Sueños de libertad Cap 114 (02-08-24)
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00:30I don't know if you need anyone else to comfort you
00:33after Andres did it yesterday in the pool.
00:40That's why you haven't said a word since yesterday.
00:43Maria told you.
00:45I was waiting for you to tell me.
00:47But it's clear you weren't going to.
00:49Because I guess you're still mad at me.
00:52I'm not mad at you.
00:54I'm mad at you.
00:56I'm mad at you.
00:58Because I guess you're so used to these signs of affection
01:02between you that you think it's normal, right?
01:09Even though you're doing it
01:12in my own house
01:15and in front of me.
01:18I was feeling sorry for you.
01:21Do you think it's weird?
01:24I have to remind you that I just lost my mother.
01:28Yes, while he gives you his condolences,
01:30I pay for the funeral expenses.
01:32You do need me for that.
01:34But how can you say such a mean thing to me?
01:39Maria is imagining things and it's not the first time.
01:42Don't lie to me.
01:44And tell me.
01:45What were you whispering while you were hugging each other?
01:48What secrets were you telling each other?
01:49Do you want to drive me crazy?
01:51Stop it.
01:53Do you want us to talk about secrets?
01:55Where did Valentín's death certificate come from?
01:58Don't divert the discussion.
02:00You don't want to talk.
02:02You don't have to.
02:03I know it's your thing.
02:04You're the one who imagines things.
02:06Your cruelty has no limits, right?
02:09Why are you showing that to your aunt?
02:11Do you want to torture her more?
02:13At least now she knows her son is dead.
02:15She can stop looking for him and continue with her life.
02:17Of course.
02:18It's an act of charity, right?
02:20Of course, I show much more mercy to her than you to me.
02:25My God.
02:27How can you be so reticent?
02:29And you enjoy taking me to the limit.
02:32What is that?
02:34None of your business.
02:36Give me that.
02:37Give me that.
02:40Calmers?
02:41Do you take calmers?
02:43Is your life so unbearable with me that you have to take these pills?
02:46Do you spend the day on drugs?
02:48My mother just died.
02:49No, this is not the time.
02:51You've been taking this shit for a long time.
02:55You've been taking this shit for a long time.
03:03Yes, Cristobal.
03:05We have received the death certificate of Valentín.
03:09Yes, it also seems strange to me that it arrives just now.
03:13What I ask you is if you can find out if it is false.
03:17The name of the man we sent to appear in the certificate.
03:20I don't know, it could be a clue.
03:23Thank you very much for going there.
03:28Okay.
03:30I'll call you so you can tell me.
03:37It was a call from the factory.
03:41If you say so.
03:44If it will not be another of your many secrets.
03:48Do you think I like this situation?
03:52Maria, let's leave it, please. It will be better.
03:55At least you could admit that what you did yesterday was not right.
03:59It would be a good way to start fixing things.
04:03Look, Andrés, if you keep thinking that your relationship with your sister-in-law is the most normal thing,
04:06you make it very difficult for me.
04:08Maria, how many times have I explained to you that I was giving the weight to Begoña?
04:11Oh, you explain it to me so many times, so that I believe it or so that you believe it.
04:14Maria, it is what it is, really.
04:15Look, I find it very unelegant that, being a married man, you treat her like that.
04:19Those gestures of affection, those ...
04:22Would it seem normal to you that I let myself be comforted like that by your brother?
04:25What I don't think is right is that you resort to my brother every time you have a thought of jealousy in your head, Maria.
04:29And what am I supposed to do? Stay watching what's going on?
04:33Your brother seems to be the only one who knows how to contain you.
04:36Do you think it's normal to get in that way, don't you, family?
04:39Facing my brother, even knowing the bad relationship we have.
04:43Maria, you know perfectly well how hard it has been for me to fit back into my house.
04:46Andrés, you're turning the situation around.
04:48I'm not turning it around, Maria.
04:49I'm not turning it around, Maria.
04:50Only when it's all done.
04:51It's the second time you resort to my brother because of your jealousy of Begoña.
04:54I wouldn't have to do it if you had a normal relationship with your brother-in-law.
04:57We have a normal relationship, Maria.
05:02Maria, forgive me.
05:06You stopped being the man I knew in Jaca so long ago.
05:11I don't recognize you, Andrés.
05:13We've both changed.
05:14Well, we'll have to do something because I can't stand this situation anymore.
05:19We've been thinking this night.
05:21And no matter how hard we try to be happy, we can't.
05:24And you don't know how sorry I am, Maria.
05:27Sometimes I think I was wrong to listen to your father's letter.
05:31I thought we were doing what we should.
05:33But I'm not so sure anymore, Maria.
05:38You're telling me you married me because of the letter.
05:41That I was right.
05:45You regret marrying me.
05:50And what do you want to do?
05:52Maria, nothing.
05:54We swore to God to be together.
05:56And we're expecting a child.
05:58So we can only move forward as best we can.
06:01And we'll do it for our child.
06:04No, no, no, no.
06:05That's not enough for me, right?
06:07Maria, for God's sake, that's all we have.
06:08No!
06:11God.
06:13I'm sorry, I'm sorry.
06:14I'm sorry, darling, I'm sorry.
06:15I'm sorry, I'm sorry.
06:16I'm sorry, I'm sorry.
06:17I love you, I love you.
06:18I love you, I love you.
06:19And I want us to be happy, please.
06:21Maria, I wanted it too.
06:24But look at you, here you are.
06:26Claiming something I can't give you.
06:27No, no, we have to do something.
06:29Maria, we have to face reality.
06:32We can't keep lying to ourselves.
06:36I'm sorry.
06:38I'm sorry, I don't know what to do.
06:49No!
06:56I've always liked the light of Madrid at this time.
06:59How it collides with the buildings, projecting giant shadows almost on the ground.
07:05That leave evidence of the great metropolis that this city is.
07:10How poetic you get sometimes.
07:13I've been too literary, haven't I?
07:16Maria, you know I like to write.
07:17Well, let's see if you write something to me.
07:19Well, you'll have to win that.
07:23Well, I think someone has already won it.
07:29What is this?
07:30Open it.
07:36Luis Mariano and Gloria Lasso are acting in Madrid.
07:38And I thought you might want us to go see them.
07:42What do you think?
07:43I'm speechless.
07:44I'm speechless.
07:46Marga, I wanted to apologize for...
07:49Well, for feeling those silly jealousy with your secretary.
07:53And...
07:55I love you.
07:57I love you like no one ever did.
08:01Sometimes you drive me crazy.
08:03So, do you like the recital or not?
08:05I love it.
08:06Are you sure?
08:07I was wondering, maybe you'd prefer some classical music or...
08:10No, it's perfect.
08:11It's perfect.
08:12If they're the top singers, I'd love to see them live.
08:18The only downside...
08:20is that I don't like you spending so much money on me.
08:22It's true, isn't it?
08:24I haven't spent money on you.
08:25I've spent money on us.
08:27Or are you going to go with your secretary?
08:29Don't be a witch.
08:33You know you don't have to give me anything to apologize for anything.
08:37Yeah, but I've also done it out of selfishness.
08:39To spend more time with you.
08:42It's a shame that after dinner we have to go back to Toledo today.
08:45But tomorrow, after the concert...
08:49Maybe...
08:50we could go...
08:51I don't know, to the apartment or...
08:54I don't know if...
08:55if we already feel like that apartment is ours.
08:58Yes.
08:59But we're in time to reserve a nice room in a nice and discreet hotel.
09:10We're going to have to settle for a walk this afternoon.
09:14Yes.
09:17Thank you, Marta, for being like that.
09:22Like what?
09:24Perfect.
09:28I'm sure you won't have any problems to justify spending the night out.
09:32I don't think so.
09:33The very next day I have a first-class meeting with the lawyer.
09:37So it's perfect.
09:38Perfect.
09:41I don't know if we're going to make it to the restaurant reservation.
09:43Wait.
09:45Taxi!
09:56Hi!
09:59Take Lucho, please.
10:08Lucho!
10:18Good morning.
10:20I thought you'd already left.
10:25The muffins are freshly made and have lemon zest, as you like.
10:29I just want coffee.
10:35I heard you from Luis' room last night.
10:37You were in the kitchen this morning.
10:39You haven't slept much, have you?
10:41No.
10:42I'm sorry if I've woken you up.
10:44So what? I haven't slept since...
10:54What happened to you?
10:57I'm tired of enduring so many humiliations.
11:00Of living like this.
11:02That happened to me.
11:04Did you have a problem with your cousins?
11:07No, it's not just that.
11:13How long are you going to put up with this?
11:15What do you mean?
11:17I didn't taste the stew you made yesterday,
11:19nor am I going to taste the muffins today.
11:22How long are you going to put up with...
11:25these despises?
11:27As long as it takes.
11:29Because I'm convinced that what we have is worth it.
11:33Now you care about our relationship.
11:34Of course I do.
11:35It doesn't matter.
11:37I'll do the penance I need until you forgive me.
11:39And I'm doing it for you.
11:41I wouldn't do it for anyone else.
11:47I'm leaving.
11:49I'm running late.
12:05I'm leaving.
12:11Well, Mr. Damián, I was quite surprised
12:13that you called me so soon to go hunting.
12:15What's so strange about wanting to go hunting with me?
12:20I've already seen that you've put on one of the shirts I gave you.
12:23Yes, I like them a lot and they make me feel good.
12:27If it weren't for being in the field this morning,
12:29I've told you once how much I enjoy them.
12:32I'm glad to hear that.
12:33It means a lot to me, Ocasio.
12:36Even if we didn't kill a damn bird.
12:40Well, I suppose you've taken care of everything
12:42to leave the factory.
12:45I don't want to cause you any trouble with our departures.
12:47No, no, no, no trouble.
12:48A new colleague will cover for me.
12:50A new one?
12:51Is he a good worker?
12:52He's a good guy.
12:53He's still a bit green,
12:54but I'm sure he'll be a good candidate for the factory.
12:56That's fine.
12:57We need good workers.
12:59People who get involved.
13:03By the way,
13:04were you aware of the game yesterday?
13:06What game?
13:07The one in Madrid against the Asunas.
13:09No, I couldn't put it on the radio,
13:11but Isidro did hear it.
13:13I think it was a lot of goals, right?
13:15It must have been an entertaining game.
13:17Yes, it was.
13:18And he wasn't in the field to see it.
13:19You can't imagine.
13:21Well, if you were.
13:22That's right.
13:23I went with Carmen, my wife.
13:24And the truth is that things change a lot
13:26when you watch a game from the box.
13:29Don't tell me you were in the box.
13:31That's right.
13:32And two meters away, Don Santiago Bernabéu.
13:34You don't know what a character he has.
13:36He was like a beast with an army general
13:38who had drunk too much.
13:40A drunk military man in public?
13:42What a shame.
13:43He was like a Cuba.
13:44And not only that,
13:45he overstepped with a guest.
13:46And well, in the end,
13:48Mr. Bernabéu had to kick his ass.
13:50A general?
13:51Yes.
13:52And with his decorations and everything.
13:54He brought it to the pyre.
13:55The general came up a bit
13:57and we had to intervene with the rest.
13:59You also intervened?
14:00That's right.
14:01And as a thank you,
14:02the president invited us to a drink.
14:04Then he introduced us to the entire team.
14:06Well, then the fight was worth it.
14:08Yes.
14:09Meeting Puskas, Rial,
14:11Agent, Di Stéfano.
14:13All of them.
14:14And how did you get tickets to the box?
14:17Well, a friend gave them to me.
14:19He has a lot of influence
14:20and he seems to like me, I don't know.
14:22And who is it?
14:23Maybe I know him.
14:25I would like to keep it a secret.
14:27Not at all, Don Damián.
14:28I'm in conversations with him
14:29for a small business
14:30and I don't want him to find out.
14:32Are you thinking of leaving the factory?
14:34Don't you like your job?
14:36No, not at all.
14:37Don't get me wrong, Don Damián.
14:38I love my job.
14:39The only thing is that I don't see myself as a worker all my life.
14:42I'm just moving missiles.
14:44I understand you.
14:46And I congratulate you on your initiative.
14:49I'm sure you achieve the success you seek.
14:52Yes.
14:53You are seen in qualities
14:55as a businessman.
14:58Let's go.
15:09I have to congratulate you
15:10for how beautiful the chapel is.
15:12With those bouquets of flowers,
15:13the figure of the Virgin is splendid.
15:15Choose a fresh parishioner of the day.
15:18This is the canteen.
15:20If you allow me,
15:21I would like to invite you to a coffee.
15:23Alone, right?
15:24That's it, thank you very much.
15:25Good morning, Fathers.
15:26What would you like?
15:27Gaspar, one coffee alone
15:28for the secretary of the diocese.
15:30And I wanted one with a little milk
15:31and a cup of sugar.
15:32We'll have it at the table.
15:34I'll take it.
15:35Thank you.
15:36I have to admit that between weddings and baptisms
15:39a considerable number of sacraments have been celebrated.
15:42The activity that you have managed to have here is very commendable.
15:45That's right, that's right.
15:46All written down in the parish records.
15:49My work is almost entirely focused on the community of La Colonia,
15:52although the chapel is a place that ...
15:54The coffees.
15:58For you.
16:00I've put some shots to go with you.
16:03Thank you, Gaspar.
16:04Enjoy your meal.
16:06I was saying that although the chapel is a sacred space
16:09to which everyone can go,
16:11this is a job that I have attended myself in person
16:14for years without problems.
16:16And I congratulate you on your success.
16:18Thank you.
16:19Although sometimes it seems to me that there is a lot of cure
16:21for the number of souls that must be guided,
16:23you cannot help but ask me
16:25if we are not sinning of indolence and laziness.
16:27I have to remind you that it was the representative of the chapel
16:30who personally attended the request of Don Damián de la Reina
16:33so that he would have given priests in this colony.
16:36I know, I know.
16:37But sometimes I think that a boy as young as Father Mateo,
16:40so full of new ideas, more than helping me,
16:43gives me more work.
16:45What are you suggesting?
16:47Well, I would like to invite you to take a walk this afternoon.
16:51This afternoon?
16:52Yes.
16:53Do you know what happens?
16:54I don't dare to walk alone since that snake bit me.
16:57Come on, snakes don't bite, they bite, Mateo.
17:00Ah, well, that's it.
17:01What a country man you are.
17:04So, will you come with me?
17:07Well, do I have to bring garlic or what?
17:09Ah, how funny.
17:11No, no need.
17:12Well, then what?
17:14We meet at the first hour of the afternoon.
17:16Okay.
17:17Come on, I have to ask for an afternoon off
17:19and I haven't told him any day yet.
17:21Well, see you later.
17:22Okay.
17:25Goodbye, Carmen.
17:26Goodbye.
17:35What a silly face you have when you talk to Mateo.
17:39Anyone would say that you are cheating on him.
17:42But what are you saying, Carmen?
17:43How did you tell me that?
17:44Because it's the truth.
17:47Vera, it's a bit delicate.
17:49These ideas that the new generations bring are like straw and hay.
17:53It wouldn't be easy to get rid of it.
17:55I think I don't quite understand you.
17:58A young priest can be misinterpreted
18:00and negatively influence uneducated people
18:02who find it difficult to discern
18:04the good from the bad disguised as good.
18:07Think that people here are very simple,
18:09without forgetting that the Church is experiencing a renovation
18:11that we don't know where it will lead us.
18:13All those questions of not saying the mass in Latin,
18:16instead of the woman, the celibate and the assar.
18:18Father Agustín, don't be confused.
18:21Are you trying to tell me something specific about Father Mateo?
18:24No, no, no, God forbid. He is an excellent priest.
18:27But we cannot deny that Father Mateo is a young man
18:30with a good job and this is a place with so many workers.
18:34But I have observed that Father Mateo
18:36seems to be interested in a particular young woman.
18:39He has already had to open the colony
18:41and he already had a faith crisis in the past, you know?
18:44Do you have any evidence of what you are saying?
18:49No, no, no. You misunderstood me.
18:52I don't intend to accuse anyone.
18:54It is not about what you intend or not, but about the facts.
18:57And what you are insinuating is something very serious
18:59that should be communicated as soon as possible
19:01in case it is true.
19:02It was not my intention.
19:04Facts, Father Agustín, facts. And no gossip.
19:07Your obligation is to be attentive to the facts.
19:10And if there is proof or evidence, let me know.
19:13If not, shut up.
19:16Excuse me, the last thing I wanted was ...
19:18To bother you.
19:20But I have eyes in my face, Claudia.
19:23And you worry because your belly is noticeable.
19:26What you should be worried about is what I just saw here now.
19:30Carmen, what did you just see?
19:31That only Mateo has invited me for a walk this afternoon.
19:34Father Mateo.
19:36Father Mateo, yes, Carmen, Father Mateo.
19:39I think you're exaggerating a bit, aren't you?
19:42What I think is that you have to be careful.
19:44And of course no one should see what I just saw here now.
19:49Come on, maybe I'm exaggerating.
19:52Am I exaggerating?
19:54Or do you like Mateo?
19:57No, no, no, come on, Carmen, no, no.
19:59It's not what you think.
20:01Oh my God, we started badly.
20:02Claudia, wait.
20:08Let's see, Carmen.
20:10It is true that ...
20:11Well, lately I see Mateo with other eyes.
20:15And that, well, maybe it's a little weird.
20:18A little.
20:20Let's see, because as a priest,
20:22I have gone to the guard with him and ...
20:26And I feel very comfortable.
20:28But come on, I have him on a pedestal, Carmen.
20:31I see him as a man of God.
20:33Yes, he is a man of God.
20:34Yes, yes, yes.
20:36Come on, and he's very good.
20:38And he's very smart.
20:41And a little attractive too, huh?
20:44Carmen.
20:45But come on, I'm very clear that nothing can happen between us.
20:48Claudia, look, I really don't understand you, daughter.
20:50Before he was a priest, I didn't even look at him.
20:52And now that I see him ...
20:53Well, that's why, Carmen, no, no.
20:54I know there can't be anything between us.
20:56And this is a fantasy, an illusion that I have in my head.
20:59What is it?
21:01Because what would have happened if ...
21:04If our circumstances had been different?
21:06Oh, Alma de Cantaro,
21:07but he asked you to marry him and you rejected him.
21:09Well, that was another Mateo and another Claudia.
21:13Oh my God.
21:15Well, what about him?
21:17What?
21:18Man, because he is a man with his feelings, his impulses.
21:22Does he feel the same way?
21:24No, no, no.
21:25Carmen, what are you saying?
21:26No, I say no.
21:27What do I see? What do you want to say?
21:29Claudia, look, don't be angry because in the end I'm going to burn.
21:33And all that was missing was for people to think that the belly had been made by Mateo.
21:35No, no, no.
21:36No, Carmen, people can't think that.
21:38Well, you know I'm very young.
21:40Everyone here is watching you go up and down with Mateo
21:43and people are not stupid.
21:44But do you think it shows so much, Carmen?
21:47Well, a little.
21:49No, no, no.
21:50What do you mean I'm stupid?
21:51Yes, I'm stupid, Carmen.
21:53Well, I'm not going to get together with him so much
21:55and I'm not going to go up and down.
21:57Well, don't call yourself stupid because you're not stupid.
21:59Carmen, my mother had already warned me,
22:01but I thought that something so harmless could not bring bad luck.
22:05That it doesn't bring bad luck,
22:07but I didn't think the consequences could be so negative, you know?
22:12You are very good.
22:14And the world is not so good.
22:22Have you gone hunting again?
22:24Yes, you see.
22:26Very good. It seems that lately you have regained that habit.
22:29Yes, I have to ask permission from someone to do it.
22:32Ah, you know I don't.
22:34It wasn't any kind of indirect.
22:35You can do whatever you want with your time, Father.
22:38Have you seen your brother again after yesterday's mess?
22:43No.
22:44Well, we met at breakfast,
22:46but we haven't spoken to each other.
22:48And he immediately went to work.
22:50Yeah.
22:51So don't talk to each other.
22:54Not even a chance.
22:55I see.
22:57I insist, Father.
22:58He should leave here.
22:59Send him to Ulite or hell.
23:00I don't care.
23:01But as long as he's here,
23:02you can continue to investigate and discover more of the account.
23:04I don't want to hear you insist more on Andrés leaving.
23:07Right now we don't need to send him far from here,
23:09but to keep him close until he stops being a burden in what he shouldn't be.
23:13I don't think that's the best idea.
23:14You just don't understand that we have to do it.
23:17I'm sorry, Father.
23:18I'm sorry, I'm sorry.
23:19I'm sorry, I'm sorry.
23:20I'm sorry, I'm sorry.
23:21I'm sorry, I'm sorry.
23:22I'm sorry, I'm sorry.
23:23I'm sorry, I'm sorry.
23:24I'm sorry, I'm sorry.
23:25You don't understand that we have to be careful.
23:28But you're the one who's been stirring up trouble.
23:31How dare you tell Digna that Julia is...
23:33If you want us to talk about mistakes,
23:35we can go back to the cause of all the evils of this family.
23:38Yes, of course.
23:39You can charge me with whatever you want.
23:41But yesterday Digna was asking me about Valentín and Clotilde
23:44and how it was possible that they had a daughter.
23:47And what did you tell him?
23:48Nothing I'm going to tell him.
23:51Father, he doesn't realize that what he has done,
23:54in addition to putting us in danger, humiliates me.
23:57Okay, let's leave it.
23:58No, we're not going to leave it because I shouldn't have told him anything.
24:01It was a clumsiness and an imprudence.
24:04Look, I advise you to keep your fiancée short
24:07and don't come to me with more interrogations
24:09if you don't want something to happen in the end, Father.
24:21I bring coffee for Jesus, but I can come back at another time.
24:25Don't worry, Digna, I was already going to the factory.
24:33See you later.
24:36Digna, I do want coffee.
24:41Chiquillo, what are you doing?
24:43Oh, Carmen, my daughter, how I like to see you.
24:46Well, thank goodness I arrived and Joaquín or Doña Marta didn't come in.
24:50I'm telling you, she's not going to be very happy to see you in this guise.
24:54Why did you change here in the warehouse?
24:56Well, woman, why don't I want my colleagues to see me full of mud
25:00and start imagining things that aren't?
25:02I don't know.
25:03I don't know.
25:04I don't know.
25:05I don't know.
25:06I don't know.
25:07What do you mean you went hunting with the boss?
25:10Well, for example.
25:13How did it go with Don Damien?
25:15Well, honestly, great, because I told him about the Bernabeu
25:19and he was impressed.
25:21Was impressed?
25:22It's strange for me that Don Damien was impressed with something like that.
25:26But Carmen, with the adventure we live through, woman.
25:28In fact, I've been thinking about inviting the girls over for dinner
25:31and telling them about the experience.
25:33We could go out to the zipper and catch some citrus.
25:35Citrus?
25:36Sidra.
25:37Yes, we'll keep her in the new fridge.
25:39It's a great plan, isn't it?
25:40Yes, it's a great plan.
25:42But she's going to Madrid tonight.
25:44And Claudia...
25:45What?
25:46She said that what's best for her right now is to drink alcohol.
25:50Really?
25:51I don't know where my head is.
25:53How is she?
25:54Fine, she's fine.
25:57But the uniform skirt doesn't fit her anymore.
26:02Soon everyone will know what's going on, Tassio.
26:06Carmen, it's fine.
26:08We'll do what we said.
26:10We'll support her.
26:11And we'll show everyone that she's not a newbie anymore.
26:13And that I'm the father.
26:14I'm not going to give up, no matter what they say.
26:17Let's see how that's done.
26:19Let's see how I do the paperwork I have to do.
26:22It's as if they had just opened my eyes right now.
26:25I think about it and I get sick, Tassio.
26:28To begin with, I'll be Toledo's maid.
26:30No, Carmen.
26:31Then I'll have to explain to everyone that I knew this,
26:33that he's spoiled,
26:35and I'll be Toledo's fool.
26:37No, not fool.
26:38You're good.
26:39Whatever you say.
26:41But come on, not even my worst enemy,
26:43listen to what I'm saying,
26:44not even my worst enemy
26:45would want the paperwork for my Claudia's classroom.
26:48I'm just counting on everything to go well.
26:50Carmen, it's going to go well.
26:52That's why we're here.
26:55Tassio, what if...
26:57What if Claudia falls in love with someone
26:59and wants to send everything we've talked about?
27:02Look, Carmen,
27:03if you and I do things right
27:05and we stick together,
27:07we'll face everything that comes our way.
27:09Besides, we're already on this train
27:11and we're not going to get off, right?
27:14It's a mess, Tassio.
27:16I know.
27:18But you and I love each other
27:19and we know exactly what to do.
27:23We'll face things as they come, one by one.
27:26We've done it before, haven't we?
27:29Yes.
27:30That's it.
27:33This is my Carmen.
27:35Strong and strong as a tree.
27:37That's how I want to see you.
27:39And you're a paperweight.
27:42Let's see what I see in you.
27:45I'll see you later.
27:50Jesus told me you were talking about Julia yesterday.
27:54I asked you not to...
27:55Not to tell him anything.
27:57You've seen that I haven't listened to you.
28:00And I've been thinking about that conversation all night.
28:04In all the clarity I got from her.
28:07About the relationship between Valentín and Clotilde?
28:10No, not just that.
28:13I could also see
28:15how violent my nephew can be.
28:19What...
28:20What do you mean?
28:22I've been thinking a lot about Begoña.
28:25You told us that she accidentally entered a hunting lodge
28:29and that a hunter shot her.
28:32Is that true?
28:34Of course, why wouldn't it be?
28:39I'm very surprised that Begoña would do something like that.
28:42That she would be so reckless going with a girl
28:46and putting her in danger.
28:48Yes, she went into an area she didn't know.
28:50I've already told you, it was a mistake on her part.
28:52Damien, tell me the truth.
28:55Those days were very strange for everyone.
28:58Did a hunter really shoot her?
29:03I swear on Catalina's memory.
29:18Ñigo, how did it all go?
29:20My God, what those boxes weighed.
29:22More than perfumes, it looked like they were carrying stones.
29:25But it's all packed and in the truck?
29:27Yes, everything.
29:29Thank you for covering me the first time.
29:30You're welcome.
29:31In the end, I got it.
29:33Hey, how was yesterday's game?
29:35I heard in the canteen that you were lazy.
29:37Lazy? No, no.
29:39Oh, no?
29:40If I get too old, I'll remember it all my life, I swear.
29:43Can you imagine me?
29:44With those powerful people, the watches, the jewels.
29:46I smoked a cigar and everything.
29:48Thank you, really, for the tickets.
29:50No, don't thank me more times, boy.
29:51It was the least I could do after you threw your face at me.
29:56I'll invite you more times.
29:57I like you.
30:02Can I tell you something?
30:03Tell me.
30:06I want to get in.
30:07Get in? Where?
30:09In the business you have with your cousin, where else?
30:13What?
30:14Ñigo, I'd like to invite my wife to the Bernabéu when I want.
30:19So you don't have to give me anything else.
30:21Let's see, Tassio, this...
30:22I understand you don't know me, I know.
30:25But I assure you I have enough skills to help you get the business going.
30:29Yeah, but this is a...
30:31Do you think you're new here?
30:33I've been here for many years, I know a lot of people.
30:35It would be much easier and faster for me to move all the merchandise.
30:38You do want to, yes.
30:40And I really appreciate the interest, but this is a delicate matter, Tassio.
30:44You have to handle it with skill and discretion.
30:46I know.
30:47And I assure you you won't regret it if you count on me.
30:50No, no, if we don't doubt that you're capable.
30:52Well, then I approve, man.
30:54You told me there were some radio transistors you were having trouble putting in place, right?
30:57Well, let me try.
31:01I'm sorry.
31:02I really appreciate the treatment you've given me since I got here, but I'm fine the way I am.
31:07And it's not that I don't trust you.
31:08I can tell you're honest, but when something is fine, it's better not to touch it.
31:12I don't want it to go bad.
31:14Okay, I'm going to the canteen for a coffee.
31:17I'll see you in the warehouse after the break.
31:19Bye.
31:24I'm sorry.
31:36I have to talk to you for a moment.
31:38One second, please.
31:45That's it. You tell me.
31:47Luis, I know you're not interested in the project of the father's bathroom.
31:50Oh, please, not that again.
31:52Listen to me.
31:53I ask you to reconsider your decision.
31:55And I ask you not to insist anymore, Joaquín.
31:57Luis, I know this project gives a lot of vertigo.
32:00Because it's a lot of money, a lot of effort.
32:02There's no guarantee it's going to turn out well.
32:04Very well, then there's no need for me to explain anything to you.
32:06Because you're saying the reasons yourself.
32:07Look, that possibility scares me just like you do.
32:10You know, I'm not a guy given to adventures.
32:12I like to have my feet on the ground.
32:14And I'm not an adventurer either.
32:15But I really think that with this project we should take a risk.
32:18Take the step.
32:22Joaquín, we already talked about it yesterday.
32:28Luis, Luis.
32:30I'm not asking you to stop doing your job.
32:34You could make the thermal products that the father wanted to make for the bathroom.
32:39With that, the project can't go wrong.
32:41Besides, you already have a name.
32:43Look, I know you're going through a complicated situation right now.
32:47Yes, you feel stuck at work.
32:49No, Luis, I'm not doing this for myself.
32:51I'm doing it for everyone.
32:53For the family.
32:54Which is something you already did before.
32:56Will you let me continue?
32:58You have the feeling that you have nothing to lose.
33:00That you can risk everything.
33:02But I'm at another point.
33:04Yes, Joaquín, now our situations are different.
33:07I have achieved a status in the company for which I have fought for a long time.
33:11Ah, I see, I see.
33:12And it's not that I don't want to start a new business.
33:15It's just that I see it more feasible that the Merinos fight here to regain our place.
33:22But do you really believe what you're saying?
33:25You will always be subordinate to those of the queen.
33:29Just like me.
33:30Don't fool yourself.
33:32And now they get along with you because they need your perfumes.
33:35But when they don't need you, they're going to kick you.
33:39Let's see, that report from Spain today.
33:42Where does your name come out there?
33:44Your photo.
33:45I haven't seen it.
33:46It's just a social chronicle.
33:48But have you been called to participate?
33:50No.
33:51Those of the queen will always be at the center of the stage.
33:54And you and I, you and I will only be secondary actors.
33:57Puppets.
33:58Joaquín, please, I don't want to argue anymore.
34:00It's useless.
34:01I'm not going to change my mind, period.
34:03That's it.
34:06Besides, if I tell you the truth, I don't think it's a good idea to start a project that involves Mario and our father.
34:12What do you mean?
34:14Because you yourself said that Mother should never find out about her secret.
34:19And this is still the life plan they had together.
34:22And now it could be ours.
34:24I'm not going to change my mind.
34:26Period.
34:27I'm sorry, Joaquín.
34:33The secretary of the diocese has made a very good impression.
34:36It seems to him that we are doing a very good pastoral work in the colony.
34:40Come on.
34:41I'm very happy with what you tell me.
34:44And before leaving, I have encouraged you to intensify our work even more.
34:48Well, I see that you have defended, as only you know how to do it, our dedication to the Peligreses.
34:53I have only limited myself to accompany you so that you can count the number of sacraments and parties in the register.
34:58A mere process that anyone would have done.
35:02What I have been doing is turning our conversation from the other day.
35:08What do you mean?
35:10I'm sorry to have been envious of your recognition and popularity in the colony.
35:16Ah, no, I hadn't noticed it.
35:19You don't have to deny it. I admit it was like that.
35:23I forgot to tell you one thing.
35:25The secretary has asked me if we were doing any activity with the Legion of Mary.
35:30Ah, well, I hadn't thought of it.
35:32I told him that I didn't see it necessary in the colony.
35:35But the secretary, with all due respect, told me that we could not limit our mission to these walls.
35:40Of course, I think it's great.
35:42I think we should expand our pastoral work.
35:45Besides, for some reason we are two.
35:46In addition to that, it occurred to me that it would be a good activity to take care of and protect a sheep from the colony that worries me.
35:56Who are you referring to?
35:59Claudia.
36:00Claudia.
36:01What about Claudia?
36:03I see her with little inner strength.
36:06And you know that, well, soon she will start to notice her prejudice and she will have to face very hard circumstances.
36:13I'm afraid her strength will fail her, even if she can be discouraged again.
36:17Well, I don't see her so weak.
36:18I trust her a lot.
36:20And I get the impression that she trusts you too.
36:22That's why I thought you could do the Legion activities together.
36:28Do you think so?
36:29Think about it that way.
36:30Claudia will have a dedication that will keep her away from temptations and problems.
36:34And you will be able to supervise her mood and give her strength when she is down.
36:41I don't want you to feel obligated.
36:43If you can't do it, I'll do it myself.
36:44No, no, no, I'm willing.
36:46Magnificent.
36:48This afternoon you go to Algodón, where there is a settlement of very poor people who need help, among other things spiritual.
36:54Yes, yes, I know where Algodón is perfectly.
36:57I'm too old for so much fuss.
36:59But you only need half an hour by train to get there.
37:03Well, don't worry, because I'll talk to her and ask her to come with me.
37:07God bless you.
37:08You will do two good deeds at the same time.
37:11Bring hope to those people and take care of Claudia, whom we all appreciate so much.
37:27I love you.
37:48What about you?
37:50Have you already proposed to destroy my life?
37:53Maria, I'm sorry you misunderstood what I saw yesterday.
37:56Andrés was just giving me the...
37:57I know exactly what I saw.
37:59Now it's the kiss for your mother, before it was the damn drawings.
38:02What else do you need to chase my husband?
38:04I repeat that you are making a mistake.
38:08Let me pass.
38:10Or what?
38:12I'm not going to get in your game, Maria.
38:13I'm fed up, you hear me?
38:16You may deceive the rest with that look of dead fly, but not me.
38:19I know women like you perfectly.
38:22Women like me, what do you mean?
38:24Look, you've heard me and you know exactly what I mean.
38:27Are you saying that I'm a...
38:29That I'm like a woman on the street?
38:30Look, yes, yes, I've never said it better, yes.
38:32One of those who don't respect an outsider.
38:34Maria, I think you're going too far, right?
38:36I don't have to tolerate this.
38:37Admit that you've been insinuating to my husband for a long time.
38:39Look, if you have something to talk about, do it with him.
38:41Let me pass.
38:42But who do you think you are?
38:44Stop provoking me.
38:45And stay away from Andrés, you hear me?
38:48What's going on?
38:49The thing is that this woman wants to steal my husband from me.
38:51And she's not going to stop until she gets it.
38:52She's not ashamed.
38:53And I have to face it here, every day.
38:55This has to end, Andrés.
38:57Maria, please, calm down.
39:00This is out of place.
39:02What?
39:04Are you happy for her?
39:06No, I'm telling you, please, calm down.
39:08Weren't you satisfied with yesterday?
39:11Andrés, I've done everything for us to be together.
39:13So that we can raise our son together.
39:16And you do nothing but despise me.
39:18I can't.
39:19Maria, please, that's not true.
39:20You're taking things out of context.
39:22Things are as they are.
39:24And I hope you know what you're doing.
39:27Because you're destroying a family.
39:29Maria.
39:53Ah!
39:56Maria.
40:03Maria?
40:05Gemma!
40:06Maria!
40:07Maria!
40:11Maria, do you hear me?
40:16Call Jaime, hurry up.
40:17I'll go.
40:23Oh, my child.
40:25My baby.
40:27Doctor, I'm Jesús.
40:28Is Jaime there?
40:30We need him to come home immediately.
40:32Maria has had an accident.
40:33I'll send him a car right now.
40:36I don't care where he is.
40:37Find him.
40:38It's very urgent.
40:40My baby.
40:41Should we put this on him?
40:43No, no, no, no, Dina.
40:44He can't move.
40:45Have you found Jaime?
40:46Yes, they're looking for him.
40:47I hope it doesn't take long.
40:48Dina, what do we do?
40:49The pulse is stable.
40:50We have to wait for Jaime to come.
40:51My baby.
40:52My baby.
40:53My baby.
40:54My baby.
40:55Calm down.
40:56Calm down, Maria.
40:57My baby.
40:58Calm down.
41:07And then you put a little thyme on top of it and you put a fried egg on it.
41:10Come on, do you have any friends to the shepherd?
41:12To suck you, I see it.
41:13Well, you could put them on from time to time, man.
41:16Well, maybe on Sunday I'll make them with the bread I have left over from the week.
41:19But I don't know.
41:20I have to stir all the time.
41:23Hey, Gaspar.
41:25Put me a lemonade and a sandwich of whatever you want.
41:27I'm starving.
41:28Very well.
41:30Hey, by the way.
41:32I was looking and there are few people.
41:34The business is a bit down.
41:36What are you saying, man?
41:38That depends on the time.
41:39Yes?
41:40I don't know.
41:42I was there the other day thinking.
41:43Do you remember when you came here to La Colonia?
41:45You had nothing.
41:46You started little by little.
41:47First, a good griffin of beer.
41:49Then, a good coffee machine.
41:51Man, if you don't move forward, people don't come, Tassio.
41:54I see.
41:55That's what I mean.
41:57What do you mean?
41:58I'm not finding out, really.
42:00Gaspar, why are you so relaxed?
42:01People don't come anymore.
42:03Why should I be relaxed?
42:04Man, the thing is that the business is going as it is now.
42:07The people there with the coffee issues.
42:08And the sandwich with the food.
42:10You can't fight that.
42:12Well, you say that.
42:14You haven't seen how things have been modernized in the factory.
42:16Gaspar, either you modernize or you stay behind.
42:19Oh, yeah? How do I modernize the canteen?
42:20Tell me.
42:22I don't know.
42:23Buying something new that attracts customers, for example.
42:25Yes, a monkey.
42:26I'm going to buy a monkey to serve you coffee.
42:28Well, I'm going to think of something better.
42:29A radio, for example.
42:31I already have a radio out there.
42:32That one, which is more broken and old than the little frog.
42:35Yes, I have to take it to Madeira
42:36because they don't fix it here.
42:37They need the piece of I don't know what.
42:38Gaspar, how are you going to fix that?
42:40It interferes with you and everything happens to it.
42:42You need a new one.
42:43Besides, the one now is great, by the way.
42:44Well, it doesn't seem like anyone misses it either.
42:46Man, of course.
42:47Who's going to miss that thing?
42:49You need one that sounds loud, good, with quality.
42:52That brings customers to the door
42:53to listen to football games, cereals.
42:55Well, imagine if you had this music.
42:57Wait.
42:58You could organize a dance here
42:59and you'd be full of consumptions.
43:01With what I like, a dance, huh?
43:03No, man, no.
43:04A new radio costs a lot, man.
43:06Yeah, but it depends.
43:08I know people out there.
43:09Maybe I can get you a cheaper one.
43:11Well, if I find out about a gang,
43:12keep me informed, okay?
43:13Yeah, yeah, yeah.
43:14I'll remember you, don't worry.
43:21Well, it looks like we already have a radio for sale.
43:24I admit it.
43:25You have the skills to be a salesman.
43:26Yeah.
43:28So what?
43:29Should I come in or not?
43:33Okay.
43:34I can give you both radios, yes.
43:36And it would be 2,000 pesetas.
43:372,000 pesetas is a lot of money.
43:39Yeah, it's worth twice as much.
43:41And it's very difficult to find them in Spain.
43:43Besides, with that,
43:44I'm sure you'd make a good profit.
43:46And where am I going to get all that money from?
43:49If you think it's a lot,
43:50we'll leave it with the Titans, my friends.
43:52I'll sell them for sure.
43:53No, no, don't worry.
43:54You get the radios ready
43:55and I'll get you the money.
44:00Deal.
44:01Deal.
44:02Deal.
44:04Deal.
44:05Deal.
44:06Deal.
44:08My baby.
44:09How is my baby?
44:13Maria, calm down.
44:14I'm here with you.
44:15Does your head hurt?
44:16No, no.
44:17I only care about the baby.
44:18What happened?
44:19Calm down.
44:20Do you have any kind of dizziness?
44:21No, no.
44:22Jaime, please.
44:23How is my baby?
44:24How is my baby?
44:25Maria, listen to me.
44:26It's important that you answer my questions.
44:27Do you have any discomfort in your limbs?
44:28My ankle.
44:29My ankle hurts.
44:33Calm down, calm down.
44:36It looks like you have a sprain
44:38and some contusions due to the fall.
44:41Andres, it would be convenient
44:42if you could get up a little.
44:43Please, I need to know
44:44what happened to my baby.
44:46Jaime, calm down.
44:47What do you feel, Maria?
44:48I don't know.
44:49I don't feel the baby.
44:50I feel like a puncture in the gut.
44:52Please.
44:54My God, no.
44:55What happened to our baby?
44:57Andres, let's not draw conclusions
44:58in a hurry, please.
44:59If something happened to my baby,
45:00I'll never forgive you.
45:01Do you hear me?
45:02Never.
45:03Maria, I'm sorry.
45:04I just wanted to go down the stairs
45:05and I didn't see anything.
45:06I was very nervous.
45:08It's your fault.
45:09It's your fault.
45:10Forgive me.
45:11I don't have the necessary equipment
45:13to do a gynecological check-up
45:14in conditions,
45:15so I'm going to do a basic
45:16exploration, okay?
45:18I don't want Andres here.
45:20Let me stay here.
45:21No, leave.
45:22Leave, please.
45:23I don't want to see you right now.
45:24Leave.
45:25Andres, she's very upset.
45:26Wait outside.
45:27Yes, I'll go down the stairs.
45:29Let me know if anything happens.
45:30Don't worry.
45:36Jaime, can we leave the exploration
45:38for later, please?
45:39I don't feel well.
45:41What?
45:43I'm very tired.
45:44I don't feel well.
45:46Maria, it's necessary
45:47that we do it now.
45:48It will only be a moment.
45:50Please.
45:51Excuse me.
46:02What?
46:03What is it?
46:04What is it?
46:07What?
46:12Maria, I can't...
46:14I can't hear the heartbeat.
46:18It can't be.
46:21It can't be.
46:23Do you mind
46:24if I check something?
46:26It will only be a moment.
46:28Maria, please.
46:35What?
46:40What?
46:41What's wrong?
46:50Maria, you're not pregnant.
47:02No.
47:04I'm not.
47:07But you're going to tell my husband
47:08and the whole family
47:09that I was.
47:11And that I lost the baby.
47:15Are you crazy?
47:17I'm not going to do that.
47:18Of course you are.
47:22If you don't,
47:23I'm going to tell the family
47:24that you have an affair
47:25with Dr. Borrell.