Sueños de libertad - 97
Sueños de libertad - 97
Transcript
00:00But if my father's collection is not the 1953 stamp, that would prove that the letter is false.
00:16Andres?
00:18You are an angel like my daughter, who turns out to leave us today.
00:23Are you leaving?
00:25Yes.
00:27For a moment I thought that someone had falsified it, but no.
00:32The collection is complete.
00:34And they were ordered by year, 1952, 1953 ...
00:41How strange, in 1953 one is missing.
00:48What do you tell me? Are we a team or not?
00:51Let me go, let me go.
00:53Animal, look what you've done.
00:54I'm sorry, let me help you.
00:57She's not your daughter, liar.
01:01Mercedes.
01:03She's not your daughter, she's mine.
01:06She's not yours, she's mine.
01:09Close your damn mouth.
01:11Close your damn mouth.
01:24Live another way.
01:27Wings to fly.
01:29Wherever the soul wants.
01:31Dreams of freedom.
01:33The heart does not wait.
01:35It's asking for another chance.
01:39Dreams of freedom.
01:42Although the past hurts.
01:44Start again.
01:46Love whoever I want.
01:48Shout my truth to them.
01:50Live without fear and without looking back.
01:54Oh-oh-oh-oh-oh.
02:10Dreams of freedom.
02:25She has high blood pressure,
02:27but it's normal if she's so upset as you say.
02:30It will go down as she relaxes.
02:32Well, now she's much better.
02:34And what happened to make her so nervous?
02:37Nothing out of the ordinary, doctor.
02:39I came to look for Julia and when the baby came out,
02:42she started screaming out of herself.
02:44Without any reason?
02:46Without any reason.
02:48She said incongruous things.
02:50And since I couldn't calm her down, I told Begoña.
02:51I don't know.
02:53It's strange that she got like that without coming to account.
02:58Sometimes she confuses me with Julia.
03:00She thinks I'm the baby.
03:02Do you think that could be it?
03:04Maybe she's reliving the trauma of when she was separated from you.
03:07And she has associated Julia's departure with your separation.
03:10But do you think it hurts Julia?
03:12No, I don't think so.
03:14But we would have to talk to the specialist in the sanatorium.
03:17Maybe it wasn't a good idea to get her out of there, right?
03:19On the contrary.
03:21I don't think she's going to be anywhere better than with her daughter.
03:24What happens is that she needs a little patience and affection until she gets used to it.
03:28And wouldn't it be good for a tranquilizer if it happened to her again?
03:31No, she's already taking her medication.
03:33What would be good for her is to rest in her room for a while.
03:36Well, what worries me is the tension.
03:39Because the other day she had a sudden down, and now...
03:42If she's under surveillance, there's no need for a problem.
03:45Let's hope so.
03:47Anyway, if it happens again,
03:49you know you can call the dispensary if Dr. Berenguer isn't here.
03:52Thank you.
03:54Go back to the consultation.
03:56Mercedes, rest.
03:59You know you can call me when you need me.
04:02Anytime.
04:05Have a good day.
04:07Thank you.
04:12Well, I also have a lot of things to do.
04:15If you need anything, I'll be in the office.
04:17Thank you.
04:23Well, are you feeling better?
04:29He's bad.
04:34Who's bad?
04:36He's bad.
04:39He yelled at me.
04:43Who yelled at you, Mom?
04:45That man.
04:48That man is bad.
04:51I'm scared.
04:53But how?
05:11I don't know how I'm going to dry my father's furniture.
05:14It's very wet.
05:17You should take it out in the sun, like all papers.
05:20But I'm sorry, I can't help you take it out now
05:24because my foot hurts again.
05:26Again?
05:28You forced your ankle by going to Toledo, didn't you?
05:30You see the bus and you jump on it without telling anyone.
05:34No, I was really careful.
05:40Don't answer it.
05:42Why?
05:44Because it's our free time and they never leave us alone.
05:48Well, Gemma, but it could be a personal call.
05:51Maybe it's from your friend Maria.
05:53We like to talk on the phone at two o'clock.
05:56Yes.
05:58Hi, Luis.
06:07Look, up there.
06:14Thank you very much, Estacio.
06:16You're welcome, woman.
06:18Besides, you're not going to make any effort
06:20and you know you can ask me anything.
06:22Is that okay?
06:24That's perfect.
06:26Do you need anything else?
06:28No, it's stuff I bought for the kid, for when he's born.
06:30I'll ask you to help me take them down before I go to town.
06:32To town for what?
06:34Well, at some point I'll just have to take care of my mother, I mean.
06:38Although I'd rather not, because the first thing she's going to do is give her a heart attack.
06:40And then she's going to send me to hell.
06:43To all that, you have to prepare the arrival of the child.
06:46I'll take care of buying the crib and whatever is needed.
06:48No, Estacio, that's very expensive.
06:50I don't want you to spend the money you don't have on that.
06:52Really, Claudia, don't worry, I'll take care of everything.
06:54How are you?
06:56Better.
06:58I no longer have nausea at night and I can sleep well.
07:01Well, that's very good.
07:03I'll leave you, I have to go to work.
07:04I have to go to work.
07:09Estacio.
07:11Carmen.
07:13Don't go.
07:15But I have to go to work.
07:17We have to talk to you.
07:22I still have to finish tidying up the floors so that my mother can come.
07:26Yes.
07:29Ah, great, I would appreciate it very much.
07:34Very good.
07:36Thank you very much.
07:38Thank you very much.
07:40See you later, little brother.
07:42My brother.
07:44He will come this afternoon to help with the furniture and the papers of our father.
07:47Look how good.
07:49Yes.
07:51Have you been scared already?
07:53Yes, yes, yes.
07:55It's that he caught me by surprise.
07:57I see.
07:59Let's see if we can go and make that escape, right?
08:01And we relax a little.
08:02Do you feel like going to dinner this weekend?
08:05Uh-huh.
08:07Are you okay, Gemma?
08:10Sure?
08:12You feel a little weird.
08:15Do you love me?
08:19Of course I love you, Gemma.
08:21You are what I love most in this world.
08:24It's just that sometimes I think you could stop loving me.
08:27Why?
08:29Because of the things I do sometimes.
08:33Honey.
08:35If I haven't stopped loving you already,
08:37with the smoke you sometimes spend,
08:39that's because my love for you
08:42is being tested.
08:44Joaquín, it's just that I have many defects,
08:46perhaps more than you can imagine.
08:49That's true.
08:51Because you always go impeccable
08:53and today you haven't even realized that you're going a little bald.
08:58I would like to be as good a person as you.
09:00What are you saying?
09:02I mean...
09:05I wouldn't change you for anything in the world.
09:12It's just that...
09:18I'm so bald today.
09:20No.
09:22Come on, woman. It was a joke.
09:33The keys to the big house aren't here.
09:36They must be around here.
09:38No, the only place they can be is in my bag,
09:41and they're not in my bag.
09:43Calm down, woman.
09:45Maybe they got lost in Toledo.
09:47It's okay.
09:50We're a team, aren't we?
09:52Let me go.
09:54Let me go.
09:56Look what you've done.
09:58I'm sorry, Gemma. Let me help you.
10:03He took them all.
10:05It's okay, woman.
10:07No one can know where they are.
10:09This afternoon we can go get a copy.
10:11What do you think?
10:12Good.
10:13It's not the end of the world, honey.
10:22Is this a lock-up or what?
10:24Come on, Tassio, don't get mad.
10:26Carmen is worried about you, and so am I.
10:28What a story.
10:30So you told Claudia as if I were a criminal or something?
10:32I told her to help me find out what's wrong with you.
10:34She doesn't care if her father and son are okay.
10:37Who told you I'm not okay?
10:39Tassio, please, tell us.
10:41We just want to help you if you have a problem.
10:44My problem has no solution.
10:46I see.
10:48All problems have a solution.
10:50Besides, we can help you
10:52if you don't have any serious consequences.
10:54So you think I'm stealing money too?
10:56What are we going to think?
10:58Tassio, if you don't tell us something else,
10:59the only thing that comes to mind
11:02is what you've stolen or what you've done.
11:05But tell us, Tassio,
11:07for God's sake, we're here to help you.
11:09Look, you can't trust me without me telling you anything.
11:12Well, no.
11:14Because if you don't tell us anything, something's wrong with you.
11:16Well, you can stay as long as you want.
11:19Because where the money comes from, it's just my problem.
11:21Very good.
11:23Very good.
11:25Then don't tell me I don't trust you.
11:27With everything I've forgiven you,
11:29the least I deserve is sincerity.
11:32Well, right now I can't be more honest, Carmen.
11:35Yes, I can see that.
11:37You don't know how disappointed I am, Tassio.
11:39I don't even want to think
11:41how far you can go.
11:57Honey,
11:59I was going to ask you how your mother was
12:01before I went to the factory.
12:03She's much better.
12:05I've managed to calm her down and now she's sleeping.
12:08Great, then let's hope she doesn't run again.
12:11I'm sure it can be avoided.
12:13Luz didn't seem very convinced
12:15that that change of mood was something spontaneous.
12:17And it seems strange to me too.
12:19Strange, why?
12:21You yourself have said that she confuses Julia with you, right?
12:23Well, she got nervous when she saw that the girl was leaving
12:26and that she was left alone, I don't know.
12:28I see.
12:30I'm sure nothing else has happened.
12:32And what else would have to happen?
12:34Begoña, I remind you that your mother
12:36suffers from a mental illness
12:38and that she always has skin-colored nerves.
12:40No, my mother doesn't get upset
12:42if she doesn't get the opposite or doesn't argue with her.
12:44Well, I was there and I assure you
12:46that there was no discussion.
12:48But well, maybe Julia said something
12:50that bothered her,
12:51and I don't know, if you want, we can ask her
12:53when she comes back from school.
12:55That's good, isn't it?
12:57To have children so you can blame them.
13:00Are you insinuating something?
13:02It's obvious.
13:04Do you know what I think, Jesus?
13:06That you have been unpleasant with her
13:08because you don't like her being in this house.
13:10But where do you get that peregrine idea from?
13:12Because I know you well enough
13:14and I know that my mother's comments are not funny to you.
13:16Like when I thought Andrés could be my husband.
13:18What nonsense.
13:19How can I be offended
13:21by what someone who doesn't know what she says can say?
13:23Begoña, in case you forgot,
13:25I was the one who brought her to this house.
13:27My mother told me that you had screamed
13:29and I'm convinced that that was the reason
13:31for her tension.
13:33But how can you think something like that of me?
13:35Because we both know how easily you lose your nerves.
13:37Yes, yes, but I would never face
13:39a poor sick woman.
13:41Begoña, I ...
13:43All I care about is your happiness
13:45and I'm willing to do anything.
13:47But stop promising things
13:49just because it was me.
13:51Do you prefer to believe her before me
13:53despite how unbalanced she is?
13:55Stop repeating that, Jesus!
13:57Honey, honey, I swear,
13:59no matter what you want,
14:01I've never shouted at your mother.
14:03I don't know, maybe she imagined it.
14:05In the same way she imagines
14:07that you are Julia and that I am Andrés.
14:09Look, look, look.
14:11Let's leave it.
14:13Okay, let's leave it.
14:15I'll be at the factory.
14:16If you need anything,
14:18call me.
14:35You'll see that later
14:37there is rest and no problem.
14:39Then we'll meet at the canteen
14:41or at the church.
14:43Mateo!
14:45Can I talk to you for a moment?
14:47Sure, tell me what you need.
14:49You're going to think I'm waiting
14:51for you to come by to talk to you, but ...
14:53No, no, no, what am I going to think about that?
14:55I have to ask you a favor.
14:57Sure, tell me, what do you need?
14:59Well, look, it's about Tasia.
15:01Carmen and I are very worried about him.
15:03Don't tell me he's back in one of his troubles
15:05with how well he was doing.
15:07That's what we suspect.
15:09We don't know what he's up to.
15:11Everything was going great
15:12until he wanted to quit his job as a driver.
15:15He quit his job as a driver?
15:17But why?
15:19That's what we'd like to know.
15:21We were happy with Don Damián, with the job.
15:23Come on, he even asked Don Damián
15:25to be the boy's godfather.
15:27Yes, yes, Carmen and he told me, come on.
15:29Besides, he has a lot of respect for Don Damián.
15:31Well, now he doesn't want to know anything
15:33about him, or the job,
15:35much less that he's the boy's godfather, come on.
15:37What a fool.
15:39Yes, yes, yes.
15:40I don't know if he has a future.
15:42No, but he wasn't like that before, Mateo.
15:44He was much calmer.
15:46Besides, now Carmen says
15:48that he's always angry.
15:50He even wanted to leave the factory.
15:53And the boy?
15:55Come on, he insisted that you don't leave.
15:58Imagine how serious it must be.
16:00Of course it is.
16:02I don't know, maybe he argued with someone
16:04and you know how Stasio is.
16:06I don't know, Mateo.
16:08The thing is, I don't see it.
16:10The worst thing is that Carmen has discovered
16:12a lot of money among her belongings.
16:16Oh my God.
16:18And she doesn't want to tell us where it comes from.
16:20I see.
16:22I don't know, I understand that you are worried.
16:24Of course, since she doesn't want to tell us where it comes from,
16:26the only thing we can think about
16:28is that she has gone back to nothing,
16:30to the stables, or that she has stolen it.
16:32Of course. Yes, yes, I understand.
16:34Well, she doesn't want to tell us anything,
16:36but maybe you do.
16:38Me?
16:40No, but you know
16:42that it is simply because he rejects everything that sounds
16:45religious, Mateo.
16:47Let's see, Claudia, don't underestimate
16:49a conversation from faith.
16:55You are good at convincing, huh?
16:57You were the best person we could turn to.
17:05Andres, you don't have to, really.
17:07I already told you I'm better.
17:08The flu is very treacherous.
17:10You could catch it if you don't take care of yourself,
17:12especially in your condition.
17:14How dare you go for a walk in the garden?
17:16I wanted to stretch my legs.
17:18What happened?
17:20Nothing, I've already found my wife's crazy head
17:22walking through the garden,
17:24with the flu she has.
17:27Are you okay, Gemma?
17:29Yes, yes, it's just that before I was cutting some onions
17:31and my eyes were a little irritated, that's all.
17:34Would you mind going with her upstairs?
17:36I have to go,
17:38before going to bed.
17:40No, I'm not going to sleep at this time.
17:42I'm going to the distributor.
17:44Can you bring me a blanket and some pillows?
17:46Watch her, please.
17:48If she gets worse, it could be terrible for her pregnancy.
17:50Don't worry, I'll take care of her.
17:52Thank you, Gemma.
17:56Well, maybe you should look for a substitute
17:59as a guard counselor.
18:01Why?
18:03I don't have much time in this convent.
18:06Well,
18:08the Archbishop has called me
18:10and they want to find me
18:12a destination where I can be of great use.
18:15I'm sorry, Claudia.
18:17I wanted to meet you to tell you,
18:19but everything happened so fast.
18:21So you won't be able to baptize my son anymore?
18:25No, no, no, I'm going to baptize your son,
18:27whatever it takes.
18:29I have to come from Patagonia.
18:31I hope you don't go so far.
18:34Is that what you really want?
18:36Yes.
18:38Well,
18:40Don Agustin is...
18:42well, he's very good to me at the Archbishop.
18:46And...
18:48and well, with his contacts, I think
18:50they can give me a destination
18:52that's...
18:54quite important.
18:57Yeah, you'll tell him.
18:59He's doing everything he can
19:01to keep you away from here.
19:03And he's doing it so well
19:05that we'll have to thank him.
19:06Don't talk about him with that grudge, Claudia.
19:10What's the problem with him staying here alone?
19:13He's always been like that.
19:17I know you.
19:19Something had to happen in my absence
19:21for you to distrust him like that.
19:23You also distrusted him
19:25when you found out about the boy and the hospital.
19:27Yes, well, and he apologized
19:29and told me it was the first time he had done it.
19:31But, well, we're not going to judge him for a slap, are we?
19:34A slap, Mateo, please.
19:36Mr. Agustín is not clean.
19:38He wasn't and he isn't now.
19:40What are you trying to tell me, Claudia?
19:42Mateo, let me tell you.
19:45Face to face.
19:47From man to man.
19:57What's wrong with you?
20:02Don't tell me it's because of that
20:03chubby, long-haired character.
20:05And a shameless one.
20:07And a swindler, María.
20:09What are you saying?
20:20What's going on?
20:22Ernesto is not a nobleman or anything like that.
20:24What?
20:26He just wanted to seduce me to steal my liver.
20:28How can that be?
20:30It can't be, this is incredible.
20:31I should have noticed.
20:33You were right.
20:35How could a man like that
20:37look at someone like me?
20:39Gemma, please.
20:41Gemma, you're gorgeous.
20:43And very nice.
20:45Don't say that.
20:47I've been an idiot.
20:49How could I let myself be seduced
20:51by a scoundrel like him
20:53with a wonderful man in my house?
20:55What happened? Tell me, what did he say?
20:57Gemma, what?
20:59Tell me.
21:01He told me to steal here.
21:03What?
21:05Here? Steal in this house?
21:07He stole my keys.
21:09What? The house keys?
21:11Gemma, please, we have to go to the civil guard.
21:13No, don't even think about it.
21:15Gemma!
21:17No, Joaquín could find out and it would be terrible.
21:19Much worse than that man coming in here
21:21and doing whatever he wants.
21:23María, please, I beg you, don't do anything.
21:25I'll stay here all night watching
21:27in case that scoundrel dares to come.
21:29And what?
21:31I'll give you a warning.
21:33I promise.
21:35Please, María, don't call.
21:37I'll risk my marriage with this.
21:57Here you go, Mateo.
21:59Thank you.
22:01And you tell me how life is at the seminary.
22:03It has to be like a student residence, right?
22:06Well, more or less.
22:08Only that there you can only pray and study.
22:12A verbena, come on.
22:14Let's see, Gaspar, no.
22:16Yes, I'm going, I'm going.
22:18Well, I've said it and you pass.
22:20Since you came back, you haven't undressed.
22:24I was thinking about you and I find you here.
22:27May I?
22:29Please.
22:32Yesterday I doubted whether to tell you or not,
22:36but I want you to know that the secretary of the dean
22:39has told me that they are valuing your file,
22:41so it's practically done.
22:43Aren't you happy, Mateo?
22:45I would be happier if they promoted me for my own merits
22:49and not for their excessive interest in taking me out of the way.
22:51What's that about?
22:53Please, Mr. Agustín,
22:55if you see the pen since the first time we saw each other.
22:57Can you tell me what happened so that you come to me now with those?
22:59Well, the truth always comes to light in the end.
23:01But come on, if you want to keep lying, go ahead.
23:03Lying? Lying, Mateo, about what?
23:05Aren't you going to be honest once and for all?
23:07That all this is not done for me, it is done for you.
23:10To keep doing your thing
23:12without any brat just out of the oven watching you.
23:21Good afternoon.
23:23Hello, son.
23:24Hello, son.
23:30Any news?
23:32That's what I was going to ask you.
23:34This morning I heard you a little tense talking to someone.
23:37I even heard one word louder than the other.
23:41Where?
23:43In the office at home.
23:45You were talking on the phone with a client.
23:47Oh, yes.
23:49I've made an offer to Perfumería Sirera
23:52and they found it very interesting.
23:54Well,
23:56it's finally going to be our clients.
23:58It is more than likely.
24:00They have negotiated hard, but I have been firm.
24:03And hence the one word louder than the other, I suppose.
24:07Well, I'm glad to hear that, son.
24:09It looks like you're coming from a funeral.
24:13What have you been up to?
24:17I've had an altercation with Mercedes.
24:21It was a matter of time before something like this happened.
24:25It would be strange
24:27for her stay at home to go unnoticed,
24:30without pity or glory.
24:32I realize that I rushed out of the sanatorium.
24:36Instead of serving so that Begoña looks at me with other eyes,
24:39things are getting worse.
24:41But if Begoña is delighted to have her mother at home.
24:44She was until today.
24:46Mercedes has suffered a rise in tension because,
24:49well, I shouted at her for a nonsense.
24:51I had to come to Dr. Borrell to visit her.
24:54I don't like that woman coming home, I've already told you.
24:57Father, if Begoña wants her to be there, she will be there.
24:59The important thing is that Begoña is happy.
25:01You said it yourself, didn't you?
25:03And has Begoña seen you shouting at her mother?
25:05No, she hasn't seen anything.
25:07But her mother has told her.
25:09Curious, I would swear that woman is unable to say anything coherent.
25:13That's what I said to Begoña when she asked me for explanations.
25:17And can you tell me why you shouted at the good Mercedes?
25:20Why did you shout at Mercedes?
25:22Because she took me out of my box when she told me that Julia is not my daughter.
25:26How? How?
25:28Begoña told you about Julia's paternity?
25:32No, man, no, no.
25:34What's going on? It's nonsense.
25:36Mercedes, with her thing, confuses Julia with Begoña when she was a girl.
25:40And sometimes she even thinks she's her daughter.
25:42Ah, we're done.
25:44Then you don't have to give her the slightest importance.
25:46I see.
25:48But I do care.
25:51I thought I had overcome the fact that Julia is Valentín's daughter, that miserable one.
25:57But Mercedes has managed to put her finger in the wound and yes, I have lost my nerves.
26:04Here you go.
26:06Thank you.
26:08Tell me something, Jesus.
26:10What does Julia mean to you?
26:16Well, she's my daughter.
26:18And I love her above all things.
26:20Well, that's all it says.
26:22Julia is your daughter.
26:24Because it's always been that and it can't stop being that.
26:27And for you?
26:29What does Julia mean?
26:31We've never talked about this since I told you what it is.
26:34Julia is my granddaughter and I love her as such.
26:36The only thing I feel is that Digna can't know the truth.
26:40That woman is unfair what she has lost in this life.
26:44She lost her son, she lost all her money.
26:46We took her granddaughter away from her.
26:49She won't be thinking about...
26:51Telling her? No.
26:53I wish she could.
26:55No, don't do it, Father.
26:57Don't worry, I have my priorities.
26:59Which are the same as yours, so you know what you have to do.
27:03You have to get your act together and start treating Mercedes like what she is,
27:08Begoña's mother.
27:10Jesus, you have to take deadly steps if necessary to please Begoña.
27:15Who told you the story?
27:18Carmen or Claudia?
27:23You don't know what it's like to go through needs.
27:26You're right.
27:28But I gave up all my privileges when I entered the seminary.
27:33I, on the other hand, got into the seminary to be able to eat.
27:36My sister and I were in the same class.
27:39I was in the same class.
27:40I got into the seminary to be able to eat.
27:43My sister and I were so poor that we had nowhere to go.
27:48Getting into Cura was my salvation.
27:50She put a plate of food on my table, but my sister...
27:53I abandoned my sister to her luck.
27:55I had a terrible time.
27:57That's why I've always felt indebted to her.
28:00I already know that story.
28:02And I even understood why she kept part of the money she was collecting.
28:06But, of course, even if I find it reprehensible,
28:10the point is that she lied to me.
28:13What did I lie to you about?
28:15That it wasn't the first time she did it.
28:17And that she's been doing it all this time.
28:20For what it has served me.
28:22God has ended up punishing me through my sister.
28:25Has something happened to her?
28:27No, no, no. She's fine.
28:29I was the one who ended up beaten.
28:32She set me up with a woman.
28:34She set me up with a miserable man.
28:37She stole everything from me.
28:39She betrayed me.
28:41I thought that I had paid for my sins
28:44and that from now on I would live dedicated to my pastoral work.
28:48But no one escapes their past, Mateo.
28:51No one.
28:54I deserve everything bad that happens to me.
28:57Father.
28:59I haven't heard from her again.
29:02I don't want to hear it.
29:04It's the least I can do.
29:06The time has come to confess everything to you
29:08and leave this place, no matter how much it weighs on me.
29:10No one is asking you to leave, Father.
29:12But my Lord hasn't forgiven me yet.
29:15Despite my repentance and my intention to do good,
29:18that's why He sent you here.
29:20So that you can help me get on well with Him.
29:24You know that God's mercy is infinite.
29:28And if your repentance is sincere,
29:31it is forgiven.
29:34But there are still people who look at me with bad eyes.
29:37Even you, who are a pure soul, turn your back on me.
29:40I don't, Father.
29:42And to prove it,
29:44I'm going to reject the promotion of the archbishop
29:47and I'm going to stay here with you.
29:49I'm going to help you clear your name.
30:05Hello, Begoña.
30:07Hello.
30:09Digna told me you were here with your mother
30:11and she wanted to know how Mercedes was doing.
30:14I just took her to her bedroom because she was a little tired.
30:17She's had a busy day today.
30:19Yes, I've heard about the attack she's had
30:21and that's why I wanted to know how she was doing.
30:23She's a little tired.
30:25I've just taken her to her bedroom because she's a little tired.
30:27She's had a busy day today.
30:29Yes, I've heard about the attack she's had
30:31and that's why I wanted to know how she was doing.
30:32She's fine, don't worry.
30:34And you?
30:36I suppose you'll be happy to have your mother around.
30:39I suppose it won't be easy to see the damage
30:42that illness does to someone you love.
30:45She's my mother, Don Damián.
30:47I don't mind being with her in the good times and the bad.
30:50And we're here to support you.
30:52What I mean is that
30:54you can count on me and my son Jesus
30:57for anything you need.
30:59Of course.
31:00And I won't keep you any longer.
31:02I just wanted you to know
31:04that you have your family here for anything.
31:06Don Damián.
31:08Yes, dear?
31:11How kind of you.
31:14Do you think it's bad that I'm worried about your mother?
31:17I think it's hypocrisy
31:19after how you threaten me over and over
31:21to lock her up in the worst sanatorium I can find.
31:23This is my house
31:25and if I'm one thing, I'm a good host.
31:27I don't wish any harm on your mother
31:29or on you.
31:31And what's the point of that?
31:33To clear her conscience?
31:35Because I doubt she'll get it
31:37with the many secrets she keeps.
31:40If you want to be kind,
31:42leave my mother alone.
31:44Wait, Begoña.
31:46As I just told you,
31:48I'm a good host
31:50and your mother is my guest here.
31:52But that doesn't mean
31:54things can get ugly
31:55for her
31:57if you keep this attitude.
32:01I hope with all my heart
32:03that your marriage to my son
32:05continues on the good path you started.
32:26Are you leaving?
32:28Yes. Do you need anything?
32:30Yes.
32:32Can you explain why you have to go to the big house?
32:35I don't get it, Gemma.
32:37It's bad that Maria's here.
32:39I don't know why you have to sacrifice yourself.
32:41She's pregnant.
32:43She doesn't want to infect Andrés.
32:45And you can get infected.
32:47Joaquín, really.
32:49I'll be in the room next door
32:51just in case I have to give her cold water
32:53and see if she feels worse.
32:55Can't her husband do that?
32:57Joaquín, she's pregnant.
32:59It's not good to do the opposite.
33:01I don't mind doing it.
33:03Really.
33:05Did you find the keys?
33:07Yes.
33:09They were in the locker at the service door.
33:11I'm so stupid.
33:14Well, I'm leaving.
33:16Why don't you throw away
33:18the useless things
33:20so we can make room for the clothes
33:21and we can have a good time?
33:23Goodbye, Luis.
33:25Wait a minute, honey.
33:28What's wrong?
33:30I'm going to miss you a lot tonight.
33:34A kiss.
33:36Me too.
33:38Goodbye, Luis.
33:40Goodbye.
33:44We should varnish the mother's room again.
33:47Not to mention all the traces
33:49that are accumulating in my room
33:51Yes.
33:53It's the best option
33:55because some furniture is fine
33:57but the wood is rotting.
33:59Father's file.
34:04Didn't you empty it?
34:06It weighs very little.
34:11I can't believe it.
34:13Is there something interesting?
34:15They're father's formulas.
34:17Well, proofs.
34:19Many of them are proofs.
34:21Would you mind if I took all this
34:24to take a look at it?
34:26No, I wouldn't mind.
34:28On the contrary, you've heard Gemma.
34:30She wants us to clear all this.
34:32Well, before we clear anything,
34:34we have to check it well
34:36to see if there's anything
34:38worth keeping, right?
34:40Very well.
34:42By the way, why didn't you take all the furniture?
34:44If you want, I can help you load it in my car.
34:46That's also true.
34:48Can you help me?
34:52Can you bring me a couple of boxes, too?
34:55A couple.
34:57And a bag of bread.
34:59A couple.
35:01Can you shut up and get me another one, please?
35:03I'll call you tomorrow.
35:12I'll put one on you
35:14and you'll go to sleep.
35:16You're drunk.
35:18I know.
35:19If you're drunk, you don't even have any reflexes left.
35:21Give me the bottle, man.
35:23I won't leave without paying.
35:28Where did you get that money?
35:30Can't you earn what's rightfully yours?
35:33I don't care if you pay me.
35:35I won't give you the bottle.
35:45What are you doing?
35:47What are you doing?
35:49Are you trying to get me to pay you
35:51so you can light me a cigarette or what?
35:53You're finally here.
35:55Your husband has gone mad.
35:57He's making money like it's nothing.
35:59If you make him come to his senses.
36:09Do you mind if I come with you?
36:11Please.
36:13You're at home, Dina.
36:16This is the best moment of the day.
36:18When the house is quiet
36:20and I can spend some time alone with you.
36:24Can I ask for more?
36:26I'm still a bit confused.
36:29That's true.
36:31You don't like sleeping outside your house.
36:33And you spend most of the day here.
36:35But one's house...
36:37Yes, it's one's house.
36:40You're being very generous, Damián.
36:43And not just with me.
36:45With Isidro and...
36:47And now also with Mercedes.
36:49You're my family.
36:51Including Isidro,
36:53who was always like an older brother to me.
36:55God willing, he'll heal completely.
36:58Even Julia
37:00has asked me to buy her a box of chocolates
37:02for her recovery.
37:04Look how smart she is.
37:09That girl is very smart.
37:12The smartest of all.
37:15You can say that.
37:18And she grows up too fast.
37:20Even though she still likes someone
37:22to read her a story at night.
37:24Yes, that's why I'm here.
37:26But she told me nothing about stories.
37:28She just wanted us to talk.
37:30Did she want to tell you something?
37:33She told me a lot of things.
37:35She told me about school,
37:37about her friends.
37:39I thought she'd never shut up.
37:41And suddenly, she fell asleep.
37:44She must be very happy to have you here
37:45now that Begoña can't take care of her.
37:48The only thing I'm worried about
37:50is that she'll exhaust you.
37:52No, for God's sake.
37:54Quite the opposite.
37:56I'm delighted to enjoy more than my little one.
37:58You have a wonderful granddaughter.
38:01You're very lucky.
38:08Do you think it's normal?
38:12I'm fed up, Carmen.
38:13That's what I think.
38:15And honestly, I don't give a damn about people.
38:18Really?
38:20Look at me.
38:22Tassio, look at me.
38:25I care about you too.
38:28And our marriage,
38:30and the family we want to have,
38:32I care about that too.
38:34You're really breaking my heart, Tassio.
38:37Well, I was born with a broken heart.
38:39Now you know.
38:40Why do you say that?
38:42Because it's the truth.
38:44My whole life has been a lie.
38:46A lie as big as a house.
38:49No one has ever loved me.
38:51If they do, you're fed up with me.
38:54No, my love.
38:56I'm here to help you.
39:00Look, if you're like this because of the money,
39:02give it back and that's it.
39:05Do you know what's worse?
39:07What's worse?
39:08Do you see what's worse?
39:10You give it back to its owner and to Pechuga.
39:14But tell me what's wrong with you,
39:16because if not, I can't help you.
39:18I can't tell you anything.
39:20Yes you can.
39:22Listen to me, I'm your wife.
39:24And I love you more than Ana in this life.
39:27I'm not going to leave you alone for anything in the world.
39:32Come on, tell me.
39:33Tell me.
39:37Promise me you won't tell anyone.
39:39I swear on the most sacred thing.
39:45The money is from Don Damián.
39:51Did you steal it from the boss?
39:55But why, my love?
39:57Shut up, Carmen, shut up.
39:59Because you don't even know anything.
40:01You'd better shut up.
40:06I'm going to miss you a lot when you get home.
40:11I've been here all my life.
40:13You said it.
40:15Yeah, but it's not the same.
40:17The house is too empty when you leave,
40:19when you go out that door every night.
40:21There are a lot of you here.
40:23But you know that the only person I really trust is you.
40:27And that was clear yesterday.
40:28When you opened your heart to me
40:30and told me about your relationship with Gervasio.
40:33Well, I could do it
40:35because I had already told my children.
40:38Otherwise, I would never have dared.
40:43I also need to tell you something.
40:45It's something that affects your sister.
40:55You know that I have always loved her with all my soul.
40:59But despite that ...
41:01Despite that what?
41:04I don't know.
41:06I don't know.
41:08I don't know.
41:10I don't know.
41:11Despite that what?
41:14I was unfaithful to her.
41:17It's horrible, I know.
41:19And it was only once, a slip.
41:21But unfortunately it had consequences.
41:24That woman
41:26had a son of mine.
41:30A son?
41:32Yes, now he is a man made and right.
41:34And recently
41:36I told him that I am his father.
41:38And you know him?
41:39Who is he?
41:41Estasio.
41:46That's why I offered him the job as a driver.
41:48But since he knows the truth,
41:50he doesn't want to show up here.
41:54Lina.
42:05Good night.
42:07Come on, rest.
42:09Come on.
42:15Good night.
42:17Good night, Gaspar.
42:19I'm about to close,
42:21but if you want another sandwich,
42:23I'll make you a pariquete.
42:25I'd rather an omelette.
42:27Double.
42:29Well, you were lucky,
42:31because I had my omelette left over.
42:33I was going to eat it for dinner,
42:35but I think you need it more than me.
42:37Thank you, Gaspar, you are the best.
42:39I didn't realize you had come in.
42:41No, right now I think you are unable to see anything
42:44other than those papers.
42:46How are you?
42:48How did Sara get to San Sebastián?
42:50Fine, fine.
42:52Although we haven't spoken for two days.
42:55And you were still in a relationship,
42:57despite the distance, right?
42:59No, we have decided
43:01that each one follows his own path.
43:03Oh, I'm sorry.
43:05I saw you very happy together.
43:07It hasn't been long
43:09since we met.
43:11We've become good friends,
43:13and who knows?
43:15You never know.
43:17Are you okay?
43:19Yes.
43:21Now it's best for both of us.
43:24Doctor,
43:26I've cut the omelette in half,
43:28as if it were two skewers.
43:30I'll bring the plate tomorrow and I'll pay you.
43:32Very well, but take a breath, please.
43:34It's not going to be all work.
43:36Yes, I live at work.
43:37And what about the student?
43:39He's been there for a while
43:41without looking at the papers
43:43and looking at the time.
43:45That's why he's excellent at everything he does.
43:47See you tomorrow, guys.
43:49See you tomorrow.
43:51But, man, Luis...
43:53What?
43:55You should have invited her
43:57to dinner with you.
43:59You're angry.
44:01What are you saying?
44:03I'm sure she has other things to do.
44:04She's acting like a doll.
44:06But come on, with how still you are,
44:08I'm sure she left
44:10wanting to share the omelette with you.
44:12No, man, no.
44:14Gaspar, she took two skewers of omelette.
44:16I'm sure she's not going to eat them alone.
44:18What do you have in your hands?
44:20What is it?
44:22A new formula?
44:24No, it's some papers I found
44:26in an old file of my father's.
44:28The truth is you don't know
44:30what you can find
44:32when you look back.
44:34Because I've seen you look at the doctor
44:37and where there was fire...
44:41Look, I won't bother you anymore.
44:43Besides, I have to prepare something in the kitchen
44:46because the doctor took my dinner.
45:05Oh, son.
45:07Father, why are you still up?
45:09I was going to sleep.
45:11And you?
45:13To think.
45:15Everything will be fine, son.
45:17Begoña will laugh again.
45:21Father.
45:24How dare you threaten her
45:26when you were her mother?
45:28I've heard you talk to my wife before.
45:30You were her mother.
45:31I've heard you talk to my wife before.
45:33I had to do it
45:35to prevent her from reporting you.
45:39In that case,
45:41I have no choice but to thank her.
45:43I don't know what would happen to me without her help.
45:45Well, you could start
45:47doing something for yourself.
45:49A while ago,
45:51I wanted to be kind to your wife
45:53because I was interested in her mother.
45:55And out of all the answers,
45:57Begoña demanded that I stay away from her.
45:59That woman will only bring us trouble.
46:03I think it's time
46:05to take her back to the sanatorium.
46:07Begoña will oppose
46:09and will fight tooth and nail.
46:11But we'll have to convince her in a good way.
46:13Do you think you can?
46:15Because I consider it an impossible task.
46:18And I'm not comfortable
46:20with that woman at home either.
46:22I see.
46:24And as long as she's around,
46:25I'll be more lost than a mill.
46:27Begoña will only have eyes for her.
46:29I'm having a hard time
46:31with that woman's presence.
46:33What you have to do
46:35is win your mother-in-law over.
46:37Make Begoña see you
46:39as the best man in the world.
46:41She knows I'm not.
46:43Everyone can change.
46:45And you're going to become a saint.
46:49Think that when Begoña
46:51returns to the sanatorium,
46:53she won't be able to take care of her mother.
46:55I don't think she wants to go back to work
46:57now that she's dedicated to her body and soul.
46:59You don't know your wife.
47:01She's not good enough to be locked up at home.
47:03You'll see how she'll get back to work as soon as she can.
47:06No, Father.
47:08She doesn't need to be there.
47:10They're two doctors.
47:12You could even say they have a lot of hands.
47:14Begoña herself will have realized
47:16that it would be too much.
47:18Then you won't have any other choice
47:20than to thank Mercedes
47:22and even convince you that you love her.
47:25No.
47:27What I have to do is find a way
47:29to get that woman out of the house
47:31as soon as possible.
47:33Don't rush it, son.
47:36Do you hear me?
47:38Trust me, Father.
47:40Trust me.
47:55I find it incredible
47:57that no factory worker has ever checked their eyes.
48:00I see.
48:02What surprises me is that Mrs. Evaristo
48:04would never have worried about something so important.
48:07I had it among my priorities,
48:09but I ended up so exhausted
48:11from the vaccination campaign
48:13that I left it for later.
48:15Maybe some of us are angry
48:17about having to wear glasses.
48:19No.
48:21When they discover the world through the lens,
48:23they will adore us.
48:25That's why I told you
48:27what it meant for him to wear glasses as a child.
48:29It was so funny
48:31how he discovered
48:33that you could see the leaves of the trees from a distance,
48:35the bricks of the houses.
48:40Do you want an infusion or a coffee?
48:45Well, maybe an infusion.
48:47If I have a coffee, I won't hit my eye.
48:49The same thing happens to me.
48:52Hey, we have to admit
48:53that Gaspar has a good hand.
49:05Jaime!
49:07Jaime, what's going on?
49:09Jaime, I'm so sorry.
49:11Don't worry.
49:13I'm going to get an analgesic for the pain, okay?
49:24I'm sorry.
49:30Drink slowly.
49:33That's it.
49:35Be careful.
49:39They won't hurt you.
49:42Don't worry.
49:44Don't worry.
49:46Catalina knew.
49:48She knew?
49:50And she not only forgave me,
49:51but she asked me
49:53to never misunderstand her.
49:55I want to leave!
49:57I want to leave!
49:59Okay, okay.
50:01I'll open it right now.
50:03Are you happy?
50:05Do any of you know where my mother is?
50:07She's not in her room, darling.
50:09No, no, not in her room or anywhere else.
50:11I've searched the whole house.
50:13You can tell me what's wrong
50:15and everything will be sealed
50:17by the secret of confession.
50:19My father is Don Damián de la Reina.
50:21I don't have to explain myself to you.
50:23Much less if you treat me like this.
50:25What did I do wrong?
50:27Tell me.
50:29Those dresses you liked to borrow were yours.
50:31Leave me alone!
50:33Very well, I had to talk to your husband.
50:35I'll go to the factory and ask for Joaquín Merino.
50:38From what you're telling me,
50:40you had neither art nor part
50:42of what it could mean
50:44to have found
50:46Valentín's ring.
50:48No.
50:49I'm guilty of covering it up.
50:51That's enough.
50:53Isidro went for a walk
50:55and saw the lock on the south side was open.
50:57No, no, no, please.
50:59We have to go to the Civil Guard.