Gregorys Girl -HD (1980)

  • 2 months ago
Gregorys Girl -HD (1980)
Transcript
00:00:00Where is it?
00:00:07Where is it?
00:00:12In the middle!
00:00:16There!
00:00:17There!
00:00:18Yeah!
00:00:19I've got it!
00:00:20I've got it!
00:00:21Oh yes!
00:00:22Yes!
00:00:23Look at that!
00:00:24Calm down, I can't concentrate!
00:00:25That is a brazier!
00:00:26She's got a brazier!
00:00:27Take it off!
00:00:28Take it off!
00:00:29Transmit!
00:00:30Tell her to take off her bra!
00:00:31Take it off!
00:00:32Transmit!
00:00:33Take it off!
00:00:34Take it off!
00:00:35Take it off!
00:00:36Oh!
00:00:37Oh!
00:00:38Oh!
00:00:39Oh!
00:00:40Oh!
00:00:41Oh!
00:00:42Oh!
00:00:43Oh!
00:00:44Oh!
00:00:45Oh!
00:00:46Oh!
00:00:47Oh!
00:00:48Oh!
00:00:49Oh!
00:00:50Oh!
00:00:51Take off her bra.
00:00:52Take off your bra, Zee.
00:00:53Concentrate, you bastards. Concentrate.
00:00:59Why?
00:01:01Oh, why?
00:01:05I can't breathe.
00:01:06Oh, Andy, grow up.
00:01:08I can't see.
00:01:13God, Eric, where's your camera?
00:01:15What's a picture?
00:01:18What's a photograph?
00:01:19I could make a fortune with a photograph like that.
00:01:21Andy, Andy.
00:01:23Andy.
00:01:27Waddle on, lad. Waddle on.
00:01:30That was terrific.
00:01:33Superb.
00:01:35What we do tomorrow night?
00:01:36Come in back.
00:01:37No, you're right.
00:01:38We can bring sandwiches.
00:01:45A lot of fuss over a bit of dirt, eh?
00:01:47Yeah.
00:01:50Hey, look, the knickers.
00:01:52Oh, yeah.
00:02:19Oh, yeah.
00:02:20Yeah.
00:02:49Yeah.
00:03:07See you, Gregory.
00:03:09Terrible game, eh?
00:03:11Bad.
00:03:13Very bad.
00:03:15Yeah.
00:03:16I've got to laugh.
00:03:17And what have you got to laugh about?
00:03:19Us.
00:03:22Football is all about entertainment.
00:03:25Give them a good laugh.
00:03:28It's only a game.
00:03:29It's only a game.
00:03:30It's only eight games.
00:03:32Eight games.
00:03:33Eight games.
00:03:34Eight games.
00:03:35Eight games.
00:03:36Eight games.
00:03:37Eight games in a row you've lost.
00:03:39Can't lose them all.
00:03:42You push us really hard.
00:03:43No mercy.
00:03:44Lots of discipline.
00:03:46Get tough.
00:03:48We need goals.
00:03:50It's your job to get them and you don't.
00:03:52No, nobody's perfect.
00:03:54It's a tricky time for me.
00:03:57You're in a lot of grime.
00:04:00Slows you down.
00:04:02Five inches this year.
00:04:03Five inches this year.
00:04:06Remember last year?
00:04:08I was away down here.
00:04:11Are you growing a moustache?
00:04:13I want to make some changes.
00:04:16Good idea.
00:04:17Make you look older.
00:04:18In the team.
00:04:20I want to make some changes in the team.
00:04:23You're the boss.
00:04:25I want to try out some other people.
00:04:28Switch the team around.
00:04:30Take some people out.
00:04:32I was going to take you out.
00:04:34You don't want to do that.
00:04:36Yes, I do.
00:04:38You don't.
00:04:39I do.
00:04:42You don't.
00:04:48What about Andy?
00:04:50He's not even started growing yet.
00:04:52He's going to be a real trouble.
00:04:54I'll tell him.
00:04:55I'll tell him.
00:04:57A week's trial and goal for you.
00:04:58Then I'll decide.
00:05:02A jersey my size.
00:05:04Andy's a lot smaller.
00:05:05Never mind about the jersey.
00:05:09A week's trial.
00:05:11Then I decide.
00:05:12You're the boss.
00:05:14Who's taking over my position?
00:05:15I want to try out some new people.
00:05:21You won't regret this.
00:05:32Okay, so Phil Menzies is daft.
00:05:34He's daft enough, maybe, to throw you out the team.
00:05:37I'm not saying that he will fling you out.
00:05:38No, I didn't say that.
00:05:40But he's daft.
00:05:41He's daft enough to do it.
00:05:44Look, I'll tell you what.
00:05:46I'll tell you what.
00:05:47If, just supposing, Phil Menzies is daft enough to throw you out the team,
00:05:54well, I'll resign.
00:05:58Really?
00:06:00Really?
00:06:03Yeah, well, when I say resign, what I'm getting at, what it boils down to,
00:06:07what I'm trying to say, really, is I'll resign myself to making a decision.
00:06:13If it happens.
00:06:15I'm not saying that it will.
00:06:16It might, but it won't.
00:06:17I don't think so.
00:06:18Well, I'll see you later, Gregory, okay?
00:06:21How are you going?
00:06:23Well, I just want to stay here a wee bit longer and watch the traffic.
00:06:27I like looking at the big trucks.
00:06:31Look, do you know that at least 12 tonnes of cornflakes passes under here every day?
00:06:37Really?
00:06:38It's a well-known fact.
00:06:39Gee, is it?
00:06:41Never knew that.
00:06:43I'll see you later.
00:06:44Yeah, see you.
00:06:56Mr Bean.
00:07:10Had that dream again last night.
00:07:12So was Traffic.
00:07:20Hello darling.
00:07:21How are you now darling?
00:07:22Hey, that's our winner!
00:07:24Let's go!
00:07:26Let's go!
00:07:27See you, lads.
00:07:28Good job.
00:08:52Let's go.
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00:12:15Oh, my bloody Lord.
00:12:22He's mad. He should be locked up.
00:12:25Any teeth?
00:12:29I think he's invisible.
00:12:31Stupid bastard.
00:12:33Who is it?
00:12:34That daft boy in fourth year.
00:12:36The one that's on your football team?
00:12:38I heard they were awarded a corner last week and took a lap of honour.
00:12:41Oh, him?
00:12:43His days are numbered.
00:12:45After next week, he's out. Kaput. Finished.
00:12:49Got to get some new blood in the team. Big changes.
00:12:52Yeah. Have a sponge cake, Phil.
00:12:54A new regime.
00:12:55Signing a new striker this morning.
00:12:57Hey, who made these?
00:13:00Oh, relax. It was Sandra and Alison three, eh?
00:13:03Very nice girls. Very clean.
00:13:06Oh, Sandra and Alison, eh?
00:13:08Very nice girls, eh, Alison?
00:13:10Still getting appointments from me June as well, eh?
00:13:13You'll get put away.
00:13:14I like your moustache.
00:13:16Was it short already?
00:13:17I've only been growing it two days. Thanks a lot.
00:13:19Oh, yeah.
00:13:21It's really nice.
00:13:23Makes you look very...
00:13:25grown up.
00:13:27Thanks.
00:13:28Very, very mature.
00:13:29Yeah, right.
00:13:30I mean, you look at least 15 already.
00:13:33Well, I've got to scram.
00:13:34Got an appointment this morning.
00:13:36One place on the team for the best striker.
00:13:38Organise a trial.
00:13:39See what they're like under pressure.
00:13:43Well, I'll see yous later.
00:13:49Are you still getting those points from June?
00:13:53Oh, come on.
00:13:54You know it's no right to ask these sort of questions.
00:13:57We are dealing with the emotions of a vulnerable,
00:14:00sensitive, 16-year-old.
00:14:03Redhead.
00:14:09Oh, er...
00:14:10I may have some news for you by lunchtime, son.
00:14:12I'll keep you posted.
00:14:23Right.
00:14:24You all know what I'm looking for.
00:14:26A goal scorer.
00:14:27And that requires two basic skills.
00:14:29Ball control, shooting accuracy,
00:14:32and the ability to read the game.
00:14:34Three things.
00:14:35Three things.
00:14:36So, this trial will allow me to assess these two...
00:14:40three basic aspects of your skills.
00:14:42Right?
00:14:44What's the idea of the sand shoes, boy?
00:14:46You've no boots.
00:14:48I'll get some, if I get in the team.
00:14:50Oh, that's a dead loss, son.
00:14:52Go and get changed.
00:14:54We play in real boots in this school.
00:14:56From the word go.
00:14:58Right.
00:14:59Basic ball control.
00:15:00Trotting with the ball at your feet, 50 yards and back.
00:15:03Two lines. Come on.
00:15:04Go!
00:15:17Both sides of the foot now.
00:15:18Come on, I want to see complete control.
00:15:22Come on! Faster now!
00:15:30Come on!
00:15:31A little bit more pace.
00:15:32A little bit more pace.
00:15:33Anybody can walk with a ball.
00:15:36Come on!
00:15:37What do you want, lass?
00:15:40Faster now!
00:15:41What do you want, dear?
00:15:43I'm here for the trial.
00:15:44Look, this is a football trial, dear.
00:15:46Maybe Miss McCall plans up to something with a hockey team.
00:15:49I don't know.
00:15:50But this here is football.
00:15:52For boys.
00:15:53That's right.
00:15:54Football trial's at 11am.
00:15:56I saw the notice.
00:15:58Look, I'm sorry you picked it up wrongly, dear,
00:16:00but it was boys I wanted for the trial.
00:16:02Didn't say so in the notice.
00:16:04Just said talented players.
00:16:06Look, I'm sorry you picked it up wrongly, dear.
00:16:08There's been a slight misunderstanding, obviously.
00:16:10But there's nothing I can do about it now.
00:16:14Come on!
00:16:15You didn't say boys only.
00:16:17You're not allowed to anyway.
00:16:20I want a trial.
00:16:22It's not possible, dear.
00:16:23Not today.
00:16:24Well, we don't have a spare ball.
00:16:27Here's one.
00:16:30Come on!
00:17:00Come on!
00:17:08OK, into twos now.
00:17:10I want to see some penetration work in a shot for goal.
00:17:13One attacker, one defender.
00:17:15It's an open goal, so let's see who's first to score.
00:17:18Right, you defend me then.
00:17:21What's going on?
00:17:24She's gorgeous.
00:17:26She is absolutely gorgeous.
00:17:34It's Dorothy.
00:17:36Do it again. Same pairs.
00:17:49You've got funny ears.
00:17:51Right.
00:17:52Three shots each at goal now.
00:17:54Let's see how you do against a real goalkeeper.
00:18:01You first, dear.
00:18:11Right, that's it.
00:18:13Finished.
00:18:14Stamina test.
00:18:15Once round the playing field, back to the dressing rooms.
00:18:18It's only a quarter of a mile and should be treated as a sprint.
00:18:20Off you go.
00:18:24Come on.
00:18:55I'll pass the word on to Miss McAlpine.
00:18:57I was the best.
00:18:58You know I was the best.
00:19:00It's not that simple.
00:19:02It could be out of my hands.
00:19:04We'll have to see.
00:19:06If I was the best, I should be on the team.
00:19:08The notice said so.
00:19:10I said we'll see.
00:19:11You might very well get into the team.
00:19:14We'll work it out soon.
00:19:16You've got to put me on the team list.
00:19:18I want to sign something.
00:19:20What a dream.
00:19:22Mr. Menzies, I want to sign something.
00:19:31Look, Charlie, we've got to get some girls.
00:19:33We've got to make a move.
00:19:35Even Gregory's at it now.
00:19:37We're falling behind.
00:19:41I don't think there's any advantage of putting it off any longer.
00:19:46Besides, it's making me depressed.
00:19:53Sorry I'm late.
00:19:55That's just paint there.
00:19:57I've got the basket mix started.
00:19:59You go and put the oven on.
00:20:00450 degrees.
00:20:02Yes, boss.
00:20:10Hey, Steve, can you help me out with this pastry mix thing?
00:20:15Pastry mix?
00:20:16There's more than one kind, you know.
00:20:18Shortbread?
00:20:19Pastry mix?
00:20:20There's more than one kind, you know.
00:20:22Shortcrust?
00:20:23Flaky?
00:20:24Ruff-puff?
00:20:25Well, Margaret's doing the strudel soup and I'm doing the pies.
00:20:27It's eggs, I'm not sure of.
00:20:29Strudel soup?
00:20:31I'd love to try some of that.
00:20:33It's noodle soup.
00:20:34You don't put eggs in a pastry anyway.
00:20:37It's eight ounces of flour, four ounces of margarine.
00:20:40Pinch of salt.
00:20:43Mix it up.
00:20:44Put it in the oven for 15 minutes.
00:20:46That's it.
00:20:47No eggs, no strudels, nothing.
00:20:48Okay?
00:20:49That's simple, really easy.
00:20:52There are five guys in fifth year crying themselves to sleep over that.
00:20:55Six if you count the music teacher.
00:21:01Take it easy.
00:21:02Just take it easy.
00:21:07Have you ever been in love?
00:21:14I'm in love.
00:21:16Since when?
00:21:18About half an hour ago.
00:21:20It's great.
00:21:22I feel restless and I'm dizzy.
00:21:24It's wonderful.
00:21:26I bet I don't get any sleep tonight.
00:21:28That sounds more like indigestion.
00:21:31No, I'm serious.
00:21:33What is it?
00:21:34Is that a mature woman?
00:21:36Did you wash your hands?
00:21:38Don't be crude.
00:21:41Someone in the football team.
00:21:43Really?
00:21:44Yeah.
00:21:45Have you told anyone else about this?
00:21:48It's probably just a phase.
00:21:51Who is it, Andy?
00:21:53No, it's Dorothy.
00:21:54She's a girl.
00:21:56She's got lovely long hair.
00:21:58And she smells...
00:22:00really gorgeous.
00:22:02Even if you just walk past her in the corridor.
00:22:05She smells gorgeous.
00:22:07She's got teeth.
00:22:09Lovely white teeth.
00:22:11White, white teeth.
00:22:12White teeth.
00:22:15That Dorothy.
00:22:16The hair, the teeth and the smell.
00:22:18That Dorothy.
00:22:21And she's in the team.
00:22:23Well, I think she's taking my position.
00:22:25But she's a really good footballer.
00:22:27Can she cook?
00:22:29Can she do this?
00:22:30Look, Steve.
00:22:32When you're in love,
00:22:33things like that just don't matter.
00:22:35Give me the margarine.
00:22:36Margarine.
00:22:41Think she'll love me back?
00:22:43No chance.
00:22:45As you start mixing, it'll go stiff, Gregory.
00:22:49How would you know no chance?
00:22:52No chance.
00:23:06No chance.
00:23:37Oh, my goodness.
00:24:04Oh, my God.
00:24:06You're really garbage.
00:24:09This is a real farce.
00:24:11Nine games lost in a row and what do we do?
00:24:14Sack the goalie
00:24:15and put a girl on the forward line.
00:24:17It's a madhouse.
00:24:18Watch the game, Andy.
00:24:19Watch the game.
00:24:20She's good.
00:24:22She can move.
00:24:23It's not right.
00:24:24It's unnatural.
00:24:26It doesn't even look nice.
00:24:28It's modern, Andy.
00:24:29It's good.
00:24:30Modern girls.
00:24:31Modern boys.
00:24:33It's tremendous. Look.
00:24:37Come on, Andy.
00:24:48Goodbye.
00:24:49Girls weren't meant to play football.
00:24:51It's too tough.
00:24:52Too physical.
00:24:54Tough?
00:24:55Have you ever seen them playing at hockey?
00:24:57They're like wild animals.
00:24:59Even at 12 and 13, they'd kill you.
00:25:02You know, hockey was invented by the Red Indians
00:25:04as a form of torture.
00:25:05They used to make the cowboys play the squads.
00:25:07Shite.
00:25:08That was lacrosse.
00:25:09And anyway,
00:25:10if women were meant to play football,
00:25:12they'd have their tits somewhere else.
00:25:14They weren't designed for football.
00:25:16Gregory!
00:25:19Watch the ball.
00:25:20Go out and meet it.
00:25:21Don't wait for it.
00:25:22Watch the winger.
00:25:23Come on, fast.
00:25:24Wait for the cross.
00:25:29Are you stupid?
00:25:31Come on, give us a ball.
00:25:36Yeah!
00:25:43What a prick.
00:25:45Took my eye off the ball for a split second.
00:25:48Two microseconds.
00:25:50We need more women in this team.
00:25:52More new blood.
00:25:54Yeah, she's some girl.
00:26:05Oh, yeah.
00:26:19Yeah!
00:26:21What a goal, little girl.
00:26:24She's got a nice pair of legs as well, eh?
00:26:26Andy, please.
00:26:29Look at that.
00:26:31That's disgusting.
00:26:33That's, that's perverse.
00:26:34This is perverse.
00:26:35In a football field, with kids watching.
00:26:39Come on, there's a football game to be played.
00:26:43That's the sort of thing that gives football a bad name.
00:26:46That is disgusting.
00:26:48Oh, man.
00:26:50That's a girl.
00:26:51You're a genius, Robert, you're a genius.
00:27:04If you get any plasters in here, there's none next door.
00:27:10No, maybe.
00:27:13I'll get some.
00:27:15Don't panic, it's just a scratch.
00:27:18I only want to save my tights getting blood on them.
00:27:25That big gorilla on the left wing.
00:27:28I got my own back.
00:27:32I got my boot in his shin and scraped it right down.
00:27:35Big animal.
00:27:37You'll have a bruise there.
00:27:38Not if I let it bleed, that's the idea.
00:27:41I don't bruise easily.
00:27:44I do.
00:27:45I bruise like a peach.
00:27:48Bruise.
00:27:51See that?
00:27:52I was only three when that happened.
00:27:55I was chasing a wee boy on the beach.
00:27:57I wasn't going to hurt him.
00:27:59That'll never go away.
00:28:01I'm marked for life.
00:28:03I'm imperfect.
00:28:05No, no, it's nice.
00:28:06I like it.
00:28:07Really?
00:28:08Yeah.
00:28:13I hurt my arm once at the join.
00:28:19Can't get it any higher than this.
00:28:21I used to be able to get all the way up here.
00:28:23You just did.
00:28:25No, this arm.
00:28:28It's stuck.
00:28:29Look at this thing.
00:28:31My big brother threw a bike at me.
00:28:33I was only seven.
00:28:35I can only see it in the mirror.
00:28:37It's quite nice, isn't it?
00:28:38Nice shape.
00:28:39Yeah.
00:28:40Yeah.
00:28:42Ronaldo, that was a boy in Italy last summer.
00:28:45He said it was like a new moon.
00:28:47Very romantic.
00:28:48La luna.
00:28:50Ah, si, si.
00:28:52Bella, bella.
00:28:53Ah, parliamo italiano.
00:28:57No, not really.
00:28:58Just bella, bella.
00:29:00Oh, I think it's a wonderful language.
00:29:03It's so alive.
00:29:05I want to live in Italy when I leave school.
00:29:07I can speak the language.
00:29:10I'm a quarter Italian and a quarter Irish.
00:29:13On my mother's side.
00:29:15Hey, I can speak Irish.
00:29:23What's Ronaldo doing down there anyway?
00:29:25He lives there?
00:29:27No, I mean down there.
00:29:29Ah, he was putting some suntan oil on for me.
00:29:32Bella, bella.
00:29:36Anything else to show me?
00:29:39Any major wins when you were 12?
00:29:4114?
00:29:43Oh, hi, Dorothy.
00:29:44Nice to see you.
00:29:45Good game.
00:29:46Look, I'd like to have a chat with you for the school magazine.
00:29:49I want to interview you and that girl in 2A that had the triplets.
00:29:54You're pretty famous now, you know.
00:29:55I'm sorry, this is a dressing room. You can't come in here.
00:29:58Eric, get the whole dressing room thing and some nice big close shots of Dorothy.
00:30:02You don't mind if Eric flashes, do you?
00:30:07This is no place for a camera, Eric.
00:30:10People take their clothes off in here.
00:30:12Yeah, you're better.
00:30:14Look, I'm going to stand in there.
00:30:16Too many shadows.
00:30:17Just keep well in there.
00:30:18Thanks.
00:30:19I like to interview people like this.
00:30:21No preparation.
00:30:22Nice and natural.
00:30:23But tell me, Dorothy, how are the boys taking it?
00:30:26You being in the team now?
00:30:27You guys are so predictable.
00:30:29Always trying to cause trouble.
00:30:31We're all very happy.
00:30:33Dorothy's a very good player.
00:30:35Slow down, Gregory.
00:30:36This is an in-depth interview.
00:30:38Dorothy.
00:30:40Things are fine.
00:30:41I'm quicker than most boys, so I can keep out of trouble.
00:30:45I take dancing lessons too, and that helps my balance.
00:30:49What you've got to remember is that my body's quite different.
00:30:55You've got a good body.
00:30:57You must train a lot, keep in shape.
00:30:59Do you have time for anything else?
00:31:01I mean, what do you and your body do on a Saturday night, for instance?
00:31:04Saturday nights are special.
00:31:06I like to do something special.
00:31:08How about doing something special this Saturday?
00:31:11Come on, this is a dressing room.
00:31:13You're not going to conduct your business somewhere else.
00:31:15I'll go and change too.
00:31:18Okay, Dorothy.
00:31:19You're an interesting girl, you know.
00:31:21But I want to find a real Dorothy.
00:31:23The one underneath the football strip.
00:31:25Dorothy, the woman.
00:31:28Okay?
00:31:29Okay.
00:31:32Cheerio, Gregory.
00:31:33In a bit, Gordon.
00:31:34Hurry back.
00:31:37Bella, Bella.
00:31:38Bella, Bella.
00:31:40Bella Rinaldo, Bella Gordon.
00:31:43I like to do something special on Saturday night.
00:31:47Bella, Bella.
00:31:49What's the sudden need to speak Italian, Gregory?
00:31:52Oh, it's not sudden.
00:31:53I've been thinking about it for about three years.
00:31:56It's just taken a while for me to make up my mind.
00:31:59It's very late in the term to start.
00:32:01I've got some free time.
00:32:02I'll catch up.
00:32:03It's very important to me.
00:32:05See, I want to live in Italy when I leave school.
00:32:07Been there, have you?
00:32:08No.
00:32:09I've been to Ireland, though.
00:32:11And I met some Italians there.
00:32:13They told me all about it.
00:32:16And English.
00:32:17Rinaldo could speak good English.
00:32:19Rinaldo?
00:32:20Is that your Italian friend?
00:32:21Well, not just him.
00:32:22There was girls there, too.
00:32:23I just said Rinaldo because he could speak good English.
00:32:25Well, what kind of work do you want to do in Italy?
00:32:28Oh, well, I'll just learn the language.
00:32:30And then I'll see what there is going.
00:32:32You know, you should think about taking a course in technical Italian.
00:32:35Is that worse to do with work and engines?
00:32:38Mm-hmm.
00:32:39I think I'd rather do the normal Italian and work my way down.
00:32:42Well, we'll leave it just now.
00:32:44Have a word with your form master.
00:32:45See what he can come up with it, OK?
00:32:47I'm really pleased that you're interested.
00:32:49It's a lovely country.
00:32:50Oh, yeah.
00:32:51Wonderful language.
00:32:53Don't you think it's so alive?
00:32:56Did he manage to pick any of it up at all?
00:32:58A couple of words.
00:32:59Hmm?
00:33:02Um, Bella.
00:33:04And Bella.
00:33:06Do you know any words you could teach me just now?
00:33:08Tello di ro.
00:33:11Tello di ro.
00:33:14Tello di ro.
00:33:16It means I'll let you know, Gregory.
00:33:18OK?
00:33:23Tello di ro.
00:33:28Tello di ro.
00:33:32Tello di ro.
00:33:38What about Alan?
00:33:39Do you think he's still a virgin?
00:33:42Nah.
00:33:43He's been in the school orchestra for over a year now.
00:33:47Pass the sulfuric acid, will you?
00:33:50What's the pH on that?
00:33:52Um, seven.
00:33:58How's the football going?
00:33:59Oh, it's good.
00:34:01You need to cut that up a bit.
00:34:03It's real big.
00:34:05What about the goalie, Gregory?
00:34:07Hmm?
00:34:08What do you make of Gregory?
00:34:12Well, he's a bit slow.
00:34:14And a bit awkward.
00:34:16Yeah, slow and awkward.
00:34:18He's got a nice laugh.
00:34:21Give me the bromide, will you?
00:34:29Hey.
00:34:30Room four.
00:34:42Good afternoon.
00:34:47Do you know
00:34:49that when you sneeze
00:34:51it comes out your nose at 100 mls an hour?
00:34:55It's a well-known fact.
00:34:57100 mls an hour.
00:34:59Just like that.
00:35:12Room 16.
00:35:16Hurry up.
00:35:22Tell all to row.
00:35:32Here comes my messenger.
00:35:34How now, mad spirit.
00:35:36What night rule now about this haunted grove?
00:35:38My mistress with her monster is in love.
00:35:40Near to her close and consecrated boar
00:35:42while she was in her dull and sleeping hour
00:35:44a crew of patches, rude mechanicals
00:35:46that worked for bread upon Athean stalls
00:35:48were met together to rehearse a play
00:35:50intended for great Theseus' nuptial day.
00:35:54The shallowest thick skin of that barren sort
00:35:56who Pyramus presented in their sport
00:35:58forsook his scene
00:36:00and entered in a break
00:36:02when I did him a disadvantage take.
00:36:04And forth my mimic comes
00:36:06when they him spy
00:36:09as wild geese that creeping foul are I
00:36:11sever themselves and madly sweep the sky
00:36:13so at his sight away his fellows fly
00:36:17here over and over one falls
00:36:19he murder cries
00:36:21and help from Athens calls.
00:36:23Their sense thus weak
00:36:25lost with their fears thus strong
00:36:27made senseless things begin to do them wrong
00:36:29for briars and thorns
00:36:31and a platter of snatch
00:36:33some sleeves, some hats
00:36:35from yielders all things catch
00:36:37I led them on
00:36:41Well, you said you'd come back and see me again.
00:36:43Here I am.
00:36:45Can I introduce my boss?
00:36:47Miss Welsh, this is Mr. Hall.
00:36:49It's his own business.
00:36:51Pleased to meet you.
00:36:53Well, how's our Billy shaping up?
00:36:55He's a good lad.
00:36:57He's been telling me all about the characters in the school.
00:36:59He likes you.
00:37:01And he's washed a few windows as well.
00:37:03I hope you're doing mine for free, Billy.
00:37:06Give us your glasses and I'll do them as well.
00:37:08No charge.
00:37:10Thank you.
00:37:14See you outside at four, lads, eh?
00:37:16Listen,
00:37:18why don't you come up and see me sometime?
00:37:20I'll do that.
00:37:22I'll use the stairs, though.
00:37:24I led them on in this distracted fear
00:37:26and left sweet Pyramus translated there
00:37:28when in that moment
00:37:30so it came to pass
00:37:32Titania waked and straightway loved an ass
00:37:35Donuts?
00:37:37Well, we're still doing the two kinds.
00:37:39There's the jam-filled and the rings.
00:37:41What kind of jam?
00:37:43What would you like?
00:37:45Blackcurrant?
00:37:47That's no problem.
00:37:49I'll have half a dozen, okay?
00:37:51Half a dozen.
00:37:53I'll tell you what,
00:37:55I'll throw in a couple of ring donuts.
00:37:57There are usually some left on a Friday anyway.
00:37:59Good.
00:38:01Have you given them to your wife?
00:38:03Have you given the petite shoe any more thought?
00:38:05What was that again?
00:38:07It was a basic
00:38:09shoe pastry.
00:38:11I've been working on it.
00:38:13I think I've got it perfect.
00:38:21That's good.
00:38:23It's very good.
00:38:33I'd like everything in my office
00:38:35by about three o'clock Friday.
00:38:37Is that understood?
00:38:39Yes, sir.
00:38:41I'm sorry I'm early.
00:38:47Have a seat, Mr. Manzies.
00:38:59There's a girl in the football team.
00:39:02Well, yes and no.
00:39:04Yes and no?
00:39:06Yes.
00:39:08What do you mean?
00:39:10Well, we could have a girl in the football team
00:39:12if we wanted one.
00:39:14Do we want one?
00:39:16Well...
00:39:18I think it's a wonderful idea.
00:39:20Terrific.
00:39:22Yes, and she's a great wee player.
00:39:24She won't hold the team back one little bit.
00:39:26One possible problem area.
00:39:28The showers.
00:39:30She'll bring her own soap.
00:39:36And you'll undertake to keep everything above board.
00:39:38Oh, yes.
00:39:40Most definitely.
00:39:48Hello.
00:39:50Can I have a bag for you?
00:39:52I can't see today.
00:39:54I've got to go up to the big school.
00:39:56What for?
00:39:59Guess what?
00:40:01He's fallen in love.
00:40:03That's big trouble.
00:40:05Well, maybe I can see you later on.
00:40:07Right.
00:40:09Bye-bye.
00:40:11Bye.
00:40:29Cigarette?
00:40:41Waiting for somebody?
00:40:43Yes.
00:40:51They're not giving much away.
00:40:53There's 2,000 people in there.
00:40:55Gregory, 4,000.
00:40:58Gregory, 4,000.
00:41:00Oh, Steve's proud.
00:41:04Are you Gregory's girl?
00:41:06I'm Madeline.
00:41:28Hello.
00:41:38She's fancied me since first year.
00:41:40She's after my body.
00:41:42I might have to give in.
00:41:44Why don't you come up and see me sometime?
00:41:48Hey, watch the jacket.
00:41:50I had to wet, wash and polish
00:41:5284 windows for this.
00:41:54That's some job.
00:41:56No, but if I die,
00:41:58my mother gets her windows washed
00:42:00for nothing for 25 years.
00:42:02Inside and out.
00:42:04I'll tell you what you need
00:42:06danger money for.
00:42:08It's the women.
00:42:10There's something about window cleaners
00:42:12that just turns them on.
00:42:14Especially up that Loganville estate.
00:42:16You know, the private houses.
00:42:18They spend too much time on their own up there.
00:42:20So we turn up once a week
00:42:22singing songs, telling jokes.
00:42:25Washing the windows?
00:42:27Right, washing the windows.
00:42:29Then before you know it,
00:42:31round to the back door,
00:42:33hello darling, could you give us some hot water?
00:42:35I don't get it.
00:42:37Hot water?
00:42:39Is that a code?
00:42:41No, it's for washing the windies.
00:42:43But that's just to get the conversation going.
00:42:45Anything can happen after that.
00:42:47I suppose the worst thing that could happen
00:42:49is they give you some hot water.
00:42:51Yeah, that sometimes happens.
00:42:53There was a great thing last week.
00:42:55You know, a nurse up at the hostel
00:42:57kicked this bum fanny the lot.
00:42:59I could see that 50 times a day through a window.
00:43:01It's contacts, the thing.
00:43:03Doing it.
00:43:05Have you done it?
00:43:0711 times.
00:43:09In a one night?
00:43:11No, at different times.
00:43:13But something new always crops up.
00:43:15What, you mean stuff like foreplay?
00:43:17Foreplay is important.
00:43:19As long as you know it's leading up to something.
00:43:22I'll see you guys later, right?
00:43:24See you, Billy.
00:43:26Bye-bye, Madeleine.
00:43:28If I don't see you through the week,
00:43:30I'll see you through a window, eh?
00:43:32They grow up fast, don't they?
00:43:34Ten years old
00:43:36with a body of a woman of 13.
00:43:40You need some new trousers.
00:43:42These baggy ones are awful.
00:43:44I'll talk to mum about it.
00:43:46Blue ones, Italian.
00:43:48If you're going to start falling in love
00:43:51you need to start taking care of yourself.
00:43:53Are Italians good dressers?
00:43:55Yeah, they make nice trousers.
00:43:57They've got style.
00:44:01I was talking to Stephen's sister
00:44:03about Dorothy.
00:44:05She's very attractive.
00:44:07I knew you would fall for that type.
00:44:09She's quartered Italian.
00:44:13Don't get too serious about it
00:44:15if you could help it.
00:44:17Have you asked her out yet?
00:44:19I can help you.
00:44:21I can tell you things.
00:44:23I'm a girl.
00:44:25You were nice to me
00:44:27when other boys hated their sisters.
00:44:29If it was brown, it would be OK.
00:44:31Not enough brown, innit?
00:44:33Yeah.
00:44:39There's a dark brown.
00:44:41Well, the grey was quite nice too.
00:44:43You don't think about colours, do you?
00:44:45If you don't take an interest in yourself
00:44:48how can you expect other people to be interested in you?
00:44:50Talk to Dorothy.
00:44:52Ask her out.
00:44:54She won't say no, I'll bet you.
00:44:56But don't treat her too special.
00:44:58You're too romantic.
00:45:00It could scare a girl off.
00:45:02What kind of things should I say?
00:45:04For goodness sake, don't plan it.
00:45:06Don't think about it. Do it.
00:45:08So, I should think less about love
00:45:10and more about colours?
00:45:12You've got it.
00:45:14What would you like?
00:45:16Ginger beer and lime juice
00:45:18with ice cream, please.
00:45:20But don't stir it.
00:45:22Coffee, please.
00:45:24Black or white?
00:45:26Brown.
00:45:30Good blue coffee's here, Madeline.
00:45:32This isn't Italy.
00:45:34No style.
00:45:38Do you dream about her?
00:45:40That means you love her.
00:45:43The one that you have the dreams about that counts.
00:45:47What do you dream about?
00:45:49Just ginger beer and ice cream.
00:45:51I'm still a little girl, remember?
00:46:01That looks nice, doesn't it?
00:46:03Yeah, the nicest part is just before you taste it.
00:46:05Your mouth goes all tingly
00:46:07but that can't go on forever.
00:46:10...white and then adding the proportionate
00:46:12amount of sugar, which is two to one
00:46:14but I think that's going a little far.
00:46:16Do you know anything about Italians?
00:46:18Excellent seafood
00:46:20in the North West.
00:46:22Some of the regional pasta dishes are good too.
00:46:24Good with salads.
00:46:26Very stylish all round.
00:46:28Whoa, whoa. Go easy with the sugar, lady.
00:46:30Food, food, food.
00:46:32Is that all you think about?
00:46:34...yellow, green, pale green.
00:46:36But remember this is...
00:46:38You're unnatural, pal. You're a freak.
00:46:40You eat it, don't you?
00:46:42I've never seen you turn your nose up
00:46:44at anything I've made.
00:46:50Hours and hours I spent
00:46:52making you lovely, lovely things
00:46:54and all it means to you in the end is food.
00:46:56Look, pal, I don't know whether you've noticed
00:46:58but I'm going through a crisis.
00:47:00Of course I've noticed.
00:47:02But what do you want me to do?
00:47:04The whole world's got problems.
00:47:07I was just obsessed by a beautiful, young, unattainable girl.
00:47:09So what?
00:47:11Stop saying things like obsessed and unattainable.
00:47:13It's love.
00:47:15OK, it's love.
00:47:17Go and attain her then.
00:47:19Sweep her off her feet.
00:47:21Oh, I forgot, you're the goalkeeper, she's the sweeper.
00:47:23Ha, ha.
00:47:25Look, one key question.
00:47:27Have you spoken to her?
00:47:29Asked her for a date?
00:47:31Anything?
00:47:33Well, do it. Then complain.
00:47:35I often like to serve meringues with tangerine shells
00:47:37and strawberries and cream.
00:47:39If I get a date,
00:47:41can I borrow your white jacket?
00:47:43No.
00:47:45You can also use meringues
00:47:47on top of lemon meringue pie
00:47:49which is great savoury.
00:47:51Maybe that's her.
00:47:53Ah.
00:47:59I wonder if Maddy's in.
00:48:01You mean Madeline.
00:48:04She's out with her mother.
00:48:06That's a shame.
00:48:08I thought we'd go for a walk.
00:48:10Maybe I could wait.
00:48:12Nah, no wages.
00:48:14Maybe she could phone me later on.
00:48:16She has my number.
00:48:18Who are you anyway?
00:48:20You're talking about my sister
00:48:22and she doesn't go for walks with anybody.
00:48:24What's the idea?
00:48:26Coming to people's doors,
00:48:28seducing people's sisters,
00:48:30act of rage,
00:48:33How are you feeling?
00:48:35Isn't it OK?
00:48:37There's nothing wrong with me, son.
00:48:39You're the one that should be worried.
00:48:41Seducing children.
00:48:43You're a freak.
00:48:45You're heading for big trouble.
00:48:47Underage walks, dates.
00:48:49You'll run out of vices before you're 12
00:48:51if you don't slow down.
00:48:53Go on, piss off.
00:48:55OK, Gregory. Fair enough.
00:48:57Richard's the name.
00:48:59Ask Maddy to call me anyway.
00:49:01Go on, piss off.
00:49:31Meow.
00:49:33Meow.
00:49:35Meow.
00:49:37Meow.
00:49:39Meow.
00:49:41Meow.
00:49:43Meow.
00:49:45Meow.
00:49:47Meow.
00:49:49Meow.
00:49:51Meow.
00:49:53Meow.
00:49:55Meow.
00:49:57Meow.
00:49:59Meow.
00:50:01Meow.
00:50:03Meow.
00:50:05Meow.
00:50:07Meow.
00:50:09Meow.
00:50:11Meow.
00:50:13Meow.
00:50:15Meow.
00:50:17Meow.
00:50:19Meow.
00:50:21Meow.
00:50:23Meow.
00:50:25Meow.
00:50:27I had that dream again last night.
00:50:29That's four nights in a row.
00:50:31That's really good.
00:50:33Knock at the door.
00:50:41Yeah, hold on.
00:50:43I'm in the dark.
00:50:49Well, what is it?
00:50:51Do you want to come in?
00:50:53Yeah, come in.
00:50:55What is it?
00:50:56Can I come in?
00:51:01You know, I'd make a lousy photographer.
00:51:03I get scared in the dark.
00:51:05What do you want?
00:51:07I just wondered how the snaps turned out.
00:51:09You know, the ones in the dressing room.
00:51:10Oh, Dorothy.
00:51:11I'm working on her just now.
00:51:14She's a beauty.
00:51:15She's a dream to photograph.
00:51:18Very interesting.
00:51:19I could really go for this girl in a big way.
00:51:21Look at that nose.
00:51:24Very pretty.
00:51:26Some of the guys reckon that she's too much like a boy.
00:51:31But I don't.
00:51:32I think she's wonderful.
00:51:34More like a boy?
00:51:36Nah.
00:51:37She's just modern.
00:51:40You're right.
00:51:41It's modern.
00:51:42It's the future.
00:51:43In another million years,
00:51:45there'll be no men, no women.
00:51:47It'll just be people.
00:51:48It's logical evolution.
00:51:49Evolution is a thing.
00:51:51No more men or women.
00:51:52Just a whole world full of wankers.
00:51:55Drink.
00:51:59Yeah, this is a modern girl.
00:52:01Made to be photographed.
00:52:03Boy, I'd love to get my wide-angle lens on her.
00:52:09A low-key light.
00:52:10A soft fill.
00:52:12Oh, the face and the body of the 80s.
00:52:16Could really make that girl.
00:52:23One elephant.
00:52:24Two elephant.
00:52:25Three elephant.
00:52:26Four elephant.
00:52:27Five elephant.
00:52:28Six elephant.
00:52:29If you don't put any elephants, you don't get real seconds.
00:52:32Oh.
00:52:33Ten elephant.
00:52:35Each print needs an exact exposure.
00:52:39This one needs ten elephants.
00:52:45Here she comes.
00:52:46There you go, you beauty.
00:52:49Look how quickly Gordon moved in.
00:52:51He knows what he likes.
00:52:53I timed it.
00:52:54You know, one elephant, two elephant.
00:52:56One minute and 50 elephants and he had a date.
00:52:59That's a record, even for him.
00:53:01What a guy, eh?
00:53:03What an absolutely incredible guy.
00:53:07What a guy.
00:53:09Absolutely.
00:53:10Now give us a photograph, will you?
00:53:12Oh, I get it.
00:53:15You fancy her too, eh?
00:53:17No.
00:53:19It's for a friend.
00:53:20Someone really shy.
00:53:22Just give us a photograph, eh?
00:53:25This is really expensive.
00:53:27The chemicals and the paper.
00:53:29Really expensive.
00:53:30Twenty pence.
00:53:31Forty.
00:53:32Twenty-five.
00:53:33I'll frame it for a pound.
00:53:35No, take it where it is, thanks.
00:53:43I'll give you a dry one.
00:53:45Don't want you dripping down the corridor.
00:53:48Tello.
00:53:50Dero.
00:53:53Tello.
00:53:54Dero.
00:53:55Hey.
00:53:56Are you Gregory?
00:53:58Yes, me sweetheart.
00:53:59Everyone's to know.
00:54:00Dorothy wants to see you.
00:54:04Dorothy?
00:54:05That's what I said.
00:54:06She'll be in room nine at break time, okay?
00:54:17Can we just call me?
00:54:18No.
00:54:19Can we just call?
00:54:20No.
00:54:33Tello.
00:54:34Dero.
00:54:39Tello.
00:54:40Dero.
00:54:41Dero.
00:54:42Dero.
00:54:43Dero.
00:54:44Dero.
00:54:45Dero.
00:54:47Dero.
00:54:53Hi, Dorothy, I got your message.
00:54:56Good.
00:54:57I just want to know what you're up to at lunch time.
00:55:00Oh, nothing they can't wait a million years.
00:55:02Will you help me out with some goal practice?
00:55:05Yeah, sure.
00:55:06It'll speed things up.
00:55:08I want to practice some shots at different angles.
00:55:11I'll bring my compass.
00:55:14Good.
00:55:16Well, I'll see you at half twelve then.
00:55:18Fine.
00:55:19Good.
00:55:20See you.
00:55:24Look at all these men.
00:55:26Boys.
00:55:28What's the difference?
00:55:29Come on, come on, stop.
00:55:37I'm on the way, Steve.
00:55:38It's off the ground.
00:55:40Romance.
00:55:41It's in the air.
00:55:42Hi, Paul.
00:55:43Can I have your white jacket?
00:55:45No.
00:55:48I don't want to make a big thing about it.
00:55:51It's just that the jacket would really help.
00:55:53It'd put the affair off on the proper footing.
00:55:55Just for one night, eh?
00:55:58What are you raving on about?
00:56:00Me.
00:56:01Dorothy.
00:56:02Eh, it's in the bag.
00:56:04She's after me.
00:56:05She wants me to play with her at lunchtime.
00:56:07My, my, she wants you to play with her, eh?
00:56:09How do you do it, Gregory?
00:56:11Football or playing.
00:56:13I'm going to be in goals.
00:56:15Not with my jacket, you won't.
00:56:17Morning, Kelvin.
00:56:18How's business?
00:56:19It's all right.
00:56:20No, the jacket's for later.
00:56:21For the real beat.
00:56:23The doughnuts are going like hotcakes, Steve,
00:56:24but the marzipan almonds don't seem to give a nice cup of tea.
00:56:28Tasteless psyllids.
00:56:30Come on, Steve.
00:56:31You gave Pete the jacket last week.
00:56:33Why not me?
00:56:34That's exactly why, Gregory, old son.
00:56:37Did you see that jacket the day after?
00:56:39Grass stains.
00:56:40I don't know all what kind of stains.
00:56:42Yeah, but with Dorothy and I,
00:56:46things would be high class.
00:56:47No stains.
00:56:49No.
00:56:50Look, I'll make a deal with you.
00:56:52You get the date,
00:56:53sign sealed and delivered,
00:56:55and then come and see me about the jacket.
00:56:57Fair enough?
00:56:58Just keep the doughnuts coming, Steve.
00:57:00We're on the gravy train.
00:57:01But what the public says is,
00:57:02ease off on the marzipans.
00:57:04It's a deal.
00:57:05Do you want to throw in your brown shoes as well?
00:57:07I could use a persuasive trick like you in the organisation.
00:57:12Help me offload some marzipan on to an uncaring population.
00:57:18Go on, get.
00:57:21I bought one of these this morning and it cost me 25 pence.
00:57:24Come on, see the boss.
00:57:2731 elephant.
00:57:2832 elephant.
00:57:3033 elephant.
00:57:3234 elephant.
00:57:3435 elephant.
00:57:3536 elephant.
00:57:42Don't touch that ravioli, it's garbage.
00:57:49Ravioli, please.
00:57:50Here.
00:57:53Oh, Brenda.
00:57:54Hi.
00:57:55Mind if I join you?
00:57:57How's lunch?
00:57:58It's pretty usual.
00:58:00Meat looks okay.
00:58:01I've got a bit of an appetite.
00:58:03I've got a bit of an appetite.
00:58:05I've got a bit of an appetite.
00:58:07I've got a bit of an appetite.
00:58:09I've got a bit of an appetite.
00:58:12Urgh!
00:58:13Bleurgh!
00:58:14Bleurgh!
00:58:15Have you got a tissue?
00:58:17Bleurgh!
00:58:21Let's sweet talk these two, eh?
00:58:27Good afternoon, ladies.
00:58:29Hello.
00:58:30Mind if we join you?
00:58:42How's the roast beef?
00:58:44It's veal.
00:58:46Veal?
00:58:47Do you know how they make veal?
00:58:49They get the little baby calves
00:58:51and they hang them upside down
00:58:53and they slit their throats
00:58:55and let the blood drip out.
00:58:56Very interesting, isn't it?
00:59:12This is great.
00:59:14You can really use the practise.
00:59:18Thanks.
00:59:19Good go.
00:59:22Just kick it out in future.
00:59:24It'll be much quicker.
00:59:26Good idea.
00:59:28Great idea.
00:59:29Do that the next time, eh?
00:59:33Great shot.
00:59:35Got me that time.
00:59:37Could you stop dancing around so much?
00:59:40Could you stop dancing around so much?
00:59:42It's very distracting.
00:59:44How can you judge a shot
00:59:46dancing around like...
00:59:50Great.
00:59:51First class.
00:59:53You know your son, girl.
00:59:55I haven't got near the ball yet, eh?
01:00:01Well held.
01:00:03You OK?
01:00:05Come on.
01:00:07We've only got another hour.
01:00:09I think I've broke my neck chain.
01:00:11Come on.
01:00:13Come out and tackle me.
01:00:15Try and block.
01:00:17Then move back and block some more.
01:00:19And use your feet.
01:00:21Don't grab for the ball.
01:00:23OK.
01:00:25Keep them coming, Dorothy.
01:00:35Keep them coming, Dorothy.
01:01:05Off you go, you small boys.
01:01:15Of course, you know we're in the wrong place.
01:01:19You know where we should be?
01:01:23South America.
01:01:27There's a town there.
01:01:29And this is a well-known fact.
01:01:31But do you know where we should be?
01:01:34There's a town there.
01:01:36And this is a well-known fact.
01:01:38But do you know the ratio of women to men?
01:01:40Eight to one.
01:01:42It's eight women per one guy.
01:01:44That's the sort of place for us, eh?
01:01:48It's called Caracas.
01:01:58Are you happy, Uncle?
01:02:00It's OK.
01:02:03You waste a lot of energy.
01:02:05No control.
01:02:07I've got tons left.
01:02:09Thanks for the practice.
01:02:13No sweat.
01:02:15Well...
01:02:17Lots of sweat, actually.
01:02:19But no sweat if you get my meaning.
01:02:21I'm sorry you missed lunch.
01:02:23It's OK.
01:02:25Lunch means nothing to me.
01:02:27Some nuts.
01:02:29Some fresh fruit.
01:02:32That kind of thing.
01:02:34I'm off for a shower.
01:02:48Dorothy.
01:02:52I just wanted to say...
01:02:54Anytime.
01:02:58For more practice.
01:03:00Anytime.
01:03:02Right. Ta.
01:03:06Also...
01:03:08Would you like to come out with me?
01:03:10OK.
01:03:16I'm meaning a kind of date.
01:03:18I said OK.
01:03:22Come on.
01:03:24Stop fooling around.
01:03:26I mean a real...
01:03:29Forget it.
01:03:31No, no. Fine.
01:03:33When?
01:03:35Tonight.
01:03:37Half past seven.
01:03:39At the club in the plaza.
01:03:42DOOR CLOSES
01:03:56Yeah?
01:04:05I just wanted to check.
01:04:07Yeah?
01:04:09Tonight.
01:04:11Half past seven.
01:04:13And you'll be there?
01:04:15I'll be there.
01:04:17At the clock?
01:04:19At the clock.
01:04:22DOOR CLOSES
01:04:40Yeah? What is it?
01:04:44Has that boy been bothering you?
01:04:46Nah.
01:04:48He's harmless.
01:04:51How's the training been going?
01:04:53I was practicing some turns on the ball.
01:04:55I'm not very happy with it.
01:04:57I think I'm using my feet too much.
01:04:59That little remark tells me a lot about you, sweetheart.
01:05:01Now, listen.
01:05:03When you trap a ball,
01:05:05what you've got to do first and foremost
01:05:07is kill that ball's energy.
01:05:09You've got to tame it.
01:05:11Now, what do you use to kill a ball's energy?
01:05:13Well, I've got to tame it.
01:05:15I've got to tame it.
01:05:17I've got to tame it.
01:05:19Now, what do you use to kill a ball's energy?
01:05:21My feet.
01:05:23And what else?
01:05:25My chest.
01:05:27And?
01:05:29This! Your gluteus maximus trap idea.
01:05:31Now, this is what you do, right?
01:05:33You've got a high ball and a fast ball.
01:05:35But it's behind you.
01:05:37And you want to trap it and turn.
01:05:39So you let the ball bounce once,
01:05:41kill the momentum,
01:05:43then, and this is what foxes them,
01:05:45reverse up to the ball,
01:05:48catch it on the bounce with your fleshy paw,
01:05:50drop down low on it,
01:05:52and there it is.
01:05:54But you don't waste time.
01:05:56You're up on your feet.
01:05:58You turn. Steady.
01:06:00And it's yours.
01:06:02Jesus, Bambino, that's really nifty.
01:06:04Right, you try it, and I'll walk you through it.
01:06:06Ready?
01:06:08Reverse, down, trap.
01:06:10Up.
01:06:12Turn. Steady.
01:06:14Kick.
01:06:17Reverse, down, trap. Up.
01:06:19Turn. Steady. Kick.
01:06:21Reverse, down, trap. Up.
01:06:23Turn. Steady.
01:06:25Kick.
01:06:27Reverse, down, trap. Up.
01:06:29Turn. Steady.
01:06:31Kick.
01:06:33Reverse, down, trap. Up.
01:06:35Turn. Steady. Kill the momentum.
01:06:37Drop down low on it,
01:06:39and there it is.
01:06:41Hhmmmm.
01:06:43Remember your neck?
01:06:45Yeah.
01:06:47And under your arms?
01:06:49Yeah, yeah, everything's under control.
01:06:56Think you should tell her some jokes?
01:06:59Maybe.
01:07:03Do you know any jokes?
01:07:06Don't tell her the one about Batman and Superwoman.
01:07:10Yeah.
01:07:14Sit still.
01:07:39Hi there.
01:08:01Oh, hi there.
01:08:39Hi, Gregory.
01:08:50Hi, Carol.
01:08:51Waiting for Dorothy?
01:08:53Yeah.
01:08:54She's not coming?
01:08:59Right, thanks.
01:09:06Wrong way.
01:09:09Something turned up. To do with her football, I think.
01:09:13Is that Steve's jacket?
01:09:16No, no.
01:09:18Steve's has got a stain there.
01:09:20There's no stain.
01:09:22Thanks for the word about Dorothy.
01:09:23Ah, it's OK.
01:09:25Couldn't leave you here all night.
01:09:28What will you do now?
01:09:32Fancy a walk?
01:09:33Where?
01:09:35Have you got to the sports centre?
01:09:37Nah.
01:09:38I'm pretty hungry, though.
01:09:40We could go to Capaldi's and I'll buy you some chips.
01:09:42Yeah, OK. What's going up with you anyway?
01:09:56Gregory!
01:09:58Hold on a minute.
01:10:08What's going on?
01:10:39Well, I feel like a human being again.
01:10:45Look, I've got to go home.
01:10:46I really enjoyed the walk.
01:10:48You go that way, right, and I'll go this way.
01:10:50See you.
01:10:51Hold it, Gregory!
01:10:52Thought we were going for chips.
01:10:55Chips?
01:10:57OK.
01:10:58There you are.
01:10:59Fifty pence.
01:11:00Got lots of chips with that.
01:11:01Bye.
01:11:02Don't be stupid.
01:11:03Come on, you're worse than my dad.
01:11:04And he's old.
01:11:05At least he's getting an excuse for being a prick.
01:11:08OK, OK.
01:11:10Put your coat on.
01:11:11Oh, no.
01:11:12Look, come on, Gregory.
01:11:14All I'm asking for is a walk up to the chip shop.
01:11:17I've got a date. I'm going away.
01:11:20I've just got a funny feeling that something nice might happen up there, so...
01:11:24Come on!
01:11:25OK.
01:11:26Walk ahead.
01:11:29Come on, Gregory, hurry up.
01:11:30We haven't got all night.
01:11:38Come on.
01:11:45Do you really fancy Dorothy?
01:11:48Yeah.
01:11:49Can you drive?
01:11:51Nah, but it runs in the family, why?
01:11:53Well, it's just that Ricky Swift's got a car.
01:11:55Dorothy knows him.
01:11:57He's up at the Physical Ed College.
01:11:59Must be quite old then, eh?
01:12:01He's nearly 19.
01:12:0319?
01:12:04Has he got any hair left?
01:12:06Ricky Swift.
01:12:07Sounds like something out of a comic.
01:12:09Does he fly through the air like Batman?
01:12:13Quick, Dorothy, to the rig mobile.
01:12:15OK, calm down. Don't wet yourself.
01:12:20Well, lovely boy, I'm off.
01:12:22Hey, Margot, there's Gregory.
01:12:25Dorothy stood him up, so he's buying everybody chips and telling jokes.
01:12:30Have fun, Gregory.
01:12:31You can tell him all about it tomorrow.
01:12:33By the way...
01:12:35...pickled onions and dates don't mix.
01:12:38You might have to do some kissing later on.
01:12:41Bye.
01:12:46Well, I'll buy my own chips.
01:12:48We keep telling jokes.
01:12:56What's going on?
01:12:58I don't know.
01:13:01I think Margot's after me.
01:13:04I get that feeling.
01:13:05It's a good night for her.
01:13:07Are you taking her up to Country Park?
01:13:11Don't know.
01:13:13I think I should.
01:13:14Aye!
01:13:18Yeah.
01:13:28Hello?
01:13:34Hi.
01:13:57It's a fine night for it, eh?
01:14:00You know...
01:14:02...there's definitely something in the air tonight, Charlie.
01:14:07Something in the atmosphere.
01:14:29Relax.
01:14:45Where are we going?
01:14:47Relax.
01:14:48Enjoy it.
01:14:51Um...
01:14:53...hello.
01:15:00Where are you up to?
01:15:02Nothing, nothing.
01:15:05Look, what's going on?
01:15:08Where are we going?
01:15:10Where are you and I going?
01:15:12I told you to relax.
01:15:13You can't enjoy yourself if you don't relax.
01:15:17I'm just a bit emotional tonight, okay?
01:15:20That's okay.
01:15:21It's fine.
01:15:22Nothing wrong with a bit of emotion.
01:15:23Come on.
01:15:30Come on.
01:15:49Hello, Gregory.
01:15:50What are you up to?
01:16:00We're just cruising.
01:16:05You're all dressed up.
01:16:07Anywhere to go?
01:16:18I've got somewhere to go.
01:16:20See you tomorrow, Susan.
01:16:23Relax.
01:16:30I believe you're short of a date.
01:16:33There was a bit of a mix-up earlier on.
01:16:35It's okay.
01:16:40Would you like to spend some time with me?
01:16:42On a kind of date?
01:16:46Look, I'm not very sure what's going on.
01:16:48Is this some kind of joke?
01:16:49All this...
01:16:50...with Carol and Margot and...
01:16:52It's a joke, isn't it?
01:16:54Not a joke.
01:16:55It's a joke.
01:16:56It's a joke, isn't it?
01:16:57Not a joke.
01:16:58It's just the way girls work.
01:17:00They help each other.
01:17:02Who's Dorothy?
01:17:03Dorothy's a good sport.
01:17:06Anyway, how about it?
01:17:08You and me, what do you say?
01:17:12Think about it.
01:17:18Sit down over there and think about it.
01:17:26Okay.
01:17:45Okay.
01:17:46A kind of date.
01:17:48Do we start right away?
01:17:50Yeah.
01:17:53We'll go to the country park.
01:17:55It's an evening to sit in a bar.
01:17:57Yeah, bar too nice.
01:18:11What we'll do is...
01:18:12...we'll just walk and talk.
01:18:14And we don't even need to talk that much either.
01:18:17We'll just see how it goes.
01:18:19Fine.
01:18:21I hope you don't think I do this kind of thing all the time.
01:18:25Can we whistle too?
01:18:26Yes, we can whistle too.
01:18:27Good.
01:18:33See, if we were going for a drink...
01:18:35...what would you have to drink?
01:18:38Bacardi and Coke.
01:18:39With ice.
01:18:42Same here.
01:18:43With ice.
01:18:45There's definitely something in the air tonight, Charlie.
01:18:49That's three women in a row he's had.
01:18:54I like your jacket.
01:19:05I like your jacket.
01:19:11I like your skirt.
01:19:19I like your shirt.
01:19:24I like your berry.
01:19:26Thank you.
01:19:32Do you want to swap?
01:19:38You know, this is really good.
01:19:40I'm really enjoying myself.
01:19:42Good.
01:19:44I'm glad we bumped into each other.
01:19:46Sure.
01:19:52Do you want to dance?
01:19:54It's really good.
01:19:56You just lie flat down
01:19:58and dance.
01:20:00I'll show you what I mean.
01:20:02I'll start it off and you just join in when you feel confident enough.
01:20:04Okay.
01:20:12Just dance.
01:20:16I'll tell you something.
01:20:18And not a lot of people know this.
01:20:20We are clinging
01:20:22to the surface of this planet
01:20:24while it spins through space
01:20:26at a thousand miles an hour.
01:20:28Held only by the mystery force
01:20:30called gravity.
01:20:32A lot of people panic when you tell them that
01:20:34and they just fall off.
01:20:36But I see you're not falling off.
01:20:38That means you've got the hang of it.
01:20:40That means that you have got...
01:20:42Natural ability.
01:20:44Yeah.
01:20:48A thousand miles an hour, eh?
01:20:50Why are boys obsessed
01:20:52with numbers?
01:20:54No, we're not.
01:20:56You are.
01:20:58Don't stop dancing or you'll fall off.
01:21:14No, we're not.
01:21:34What are you two up to?
01:21:38What are you up to?
01:21:40I'm going down to the hospital
01:21:42to do the exposure test.
01:21:44The flesh tone experiment.
01:21:46Oh yeah, the flesh tone experiment.
01:21:48Of course.
01:21:50Have you got the right equipment?
01:21:52Oh, of course.
01:21:54400mm lens.
01:21:56It opens up to 2.8,
01:21:58which with 700 foot candles
01:22:00at, say, 100 yards.
01:22:02A falling speed of 360.
01:22:04And a forced processing
01:22:06for about 1.5 stops.
01:22:08Do you like numbers, Eric?
01:22:10No.
01:22:14How many...
01:22:16Elephants
01:22:18will you give it tonight?
01:22:20They can't have any time exposures.
01:22:22That would ruin the image definition.
01:22:24Don't want to ruin the image definition, eh?
01:22:26Right, so that means a fast shutter.
01:22:28Say at the outside,
01:22:30125th of an elephant.
01:22:32Sounds fine.
01:22:34You coming?
01:22:36No.
01:22:38I'd be quite interested in the results, though.
01:22:40Put me an advance order on some 8x10s.
01:22:42Yeah, put me down for 6.
01:22:46Nah, make it half a dozen.
01:22:52Listen, I want to tell you something.
01:22:54Do you know
01:22:56when you sneeze
01:22:58it comes out your nose at 100 miles per hour?
01:23:00Really?
01:23:02Just like that.
01:23:08One more number.
01:23:10Eleven.
01:23:12Home by.
01:23:14I've got to be.
01:23:16OK, Mr. Spaceman.
01:23:18I'll walk you home.
01:23:22Really?
01:23:26I don't want to put you to any trouble.
01:23:28It's OK.
01:23:32If you just want to walk me to the bridge,
01:23:34I'll be there.
01:23:36If you just want to walk me to the bridge,
01:23:38that's fine.
01:23:40No, the way home, I don't mind.
01:23:42OK.
01:23:44I'll do the same for you sometime.
01:24:06That's good.
01:24:18You stopped kissing me
01:24:20like I was your auntie.
01:24:22Nobody's looking.
01:24:28What's my auntie going to say
01:24:30when I kiss her at Christmas?
01:24:36Say something.
01:24:40Three hundred and forty-two.
01:24:46A million and nine.
01:24:54How come you know all the good numbers?
01:25:00Thanks for seeing me home.
01:25:02When can I see you again?
01:25:04Tomorrow. History.
01:25:06Ten-thirty.
01:25:16I want a date.
01:25:18I want a date.
01:25:26OK, Mr. Spaceman.
01:25:28Twelve-thirty.
01:25:30Room seventeen tomorrow.
01:25:32We'll talk about it.
01:25:40Ten-four.
01:25:42Ten-four.
01:25:52Goodnight, Mr. Spaceman.
01:26:00Three hundred and seventy-five.
01:26:04Five thousand six hundred and seventy-two.
01:26:06Five thousand six hundred and seventy-five.
01:26:10Five thousand six hundred and seventy-two.
01:26:24How did it go?
01:26:26Are you going to see her again?
01:26:30Who? Dorothy?
01:26:32Who else?
01:26:34Maybe Susan, for instance.
01:26:36Tell me. I'll hurt you.
01:26:38Tell me. OK, OK.
01:26:40Dorothy didn't show up.
01:26:42I met Carol, and then Margot, and then Susan.
01:26:44She's lovely.
01:26:46We went into the park.
01:26:48I think she likes me.
01:26:50I'll see her tomorrow.
01:26:52Did you kiss her?
01:26:54No. Maybe tomorrow.
01:26:56You liar! I saw you.
01:26:58You kissed her about fifty times.
01:27:00You'll wake the mate up and beat her.
01:27:02Sad work being in love, eh?
01:27:04Especially when you don't know which girl it is.
01:27:06Yeah.
01:27:08I'll work on it.
01:27:10Who's going to be Gregory's girl?
01:27:12You are.
01:27:14I'm going.
01:27:44Come on, Andy.
01:27:46Let's go home.
01:27:52That's not the way you spell Caracas, anyway.
01:27:54What?
01:27:56What do you mean?
01:28:00Caracas is spelt with an A.
01:28:02C-A-S.
01:28:04Not C-U-S.
01:28:06Why didn't you tell me that before?
01:28:08Could you not have told me that four hours ago?
01:28:10We've been standing here waiting here for ages.
01:28:12Come on, let's go home.
01:28:20Come on, we can start again tomorrow.
01:28:24There's some nice girls in third year.
01:28:28They always go for the older guys.
01:28:30You're right.
01:28:32There's some nice girls in third year.
01:28:36They always go for the older guys.
01:28:38At least the nice ones do.
01:28:42There's even a couple of adults in second year.
01:28:46I saw them in the dining hall.
01:28:48June and Louise.
01:28:50Andy, I think everything's going to be all right.
01:29:02Let's go.
01:29:32Let's go.
01:30:02Let's go.
01:30:32Let's go.
01:31:02Let's go.