La vida prometida Cap 4
Transcript
00:00:30Io ti cerco, ti invoco follemente Per dirti che ti amo, appassionato
00:00:50Amapola, dolcissima amapola La luce dei miei giorni splendente
00:01:07Fai fiorire la passione Come il suono della mia canzone
00:01:37Amapola, dolcissima amapola La luce dei miei giorni splendente
00:02:07Amapola, dolcissima amapola La luce dei miei giorni splendente
00:02:37Amapola, dolcissima amapola La luce dei miei giorni splendente
00:03:07Amapola, dolcissima amapola La luce dei miei giorni splendente
00:03:37Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:08E a ti, Duri, quanto ti ho fatto di meno, Duri?
00:04:13Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:23Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:33Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:44Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:53Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:04Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:14Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:25Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:36Not here, madam. Use the back door.
00:05:40Ah, no le entiendo. Don't speak...
00:05:42You must use the back entrance around...
00:05:44Eh, I'm a lady, no me toque, eh?
00:05:46¿Cómo se atreve? I'm a friend of Mr. Ferry.
00:05:49Look, aquí. Es italiano.
00:05:51Mr. Ferry, oh.
00:05:52Sí.
00:05:53Welcome to the Walford Hotel, Miss Carmela.
00:05:56Thank you.
00:05:57Welcome.
00:06:06Good morning.
00:06:07Who is this lady?
00:06:08No idea.
00:06:14Sorry, I'll call you back.
00:06:27Soy friend de Mr. Ferry.
00:06:30Sure, Mr. Ferry.
00:06:32De Mr. Ferry.
00:06:33Sure, Mr. Ferry is waiting for you.
00:06:36Please come in.
00:06:37Thank you.
00:06:38Please.
00:06:41Doña Carmela, por fin.
00:06:43Qué placer, Mr. Ferry.
00:06:45Pase, pase, por favor. Gracias, Maureen.
00:06:50Vaya, se ha instalado muy bien aquí.
00:06:56¿Y usted ha podido instalarse bien?
00:06:59No me quejo.
00:07:03Desde luego tiene buenas vistas.
00:07:06Desde aquí se ve todo.
00:07:08Lo bonito y lo feo, como me dijo aquel día en el barco.
00:07:12Eso también pasa en Monroe Street.
00:07:17Entonces, ¿vive usted en un hotel y trabaja aquí?
00:07:21Doña Carmela, en mi casa son un baúl, un telégrafo, un teléfono.
00:07:26Debo estar siempre listo para cambiar y partir.
00:07:29Eso me ha enseñado la vida.
00:07:31Pero veo que aún sigue llevando arrugadas las camisas.
00:07:35Sí.
00:07:39Por favor, siéntese.
00:07:41Gracias.
00:07:43Me ha costado mucho encontrarla, lo sabía.
00:07:46Pero lo ha conseguido.
00:07:47Sí, pero no ha sido fácil, porque ha cambiado de apellido.
00:07:50Ahora se apellida Ritzwinisquiabón, que suena como apellido de noble.
00:07:56Menudo varón mi marido, el de los cacahuetes.
00:08:02¿Y sus hijos? ¿Están bien?
00:08:04Sí, sí, están muy bien.
00:08:06He sabido que Alfredo estudia y es muy aplicado.
00:08:09Sí.
00:08:11No le di las gracias por lo que hizo usted por mí,
00:08:15en la oficina de inmigración, por Rocco.
00:08:20Mr. Ferry, should I ask the driver to wait for you for your appointment with Mr. Brady?
00:08:25Ah, tiene un appointment.
00:08:28¿Está ocupado? ¿Está busy?
00:08:30¿Se defiende en inglés?
00:08:33Yes, yes, I'm coming.
00:08:38Lo lamento.
00:08:39No, tranquilo, el trabajo es el trabajo.
00:08:42Ah, por cierto, he sabido que buscan personal en la lavandería del Walford.
00:08:47Si está usted buscando trabajo, es una posibilidad.
00:08:51¿Habla en serio?
00:08:52Sí.
00:08:53Ah, qué bien.
00:08:54Al menos alguien cuidará de que no tenga las camisas arrugadas.
00:08:58Bien, gracias.
00:09:01Ahora me marcho.
00:09:03Yo la acompaño.
00:09:12Goodbye.
00:09:13Bye bye.
00:09:16Gracias.
00:09:24No work, no pay.
00:09:48No work, no pay.
00:09:50Ding, ding, ding, ding.
00:09:52Es que no lo puedo soportar.
00:09:58Mr. Ferry.
00:10:06Un trabajo así por cinco dólares a la semana.
00:10:09¿Cómo iba a decir que no?
00:10:11Comida no nos falta.
00:10:13Yo traigo dinero a casa.
00:10:14Miquele trabaja y Antonio también.
00:10:16Todos juntos ganáis cinco dólares a la semana.
00:10:22Quiero lo mejor para mis hijos.
00:10:25¿Y qué problema? Yo me ocupo.
00:10:27Ya estamos.
00:10:28¿Ya estamos con qué?
00:10:30¿Que crees que no soy capaz?
00:10:32¿Eso crees? ¿Crees que soy un pobre idiota?
00:10:35Cuando llegué tenía 20 liras en el bolsillo.
00:10:38Y con lo de los cacahuetes me compré la bodega.
00:10:40Luego la perdiste.
00:10:41La perdí.
00:10:42¿Y qué has hecho tú para ayudarme a recuperarla?
00:10:44Nada, solo tus hijos, siempre tus hijos.
00:10:47Para ti no existo, solo existen ellos.
00:10:50¿Dónde están ahora tus hijos?
00:10:52En la casa de Italia bailando.
00:10:54Todos menos el que está arriba tocando la flauta.
00:10:57Tus hijos.
00:10:59Mírame.
00:11:00Pero hazme caso.
00:11:02Estoy aquí.
00:11:04Muy bien, ya te miro.
00:11:05Te miro, dime.
00:11:06Dime.
00:11:07Yo por tu amor lo he aceptado todo.
00:11:09Hasta que me acusaran de tener aquí a un chivato, Antonio,
00:11:12que mandó a salvo al reformatorio.
00:11:14Hizo lo correcto.
00:11:15Tú a mis hijos ni los toques.
00:11:17¿Queda claro?
00:11:18No puedes decir esas cosas.
00:11:19Si no te las digo a ti, ¿a quién se las digo?
00:11:22Además, es la verdad.
00:11:24Es la verdad.
00:11:27Pratos.
00:11:32¿Sabes una cosa?
00:11:33Que no voy a dejar ese trabajo.
00:11:35No pienso dejarlo.
00:11:37Y punto.
00:11:48Rocco, mete esa pierna, anda.
00:12:03Hazme el favor, ven dentro, que es peligroso.
00:12:06Mete esa pierna, por favor.
00:12:09Venga.
00:12:16¿Te gustan las palomas?
00:12:18Eran la pasión de mi mujer.
00:12:21Les puso nombre.
00:12:23La grande y negra es Nerón.
00:12:25Porque es mala.
00:12:26Otra Rodolfo Valentino.
00:12:28Como el actor.
00:12:31Rosa es su pareja de siempre.
00:12:37¿Sabes que cuando eligen una pareja,
00:12:39les son fieles toda la vida?
00:12:41Hasta la muerte.
00:12:48Esquiavón.
00:12:49¿Qué es lo que te pasa, Esquiavón?
00:12:56¿Qué es lo que me pasa?
00:12:58Pues...
00:13:09Es muy largo y muy difícil.
00:13:13Es muy largo y muy difícil.
00:13:16Es muy largo y muy difícil.
00:13:21Toca.
00:13:43¿Eh?
00:13:44¿Has visto?
00:13:45Sí.
00:13:52Ese es mi hermano.
00:13:54Pues baila de maravilla.
00:14:00Chiro, me he hablado de ti.
00:14:05¿Ve?
00:14:06¿Ve?
00:14:07The one from Maravilla.
00:14:11Chiro told me about you.
00:14:13And me about you.
00:14:14He told me you're in the trade union.
00:14:17You know, my father also defended the workers.
00:14:22So he was a good Christian.
00:14:25We're organizing a strike at the Red Hoop Foundation, where you work.
00:14:30It'll be the first real protest against the bosses. The biggest of all.
00:14:34There's Chao.
00:14:35We'll be there, right? I told you Miquel was a good guy.
00:14:38Good. Because the more people, the stronger we'll be.
00:14:45What's wrong? Are you still thinking about Miquel?
00:14:47What do you care?
00:14:49Then say it. Say you're thinking about me.
00:14:52Go away, your mouth still smells like milk. You're a snot.
00:14:55What do you mean, a snot? There are good things down here.
00:14:59How dare you?
00:15:06Oh, look how many girls are coming.
00:15:12Joan!
00:15:13Hi!
00:15:14How are you?
00:15:15Fine, and you?
00:15:16Fine, fine.
00:15:17Hi.
00:15:18Carlo and Miquel.
00:15:20Hi, this is Beth, this is Sofia and this is Pat.
00:15:24Nice to meet you.
00:15:25Nice to meet you.
00:15:27Chiro, you know we have a thing for Italian boys.
00:15:32Do you understand, Miquel?
00:15:34These Americans love Italians.
00:15:38Are we all going to dance?
00:15:40Hey, you speak our language very well.
00:15:43I study melodramas.
00:15:45Your lyrical operas are beautiful. Verdi, Puccini.
00:15:49Who are those?
00:15:52Miquel, are you taking me out to dance or are you going to spend the night looking at me?
00:15:57How do you say that?
00:15:59Embobado.
00:16:00Embobado.
00:16:02Go.
00:16:04Girl dance.
00:16:06How do you say that? Let's dance.
00:16:08Miquel, how do you say that?
00:16:10Miqueluzo, let's go.
00:16:21Very good.
00:16:22Let's see what you have down there.
00:16:30Cacahuetes. Cacahuetes tostados.
00:16:33Roasted peanuts. Fresh roasted peanuts.
00:16:38Peanuts.
00:16:39Twenty cents, please.
00:16:44Thank you.
00:16:46Sir?
00:16:51Sir, my chains.
00:16:59Good morning, Mr. Ferry.
00:17:01How's it going? How's work?
00:17:03Good, good. Are your shirts ready?
00:17:18I just found out that there is a strike at the foundation.
00:17:22A strike at the foundation?
00:17:24I don't want to scare you, Carmela.
00:17:26But apparently the police intend to charge against the strikers.
00:17:30My God.
00:17:31It would be better if Miquel didn't participate.
00:17:34He promised me that he wouldn't let himself be fooled by politics like his father promised me.
00:17:39I have to warn you, but what do I do with the job?
00:17:42That Chinese is a hyena and he won't give me permission.
00:17:46Don't worry, Carmela. I'll talk to your boss.
00:17:49Let's go together.
00:17:56Let's go together.
00:18:15Come on, everybody.
00:18:16All together.
00:18:17Let's go.
00:18:18Let's go.
00:18:19Let's go.
00:18:20Let's go.
00:18:21Let's go.
00:18:22Let's go.
00:18:23Let's go.
00:18:24Let's go.
00:18:25Hey.
00:18:26What are you doing?
00:18:27Let go of all that, man.
00:18:28Chiro, what are you doing?
00:18:29Get out of the way, Miquel.
00:18:30Chiro, they're provoking us.
00:18:32If we fall, it's over.
00:18:33What do you mean provoking?
00:18:34Carlos, they won't take long to load.
00:18:35We are a lot.
00:18:36It's not good for them either.
00:18:38Who, Carlos?
00:18:39Let's load ourselves before they load.
00:18:41Come on, let's get them.
00:18:44Let's go.
00:18:45Let's go.
00:18:46Let's go.
00:18:47Let's go.
00:18:48Let's go.
00:18:49Let's go.
00:18:50What are you doing, mother?
00:18:51Are you crazy or what?
00:18:52Miquel.
00:18:53Mom, go away.
00:18:54Get in there.
00:18:55Come on, come on.
00:18:56Get in.
00:18:57With one person in there, it will be over.
00:18:59You have to go to work.
00:19:00You have to get in.
00:19:01But we have the right to strike.
00:19:03But what right, what right?
00:19:05We poor people have no rights.
00:19:07And if they are telling you yes, it's because they are lying to you.
00:19:11Senora Carmela, calmese! Esos son unos bestias!
00:19:13Mamá, tienes que irte!
00:19:15Este no es lugar para mujeres. Váyase!
00:19:17¡Vamos!
00:19:18Mamá, mamá, vete.
00:19:19Te van a cargar.
00:19:20Mamá, vete.
00:19:21¿Qué estáis haciendo?
00:19:23¿Qué estáis haciendo?
00:19:24Aguantad. Aguantad.
00:19:26¡Ven, Miguel! ¡Ven conmigo!
00:19:29Me estás obligando a entrar.
00:19:31Aquí corres peligro, mamá.
00:19:32No guys!
00:19:45Chiro, no!
00:19:50Chiro!
00:19:51No, Mijeo!
00:19:52Chiro!
00:19:57Chiro, no!
00:19:58¡Tiro! ¡No, Tiro! ¡No!
00:20:05¡Tiro!
00:20:06¡Miquel!
00:20:07¡¿Qué me has obligado a hacer, mamá?!
00:20:13I was wrong. My mother was wrong too.
00:20:17She did it to protect me.
00:20:21Now I'm here.
00:20:23And maybe you can't even hear me.
00:20:28Do you remember what you told me?
00:20:31That we all had to fight together.
00:20:35But I'm alone.
00:20:39Carlos has been detained. And you...
00:20:47I swear I can't forgive myself.
00:20:51Forgive me, please.
00:21:00Miquel, we have to go.
00:21:03No.
00:21:05Is the police here?
00:21:06Not this time, Meire.
00:21:08Of course they are. Let's go.
00:21:10It's useless to pretend to be a hero. Please.
00:21:14Come on, let's go.
00:21:17Goodbye, friend.
00:21:19Let's go.
00:21:30Doctor!
00:21:32Doctor Wright, we are here for Chiro Malenti.
00:21:49It's too late. I'm sorry.
00:21:52Please, call the other nurse.
00:21:55Yes, Doctor.
00:22:02Chiro Malenti
00:22:33Miquel, where are you going at this hour?
00:22:41I'm leaving.
00:22:43Leaving? Where? When are you coming back?
00:22:47I don't know.
00:22:49Since when do you leave your family?
00:22:52Since when do you leave like this?
00:22:54I haven't given you any worries, Mom.
00:22:56I've never asked you for anything.
00:22:58I've always thought about you and the family.
00:23:02But you can't treat me like a man when you feel good
00:23:05and like a kid when you feel like it.
00:23:08Miquel, forgive me.
00:23:10Forgive me, Miquel. I was wrong.
00:23:13I was wrong. These things happen.
00:23:15Chiro is dead, Mom.
00:23:17These things happen.
00:23:19He's dead?
00:23:21He's dead, poor thing.
00:23:24I'm sorry, Miquel.
00:23:26I'm sorry.
00:23:28I'm sorry.
00:23:30But if I hadn't made a mistake,
00:23:32you could be in his place now.
00:23:34Maybe it would be better.
00:23:43Thank you.
00:23:45It's easier that way.
00:23:48Forgive me, my son. Forgive me.
00:23:55Miquel.
00:23:58Miquel.
00:24:29Is it working?
00:24:31Yeah.
00:24:58It's working.
00:25:13Let's see, Esquivel.
00:25:15Let's do a test.
00:25:17If everything goes well,
00:25:19maybe the business will be yours again.
00:25:21But it has to go well.
00:25:23Don't worry about anything.
00:25:25Everything will go very well.
00:25:28Here you go.
00:25:30There you go.
00:25:32Thank you.
00:25:34You're welcome.
00:25:37Goodbye, Antonio.
00:25:47Chivato!
00:25:49You're an idiot!
00:25:51What the hell are you doing?
00:25:53I've cleaned everything.
00:25:55I'm sorry. I've cleaned everything.
00:25:57Sit down, Salvo.
00:25:59It's okay.
00:26:01It's part of the family.
00:26:03They're all cowards.
00:26:05When did you leave?
00:26:07This morning.
00:26:09Well, you know you left thanks to me.
00:26:11I paid for the reformatory's bail.
00:26:13If you were in debt with me before,
00:26:15now you're not.
00:26:17Very well. Thank you, Mr. Matranga.
00:26:19You're useless.
00:26:21Bring him another glass, Salvo.
00:26:23Let's toast.
00:26:26Goodbye, Rocco.
00:26:30Goodbye.
00:26:32Goodbye, Mom.
00:26:34Be good at school.
00:26:36Yes.
00:26:43Good morning, Mom.
00:26:45Hello, Antonio.
00:26:47Hey, is it true that Salvo has already left the reformatory?
00:26:51Oh, yes.
00:26:53What a Christmas present.
00:27:00Antonio, we're missing three dollars.
00:27:03Are you telling me?
00:27:05I'm telling the guy who bought a shirt and a new jacket this week.
00:27:09Of course.
00:27:11Whenever something happens here, who's to blame?
00:27:13Antonio's criminal.
00:27:15Because you always give me reasons.
00:27:17But why? What have I done?
00:27:19I work, right? I make money, just like Mikele.
00:27:21But he's your favorite, even if he left home.
00:27:23What are you saying?
00:27:25This time, you can't look at me alone.
00:27:28And who should I look at? Tell me.
00:27:30Let's leave it at that.
00:27:32Who should I look at?
00:27:37Esquiabón.
00:27:39Esquiabón?
00:27:45What does he have to do with it?
00:27:47You know he sold the cart?
00:27:49The cart?
00:27:51I think he wants to get the business back.
00:27:54He's been talking to Matranga in the warehouse for a long time.
00:27:57About the Black Hand.
00:27:59What's that about the Black Hand? I'm interested, too.
00:28:01It's not about women, Mom.
00:28:03Antonio!
00:28:05Antonio, where are you going?
00:28:07When we talk about something serious, you always leave.
00:28:09Can you explain to me what the Black Hand is?
00:28:11Is it like a mafia?
00:28:13Have we crossed the whole ocean to find ourselves in the same situation again?
00:28:17Can you explain it to me?
00:28:19Mom, forget it.
00:28:21Antonio, you have to listen to me when I talk to you.
00:28:23It's too long, Mom.
00:28:27It's too long and too difficult.
00:28:33Pastorcillo.
00:28:37Oveja.
00:28:41I'm sorry.
00:28:43What are you doing? You're always here.
00:28:47This is my place.
00:28:49Where else would a fool like me be,
00:28:51whom everyone insults and slaps?
00:28:53Come on, will you slap me, too?
00:28:55Shut up.
00:28:57Although I do want to slap you.
00:29:01What's wrong with you now?
00:29:05Matranga again?
00:29:07No, no.
00:29:09My mother.
00:29:11What happened?
00:29:13Mikele is handsome and strong.
00:29:15Alfredo is smart.
00:29:17Rocco is a bastard.
00:29:19And me? I'm a thief, a liar, and a snitch.
00:29:21Hey.
00:29:23How many things.
00:29:25I don't like good guys.
00:29:27You know?
00:29:29And why do you like Mikele?
00:29:31I liked Mikele.
00:29:33But he prefers the Americans.
00:29:37Come here.
00:29:39Come.
00:29:41I think I'm going
00:29:43to make you a gift, boy.
00:29:45A gift?
00:29:47Yes, it's almost Christmas.
00:29:49Do you want to?
00:29:51I can.
00:29:53Thank you.
00:30:09Thank you.
00:30:19And Antonio?
00:30:21Rocco?
00:30:23He's on the rooftop
00:30:25with the pigeons.
00:30:27Very good.
00:30:31And Alfredo?
00:30:33At school, like every morning.
00:30:39And what
00:30:41does the pot of money
00:30:43do here?
00:30:45I'm watching him.
00:30:47Someone in this family
00:30:49has very long hands.
00:30:51Really?
00:30:53Do you know anything, Esquiavo?
00:30:55No.
00:30:57No, I don't.
00:30:59Esquiavo.
00:31:01Let's be clear.
00:31:03I know it was you.
00:31:05So tell me why you sold the cart
00:31:07and then pretended to go to work.
00:31:09Did you think I was stupid?
00:31:11What happened?
00:31:13What happened?
00:31:15What happened?
00:31:17I didn't do anything.
00:31:19I just want to get the business back.
00:31:21The peanuts were provisional
00:31:23until God gave way.
00:31:25And how?
00:31:27Business.
00:31:29With whom?
00:31:31You can relax.
00:31:33I don't know what that is.
00:31:35I want to know
00:31:37who you're doing business with.
00:31:39I've made money.
00:31:41Look.
00:31:43And I put it in the pot.
00:31:45Who are you doing business with?
00:31:47The Black Hand?
00:31:49The Black Hand?
00:31:51The Black Hand doesn't exist.
00:31:53It's a children's story.
00:31:55The Black Hand?
00:31:57No, no.
00:31:59Trust me.
00:32:01In two months we'll get the pot back.
00:32:03Mateo's word, Esquiavon.
00:32:05I'll fix everything tonight.
00:32:07I'm busy tonight.
00:32:09I am busy.
00:32:11You're busy.
00:32:15The eggs are very good.
00:32:45I'm sorry, Mr. Ferri.
00:32:47Ms. Rizzo is waiting for you
00:32:49in your office.
00:32:51In my office?
00:32:53Yes.
00:32:55Okay, thanks.
00:33:03Mr. Ferri,
00:33:05tell me, what is that Black Hand
00:33:07everyone is talking about?
00:33:09Something that is better
00:33:11to stay away from.
00:33:13Homicides, smuggling.
00:33:15It's a scourge.
00:33:17Today there is an article
00:33:19in La Voz d'Italia.
00:33:21See you this afternoon, Mr. Ferri.
00:33:23See you soon, ma'am.
00:33:25Goodbye.
00:33:27See you later, Maureen.
00:33:31Look.
00:33:33Michele Guarino.
00:33:37The king of the distilleries
00:33:39of New York.
00:33:41People like him
00:33:43stain the reputation of the Italians.
00:33:45I'm afraid that Black Hand
00:33:47has already entered my house.
00:33:49That's why I've come to bother you.
00:33:51Because if someone steals
00:33:53and is in your house,
00:33:55he has serious problems.
00:33:57Who are you referring to?
00:33:59My husband, Esquiavon.
00:34:01He says he's doing business,
00:34:03but he doesn't look good.
00:34:05And since you have
00:34:07so many friends,
00:34:09who is the policeman
00:34:11who managed to find us?
00:34:13I don't know if you could
00:34:15ask him to find out
00:34:17what that bastard is up to.
00:34:19Don't worry, Carmela.
00:34:21I'll take care of it.
00:34:23Thank you.
00:34:25He's a good friend.
00:34:29Carmela.
00:34:33Why don't you stay
00:34:35and eat with me?
00:34:37I was at the restaurant
00:34:39and for a moment
00:34:41I got excited
00:34:43thinking you'd eat with me.
00:34:45No, I can't.
00:34:47I have to go home with my children.
00:34:49Besides, my clothes
00:34:51aren't the right ones.
00:34:53You're beautiful, Carmela.
00:34:55Clothes are just an appearance.
00:34:57But appearance doesn't matter.
00:34:59I'm fine where I am.
00:35:01Down where the Lord put me.
00:35:03Otherwise it would be a mess.
00:35:05Yes.
00:35:07But thank you.
00:35:11Maybe tonight.
00:35:13My appearance
00:35:15will still be a problem.
00:35:21See you later, Carmela.
00:35:31Appearance.
00:35:35Appearance.
00:35:37Appearance.
00:35:39Appearance.
00:35:41Appearance.
00:35:43Appearance.
00:35:45Appearance.
00:35:47Appearance.
00:35:49Appearance.
00:35:51Appearance.
00:35:53Appearance.
00:35:55Miss Rizzo?
00:35:57Yes, Rizzo Schiavone?
00:35:59Yes, this is for you from Mr. Ferry.
00:36:01For me?
00:36:03This?
00:36:05He waits for you at 8 p.m.
00:36:07at the Walford Hotel.
00:36:09I don't understand.
00:36:11Tonight, 8 p.m.
00:36:13Ah, tonight.
00:36:15Yes, yes.
00:36:17And what do I do with Schiavone?
00:36:19Ah, Schiavone works tonight.
00:36:21He's busy. Okay.
00:36:23I'm sorry, I don't understand.
00:36:25Doesn't matter.
00:36:27Tell Mr. Ferry it's okay.
00:36:29Okay. Okay, thank you.
00:36:31Bye.
00:36:33What is this? Is it a dress?
00:36:37Come on, hurry up!
00:36:39Pepe, come on, it's for today, come on!
00:36:41Let's see, take the state one for New Jersey.
00:36:43Come on, careful, careful.
00:36:45If there's any checkpoint...
00:36:47You've already told me, I won't stop because I'll go slowly.
00:36:49Schiavone, be careful.
00:36:51You have very valuable merchandise.
00:36:53And above all, it's forbidden.
00:36:55Have you told him, Matranga?
00:36:57Let me introduce you to Don Guarino.
00:36:59All this is...
00:37:01It's the boss.
00:37:03It's an honor.
00:37:05Thank you for your trust, Don Guarino.
00:37:07Don't worry, now we do business together, right?
00:37:09That's right.
00:37:11Come on, come on, come on, Mateo, move, come on.
00:37:13Go to work, Mateo, go to work.
00:37:17He's a snitch.
00:37:19A rascal.
00:37:21And we send him straight to the police.
00:37:29This time, bad luck won't stop me.
00:37:31Everyone will see what money Schiavone is made of.
00:37:33And I'll get the business back.
00:37:35Everyone will see.
00:37:37Guys, hurry up, another truck has been loaded.
00:37:39Come on.
00:37:41Salvo, move, come on.
00:37:43Come on, come on, come on.
00:37:45Up, up, come on, come on.
00:37:47Come on, come on.
00:37:49Hurry up.
00:37:51Come on, come on, come on.
00:37:53Come on, come on, come on.
00:37:55Come on, come on, come on.
00:37:57Come on, come on, come on.
00:37:59Hurry up, hurry up.
00:38:01This is the plan.
00:38:03Schiavone goes south and you go north.
00:38:05In the right direction.
00:38:07Move, come on, come on.
00:38:27To Naples.
00:38:31To Naples.
00:38:37Sweet Naples.
00:38:43Lady of my heart.
00:38:47You are alone.
00:38:53I'm looking for you.
00:38:57I call you madly.
00:39:03To tell you that I love you.
00:39:07Passionately.
00:39:15Sweet Naples.
00:39:19Sweet Naples.
00:39:21Sweet Naples.
00:39:25The light of my days.
00:39:29Splendid in you.
00:39:37You make the passion flow.
00:39:47Like the sound
00:39:49Of my song.
00:40:03This time you won't stop me.
00:40:05I'm not afraid of you.
00:40:07I'm not afraid of anything.
00:40:09Get back.
00:40:11Get back.
00:40:13Don't stop Mateo Schiavone.
00:40:15This time you won't be able to stop Mateo Schiavone.
00:40:17Get back Mateo Schiavone.
00:40:19Cowards.
00:40:35Let's go.
00:40:37Let's see if he's alive.
00:40:41Take it.
00:40:43Open
00:40:45Some of these crates.
00:40:49Definitely a bootlegger.
00:40:51This crate must be full of gin.
00:40:59Mateo.
00:41:01Oh Christ.
00:41:03Mateo.
00:41:05Captain O'Connor, what is it?
00:41:09I know this guy.
00:41:11He was called Mateo Schiavone.
00:41:13He's a good man.
00:41:17These fucking crates are empty.
00:41:19They really got us this time, didn't they?
00:41:23Have you seen Mateo?
00:41:25They've fooled us all.
00:41:43Giovanni?
00:41:59Dona Carmel.
00:42:05Your husband...
00:42:13Wait a minute.
00:42:15I have to change.
00:42:35Mr. Ferris, it's late.
00:42:37I'm leaving.
00:42:39Could you cancel the restaurant first?
00:42:41Oh.
00:42:43You're not even going to dinner?
00:42:45No, not even me.
00:42:49Thank you.
00:43:07Twenty-nine.
00:43:09Twenty-nine and fifty.
00:43:17No.
00:43:19I don't even have enough for the funeral.
00:43:23And this?
00:43:27How much is it?
00:43:29More than twenty dollars, Mom.
00:43:31I was saving it for the school.
00:43:33But you need it more for poor Schiavone.
00:43:35Holy Virgin.
00:43:37How can a child
00:43:39whom I had to buy glasses
00:43:41of what he studies
00:43:43collect so much money?
00:43:45No, Mom.
00:43:47It's not what you think.
00:43:49It's all legal.
00:43:51I've earned it.
00:43:53How?
00:43:55At the pier, when the Italians arrive.
00:43:57I change their currency.
00:43:59Are you fooling those people who are like us?
00:44:01Aren't you ashamed?
00:44:03I'm not a swindler.
00:44:05No, Mom, I'm not a swindler.
00:44:07In fact, I help poor immigrants.
00:44:09Mr. Ferri taught me.
00:44:11He started like that, too.
00:44:13Mr. Ferri?
00:44:15Then he started badly, too.
00:44:17But it ended well.
00:44:19I don't want this money,
00:44:21soaked in sweat and tears
00:44:23of all those poor people.
00:44:25I prefer to sell my eyes,
00:44:27which with you only serve me to cry.
00:44:29I'm going to sell everything
00:44:31And what do you know?
00:44:33In the Jewish neighborhood they do good business.
00:44:35Look at the money, Caco.
00:44:37Save the money for college.
00:44:55Sorry, pawn shop?
00:44:57In the corner, there.
00:44:59Thank you.
00:45:11Good morning.
00:45:15Good morning.
00:45:19I don't speak English.
00:45:21Don't worry, ma'am.
00:45:23You can speak in your language.
00:45:25Thank goodness.
00:45:27I'm from Naples.
00:45:29My grandfather was from Naples.
00:45:31I wanted to know
00:45:33how much you'd give me for this.
00:45:43It's 8-kilat gold.
00:45:45And it's not good?
00:45:47Let's say it's not of the highest quality.
00:45:49But let's weigh it.
00:45:53Can it be opened?
00:45:55There are two photographs inside.
00:45:57If you keep them,
00:45:59I'd like to keep them.
00:46:01I'm fond of them.
00:46:11Is there a problem?
00:46:21Come here a moment, ma'am.
00:46:25Come in.
00:46:27Come in.
00:46:29You're worrying me.
00:46:31Come on, sit down.
00:46:33Do I sit here?
00:46:35Sit here.
00:46:39I'll be right back.
00:46:43Don't tell me it was stolen.
00:46:47Lately, I've only had misfortunes.
00:46:55Um...
00:46:57Don't be scared now.
00:47:01Don't worry.
00:47:03I'm worried, but you're worrying me.
00:47:05No.
00:47:13Mom.
00:47:17Mom.
00:47:19Mom, it's me.
00:47:21Maria.
00:47:23My daughter.
00:47:25My daughter.
00:47:29Maria.
00:47:31It's me, Mom.
00:47:33You're so beautiful.
00:47:35I've been looking for you.
00:47:39I knew you were alive.
00:47:41I knew it. I felt it in here.
00:47:43I told everyone.
00:47:45I told them, Maria is alive.
00:47:47Because Maria is alive.
00:47:49I knew Maria was alive.
00:47:51My daughter.
00:47:57This little one
00:47:59is our son, Salvatore.
00:48:03Salvatore.
00:48:07Salvatore.
00:48:11You called him your father.
00:48:17Now I have to sit down.
00:48:19He's my husband, Moses.
00:48:21It's a pleasure.
00:48:23Likewise.
00:48:25I told you we'd find her, didn't I?
00:48:27I told you.
00:48:29The truth is, she found us.
00:48:31Salvatore.
00:48:33My daughter.
00:48:37She's Grandma.
00:48:45She gave this to me
00:48:47when we found her.
00:48:49Mrs. Carmé, I'm sorry
00:48:51to have to question you
00:48:53right after the funeral
00:48:55of poor Schiavone,
00:48:57but we have to investigate.
00:48:59Don't worry, I understand.
00:49:01But I can tell you little.
00:49:03Because I didn't pay much attention
00:49:05to poor Schiavone.
00:49:07He was a good person.
00:49:09That's for sure.
00:49:11And I did wrong.
00:49:13Because he helped us a lot.
00:49:15Don't you think
00:49:17I could help you now?
00:49:19How?
00:49:21We have to find out
00:49:23who set you up.
00:49:25He told me he was doing things
00:49:27to get the business back
00:49:29and that he had sold the cart.
00:49:31I'm sure he was doing
00:49:33someone a favor.
00:49:35But I don't know who.
00:49:37I only hear rumors.
00:49:39Matranga, the Black Hand.
00:49:41And what do you know about that?
00:49:43They killed him.
00:49:45We could have stayed
00:49:47where we were.
00:49:49What's the difference
00:49:51between these bastards
00:49:53and my poor Turi's murderer?
00:49:55The difference is that here
00:49:57we do our best to punish the murderers.
00:49:59I'm going to go against Matranga,
00:50:01his accomplices,
00:50:03and Guarino, the distillery king.
00:50:05Mr. Ferry told me about that Guarino.
00:50:07I'm sure
00:50:09there's a connection
00:50:11between you two.
00:50:13Trust me, Mrs. Carmen.
00:50:15We're on the right track.
00:50:17This time, there's no escape.
00:50:21Let's hope so.
00:50:37Angela!
00:50:39Angelina!
00:50:50Angela!
00:50:52Ah, hello.
00:50:54What?
00:50:56Are you peeing on me?
00:50:58Come in, you're free.
00:51:00I also gave him a little present.
00:51:02Anto, what did you think?
00:51:04That you were my boyfriend?
00:51:06I'm going with whoever I want.
00:51:10I don't give a shit about you either.
00:51:14Do you see this?
00:51:18Give it to me.
00:51:20This was for you.
00:51:22You're so stupid.
00:51:26Anto,
00:51:28we need to talk.
00:51:30Today, at Esquiabón's funeral,
00:51:32what did Ardigo want from your mother?
00:51:34I have no idea.
00:51:36Esquiabón was set up,
00:51:38and the police are doing their job.
00:51:40Come here.
00:51:42If you find out anything,
00:51:44tell me, okay?
00:51:46You're such a good boy.
00:51:48Yes, yes.
00:52:00It's good.
00:52:02Yes, my dear.
00:52:05It's good.
00:52:11Josephine,
00:52:13have you seen the Gaiteros?
00:52:15There.
00:52:17How nice.
00:52:19When is Dad coming?
00:52:21He's coming now.
00:52:23Then we'll go to Grandma's house for dinner.
00:52:28I can't believe it.
00:52:30If it weren't for the death of poor Esquiabón,
00:52:32I would never have been able to find my María.
00:52:34And look at this.
00:52:36Look what she brought me.
00:52:38The wedding rings.
00:52:40One is mine, and the other is your father's.
00:52:44And Mrs. Carmel, we've been looking for you.
00:52:46We haven't stopped, but how did you change your last name?
00:52:48No, no, that was a mistake
00:52:50from the immigration office.
00:52:52Grandma is beautiful.
00:52:54She's beautiful.
00:52:56Do you like Rocco's flute?
00:52:58Rocco will teach you all the songs.
00:53:00Grandma, I'm Grandma Carmela.
00:53:02How do you say Grandma in English?
00:53:04Grandmother.
00:53:06What?
00:53:08Grandmother.
00:53:10Too long.
00:53:12Very, very long.
00:53:14I've learned a new religion.
00:53:16And you, Mom, will learn English.
00:53:26Is it true that you celebrate Christmas twice
00:53:28because you're Jewish?
00:53:30Hanukkah is not like Christmas, Alfred.
00:53:32But it's celebrated on the 24th.
00:53:34We've celebrated Hanukkah at lunchtime,
00:53:36and now we're here.
00:53:38But where's Antonio?
00:53:40We're about to sit down at the table.
00:53:42He's gone out to get a cake.
00:53:44He's always late.
00:53:46Come on, don't be silly.
00:53:48You'll see. We'll see when he comes back.
00:53:50Mom, are we expecting someone else?
00:53:52No.
00:53:54But weren't Conchita and the policeman coming?
00:53:56No, they're having dinner with their in-laws.
00:53:58Maybe it's a present, Mom.
00:54:00A Christmas present.
00:54:02It could be.
00:54:06What a surprise.
00:54:08Mrs. Carmela, I hope I'm not disturbing you.
00:54:10You never disturb me.
00:54:12It's a pleasure to have you here.
00:54:14Come in.
00:54:16Thank you.
00:54:18I brought you a panettone. Do you know what it is?
00:54:20No.
00:54:22It's a sweet that's eaten at Christmas
00:54:24Take it.
00:54:26Thank you. Alfredo, take it.
00:54:28I'll keep the coat.
00:54:30Thank you.
00:54:34You know, I found my daughter Maria.
00:54:36Yes.
00:54:38Alfredo told me.
00:54:40He invited me.
00:54:42Thank you, Alfredo.
00:54:44I'm very happy.
00:54:46It's clear that sometimes
00:54:48miracles do happen.
00:54:50Yes, if you believe in them.
00:54:54I'm very happy that you've met.
00:54:56You have a beautiful family, Carmela.
00:54:58Family is important.
00:55:00Especially
00:55:02if you find the right person
00:55:04to train her.
00:55:08But please, come in.
00:55:10Come in, Mr. Ferry.
00:55:12Thank you.
00:55:24Thank you.
00:55:30Giovanni Ardigo!
00:55:50Anton, if you talk to your mother
00:55:52and you're dead, do you understand?
00:55:54Shut up!
00:55:56Antonio.
00:55:58Antonio!
00:56:00It's Antonio!
00:56:02Stay with the girl. I'll be right back.
00:56:08Carmela, wait.
00:56:10Don't go away from me.
00:56:12Mom!
00:56:14Wait, come with me.
00:56:16No!
00:56:18Giovanni!
00:56:20No!
00:56:22No!
00:56:24Why?
00:56:28Antonio, my son.
00:56:30My son.
00:56:32You haven't seen anything.
00:56:34No, Mom.
00:56:36You haven't seen who shot.
00:56:38No, I arrived later.
00:56:40I haven't seen anything, Mom.
00:56:42You have to believe me.
00:56:44There's nothing to see here. Let's go home.
00:56:46Let's go home.
00:56:48They killed my husband.
00:56:50They killed him.
00:56:52Poor Ardigo.
00:56:54No!
00:56:58They killed him.
00:57:00No!
00:57:14I had almost forgotten
00:57:16how beautiful our land is.
00:57:18You like it, don't you?
00:57:20And you want to go to New York?
00:57:22Are you sure you want to give up
00:57:24this paradise?
00:57:26For a bigger paradise,
00:57:28yes, cousin.
00:57:34But in America,
00:57:36I'm going to rule.
00:57:38I want you to know.
00:57:40I'll keep everything.
00:57:42How beautiful you are.
00:57:44You have to be mine.
00:57:46Only mine, Carmen.
00:57:48No!
00:57:50Help!
00:57:54That depends only on you.
00:57:56And how willing you are to play,
00:57:58cousin, because there
00:58:00the stakes are high, Vince.
00:58:02Very high.
00:58:06Come on, your boss is here.
00:58:08Yes, but for a short time.
00:58:12Before or after,
00:58:14all this will be mine.
00:58:16Baron, at your service.
00:58:22At your service, Baron.
00:58:42Let's go.
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