Louise Harrington, an attractive divorcee in her 30s, holds a successful job at Columbia. However, she is dissatisfied with her life until she meets a young man who resembles her long-dead lover.
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00:00:30I don't know if I'm going to make it, but I'm going to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my
00:01:00best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best to do my best
00:01:30and soon
00:01:33and while i'm away stay tuned
00:01:45i'll get a silver rocket we'll take to the end of space
00:01:52is
00:02:13stay
00:02:22stay
00:02:28so
00:02:50stay
00:02:58so
00:03:07stay
00:03:28so
00:03:47i can hear you
00:03:48here what counting the calories fuck off
00:03:57any plans for the weekend go to a conference in oregon what's the topic repulsive energy
00:04:04energy can be repulsive yeah try pushing two magnets together
00:04:10oh no you're putting a manicure on sunday
00:04:16i would have taken you though except there's no way they were going to pay for a gas it's fine
00:04:26oh i had breakfast with sammy this morning why don't you have breakfast with sammy because he
00:04:31helps people invest their money that's why peter my brother is an addict and a thief he's in
00:04:36recovery lil besides he's really good at what you're not thinking about giving him any money
00:04:41to invest well i'm not getting any younger am i things that i uh i want to do then play the lottery
00:04:58peter how would you describe our marriage
00:05:00better than most how do you know because i hear the stories
00:05:10it was a good marriage we had 10 years six of them were really good yeah and we're still friends
00:05:21peter you're my only friend what about missy missy is 3 000 miles away she has a husband
00:05:28and two children to keep her company
00:05:38ask me who i hate go ahead ask me who do you hate my husband marcos is ignoring me every time he
00:05:46starts a new project it's like i'm invisible so i started a little project of my own guess
00:05:52how i spend my days waiting for me to call hitting on the pool boy i'm telling you wheeze
00:05:59i'm moving to venice beach you'd miss your rich husband he'd miss me wheezy you know me
00:06:06do i sit around feeling sorry for myself do i settle for a life without sex no i'm not you
00:06:11i work the problem so as of today i'm taking action i just wrote a flirty little note to old
00:06:19flame greg did you send it i'll have marcos do it mark marcos mm-hmm proactivity wheeze
00:06:30marcos needs to know if he can't give me what i need i'll go out and find someone who can
00:06:35wow
00:07:05so
00:07:35so
00:08:05so
00:08:21yo what's cracking
00:08:24is this f scott feinstein uh sure who's this
00:08:30this is louise harrington calling from columbia university oh hey louise hey
00:08:34what can i do for you we received your application today but there were no slides uh who's we
00:08:43iris i received it did you mail them separately uh hang on one sec
00:08:57hey you still there i'm still here uh fuck i completely spaced they are sitting right here
00:09:02by the front door look i will hit the post office first thing tomorrow morning okay um
00:09:08actually i'm calling to schedule an interview and you can bring them with you then an interview
00:09:17well is that like a requirement no it's it's it's not required but if you want to be taken
00:09:22seriously then you should have one well uh yeah i mean i definitely want to be taken seriously
00:09:30louise um will you be doing the interviewing yes good uh when were you thinking
00:09:41monday yeah okay what time 12 30 yeah no 12 30 is great great great
00:09:49i uh i can still hear you breathing louise well um i'll see you uh monday and um
00:10:06don't forget your slides no ma'am okay
00:10:19so
00:10:50so
00:11:05hey mom oh louise he almost gave you a heart attack what's the occasion sammy's coming to
00:11:12dinner don't tell me you're joining us i'm just gonna go poke around my room a little bit how's
00:11:21peter mom peter and i are divorced i've known the man 12 years louise i can't ask how he's doing
00:11:43so
00:11:58uh
00:12:13so
00:12:23these flowers are coming up wild they're coming up they're coming up they're coming up
00:12:34coming up
00:12:43they are like those children go off to school and don't come back
00:12:54so
00:13:03waiting around about to cry
00:13:14hey
00:13:36you're like a flower
00:13:44♪ Ooh, I wanna be right now
00:13:49So good.
00:13:51I'm starving.
00:13:53Ow.
00:13:55All right, Louise, look, thank you.
00:13:57Is it true, after a hard day's work,
00:13:59a man likes to have his food waiting for him
00:14:01when he walks in the door?
00:14:03It's Saturday.
00:14:04So what?
00:14:05He never rests.
00:14:06Well, I'll sleep on him dead.
00:14:08Oh, don't say that.
00:14:09What's in your bag?
00:14:11Found some stuff in my closet.
00:14:13What stuff?
00:14:14Clothes.
00:14:15Oh, they won't fit you anymore, darling.
00:14:18I'll get them altered.
00:14:20They're back in fashion.
00:14:22If you say so.
00:14:24Mom, whatever happened to the Feinstadts?
00:14:27They retired to Florida.
00:14:29Not too far from your father.
00:14:31Did they have brothers and sisters?
00:14:33Why do you ask?
00:14:34I saw the name Feinstadt the other day.
00:14:36I just wondered if Scott maybe had a cousin
00:14:38running around somewhere.
00:14:39It was just the two of them.
00:14:42Which made what happened to Scott so devastating.
00:14:46Still, the way she carried on about his artistic genius.
00:14:49Mom!
00:14:52It is the worst thing that can happen
00:14:54to a woman losing a child.
00:14:57I see Rachel Feinstadt when she comes back to visit,
00:15:00and she's lost her bloom.
00:15:02Do you remember how beautiful she was
00:15:04when she was your age?
00:15:06My age?
00:15:08Yeah.
00:15:09When you and Scott were dating,
00:15:11Rachel would have been about your age.
00:15:41Hey.
00:16:02Hey.
00:16:04Did Scott ever use the phrase
00:16:06just add water life with you?
00:16:08Who?
00:16:10Scott.
00:16:12Scott was 20 years ago.
00:16:14I couldn't tell you what I had for breakfast this morning.
00:16:16Just this one thing.
00:16:18What, are you writing your memoir?
00:16:20No, I just, I saw it somewhere.
00:16:22It sounded familiar.
00:16:23I wasn't sure if it was him.
00:16:25Where'd you see it?
00:16:26Magazine.
00:16:27Did he say it?
00:16:29Yeah.
00:16:31Yeah, he used to say it.
00:16:33It was part of his whole thing, you know?
00:16:35You know, that sensitive artist thing.
00:16:37Like, like, hey, I make art,
00:16:39so you don't get to yell at me
00:16:41for making you wait at the IHOP for two fucking hours.
00:16:44I forgot that part.
00:16:46What part?
00:16:47Being late part.
00:16:49Oh, and just when you were ready to write him off.
00:16:51Poof.
00:16:53He'd show up with that shitty new grin on his face.
00:16:55Thanks, it was driving me crazy.
00:16:57Yeah, no problem.
00:16:59Yeah, let's pick it up in another 20 years.
00:17:01Fine.
00:17:08Whew.
00:17:20Scott.
00:17:21F. Scott.
00:17:22That's...
00:17:23Louise, right?
00:17:27Close the door.
00:17:37You're late.
00:17:38I know, I, uh...
00:17:40I totally fucked up on the subway, I'm sorry.
00:17:45And strike two.
00:17:48Excuse me?
00:17:49You're into abstracts.
00:17:51I'm not abstract.
00:17:52I mean, it's just...
00:17:54It's not what I do.
00:17:56I'm more figurative.
00:17:58I figure that, uh...
00:18:00You know, you're telling a story,
00:18:02so you need real forms to do that.
00:18:07Yeah.
00:18:15How was your time at RISD?
00:18:18Good, you know? It was good.
00:18:20Good people, good times,
00:18:22but, uh, you know, at the end of the day...
00:18:27It's Rhode Island, you know?
00:18:29So, uh, I guess I needed more room.
00:18:33And that's why I'm here.
00:18:37I'm sorry, why are you here?
00:18:41Louise, ever since I can remember,
00:18:44I've had this thing inside of me.
00:18:47You know, and it just keeps coming and coming.
00:18:49There's no stopping it.
00:18:50Canvas after canvas.
00:18:52It's like it's all part of the same thing.
00:18:55So, you know,
00:18:57you just tell me what I need to do, Louise,
00:19:00and I will do it.
00:19:03Well, let's, um,
00:19:07take a look at your slides.
00:19:10You're not gonna believe this.
00:19:13I forgot to bring them.
00:19:15I'm just kidding, I'm just joking.
00:19:22Uh, you're not gonna project them?
00:19:25Well, not yet.
00:19:27When the committee makes their final deliberations.
00:19:30Oh.
00:19:32And here I thought I was talking to the gatekeeper.
00:19:35I can't go into procedure,
00:19:37so why don't you arrange them for me?
00:19:40Sure.
00:19:44I'll make them nice and pretty just for you.
00:20:01♪
00:20:04♪
00:20:29Excuse me.
00:20:32Peter.
00:20:34Hello.
00:20:35It's not a good time.
00:20:37Oh, okay.
00:20:38Um, I just wanted to see if we can do your place tonight.
00:20:41Tonight?
00:20:42Yeah, it's Monday.
00:20:44I'm sorry, sure, my place.
00:20:46It's just that I'm not up to cook.
00:20:48Sure, okay.
00:20:50So, uh, I'll see you about 7.
00:20:52Sure.
00:20:53Okay.
00:20:54Sorry to disturb you.
00:20:55It's okay.
00:20:56Bye-bye.
00:20:58All yours.
00:21:00Lou.
00:21:02Lou?
00:21:33♪
00:21:45All right, come on.
00:21:47Hit me, Louise.
00:21:49No, I can take it.
00:21:51Shh, shh.
00:22:03Well, I think...
00:22:07they show a great deal of promise.
00:22:13Promise?
00:22:17Okay, so, uh, you keep these for now?
00:22:19Yes.
00:22:20And, uh, I'm free to go?
00:22:22Well, now's the time for you to ask me
00:22:24any questions you might have about the program.
00:22:26Um, you know what?
00:22:28I don't, uh...
00:22:29Thanks for your time, Louise.
00:22:32Uh, F. Scott?
00:22:41F. Scott!
00:22:49Is that how you conclude an interview?
00:22:51You go running off like that?
00:22:53Um...
00:22:55I don't know.
00:22:57You know, this is my first interview.
00:22:59So why don't we go sit somewhere?
00:23:01I can tell you about the program
00:23:03and the faculty, the resident artists.
00:23:05You must have some questions.
00:23:07And it'll be my turn in the hot seat.
00:23:10Okay?
00:23:15Okay.
00:23:29Okay.
00:23:49Um...
00:23:51do you want something to drink?
00:23:54Why not?
00:23:56Just go ahead.
00:24:00Thanks.
00:24:03Thanks.
00:24:28What does it make you think of?
00:24:32Take your time.
00:24:41It's a mother and child.
00:24:47Oh.
00:24:50It was a gift.
00:25:02Well, I gotta say, Louise...
00:25:05I am really digging this executive recruitment thing.
00:25:09Well, you know, I'm completely at your disposal.
00:25:12Oh.
00:25:14Uh, actually, then, I do have...
00:25:17a question.
00:25:19Go ahead.
00:25:21Has anyone ever painted your portrait?
00:25:25Once.
00:25:27Once?
00:25:30A long time ago.
00:25:34You should let me.
00:25:57Okay.
00:26:27Uh...
00:26:57Okay.
00:27:28All right.
00:27:36Are you sure this is okay?
00:27:38Yeah.
00:27:40I don't want to make you do anything...
00:27:42Yeah, it's fine.
00:27:49Do you have something?
00:27:51Yeah.
00:27:53Do you have something?
00:27:55Get it.
00:28:25Fuck.
00:28:55Oh, fuck.
00:29:26Fuck.
00:29:39Fuck.
00:29:41Fuck.
00:29:56Fuck.
00:30:20Fuck.
00:30:25Fuck.
00:30:43Ah.
00:30:55Ah.
00:31:00That was fucking awesome.
00:31:05Can I get you anything?
00:31:07Can you get...
00:31:10Are you kidding me?
00:31:20Louise, can I ask you a question?
00:31:22Yeah, sure.
00:31:24Is this gonna hurt my chances?
00:31:27Chances of what?
00:31:29I mean, as the head of admissions,
00:31:33can you balance business and pleasure?
00:31:40Yeah, I...
00:31:42You know, I think I better get back to the office for a bit.
00:31:46Oh, yeah, no.
00:31:49Can't abandon all responsibility, right?
00:31:53You want to chill out later tonight?
00:31:57Yeah. Yeah, do you?
00:31:59Sure. Ah, can't tonight.
00:32:02How about, um, tomorrow night,
00:32:05I will take you out on a proper date?
00:32:07How does that sound?
00:32:10Yeah, I'd like that.
00:32:12Okay, I'll call you.
00:32:14Speaking of which, can I use your phone?
00:32:16Yeah, yeah, of course.
00:32:22Right there.
00:32:30Thank you.
00:32:42Hi, Mom.
00:32:45Yeah.
00:32:47Yeah.
00:32:49No, I think it went pretty well.
00:32:52Okay.
00:32:54No, it was pretty easy.
00:32:56I mean, it was fun, too.
00:32:58I was in and out of...
00:33:00Can we talk about this when I get home, Mom?
00:33:03I love you, too. Bye.
00:33:07Mom. She worries, you know?
00:33:10I'll bet.
00:33:12You know, I think I should probably take a shower.
00:33:14You know, just sober up a bit.
00:33:16Yeah, yeah, sure.
00:33:20Thanks.
00:33:24Wow, it's organized.
00:33:29Just...
00:33:31You're sure this is okay?
00:33:33Yeah, yeah, it's fine.
00:33:35Just, um, take all the time you want,
00:33:37and then just, uh, just let yourself out.
00:33:39Okay. Okay.
00:33:41Will you promise me one thing?
00:33:43Yeah.
00:33:45Promise me I'll see you tomorrow night?
00:33:47I...
00:33:49I promise.
00:34:07Hey, you changed.
00:34:09Yep.
00:34:17Okay.
00:34:48Louise Harrington.
00:34:50What are you up to?
00:34:52What do you mean?
00:34:54I've been calling all over the place.
00:34:56Well, I...
00:34:58I took a long lunch.
00:35:00Ah, well, I heard back from Greg.
00:35:02Who?
00:35:04Greg, Greg, Greg.
00:35:06He called me this morning.
00:35:08Oh, what did he say?
00:35:10What did he say? Wheezy.
00:35:12Wheezy.
00:35:14He called me from a hotel.
00:35:16A hotel?
00:35:18Mm-hmm.
00:35:20Subtle, this man is not.
00:35:22He calls me up and basically says,
00:35:24come on over for an afternoon of hot, nostalgic sex.
00:35:27Oh, my God.
00:35:29What did you say?
00:35:31I said, order up some of that room-service shrimp cocktail, honey.
00:35:34I'm coming over.
00:35:36No.
00:35:38Yes! Two hours ago.
00:35:40I'm in the SUV.
00:35:42I'm actually on my way to meet Greg
00:35:44at the Radisson, no less.
00:35:46You should have seen me, Wheezy.
00:35:48I'm driving barefoot with these fuck-me shoes
00:35:50bouncing around on the passenger seat.
00:35:52It's a good hair day. All systems are go.
00:35:54And?
00:35:56And, two blocks from the hotel,
00:35:58I turn around and drive home.
00:36:03Why, miss?
00:36:05Why?
00:36:07Because the last time Greg saw me naked,
00:36:09I was 22.
00:36:11I was still perfect, Wheezy.
00:36:13He's picturing me as a girl.
00:36:15If I let him see me now,
00:36:17the girl is gone forever.
00:36:19She gets replaced by a housewife who's had twins.
00:36:22I mean, you should see my bazooms, Wheezy.
00:36:25It's like National Geographic over here.
00:36:27Oh, come on, miss.
00:36:29You always needed a bra.
00:36:31Ouchie.
00:36:33Wait a minute.
00:36:37You're getting laid, aren't you?
00:36:40What are you talking about?
00:36:42I know you.
00:36:44Your voice changes when you're getting laid.
00:36:46Spill the beans, Wheezy.
00:36:48Who is he?
00:36:50I don't know.
00:37:12I don't know.
00:37:43You look great.
00:37:45I forgot about your groupies.
00:37:47Well, yeah, they're newly intoxicated
00:37:49with the wonders of the universe.
00:37:52Remember when we were like that?
00:37:55I remember.
00:37:58Getting you was like winning a prize.
00:38:01I outshone all the other girls.
00:38:03You sure did?
00:38:04Mm-hmm.
00:38:07Still do?
00:38:09Mm-hmm.
00:38:13How are you, Lil?
00:38:16Well...
00:38:20I'm wonderful, actually.
00:38:22You look wonderful.
00:38:26And how are you, Peter?
00:38:28I'm good.
00:38:29Good.
00:38:32I'm happy.
00:38:34Happy?
00:38:35Mm-hmm.
00:38:37Lil, I didn't mean to be rude.
00:38:40Lil, I didn't go to Oregon
00:38:45last weekend by myself.
00:38:47What?
00:38:49I went with somebody else.
00:38:55Oh.
00:38:57I wanted to tell you myself
00:38:59because I didn't want you finding out some other way.
00:39:02Thank you.
00:39:06Is she a student?
00:39:07No, no, um...
00:39:10I met her through Sammy, actually.
00:39:13Sammy?
00:39:17Do you have a cigarette?
00:39:19You don't smoke.
00:39:20I do, sometimes.
00:39:38Thanks.
00:39:42Lil, some months back, I, um...
00:39:48I went to Sammy for help.
00:39:52You told me.
00:39:53This is different.
00:39:59I have an addiction.
00:40:02You have an addiction?
00:40:05An addiction to what?
00:40:07To sex.
00:40:11Sex?
00:40:12You have an addiction to sex?
00:40:15Yeah.
00:40:17It started before we met.
00:40:20But, Peter, the last three years of our marriage,
00:40:22we didn't have sex at all.
00:40:29Oh, God.
00:40:31Every semester, I swore to myself,
00:40:33this will not happen again.
00:40:36And then a list of names would be left on my desk,
00:40:38and just even looking at the names
00:40:40would start the whole cycle all over.
00:40:43That's how we met.
00:40:44I was a name on a list.
00:40:46Lil, I swear to you, you were different.
00:40:50I swear.
00:40:52How many?
00:40:58I don't know.
00:40:59How many, Peter?
00:41:05Hundreds.
00:41:06Hundreds?
00:41:08Yeah.
00:41:09And there was some men as well.
00:41:13Men?
00:41:14Yeah.
00:41:19How many?
00:41:20I don't know.
00:41:21You don't know?
00:41:22How many?
00:41:23I don't remember.
00:41:24It wasn't many.
00:41:25It was a few.
00:41:27A few?
00:41:29A few.
00:41:30What does that mean?
00:41:32Not more than, I don't know, ten.
00:41:35Not more than ten.
00:41:38Not more than ten.
00:41:39Peter, that's more than me.
00:41:41It's a disease, Lil.
00:41:43It's taken me all my adult life to just accept that.
00:41:50Sammy helped me.
00:41:52He helped me get there.
00:41:56Are you fucking my brother?
00:42:00I went to Sammy because I saw the way he handled his addiction one day at a time.
00:42:05I asked him if he could help me to get into a program.
00:42:08He did.
00:42:09And that's when I met Farrah.
00:42:15Farrah?
00:42:18What's her addiction?
00:42:19Is she a sex addict too?
00:42:21Do the two of you just get together?
00:42:22Do you just fuck all the time?
00:42:23It doesn't matter.
00:42:27It's cocaine, actually.
00:42:29Oh, good.
00:42:32Expensive.
00:42:33The worst thing of all, Lil, was that throughout our marriage I blamed you for what was happening.
00:42:41Well, sure, why not?
00:42:42The more I acted out, the less you seemed to notice.
00:42:44You had this image of me that, you know, that I was like some knight in shining armor.
00:42:49You wouldn't let go of it.
00:42:50You clung to it.
00:42:51I was desperate for you to catch me.
00:42:55You have no idea what it's like to live with an addiction day in, day out, Lil.
00:43:00To live this secret life.
00:43:02But I can tell you right now, I have finished with hiding.
00:43:07And if you'll let me, I want to repair the damage that I've done.
00:43:18You're on step nine, aren't you?
00:43:23Hmm?
00:43:24You're making amends?
00:43:28I fucking hate step nine with a passion!
00:43:31I am trying to repair the most important relationship of my life.
00:43:37After all these years, I am offering myself to you.
00:43:42The real me.
00:43:46My real self.
00:43:47Get out, Peter.
00:43:53Okay.
00:44:05Okay.
00:44:35Okay.
00:44:55Okay.
00:45:20Hey.
00:45:31Is this about me?
00:45:32No.
00:45:33No.
00:45:35It's about Peter.
00:45:37Who's Peter?
00:45:38My ex-husband.
00:45:41Oh, I didn't know you were married.
00:45:44I'm 39 years old.
00:45:45We met yesterday.
00:45:48Look, I'm sorry.
00:45:49I'm sorry.
00:45:50He just, he told me some stuff about us.
00:45:54About us?
00:45:55No, not, not, not us, us, but him and me, us, when we were married.
00:46:04Like, maybe he did some cheating?
00:46:08Probably fucked you at some point.
00:46:16You know what, Louise?
00:46:19This is about me.
00:46:21I've entered your bloodstream, you know, and he can smell it.
00:46:24He's jealous, that's all.
00:46:25He wants you back.
00:46:27You think?
00:46:28Yeah, I think.
00:46:30And hey, you know, it's not like I don't know the feeling.
00:46:35I've been thinking about you all day.
00:46:36I have been counting the hours.
00:46:38Then I come over here, and you're talking about him, and I'm jealous.
00:46:43You're jealous?
00:46:44Yeah, I, come on.
00:46:47I want you all to myself.
00:46:51You do?
00:46:53Yes.
00:46:55Tonight, it's just you and me, okay?
00:46:58It's just you and me.
00:47:00We are the only two people in the entire world.
00:47:09Oh, my God.
00:47:20I had no idea I was this hungry.
00:47:24So I went out, and I checked out some studio spaces.
00:47:27Oh, you look good.
00:47:28Yeah, you know, if Columbia doesn't work out, you know, I've got to have a plan B.
00:47:35Where are you working now?
00:47:37Oh, it's this little place you might have heard of called my mom's basement.
00:47:40Yeah.
00:47:44What are you going to do?
00:47:48Scott, what would you do if you couldn't paint?
00:47:50Probably, um, go crazy.
00:47:54What if something happened?
00:47:56What if...
00:48:01You were driving in your car, and you hit a tree, and you went flying through the windshield?
00:48:07Uh...
00:48:10I guess I would take all the splintered wood and the shattered glass and the twisted metal,
00:48:20and I'd mix it with my blood and my guts, and I'd create this giant mixed-media roadkill sculpture.
00:48:33But you'd be buried under the ground.
00:48:35But I'd bust out of there.
00:48:39I'd come racing up through the dirt, you know.
00:48:42I'd bloom into a beautiful flower.
00:48:45With any luck, you know, someone would come by and take care of me.
00:48:50Plenty of water, plenty of sunlight.
00:48:53Sounds like a just-add-water kind of life.
00:48:55Oh, it...
00:48:59No, you know.
00:49:02Not if the person had a gentle touch.
00:49:09Not if they had a green thumb.
00:49:40Can we get dessert?
00:49:50Break it up!
00:49:53Well, break it up!
00:49:58Hang on one sec.
00:50:10Hey, Louise. This is Ricky, Ricky, Louise.
00:50:14Hi, Louise.
00:50:15Hi.
00:50:16Are you aware that F. Scott here is not to be trusted?
00:50:20Dude, just bounce.
00:50:26Who's that?
00:50:28That's a friend from the old neighborhood.
00:50:33And why are you not to be trusted?
00:50:35Oh, that's because he's being a dickhead.
00:50:38I told my mom I was staying at his place last week, and I wasn't.
00:50:43He needed to cover for me, so...
00:50:46Were you with a girl?
00:50:52Well, that was before I met you, Louise.
00:51:04Hey, come with me.
00:51:09Shit.
00:51:29I know what you're thinking.
00:51:32What am I thinking?
00:51:33You're thinking that I'm too young for you.
00:51:36How do you know what I'm thinking?
00:51:38Well, I have powers, Louise.
00:51:42Yeah, no, I do.
00:51:45Yeah.
00:51:46You want me to prove it?
00:51:47No.
00:51:48I think it would be fun. Come on.
00:51:50Look, you just met my best friend.
00:51:54I want you to think of your best friend.
00:51:56Come on, really get a picture of them in your mind.
00:51:59Okay? Do you have that picture?
00:52:01Okay, I got it.
00:52:02No, come on. I really want you to concentrate.
00:52:04Okay.
00:52:09Okay.
00:52:11Oh, yeah, whoa.
00:52:14This is freaky.
00:52:16Oh, let me see.
00:52:20That's strong tonight.
00:52:25It's a woman.
00:52:26Good.
00:52:27Yeah.
00:52:28It's a woman.
00:52:30She's got dark hair.
00:52:34She lives in a house on a hill.
00:52:40She's got a child.
00:52:42No.
00:52:43Two children.
00:52:45Twins.
00:52:46Twins.
00:52:47Her name starts with an M.
00:52:49Like Missy.
00:52:52Is it, is her name Missy?
00:52:54How do you know that?
00:52:56I told you, Louise, I know everything there is to know about you.
00:52:59Where was I?
00:53:02How did I...
00:53:04I'm just kidding.
00:53:06I spoke with Missy yesterday on the phone.
00:53:08You spoke with Missy?
00:53:09Yeah, I came running out of the bathroom.
00:53:12I was dripping wet.
00:53:13I was, you know, I was hoping it'd be you.
00:53:16She said she was your best friend.
00:53:18Is that true?
00:53:21It's true.
00:53:23What else did she say?
00:53:26She told me about...
00:53:29I don't know.
00:53:30She told me about Marcos.
00:53:33And the twins.
00:53:38Let's go.
00:53:40Yeah?
00:53:42Let's go home.
00:53:46Yeah.
00:53:56Let's go.
00:54:20Take off your clothes.
00:54:24Yes.
00:54:54Walk back and forth.
00:54:56Walk.
00:55:11You'd leave a good-looking corpse.
00:55:13Well, that's the best thing about dying young, right?
00:55:16You know what the worst thing is?
00:55:18About dying young?
00:55:19About dying when you're still perfect.
00:55:23No, I'm not perfect.
00:55:26You're a little scrawny.
00:55:27Wiry.
00:55:28Wiry.
00:55:29Thank you.
00:55:30And, you know, this is gonna go eventually.
00:55:33That's what I'm talking about.
00:55:35The worst thing about dying young is that your work has no relevance.
00:55:39Why?
00:55:41Because you got off easy.
00:55:44You skipped out on all the countless humiliations life had planned for you.
00:55:49So, then, as a career choice, you would advise against dying young?
00:55:58Let's play a game.
00:56:01Hmm?
00:56:03It's a pretend game.
00:56:05Pretend?
00:56:07Okay.
00:56:08What shall we pretend?
00:56:11Go to the mirror and look at your reflection.
00:56:15Okay.
00:56:23Oh, yeah.
00:56:26Now I'm gonna describe a situation to you.
00:56:30You ready?
00:56:32No.
00:56:35It's the future.
00:56:38You're 40 years old.
00:56:40Can you imagine that?
00:56:42Yeah.
00:56:45You're 40 years old.
00:56:49And you're a failure as an artist.
00:56:52I mean, you haven't completely stopped fighting.
00:56:55You haven't completely given up the ghost.
00:56:57But it's been years and years.
00:57:00And your work hasn't achieved any real acclaim.
00:57:02I don't care about acclaim.
00:57:03Just as long as I get to keep working.
00:57:05Well, of course.
00:57:06Which is why you haven't quit.
00:57:07But today you're feeling particularly fragile.
00:57:11This morning.
00:57:13It's morning.
00:57:15And you're getting dressed for work.
00:57:18Where do I work?
00:57:23You work for your uncle selling cars in New Jersey.
00:57:27Wow.
00:57:28It's a long commute. You're running late.
00:57:31I'm a car salesman.
00:57:32Used cars.
00:57:33Wow.
00:57:34And here's where you have to use your imagination.
00:57:37What you're wearing.
00:57:39Look at yourself.
00:57:42Imagine that you're wearing a dress shirt.
00:57:46Boxers.
00:57:48Black socks.
00:57:50And nothing else.
00:57:52And you're tying your tie.
00:57:56I don't know how to tie a tie.
00:57:57Exactly.
00:57:59You never learned how.
00:58:01That's why you need me to help you.
00:58:05And who are you, Louise?
00:58:08Are you my wife?
00:58:09I am.
00:58:11I'm your wife.
00:58:13And usually I tie your ties and I hang them on the doorknob.
00:58:16So all you have to do is slip them over your head.
00:58:18But I forgot today.
00:58:19So you need my help.
00:58:22And here's another thing you have to imagine.
00:58:25You've gotten chubby over the years.
00:58:28Your hair has started to thin.
00:58:32Your hair has started to thin.
00:58:34Can you imagine that?
00:58:37Yeah.
00:58:38And today's one of those days when you look in the mirror.
00:58:40And you wonder if you have any fucking purpose at all in life.
00:58:44You're having a moment of serious doubt.
00:58:48I'm scared.
00:58:49You're terrified.
00:58:53You're terrified.
00:58:56And here I am.
00:58:57I'm standing behind you, tying your tie.
00:59:00I'm a grown man in your boxers and black socks.
00:59:03I'm standing here like your mother.
00:59:05And I look down at your stomach and you have love handles.
00:59:12And they're oozing out over your boxers.
00:59:14And I reach down and I grab them and I give them a jiggle.
00:59:17And I say, darling, why didn't you take up jogging?
00:59:25Imagine me saying that to you.
00:59:27Just like that.
00:59:28Sing song like a joke.
00:59:32And what do I say?
00:59:33Nothing.
00:59:37You say nothing.
00:59:39There's nothing you can say.
00:59:42You just have to stand there until I finish.
00:59:44You just have to suck it up.
00:59:49That's pretty harsh.
00:59:51You bet.
00:59:53And guess what?
00:59:56It's just the tip of the iceberg.
01:00:00But it's that humiliation that will connect you to the rest of us.
01:00:06It's that feeling that will give your work meaning.
01:00:14Okay.
01:00:17I know what this is about.
01:00:19What?
01:00:22Why you're so angry.
01:00:24I'm not angry.
01:00:25It's about Peter.
01:00:31He hurt you like crazy, Louise.
01:00:35And I know it's fresh.
01:00:39But you have to listen to me.
01:00:41He has nothing.
01:00:54Hey.
01:00:55Hey.
01:01:10Look at me.
01:01:40Look at me.
01:02:10Look at me.
01:02:22Look at me.
01:02:23God.
01:02:51Bob?
01:03:01Bob?
01:03:11Bob?
01:03:21Bob?
01:03:32Mom?
01:03:42What's wrong, darling?
01:03:46Everything.
01:03:58Everything.
01:04:06Peter has a girlfriend.
01:04:07Can you believe it?
01:04:12Yes, I can.
01:04:24So how did you find out?
01:04:26Peter told me.
01:04:29He told me a lot of things.
01:04:32Is she young?
01:04:34Her name is Farrah.
01:04:41Do you know why I love it out here?
01:04:47All I'm responsible for is this little piece of dirt.
01:04:51No more saving the world.
01:04:54No more fighting injustice.
01:04:59Just me and my babies.
01:05:05Is Sammy coming for dinner?
01:05:08I never know when he's coming.
01:05:09He works such long hours.
01:05:11But you baked a pie.
01:05:12Yeah, keep a little something just in case.
01:05:16You know, you always complain that we never see each other.
01:05:19Maybe if you baked me a pie, I'd be magically compelled to visit.
01:05:25You don't eat pie, darling.
01:05:40Twice in one week.
01:05:42It's a world record.
01:05:46I need to know something.
01:05:48What?
01:05:52How could you?
01:05:56How could I what?
01:05:58Peter.
01:06:01It's his money, Louise.
01:06:03I don't care about the money.
01:06:05That's not what I'm talking about.
01:06:07Okay, so, um, what are you talking about?
01:06:10You could have told me about Peter, Sammy.
01:06:15He asked me not to, Louise, so, uh, no, I could not have.
01:06:18Oh, you couldn't or wouldn't?
01:06:21It's not my job to tell you something you should have figured out for yourself.
01:06:23How can you sit there with such dignity?
01:06:25You're a drug addict.
01:06:26I'm in recovery.
01:06:27Oh.
01:06:29That's right.
01:06:31You just snap your fingers, everything goes back to normal.
01:06:33Oh, nothing is normal.
01:06:34No, nothing is normal, because you know what?
01:06:36You're a grown man sitting in your mother's kitchen eating pie.
01:06:39Your mother, who you stole from.
01:06:42Yeah, that's right.
01:06:43I'm here in her kitchen.
01:06:45I'm here.
01:06:47Where have you been?
01:06:49In your office watching your family fall apart,
01:06:51watching your husband flush his life down the toilet?
01:06:53Where have you been?
01:06:54You don't know anything about my marriage.
01:06:56Oh, kid.
01:06:58You know, asking the universe for pity is a waste of time.
01:07:03The universe doesn't care.
01:07:06It doesn't care that my entire life was a lie.
01:07:09It doesn't care that our mother's getting older.
01:07:11It doesn't care about you and me and the...
01:07:14It sure as hell doesn't care about your marriage.
01:07:17Then...
01:07:19Why don't you help me out, Sammy?
01:07:22Why don't you give me some of that good old step nine stuff?
01:07:30Find the pattern.
01:07:33Pattern?
01:07:34Find the pattern and put yourself in a position of profit
01:07:37when the pattern repeats itself.
01:07:38You are so full of shit.
01:07:40Whatever, Louise.
01:07:42Jesus.
01:07:43Dignity is a choice.
01:07:45Quit feeling sorry for yourself and work the problem.
01:08:10♪
01:08:40Is there a Missy Goldberg registered here?
01:08:43♪
01:09:06It's open.
01:09:08It's open.
01:09:21How did you find me?
01:09:24Pattern recognition.
01:09:26You sound like Sammy.
01:09:28Sammy?
01:09:29Didn't I tell you?
01:09:30He's helping me with some investments.
01:09:32Oh, whatever it is, sink all your dough into it.
01:09:35Sink the kid's college funds.
01:09:37Whatever he says, it's a sure thing, truly.
01:09:42I saw him.
01:09:45Who, Sammy?
01:09:46You know who.
01:09:57You were holding out on me.
01:10:01What do you think, miss?
01:10:03I don't think.
01:10:05I know.
01:10:07It's him.
01:10:08It's Scott.
01:10:12You have a cigarette?
01:10:13I quit.
01:10:16I can't believe he's real.
01:10:19I thought I was going crazy.
01:10:20Believe me, it's him.
01:10:22The question is, what are we gonna do?
01:10:25Oh!
01:10:30You must have died when you first saw him.
01:10:32I couldn't believe my eyes, but then again, I could.
01:10:36It sort of made sense having him there in my office.
01:10:48How'd you find out, miss?
01:10:51Coincidence. Fate.
01:10:54You weren't picking up in the office,
01:10:57so I rang you at home and he picked up.
01:11:00Did you know right away?
01:11:01Well, there was the voice, but it was more than that.
01:11:05It was the words he was using.
01:11:07It was the way he was making me feel.
01:11:09It felt like it was him,
01:11:11but I talked to him for half an hour before I finally asked for his name.
01:11:14Half an hour?
01:11:15I made him say it three times.
01:11:17I actually made the poor kid spell it.
01:11:19He must have thought I was crazy.
01:11:21So, what was it?
01:11:24How did he make you feel?
01:11:27Like myself.
01:11:29The real me.
01:11:30Yes.
01:11:31The one I'd forgotten about.
01:11:33Not the me that drives the kids to school in a fucking SUV.
01:11:36Someone else.
01:11:38The girl.
01:11:40That's it.
01:11:42Exactly.
01:11:43I looked in the mirror,
01:11:45and for the first time in God knows how long,
01:11:47I saw someone I recognized.
01:11:50It was me.
01:11:51It was my face, not the face of someone's mother.
01:11:55So I tried to get you to spill the beans,
01:11:58which you wouldn't do.
01:12:02So I sat on my hands until I couldn't fucking take it anymore,
01:12:06and then I came here to see for myself.
01:12:09And?
01:12:10And I rang him up.
01:12:14Where?
01:12:15He was over at Ricky's.
01:12:17Ricky?
01:12:18How did you find out about Ricky?
01:12:20Scott's mother's in the phone book.
01:12:22So I called her up,
01:12:24pretended like I was from Columbia.
01:12:27I said I needed to speak to him right away regarding his application.
01:12:30Then I rang him up,
01:12:34and I invited him to brunch.
01:12:37I said I'd tell him all about you.
01:12:40So you were with him today?
01:12:42Yeah.
01:12:43We had a blast.
01:12:45I bought him socks.
01:12:49Did he ask about me?
01:12:50Sure.
01:12:52He was full of questions.
01:12:54You didn't tell him about Scott, did you?
01:12:56Excuse me, I'm not an idiot.
01:13:01And just how much progress did you make, Missy?
01:13:06Not enough.
01:13:09But enough.
01:13:11I touched him.
01:13:14You touched him?
01:13:15You better believe it, sister.
01:13:17I touched that creamy skin.
01:13:19Mm.
01:13:42How could you hold out on me, Wheezy?
01:13:44I loved him too, you know.
01:13:46I understand that, Miss, but who cares?
01:13:48What do you mean, who cares?
01:13:49We're not sharing him this time!
01:13:52We tried that, remember?
01:13:58Here's what I remember.
01:14:00I remember Scott dumped you for me.
01:14:03I remember it was me who shared.
01:14:05It was me who took pity on you.
01:14:07Besides, he was mine when he died.
01:14:12I don't care.
01:14:13He was mine when he died!
01:14:15So what?
01:14:20If he had lived, he would have come back to me.
01:14:23He would have seen you for what you really are.
01:14:25Which is what?
01:14:26A dickhead.
01:14:28Maybe.
01:14:29Or maybe we would have gotten married, had kids, and lived in a loft in Soho.
01:14:34Or maybe he'd be working at his uncle's car dealership in New Jersey.
01:14:37Oh, yeah, right.
01:14:38Can you just see him doing that, Wheezy?
01:14:39I think you're just jealous.
01:14:40Jealous of what?
01:14:41Jealous that Scott and I are married, living in Soho, with two beautiful kids and a Jack Russell Terrier.
01:14:47I'm not jealous.
01:14:48He would have dumped you in three weeks for a sculpturist with a toe ring.
01:14:51Oh, and then what?
01:14:52He would have come running back to you?
01:14:58Yes.
01:14:59With me.
01:15:00He could have had a family.
01:15:01He could have had kids.
01:15:02You need it in vitro!
01:15:04Well, he could have had that for me if...
01:15:07It just wasn't in the cards with you, Wheezy.
01:15:09You know what?
01:15:10You are just not a mother.
01:15:22I'm sorry, Wheezy.
01:15:25But it's true.
01:15:27Besides, you're forgetting how he used to treat you.
01:15:31Don't you remember you told me he used to make you run around naked so he could poke fun at your body?
01:15:37He was critiquing me!
01:15:38He was going to paint my portrait!
01:15:40Which he kept promising to do, but he never did.
01:15:42He did paint my portrait!
01:15:44The mother and child!
01:15:45Wheezy!
01:15:47You were 17!
01:15:51I'm telling him the truth.
01:15:52I'm telling him everything.
01:15:55You're going to fuck it up, Louise!
01:16:16F. Scott, what are you doing out here?
01:16:20Waiting for you.
01:16:23Did Missy call you?
01:16:25What did she say?
01:16:28She said that you had something important to tell me.
01:16:33Let's go inside.
01:16:34Why don't you just tell me what you came here to tell me?
01:16:38What do you think I'm here to say?
01:16:44That you're through with me?
01:16:46You know, that you've had your fun?
01:16:48That's not why I'm here.
01:16:58When I was in high school, I had a boyfriend, and I went out with him, and then Missy went out with him.
01:17:11She stole him from me.
01:17:16And...
01:17:19And then he was killed.
01:17:22How?
01:17:23Car accident.
01:17:28Louise.
01:17:33Louise, I'm sorry.
01:17:34He looked like you.
01:17:37He painted like you.
01:17:40He had your name.
01:17:43F. Scott?
01:17:44Feinstadt.
01:17:47His name was Scott Feinstadt.
01:17:52And Missy thinks I'm a lot like this guy, too?
01:17:55She does.
01:17:56She thinks you're him, or he's you, or...
01:18:02Do you understand what I'm saying?
01:18:11What do you think, Louise?
01:18:14What do I think?
01:18:15Yeah, you're telling me that Missy thinks I'm some guy...
01:18:20back from the dead?
01:18:22Is that what you think?
01:18:23I... I... I don't know.
01:18:25I...
01:18:29Yes.
01:18:30Yes.
01:18:31Oh.
01:18:32You said you had something inside of you.
01:18:34You said that you were meant to be here in this place.
01:18:36You said that.
01:18:38And maybe you're right.
01:18:41Maybe there is something inside of you.
01:18:42Maybe it brought you here to find me.
01:18:50Louise.
01:18:53Some guy broke your heart, and I get that.
01:18:57That's... that's traumatic.
01:19:00But you know what?
01:19:03That happens to everybody.
01:19:05No.
01:19:06Not like this.
01:19:07That happens to everybody.
01:19:10Okay?
01:19:11It's called high school.
01:19:14Ugh.
01:19:17And you know what?
01:19:19Usually people learn from the experience,
01:19:21and then, you know, they just move on with their lives.
01:19:23Well, maybe they shouldn't.
01:19:26I mean, maybe that's what's wrong with the world.
01:19:27Everybody's just... they're just moving on.
01:19:30When you're working and nothing's coming,
01:19:32do you... do you just get up and you walk away?
01:19:36Do you?
01:19:40Okay, I don't want to fight, Louise.
01:19:41Well, what if I want to?
01:19:42Well, it takes two.
01:19:45That's not...
01:20:01Hello.
01:20:02Hi.
01:20:33Hi.
01:20:34Hi.
01:20:35Hi.
01:20:36Hi.
01:20:37Hi.
01:20:38Hi.
01:20:39Hi.
01:20:40Hi.
01:20:41Hi.
01:20:42Hi.
01:20:43Hi.
01:20:44Hi.
01:20:45Hi.
01:20:46Hi.
01:20:47Hi.
01:20:48Hi.
01:20:49Hi.
01:20:50Hi.
01:20:51Hi.
01:20:52Hi.
01:20:53Hi.
01:20:54Hi.
01:20:55Hi.
01:20:56Hi.
01:20:57Hi.
01:20:58Hi.
01:20:59Hi.
01:21:00Hi.
01:21:04Peter?
01:21:18Are you okay?
01:21:23I just wanted to tell you the truth, Lou.
01:21:28For once, I wonder the words coming out of my mouth
01:21:29to bring us closer together.
01:21:31♪♪♪
01:21:41♪♪♪
01:21:52-♪♪♪
01:21:56-♪♪♪
01:22:03-♪♪♪
01:22:06Hi.
01:22:07Listen.
01:22:08-♪♪♪
01:22:15Let me guess.
01:22:17Peter.
01:22:18Yeah.
01:22:19Who are you?
01:22:20He's an MFA applicant.
01:22:22An MFA applicant?
01:22:24Are you fucking insane?
01:22:26Wha...
01:22:27What's...
01:22:28What's going on here?
01:22:29Oh, she didn't tell you about me?
01:22:31I'm the dead guy.
01:22:32Peter, I need you to leave.
01:22:33No, no, I think I'm gonna stay.
01:22:35Yeah, stick around.
01:22:36We'll grab hands and have a seance.
01:22:38Peter, I mean it.
01:22:39Please, let me handle this.
01:22:40Yeah, man, you better let her handle this.
01:22:42You watch your tongue.
01:22:43Get the hell out of here.
01:22:44Stop!
01:22:46Peter.
01:22:48Please.
01:22:50I'll call you in 15 minutes, okay?
01:22:52Fine.
01:22:56It was a pleasure.
01:23:02I don't believe you.
01:23:04You come over last night,
01:23:05and you fuck with my head,
01:23:06and the whole time I find out
01:23:07you have been sleeping with your ex-husband?
01:23:09Peter and I did not sleep together last night.
01:23:11We didn't sleep together much.
01:23:13We...
01:23:14We...
01:23:15We...
01:23:16We...
01:23:17We...
01:23:18We...
01:23:19We didn't sleep together much when we were married.
01:23:21Then what?
01:23:22Is that how you break up with someone?
01:23:23Tell them they're dead?
01:23:24And then just hope they'll go away?
01:23:26F. Scott.
01:23:28The whole thing is just too fucking mystical for me.
01:23:33You don't think this is mystical for me, too?
01:23:37I wake up yesterday morning,
01:23:39and you're asleep next to me.
01:23:40And I'm freaking out,
01:23:41because everything's so new and different.
01:23:44And then I look over at you,
01:23:46and I am blinded.
01:23:48You are six inches from my face.
01:23:53And you are so fucking beautiful,
01:23:55I can't even focus my eyes.
01:23:57F. Scott, I...
01:23:58F. Scott.
01:23:59What?
01:24:02My name's not F. Scott.
01:24:06Okay? It's Francis.
01:24:11Francis?
01:24:13Francis Scott Key Fines.
01:24:16Francis Scott Key Finestat.
01:24:19I guess I thought F. Scott sounded cool on the application.
01:24:24Everyone at home calls me Fran.
01:24:26Fran?
01:24:27Yeah, Fran.
01:24:31You know what the worst part is?
01:24:37You don't even think I'm an artist in my own right, do you?
01:24:40I'm just some extension of him, right?
01:24:43You know what that is, Louise?
01:24:45A... mother and child?
01:24:50It's a fucking joke.
01:24:51Don't say that.
01:24:52That's some kid who kicked over a can of paint
01:24:56and decided to call it art.
01:24:57Don't say that.
01:25:01F. Scott.
01:25:08I couldn't sleep last night.
01:25:10I was going crazy,
01:25:12trying to make some sense of what you said.
01:25:15So you know what I did?
01:25:16What?
01:25:17I went and saw Missy.
01:25:21And what happened?
01:25:26What do you think happened?
01:25:30Bye.
01:25:42Have you seen him?
01:25:43Yes.
01:25:52We acted like a couple of boys, didn't we?
01:25:54What happened last night?
01:25:58The kid came up to my room.
01:26:00We fucked till the sun came up.
01:26:02We did it four, maybe five times.
01:26:04We did everything imaginable.
01:26:06Oh, the earth moved.
01:26:08Is that what you're talking about?
01:26:11The earth moved.
01:26:12Is that what you want to hear?
01:26:13I want to hear the truth.
01:26:15The truth is I gave him a shot.
01:26:18I gave him two shots, actually.
01:26:23He wasn't buying.
01:26:24He said no.
01:26:25Can you believe it?
01:26:28Why, miss?
01:26:30Why?
01:26:31You know how it is.
01:26:34I only wanted him because you had him.
01:26:37Is that really true?
01:26:39Of course it is.
01:26:41At least that's what Marcos says, anyway.
01:26:43Marcos?
01:26:47You told Marcos?
01:26:50We're meeting this weekend in Napa.
01:26:58You said terrible, terrible things to me last night.
01:27:01You said some pretty terrible things to me, too.
01:27:03You said terrible things to me.
01:27:05Terrible things to me.
01:27:07I surrender.
01:27:08You won.
01:27:09It's not attractive to sit around and gloat.
01:27:11Gloat?
01:27:13What are you talking about? Gloat?
01:27:15Lizzie, would you stop?
01:27:23No two snowflakes are exactly alike,
01:27:25but these two are pretty damn close.
01:27:29You have a gorgeous snowflake
01:27:31who's just dying to get to know you better.
01:27:35What are you doing?
01:27:37You're sitting here arguing with me.
01:27:44I swear.
01:27:49Some people just refuse
01:27:52to let anything good happen to them.
01:28:05I'm sorry.
01:28:07I'm sorry.
01:28:09I'm sorry.
01:28:35This is Sammy.
01:28:37This is Louise.
01:28:39What's wrong?
01:28:41There's nothing wrong.
01:28:43I've got to call you back, then.
01:28:45Okay?
01:28:47I am really proud of you, you know.
01:28:55Eat my butt.
01:29:05Peter.
01:29:07Hello.
01:29:09I got your message.
01:29:11I know you were worried.
01:29:13Yeah.
01:29:15I was going to call the police.
01:29:17I told you I could handle it.
01:29:19I'm sorry.
01:29:21I'm sorry.
01:29:23I'm sorry.
01:29:25I'm sorry.
01:29:27I'm sorry.
01:29:29I'm sorry.
01:29:31I'm sorry.
01:29:34I told you I could handle it.
01:29:36So you did.
01:29:50You and I are never going to work, Peter.
01:30:00Even though
01:30:02we love each other?
01:30:06Even though we love each other.
01:30:32I love you.
01:30:34I love you.
01:30:36I love you.
01:30:38I love you.
01:30:40I love you.
01:30:42I love you.
01:30:44I love you.
01:30:46I love you.
01:30:48I love you.
01:30:50I love you.
01:30:52I love you.
01:30:54I love you.
01:30:56I love you.
01:30:58I love you.
01:31:00I love you.
01:31:02I love you.
01:31:04I love you.
01:31:06I love you.
01:31:08I love you.
01:31:10I love you.
01:31:12I love you.
01:31:14I love you.
01:31:16I love you.
01:31:18I love you.
01:31:20I love you.
01:31:22I love you.
01:31:24I love you.
01:31:26I love you.
01:31:28I love you.
01:31:30I love you.
01:31:32I love you.
01:31:34I love you.
01:31:36I love you.
01:31:38I love you.
01:31:40I love you.
01:31:42I love you.
01:31:44I love you.
01:31:46I love you.
01:31:48I love you.
01:31:50I love you.
01:31:52I love you.
01:31:54I love you.
01:31:56I love you.
01:31:58I love you.
01:32:04Frank.
01:32:06Hey, Louise.
01:32:17Louise, look.
01:32:21What is this, like a...
01:32:23some kind of Deere John letter?
01:32:26Did you do this?
01:32:44No.
01:32:46Your work did that.
01:32:49Congratulations.
01:32:51And your work is beautiful.
01:32:52My friend, it's beautiful.
01:32:53Louise, Louise, thank you.
01:33:23So.
01:33:26So.
01:33:27Well, it's a beautiful day, so.
01:33:38Yeah, it is.
01:33:53Okay?
01:33:54Okay.
01:33:55Okay.
01:33:56Okay.
01:33:57Okay.
01:33:58Okay.
01:33:59Okay.
01:34:00Okay.
01:34:29I guess, I'll see you later.
01:34:32I know where to find you.
01:34:33Okay.
01:34:34Bye.
01:34:35Bye.
01:34:36Bye.
01:35:03Bye.
01:35:04Bye.
01:35:05Bye.
01:35:33Bye.
01:35:34Bye.
01:36:03Bye.
01:36:04Bye.
01:36:05Bye.
01:36:06Bye.
01:36:07Bye.
01:36:33Bye.
01:36:34Bye.
01:36:35Bye.
01:36:36Bye.
01:37:03Bye.
01:37:04Bye.
01:37:05Bye.
01:37:33Bye.
01:37:34Bye.
01:38:03Bye.
01:38:04Bye.
01:38:33Bye.
01:38:34Bye.
01:38:35Bye.
01:38:36Bye.
01:39:03Bye.