Ano ang opinyon ni Gino Padilla sa mga BOY BANDS? | SiS (Stream Together)
Ibinahagi ni Gino Padilla ang pinagkaiba ng mga solo performer tulad niya at sa mga boy group tulad ng Jeremiah!
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00:00We walk hand in hand, we dream together. We giggle and laugh like kids forever.
00:12We're two different people, but we're having fun. We talk about anything under the sun.
00:19We are sisters, we are friends. We've got magic that never ends.
00:26I got you sis, you got me. The best of friends we'll always, always be.
00:38We always have fun, being together. You know me the best, we're friends forever.
00:46Through good times and bad, I'm here for you sis. Right by your side, hit or miss.
00:53We are sisters, we are friends. We've got magic that never ends.
01:01I got you sis, you got me. The best of friends, the best of friends.
01:09The best of friends we'll always, always be. We are sisters, we are sisters.
01:18We will always be, special memory. You will always be.
01:28How was your singing there?
01:30Of course.
01:31Iwi Laurel sang that in the 80s? 80s? 90s? 80s?
01:3580s.
01:36Mid 80s?
01:37Yes.
01:38Why did you decide to sing that?
01:40Nothing. I heard it on the radio, that Iwi Laurel is not singing anymore.
01:47Which means, she was revived.
01:49She was revived by the company, by Lea Salonga.
01:53You know, revival songs are really popular now.
01:57I don't know, I don't know.
02:00Of course, a lot of people are reviving songs.
02:05What will happen if we face the original singers and the ones who revived?
02:13That will be exciting.
02:14I'm sure.
02:15I'm sure.
02:16Maybe they won't fight.
02:19I don't think so.
02:20They'll be happy that there's a different version of their song.
02:22Because it's like flattery, right?
02:24Of course, it's good when the song is revived. It makes it even better.
02:29Like the song of Claire Delafuente, Minsan Minsan.
02:33Minsan Minsan, Minsan ay maalala.
02:42Revived by Manny Lin.
02:45Then, the revival of Michael Ligo by Victor Wood, Eternal Me.
02:51I'll be loving you eternally.
02:59Then, there's Closer You and I by Gino Padilla, revived by Jeremiah.
03:12And of course, the song of Dulce, Paano, revived by Desa.
03:18They'll be joining us and we'll have a chat today.
03:22An hour of stories and singing.
03:25Singing?
03:27We'll bring it to you.
03:30Right here at SIS.
03:33I really like her voice because the voice of Tita Claire reminds me so much of my mom's voice.
03:44The original Karen Carpenter of the Philippines and the one who revived,
03:49the star of the new decade, Ms. Claire Delafuente and Manny Lin Reynos.
03:54Hello.
03:55How are you?
03:56Good morning.
03:57Good morning, Tita Claire.
03:58Good morning, good morning to all of you.
04:00I'll start.
04:01I'll start with Tita Claire.
04:02First.
04:03Wait, I might get hit.
04:04Don't do it too much.
04:05Just a little.
04:06Just a little.
04:07Like that.
04:08Slight.
04:09How are you?
04:10How does it feel to be revived by your song?
04:12Of course, when your song is revived, it means that it has a mark on a person.
04:21That's why it's revived.
04:23Some people revive their song because it's a hit.
04:30Or because it's beautiful but it didn't hit.
04:33That's why I'm saying that it has a mark.
04:37I feel proud.
04:38It should.
04:39Did you also revive a song before?
04:42Yes.
04:43I did.
04:44You have songs that you revived.
04:45Yes.
04:46What are those?
04:47What do you mean?
04:48What songs?
04:49What songs?
04:50I mean in your album.
04:51I can't remember.
04:52In your album?
04:53Yes.
04:54That was a long time ago.
04:55Yes.
04:56That was a long time ago.
04:57I feel like there are a lot of revivals these days.
05:00Yes.
05:01It's hard to tell.
05:02Actually, these days, it's all revivals.
05:07Isn't this like, what's happening?
05:09No, not really.
05:10It's a cycle actually.
05:11It's like this.
05:12Sometimes, people get lazy.
05:20They shouldn't hear something new.
05:22Or maybe the authors, the composers,
05:27they don't have a lot of brains at the moment.
05:30What people like these days is revivals.
05:33So give it to them.
05:34It's just a trend.
05:35It's like, it's a cycle.
05:38We'll do the original first.
05:41Wait, we're tired.
05:43We'll do the revivals first.
05:44That's how it is.
05:46What song did you revive in Tita Claire?
05:49This one.
05:50Minsan Minsan.
05:51Why? Did you choose that?
05:52Me?
05:53Why?
05:54Because I know she'll get mad.
05:57She won't have a choice.
05:59Why did you choose this?
06:00Sometimes, you really need to tell the truth.
06:05Sometimes, you need to choose something you really like.
06:10You really want to sing.
06:11And fortunately, I met Tita Claire before I recorded again.
06:17And I found out that she's really kind.
06:20So I continued playing with my mind.
06:25That's it.
06:26That's what you'll do.
06:27Because maybe if she scolds me,
06:29I won't do it.
06:30You'll get mad.
06:32No, it's good.
06:33Her song is good.
06:35Did you ask for tips?
06:37Or you really wanted to make it different?
06:39Actually, it's more of a modernized version.
06:44Because it's different.
06:46But more or less, the tone is the same.
06:50And I don't believe in asking tips.
06:52It's better that a person or a singer has their own interpretation or style of the song.
07:00Because it's ugly to have someone adapt it.
07:05Because it's a waste.
07:07It's one country.
07:08It's not that big.
07:10What's in the song,
07:12that you really remember her?
07:16Oh, no.
07:18It's like a coincidence.
07:19Coincidence?
07:20What is it?
07:21No.
07:22Because the song talks about the woman.
07:26She's still thinking,
07:28if there's nothing,
07:29did you remember me?
07:31Even if it's just once in a while.
07:33It's about her ex.
07:35But it's just a song.
07:37It's just a song.
07:39It doesn't mean anything.
07:41She's mad.
07:43She's mad.
07:45Who made that song?
07:47Marilyn Villapando.
07:48But I recorded that when I was only 16 years old.
07:51So I didn't know.
07:52But she already had a husband.
07:54So you can have her if you want.
07:56Oh, I see.
07:57You're really fighting.
07:59How do you compare each other?
08:01She's prettier.
08:05She's younger,
08:06and she's prettier.
08:08That's too much.
08:09It doesn't mean anything.
08:10No, it's just a joke.
08:12What do you think are the similarities?
08:15We're both crazy.
08:17Yes, that's true.
08:18You're crazy.
08:19That's why I'm interviewing you.
08:22When she was very, very young,
08:24I told her,
08:26do you remember?
08:27You were a guest in a hotel show.
08:31I told her,
08:32Marilyn,
08:35your friends will fade
08:38if they don't know how to sing.
08:40But if you know how to sing,
08:42that's a plus.
08:43That's true.
08:45That's a plus.
08:46That's a plus.
08:47That's why you don't know how to sing.
08:49Oh, my God.
08:50That's a lie.
08:51That's a lie.
08:52Come here.
08:53Come here.
08:54Come here.
08:55I know she can sing.
08:57That's a lie.
08:58That's a lie.
08:59What's wrong with you?
09:00That's why I'm not interviewing you.
09:02What are your differences?
09:04What's the difference between the two of you?
09:06I'm tall.
09:07That's obvious.
09:10She has longer hair.
09:12That's obvious.
09:16But we're equal.
09:17We're equal.
09:20I'm just a little short.
09:21Let's not talk about that.
09:24What do you like about each other?
09:26I like her voice.
09:28Definitely, I like her personality.
09:32That's true.
09:35When you're together,
09:36for example,
09:37there's a show,
09:38and then you get to meet the others also.
09:41Especially,
09:42they're like the OPM.
09:48OPM.
09:49It's not true.
09:50You feel proud that you get to talk to them.
09:53What do you like about her?
09:55What I like with Manilin,
09:57she's very down-to-earth.
09:58That's what I like with her.
10:02Aside from the height.
10:04Aside from literally and physically.
10:06Exactly.
10:07She's very down-to-earth.
10:09I like her.
10:12She has a smile for everybody.
10:15That's true.
10:16She always has a smile.
10:18I haven't seen her with tan-foams.
10:20What about her?
10:22She's the last one.
10:25Also,
10:26what I like about her,
10:27there, she's back.
10:29What?
10:30What is it?
10:31She still can't say it.
10:33I really like her voice.
10:35The voice of Tita Claire
10:37reminds me so much of my mom's voice.
10:40Because my mom sings also.
10:42My mom's voice is like that.
10:44Karen.
10:45Did you get your mom's height?
10:47I'll try.
10:48Karen's watching.
10:50She's watching.
10:51I think so.
10:52I know your mom's height.
10:54No.
10:55Slightly.
10:58Tita Claire,
10:59I want to find out,
11:00did piracy spread before?
11:02Not really.
11:03Actually,
11:04before,
11:05piracy was just on tapes.
11:07Also, it wasn't this open.
11:09Like a lantern?
11:11Yes.
11:12But we should remember that
11:14in Indonesia,
11:16way back,
11:171980-something,
11:19piracy was really bad there.
11:21Really.
11:22As in,
11:23because I recorded one album
11:25for the Indonesian market.
11:27And we were paid outright.
11:29No royalties.
11:31No royalties?
11:33No royalties in Indonesia.
11:35Just this?
11:36Yes.
11:37The problem there was piracy.
11:41That was their problem ever since.
11:43That's what's happening to us now.
11:45What would you say to those who are affected by piracy?
11:47I know I'm affected.
11:49I have a wife.
11:51She's a singer.
11:53I hope those who love music,
11:57those who love to buy albums,
11:59and those who have favorites,
12:01like singers,
12:03I hope you listen to the original.
12:05Because,
12:07it's not like you're broke.
12:09But,
12:11I don't see something,
12:13or anything,
12:15that you'll like in a pirated CD.
12:17Especially in our OPM songs.
12:19Because,
12:21it's easily damaged.
12:23The quality.
12:25You won't be able to keep it.
12:27And you know,
12:29it damages the system.
12:31And there's a big risk,
12:33if you play it,
12:35the system,
12:37whatever you have,
12:39it won't work.
12:41Actually,
12:43I don't know what you're talking about.
12:45Even my children,
12:47they buy originals.
12:49The quality is better.
12:51Even if it's,
12:53400, 300,
12:55it's still okay.
12:57And,
12:59it's just us.
13:01Of course,
13:03we know it's cheaper.
13:05But for the meantime,
13:07in the long run,
13:09it's easy to damage.
13:11So, don't waste your money.
13:13Let's enjoy the original,
13:15Minsan Minsan.
13:17And this is Mani's revival, Minsan Minsan.
13:19We want to hear,
13:21if you'll sing Minsan Minsan together.
13:23And you'll be with us.
13:25I hope not.
13:27We'll have more budget.
13:29What juice do you want?
13:31Grape?
13:33We don't have ice.
13:35Calamansi?
13:37I just want to say,
13:39because Jellyn became serious,
13:41Jellyn enjoyed it.
13:45Thank you.
13:47You'll cry.
13:49Before you cry,
13:51just sing the song.
13:53And also,
13:55high respect to Tita T.
13:57Because when you look at me,
13:59I look tall.
14:01You can't avoid
14:03looking at Tita T.
14:05This is too much.
14:07Jellyn, you're beautiful.
14:09Can I hug you?
14:11I want to hear your song.
14:13Is there a minus one?
14:15You can hug each other.
14:17So, we can feel more.
14:21You go first.
14:23I'll go next.
14:25I'll try.
14:27Game.
14:29Do you remember me?
14:33Even though
14:35sometimes,
14:37sometimes,
14:39do you feel sad?
14:41I can't sing along
14:43because it's too high.
14:45Just like me.
14:47Automatic.
14:51Why do we
14:53drift apart?
14:59We fight
15:01for something
15:03that is
15:05worthless.
15:07That's enough, Jellyn.
15:09It's just a budget.
15:11Now, we take out.
15:13We take out.
15:15Thank you.
15:17Thank you.
15:19Thank you.
15:21Good morning.
15:23Good morning.
15:25Sometimes,
15:27sometimes,
15:29do you feel sad?
15:31The beauty of
15:33songs with meaning
15:35is a long life.
15:37I've been loving you
15:39eternally.
15:41There'll be no one new
15:43my dear for me.
15:45Luke Box King of the 70s
15:47and Prince of Pop Rock Music of the 90s
15:49will finally face
15:51Mr. Victor Wood
15:53and Michael Laugo.
15:59Mr. Victor,
16:01what was your initial reaction
16:03when Michael revived your song,
16:05Eternally?
16:07You know,
16:09it's like
16:11the memories came back to me
16:13when you started.
16:15You're very critical
16:17that when he revived your song,
16:19he should retain
16:21the original form of music.
16:23Well, it has its own style.
16:25Because the human voice
16:27has its own
16:29style.
16:31And music,
16:33it's made of sound.
16:35Actually, that's the science of music.
16:37It's made of sound.
16:39We sell sound
16:41and lyrics.
16:43The message of the song.
16:45So, its style,
16:47that's good.
16:49Because music
16:51like Eternally,
16:53is already known
16:55by people.
16:57Maybe, he sold a lot
16:59that day.
17:01It was already recycled.
17:03When he revived it,
17:05it was already sold.
17:07Michael, what changes
17:09did you make to the song?
17:11I'm sure,
17:13to modernize it
17:15a little,
17:17in this time,
17:19you made some changes.
17:21Did you change the beat?
17:23Did you jazz it up a little?
17:25Actually, in Areglo,
17:27we call it Busog.
17:29Of course, I didn't know
17:31what it means.
17:33In Areglo,
17:35we used more instruments
17:37and it's more modern.
17:39At the same time,
17:41we retained the
17:43I'll be loving you eternally.
17:45So, the message is the same?
17:47Actually, no.
17:49The term is
17:51stagalized.
17:53So, the song is not totally different?
17:55No.
17:57Melody-wise,
17:59it's still Eternally
18:01from the original.
18:03So, at least, the melody is still retained.
18:05It's there. The original melody
18:07is still the same.
18:09It didn't change.
18:11Do you get flattered
18:13when you sing?
18:15Of course.
18:17It's like I see you now.
18:19I'm surprised.
18:21I'm getting old.
18:23Just like
18:25the style you mentioned earlier.
18:27It's funny because
18:29it has a different style.
18:31It sells itself.
18:33Because as a singer,
18:35you need to have an identity.
18:37I think it's part of everything.
18:39Is it part of your identity?
18:41Like you, you've been branded
18:43as the jukebox king of the 70s.
18:45Pop rock.
18:47Prince of pop rock.
18:49Well,
18:51everyone has their own time.
18:53We have our own space.
18:55Everyone has their own time.
18:57The beauty of
18:59songs with meaning
19:01is that they last a long time.
19:03Do you believe that Eternally
19:05was composed by Charlie Chaplin?
19:07Do you know Charlie Chaplin?
19:09Of course.
19:11He was the one who composed Smile.
19:13But back then,
19:15Dick Damone was the one who made it famous.
19:17But for a long time,
19:19here in the Philippines,
19:21my style was different.
19:23Eternally's arrangement is not like that.
19:25Eternally is more of
19:27a ballad.
19:29But I made it with a different style.
19:31I added something
19:33with a different arrangement.
19:35So,
19:37Eternally,
19:39you didn't make it.
19:41Someone made it famous here.
19:43I always watched it at the opera house.
19:45Berlin Meneses.
19:47He has a beautiful voice.
19:49One of his styles
19:51is Eternally.
19:53I was a shine boy.
19:55After I became a shine boy in
19:57Abinida, I ran
19:59to watch it at the opera house.
20:01Okay, because we talked about
20:03Eternally. I want to hear it.
20:05But I really want you two to sing
20:07Eternally.
20:09Acapella? Yes, why not?
20:11It's like a typhoon.
20:13How are we going to sing that?
20:15You start, sir.
20:17I'll just get the notes.
20:19Okay, sir.
20:23Do you know how hard it is to sing
20:25without an instrument?
20:27Are you going to sing too?
20:29Sometimes.
20:31I'll get the tone.
20:33I'll be
20:35loving you
20:37eternally
20:39with a love that's
20:41true eternally
20:43I don't know
20:45how
20:47my life
20:49will be
20:51if you
20:53are not
20:55by my side
20:57whenever
20:59I'll be loving you
21:01eternally
21:03There'll be no one
21:05new, my dear, for me
21:07Kung
21:09sakalimang tayong
21:11dalaway
21:13magkawalay
21:15ang puso
21:17ko at
21:19damdamin
21:21sa'yo pa rin
21:23Thank you!
21:25Keep on singing!
21:27What are we doing
21:29for the second album?
21:31We're thinking of a good revival.
21:33The closer I get
21:35to touching you
21:37The closer I get
21:39to loving you
21:41Balladeer
21:43and local boy band
21:45that really stands out.
21:47The original and the one who revived
21:49Super Kilig na Closer You and I
21:51Gina Padilla and Jeremiah.
21:55Madam President!
21:57Let's introduce
21:59Jeremiah.
22:01Olan,
22:03Simon,
22:07and in the middle,
22:09Phoebe,
22:11and Kroll.
22:13Kroll is so beautiful.
22:15Kroll, you're next to me.
22:17You're the only one I can talk to.
22:19Of course, one of the
22:21members, you're five, right?
22:23He went to the U.S.
22:25He continued his studies
22:27in the States.
22:29He has no plans to come back.
22:31No plans?
22:33Are you looking for an audition?
22:35Or what?
22:37The group decided
22:39not to.
22:41Are you guys okay?
22:43It's hard when there's a new member
22:45because it's hard to blend
22:47in harmony.
22:49And it's hard to be happy
22:51and talented.
22:53You're all original.
22:55I'm the original.
22:57Simon.
22:59It's good that you're with Simon.
23:01It's hard.
23:03Phoebe and Simon
23:05have known each other for a long time.
23:09What about Gino?
23:11Good day to all of them.
23:13I'm happy to be invited
23:15to SIS.
23:17We're so happy to have you here.
23:19Anyway,
23:21what about boy bands?
23:23Well, they
23:25have their own streams
23:27and styles.
23:29Everything they ask
23:31from an artist,
23:33they were able to put it together.
23:35They are
23:37a group.
23:39They dance and harmonize.
23:41For example, if you're a solo artist,
23:43you need backup singers.
23:45But here,
23:47anytime, anywhere, they can sing.
23:49Even in a cappella.
23:51What about you guys?
23:53Do you sing love songs?
23:55Yes.
23:57Aren't you tired of love songs?
23:59No.
24:01Sometimes,
24:03you rap.
24:05No, we don't.
24:07Before,
24:09when you went to the US,
24:11you rapped.
24:13Who's going to rap for you?
24:15Me.
24:17So,
24:19it's hard.
24:21They thought it's easy.
24:23But actually,
24:25it's the timing.
24:27It's overwhelming.
24:29The difference with Jeremiah,
24:31their songs are
24:33very
24:35massive.
24:37While Gino is
24:39a bit saucy.
24:41He needs to learn
24:43how to be massive.
24:45It's challenging.
24:47You're so used to
24:49standing in front
24:51of people.
24:53You're comfortable.
24:55You're comfortable.
24:57Suddenly,
24:59you're invited to a party.
25:01You go to the party.
25:03The people there
25:05are different.
25:07They expect different things from you.
25:09You have to blend with them.
25:11The good thing is,
25:13once you master it,
25:15anytime you're invited,
25:17you can relate to people.
25:19That's important.
25:21You're able to communicate
25:23through your songs.
25:25That's not enough.
25:27They want to hear your voice.
25:29They want to talk to you.
25:35They want to relax.
25:39That's how Filipinos are.
25:41They want to hug you.
25:43Sometimes, they want to cuddle you.
25:45Sometimes, they want to kiss you.
25:47That's so funny.
25:49Some of them want to take off their clothes.
25:51I don't know.
25:53Maybe it's a girl.
25:55All of us.
25:57Sometimes,
25:59it's good if it's a girl.
26:01But if it's a boy,
26:03it's not safe.
26:05All of us are like that.
26:07The kids will wake up.
26:09They'll say,
26:11I fell on the stage.
26:13You won.
26:15That's so funny.
26:17Do you write your own songs?
26:19Yes.
26:21That's so nice.
26:23Gino writes his own songs.
26:25Sometimes.
26:27You have songs that you've written yourself.
26:29Do you write all of your songs?
26:31Most of them.
26:33Do you make your hits?
26:35No.
26:37What's your next song?
26:39What did you write?
26:41They don't have it yet.
26:43The new album.
26:45The new one.
26:47Gino, you said
26:49you thought
26:51The Closer You and I
26:53won't be a hit.
26:55They said it's more of a commercial.
26:57You can see it on TV.
26:59We all know
27:01that the song came from a commercial.
27:03Right.
27:05It's a song that's included in your album.
27:07Especially because people thought
27:09it won't be a hit.
27:11Let's go back.
27:13That was 19 years old.
27:15They're still young.
27:19That happened.
27:21I heard Louis Ocampo
27:23render a song.
27:25He said,
27:27this might suit you.
27:29I said, aren't you
27:31Martin Rivera's friend?
27:33It's different from Martin.
27:35It's different.
27:37Maybe I thought
27:39you're the one who sings.
27:41This came out.
27:43Now,
27:45it needs to be a commercial.
27:47It's more of
27:49a commercial.
27:51There's a visual.
27:53There's a song.
27:55That's it.
27:57They said,
27:59you have an album.
28:01Maybe we can include it
28:03in the album that you have.
28:05My album is a compilation.
28:07It's entitled Shifting Gears.
28:09They said, let's give it a shot.
28:11It's more of
28:13what we talked about.
28:15That's the plan.
28:17Let's record it.
28:19Then we'll promote it
28:21with the commercial.
28:23Let's see what happens.
28:27To our surprise,
28:29the response was good.
28:33That was it.
28:35How about you?
28:37What's your fondest memory
28:39when you thought of Closer You and I?
28:41Do you have a memory?
28:43Did your producer ask you to do it?
28:45How did you pick Closer You and I?
28:47Actually, when we were
28:49working on our second album,
28:51we were still thinking of a good revival.
28:53We didn't have any other ideas.
28:55We were already losing.
28:57Until we went to the recording studio,
28:59we were listening to the radio.
29:01Suddenly, Closer You and I played.
29:03You still have an airplay?
29:07We were thinking
29:09if there was a revival.
29:11There wasn't.
29:13So we decided to do it.
29:15Did you decide?
29:17Why did you choose it?
29:19I don't remember.
29:21We were still young.
29:23When you were using
29:25that toothpaste,
29:27it reminded me
29:29of what I was using
29:31when I was young.
29:35What do you think
29:37is the difference
29:39between the singing
29:41of a solo artist
29:43of Closer You and I
29:45and a group?
29:47What's the edge
29:49of a solo performer?
29:51A solo performer is...
29:53Or the way you sang, I suppose.
29:55You're relying mainly on
29:57the accompaniment.
29:59Minus one.
30:01How the arranger
30:03composed it.
30:05They can do whatever
30:07they want.
30:09They can hum.
30:11Some of them can rap.
30:13Some of them will do the harmony.
30:15There are possibilities.
30:17You can play around with the song.
30:19Can you sing
30:21Closer You and I?
30:23Can you sing it with Gino?
30:25I'm nervous.
30:27With the original.
30:29Okay.
30:31Let's start.
30:47That's it.
30:59Nice.
31:13Mr. Gino Padilla.
31:19Yeah!
31:29Nice.
31:59I'll be back.
32:01Don't leave.
32:11This is really a crying song.
32:13But you see, because we're
32:15very sentimental.
32:17This is the hit.
32:29I'm used to it.
32:31It's a vocal range.
32:33Let's not fight here.
32:35There's no room in their voices.
32:37Two divas from different times.
32:39Their names start
32:41with the letter D.
32:43They have the same single name.
32:45No last name.
32:47Please welcome Dulce and Deza.
32:49Hello. Good morning.
32:51Good morning.
32:53You're good.
32:55Dulce, Deza, D.
32:57I don't want to fight
32:59with you.
33:03I won't fight here.
33:05Me too.
33:07You're only 2 years old.
33:09You're already singing.
33:11Is your voice that high?
33:13My desire to sing
33:15is growing.
33:17At 2?
33:19I thought
33:21everyone was like that.
33:23Normal.
33:25I had to compete with the world.
33:27I had to sing.
33:29From 2 years old,
33:31I joined a contest.
33:33But I didn't want to accept it.
33:35But because I'm stubborn,
33:37I joined.
33:39They gave me a prize.
33:41Twinkle twinkle star.
33:43Twinkle twinkle star.
33:49How old were you
33:51when you started singing?
33:53Actually, at 2,
33:55I was already singing.
33:57But when I was 2,
33:59I drank
34:01kerosene.
34:03It's true.
34:05Who buys kerosene?
34:07Don't do that.
34:09After that,
34:11my mom told me
34:13that my voice is growing.
34:15It's growing.
34:17Why did you buy it?
34:19I was already singing
34:21in school.
34:23I was a member of Uncle Bob.
34:25Lucky 7 Club.
34:27You're both Bisaya, right?
34:29I'm from Cebuana.
34:31My mom is from Cebuana.
34:33But she grew up in Davao.
34:35But you're still Bisaya.
34:37Are you discriminated against?
34:39You're both Bisaya, right?
34:41When you're Bisaya,
34:43all the E's become I.
34:45Correct.
34:47All of us
34:49are AEO.
34:51So, the E and E
34:53are the same.
34:55That's why most of the names
34:57are made up because of spelling mistakes.
34:59But anyway,
35:01the discrimination you mentioned,
35:03I experienced that.
35:05You experienced that?
35:07Yes, because I entered the industry
35:09in the late 70s.
35:11I wasn't yet acknowledged
35:13as a gifted Bisaya.
35:15That's not the point.
35:17For as long as you have talent,
35:19you're a Bisaya.
35:21You just have to
35:23prove yourself.
35:25For me,
35:27what's wrong with being Bisaya?
35:29I know it became very easier
35:31for a lot of Bisayan talents
35:33after that time.
35:35That's what I argued
35:37with myself.
35:39I'm sharing to you what is good,
35:41what God has given me, and it is good.
35:43What's wrong with me being Bisaya?
35:45Right?
35:47I know, I experienced that.
35:49But I know that at this time,
35:51it's clear that we are
35:53both created by God.
35:55We have gifts, and it doesn't matter where you come from.
35:57What about now,
35:59when people say Bisaya,
36:01you're talented?
36:03Yes.
36:05I mean, you know.
36:07They called you a front act queen.
36:09Yes, before.
36:11I used to
36:13act as a front act
36:15for foreigners.
36:17That's why they called me a front act queen.
36:19Because most of the time,
36:21I'm the one they call a front act.
36:23But you're a queen.
36:25I'm just a queen.
36:27I'm gay.
36:29But I'm done with being a front act.
36:31But of course, I can still be a front act.
36:33My aunt is there.
36:35I can be a front act.
36:37It's the same feeling.
36:39To date,
36:41what do you think is your best performance?
36:43Best?
36:45Yes.
36:47Best, what do you think?
36:49Let's say,
36:51your best song.
36:55Not just a hit,
36:57but a song that you fulfilled as an artist.
37:01Maybe,
37:03the one I fought for
37:05in Voice of Asia.
37:07Because it's three songs.
37:09Easy To Love You,
37:11Danny Tan,
37:15and Love Is All We Need.
37:21I think those three
37:23are my best performances.
37:27For me,
37:29I cannot say that there's a best performance.
37:31Because every performance that you do
37:33ought to be the best.
37:35I can't pinpoint
37:37the best performance.
37:39Because every time
37:41you want to do the best performance.
37:43I don't want to forgive
37:45the past performances.
37:47Because every time
37:49you stand on stage and sing,
37:51you are doing the performance
37:53differently.
37:55There's not one song
37:57that you sing or perform
37:59the same way
38:01you did the last time.
38:03It's always the best that you give
38:05in every performance.
38:07That's true.
38:09Let's talk about Revival.
38:11You have this song, Paano.
38:13Of course, Desa sang it.
38:17Did you like it?
38:19Or does it make you feel good?
38:21Or did you feel offended?
38:23I'm so happy.
38:25Actually, I told her,
38:27I don't know how you came
38:29to record Paano.
38:31Because that song,
38:33the original was by
38:35Pilita Corrales.
38:37In the 70s.
38:39And then I re-recorded that in 1979.
38:41Although, Pilita is so kind
38:43to say that
38:45yours is a hit.
38:47It's true.
38:49Among the recorded songs I did since 1978,
38:51that's the one that reached
38:53the top of the charts.
38:55Yes.
38:57It became a signature song.
38:59It's like, I will survive.
39:01It's a triumph over whatever
39:03bad things happened in life.
39:07I'm the one who got tired.
39:09I'm the one who got handsome.
39:11But Paano,
39:13because of the message,
39:15very Masa, actually I call it
39:17a victim song.
39:19A victor song.
39:21It's a crying song.
39:23But you see,
39:25because we're very sentimental,
39:27it became a hit.
39:29Actually, in the Philippines,
39:31it's more of a crying song.
39:33Yes, it's true.
39:35And this is what I said
39:37reached the top of the charts.
39:39Correct.
39:41I used that in my first album.
39:43Do you have a say in your songs?
39:45That's what became my carrier.
39:47Do you have a say in your songs?
39:49I'll explain.
39:51In my first album,
39:53I don't have a say.
39:55And in my second album,
39:57I don't have a say.
39:59Whatever I'm asked to sing,
40:01that's what I'll sing.
40:03They're the ones who chose my materials.
40:05So Paano was actually
40:07handed over to you to revive.
40:09Yes.
40:11And incidentally,
40:15Tita Dulce,
40:17I idolized her
40:19when I was young.
40:21I joined amateur singing contests.
40:23The songs I used were
40:25like,
40:27that's what's popular.
40:29When you join an amateur singing contest,
40:31you have to sing like that,
40:33like Dulce Baga,
40:35to win.
40:37Let's sample it.
40:39Let's sample it.
40:43We haven't done a duet with Paano, right?
40:45How was it?
40:47How was it?
40:49Thanks!
40:51This was written by Doming Amarillo
40:53and George Canseco.
40:55George Canseco wrote the lyrics.
40:57He's famous for his beautiful words.
40:59Makapagbadamdamin.
41:01Makapagbadamdamin.
41:03Makapagbadamdamin.
41:05And then,
41:07this is rearranged.
41:09This is not my original version.
41:11And it's yours.
41:13But it's rearranged for the
41:15now sound.
41:17It makes me cry.
41:19Because it's like
41:21Rhinos.
41:23This is for the Philippines.
41:25Oh, I see.
41:29Paano kung wala ka na?
41:35Paano ha ang mag-isa?
41:41Mula nang makasama ka
41:47Kung paano'y limot ko na?
41:53Paano ang pag-ibig ko?
41:59Kung di rin lang laano sa'yo
42:05Ang buhay ng ang mundo
42:13Di ko alam kung paano
42:17Bago ka lumisan,
42:21Sana'y maturuan mo
42:23Naiwasan ang bawat nagkasanayan ko
42:31Ilimutin ng paghuntay
42:35Lagi sa'yo
42:37Paano ba ito?
42:43Pag-ay, daming pag-ay
42:47Na hindi ko na alam
42:51Paano kaming nagawa yung mga
42:53ganyan na mga loko?
42:55Grabe.
42:57Magbabalit mo kami.
42:59Yes!
43:03This album, Respect, is now available
43:05in CDs and cassettes.
43:07Kaya ba nagre-revive ng mga new mall kanta?
43:09Ang ibig ba sabihin nito medyo
43:11nagpa-platola ang music industry?
43:13Well, for one,
43:15pag nag-revive ka ng kanta,
43:17medyo mas mababa ng konti ang gastos
43:19kasi nagre-revive mo lang yung kanta.
43:21Pero binibili mo pa yung rights noon.
43:23Oo, pero still,
43:25mas matipid ng konti.
43:27Pag-isipin mo,
43:29mag-revive ka na lang ng kanta
43:31kasa gumawa ka ng original.
43:33Kasi ganun din e,
43:35papirating pa rin nila yan.
43:37Diba, gagawa pa rin ng mga pirating CDs and tapes.
43:39So, at least may notion.
43:41Aside from the fact na may notion na kaagad
43:43na kapag sikat na kanta yun,
43:45tas nirevive mo, siguradong papatok yun.
43:47Wala ka ng risk.
43:49Kasi parang money in the pot na yun.
43:51But still, remember,
43:53sometimes nire-revive mo yung kanta
43:55Diba, kahit na
43:57bali-balik na rin mo iba-iba ang kumanta noon,
43:59panalo pa rin yung message,
44:01panalo yung kanta,
44:03at susunod siguro yung kanta, kaya mo nire-revive.
44:05Alam mo kung ako, kahit na sino pa
44:07kumanta, basta't gusto ko yung kanta
44:09kahit iliba pa lang yung konti,
44:11ang version,
44:13pakihinggan ko pa rin yun.
44:15Yes, that is true.
44:17Kaya nga yung mga guests natin today,
44:19nag-enjoy kami, nakinig kami sa kanilang original
44:21at revived versions.
44:23Magkita-kita tayo ulit!
44:25Dito lang sa SIS!
44:29SIS would like to thank
44:31Bambi Fuentes for our hair and make-up,
44:33Mossimo,
44:35FNH Folded and Hung,
44:37Wayless Center,
44:39Adidas,
44:41Chloe for our eyewear,
44:43Optical Works,
44:45BR Chua Enterprises,
44:47680 Home Appliances,
44:49Jura Star,
44:51La Germania,
44:53Youman for my clothes,
44:55Salon de Manila,
44:57Janeline Shoes,
44:59Under the Sea Pet Shop,
45:01The Barnyard,
45:03Play and Display,
45:05and Union Square.
45:07Nalulungkod ka rin ba?
45:09Hindi ko lang masabayan dahil mataas.
45:11Nakagayak ko.
45:13Automatic!
45:15Bakit nga ba
45:17nagkalayo
45:19tayo sa
45:21isa't-isa
45:23magkawala
45:27ang puso ko
45:29at damdamin
45:31sa'yo pa rin.
45:33Thank you!
45:35My love couldn't wait
45:37much longer
45:39to say
45:41I love you.
45:43Thank you!
45:45Just can't forget the picture
45:47of your smile
45:49cause every time
45:51I close my eyes
45:53you come
45:55alive.
45:59Turuan mo
46:01naiwasan
46:03ang bawat
46:05nakasanayan ko
46:07at limudin
46:09ang
46:11paghuntay
46:13lagi sa'yo
46:15paano ba ito?
46:21Ang dami
46:23ang bagay
46:25na hindi ko nalang.
46:29Paano ba ginawa
46:31yung mga ganyan? Nakakalot!