Raimund Gregorius, having saved a beautiful Portuguese woman from leaping to her death, stumbles upon a mesmerizing book by a Portuguese author, which compels him to suddenly abandon the boring life he has led for years and to embark on an enthralling adventure.
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#2013Film
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#Romance
#Thriller
#JeremyIrons
#MélanieLaurent
#JackHuston
#MartinaGedeck
#CharlotteRampling
#Resistance
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Category
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Short filmTranscript
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00:01:38That'll make you think.
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00:04:30Perhaps...
00:04:34I'm afraid there was a slight mishap on the way here.
00:04:38I think the corrections will still be legible.
00:04:41Max, would you do the honours?
00:04:45More work required there.
00:04:47You have no opportunity to honour and respect yourself.
00:04:53But Marcus Aurelius was both a philosopher and an emperor.
00:04:58There was no coincidence.
00:05:00That was the way with the Romans.
00:05:02Thought and action were all one.
00:05:05I think we were chapter 12, page 42.
00:05:21Natalie, perhaps you'd begin.
00:05:25How can it be that the gods overlooked this alone,
00:05:32that some amongst men and those very good men
00:05:38who have had the most...
00:05:41Intercourse with the divine.
00:05:45Just keep on going.
00:05:55♪♪
00:06:05♪♪
00:06:15♪♪
00:06:25If it is so that we live only a small part of the life that is within us,
00:06:31what happens to the rest?
00:06:35♪♪
00:06:45Ah, Mr Gregorius.
00:06:47I am afraid your book on Persian grammar has yet to arrive.
00:06:51No, that's not why I came.
00:06:53Do you know that book?
00:06:55Indeed. I sold it to someone yesterday.
00:06:58A woman?
00:06:59Yes.
00:07:00She came in, asked for the Portuguese section, found this book,
00:07:04sat there, read it for an hour or so,
00:07:07then became rather upset, paid for the book and left.
00:07:11How did you come by it?
00:07:12I found it.
00:07:14Beautiful title.
00:07:18A goldsmith of words.
00:07:25Train tickets.
00:07:27Where to?
00:07:28Lisbon, eventually.
00:07:32Leaving in 15 minutes.
00:07:36Thank you.
00:07:37She was wearing that coat.
00:07:39♪♪
00:07:48Attention, please.
00:07:50Line 10 on platform 8 is now leaving.
00:07:55What's all this noise?
00:07:59Where's Mr Gregorius?
00:08:01He left, Mr Caddy.
00:08:03He left?
00:08:04There was a woman with him here.
00:08:08Impossible.
00:08:10♪♪
00:08:20♪♪
00:08:30♪♪
00:08:41♪♪
00:08:46We live here and now.
00:08:48Everything before and in other places is past,
00:08:52mostly forgotten.
00:08:54♪♪
00:09:02Hello?
00:09:03This is Mr Keggy.
00:09:05Where are you?
00:09:07I'm on a train.
00:09:09A train?
00:09:11That too.
00:09:13Lisbon, would you take care of my books?
00:09:16I left them on my desk.
00:09:18♪♪
00:09:25What could, what should be done with all the time that lies ahead of us,
00:09:30open and unshaped,
00:09:33featherlight in its freedom
00:09:35and lead heavy in its uncertainty?
00:09:39Is it a wish, dreamlike and nostalgic,
00:09:45to stand once again at that point in life
00:09:49and be able to take a completely different direction
00:09:53to the one that has made us who we are?
00:09:56♪♪
00:10:06♪♪
00:10:16♪♪
00:10:26♪♪
00:10:36♪♪
00:10:42Do you have a room?
00:10:45Where is your luggage?
00:10:47I don't have any.
00:10:50I will trust you and give you a room
00:10:53with a view of the sea.
00:11:02There, the sea.
00:11:07Anything else, sir?
00:11:08Yes.
00:11:10I want to find the address of the man who wrote this.
00:11:17Thank you.
00:11:20Anything else?
00:11:22No, thank you.
00:11:36♪♪
00:11:44♪♪
00:11:52♪♪
00:11:59Good morning. I'm looking for Amadeo Di Prado.
00:12:03One moment.
00:12:06♪♪
00:12:16♪♪
00:12:22I believe you are looking for my brother?
00:12:24Yes.
00:12:26Is the doctor in?
00:12:27Are you ill?
00:12:29No, I'm reading this book.
00:12:32I'd very much like to meet him.
00:12:34What he writes touches me very deeply.
00:12:41You should come inside.
00:12:45You may sit.
00:12:48Some tea?
00:12:50Bret Azalm is Amadeo's preference.
00:12:52Thank you.
00:12:54TEA RINGS
00:12:56Tea, Claudette.
00:12:59This is Amadeo's favourite room.
00:13:02It's a beautiful room.
00:13:05He has read every one of those books.
00:13:12Does he still practise as a doctor?
00:13:16Where did you get it?
00:13:18I came across it in Bern. It's where I live.
00:13:21Only 100 were ever printed.
00:13:24I have six copies left.
00:13:27I often wondered where the other 94 went.
00:13:34Bern is in Switzerland, is it not?
00:13:36Yes.
00:13:38Then the book has travelled?
00:13:40That is a good thing.
00:13:45Has he written anything else?
00:13:47Nothing that has been published.
00:13:50He wanted to be a writer, a philosopher.
00:13:54Then he decided to become a doctor.
00:13:56He didn't believe people should be in pain.
00:14:02Is that him?
00:14:04That is our father.
00:14:06He was a famous judge.
00:14:08Yes, I gather from the book.
00:14:10He and Amadeo had a rather complicated relationship.
00:14:13Considered from the standpoint of eternity,
00:14:15that rather loses its significance.
00:14:18Yes.
00:14:20Yes.
00:14:22He often said that to Amadeo.
00:14:24Amadeo doesn't believe in eternity.
00:14:27Unfortunately not.
00:14:30I don't mean to pry, but...
00:14:34may I ask how your father died?
00:14:37No. No, you may not.
00:14:45If you want to see Amadeo,
00:14:47you will find him in the cemetery of your ancestors.
00:14:57We leave something of ourselves behind
00:15:00when we leave a place.
00:15:03We stay there,
00:15:05even though we go away.
00:15:08And there are things in us
00:15:10that we can find again
00:15:12only by going back there.
00:15:14We travel to ourselves
00:15:16and we go to a place
00:15:18where we have covered a stretch of our life,
00:15:21no matter how brief it may have been.
00:15:26But by traveling to ourselves,
00:15:28we must confront our own loneliness.
00:15:32And isn't it so that everything we do
00:15:35is done out of fear of loneliness?
00:15:39Isn't that why we renounce
00:15:41Isn't that why we renounce
00:15:43all the things we will regret
00:15:45at the end of our life?
00:15:53Excuse me, I'm looking for Amadeo Dalmeida Prado.
00:15:58Prado.
00:16:00Thank you.
00:16:03When dictatorship is a fact,
00:16:07revolution is a duty.
00:16:33Bloody idiot!
00:16:52Is it ultimately a question of self-image,
00:16:55the determining idea one has made for oneself
00:16:58of what one has to have accomplished and experienced,
00:17:01so that one can approve of the life one has lived?
00:17:05If this is the case,
00:17:07the fear of death might be described
00:17:10as the fear of not being able to become
00:17:13whom one planned to be.
00:17:16If the certainty befalls us
00:17:18that it will never be achieved,
00:17:20this wholeness,
00:17:22we suddenly don't know how to live the time
00:17:25that can no longer be part of a whole life.
00:17:32Better or worse?
00:17:36Better.
00:17:38You feel as if you wrote the book yourself.
00:17:40I would have liked to have done.
00:17:42It talks about everything that has preoccupied me for years.
00:17:46Better or worse?
00:17:49Worse.
00:17:52Tell me one of these beautiful things.
00:17:54What is it?
00:17:56What is it?
00:17:59Tell me one of these beautiful sentences you read.
00:18:02The real director of life is accident,
00:18:07a director full of cruelty, compassion and bewitching charm.
00:18:12By accident he means fate.
00:18:14No, I think he means chance,
00:18:16the randomness of chance.
00:18:18Let's take a break. Rest your eyes for a moment.
00:18:22You're a man who does not sleep well.
00:18:24You can tell.
00:18:25The eyes reveal everything.
00:18:29Look at these eyes.
00:18:31Tell me what they reveal.
00:18:34They're melancholic, but hopeful,
00:18:36tired, but persistent, contradictory.
00:18:40Why would his sister pretend that he was still alive?
00:18:44I have no idea. Shall we resume?
00:18:46Go on.
00:18:49So you met a woman in a red coat who disappeared
00:18:52and you just dropped everything.
00:18:54Then I read the book.
00:18:56I would love to be able to do that, just drop everything.
00:18:59Do you do that often?
00:19:01No, I've never done anything like that before.
00:19:03Better or worse?
00:19:06Better.
00:19:09How does that feel?
00:19:11You talk about seeing a woman in a red coat
00:19:14How does that feel?
00:19:16You talk about seeing is feeling.
00:19:19Well, isn't it?
00:19:20I suppose it is.
00:19:21How clear is it, the image?
00:19:23Very clear.
00:19:25And how about this?
00:19:30Everything's in focus.
00:19:39Sir, we have these new ones here.
00:19:45The decisive moments of life,
00:19:47when its direction changes forever,
00:19:50are not always marked by loud and shrill dramatics.
00:19:54In truth, the dramatic moments
00:19:57of a life-determining experience
00:19:59are often unbelievably low-key.
00:20:03When it unfolds its revolutionary effect
00:20:06and ensures that a life is revealed
00:20:09in a brand-new light,
00:20:11it does that silently.
00:20:14And in this wonderful silence
00:20:17resides its special nobility.
00:20:20Now you wonder if the old pair were better.
00:20:23Yes.
00:20:24But they're not, are they?
00:20:27No, they feel very light.
00:20:30Getting used to them will take some time.
00:20:33Do you take credit cards?
00:20:34You can sort all that out with my receptionist.
00:20:37Before you go, I have an uncle.
00:20:40He lives in a nursing home across the derby.
00:20:43I called him last night and told him about you and the book.
00:20:47He knew Amadeo de Prado well.
00:20:49I told him you want to know about Amadeo
00:20:51and he said he'd talk to you.
00:20:53He was in the resistance.
00:20:56I must warn you, my uncle can be difficult.
00:21:00In what way?
00:21:02The generation that lived under the dictator Salazar
00:21:06is still battling to come to terms with what happened.
00:21:09When the resistance began,
00:21:11the secret police were extremely brutal.
00:21:14To this day, people don't like talking about it.
00:21:17The perpetrators as well as their victims.
00:21:27Uncle Charles, how are you?
00:21:29What are you doing here?
00:21:31This is the man I was telling you about,
00:21:33Raymond Gregorius. I brought him.
00:21:35I said I'd talk to him, not you.
00:21:37You can wait in reception.
00:21:39We go to the lounge.
00:21:48So you are interested in Amadeo de Prado?
00:21:52Yes.
00:21:54Marianna tells me you have a book he wrote.
00:21:56Would you like to see it?
00:21:58No. I can imagine what he's like.
00:22:01A godless priest.
00:22:03That's a good description.
00:22:06He was the only visitor they allowed me in prison.
00:22:10Every week he visits.
00:22:13With books and medicines and cigarettes.
00:22:17Which, of course, they take away the moment he leaves.
00:22:21Yeah.
00:22:23He had privileges.
00:22:25What sort of privileges?
00:22:27The kind you don't want in life.
00:22:31Do you have a cigarette?
00:22:33No, I'm sorry, I don't smoke.
00:22:34Pity.
00:22:39Marianna tells me that you and Amadeo were in the resistance.
00:22:44And George, his best friend.
00:22:46Oh, yes, he writes a lot about George.
00:22:48Oh, they were joined at the heart and the soul.
00:22:50For a time.
00:22:52But Amadeo, he was too soft for the resistance.
00:22:58He only joined because he felt guilty.
00:23:02Marianna tells me you are from Switzerland.
00:23:06Yes, Bern.
00:23:08There was never a revolution in Switzerland, was there?
00:23:11No.
00:23:12Somehow they've always managed to avoid such things.
00:23:16I wonder what it's like to live without trusting.
00:23:19Never to trust your friends or family.
00:23:24I met his sister.
00:23:26Adriana?
00:23:27She acts as if he's still alive.
00:23:31But she wears black, as if in mourning.
00:23:46You can only fill my cup halfway.
00:23:57No one has ever done that for me before.
00:24:16A gift from PIDE, the Portuguese Secret Service.
00:24:22A gift from PIDE, the Portuguese Secret Police.
00:24:28Who is Luis Mendez?
00:24:31What's his name?
00:24:331973, in the springtime.
00:24:38I'm home.
00:24:49I'm home.
00:24:59Who are you?
00:25:01Where's my wife?
00:25:03She kindly took your children for a walk.
00:25:08This woman that knows all the names, where do I find her?
00:25:13I do not know.
00:25:16I do not know what you are talking about.
00:25:21Your wife tells me you are an excellent pianist.
00:25:25Will you play for me?
00:25:28And my friends?
00:25:31Please.
00:25:44Can I see your hands, please?
00:26:00Thank you.
00:26:12What should I play?
00:26:14Play as your favorite.
00:26:30You say she has a photographic memory.
00:26:34Is that true?
00:26:53I ask you once more.
00:26:55Where is she?
00:27:00Where is she?
00:27:16What made it all the more terrible
00:27:19was that someone said to me,
00:27:22Amadeo,
00:27:24he saved Mendez's life.
00:27:30Dinner time.
00:27:32They serve us early here, like in prison.
00:27:35Not for the inmates, you understand,
00:27:38but for the staff.
00:27:40I'm glad he's finally been able to tell someone about it.
00:27:45I just wish it had been me.
00:27:48It's often easier to speak to a stranger.
00:27:52With my family, it's a bit different.
00:27:56Pain is something we pretend happens to other people.
00:28:00When Uncle Jao disappeared,
00:28:02our parents told us he'd gone to Brazil to work.
00:28:06Then, after the revolution, when he was released,
00:28:09they told us he'd had an accident with his hands.
00:28:13He's very fond of you.
00:28:15He is?
00:28:17Except you're the only one from the family who ever visits.
00:28:20He's always so grumpy. I don't blame the others.
00:28:23What else did he say?
00:28:25He said he wished you were married.
00:28:27I hate him.
00:28:30Then when you visited, there'd be children.
00:28:34He actually said that?
00:28:36That he's fond of me?
00:28:42Do you have children?
00:28:44No.
00:28:46I have my students.
00:28:48But the faces change every year, so I try not to get too fond of them.
00:28:56I think now you're staying another day.
00:29:00Yes, I might have to.
00:29:02Nice glasses.
00:29:25I love you.
00:29:55I love you, too.
00:30:09Father Boutonniere?
00:30:11Yes?
00:30:13Joao Esut tells me that you buried Amadeu de Prado.
00:30:19I would prefer to be remembered as the man who taught Amadeu,
00:30:24not the one who buried him.
00:30:28Amadeu was 12 years old when he first came to the school.
00:30:32He came with no bag, no books.
00:30:35He had read them all, you see.
00:30:37Everything was in his head.
00:30:40What does he say about the school in his book?
00:30:46For 1,922 days, I attended the Lyceum where my father sent me,
00:30:52the strictest school in the whole country.
00:30:55By the third day, I realized I had to count the days
00:30:58so as not to be crushed by them.
00:31:02He hated it that much.
00:31:07It was Joao de Amadeu de Prado,
00:31:10he hated it that much.
00:31:13Was Jorge and Amadeu in the same class?
00:31:17No, not at first.
00:31:19Amadeu skipped two grades.
00:31:24He was that bright, you see.
00:31:26And for two years, they were in the same class.
00:31:29Or I should say, they were in a class of their own.
00:31:33Amadeu, the aristocrat, and Jorge, the working class boy.
00:31:37They had a very naughty curiosity, those two.
00:31:41They would lie to their mothers
00:31:43that they were going to spend the night in a friend's house.
00:31:46Instead, they came here.
00:31:57How did you find them, Jorge?
00:31:59I was sleeping here. Then I found the floor was loose.
00:32:03Jean-Paul Sartre.
00:32:05Karl Marx.
00:32:07Henry Miller.
00:32:09My God, if we found these books...
00:32:11We would end up in terror, Al,
00:32:13along with all the other political prisoners.
00:32:15But your father would never allow that, would he, Amadeu?
00:32:18He would get Prime Minister Salazar to personally intervene
00:32:21and have the case thrown out of court.
00:32:23You think it's a joke, my father's a judge?
00:32:25I think it's a joke that the son of a greengrocer
00:32:28is friends with the son of a judge.
00:32:30The son of a judge. That is funny.
00:32:34You have to...
00:32:39Amadeu would have been unhappy wherever he was.
00:32:45He never played games with the other boys.
00:32:49He never let himself go.
00:32:52Except...
00:32:54one time.
00:32:57Nobody forgot that time.
00:33:03Make room there, boys. Make room.
00:33:05Make room.
00:33:25My father is here.
00:33:26Of course he's here. What did you expect?
00:33:28You should read this, George. You wrote most of it anyway.
00:33:30They are yours. I only helped you choose them.
00:33:33Amadeu, what is our religion?
00:33:36Loyalty.
00:33:37What are our values?
00:33:39Truth, above all else.
00:33:41Exactly. Just keep your eyes on me and you'll be fine.
00:33:46As is traditional, we end our ceremony
00:33:49with the grade 12's graduation speech.
00:33:52In this year, that honor will be bestowed
00:33:55to Amadeu Dalmeida Prado.
00:34:03Thank you.
00:34:26I would not like to live in a world without cathedrals.
00:34:29I need their beauty and grandeur
00:34:31against the dirty colors of military uniforms.
00:34:36I love the powerful words of the Bible.
00:34:40I need the force of its poetry.
00:34:43I need it against the decay of language
00:34:46and the dictatorship of worthless slogans.
00:34:52But there is another world I do not wish to live in.
00:34:56A world in which independent thinking is disparaged
00:34:59and the finest things we can experience denounced as sin.
00:35:03A world in which our love is demanded
00:35:06by tyrants, oppressors and assassins.
00:35:10And most absurdly, people are exhorted from the pulpit
00:35:14to forgive these creatures and even to love them.
00:35:19It is for this reason we cannot just put the Bible aside.
00:35:23We have to throw it away completely.
00:35:25For it speaks only of a vein holier than thou, God.
00:35:30In his omnipresence, the Lord observes us day and night.
00:35:34He takes note of our acts and thoughts.
00:35:37But what is a man without secrets,
00:35:40without thoughts and wishes that he and he alone knows?
00:35:44Does the Lord our God not consider
00:35:46he is stealing our soul with this unbridled curiosity?
00:35:50A soul that should be immortal.
00:35:53But who would in all seriousness want to be immortal?
00:35:57How boring to know that what happens today,
00:35:59this month, this year does not matter.
00:36:02Nothing will count.
00:36:05No one here knows what it would be like to live eternally.
00:36:08And it's a blessing we never will.
00:36:11One thing I can assure you.
00:36:14It would be hell.
00:36:16This endless paradise of immortality.
00:36:19It is death and only death
00:36:21that gives each moment beauty and horror.
00:36:24Only through death is time a living thing.
00:36:27Why does the Lord not know this?
00:36:30Why does he threaten us with an endlessness
00:36:32that can only be unbearably desolate?
00:36:40I would not want to live in a world without cathedrals.
00:36:43I need the luster of their windows.
00:36:46Their cool stillness.
00:36:48Their imperious silence.
00:36:50I need the holiness of words.
00:36:52The grandeur of great poetry.
00:36:55But just as much,
00:36:57I need the freedom
00:36:59to rebel against everything that is cruel in this world.
00:37:02For the one is nothing without the other.
00:37:05And no one may force me to choose.
00:37:22Thank you.
00:37:52What did you think?
00:37:55I thought
00:37:57you would deliver a speech in Latin.
00:38:00But then only a very few would have understood it.
00:38:13Are you friends with that boy?
00:38:16We are the best of friends.
00:38:23All of those faces
00:38:25and more
00:38:27came to his funeral.
00:38:29He died on the day of the revolution.
00:38:32And so they all brought red carnations.
00:38:37I dare not speak any words about God
00:38:41as what Amadeo called his empty promises.
00:38:46But I did allow myself
00:38:48one religious word.
00:38:53Amen.
00:39:09I was very proud of him.
00:39:12Then why did you never tell him, Papa?
00:39:22Let's go.
00:39:52To this day,
00:39:54I never found out
00:39:56what secret bound those two together
00:39:59and what it had to do with Amadeo.
00:40:11My brother is not here.
00:40:13I know.
00:40:15Go away.
00:40:17I know what happened.
00:40:19He had an accident.
00:40:20I know what happened.
00:40:22He had an aneurysm.
00:40:24It's in the book.
00:40:28How do you live with that?
00:40:30Knowing at any time a blood vessel could burst.
00:40:33Flooding your brain with blood.
00:40:36I only found out after
00:40:38when I discovered his writings.
00:40:41He never told anyone.
00:40:44Not even me.
00:40:46I'm sorry.
00:40:48I didn't mean to upset you.
00:40:50No, wait.
00:40:54Let me show you where we worked.
00:41:06People came there at night
00:41:09to see him.
00:41:11To be healed.
00:41:15No one should be in pain, he always used to say.
00:41:18The door was always open.
00:41:23I met Jaya, sir.
00:41:27He mentioned that
00:41:29Amadeo was in the resistance.
00:41:32The resistance.
00:41:37And that he saved
00:41:39Mendes's life.
00:41:48It was
00:41:50late in the evening.
00:41:55There were terrible shouts
00:41:58across the square.
00:42:18Leave now!
00:42:26Get the doctor.
00:42:30In there.
00:42:39Amadeo,
00:42:41we need to cut him loose.
00:42:43I'll take care of him.
00:42:45Amadeo,
00:42:47we need to come now.
00:42:58Is this...
00:43:07Out.
00:43:09Out!
00:43:14Out!
00:43:28Adrenaline.
00:43:44Adrenaline.
00:44:14Traitor.
00:44:16Traitor.
00:44:20You're a traitor.
00:44:21I am a doctor.
00:44:23Traitor.
00:44:24You're a traitor.
00:44:25You hear me? A doctor.
00:44:27You're a traitor.
00:44:28Traitor.
00:44:29You're a traitor.
00:44:44Traitor.
00:45:06I sat him down in this very chair
00:45:09and watched his face.
00:45:11His beautiful face.
00:45:14It hurt him.
00:45:17Do you know of George?
00:45:19I know they were great friends.
00:45:22Why is the world so cruel?
00:45:24I often ask myself that.
00:45:26It's as if it doesn't care.
00:45:28God doesn't care.
00:45:31Amadeo was right about that.
00:45:36I would like to be alone now.
00:45:40May I call on you again?
00:45:42Why?
00:45:45His life,
00:45:47his world was...
00:45:50extraordinary.
00:45:52Makes mine seem so insignificant.
00:45:59Do you have cigarettes?
00:46:00Which brand?
00:46:02Um...
00:46:15You brought them?
00:46:17No, no, wait, wait.
00:46:18Everyone here is a spy.
00:46:20Worse than the damn fascists.
00:46:22We go outside.
00:46:26You didn't telephone me just to get cigarettes, did you?
00:46:28No, I called because the talking to make me sleep better.
00:46:32Last night, yeah.
00:46:39I'm sorry.
00:46:41I'm sorry.
00:46:43Amadeo, he never smoked.
00:46:46The only one who didn't,
00:46:48George, he smoked like a chimney.
00:47:03George,
00:47:05he's still alive?
00:47:07I don't know.
00:47:09I never talked to him after what happened with Stefania.
00:47:15No one knew how to.
00:47:17It was too personal.
00:47:20Who is Stefania?
00:47:22The woman who remember everything.
00:47:25That's why they picked me up.
00:47:28To get to her.
00:47:31Lieutenant Nicola Rimai.
00:47:36Benfica.
00:47:3828.
00:47:39December.
00:47:41Telephone 8572463.
00:47:47Seventh article.
00:47:52Captain Carlos Pais.
00:47:56Sintra.
00:47:5847 Rua...
00:48:08Sintra.
00:48:15George?
00:48:16It's Amadeo Prado.
00:48:19Are you in there?
00:48:21Let him in.
00:48:23George!
00:48:33Why have you been avoiding me?
00:48:35Everyone else I can understand, but you, no.
00:48:38I'm not avoiding you.
00:48:40You're lying to me, George.
00:48:41We do not lie to each other.
00:48:55I want to join the resistance.
00:48:58Because of guilt?
00:49:01As a doctor, I had no choice.
00:49:03As a doctor, you should have injected poison into his heart.
00:49:07Not adrenaline.
00:49:14Sit, Amadeo.
00:49:25Aren't you going to introduce me to your friends?
00:49:28This is João.
00:49:34And this is Stefania.
00:49:39I was going to introduce you sooner, but...
00:49:41The resistance keeps us busy.
00:49:44Isn't she beautiful?
00:49:55What if your first assignment was to kill your father?
00:50:04Why?
00:50:05Because he's a judge.
00:50:08Part of the fascist regime.
00:50:22Don't be upset, Amadeo.
00:50:25I was just testing you.
00:50:26Don't be upset, Amadeo.
00:50:29I was just testing you.
00:50:33You knew it straight away.
00:50:35Even George could see it.
00:50:38Stefania, she was completely drawn to him.
00:50:45And the names and addresses?
00:50:47Members of the armed forces.
00:50:49Sympathetic to our cause.
00:50:51She had them stockpiled in her head.
00:50:54More than 200 names.
00:50:57Waiting for the day we call them.
00:51:00To rise up against the fascists.
00:51:21Can I have my key, please?
00:51:23Of course, sir.
00:51:26Thank you.
00:51:49Is Mr. Prado at home?
00:51:51She asked for you to wait.
00:51:53If you come.
00:51:56Thank you.
00:52:04Why are you bringing back the past?
00:52:07I want to know how it felt to be Amadeo.
00:52:12Did you know him?
00:52:22Amadeo, you must eat.
00:52:24You need to be strong for your final exams.
00:52:47Stand up.
00:52:54Sit down.
00:52:56Mama, come help me.
00:53:02I have to do this, otherwise you will die.
00:53:05Take your hands away.
00:53:08Adriana, trust me.
00:53:23Drink.
00:53:41Satir, call an ambulance.
00:53:44The ambulance and the doctor came.
00:53:47And Adriana was rushed to hospital.
00:53:54You can leave us now, Clotilde.
00:54:06The doctor said I did the right thing.
00:54:15Why do you say nothing?
00:54:18Why do you judge me so?
00:54:24The intervention is called a tracheotomy.
00:54:27If I had not done it, we would have carried her out in a coffin.
00:54:37I, too, shall have a cup of tea, Clotilde.
00:54:42So now you know.
00:54:46From then on, I was indebted to him.
00:54:49From then on, I was indebted to him.
00:54:53Just as Ruy Mendes was indebted to him.
00:54:58The police knew very well the clinic was being used as a cover for the resistance,
00:55:02but they never came and searched.
00:55:04People would drop off envelopes of money, names, addresses, maps.
00:55:12And then she would come.
00:55:14Next.
00:55:19Why have you not called me? I left messages.
00:55:23I have something for Joao.
00:55:30I have to talk to you.
00:55:32I cannot go on with Georges.
00:55:36Leave us.
00:55:43Adriana, leave us.
00:55:48Then one night it all ended.
00:55:51How?
00:55:53Something had happened.
00:55:55I don't know what.
00:55:57But it was the last time I ever saw her.
00:56:08There are patients waiting for you.
00:56:10Send them away.
00:56:11You do not send patients away.
00:56:13Do it now. And if someone comes to the door, do not answer it.
00:56:16Switch off the lights. We're not here.
00:56:36Mateo.
00:56:41Mateo.
00:56:57Joao Estes is at the door.
00:57:00I'll be back.
00:57:11Mateo.
00:57:18Where is she?
00:57:21Stefania.
00:57:23I don't know. She went one way, I went another.
00:57:26Georges came to me.
00:57:28The problem is Stefania.
00:57:31What do you mean?
00:57:33He wants...
00:57:35He wants to eliminate her.
00:57:38What?
00:57:40He says if they get to her, they'll get the names.
00:57:45It will be the end of it.
00:57:47Georges wants to kill Stefania.
00:57:50If she or Georges come here, call me.
00:57:54You understand?
00:57:56I understand.
00:57:58Good.
00:58:03What a mess.
00:58:10What are you going to do?
00:58:14Pack a bag and some food.
00:58:16I'm taking the car.
00:58:17To where?
00:58:19Away from here.
00:58:22With her?
00:58:24Of course with her.
00:58:26No, please, no, Mateo.
00:58:29I beg you, don't do this thing.
00:58:32I beg you.
00:58:34I beg you.
00:58:36I beg you.
00:58:37I beg you, don't do this thing.
00:58:39Tell them she's here.
00:58:41Don't go away with her.
00:58:43I beg you.
00:58:45Please, don't go.
00:58:51What was I saying?
00:58:55Don't do this thing. It's wrong.
00:58:58Something terrible will happen.
00:59:00I know it will.
00:59:01I know it will.
00:59:07He stepped over me.
00:59:09I will never forget that.
00:59:12He stepped over me.
00:59:15Like I was nothing.
00:59:31I will never forget that.
01:00:02Could I have a coffee, please?
01:00:06Hello?
01:00:07Mr. Kagi.
01:00:08It's me.
01:00:10I'm sorry I missed your call yesterday.
01:00:12Don't tell me you're still in Lisbon.
01:00:15Yes, I am.
01:00:16Where are you staying?
01:00:17Hotel Silvers.
01:00:18You wouldn't have heard of it.
01:00:20Is it raining in Bern?
01:00:21I can't keep teaching your class. You have to come back.
01:00:24If you don't come back, I'm going to have to find a replacement for you.
01:00:27You want me to do that?
01:00:29Perhaps.
01:00:30I need a yes or no, Raman.
01:00:32Mr. Kagi, I have to go. I'm sorry.
01:01:00Thanks.
01:01:30Bye.
01:01:51Why are you following me?
01:02:01Where does this come from?
01:02:03His sister, Adriana, came across his notes.
01:02:06She put them together in a book.
01:02:08I came across that in Bern, Switzerland.
01:02:13I want to know what happened to Stefania.
01:02:15Why?
01:02:16Well, Amadeus is dead.
01:02:18Adriana doesn't know. You're the only one who does.
01:02:21Get the hell out of here.
01:02:24Get out!
01:02:31Why has my uncle started smoking again?
01:02:34What?
01:02:36The doctor from the nursing home called me and told me a stranger visited him and brought him some cigarettes.
01:02:41Well, he asked me for some.
01:02:42Are you trying to kill him?
01:02:44He already has emphysema.
01:02:46Yeah, but he enjoys smoking. Why deny him that pleasure?
01:02:48Because it's bad for him.
01:02:50So is living in that nursing home.
01:02:52Reminds him of being in prison.
01:02:54How are your new glasses?
01:02:56I'm getting used to them.
01:02:59Would you have dinner with me?
01:03:05I thought you'd never ask.
01:03:08If Jesus had been put to death with a guillotine,
01:03:11we'd all be praying before a big, shiny blade.
01:03:14Or if he'd been electrocuted, we'd be genuflecting in front of a chair.
01:03:19But can you really do that?
01:03:21Know what it is like to be another person without being the other person?
01:03:25Well, you can imagine what it's like to be that other person.
01:03:29Imagination is our last sanctuary.
01:03:31That's one of his lines.
01:03:33Though he also said intimacy is our last sanctuary.
01:03:38You remember the lines that about him?
01:03:40Well, that's what he said.
01:03:42He said,
01:03:45You remember the lines that about him?
01:03:47Well, that's because they mean something to me.
01:03:50I mean, poor Estefania.
01:03:52She remembered everything, even trivial things.
01:03:54I mean, numbers, names, phone numbers, addresses.
01:03:58To have a memory like that is driving me mad.
01:04:01Yeah.
01:04:03I'm sorry, I'm going on.
01:04:06I haven't talked as much as this for years.
01:04:08No, no.
01:04:10I'm fascinated.
01:04:14May I ask you how long you've been on your own?
01:04:18Five and a half years.
01:04:20But before that, you spoke to your wife.
01:04:23Yes.
01:04:25But it usually landed me in trouble.
01:04:28What kind of trouble?
01:04:30Well, we threw a party for our colleagues.
01:04:33Well, our friends.
01:04:35And she found this quote from Passau.
01:04:40Fields are greener in their description
01:04:44than in their actual greenness.
01:04:46And somebody said, Oh, that's a beautiful sentence.
01:04:49And I said, Yes, but only a very few people will ever understand it.
01:04:53And there was this terrible silence.
01:04:57And then she said, my wife, she said,
01:05:01And I suppose you are one of the chosen few.
01:05:06So that was the end of that party.
01:05:10But you were right.
01:05:12Yes, but it was arrogant.
01:05:15I was stupid and arrogant.
01:05:17And is that why she left you? Because of your arrogance?
01:05:20No.
01:05:22I think she left me because she found me...
01:05:27boring.
01:05:30I mean, we're still in touch.
01:05:32She called the other day.
01:05:34She wanted me to move my books out of the garage
01:05:37because her new boyfriend wanted somewhere to park his car.
01:05:41I don't know why I'm telling you all of this.
01:05:51Would you like to dance?
01:05:53No, I can't. I can't dance.
01:05:56You see?
01:05:59Boring.
01:06:08Thank you.
01:06:10I enjoyed that.
01:06:12Raymond.
01:06:14You're not boring.
01:06:18My uncle would like to see you again.
01:06:21Would you take him in?
01:06:23He would like to see you again.
01:06:25Would you take him some cigarettes?
01:06:48George is still alive.
01:06:50You met him?
01:06:51He's still running the same pharmacy,
01:06:53smoking cigarettes while he serves his customers.
01:06:56You brought some?
01:06:58Yes, I did.
01:07:02Stefania was in the house when I was there?
01:07:05She found them together in his study.
01:07:08No wonder he lies to me.
01:07:11Because, you know, he never lies.
01:07:14He couldn't tolerate dishonesty.
01:07:16What had happened earlier that night?
01:07:19George's place became too small.
01:07:22So we hired a room in an old warehouse for our meetings.
01:07:28We pretended it was a literacy class.
01:07:32Stefania's idea.
01:07:35It was so naive.
01:07:37Bruno, you'll be in charge of the railways.
01:07:39The numbers you will call are Lisbon,
01:07:426423518.
01:07:46Contact them, Leonardo.
01:07:4842355900.
01:07:52Contact them, Giulio.
01:07:54The signal for the takeover will come from Radio Renaissance.
01:07:58It will be the song that was banned.
01:08:00The song by...
01:08:08Excuse me, are you lost?
01:08:10Is this the literacy class?
01:08:12Yes, we were just finishing.
01:08:15Please take a seat.
01:08:19Most letters have more than one pronunciation,
01:08:23except the letter shish.
01:08:26I will explain that in more detail next week.
01:08:29Thank you all.
01:08:36What is a professor of music doing here?
01:08:40I met someone who cannot read.
01:08:45I wanted to see for myself what kind of course it was before recommending it.
01:08:52What is this person's name?
01:08:57Gatsby.
01:09:00Original.
01:09:02Sit down, all of you!
01:09:04Nobody leaves this room!
01:09:45Get out!
01:09:56Give me your gun.
01:09:58What for?
01:10:00We have to do what's right for the resistance.
01:10:03What happened to the others?
01:10:05Stefania and Amadeo, they got away,
01:10:07but they're going to find her and then she will talk.
01:10:10The others, they don't know much.
01:10:12Stefania, she knows everything.
01:10:14Hey, hey, hey, Josh.
01:10:16What are you talking about?
01:10:19You want to kill Stefania?
01:10:21No.
01:10:22No, no.
01:10:23I don't want to, but I have to.
01:10:26One life for many lives.
01:10:28Give it to me.
01:10:31Joshua, give it to me.
01:10:35I never find out what really happened.
01:10:38Did he tell you?
01:10:40No.
01:10:41When I asked him, he told me to...
01:10:43get lost.
01:10:46I need to know.
01:10:48I can't tell you how many times
01:10:50I wish I never give him that gun.
01:10:57Three days later,
01:10:59Mendes, he pick me up.
01:11:03He broke my hands
01:11:05and my spirit.
01:11:08But I never give him one single name.
01:11:13You tell that to Josh.
01:11:16He owes me.
01:11:22In youth, we live as if we were immortal.
01:11:26Knowledge of mortality dances around us
01:11:29like a brittle paper ribbon that barely touches our skin.
01:11:34When in life does that change?
01:11:39When does the ribbon tighten
01:11:42until finally it strangles us?
01:11:53Mr. Caggie?
01:11:55Have you made a decision yet?
01:12:00No.
01:12:02A woman came asking for you.
01:12:04She said she met you on a bridge or something.
01:12:07A Portuguese woman?
01:12:09I told her where you were when she left.
01:12:12If you decide not to come back, I need your keys.
01:12:15Will you post them to me?
01:12:16No, this woman.
01:12:18Did she leave her name?
01:12:20No.
01:12:22Goodbye, Mr. Caggie.
01:12:32Goodbye, Mr. Caggie.
01:12:34Goodbye, Mr. Caggie.
01:12:36Goodbye, Mr. Caggie.
01:13:00Drysdale wants to know what happened to Stephania.
01:13:03He says you owe him.
01:13:05I don't owe him anything.
01:13:11Do you know what they did to his hounds?
01:13:15Those hounds that used to play Mozart.
01:13:17He didn't give them one name.
01:13:19If he had, you wouldn't be standing here.
01:13:21You think you can blackmail me with guilt?
01:13:25You don't know who you're dealing with.
01:13:30Could I have a kilter?
01:13:33What is the question?
01:13:38Don't you know we don't talk about the resistance here?
01:13:42We bury our history and move on.
01:13:50You want a drink?
01:13:57We're sitting where Amadeo used to sit.
01:14:00This is the thing with Mendesha.
01:14:06We had a list of reasons for loyalty.
01:14:09Guilt towards others.
01:14:12Shared suffering, common struggle, common strength, weaknesses.
01:14:17Need for closeness.
01:14:20Common hatred, shared humor, and so on.
01:14:25What about love?
01:14:27He didn't believe in it, avoided the word that's too sentimental.
01:14:31There were only three things that were important to him.
01:14:34Desire, pleasure, and security.
01:14:38Desire.
01:14:40Jesus.
01:14:44I don't trust people who don't drink.
01:14:54Have a cigarette.
01:14:57No.
01:15:12You're okay?
01:15:14Yeah.
01:15:16Charles still loves to smoke.
01:15:18He would?
01:15:24What?
01:15:26After being graduated from Coimbra University.
01:15:29Me as a pharmacist, Amadeo as a doctor.
01:15:39What?
01:15:41Come, I have something to show you.
01:15:57What do you think?
01:16:01So, it's a pharmacy.
01:16:03Yes.
01:16:05It's yours.
01:16:11Come in.
01:16:21I need a pharmacist I can trust if I'm going to be writing out prescriptions.
01:16:26Here.
01:16:34I could not believe what he had given me.
01:16:39After that, I never thought we could lose our friendship.
01:16:46I never thought it possible.
01:16:51I'm not much to look at, and now I'm an ugly bastard.
01:16:54So, when she came along,
01:16:59she was beautiful.
01:17:02I thought some of her would somehow rub off on me.
01:17:08At least, that's what I think I thought.
01:17:14And this,
01:17:16is Stefania.
01:17:19I was going to introduce you, but...
01:17:21The resistance keeps us busy.
01:17:26Isn't she beautiful?
01:17:35It was the way she took my hand and removed it from her neck.
01:17:39Her eyes penetrating him.
01:17:42We will think about it, Amadeo.
01:17:44We'll get back to you.
01:17:46Bye-bye.
01:17:52Perhaps we can use your clinic as a drug box.
01:18:01Why did you take my hand off your neck?
01:18:04Did I?
01:18:14Have you ever been in love?
01:18:17So that not even food matters, not even words?
01:18:21I'm not sure.
01:18:23You would be sure. You would know.
01:18:27You always know.
01:18:30I'm thinking of you.
01:18:32What?
01:18:47You will show us, Amadeo.
01:18:55Does he mention me in the book?
01:18:59A lot.
01:19:01And I'm surprised she published it.
01:19:03Adriana hated me, wanted him for herself,
01:19:06did not even want to share him with her father.
01:19:09You know what happened to him?
01:19:11No.
01:19:12A few months before the revolution,
01:19:14he went to Amadeo and asked for stronger painkillers for his back.
01:19:19Adriana came every week to the pharmacy for the pills,
01:19:22but he never took them. He hoarded them.
01:19:25A week after Amadeo died, he swallowed over 100.
01:19:30The newspaper said he died after a long illness.
01:19:35Catholics don't appreciate suicide.
01:19:39Everyone out!
01:19:48Dr. Frankl, come with me.
01:20:08Fuck.
01:20:38If I had a gun, then I might have shot her.
01:21:09And when you got the gun?
01:21:12I went straight to Amadeo's clinic.
01:21:16I knew they would be there.
01:21:22Where are they?
01:21:23They've gone.
01:21:25Don't lie to me, Adriana.
01:21:26They've gone, Judge.
01:21:38Fuck.
01:21:56George.
01:22:08Give me the gun.
01:22:39Fuck.
01:23:02Stefania.
01:23:04Is she...
01:23:05Is she still alive?
01:23:09I bumped into her.
01:23:12Two years ago, she was here.
01:23:15Attending some seminar or other.
01:23:19I asked her how she was.
01:23:24She told me she was teaching history.
01:23:26Where?
01:23:28At the University of Salamanca in Spain.
01:23:34At your pharmacy.
01:23:37Why do you leave the lights on at night?
01:23:46To remind me of Amadeo.
01:24:06Fuck.
01:24:36Mr. De Silva, could I have my bill, please?
01:24:39I'm going back to Switzerland, sir.
01:24:41Yes. Why, Spain.
01:24:43They say the weather right now in Switzerland is terrible.
01:24:47Rain, snow and wind.
01:24:49I have to go. Could I have my bill?
01:24:51Yes.
01:24:52Excuse me.
01:24:57Hello.
01:24:59Hello.
01:25:03I want to thank you for what happened on the bridge.
01:25:08I've been reading your book.
01:25:10I don't want it.
01:25:13I just want to thank you for what you did.
01:25:20I've got your coat.
01:25:29You left it behind.
01:25:36Tell me your name.
01:25:43Caterina Mendes.
01:25:46Yes.
01:25:49Pat Mendes.
01:25:53I am the granddaughter of the Butcher of Lisbon.
01:25:59I didn't know who he was until I read the book.
01:26:04You can't blame yourself for what your grandfather did.
01:26:07You don't understand.
01:26:12I loved him.
01:26:16I cried at his funeral.
01:26:18And I did not understand why so many other people were not crying.
01:26:23Anyway.
01:26:26It will take some time.
01:26:29But I learned to live with this.
01:26:42This will be the same road they took.
01:26:45But at night.
01:26:47And in the morning.
01:26:49But at night.
01:26:51And in great danger.
01:26:53And in love.
01:26:59I was moved to see my uncle cry like that.
01:27:02I don't know what gives him more.
01:27:04The new Stefania was alive or the carton of cigarettes we gave him.
01:27:13So you return to your school and continue teaching?
01:27:16Yes.
01:27:19If that helps me.
01:27:23I'm sure I'll come back and visit.
01:27:46Are you sure she'll be in?
01:27:49She said she'd be here.
01:27:51Are you coming?
01:27:53I'll wait in the car.
01:27:54No.
01:28:00Go, Raymond. I'll be fine here. Take your time.
01:28:06Welcome, Raymond.
01:28:10I am Stefania.
01:28:11Thank you so much for meeting me.
01:28:14Do you have the book?
01:28:17I do.
01:28:25He looks just as I remember him.
01:28:28So long ago and still so weird.
01:28:32Would you like some tea?
01:28:34Thank you.
01:28:36What about your friend?
01:28:37Oh, no. She's happy in the car.
01:28:40I joined the resistance after my father was arrested in 1971 for sabotage.
01:28:47I sent him to Terefel.
01:28:50You have heard of it?
01:28:51Yes.
01:28:54It was also known as the Campo di Morte Lenta.
01:28:59The camp of the slow death.
01:29:03It took them two years to kill him.
01:29:06And that is how I met Georges.
01:29:08I need someone strong.
01:29:11Someone to protect me.
01:29:14I thought that was love.
01:29:19But then I met Amadeo.
01:29:29A new light fell on everything.
01:29:33My...
01:29:35My...
01:29:38whole life.
01:29:40I could not sleep anymore.
01:29:44I went to the clinic as often as I could.
01:29:48Despite Adriana's looks.
01:29:53He wanted to take me in his arms, but he kept rejecting me.
01:29:57Georges, he would say.
01:29:58What about Georges? I began to hate Georges.
01:30:02Do you mind if I smoke?
01:30:03No, please.
01:30:06Jealous he is of the Albanian.
01:30:32I could tell from his shoulders.
01:30:35He had seen us.
01:30:37Awful.
01:30:39Awful.
01:30:41But in a way, I was relieved.
01:30:44It was done.
01:30:47Are you sure your friend is alive?
01:30:50Yes.
01:30:52He is alive.
01:30:54He is alive.
01:30:56He is alive.
01:30:58He is alive.
01:31:00Are you sure your friend is all right?
01:31:02Oh, yes.
01:31:03She's fine in the car.
01:31:06We drove through the night.
01:31:09Amadeo kept questioning me.
01:31:13Was he searching for me or for life?
01:31:16He wanted to know everything.
01:31:18My whole life.
01:31:19My...
01:31:21memories.
01:31:23Thoughts, fantasies, dreams.
01:31:25He was relentless.
01:31:27It was almost a relief when five kilometers from the border,
01:31:31he stopped and hid me in the trunk.
01:31:47Passport?
01:31:57Why are you traveling to Spain?
01:31:59I'm going to visit relatives.
01:32:02Get out of the car, please.
01:32:26Please.
01:32:43Keys.
01:32:48Do you know Major Ruy Luis Mendez at the pit?
01:32:51What about him?
01:32:54I want you to call him.
01:32:56I have his home number.
01:32:59I want you to tell him you're treating me like a criminal.
01:33:15See?
01:33:16I told you, Joshua.
01:33:18He wants to talk to you.
01:33:27This is Dr. Amadeo Di Prado.
01:33:29You are asking too much of me.
01:33:32You took my life away from me.
01:33:34I want it back now.
01:33:38Give the phone back to my man.
01:33:47Ironic that I should ultimately be saved
01:33:51by the butcher of Lisbon.
01:33:57That night,
01:34:00we drove to Finisterra and slept in the car.
01:34:27We'll go away.
01:34:31We'll take a ship to the Amazon.
01:34:33To a new world where only you and I exist.
01:34:39I'll be back.
01:34:41I'll be back.
01:34:43I'll be back.
01:34:45I'll be back.
01:34:47I'll be back.
01:34:49I'll be back.
01:34:51I'll be back.
01:34:53I'll be back.
01:34:54I'll be back.
01:34:58I'll write books.
01:35:01We'll invent a new language
01:35:03that only you and I understand.
01:35:09We'll go up the river as far as it will take us.
01:35:15Back in time and into the future.
01:35:18The very beginning of the end.
01:35:21What will I do?
01:35:25You'll share it with me.
01:35:29The same hair.
01:35:31The same feelings.
01:35:33Same tastes.
01:35:37These things you want.
01:35:40You want them for yourself, not for me.
01:35:43I want them for both of us.
01:35:46He was hungry for me and for life.
01:35:49But the journey he wanted to take was into his own soul,
01:35:52not into mine.
01:36:06I cannot do it, Amadeo.
01:36:11What do you mean?
01:36:14You want more than I can ever give you.
01:36:19And I'm not ready.
01:36:27I'm so sorry.
01:36:49We have friends in Salamanca.
01:36:53Will you take me to them?
01:37:01He drove me to Salamanca.
01:37:06He shook my hand.
01:37:09He wished me well and left.
01:37:19The next I heard, he was dead.
01:37:25I always felt I killed him.
01:37:30He had an aneurysm.
01:37:32An aneurysm?
01:37:34A blood vessel burst in his brain.
01:37:37He'd had it for a long time.
01:37:38Did you go to his funeral?
01:38:00You didn't really think I would do it, did you?
01:38:04I didn't.
01:38:05You didn't really think I would do it, did you?
01:38:11It is no longer important.
01:38:36So what happened to the...
01:38:39names and telephone numbers you had in your head?
01:38:55I wrote them all down and passed them on to someone safe.
01:39:00A few months later, they were used to initiate revolution.
01:39:06Your friend must be very tired of waiting.
01:39:14You can keep the book if you like.
01:39:16Thank you.
01:39:18I'm probably more ready for him now than I was back then.
01:39:22Goodbye, Raymond.
01:39:24Goodbye, Stefania.
01:39:35Goodbye.
01:39:45We leave something of ourselves behind
01:39:49when we leave a place.
01:39:51We stay there,
01:39:53even though we go away.
01:39:56And there are things in us
01:39:58that we can find again
01:40:00only by going back there.
01:40:03We travel to ourselves
01:40:05to a place
01:40:07where we have covered a stretch of our life,
01:40:09no matter how brief it may have been.
01:40:19This is me.
01:40:24We've still got...
01:40:28five minutes.
01:40:31Thank you for...
01:40:35telling me I wasn't boring.
01:40:43But when I think of their lives,
01:40:47Amadeus, Stefania, the others,
01:40:49their lives
01:40:51full of such
01:40:53vitality, intensity.
01:40:55So much so, it broke them apart in the end.
01:40:57But they lived.
01:41:03Whereas my life
01:41:06has been...
01:41:11apart from these last few days.
01:41:19And now you're going back to it.
01:41:22Goodbye.
01:41:31Why don't you just stay?
01:41:35What?
01:41:38Why don't you just stay?
01:41:52Why don't you just stay?
01:41:55Why don't you just stay?
01:41:58Why don't you just stay?
01:42:01Why don't you just stay?
01:42:04Why don't you just stay?
01:42:07Why don't you just stay?
01:42:10Why don't you just stay?
01:42:13Why don't you just stay?
01:42:16Why don't you just stay?
01:42:18Why don't you just stay?
01:42:21Why don't you just stay?
01:42:24Why don't you just stay?
01:42:27Why don't you just stay?
01:42:30Why don't you just stay?
01:42:33Why don't you just stay?
01:42:36Why don't you just stay?
01:42:39Why don't you just stay?
01:42:42Why don't you just stay?
01:42:45Why don't you just stay?
01:42:48Why don't you just stay?
01:42:51Why don't you just stay?
01:42:54Why don't you just stay?
01:42:57Why don't you just stay?
01:43:00Why don't you just stay?
01:43:03Why don't you just stay?
01:43:06Why don't you just stay?
01:43:09Why don't you just stay?
01:43:12Why don't you just stay?
01:43:15Why don't you just stay?
01:43:18Why don't you just stay?
01:43:21Why don't you just stay?
01:43:24Why don't you just stay?
01:43:27Why don't you just stay?
01:43:30Why don't you just stay?
01:43:33Why don't you just stay?
01:43:36Why don't you just stay?
01:43:39Why don't you just stay?
01:43:42Why don't you just stay?
01:43:45Why don't you just stay?
01:43:48Why don't you just stay?
01:43:51Why don't you just stay?
01:43:54Why don't you just stay?
01:43:57Why don't you just stay?
01:44:00Why don't you just stay?
01:44:03Why don't you just stay?
01:44:06Why don't you just stay?
01:44:09Why don't you just stay?
01:44:12Why don't you just stay?
01:44:15Why don't you just stay?
01:44:18Why don't you just stay?
01:44:21Why don't you just stay?
01:44:24Why don't you just stay?
01:44:27Why don't you just stay?
01:44:30Why don't you just stay?
01:44:33Why don't you just stay?
01:44:36Why don't you just stay?
01:44:39Why don't you just stay?
01:44:42Why don't you just stay?
01:44:45Why don't you just stay?
01:44:48Why don't you just stay?
01:44:51Why don't you just stay?
01:44:54Why don't you just stay?
01:44:57Why don't you just stay?
01:45:00Why don't you just stay?
01:45:03Why don't you just stay?
01:45:06Why don't you just stay?
01:45:09Why don't you just stay?
01:45:12Why don't you just stay?
01:45:15Why don't you just stay?
01:45:18Why don't you just stay?
01:45:21Why don't you just stay?
01:45:24Why don't you just stay?
01:45:27Why don't you just stay?
01:45:30Why don't you just stay?
01:45:33Why don't you just stay?
01:45:36Why don't you just stay?
01:45:39Why don't you just stay?
01:45:42Why don't you just stay?
01:45:45Why don't you just stay?
01:45:48Why don't you just stay?
01:45:51Why don't you just stay?
01:45:54Why don't you just stay?
01:45:57Why don't you just stay?
01:46:00Why don't you just stay?
01:46:03Why don't you just stay?
01:46:06Why don't you just stay?
01:46:09Why don't you just stay?
01:46:12Why don't you just stay?
01:46:15Why don't you just stay?
01:46:18Why don't you just stay?