El diablo comedy western movie
Esperanza, a maid, falls in love with her employer's young son Martin and becomes pregnant. She fights all odds to save her child and reunite with Martin from whom she is separated by his family.
Transcript
00:00:00I bet you ain't never seen a day as pretty as this back east in, uh, Boston.
00:00:28I'd say Boston can be quite beautiful, Sheriff.
00:00:58Oh, Nettie!
00:00:59I'm sorry, Mom.
00:01:00Billy Ray's here.
00:01:01I never would have known.
00:01:02Nettie, no more Billy Ray.
00:01:03It's Mr. Smith, okay?
00:01:04Okay.
00:01:05Morning, Billy Ray.
00:01:06Nettie.
00:01:07Morning, Mrs. Tulane.
00:01:09Nettie.
00:01:10Morning, Billy Ray.
00:01:14No more Billy Ray. It's Mr. Smith, okay?
00:01:18Okay.
00:01:21Morning, Billy Ray.
00:01:24Betty.
00:01:26Morning, Mrs. Tulane.
00:01:40Oh, Betty. Betty, you need to be careful.
00:01:42I'll get him. I'll get him.
00:01:44You have to take care of these books, you know?
00:01:53Do you ever think about me, Billy Ray?
00:01:56Of course I do.
00:01:58I usually wonder whether you're doing your homework or not.
00:02:02No.
00:02:03I mean, do you ever think of me as a woman?
00:02:08Someday, Nettie, you're gonna be a very beautiful woman.
00:02:12In other words, you don't.
00:02:14Now, Nettie, let me tell you something.
00:02:16When you're a little girl, all you want is to become a woman.
00:02:19But when you're a grown woman, you realize how important it is to be a little girl.
00:02:23Now, it's different for a man.
00:02:25I mean, when he's a boy, he's expected to behave and mind his folks.
00:02:29But when he becomes a man, I mean, he has to stand tall,
00:02:33speak the truth, make an honest day's living,
00:02:36and be able to look any other man straight in the eye without flinching.
00:02:41Good morning, Billy Ray.
00:02:44Good morning, Charlie.
00:02:45Beautiful morning for procreation.
00:02:49Be fruitful and multiply, saith the Lord.
00:02:59Billy Ray?
00:03:05Seven minus three equals...
00:03:10Now, think about this for a minute, Lon.
00:03:15Let's say you had seven chickens,
00:03:17and your neighbor came over and took away three of them.
00:03:22How many would you have left?
00:03:27Well, I think I'd have seven
00:03:30because my daddy'd shoot him before he got out the hen house.
00:03:34I think that's enough arithmetic for today, Lon.
00:03:37Why don't you sit down?
00:03:43We're starting a new Kid Durango book today.
00:03:46Yay!
00:03:47This is one of my personal favorites.
00:03:49Is there a girl in this one, Billy? I mean, Mr. Smith?
00:03:52Yes, there is, Nettie.
00:03:54Now, I think there's something in here for everyone.
00:03:58If you prefer, we could go to the library and look at it.
00:04:01Kid Durango of Arizona, the Dust Devils.
00:04:07The layer of dew that covered the prairie
00:04:10disappeared quickly as the sun rose over the foothills.
00:04:14The moon hung around for a while
00:04:16and then sunk far below the ranges.
00:04:19The day began like a thousand other Arizona days.
00:04:24The sun rose over the foothills,
00:04:26the moon hung around for a while,
00:04:28a thousand other Arizona days.
00:04:31That was...
00:04:33until the cloud came.
00:04:37It began on the horizon.
00:04:39Shadows of dust moving at great speed.
00:04:43And then the pounding hulls on the hard ground.
00:04:48As the whirlwind got closer,
00:04:50you could see into the dust
00:04:52the shapes of horses and then the riders.
00:04:56Riders with guns on both hips
00:04:59and bandoliers across their chests.
00:05:02They rode hard.
00:05:04They rode with a purpose.
00:05:08As they rode,
00:05:10they rode with a purpose.
00:05:13They rode with a purpose.
00:05:16As they approached the town,
00:05:18they reined back on their horses.
00:05:32The dust around them settled
00:05:34and you could see their faces.
00:05:37Faces weathered by the Mexican sun.
00:05:40Faces marked by violence.
00:05:44Police!
00:06:07When the citizens of the town saw the riders,
00:06:11they instinctively withdrew
00:06:13into the shadows of the boardwalk.
00:06:15Many of the merchants went inside their shops
00:06:18and locked their doors.
00:06:20Shades came down.
00:06:22Clothes signs appeared
00:06:24as the town prepared to look the other way.
00:06:42It was pretty clear why they were there.
00:06:45They had an appointment at the bank
00:06:48and it wasn't to make a deposit.
00:07:11Heh, heh, heh.
00:07:41Heh, heh, heh.
00:08:06They were a ruthless band of thieves and killers
00:08:10ready for human life.
00:08:19It was as if they were put on this earth by the devil
00:08:23to torment decent, God-fearing folks
00:08:26who worked hard to make an honest living.
00:08:29Hey, hey, hey. There's a gunshot.
00:08:31No.
00:08:33It's just like in the story, Billy Ray.
00:08:35No.
00:08:38They got guns. They're coming this way.
00:08:41Everybody stay in your seats.
00:08:46Stay in your seats. Stay in your seats.
00:08:49Come on, get out of the way.
00:08:53Stay in here.
00:08:55Nettie, move. Move.
00:08:58This is real, Nettie. Nettie.
00:09:03Vengase, señorita.
00:09:05Move, move.
00:09:08Hey, let me go.
00:09:10Mr. Brief, put her down.
00:09:12Let me go. Billy.
00:09:14Señor. Billy.
00:09:16Señor, señor.
00:09:18Hola.
00:09:20Billy Ray.
00:09:22Chuck. Nettie. Chuck.
00:09:25Gringo.
00:09:27Billy.
00:09:29Wait. Wait.
00:09:31Nettie. Nettie.
00:09:33Help me.
00:09:36Muy macho, el gringo.
00:09:42Billy.
00:09:54Boy, what the hell was that?
00:09:56They shot Harold and Mr. West.
00:09:59Where the hell's the sheriff?
00:10:01Sleeping, probably.
00:10:02Wake them up. Tell them to round up a posse.
00:10:04Up the bank.
00:10:06They took the police girl.
00:10:08Oh, my God.
00:10:10Hey, hey, mount up.
00:10:12Somebody go get Jake.
00:10:14I think the road's set, boys.
00:10:19Billy Ray. Billy Ray, you all right?
00:10:22You're looking kind of peaking.
00:10:24Somebody better go get the doc.
00:10:28They have my Nettie.
00:10:32Nettie.
00:11:03Is my daughter there?
00:11:05Can anyone see my Nettie there?
00:11:07Billy Ray, can you see?
00:11:09My eyes aren't what they used to be.
00:11:11Yeah, look at that.
00:11:13Looks like just one rider, huh?
00:11:15I can't tell.
00:11:17I don't think there's anybody on them horses.
00:11:20I see the sheriff.
00:11:22I swear to God.
00:11:24I swear to God.
00:11:26I swear to God.
00:11:28I swear to God.
00:11:30I see the sheriff.
00:11:32I swear that's him.
00:11:38Where are the others?
00:11:51That's Jethro's horse.
00:11:53Where the hell's Jethro?
00:11:57There's blood on the saddle.
00:11:59What the hell happened, sheriff?
00:12:04What? They cut out his tongue.
00:12:14Excuse me, deputy.
00:12:16Did you say that they cut out his tongue?
00:12:19Hey, here it is, right here.
00:12:24Now, even if we could get a posse together,
00:12:26we wouldn't know where to find him.
00:12:28The U.S. government and the federality
00:12:30have been searching for him for years.
00:12:32I'll tell you something about this El Diablo.
00:12:35They did find him once.
00:12:37Caught him down in Amos,
00:12:39a little border town north of Lareda.
00:12:41Caught him, tried him,
00:12:43and hanged him all in the same night.
00:12:45But he wouldn't die.
00:12:47He'd just hang there by his neck,
00:12:50spitting at the crowd like they disgusted him.
00:12:53Cussed him out so bad the womenfolk had to go home.
00:12:56I was there when they cut him down.
00:12:59And I thanked the Lord I left when I did.
00:13:02Because three days later,
00:13:04so the story goes,
00:13:06El Diablo returned to Amos with his men
00:13:09and cut out the heart of every man, woman and child
00:13:13in the whole blessed town
00:13:15and just left them there to bleach in the sun.
00:13:21And pretty soon, they started to rot.
00:13:24And then the buzzards come
00:13:26and started pecking out what's left of their eyeballs.
00:13:28Now, Spidey, that's enough of that.
00:13:30Devil don't never die.
00:13:32No, sir.
00:13:34So no one is going to do anything
00:13:36about getting my Nettie back.
00:13:38All right, cut out her heart and eat it.
00:13:41I didn't say nothing about eating their hearts.
00:13:44He just cut them out and left.
00:13:46Spidey.
00:13:48Well, I'm sorry, hippity.
00:13:50Or are you the sheriff now?
00:13:53Because if you are,
00:13:55then it's your responsibility to go after El Diablo.
00:13:59What are you going to do about it, Sheriff?
00:14:02Well, last report, the doc said
00:14:04that the sheriff's feeling much better.
00:14:07And I suppose he's been working on his sign language, too.
00:14:11Spidey's right.
00:14:13You're the new sheriff. We pay your wage.
00:14:18I intend to bring Nettie back.
00:14:24I said, I intend to bring back Nettie.
00:14:27You and who else, schoolteacher?
00:14:32Well, me and kid Durango, that's who.
00:14:39I mean, kid Durango and I.
00:14:41Hey, Charlie, you got competition.
00:14:44You can't even shoot a gun.
00:14:47Really, Ray?
00:14:49Well, I intend to learn to shoot a gun.
00:14:52El Diablo's sure gonna drop a load of manure in his pants
00:14:56when he sees you a-coming at him.
00:15:23Well, I do know one man,
00:15:26my second cousin Maggie Sue's brother-in-law,
00:15:30J.D. Shones.
00:15:32Yep.
00:15:34He's some kind of law man now,
00:15:37Texas ranger.
00:15:39He's supposed to have rode with kid Durango.
00:15:46To tell you the truth,
00:15:48we never had all that much to do with him.
00:15:52He's a...
00:15:54sort of the disgrace of the family, you know.
00:16:01He shot and killed my cousin Deke
00:16:04about eight years ago up in Sonoma.
00:16:07He also shot and killed my daddy's brother Edward.
00:16:13Where is he now?
00:16:15Well, last time I heard, he was up in Millennium.
00:16:18Some kind of...
00:16:20some kind of marshal or ranger up there.
00:16:24Hell, ain't but a turd's difference
00:16:26between old J.D. and the scum he hauls in.
00:16:30But if anybody could help you find kid Durango,
00:16:33it'd be him.
00:16:37You need bigger bottles.
00:16:51Come on.
00:17:03Come on, we don't want to fail.
00:17:05Come on.
00:17:07Come on.
00:17:21Come on now.
00:17:37Hello.
00:17:43You be darn careful who you show that to.
00:17:46Yes, sir.
00:17:51Sheriff Edwards wrote you this note.
00:17:56Don't go.
00:18:01We thank him for the advice.
00:18:04You're a darn fool, Billy Ray.
00:18:07Yes, sir, I know.
00:18:09Come on, Rojo.
00:18:12Only God can kill the devil, Billy Ray.
00:18:16Forward.
00:18:47That's what represents a cow.
00:18:50Idiot. Idiot.
00:18:52Billy Ray, you think you're all there?
00:18:55That a...
00:18:57Settle down. Settle down.
00:19:00Whoa, whoa, whoa.
00:19:02Whoa!
00:19:08Billy Ray done shot his horse.
00:19:10What?
00:19:17My journey did not begin on a good note.
00:19:20I was nonetheless determined to press on.
00:19:22And after arranging an alternate mode of transport,
00:19:25I arrived in Millennium three days later.
00:19:29Okay.
00:19:44Excuse me.
00:19:49Can you tell me where I can find a Mr. J.D. Shones?
00:19:53What do you want with him, sonny?
00:19:56I just have a very important question I'd like to ask him.
00:20:00You should have asked him yesterday.
00:20:04All aboard!
00:20:06We are now committing this man, Mr. Jones...
00:20:10Uh, Mr. Shones, to his life in the hereafter,
00:20:14and we would like to take a moment
00:20:16to acknowledge his contributions to our community.
00:20:19During Mr. Shones' short-lived term as sheriff,
00:20:22he served the public to the best of his abilities,
00:20:24he shot eight men and three women,
00:20:27most of whom were engaged in breaking the law.
00:20:31I'm sure the others were honest mistakes.
00:20:34What happened?
00:20:36Friend of yours?
00:20:38Sort of.
00:20:40Yeah?
00:20:42Shame here.
00:20:46Sort of.
00:20:48You got business with J.D.?
00:20:50Yeah.
00:20:52Yeah.
00:20:55Well, I'm the sheriff now.
00:20:58Maybe I can be of some assistance.
00:21:04Hey, man.
00:21:08Throw the dirt on him. Let's get out of here.
00:21:11Oh, my Lord.
00:21:13Come on.
00:21:15Are you related to him?
00:21:17No, sir.
00:21:20I don't know. Just come on. Move along.
00:21:31Jeremiah, come along right now.
00:21:33But why?
00:21:35I want to thank you for distracting him from it.
00:21:50What are you looking at?
00:21:52You just shot him in the back.
00:21:54His back was to me.
00:21:56Now, come on, boy.
00:21:58Help me out of this hole.
00:22:00Come on. Help me out.
00:22:04It's all right.
00:22:06He shot J.D. in the back.
00:22:08I'm sure of it.
00:22:10I'm sure of it.
00:22:12I'm sure of it.
00:22:14I'm sure of it.
00:22:16I'm sure of it.
00:22:18He shot J.D. in the back.
00:22:20Just seemed right.
00:22:22He killed J.D.?
00:22:24Yeah. Said he wanted to be sheriff real bad.
00:22:27Now he's sheriff real bad.
00:22:39Real head don't like gunfire.
00:22:41Hurts his ears.
00:22:44Maybe you can tell me where I can find a man named kid durango.
00:22:48What do you want him for?
00:22:50They say he's the fastest gun in the west.
00:22:53Oh, yeah?
00:22:55I want to hire him for a job.
00:22:59You got any money?
00:23:01Maybe.
00:23:03Yeah.
00:23:05Hire me.
00:23:08I ain't as fast as I used to be, but, uh...
00:23:11I cheat real good.
00:23:15The fast don't mean a whole lot these days.
00:23:18Us professional folks are tired of fighting fair and dying for it.
00:23:23You know kid durango?
00:23:25Yeah, I know him.
00:23:27Could you take me to him?
00:23:31Where are you from, boy?
00:23:34Originally boston, massachusetts.
00:23:36Oh, I figured.
00:23:39I'm getting on, rio.
00:23:43Well, maybe you could just...
00:23:45You could help just point me in the right direction, mister, uh...
00:23:49Mister, um...
00:23:51Van leek.
00:23:53Thomas van leek.
00:23:55Now, look, I'd like to stay here and draw you a map...
00:23:58But I think I'd better keep moving...
00:24:00Before somebody starts asking some questions...
00:24:02About how this sheriff got out of office.
00:24:04Figured me and rio was gonna have a good time.
00:24:07For mexico, you know, the man I wish I apprehended in mexico.
00:24:10Well, mount up.
00:24:12I wouldn't mind having you tagging along for a while.
00:24:15I don't have a horse.
00:24:29Hey!
00:24:31I'm sorry, rio.
00:24:33I'm sorry.
00:24:35I'm sorry, rio.
00:24:37If you would be so kind...
00:24:39As to leave that saddle where it is...
00:24:42We'll be on our way.
00:24:44Yes, sir.
00:24:46Yes, sir.
00:25:02Just a minute!
00:25:05Just a minute!
00:25:35Oh!
00:25:37Oh!
00:25:39Oh!
00:25:41Oh!
00:25:43Oh!
00:25:45Oh!
00:25:47Oh!
00:25:49Oh!
00:25:51Oh!
00:26:00My contact in millennia, mr. shoens...
00:26:02Had been shot the previous day by a mr. murphy...
00:26:04Who was in turn shot while I was conversing with him...
00:26:07By a mr. van leek.
00:26:09Coincidentally, mr. van leek...
00:26:11Claimed he was a personal acquaintance of kid durango.
00:26:14And after helping to arrange transportation for me...
00:26:17I am presently accompanying him on his journey to mexico.
00:26:20I'm counting on him providing me with a formal introduction...
00:26:23To kid durango when we reach his hideout.
00:26:27Uh...
00:26:29How much was you fixing to pay this kid durango...
00:26:33For this job you needed to be done?
00:26:36Wherever the going rate...
00:26:39The fair rate happens to be.
00:26:46Well, you never did say what it was you needed to be done.
00:26:50I don't know.
00:26:52I don't know.
00:26:54You never did say what it was you needed to be done.
00:26:57Hard to come up with a price if you don't know that.
00:27:01I want to rescue a young girl who was kidnapped...
00:27:04By a man presumed to be named el diablo...
00:27:07And I want to bring him and his compatriots to justice.
00:27:21What's the matter?
00:27:25You can't ride, you can't shoot, you can't even think, boy.
00:27:29You're in the wrong territory.
00:27:40Goddamn fool.
00:27:44Come on, rio.
00:27:50Come on, boy.
00:27:54Come on.
00:28:03Additional details concerning my trip...
00:28:05Seemed to discourage mr. van leek...
00:28:07From continuing the journey together.
00:28:09I was once again alone...
00:28:11But nevertheless still determined to pursue my quest.
00:28:25Whoa.
00:28:27Hmm.
00:28:29Hmm.
00:28:31Hey!
00:28:33Whoa.
00:28:35Get up!
00:28:37Don't let him get away!
00:28:39I got him!
00:28:46Shoot him down!
00:28:48Go!
00:28:50Now!
00:28:54Out of my way!
00:29:06Keep at him!
00:29:08I got him shot! I can't see him!
00:29:11Don't let him out of your sight!
00:29:16Where'd he go?
00:29:18That way!
00:29:19No, over there! He's in the gully!
00:29:21I don't see no gully!
00:29:22He's right in front of you!
00:29:24That's an arroyo, you know what?
00:29:26I'm sorry.
00:29:27This way, you jackass. Let's go.
00:29:29Hell, you were just in front of me!
00:29:31How could you have gotten away?
00:29:33He fell out of a boat!
00:29:35He's over there!
00:29:38Whoa!
00:29:51There he is!
00:29:54We got him now, boys!
00:29:56Spread out! I told you it was a gully!
00:29:59Let me have a first shot!
00:30:02Look, he's going in the shitter!
00:30:05Big one's got a reed in him!
00:30:07That's one of them freeholders I saw in the catalog!
00:30:10You can't read!
00:30:12Come on, let's get him!
00:30:14Wait till he gets found!
00:30:16He might be in there a week!
00:30:35Come on!
00:31:03You think we got him?
00:31:05We're going over to make sure.
00:31:07You go! You're closer!
00:31:09The hell I am!
00:31:11Dick's closest? I went first last week!
00:31:14I went first and got shot, remember?
00:31:16Oh, shut up!
00:31:18Yeah, but it was only in the head!
00:31:20Well, it still hurts when it affected my balance!
00:31:23I said shut up!
00:31:25Afternoon.
00:31:27Jesus H. Christ, Van Leek!
00:31:29Don't sneak up like that!
00:31:31I wasn't sneaking.
00:31:35What do you want?
00:31:37Just passing through.
00:31:43Got somebody holed up in there?
00:31:45We do.
00:31:47Snared up like a rabbit.
00:31:49Yeah.
00:31:50Boy shot the sheriff?
00:31:52Yeah.
00:31:54Is there a reward?
00:31:56No, we're just up here because we want to see justice done.
00:32:01How much?
00:32:03For, uh...
00:32:05$200.
00:32:07Dead or alive.
00:32:11Well, this seem like enough to go around.
00:32:14Well, I ain't splitting more than five ways.
00:32:17In fact, I was hoping that kid would get lucky and shoot a couple of us.
00:32:21So why don't you just back off, Van Leek?
00:32:27Well...
00:32:29Well...
00:32:34Good luck.
00:32:50This won't take but a minute, Riel.
00:33:00Hey, you guys hear that?
00:33:02Is that a horse?
00:33:06Sure ain't no armadillo!
00:33:11Well, I hear it, but I don't see nothing!
00:33:17Jake's down!
00:33:19What?
00:33:20I said Jake's down!
00:33:22Aw, damn it!
00:33:29Who is that?
00:33:33Jake's down!
00:33:47Jake's down!
00:33:49Somebody shoot that son of a bitch!
00:33:51How many guns does he have?
00:33:56Get out of here!
00:33:59I'll kill you if you hold still!
00:34:29Oh...
00:34:46Nice shot, kid!
00:34:51Thank you!
00:34:59Thank you!
00:35:29Thank you!
00:36:00There's your new horse up there!
00:36:10Mr. Van Leek?
00:36:14I'd like to take you up on your offer to help me get El Diablo.
00:36:23I'll think about it.
00:36:25Come on, Riel.
00:36:29Let's go.
00:37:00That was an impressive display of gunmanship today.
00:37:05Gunmanship?
00:37:07I was wondering if you might consider teaching me a few tricks of the trade.
00:37:15They ain't tricks, boy.
00:37:17It'll be at his death.
00:37:30Here.
00:37:43Now don't point that thing at me, boy.
00:37:46I ain't no horse.
00:37:48I'm sorry.
00:37:54Pick a star.
00:37:57Pick a star.
00:37:59What?
00:38:01Lay down on your back.
00:38:03What for?
00:38:05Shut your goddamn hole, boy, and lay down on your back.
00:38:13Pick a star.
00:38:23Got one.
00:38:26Got one.
00:38:41Uh-huh.
00:38:43That's Enif.
00:38:45Enif?
00:38:47The star you fixin' on.
00:38:50It's the brightest star in Pegasus.
00:38:54It's the constellation of the winged horse.
00:38:58That figures.
00:39:00Now, now, don't drop your look, boy.
00:39:03You got to concentrate.
00:39:05Keep your eye fixed on that target.
00:39:08Riel's dead.
00:39:10I got it.
00:39:12Good.
00:39:14Now, you keep it there...
00:39:17till I tell you to stop.
00:39:20Yes, sir.
00:39:25Ah.
00:39:29Uh-uh-uh.
00:39:31Don't you drop your eyes from that target.
00:39:33You're a dead man.
00:39:38Patience.
00:39:40Concentration.
00:39:42First two things you got to learn.
00:39:55Uh-huh.
00:40:05I got it.
00:40:07Ah.
00:40:24Uh-huh.
00:40:41You better start prayin' that wasn't Riel.
00:40:54I got it.
00:40:56I got it.
00:40:58I got it.
00:41:24Phoebe.
00:41:28You missed he missed guess the balance ain't quite right
00:41:49Where the hell did you get that?
00:41:57Right off the son of a bitch's boot.
00:41:59You got it.
00:42:00This boy here got it.
00:42:02A couple of weeks ago he stole this girl.
00:42:06Actually she was one of my students.
00:42:08Prettiest one in the class I'll bet.
00:42:11I make it a policy not to get involved with my students.
00:42:15You think this will get us in?
00:42:21Could be.
00:42:22Old El Diablo does favor his spurs.
00:42:26Of course getting in is the easy part.
00:42:29If you don't take the whole damn thing in with you, you just might get back out again
00:42:35in one piece.
00:42:37What the hell you looking at boy?
00:42:44Nothing.
00:42:49Damn right.
00:42:51There ain't nothing there.
00:42:56Although Mr. Van Leek kept his intentions pretty much to himself, it appeared that the plan
00:43:01was to assemble a group of skilled professionals to help me in my endeavor.
00:43:05The first person selected was a Mr. B.B. Patterson who had been captured by El Diablo's
00:43:10men several years ago.
00:43:11We managed to escape with some useful information, but returned home minus a foot.
00:43:20Shall we gather at the river
00:43:26Where bright angels' feet have trod
00:43:31With its crystal tide forever
00:43:37Flowing from the throne of God
00:43:42Yes, we'll gather at the river
00:43:48The beautiful, the beautiful, the river
00:43:53Gather with the saints at the river
00:43:58That flows from the throne of God
00:44:05Hear the word of the Lord, O people of
00:44:10Bendix Rock, for the Lord has a controversy with the inhabitants of the land.
00:44:16There is no faithfulness of God in the land.
00:44:20There is swearing and lying, killing, stealing, and committing adultery.
00:44:28Amen.
00:44:30Amen.
00:44:32Nothing escapes the power and the vision of the Lord.
00:44:37Those who have sinned will be punished.
00:44:40Yes, Lord.
00:44:42We are here also to forgive.
00:44:46To ask the Lord for mercy, so that the souls of Jonathan Napier and Bob Zamudio,
00:44:55so that their souls can be saved.
00:44:58If you do not take the Lord seriously, then He will not take you seriously.
00:45:04Not only will the souls of these poor unfortunates be exiled for eternity in hell,
00:45:11but so will yours as well.
00:45:13You must share with your Lord the fruits of your labors.
00:45:17Only then can He truly become your Savior.
00:45:21Get on with it!
00:45:23Now, I want to see this collection, please.
00:45:26Passed around once again.
00:45:28And this time, I want to see it overflow with evidence of your love for the Lord.
00:45:33And I add that if I'm disappointed, there won't be any show.
00:45:37No show?
00:45:39Justice meted out today.
00:45:42But rather, these men will be released back into your fold to continue robbing and killing
00:45:50and having their way with your wives and daughters,
00:45:55with the sheep and goats and turkeys of your flocks.
00:45:59Turkeys?
00:46:03May God bless you.
00:46:06Bless you.
00:46:09Bless you.
00:46:20You recognize them?
00:46:22One of them is Bob Zamudio.
00:46:24He's pretty good at hand with explosives.
00:46:27And one dangling.
00:46:30I don't know.
00:46:32We could use some help.
00:46:50Whoa!
00:46:59Afternoon, Atalicus.
00:47:03Let us all join in and sing the hymn,
00:47:06What a Friend We Have in Jesus,
00:47:08whilst the good Lord determines the fate of our, uh, brethren here.
00:47:14What a friend we have in Jesus.
00:47:20All our sins and grace to bear.
00:47:25What a privilege to bear.
00:47:28Equal shares all around.
00:47:31We don't need your dead men now.
00:47:33We cling to God in prayer.
00:47:39I think that can be arranged.
00:47:44Today we went to church.
00:47:46It was very different from what I was used to.
00:47:49I had the opportunity to witness my first hanging.
00:47:52In fact, the gentleman who was hanged,
00:47:54a Mr. Pitchfork Napier,
00:47:56has elected to join our outfit.
00:48:00I'm looking forward to discussing our plans with my new companions.
00:48:05Who in the hell is this not-no-little-panty-waist?
00:48:11He's with me.
00:48:15Hell, he's the one that stole this.
00:48:21Is this all we got to go on?
00:48:25His spurs are like his fingers.
00:48:27They're like his toes. They're part of his body.
00:48:29Hell, that was his daddy's spurs and his daddy's daddy's.
00:48:32His daddy's spurs and his daddy's daddy's.
00:48:36What a sorry bunch of washed-up has-beens.
00:48:44He's muy valuable.
00:48:46Those little red things are real rubies, Bob.
00:48:48Roberto.
00:48:50El Diablo's treasure.
00:48:55Indian gold.
00:48:58European gold.
00:49:00Just waiting there for us to take it.
00:49:02He's right about that.
00:49:04I can see it with my own eyes.
00:49:07El Diablo has something worth a little more than gold down there.
00:49:10There's a little girl who-
00:49:12Hey, fuck your little girl.
00:49:14Now, just a second.
00:49:15No, you don't want to do that, boy.
00:49:16Yes, he does.
00:49:18Yes, he does.
00:49:20Come on, boy.
00:49:22Come on!
00:49:24Come on.
00:49:25Come and get it, boy.
00:49:34Come on.
00:49:40Now, we're going to need dynamite and someone to handle it.
00:49:50How about it, Bobby?
00:49:53I think I told you once or twice, Autolikos,
00:49:56that I do not answer to that gringo name.
00:49:58Look, uh, Senor Roberto,
00:50:01we very much appreciate you helping us with your special talents.
00:50:06Well, uh, dynamite is like a woman.
00:50:11It takes the right hombre to know how to make her explode.
00:50:17There's somebody out there.
00:50:20I don't hear nothing.
00:50:24Engines.
00:50:25Engines? Ain't no damn engines around here.
00:50:28We're in Mexico, asshole.
00:50:30The punkachunks, asshole.
00:50:33I lived with him for a year.
00:50:36Don't never rob no Indian.
00:50:39I rob an Indian, it's the same as anybody.
00:50:44Yeah, did you sleep with his wife, too?
00:50:47What was it like sleeping with an Indian woman?
00:50:50Better than a nigger.
00:51:01Thank you, boy.
00:51:06Now, generally,
00:51:08when I let a man off the first time, he say that to me.
00:51:12That is if he say he's sorry.
00:51:16How about you, Mr. Dapio?
00:51:19You sorry?
00:51:22I'm sorry.
00:51:24I'm sorry.
00:51:26I'm sorry.
00:51:28You sorry?
00:51:30I don't hear you, Mr. Dapio.
00:51:37Wait a minute.
00:51:46Bye, nigger.
00:51:58Bye.
00:52:29Hey, Bob.
00:52:47I think somebody ought to try to talk to her.
00:52:50Go on, Bob. You speak him, sign.
00:52:52Roberto.
00:52:59Come on.
00:53:18I don't think Chief understand.
00:53:21You full of shit, brown man.
00:53:24And name not Chief.
00:53:27Mr. Dancing Bear.
00:53:37We added a new member to our group last night,
00:53:40an Indian, a Mr. Dancing Bear,
00:53:42who had been tracking Mr. Napier for some time.
00:53:45Apparently, Mr. Napier had bedded down with his wife,
00:53:48a transgression which is not looked upon favorably
00:53:51by members of his particular tribe.
00:53:53I never liked you.
00:53:55Mr. Dancing Bear exacted his revenge.
00:53:57He told us that El Diablo had stolen gold from his people
00:54:00and turned many of them into slaves.
00:54:07The next step was to locate a box of dynamite
00:54:10that Mr. Zamudio had buried in the ground.
00:54:13Once the spot was found,
00:54:15I was volunteered to dig it up.
00:54:26Yeah, yeah, yeah, yeah, yeah.
00:54:28Well, get out of the hole.
00:54:47You know, this little cache here
00:54:49has enabled Roberto and me to open accounts
00:54:52with two of the best banks in the Southwest.
00:54:55Shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh.
00:55:02You can get me out of here now, not fast.
00:55:06What's the matter?
00:55:08It's decaying, I think.
00:55:09Yeah, I told you we shouldn't bury it here, Bob.
00:55:11There's no shade.
00:55:12Atolicos.
00:55:13Too hot, Bob.
00:55:14Atolicos.
00:55:15I don't think so.
00:55:16Now's the time to make me angry, okay?
00:55:22Shh, shh, shh, shh, shh, shh, shh.
00:55:32Ay, ay, ay, ay, ay, ay, ay, ay.
00:55:37The Lord still him.
00:55:52The dynamite was secured to the buckboard by Mr. Patterson and Mr. Zamudio.
00:56:15There still seemed to be some question as to its stability, however.
00:56:18They're a bit far apart, but you think that might not be too good for their morale?
00:56:23Feel free to join them, boy. Sure they'd welcome the company.
00:56:38After riding hard the entire day, we finally crossed into Mexico.
00:56:42The buckboard didn't explode, and I took this as a positive sign.
00:56:45But I was very sore and was glad when we pulled into a small village for refreshments.
00:57:45What do you want, boy?
00:58:03Uh, lemon. Uh, whatever he's having.
00:58:08The cantina we selected would not have been my first choice, but it was the only one in town.
00:58:13It hosted a different sort of clientele than what I was used to back east.
00:58:43Thomas, is that you?
00:58:51Bartender, put their drinks on my bill. Thomas, you devil, please come here. Join me.
00:59:14Thomas Van Leek, as I live and breathe. So nice to see you. Hello.
00:59:27Hello.
00:59:28Aren't you going to introduce me to your friend?
00:59:33This here is Billy Ray Smith. Boy, this here is Truman Feathers,
00:59:40sometime known as Kid Durango. Kid Durango? Kid Durango.
00:59:51Kid Durango? Mm-hmm. This boy's read every one of your books, Truman.
00:59:59Really? Kid Durango.
01:00:04Mm-hmm. Oh, what brings you to this hole?
01:00:12Well, actually, I'm researching our next adventure.
01:00:15Smoke signals indicated that you were headed in this direction.
01:00:22You know, I have a hat just like that. I love your outfit. Where are you from?
01:00:31Originally, Boston, Massachusetts. Oh, really? I've been to Rhode Island.
01:00:38What did he mean when he said our next adventure?
01:00:42Oh, well, it's a wonderful arrangement, really. See, Thomas runs around the west
01:00:47risking his silly neck, and I incorporate his exploits into my little true story.
01:00:55What do you mean? What he means, ain't nobody gonna buy no stories about no Negro cowboys.
01:01:01Well, well, it's dramatic license, really. It's necessary evil in the literary world.
01:01:07Dramatic license? Hell, a whole bunch of lies. You made all that money, and I never did see squat.
01:01:16But what really gets me is all that crap about looking like a Negro cowboy.
01:01:20But what really gets me is all that crap about looking a man right in the eye.
01:01:26Hell, a man don't go for a gun with his eye, look at his hand.
01:01:32Make a note of it.
01:01:34Right.
01:01:50They were with El Diablo in the bank.
01:01:52The unattractive one is Pistoso.
01:02:04That other one ain't no lady killer.
01:02:07Yes, that's Chocmol.
01:02:10You know them?
01:02:11Well, they come here to unwind after their forays of raping and pillaging.
01:02:17I've interviewed both of them.
01:02:20Pistoso is surprisingly verbal.
01:02:23Hey, boy.
01:02:33How do you feel about being the fastest gun in the West?
01:02:46So you're the fastest gun in the West, huh?
01:03:10Do you know to whom this belongs?
01:03:13Where you get that from, huh?
01:03:15Can you take me to him?
01:03:17Take you to whom?
01:03:19Take you to whom?
01:03:23El Diablo.
01:03:25El Diablo.
01:03:27El Diablo.
01:03:29El Diablo.
01:03:31El Diablo.
01:03:33El Diablo.
01:03:35El Diablo.
01:03:37El Diablo.
01:03:39Where you going, Gringo, huh?
01:04:09Shh.
01:04:10Shh.
01:04:11Shh.
01:04:12Shh.
01:04:13Shh.
01:04:14Shh.
01:04:15Shh.
01:04:16Shh.
01:04:17Shh.
01:04:18Shh.
01:04:19Shh.
01:04:20Shh.
01:04:21Shh.
01:04:22Shh.
01:04:23Shh.
01:04:24Shh.
01:04:25Shh.
01:04:26Shh.
01:04:27Shh.
01:04:28Shh.
01:04:29Shh.
01:04:30Shh.
01:04:31Shh.
01:04:32Shh.
01:04:33Shh.
01:04:34Shh.
01:04:35Shh.
01:04:36Shh.
01:04:37Shh.
01:04:38Shh.
01:04:39Shh.
01:04:40Shh.
01:04:41Shh.
01:04:42Shh.
01:04:43Shh.
01:04:44Hey,
01:05:07Adios, gringo.
01:05:26I had successfully shot a man in a showdown in the middle of the street at high noon.
01:05:31Actually, it was much later in the day, but it was still quite a thrill.
01:05:38Good shot, boy.
01:05:40I don't condone killing, but this Pistoso probably deserved it.
01:05:44If he traveled with El Diablo, he had some severe character flaws, I was sure.
01:05:51Good shot.
01:06:07You?
01:06:31I meet you in the morning, just outside of town.
01:06:37The tree of death.
01:06:41Come alone.
01:06:44Tree of death.
01:06:59Never trust a man who talks to his snake.
01:07:02It's Truman.
01:07:07Morning.
01:07:13What the hell do you think you're doing, feathers?
01:07:16Well, I've decided to join your expedition.
01:07:20Not with me, you ain't.
01:07:22You won't have to worry about me.
01:07:24Not you I'm worried about. I'm worried about us.
01:07:26With you out there.
01:07:28Oh, Thomas, please.
01:07:30I'm sure I can perform some very useful functions on the trail.
01:07:34And besides, I'm an excellent cook.
01:07:37Yeah? Can you make coffee?
01:07:39Well, as a matter of fact, I brought along some fresh Colombian beans.
01:07:43And, by the way, I make a wonderful omelette.
01:07:47Hmm. What is omelette?
01:07:49Well, omelette is, um, diced ham, cheese, peppers,
01:07:54folded into three eggs, cooked in an iron skillet.
01:07:57Slightly warm.
01:07:59Mushroom snake meat? Squash? Good?
01:08:02Good. Well, I wouldn't recommend the squash, but it's entirely up to you.
01:08:05For Christ's sake, let's move out!
01:08:09No!
01:08:17Even though I was still somewhat puzzled by the revelation that Truman was Kid Durango,
01:08:22or not Kid Durango, I was excited that he joined us.
01:08:25It afforded me the opportunity to clear up some of my confusion.
01:08:29And I look forward to one of his omelettes.
01:08:31Now, I still don't understand why you're coming along with us.
01:08:36Well, actually, it's your example, Billy Ray.
01:08:39You see, I've always written about other people's exploits,
01:08:42and, well, I'd like to think that before I pass on,
01:08:45I could include a few adventures of my very own.
01:08:49That was such a wonderful moment yesterday in the street with you and Vistoso.
01:08:53It was thrilling. Virtually right itself.
01:08:57You're going to put me in one of your books?
01:08:59Of course. Every story needs its hero.
01:09:03Hey, boy, let me see that spur.
01:09:06Yes, sir.
01:09:17You hold on to that half, boy. That's a calling card.
01:09:21Go ahead on. I'll be right behind you.
01:09:24Go on.
01:09:26Good luck, Billy Ray.
01:09:27Thank you.
01:09:29Goodbye.
01:09:50Excuse me, could you tell me precisely why they call this the Tree of Death?
01:09:57Excuse me!
01:10:00I met Chocmol as arranged, and I followed him deeper into Mexico.
01:10:06My nerves, normally quite steady,
01:10:09were acting up as I sensed us getting closer and closer to El Diablo.
01:10:14I'm sure the tension would have been eased
01:10:17if Chocmol had been a better conversationalist.
01:10:20Perhaps he was shy.
01:10:27Thank you.
01:10:48Thank you.
01:10:52Sorry.
01:10:58They're too spread out for us to get on at once.
01:11:02I think there might just be a solution to this problem forthcoming.
01:11:16¡Hombre!
01:11:18¡Hombre!
01:11:20¡Hombre!
01:11:22¡Hombre!
01:11:24¡Hombre!
01:11:26¡Hombre!
01:11:29¿Uno?
01:11:31¿Dos?
01:11:38¿Tres?
01:11:55¡Hombre!
01:12:25We split up here.
01:12:27That left tunnel will let you out above the village.
01:12:31You wait for my signal.
01:12:33Good luck.
01:12:34I, uh...
01:12:35I think a little prayer is in order
01:12:37before we embark upon this perilous ordeal.
01:12:39Now, if you will all join me in reciting the Lord's Prayer.
01:12:42Our Father...
01:12:44Our Father, who art in heaven,
01:12:46hallowed be thy name.
01:12:48Thy kingdom come,
01:12:50thy will be done,
01:12:52on earth as it is in heaven.
01:12:54This is very sorry war party we have, brown man.
01:12:58Did the best I could, red man.
01:13:02I'm here to free my people.
01:13:04Don't you get in my way.
01:13:07Wouldn't think of it.
01:13:09¡Ya!
01:13:16¡Ya!
01:13:18¡Ya!
01:13:20¡Ya!
01:13:22¡Ya!
01:13:25¡Ya!
01:13:27Thomas.
01:13:29I'd like to have a word with you.
01:13:32If it's your...
01:13:33I find your behavior in this endeavor questionable.
01:13:37See, it's perfectly obvious to me what you're doing.
01:13:39You're using this boy as a diversion,
01:13:42so that you can steal as much gold as you can carry.
01:13:46Only dancing bears motivated by...
01:13:48by honorable intentions.
01:13:50As far as I'm concerned,
01:13:52you're all a bunch of mercenaries.
01:13:54You finished?
01:13:56Yes, I...
01:13:58I had to get it off my chest.
01:14:01Well, if you feel better.
01:14:03Come on, Rio!
01:14:09El Diablo won't touch that kid without his skirt.
01:14:15When I arrived at El Diablo's compound,
01:14:18he was not in the vicinity.
01:14:20I decided to wait and not be impatient.
01:14:23I knew I was still carrying an ace in my pocket, so to speak.
01:14:54So you are the boy who killed Pestoso?
01:15:00What is your name, little boy?
01:15:03William Raymond Smith.
01:15:05Mr, uh...
01:15:07Devil, is it?
01:15:09I understand, Mr. William Raymond Smith.
01:15:12You have brought something for me.
01:15:16Yes, sir.
01:15:18Yes, sir.
01:15:21This is my spur, I believe.
01:15:24That is correct.
01:15:28There is something missing.
01:15:30That is also correct.
01:15:35Where is the missing piece?
01:15:38That's for me to know,
01:15:40and you to find out.
01:15:45I want to exchange it.
01:15:47The missing piece, that is, for the girl.
01:15:51And what girl is that?
01:15:53Miss Nettie Tulene.
01:15:57You kidnapped her in front of my school about five weeks ago.
01:16:03So many towns.
01:16:05So many girls.
01:16:09She's about five foot four,
01:16:12blonde hair, blue eyes.
01:16:15Quite attractive.
01:16:17And a very good student.
01:16:24Does she look like...
01:16:26this girl?
01:16:30Yes, she does.
01:16:38I don't recall that outfit.
01:16:41Yes.
01:16:44She is quite attractive.
01:16:50I could not believe my eyes.
01:16:52This was not the same Nettie who was in my classroom five weeks ago.
01:16:56It was El Diablo's work, I was sure.
01:17:01And she is a very good student.
01:17:08Nettie!
01:17:11I like my spurs very much, Mr. Smith.
01:17:17They belong to my father,
01:17:19and his father's father's father.
01:17:23I would like to have back the missing piece you have stolen.
01:17:26Now, technically, it wasn't stolen.
01:17:28But you see, Rosita...
01:17:30Rosita?
01:17:32My Rosita
01:17:34means more to me than...
01:17:37a family bubble.
01:17:40A family bubble.
01:17:42A family bubble.
01:18:07There's the boy.
01:18:13They're all over the place.
01:18:28It seems your plan has taken an unexpected turn for the worse, Thomas.
01:18:43Spare spurs.
01:18:47Spoiled by spare spurs.
01:18:49Try saying that three times fast.
01:18:51Spoiled by spare spurs. Spoiled by spare spurs.
01:18:53Spoiled by spare spurs.
01:18:54Shut up!
01:18:56I'm sorry.
01:18:57It's just I'm worried about the boy.
01:19:00Do you think they'll hurt him?
01:19:03I'm gonna hurt you if you don't shut up.
01:19:09Kid Rango.
01:19:12My people, all the way driving the back.
01:19:14All right, you can ride in the front on the way home.
01:19:16No, not the way home now.
01:19:18It's your turn, Otolikis.
01:19:19I'm not getting in the back.
01:19:20Not with that godforsaken pet of yours back there.
01:19:22And don't call her godforsaken.
01:19:23Why do you always say godforsaken?
01:19:25What do you mean you're not quiet?
01:19:38Hello, gentlemen.
01:19:43I'll handle this.
01:19:45These are my people.
01:19:49Buenos dias, amigos.
01:19:51Como estamos? Todo bien?
01:19:57Nice pants.
01:20:02These are not my people.
01:20:04Damn it.
01:20:05I knew we should have taken a right at that last fork.
01:20:07Should have turned right.
01:20:08Throw down your weapon.
01:20:10Hey, come on, guys, settle down here, huh?
01:20:12We got no quarrel with you.
01:20:13We're just delivering some supplies.
01:20:14Yes, Otolikis Collins Catering.
01:20:16How do you do?
01:20:17I would like to introduce you to my assistants.
01:20:19This is Bob.
01:20:20Better.
01:20:21B.B.
01:20:22We have fine wines and delicacies.
01:20:24Silk and rose.
01:20:33What's in the bag?
01:20:37It's nothing.
01:20:39It's nothing.
01:20:44You can have anything you want in the wagon.
01:20:46But don't touch the bag, okay?
01:20:53I will decide what I want.
01:20:59Amigo, I would rather die than to give you that bag.
01:21:09Any other requests?
01:21:15Ringo, the bag.
01:21:19Pronto.
01:21:21Ringo.
01:21:22Let's go.
01:21:23Let's go.
01:21:24Hey.
01:21:25Let's have a word?
01:21:26I won't hang my head.
01:21:27Come on.
01:21:28Let's go.
01:21:29I won't hang my head.
01:21:30Let's go.
01:21:31Come on.
01:21:32Come on.
01:21:33Come on.
01:21:34Coming with us.
01:21:36Don't you dare touch it.
01:21:38We're going downstairs to get some rest.
01:21:40I don't know you.
01:21:41We ain't got much of it to do with you, man.
01:21:42Come on.
01:21:43Come on.
01:21:44Let's go.
01:21:45Come on.
01:21:46Come on.
01:21:47Come on.
01:21:48Come on.
01:21:49Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha
01:22:19When my family came to this country, Mr. Smith, they encountered incredible intelligence
01:22:44and incredible savagery. The Mayas built pyramids, charted the heavens, and gave us our calendar.
01:22:54The Aztecs brought the art of human sacrifice to a new height.
01:23:24Oh, Jesus! Come on! Come on! Come on!
01:23:43Damn!
01:23:53Oh, what the hell?
01:24:02Yee-haw! Yee-haw!
01:24:08Oh, me love!
01:24:11Got me coming, you son of a bitch!
01:24:16Yee-haw!
01:24:24Ah-ha!
01:24:37Let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go
01:25:37Oh
01:25:57That different than right to balance
01:25:59Not true
01:26:05He took that if we have to catch him
01:26:29Oh
01:26:39Good old
01:26:48So that's why you're here
01:26:50For the gold that that's more important to you than saving the girl
01:26:55The girl ain't my problem
01:26:59I
01:27:18Found a piece of the outfit Nettie was wearing next to the cave
01:27:23It confirmed my suspicions that El Diablo had forced her to escape with him
01:27:29I
01:27:59Ready
01:28:11Ready
01:28:29Little boy looking for something. I
01:28:35Want the girl and how are you going to get her back with your little stick?
01:28:51Give up the girl Diablo. Who is this little boy?
01:28:56Oh
01:28:58My name
01:29:04It's kid Durango Oh
01:29:10Kid Durango, am I to be frightened by this name?
01:29:23Yes, I do
01:29:26True
01:29:29Since you are the guest mr. Kid Durango, I will wait for you to make the first move
01:29:55Oh
01:30:12Truman you didn't have to do that. I did I did
01:30:26I
01:30:37Assumed it would be over quickly
01:30:43Perhaps I should have looked at his hands not his eyes
01:30:52You know
01:30:54You're ruining a perfectly good scarf
01:31:00I'm sorry
01:31:09I want you to do something for me anything anything. I'll do anything
01:31:18Kill him
01:31:22Kill El Diablo
01:31:25And complete the story Billy Ray
01:31:37Truman Truman, you're not gonna die. I know
01:31:45Felt so alive
01:31:54In
01:32:01Whose arms are you going to die little boy?
01:32:05He didn't even go for his gun. I was getting bored. I'm a busy man
01:32:12Now where would you like me to shoot you I will give you the choice
01:32:18Where not cabeza
01:32:20El corazón
01:32:34Yes tomahawk I
01:32:36Would not recommend the stomach
01:32:38It's very painful and takes a long time to die
01:32:41But make a decision quickly, please
01:32:44You've seen I am an impatient man
01:32:47How about you just wing me on the shoulder right about here
01:32:55You're very funny little boy, I think maybe
01:33:05La cabeza
01:33:13Diablo
01:33:16I
01:33:46I
01:34:05Finally someone who is worthy of the challenge cut bullshit El Diablo make your move
01:34:16You
01:34:46I
01:35:16I
01:35:39Try again
01:35:46I
01:36:16I
01:36:42Damn boy
01:36:44You shot him in the back
01:36:49Whose back was to me I
01:37:03Forgot
01:37:14I shot El Diablo. It may not have been a showdown in the middle of the street at high noon, but it happened
01:37:21Mr. Van Leek was there to document the event. He seemed to approve of my tactics
01:37:45We
01:37:47Buried the preacher Roberto BB and Truman in the high plains
01:37:52Dancing bear picked out the spot saying that the ground was rich in his ancestors blood and would nourish our compatriots souls
01:38:02Don't have much left to say except I don't plan to join you no time soon
01:38:07I
01:38:13Was with great sadness as I knelt at Truman's grave he had saved my life and there was no way I would ever be able
01:38:19to pay him back
01:38:21He had proven to be perhaps the bravest of us all I regret that I would never be able to really know him
01:38:37I
01:39:07I
01:39:37I
01:40:07Oh
01:40:37I
01:40:49Coming back Billy Ray someday
01:41:07Oh
01:41:22Did you kill El Diablo Billy Ray only God can kill the devil Charlie
01:41:29Right
01:41:34When I told mr. Van Leek that I was going to write an account of our adventure his ears picked up
01:41:40Suddenly he was a fountain of information or should I say?
01:41:44Fabrication he really got rolling when I mentioned that I intended to pen a whole series of books
01:41:50Hey, I don't want you to be
01:41:52Writing about no white boy with a fancy hat shirt. I want to hear about
01:41:57The way it really is are you square off with another man look him right in the back
01:42:04Right. Look another man right in the back and you shoot him before
01:42:26You