up on any congressional audit.
01:08:58So why pay a hundred million just to bury it?
01:09:00Are you kidding?
01:09:02Cheap, limitless power that anyone can afford?
01:09:04We'd lose control.
01:09:06It would be the end of everything we've built since the Second World War.
01:09:09Buried along with the carburetor that gets a hundred miles to the gallon.
01:09:12And a Roswell UFO, right?
01:09:14Look, Alec, what happened back in 89 was a shitty deal.
01:09:18But you knew the protocols.
01:09:20Orders are orders, and we have to follow them.
01:09:23Now, don't let what happened back then affect your judgment now.
01:09:25Do the right thing.
01:09:27Surrender and turn the painting over to us.
01:09:29Since when was doing the right thing about screwing the people you're supposed to protect?
01:09:32Come on, Alec, I'm your friend.
01:09:33This is no game we're playing here.
01:09:34We're talking about the future of our country.
01:09:36Then I guess it's my turn to be selfish.
01:09:38Because I don't give a damn about your orders.
01:09:40See, I got something more at stake here.
01:09:42They're gonna kill...
01:09:43Alec?
01:09:46Basil is such a fool to trust you.
01:09:52All right, guys, let's move it out.
01:09:53All teams, prepare to move on my signal.
01:09:55Pop and load.
01:09:57Okay, people.
01:10:00Tucker time.
01:10:06What the hell are you doing, Delaney?
01:10:07I'm going with you.
01:10:08No chance.
01:10:09Somebody's gotta think about those people in there. You sure as hell aren't.
01:10:12I'm not gonna tell you anything.
01:10:13What's the matter, Neil? You afraid I might see something I'm not supposed to?
01:10:18Look, you endanger any of my men, and I'll have your ass.
01:10:21Thanks for the offer.
01:10:23I'm married.
01:10:26Their two hours are up.
01:10:28I will not surrender.
01:10:32No! No!
01:10:35The Dow's in these sequoias heads. That deal you.
01:10:38Ponyo.
01:10:41Ponyo.
01:10:44Nobody else needs to die.
01:10:54That's my ticket to fly.
01:11:03All right, get those men in there.
01:11:07Center's down. Pop and load.
01:11:10Oh, you fucking faggot!
01:11:23Christ, talk about your dead weight.
01:11:36You're on your own, superhero.
01:11:39Grady, don't!
01:11:41Oh, man.
01:11:44Uncork!
01:11:47It's me, Grady!
01:11:54Shit!
01:12:15Elvis has left the building. Let's go.
01:12:24Elvis!
01:12:42Get down!
01:12:54Come on.
01:13:02Take this. Head for the vault.
01:13:04The vault?
01:13:05It's got a time lock, doesn't it?
01:13:06Yes.
01:13:07You go when I tell you.
01:13:10Just do it.
01:13:12I'll be right behind you. Don't worry.
01:13:14You ready?
01:13:15Yes.
01:13:16Go. Now!
01:13:24I'm not a consort yet.
01:13:29Die, fucker.
01:13:54Come on.
01:13:57Norvid!
01:13:59Come out and face me, you faggot!
01:14:01I don't get it, Norvid.
01:14:02It's not about you.
01:14:16Move out!
01:14:17Go! Go! Go!
01:14:23Oh, shit.
01:14:48I hate this country.
01:14:50I hate this country!
01:14:57Move in!
01:14:58Go! Go!
01:15:11Get in! Get in! Get in!
01:15:19Go!
01:15:23You sure you know what you're doing?
01:15:35You won't piss on the FBI, scum!
01:15:38Let's go!
01:15:39I'll take you all to hell!
01:15:40I'll take you all to hell!
01:15:48Come on, you special ops!
01:16:10Come on.
01:16:16How long until this thing can be opened?
01:16:17Nine o'clock, tomorrow morning.
01:16:21It at least buys us some time.
01:16:29Agent Paris?
01:16:30Two of them went into the vault.
01:16:31It's on a time lock and we won't be able to open it until morning.
01:16:34Good work.
01:16:36Shit.
01:16:38All right, secure the building and get your men the hell out.
01:16:42And I need to know the exact time that vault opens.
01:16:45Yes, sir.
01:17:06We've been down here for a few hours and all we do is stare at that thing.
01:17:16Alec?
01:17:19Anna.
01:17:21I'm sorry.
01:17:23I just got lost.
01:17:26Okay.
01:17:32Urquhart told you what this was all about, didn't he?
01:17:34Yes.
01:17:36I think I have a right to know.
01:17:39And I think the less you know, the better.
01:17:41How can you say that?
01:17:42How can you say that?
01:17:45How many more people need to die?
01:17:46This isn't your fault.
01:17:47Isn't it?
01:17:48No, it isn't.
01:17:52You're blaming yourself for what happened to her.
01:17:56No.
01:18:01It's been 11 years, Alec.
01:18:04It's been 11 years.
01:18:06How do you know that they're telling the truth?
01:18:08How do you know that she's still alive?
01:18:10Stop!
01:18:13She is alive.
01:18:15I feel it.
01:18:18She was a flower's...
01:18:22My supreme.
01:18:28One day you and your country will be free.
01:18:33Maybe I can create something happy.
01:18:35Flowers, maybe.
01:18:38I think I know who painted this.
01:18:43Remember when I said I could use your help?
01:18:48Yes.
01:18:55What do you want me to do?
01:19:13Rise and shine.
01:19:16Room service.
01:19:19Can I give you a hand?
01:19:20Thank you.
01:19:21Sure.
01:19:24Miss Best?
01:19:25Yes.
01:19:26You okay?
01:19:27I'm fine.
01:19:43I'll take it from here.
01:19:48Show her out, will you?
01:19:53Thank you.
01:19:54We have a counselor waiting for you, if you'd like.
01:19:56I don't need a shrink.
01:19:58I just need some food and a bathroom.
01:20:02I'm sorry.
01:20:03It's okay.
01:20:05I'm sorry.
01:20:07I'm sorry.
01:20:09I'm sorry.
01:20:10I need a bathroom.
01:20:38It's been a long time.
01:20:40It's okay.
01:20:45Excuse me, miss.
01:20:47Can I ask you a question?
01:20:48No, you can't just leave.
01:20:49I wish I could.
01:20:51Thank you.
01:20:52Are you okay?
01:20:53Yeah, I'm fine.
01:20:54Are you sure?
01:20:55Yes.
01:20:56I'm so worried for you.
01:20:57I couldn't sleep.
01:21:08Okay, Tom.
01:21:09Now, I need a favor.
01:21:10Yeah?
01:21:11Basil Valanyan has Sonia.
01:21:13If I don't deliver that painting, he's gonna kill her.
01:21:16Basil Valanyan?
01:21:18I haven't heard that name in a while.
01:21:40Yeah.
01:21:57I think it's best I go to Valanyan's on my own.
01:22:00Why don't I contact you when I'm through?
01:22:03I'm afraid Valanyan's gonna have to wait.
01:22:06Oh, Alec, Alec.
01:22:07You should've stayed dead.
01:22:10You know, Tom, I kinda hoped you'd be one of the good guys.
01:22:13Too many years of budget cuts and the New World Order.
01:22:15New World Order, huh?
01:22:17Is that why you didn't come get me?
01:22:19Sorry, pal.
01:22:20You got in too deep with your Russian contact.
01:22:22Too close to the other side.
01:22:24You thought you were gonna turn.
01:22:26It wasn't anything personal.
01:22:28Never is.
01:22:29Let's go.
01:22:35Come on.
01:22:53Come on.
01:23:01No final pitch, huh?
01:23:03Try to get me back on side.
01:23:08Where's my speech?
01:23:10You know, the old...
01:23:11You're an invaluable asset, Alec.
01:23:14I can really use you on this mission.
01:23:17You wanna close this file?
01:23:19You shoot me in the back.
01:23:22Let's not make this any harder than we have to, okay?
01:23:25Don't sweat it, Tom.
01:23:27I'm already dead, remember?
01:23:29All you gotta do is pull the trigger.
01:24:00Nice shot.
01:24:02Thanks.
01:24:04Haven't pulled this trigger in over seven years.
01:24:08How come every time I see you,
01:24:10somebody's trying to shoot somebody?
01:24:12I don't know.
01:24:13Just lucky, I guess.
01:24:15Who the hell are you?
01:24:17Alec Carvel.
01:24:19Ex-CIA.
01:24:23Well, then why are you here?
01:24:25I'm here to help.
01:24:28Well, then why...
01:24:29My whole history's in the car.
01:24:31Look, I don't have time to explain it to you.
01:24:34I got the bottom half of a doubleheader to catch.
01:24:37I owe you one.
01:24:58Blow up the waves in your head
01:25:00Where the styles of creatives have merged into one
01:25:03Don't be afraid, be yourself, break the patterns
01:25:06Because in this tandem there's strength and freedom
01:25:09Social Vibe
01:25:11Dance to this beat
01:25:13And every step is your new hit
01:25:15Let the world see your unique style
01:25:18And your eyes will light up with fire
01:25:21Don't be afraid to experiment, to risk
01:25:24Because in this game there are no rules, only drive and excitement
01:25:27Mix colors, create your own world
01:25:30Where you're a creator, an artist, an idol
01:25:33Social Vibe
01:25:34Catch the moment
01:25:36Where every look is a compliment
01:25:39Let them say that you're not like everyone else
01:25:42Because in this your uniqueness is yours, you can't
01:25:45Social Vibe
01:25:46Dance to this beat
01:25:48And every step is your new hit
01:25:51Let the world see your unique style
01:25:54And your eyes will light up with fire
01:25:58Social Vibe
01:25:59Catch the moment
01:26:00Where every look is a compliment
01:26:03Let them say that you're not like everyone else
01:26:06Because in this your uniqueness is yours, you can't
01:26:09Social Vibe
01:26:10Dance to this beat
01:26:12And every step is your new hit
01:26:21And every step is your new hit
01:26:24Social Vibe
01:26:49I see you found your way in
01:26:51I knew I could count on you, Alec
01:26:55Where's the painting?
01:26:58Oh yes, the painting
01:27:00You see, I didn't bring it
01:27:03Because you don't have her
01:27:05You never did
01:27:09Let me see if I remember that game we played that night
01:27:15Answer incorrectly
01:27:17Or refuse to answer
01:27:18That's a strike, right?
01:27:21Tell me what I want to know
01:27:23And you can take your base
01:27:25Are you crazy?
01:27:28All it takes is one phone call and she's dead
01:27:43Where is she, Vasil?
01:27:45Unless you want Sonia to die
01:27:47I suggest you lose that thing and hand over the painting
01:27:50Oh, big swing and a miss
01:27:52Strike one
01:27:58Cash
01:27:59I'll give you half the value of the painting in cash
01:28:03That's what 11 years of my life is worth?
01:28:06Half of something I already have?
01:28:09You're not doing too well, Vasil
01:28:15Strike two
01:28:21Oh
01:28:25She's in Yezhov, isn't she?
01:28:28In the cell next to yours
01:28:33She and Kitova were arrested the same day you were
01:28:36And you tortured me for two days
01:28:46Who sold the painting to the CIA?
01:28:50Shorter
01:28:52The doctor that you'd killed on the way out of Yezhov
01:28:57We were associates once
01:28:59So he double-crossed you?
01:29:01Yes
01:29:03But we got him back, didn't we?
01:29:07You just don't get it, Vasil
01:29:11You see, Kitova trusted Sonia with the formula that night
01:29:15Her painting, Spring
01:29:18Was a legacy to me
01:29:21For that alone, I thank you
01:29:24If you want to see her again
01:29:27You'll have to go back
01:29:29Not a problem
01:29:31I already made a reservation
01:29:33But I have some time to kill
01:29:36Wait!
01:29:40The painting
01:29:43Where is it?
01:29:47It's in a safe place
01:29:49Now hold still
01:29:51I don't want to clear the green monster
01:30:08Can I help you, detective?
01:30:13What's this?
01:30:14Everything you and Urquhart said in the van
01:30:17What the hell are you doing?
01:30:19You can't touch me. I got a deal. I'm protected
01:30:21You had a deal with Urquhart
01:30:23Urquhart's dead
01:30:25Hey!
01:30:26The conversation was protected under national security
01:30:28But the judge will never admit it
01:30:30I can't wait to find out
01:30:36Windmill's my ass
01:30:48I need a shot of this over here
01:30:50I can see some evidence of a second round
01:30:52No problem, I'll be right out
01:30:54No, no, not yet
01:30:55Not yet, not yet
01:30:56No problem
01:30:57Let's go
01:30:58Let's go, let's go
01:31:17So this is what you read
01:31:19So this is what you read
01:31:21Yeah
01:31:25Hold it
01:31:26I'm standing
01:31:27I'm standing
01:31:48I'm standing
01:31:49I'm standing
01:32:04My little beauty
01:32:18Thank you
01:32:24Thank you for my spring