Sueños de Libertad - Capítulo 103
Transcript
00:00Oh
00:06Look at this cool path to ya solo tuya con eso que quieres decir
00:12Has destruido nuestro matrimonio voy vamos a los dos camino de la bodega
00:19Claudia que tienes
00:22No manches pensar
00:25No barbaridad es pensar que esto no es una carta de amor
00:29que no Joaquín que no que no que padre no era de esos hombres que estaba casado que tenía tres hijos que nos quería con
00:34locura no se trata de guardar reposo solo hoy
00:38hoy y mañana
00:40hasta que lo comprobemos que las cosas están como tienen que estar pueden ser tres días tres semanas
00:47Como estas
00:49Pues mira con un sentimiento de culpa terrible
00:53que mi madre está otra vez en el sanatorio sola pero hasta eso yo no puedo reconocerte como hijo públicamente pero si
01:00me gustaría que me dices la oportunidad de tratarte como tal me alegro de que no te fueras ahorita
01:05que no me hicieras caso
01:07y que pinto yo no lite
01:10si lo que más quiero está aquí
01:19Oh
01:25Yo se libertad
01:27Vivir de otra manera
01:29Alas para volar
01:31A donde el alma quiera
01:33Sueños de libertad
01:35El corazon no espera
01:37Esta viviendo otra oportunidad
01:39Sueños de libertad
01:41Aunque el pasado duela
01:43Volver a comenzar
01:45Aunque el pasado duela
01:47Volver a comenzar
01:49Amar a quien yo quiera
01:51Gritarles mi verdad
01:53Vivir sin miedo
01:55Y sin mirar atrás
01:57Oh
02:13Sueños de libertad
02:17Ha
02:30Hola hola qué tal el reporto de gafas es muy bien
02:36pero no exagero si te digo que alrededor del 20 por ciento de los operarios
02:40necesitaban gafas
02:42eso es mucha gente
02:44y que lo digas
02:46I imagine that stopping Nevaristo wasn't a priority in the ophthalmological check-up.
02:50So many of them didn't even know they had sight problems.
02:54And what about you? How are you adapting to the routine?
02:58You don't know how eager I was to go back to the consultation.
03:01I was so eager to go back to work.
03:03We missed you around here too.
03:08Any news? I've met Jaime at the appointment and he told me you were staying at the office.
03:13Yes, it's been a quiet morning. No patient has come.
03:16No one has come?
03:18Well, Andrés has come. He wanted to talk to me.
03:21Talk to you? About what?
03:25Well, he has come to tell me that he felt a lot about what had happened to my mother
03:29and that he could count on him despite everything that had happened between us.
03:33I imagine you let your mother back in the sanatorium, right?
03:37This morning.
03:39I'm very sorry. It must have been very hard.
03:43But she will be more vigilant there.
03:45Will it be more difficult for her to think about the other day?
03:48I don't know, Luz. The poor thing, all she wants is to be with me.
03:51And I'm not even able to give her that.
03:53Well, go see her more often.
03:55I can't. I'm going to have to wait.
03:57Her doctor has told us that visits are currently being canceled.
04:00Really? But how is that possible?
04:02Well, because she says she has to adapt to the rhythm of the sanatorium again.
04:05But she won't understand.
04:07I feel like I've failed her. It's like...
04:09like the fish that bites its tail.
04:12Look, that's why I think it's going to be very good for me to be here.
04:15To think about something else.
04:17I agree.
04:18And I'm very happy with your decision.
04:20But little by little, what has happened to you is very serious.
04:23Take your rest.
04:25We need that wound to heal well.
04:28I'll take it into account, Doctor.
04:30I mean it.
04:32You know how things work here.
04:34Today we haven't had much tracking, but at any time
04:36four patients come and we can't take it anymore.
04:38That's true.
04:39By the way, what a good idea.
04:42Look.
04:44I got this the other day.
04:46What is it?
04:47It's an invitation for a nursing congress
04:49to be held in Madrid.
04:51If we want you to leave that house,
04:53you'd better be sitting in an auditorium listening
04:56instead of going from there to here seeing patients.
04:59Is there still room?
05:01Of course.
05:02You'll be with colleagues, you'll share experiences,
05:05you'll learn new techniques.
05:07It will be very good for you to think about something else.
05:10Not your mother or your family.
05:13What do you say?
05:15I think it's a very good idea.
05:17Like all you have.
05:19I'm going to make a call.
05:32This is on point.
05:35Yes.
05:36Yes.
05:39Man, you're on time.
05:42It's nothing.
05:43But with the tricks Sara has taught me,
05:45I think I cook better.
05:49What's wrong?
05:51Something I don't know?
05:53Did you check the pipes?
05:55No, no, no, yes, yes, yes.
05:56Everything is fine at home, yes.
05:58Then why do you make that face?
06:03And Gemma is insisting that you don't go.
06:05Has there been another breakdown?
06:07No, no, no, no, no.
06:09There is no other breakdown, no.
06:11Then why do you look like a soul in pain, son?
06:13Well, mother, because I have other problems.
06:16Come on, cheer up.
06:18You have reasons to be happy.
06:20Do you want lemonade?
06:21Your wife made it, it's delicious.
06:26Son, what do you have to complain about?
06:30Life smiles at you.
06:32Yes, a lot.
06:33You can't complain.
06:35Look how Isidro is, or Mrs. Mercedes.
06:37Well, mother, I'm not on the verge of death,
06:39but I have other problems too.
06:42Let's see, son.
06:44When life seems to go wrong,
06:46and everything is going to go wrong,
06:48and things get fixed,
06:50it's a lesson it gives us,
06:51so we can trust it.
06:53Yes, but not always in life everything goes well.
06:55If you scratch a little, there's always something good.
06:58Look, for example,
07:00the inundation of the house has served
07:02so that Gemma and you live together alone for a while,
07:05and it was necessary.
07:07And for me, living here,
07:09it has made me remember your aunt.
07:11And they are very beautiful memories.
07:13And isn't it a bit naive
07:15to see only the good side of things?
07:16It may be, but it helps to be better.
07:20I have also thought about you.
07:21How are you?
07:23It is true that your brother has not found a woman
07:25to form a family yet,
07:27but look at him,
07:29executive of a company.
07:31What he was looking for, and what he deserved.
07:33And you?
07:34You work a lot, a lot, it's true.
07:36And your wife too.
07:38Son, but you are a married couple.
07:40Let's see when you give me a grandson.
07:42Oh, mother, please.
07:43You argue a lot, it's true.
07:45But the loyalty you feel for each other
07:47is very difficult to find.
07:49No, mother, it's not like that.
07:51Digna, today we are in the picture.
07:53Almost no one has come to eat.
07:55Do you want me to serve the first course?
07:57No, no, no, I'm going.
07:59So, I'll tell you how I seasoned the stew.
08:03In the style of Sara.
08:05Don't move, huh?
08:06It has to rest.
08:13Were you going to tell your mother everything?
08:15Of course.
08:18So that she is warned when she returns home, right?
08:21Or what do you think she will think
08:22when she sees that we are not sleeping together?
08:24We can solve it, Joaquín.
08:26Please, let's talk.
08:27You and I will find a way to ...
08:29No, Gemma, no, no, no.
08:31I'm fed up with lies.
08:33And don't even think about warming my mother's head
08:35so that she stays here longer.
08:37I know you.
08:38No, please, Joaquín.
08:40Listen to me, I beg you.
08:41No, Gemma.
08:42For me, the sooner people know what you've done, the better.
08:45Come in.
08:55Come in.
08:57May I?
08:58Yes.
09:01How are you?
09:02How do you feel?
09:03Better, much better.
09:06Carmen told me you had a heart attack.
09:08Yes, I hope it stays that way.
09:11But ...
09:12Do you feel bad?
09:14Does it hurt?
09:15No, no, no.
09:16Dr. Borrell has reassured me.
09:18She told me it's normal to bleed in the first months of pregnancy.
09:22I see.
09:23But, well, sit down.
09:24Yes.
09:35Mate, if I tell you the truth,
09:37I'm scared to death.
09:39I'm terrified.
09:40Well, but ...
09:41Carmen told me you're not in danger.
09:43No.
09:44I'm not, but ...
09:46The baby is unknown.
09:48Look, Mateo, if something happens to him, I'll go after him.
09:51No, no, no.
09:52But don't think about that.
09:54Have faith.
09:56Yeah.
09:58This baby, the most important thing I have, you know.
10:01And I want this to go well.
10:04In all my prayers,
10:06I ask for your health and the child's.
10:09Thank you very much, Mateo.
10:10I don't pray either.
10:11But apart from my prayers,
10:15I want you to know you have me here for whatever you need.
10:20Thank you, Mateo.
10:21Really, since you're here,
10:24I feel a lot of peace.
10:26I feel the same.
10:29I don't know, since I met you,
10:31I feel like ...
10:33the need to protect you.
10:41Much more now, right?
10:43You're a priest.
10:44Of course.
10:46Do you know if you can stay in La Colonia?
10:49Yes.
10:50I can practice with Don Agustín.
10:52Really?
10:53I'm convinced.
10:55And what did you tell them?
10:56Because, coming from you, I'm sure there's nothing wrong with Don Agustín.
10:59No.
11:00I just told them I felt very close to the parishioners of La Colonia
11:05and that I thought I could do a very nice job.
11:08Well, and you haven't lied to them,
11:10because we really need you here, Mateo.
11:16May I come in?
11:17Come in, yes.
11:18How are you, Claudita?
11:20Much better, much better.
11:22I'm glad. Take this, you'll feel great.
11:24Carmen, do you mind if I sit at the table, please?
11:26Of course.
11:27Thank you very much.
11:29How are you, Carmen?
11:30How's it going with Tasio?
11:32Well, he worries me.
11:34Why?
11:35Because I went to look for him in the warehouse to tell him what happened.
11:39Carmen!
11:40Claudia, my daughter, who is the father of the child.
11:42I say that he will have to know.
11:44I see.
11:46But I don't say it because of that.
11:47I say it because I don't want him to be worried.
11:50Well, one thing.
11:52I went to look for him and he wasn't there.
11:53Paco, the skinny one, was there.
11:56And he told me that he took the day off.
11:59Do you think it's normal for him to take the day off
12:02to go to Parranda without telling me or Pío?
12:04Please, Carmen.
12:05He didn't go to Parranda either.
12:07Don't think like that either.
12:08I'm telling you, he didn't take the day off to go pray for his sins.
12:14What a aim you have, huh?
12:17I wouldn't say it's your first time.
12:19Are you sure you're not fooling me?
12:20You've been shooting with a shotgun since you were a kid.
12:23Well, the truth is that at some fair I did take a rifle to shoot cans.
12:27And some or the other bottle of anise does beat me, Don Damián.
12:30But not as much as this.
12:31So, what did I get?
12:32Do you think that aim is inherited?
12:34At first glance, it is.
12:35You haven't just shot a bird, you have a hunter's instinct.
12:39But you still have a lot to learn.
12:42Well, that's life, right?
12:43You always learn new things.
12:45Yes, you're right.
12:46Although sometimes we forget it.
12:48In your case, I've taken a little more caution.
12:50How about you? Are you in a hurry?
12:52Yes, I've been in a hurry since I was born, basically.
12:55Well, going hunting with me will do you good.
12:59You have to know how to wait, observe.
13:02To be able to anticipate the movements of your prey.
13:04And then...
13:06Hit the target.
13:07I understand that I won't learn all this overnight.
13:10Of course not.
13:12But well, I'll teach you.
13:16So...
13:17Does that mean you'll let me accompany you to the field more often?
13:20Would you like that?
13:22Of course.
13:24Well, I'll be delighted to repeat.
13:25I've enjoyed it a lot, I assure you.
13:27Of course, the rules are the rules.
13:29And you're going to have to pay the tribute of the nomadic hunter.
13:33You're staying with the birds, right?
13:35That too.
13:36But no, you're going to clean my gun.
13:39I'll leave it as new.
13:40You'd better.
13:41Otherwise, there's no deal.
13:43No more lessons, no more time together.
13:46I'll manage.
13:48As soon as we get home, bring these beauties to the kitchen.
13:51So that Teresa and Gemma clean them and leave them fresh.
13:55And I'm going to change.
13:56To go to the factory.
13:58All right.
13:59Thank you very much, Mr. Damián.
14:01No, thank you, son.
14:04For this time.
14:05This is also pending.
14:09How has Mergeres been?
14:12Well, with his doctors he will be much better treated.
14:20I couldn't have endured another scare like the one he gave us.
14:23It was a disgust, I know.
14:25Well, changing the subject.
14:27We already have a secretary.
14:30I've already called the best secretariat academy in Toledo and another one in Illescas.
14:34And they're going to do a pre-selection with the best students who have passed through there.
14:38You could also have done a selection in person, right?
14:40You could have done it too.
14:41Whenever you want.
14:42No, no, no, we know your criteria.
14:43What are you insinuating?
14:45Nothing, that at the end of the day I assure you that you will have someone there in the secretary seat.
14:49Let's see if it's true.
14:50But have experience, please.
14:51And make possible references.
14:53We can't waste time choosing them.
14:55Don't worry.
14:59Hey, Marta.
15:00And this, this here, from the newspaper España Hoy, with double underline, what do you think?
15:05Yes, what he has pointed out to you is that they have called because they want to make a report to the company.
15:10With photographs, interviews and those things.
15:14Yeah, but that's press at the national level, right?
15:17And when would it be?
15:18Well, we haven't specified dates.
15:21In fact, I have been quite dodgy.
15:23I have told them that I would call them when I clarify to see if we decide.
15:27And why did you do that?
15:29Because lately our family has been through a lot.
15:32And I don't think it's wise to get a journalist to ask questions that may create bad publicity for us.
15:37But what are you saying, Marta?
15:38Are we going to take advantage of free advertising for all of Spain?
15:42Jesus, aren't they only interested in the company?
15:45So what?
15:46They want to make a report about us.
15:49The ones of the queen.
15:50You know, a report that is pure gossip to open a section of social echoes.
15:55Ah.
16:02Hello, Tassio.
16:04Hello, Mrs. Dina.
16:06What are you doing with those shotguns?
16:08Well, cleaning them.
16:09You will see that I went hunting with Don Damián.
16:11Ah.
16:12And how?
16:14How did you spend it?
16:16Well, look.
16:19I bring him two beautiful perdizas and a faysan.
16:21The faysan is Don Damián's work, I don't see what aim he uses.
16:24And how is it that Damián has taken you hunting with him?
16:27Well, I don't know.
16:29I guess he needed someone to take him the rifles and ammunition.
16:31And since you are his driver, I'm sure he could handle it.
16:34Well, it seems to me that you are going to go out with him more often.
16:38Well, I haven't had a bad time, I tell you the truth.
16:41And have you had a good time?
16:44Very good.
16:46I'm glad for you and for him.
16:48I haven't seen him so relaxed in a long time.
16:50You think?
16:51Yes.
16:52He has been very worried for a while.
16:54First, Isidro's illness and then his mother-in-law's.
16:57But this morning I saw him especially happy and smiling.
17:02It must be that your company does him good.
17:04So do merits, because he likes to be with you.
17:07Well, thank you very much, Mrs. Dina.
17:09The truth is that your words are knowing me to glory.
17:11It's still very, very, very exaggerated, Tassio.
17:14I'd better know about those nonsense.
17:16But I'm sure I'm not going to accept that.
17:20They would interview us.
17:22Photographs of us, of the house, of the alcoves.
17:26Well, but can we control a little what is said and what is not?
17:30I guess.
17:32But it seems to me that that exposure is too much, Jesus.
17:35But you don't see it, Marta?
17:37As you have said, our family, for you,
17:39our family has gone through a lot.
17:42And the few times we have come out in the press as a family
17:45have been for events that have been about to destroy our lives.
17:49But with this, with this now, we can show ourselves as what we are.
17:53Like a great family of united businessmen, despite everything we've lived.
17:57I don't know.
17:59Although maybe it's a way to open a new chapter.
18:03Record it with fire, sister.
18:05We are a united family and that is what we are going to give them.
18:07Well, what about the united family makes me laugh.
18:10Yes, it is true that maybe it would be a way to make good publicity
18:16and gain ground to the competition.
18:19To the competition. Floral has never done anything like that.
18:22We will be the first and those who come after us, they will laugh.
18:26Let's go.
18:29Let's do it. Yes, you have convinced me.
18:32That's it. Who called you? What is the journalist's name?
18:35I don't remember, it's written here.
18:38Oh, it's Rodolfo.
18:42Rodolfo Ramírez?
18:44Do you know him?
18:48This is bingo.
18:51We met once in Madrid, at the casino, at an event.
18:54Well, let's leave it there.
18:56Oh my God. Well, beyond the casino, do you think he's a professional journalist?
19:00Well, yes, but more than anything, I think he's a guy we can bring to our turf
19:04and get a report that will put us on a pedestal.
19:08You take care of calling him and I'll take care of the secretary.
19:11At your service.
19:13That sounds good.
19:17Your coffee, Luis.
19:19Yes.
19:21It was a coffee, right?
19:23Yes, yes, a coffee. Thank you, Gaspar.
19:25It's just that I have my head upside down.
19:27Tonight, everyone comes to hear the match between Real Madrid and Bayern.
19:30And I'm not cooking enough, really.
19:32The truth is that I'm not following the cup.
19:34Didn't you hear about the three goals that the Turks scored?
19:37Well, goals, goals.
19:39The referee ate a penalty.
19:41Excuse me, Gaspar, the person you were waiting for is arriving.
19:44Who told you to stop me, man?
19:47Mr. Garcés, thank you for coming here.
19:50Don't worry. Fermín?
19:52Yes, it's me.
19:54Luckily, Toledo was on my roadmap.
19:56This week I attend a topography seminar in the city.
20:02Is something wrong?
20:04No.
20:06It reminds me a lot of a person I met a long time ago.
20:11I think it would be better not to keep hiding it.
20:15I lied about my name.
20:17I'm...
20:19I'm Luis Merino.
20:21Gervasio Merino's little son.
20:23And why did you give me a fake name?
20:26Because I was afraid that if I told you who I was,
20:29you wouldn't accept this meeting I wanted to have with you.
20:32Please, sit down.
20:34Look, if it's not about business,
20:37I'd appreciate it if we left it here.
20:40Mr. Garcés, it's just that...
20:43I want to know things about my father.
20:45And I know you were good friends.
20:47Sit down, please.
20:49Many years have passed.
20:51I barely saw you a couple of times.
20:53The person I coincided the most with was your brother, Joaquín.
20:58Although it is undeniable that you look a lot like your father.
21:02They usually tell me.
21:04It's only going to be a few minutes.
21:06Really.
21:09Thank you.
21:16Tell me.
21:18What do you want?
21:20Well, I already told you that I just want to get to know my father better.
21:23He left too soon.
21:25How have you been with me?
21:27I haven't stepped foot in this factory for at least 20 years.
21:29Well, it was because of some works we did at home.
21:32An old archive of my father appeared and...
21:36It turns out he had a double background.
21:39And there I found some letters...
21:42Some private letters from you.
21:46The letters?
21:48Yes, but I haven't read them.
21:50I assure you.
21:52But I was hoping you could clarify...
21:55Well, as you will understand, I don't remember what I put in those letters.
21:59Are you going to give them back?
22:01Is that why you asked me to come?
22:03I already told you that I haven't read them.
22:05But I did see a little bit of what was written on them and...
22:08I'm sorry, but I'm a very reputable professional.
22:11And a married man.
22:13With children and grandchildren.
22:15And the same could be said of my father.
22:18That doesn't mean that, in spite of everything,
22:21you wouldn't have a special friendship.
22:26What are you insinuating?
22:27How dare you?
22:29I don't want to offend you or reproach you for anything.
22:32This is not easy for me, Mr. Garcés,
22:34but I need to know certain things about my mother's true personality.
22:38All this is absurd.
22:41I don't remember at all having written any letter to Gervasio Merito.
22:46I dealt with professional issues with Don Daniel de la Reina.
22:50I have those letters.
22:52Signed by his fist and letter.
22:54You've read them, haven't you?
22:55Stop lying to me.
22:59Here's one of them.
23:10There's his signature.
23:13I recognized it.
23:15This isn't...
23:19I didn't write this.
23:22And I won't let you accuse me of anything.
23:25Far from my intention.
23:27I just want to know the truth, Mr. Garcés.
23:30My father was a reference for me.
23:33An example to follow.
23:36And I need to know certain things.
23:39To clarify them.
23:41Please.
23:43Only you can help me understand.
23:45Leave me alone.
23:48You're going crazy.
23:50What a waste of time.
23:56Good afternoon, ma'am.
23:58How can I help you?
24:00Vera, I...
24:05I like the perfume you're wearing.
24:07Do you sell it here?
24:09I can find everything I like in this store.
24:12Perfumes, soaps, makeup and everything else.
24:16Whatever I want.
24:18How do I know I can trust you?
24:20Ma'am, you can trust me.
24:22I have very good taste.
24:26You're alone.
24:28Carmen is in the warehouse.
24:30And Claudia? Is she better?
24:33Well...
24:36I read the doctor's report and it says extreme exhaustion.
24:40She didn't even know it was a disease.
24:42Much less that she couldn't ask for a leave.
24:44Well, if Dr. Borrell says so.
24:49This Claudia, when something doesn't happen to her, something else happens to her.
24:52A woman who is really sick.
24:53But a while ago I went to her room and she told me she was a little better.
24:56Will she come tomorrow?
24:58No, no.
25:00The doctor said she has to rest a few more days.
25:03And you're going to have to take care of her?
25:06Well, Carmen and I have to go to work.
25:09To bring her food, to see if she needs anything.
25:11Why do you say that?
25:13Because I want an escape with you.
25:16To Madrid.
25:17Wherever.
25:18I can.
25:20And I want.
25:21When?
25:22I have to wait a few more days.
25:24Let's see if she recovers little by little.
25:26Not one more, for God's sake.
25:31Hello.
25:33But weren't you in the warehouse?
25:35Yes, but I went to the pier for a moment to see if I could see Tassio.
25:39And nothing.
25:40He didn't come by while I wasn't there, did he?
25:42No.
25:43Well, nobody saw him.
25:45He took the afternoon off without telling me or Pío.
25:49Well.
25:53Perfumerías de la Reina?
25:56Mrs. Romero?
25:58I'm Marta de la Reina.
25:59I don't know if you remember me.
26:02No, Claudia is not in the store because she is sick.
26:09No, no.
26:10It's nothing serious.
26:11It's just that the doctor from La Colonia recommended that she rest for a few days.
26:15No, no.
26:16Nothing serious.
26:18I'll tell her to call you as soon as she can.
26:20Thank you.
26:23Claudia's mother, who knew nothing that she was sick.
26:46Reina.
26:48The torture is finally over.
26:49What's going on?
26:50What's going on?
26:52I've finished the period.
26:54Can I go back to work in full on the search for the baby?
26:57Well, yes, you can get it this month.
27:00Because a baby of three and a half kilos, a seven-month-old ...
27:04You don't sell it in San Ramón.
27:06No, no.
27:07Let's go.
27:08Not to mention that you can't go to the hospital for a month.
27:11Shut up, shut up.
27:13You don't know how bad I had it with Jaime.
27:16He's a better doctor than I thought.
27:18He caught the flight that was pretending to be the flu.
27:21Did you tell Andrés anything?
27:23No, no, no.
27:25I told him the Chinese story that I was afraid that intimate relationships would affect the baby.
27:29Come on, I take it for granted.
27:31My mother, you have resources for everything.
27:34I wish I were the same.
27:37What's wrong with you?
27:40Ernesto fulfilled his threat.
27:43What?
27:44That I call him and tell Joaquín everything.
27:46And I have a story at home that I don't even tell you.
27:49My God.
27:51And how did he react?
27:52Well, bad, very bad.
27:54I've never seen him so hurt.
27:58Excuse me if I interrupt you.
28:00Have you seen my mother?
28:01She's not in the kitchen.
28:02Do you know where she could be?
28:03Yes, she's in the service room.
28:05She's been away for a while.
28:06Is she not feeling well?
28:07No, no, no, no.
28:08The dream of after eating that doesn't forgive.
28:11You know what?
28:12I'm going to take a break too.
28:14I'm going to take a break.
28:20Should I make you something?
28:21Let's go to the kitchen and I'll do something.
28:23No need, I've already chopped something in the canteen.
28:27Wait, wait.
28:29What do you want, Gemma?
28:31I need to talk to you about Joaquín.
28:33Please.
28:36Is Mrs. López Casas' case ready?
28:38Yes.
28:39Let's see.
28:40Yes, it's this box.
28:41He asked for four boxes of women's rings for his daughters and daughters-in-law.
28:44Is the package for Mrs. Vera Martínez de Valladolid important?
28:47Yes, the one with the baby shower cases,
28:49which I think he must have had a hard time with because he asked for a lot.
28:53So the package is not closed yet?
28:55No, I was going to close it right now.
28:56Okay, we're going to add some lavender soaps as a gift.
28:59She's an excellent and very loyal client.
29:02And what do you think if instead of that we put a couple of lipsticks
29:06so that she continues to feel beautiful after the pregnancy?
29:08Like an indirect.
29:09I love being indirect.
29:10Yes?
29:13Well, I can also be very direct if I want to.
29:16Really?
29:17Uh-huh.
29:24Oh, Marta.
29:26I'm dying to kiss you.
29:30On the neck, on the cheeks, on the lips.
29:37Well, I would still be more direct.
29:40Uh-huh.
29:41Because if a sailor drives me crazy in your mouth,
29:46I need an escape from Madrid.
29:55Good morning.
29:56Good morning.
29:58Mrs. Marta, have you already removed the eyelash?
30:00Yes.
30:01Thank you for blowing me.
30:03Is it done?
30:06What a bad time I've had.
30:08Hello, Tassio.
30:09Hello, good morning.
30:10I have received the message that Carmen is looking for me
30:12and I don't know if you know where she can be.
30:13Ah, well, she will have taken the opportunity to go see Claudia
30:15or she will be having a coffee in the canteen.
30:17Okay, thank you.
30:18Well, I'm going to keep looking for her.
30:20Uh-huh.
30:25This is what it can't be.
30:26We can't lower the guard.
30:27My heart is almost coming out.
30:29He is well used to us for trusting us.
30:31Marta, you are absolutely right.
30:33But I look at you and I can't continue.
30:35But this is what we have to avoid.
30:37We only have one day.
30:38This is going to be impossible.
30:39I know.
30:40Marta, we'll be careful.
30:41I promise you.
30:43No.
30:46Marta, what's going on?
30:47This is not a game.
30:48I know.
30:49I know it perfectly well.
30:50Better than anyone.
30:51And even if the person who comes in and discovers us
30:53is a relative or an acquaintance,
30:55it could be our end.
30:56But look at my father.
30:57He is the closest example and he is capable.
31:01Not only because he changes his opinion about us,
31:04but for a much more real consequence,
31:06such as going to a women's prison.
31:07Marta, please don't think about that now.
31:09But how am I not going to think about it?
31:10It's inevitable.
31:12We live in the country we live in.
31:14We can't change that right now.
31:17Marta,
31:18I promise you that nothing bad is going to happen to us.
31:21I promise you.
31:23Nor that anyone is going to separate us.
31:26Do you promise me?
31:28I swear.
31:31But
31:32we will have to be more careful
31:34so as not to have to use a tab as an excuse.
31:38Even if it's a martyrdom.
31:41For us.
31:43And for Jaime, who has been very generous.
31:49We will get rid of that layer.
31:52That's it.
31:54Go on.
32:02Oh.
32:32As if it were the first day.
32:33Tell him, please.
32:34I beg you.
32:35Help me, Luis, please.
32:38No, Gemma, no.
32:39No, getting in there would be counterproductive.
32:41Luis.
32:42Don't put me in that position.
32:43I can't.
32:45I'm sorry.
32:46Really.
33:03You tell Carmen.
33:04Thank you.
33:06What?
33:07Did you bring a lot to the store?
33:09No, the store is fine.
33:11Estasio, have you been here?
33:13What's up?
33:14Have you argued?
33:15Look, I'm talking about the king of Rome.
33:17Finally.
33:18Well, I'm doing meetings through the forum.
33:20Don't splash me.
33:21Besides, I have a huge mess with the game tonight.
33:23What's up, man?
33:24Nothing, man, nothing.
33:26How are you, Carmen?
33:28What's up?
33:29Paco told me you were looking for me.
33:31But where were you?
33:33What's that about taking an afternoon off like that?
33:35Without entrusting yourself to God or the devil?
33:37Well, I hadn't thought about it, woman.
33:40Look, I went to work today and I realized that I wasn't going to perform well.
33:44How can you know why you weren't going to perform well?
33:47Well, because I haven't slept all night.
33:49And well, I've seen Joaquin and I've asked him, please, to go rest.
33:52And I'll get the hours back another day.
33:54Estasio, I'm going to ask you one more time.
33:57Where have you been?
33:59I went to the countryside.
34:01It's beautiful, by the way.
34:03And well, since I was there, I went hunting.
34:07Hunting you?
34:09Alone?
34:11Well, it was with a Chinese guy, because as far as I know, you don't have a shotgun.
34:15Of course, maybe he has an arsenal of weapons, he has a gun and I haven't found out.
34:19It's just that the shotgun was lent to me by a partner.
34:22A partner? What partner?
34:24A new one that you don't know.
34:26Introduce me to him.
34:27One of these days, I'll introduce him to you, yes.
34:30Well, to what I was going to say.
34:32Claudia has a loss.
34:35And what does that mean?
34:36Because she's been bleeding this morning.
34:40What are you saying, Carmen? And how is the child? How is Claudia?
34:43According to the doctor, it doesn't have to mean bad.
34:45Neither for the baby nor for Claudia.
34:48Carmen, but well, it won't be either.
34:50And is Claudia feeling very bad or what?
34:52Well, she's scared.
34:53As it is.
34:54Now she has to rest for a few days.
34:57Oh my God.
34:59It must be avoided that it is repeated because it could mean that the baby is not well implanted.
35:05But what is that? What does it mean? That I could lose him or what?
35:09I don't know.
35:11It's just that the doctor has been as mysterious as you.
35:14Would you like it to be a little clearer?
35:16Or tell me the story.
35:19And pay me this.
35:24Yes.
35:34Jesus, what a mystery.
35:36Son, tell us that news, you disgust us.
35:38No.
35:39We are going to wait for Marta to come in, that she had a call.
35:42And I don't like to repeat things 20 times.
35:45Excuse me, it was Jaime.
35:47He will arrive later. He had to stay in the pantry taking care of an emergency at the last minute.
35:51Wow.
35:52I'll tell him.
35:53Well, we're all here.
35:54Yes.
35:55Don't leave us a minute more with the intrigue.
35:58Okay.
36:01Well, it turns out that the newspaper España Hoy contacted Marta, right?
36:05And this afternoon I spoke with them to close a topic.
36:09Are we going to be in the newspaper?
36:11What do they want exactly?
36:13Yours.
36:14Please.
36:15Thank you, sister.
36:16Well, it seems that they are very interested in making an intimate portrait of the queen's family.
36:22And what does that mean?
36:23Well, it means interviews to all of us.
36:26Photos also to all of us.
36:28Photos of the house, photos of the company.
36:30Come on, the idea is to transmit an image of a solid and united family.
36:36That is an example for society.
36:38But we are going to leave in the echoes of society.
36:41The truth is that it would give us some visibility to be for all of Spain.
36:45But it is always that it is something serious and nothing frivolous.
36:48Darling, these things have to be frivolous, it's the grace.
36:50The people of AP will love to see how we live.
36:53At first I had my reservations.
36:56But it can be a great publicity for the company.
37:00And if the article is made with good taste, even the brand of the queen can acquire a certain prestige.
37:07Those reports are only made to real families.
37:10It is because of the queen, then.
37:13I admit that you have been funny, brother.
37:16Let's see, they have the idea of opening a new section with us.
37:20And from there they will be taking out the most influential families in this country every week.
37:25Are you sure about this, son?
37:27Of course, it is a great opportunity for the family.
37:30And you, father, what do you think?
37:32I don't know, advertising, but ...
37:35Listen to me, father.
37:37It is an opportunity to show ourselves as a great exemplary family in front of all of Spain.
37:42Come on.
37:46Okay, we'll do it.
37:48But be very careful.
37:51This type of journalist takes out dirty rags even under the stones.
37:55Obviously with the report.
37:57Yes, they will come tomorrow to do an inspection,
38:00but they have not confirmed to me if tomorrow they will also do the interviews and the photos.
38:04But well, be prepared for whatever it is.
38:06Tomorrow already? What nerves.
38:10Wait, kid.
38:12Kid, wait.
38:14Do you think the report is good or not?
38:17Yes, it is good for the company.
38:19Good for the company and for you.
38:21That you are going to be the star.
38:23Don't worry, I'll tell them not to tire you too much.
38:25Yeah, Jesus, I wanted to tell you something.
38:28Tell me.
38:30I signed up for a nursing congress.
38:32And it starts tomorrow, in Madrid.
38:34Tomorrow?
38:35But tomorrow is when the reporters come, haven't you heard me?
38:38Don't worry, it's in the morning.
38:39In the afternoon I can be back and take the photos without any problem.
38:42They can start with the rest and then leave me for the last one.
38:45But I don't know if they will be here all day either.
38:49Do you really want to go to that congress so much?
38:52Haven't you had enough with going to the dispensary today?
38:54Well, actually, I just have to sit down and take notes.
38:57At the dispensary I get much more tired.
39:00You're right.
39:02And besides, it will be good for me to get rid of this feeling of guilt that I have with my mother.
39:06Begoña, you are not guilty of anything.
39:07But I understand you.
39:09The problem is who is going to take you to the congress, I mean.
39:12Because I will have to be here for the report.
39:15Don't worry, I have spoken with a nurse from Toledo who is also going.
39:18She will pick me up and then bring me back right away.
39:20Perfect, then.
39:22All I want is for you to be happy.
39:26Thank you.
39:28You're welcome.
39:38Luz, I'm sorry.
39:40I hope I didn't bother you.
39:43Yes, I intended not to see you.
39:45But since I knew Begoña would be there, I gave up.
39:49No, I have no news.
39:51But I keep thinking about it.
39:55Do you think it's okay if we meet tomorrow?
39:59I appreciate it.
40:01You're the only person I can talk to about it.
40:03Okay, see you tomorrow.
40:09Who were you talking to at this hour?
40:11Joaquin.
40:13He called me to ask me about some reports that I have to send first thing tomorrow.
40:17Wow, your cousin.
40:19Look who's calling at bedtime.
40:21Hey, we have the report tomorrow.
40:23We have to be ready.
40:25And I need to sleep my eight hours.
40:28You're always ready.
40:29And since you're pregnant, even more.
40:32You don't know how important that report is for the company and for the family.
40:37You're underestimating all those readers.
40:40And on top of that, in a national newspaper.
40:43They're going to see us everywhere.
40:45Can you imagine what they're going to say in Huesca when they see me?
40:48You're wonderful.
40:50I called the hairdresser who did my hair for the wedding.
40:53And Carmen, so she can do my make-up.
40:55And I'm going to tell her that I love her.
40:57And Carmen, so she can do my make-up.
41:00I want to shine, Andrés.
41:02I want to attract everyone's attention.
41:04I want to be a real lady of the kingdom.
41:07Don't look at me like that.
41:09You're starting to be an open book for me.
41:12My legs are shaking.
41:14I understand that you have a justification for the gesture of fear you had with the article.
41:20She worries too much, Father.
41:23Naturally.
41:24Especially considering the recent events.
41:27I don't know what you're thinking.
41:29Father, let her meet the journalist and say whatever I want her to say.
41:32It's just that she doesn't see it.
41:34It's our opportunity to clean up the past.
41:36So that they forget all that tragedy that marked our family six years ago.
41:41Trust me.
41:43From now on, they will see us as a united family.
41:48Digna.
41:50Sorry.
41:52What are you doing here? It's too late.
41:54I'm going to bed.
41:56If the press is coming, I'd rather be here.
41:58Very well. As you wish.
42:00Jesús, tomorrow the house will be perfect. Don't worry.
42:03Well, I'll leave you. I don't bother you.
42:05No, no. My son and I had already talked about everything we had to talk about.
42:09Right, Jesús?
42:11Yes, of course.
42:13Good night to both of you.
42:15Good night.
42:21Turn off the light.
42:22Wait.
42:24Do you know what makes me sad?
42:26That they don't make the report when our son was born.
42:29It would be the best presentation in the world.
42:31It's a very special memory for life.
42:33Yes, I guess.
42:35Did you know that Gracia de Monaco introduced her daughter Carolina like that last year?
42:38No, I didn't know.
42:40Turn off the light.
42:42No.
42:44I'd rather look at you.
42:53So, are you tired tomorrow?
42:56Your kisses make me feel better than anything else.
43:05Well...
43:08How are you?
43:10Perfectly.
43:12And I've missed you a lot these days.
43:23Yes.
43:27You were a bit upset when you saw Jesús, weren't you?
43:31A bit, yes.
43:33I came to tell you that I want to stay today and a few more days, if you don't mind.
43:37Until the paint dries.
43:39My son Luis says that the paint has lead.
43:42And I tell him that the lead is him.
43:44Well, bravo for Luis.
43:46And bravo for the lead.
43:48You're so beautiful when you smile.
43:50Oh, no, please.
43:53You're so beautiful when you smile.
43:56You're beautiful when you're sad.
43:59Even when you're angry, you're beautiful.
44:02I'm going to stop behaving like a teenager.
44:06I confess that I stay here
44:10also because I'm getting addicted to our night chats,
44:14even if we go out for a drink sometime.
44:16That sounds like you've forgiven me.
44:19I like the way you're behaving with Tassio.
44:22I've talked to him this morning in the kitchen.
44:25We've had a great time.
44:27Well, I'm starting to look a bit more like the Damien you used to appreciate so much.
44:33A bit, yes.
44:35You don't know how it comforts me to hear that.
44:38Before you said that you were behaving like a teenager,
44:42but now we're two.
44:44Two, why?
44:46Because neither of us want to openly admit what we feel.
44:48Well, to be fair, it's me more than you.
44:51I've insinuated to you, well, sometimes more than I've insinuated,
44:55what I feel for you,
44:58what I like about you,
45:00how much I like what you say,
45:03what you think,
45:05how you advise me,
45:07how happy I feel when I'm with you.
45:19I think it would be better if I leave.
45:23Why? Are you afraid?
45:26Yes, I'm afraid, yes.
45:29I'm afraid to admit what you feel for me.
45:32This is crazy.
45:35I don't know what's happening to me.
45:38This isn't right, it's not right.
45:40No, don't go.
45:42Let's talk, let's clarify what we feel for each other.
45:45You know I've loved you for a long time.
45:49Also,
45:51our families are distant.
45:54There's a lot of resentment.
45:56Your son can't stand mine, and neither can I.
46:00It's not about what we feel, the two of us.
46:05It can't be.
46:07Yes, it can be.
46:09Of course it can be.
46:11If it's what we want, it's you and me.
46:18I love you.
46:25By the way, I spoke to the journalist from Spain today
46:28and he says he wants to finish the photos and the interviews tomorrow.
46:31Tomorrow?
46:33But that's too soon, isn't it?
46:35Yes, I don't know.
46:37He says they want to postpone the publication
46:39because apparently there's been a lot of interest
46:41among the press.
46:43In fact, he says they want to finish it in the morning, if possible.
46:46I don't know.
46:48Really?
46:50Then I won't be able to be there.
46:53Honey, but you're essential in the family.
46:57How am I going to talk about me if you're not by my side?
47:00Jesus, you know that congress is very important to me.
47:03Much more than appearing in the social echoes.
47:06I understand. Don't think I don't.
47:08But this report is so important that...
47:10But all the others are there.
47:12And the important ones are you three, the brothers.
47:15I see.
47:18Look, you know what?
47:20It doesn't matter, it's fine.
47:22I'll call them and tell them that if it has to be tomorrow,
47:25there's no report.
47:27For me, personally, it was important because...
47:29Yes, because of the promotion of the company.
47:31You've said it before.
47:33No, Begoña.
47:35Because Julia, you and I were going to show ourselves
47:37as the family we're rebuilding.
47:39I don't know.
47:41Julia is very excited.
47:43I've talked to her before.
47:45But of course, if it's not you,
47:46what am I going to tell her?
47:48It doesn't matter, we won't do it and that's it.
47:51I don't want the girl, because of me,
47:53to end up in the report.
47:55It's not your fault, it's not your fault.
47:57You go to that congress, it's fine.
47:59Besides, I know you're still jealous of me
48:01and I understand that you're taking advantage of this occasion
48:04to punish me.
48:06I deserve it, yes.
48:08Jesus, I'm not punishing you.
48:10If I had agreed to do the report,
48:12it's bad luck that it coincides with the congress, that's it.
48:14Let's not turn it around, really.
48:16It bothers me that you think that,
48:18because I'm not punishing you.
48:20Well, I'm sorry, I'm sorry.
48:22I don't know why I said that.
48:24It wasn't fair and sometimes I'm better off quiet, yes.
48:32It's fine.
48:34I won't go to the congress.
48:36I'll do the report.
48:38No, please, I wouldn't want...
48:40No, no, no, that's it.
48:42You don't need to tell Julia anything
48:44or cancel anything.
48:46No.
48:51Thank you, love.
48:53Thank you.
48:55You are...
48:57really...
48:59I'm going to do my report.
49:01Very well.
49:16Thank you.
49:32Rodolfo.
49:34I'm Jesus de la Reina.
49:36I'm sorry about the time.
49:38Listen, I know you told me
49:40that it should be tomorrow,
49:42but no, it has to be tomorrow.
49:44Organize yourself as best you can.
49:46It's either tomorrow or there's no deal.
49:48Got it?
49:50Good night.
49:57Let's get together a little bit
49:59and a big smile, yes?
50:01Very good.
50:03Mum, what are you doing here?
50:05But you had to be quiet at home.
50:07How can I be quiet?
50:09If you don't know anything about me,
50:11it's thanks to you that I called
50:13and now you're not answering.
50:15How can I not be worried?
50:17I'm not leaving on Tuesday
50:19and I'm not going to ask you for anything in return.
50:21But I've done things for you
50:23that take away my sleep at night.
50:25So don't get confused.
50:27You have no right to question
50:29my relationship with Digna.
50:31We don't hurt anyone.
50:33And he's able to do everything
50:35with a splendid look
50:37and an enviable style.
50:39It's not always like that.
50:41If I had come a couple of weeks ago,
50:43I would have told you.
50:45But has something happened?
50:47Look, since we read the letters,
50:49we've been asking a lot of questions.
50:51Was he happy with us?
50:53Or his suicide?
50:56Did he have anything to do
50:58with that double life he had?