Igra sudbine, Epizoda 1151,Igra sudbine 1152 ,Igra sudbine 1151,Igra sudbine Epizoda 1152, Igra sudbine Epizoda 1151,Epizoda 1152 Igra sudbine ,Epizoda 1151 Igra sudbine
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00:00What was that?
00:13Where did we stop?
00:18Domination, right?
00:21Can I take a look?
00:32This is what I'm talking about.
00:35A classic demonstration of power.
00:37Almost a rapist.
00:40Okay, let's not exaggerate.
00:43You know what kind of journalists are.
00:45They tell a story, the better the title, the better the sales.
00:49I wouldn't be surprised if they didn't exaggerate this time.
00:53Well, I honestly think that the journalist made fun of Andrija and then provoked him.
00:59Wait, are you defending him now?
01:01Who, me?
01:02Yes, you.
01:03No, no.
01:04I just want to calm the situation down and find some rational explanation.
01:12Explanation?
01:13Yes.
01:16Excuse me.
01:23Journalist, right?
01:25Again with this.
01:27There.
01:28Never enough titles.
01:29Yes, never enough titles.
01:32Where are you going?
01:33I'm sorry, but I'm not in the mood right now.
01:36I can't stay here, I have to go.
01:38Okay.
01:39This is for free.
01:40Thank you.
02:00Good day, please.
02:02Fine local.
02:05Is it for sale?
02:06No.
02:09What a pity.
02:13What's your name? Mile?
02:15Yes.
02:16Mile Kupus.
02:17Yes.
02:18You're doing well.
02:19Nice, neat, clean.
02:21Nice atmosphere.
02:23I'm trying, what can I say.
02:25Now it will be even better, because we have now improved the local.
02:29Give us a drink.
02:34What can you say?
02:35How did you improve it?
02:37Coals.
02:40It's not really a stove, but a pigsty.
02:44The best in the world.
02:45One man, Mido from Kosmaj, brings it to us.
02:48The best.
02:50Well, when it's so good that he doesn't open the stove himself,
02:53suddenly you get angry.
02:54No, Mido, he has a lot of plans.
02:57This is just a temporary solution, so to speak.
03:02Well, good for him, good for us.
03:05There must be a catch.
03:06I mean, as soon as he invests so much, right?
03:08Again, a pigsty.
03:10I mean, I got it from him, because I can see exactly when someone has money.
03:15But did someone almost want to rob him?
03:18No.
03:20Really?
03:21How could that be?
03:23It looks like a woman.
03:26A woman and a divorced woman.
03:29What is she doing?
03:32She wants it.
03:34She wants him to marry her.
04:00I'm sorry, I didn't mean to bother you.
04:15Come on.
04:17You already know that I don't bother.
04:20What does that mean?
04:21It means that you can shut up a little.
04:26Hello.
04:38Here I am.
04:40The room.
04:43Did I surprise you?
04:45Of course you did, and you surprised me.
04:49I hope positively.
04:50No, I mean, don't ask that nonsense.
04:53How did you get here so fast? Where did you call me from?
04:55From Verona.
04:56Ah, from Verona.
04:57I mean, it's literally an hour and eleven minutes from there.
05:01An hour?
05:03Sit down, man, sit down and tell me what are you doing in Verona.
05:09Do you want coffee?
05:10I do.
05:15I'm asking.
05:16Why are you asking?
05:17Who's asking?
05:23I don't know.
05:30Okay, and what are we going to do now?
05:32This is hell.
05:34For a start, it would be best to turn off the phones.
05:38Put my phone away.
05:40I don't want to.
05:41And how are we going to do this?
05:43Take it easy, this won't last forever.
05:47I wouldn't say so.
05:49I just got a message from Obrica.
05:51And what does she say?
05:52The journalists have occupied the entrance to the building.
05:54Horrible.
05:56It's good that Gala and Bora came with them.
05:58Okay, hold on.
05:59What's the matter with you? This is not a war.
06:02I wouldn't say so.
06:04Come on, turn that phone off.
06:06I won't.
06:07How can I work without a phone?
06:08I don't care, turn it off.
06:10I won't.
06:11It's a consequence of your behavior.
06:13What, it's my fault?
06:15Wait, you threaten the journalists?
06:17Are you crazy? What's wrong with you?
06:19I just told the idiot to stay in his place.
06:23And he seems to have put you in your place.
06:26We'll see.
06:27Wait, just tell me, how much did you want to stab him?
06:30That's not serious, Andrija.
06:32Jovana, please, don't piss me off.
06:34Please.
06:41Can you turn off the phone?
06:44Thank you.
06:45Girls, is it okay if you just let us talk?
07:15Here I am.
07:16Where did I buy this shirt?
07:18You didn't.
07:19What's new?
07:20New is what you want.
07:22I just wanted to tell you that you're more handsome than the parking manager today.
07:27Who?
07:28What are you talking about?
07:30What does that mean, the parking manager?
07:33I don't know, what does it mean?
07:35What kind of stupid jokes are those?
07:37They're not stupid at all.
07:39They're not stupid at all.
07:41They're not stupid at all.
07:43They're not stupid at all.
07:45They're not stupid at all.
07:47Do you know that today the parking manager is more wanted than anything?
07:50Whoever finds the parking manager, he's the winner.
07:52Do you understand?
07:53Are you drunk today?
07:55What's wrong with you?
07:57I'm fine.
07:58What's wrong with me?
07:59I was looking for you.
08:01Me?
08:02Yes.
08:03She asked for your health, Uncle Mido's.
08:06And she asked if this was your place.
08:10Really?
08:11Yes.
08:12What is he going to do?
08:14He came from Vidlice, right?
08:16And there was also Tamburica.
08:19Who?
08:20Miki Tambur.
08:22And he wanted to...
08:24He asked if you sell this brand.
08:28Miki Tambur?
08:30Yes.
08:36Did you see that, dear?
08:38What do you mean?
08:39Did you see that something got mixed up?
08:42They got drunk.
08:45Okay, what did Tambur want?
08:48Did he offer some money?
08:50No, because I think...
08:52He doesn't have any.
08:54Where are you people?
08:56Good day, good day.
08:58Happy first working day.
09:00Uncle Mido.
09:01Trimanović is going to Kosmaj.
09:04He needs to bring bajadere.
09:07What is it?
09:08What is it? Why are you looking at me like that?
09:10No, I'm not looking at you.
09:12I'm fantastic if you're interested.
09:15And you're going to have to try to be as good as possible today.
09:20Why is that?
09:22You had Ljeposava here.
09:24Your ex-wife.
09:26My wife, Ljeposava?
09:27No, my wife.
09:29She's not a normal mother.
09:30I don't know what she's looking for.
09:32And here's Panchetta.
09:33Listen, I have to see Ljubinka.
09:35She's waiting for me to finish something.
09:37I'll be back soon.
09:38Wait, are you crazy?
09:40What am I supposed to do with your drink?
09:42What if he comes back?
09:43Panchetta, please.
09:45Sit down with him, have a little chat.
09:47Have a coffee, a drink.
09:48I don't know, whatever you want.
09:49Come on, I'll be back soon.
09:50Mido.
09:51Come on.
09:52Mido.
09:53Come back here.
09:56He's running away.
09:57He's running away.
09:59And what does he expect from me now?
10:01If Ljeposava comes back,
10:02I'm going to make him pay.
10:04I'm going to make him pay.
10:05Make him pay?
10:06No, he won't be able to.
10:08He won't be able to.
10:09I've been like this for a day and a half.
10:11I have everything to get you out of here.
10:13Like a fucking cat.
10:15What is this?
10:16That's whiskey.
10:18On the account of the house.
10:20That is, on my account,
10:21to calm down.
10:22Me, to calm down?
10:23That's it.
10:24Look, Milena.
10:25Out of the onions in Milan,
10:28I don't like alcohol anymore.
10:32What kind of chaos is this, man?
10:45Did you threaten that journalist?
10:48Come on, sit down, please.
10:49I won't sit down until you answer me.
10:51I didn't.
10:52What is all this, Andrija?
10:54Front page, call a journalist,
10:56a journalist in front of the building?
10:58Let's be more precise.
11:00At first, I didn't threaten him.
11:02But later,
11:04he took me out of tact.
11:07He took you out of tact,
11:08and you threatened him with demolition.
11:11He was the first to mention demolition,
11:14and I ironically said yes.
11:16He answered like that, I don't know.
11:18You ironically told him
11:19that you were going to demolish the newsroom.
11:21No, that's not irony,
11:22that's a threat, a serious threat.
11:24Come on, what am I supposed to do now?
11:25I can't go back.
11:26You've been bothering me a lot lately.
11:28Me? With what?
11:30With what?
11:31Someone from your profile, your position,
11:33and your age shouldn't allow themselves to behave like that.
11:35I'm telling you, he was reckless.
11:37He was a coward.
11:38And cunning.
11:39He was too obvious to me.
11:41I'm sure I would have knocked him out.
11:44No, it's getting better and better.
11:46That would have fixed the situation for sure.
11:48That would have fixed the situation for sure.
11:50I'm sorry, did you come to bury me?
11:51No, no, I came to help you.
11:53To help me?
11:55Like that?
11:56Listen to me.
11:58Call that Laura.
12:00And see what she said about your close relationship.
12:04I've only heard that woman once in my life.
12:07Looks like it's time for you to hear her a second time.
12:27It's really nice what you're doing.
12:29It's really nice and humane what you're doing to avoid children.
12:33And I believe it's very hard.
12:35Well, yes.
12:38How's the collection going?
12:41How's it going? It's going...
12:43It's going well.
12:45I'm sorry, it's going somehow, but...
12:48First, we found that money.
12:50The whole story with the money, I'll tell you next time.
12:53But that's...
12:54Somehow, we got the money.
12:56We found great people for the job.
12:59And then everything turned upside down.
13:01And then everything turned upside down,
13:03like a cat and a mouse.
13:06How?
13:08Well, when Autumn put on her yellow badges.
13:11Yes.
13:12You know, when...
13:14When I...
13:16That's what they say.
13:18When I fell hopelessly in love.
13:22I fell hopelessly in love.
13:27Yes, that was well-known.
13:30And what happened then?
13:32And then we had to create a remote control.
13:35So now we're being accused in public
13:38of demolishing and destroying Milan
13:40instead of sewing Aljina.
13:42And then we'll have a demolition man.
13:44Demolition man.
13:45I don't know how to say it.
13:47Ragazzi demolition.
13:49There's just a problem with you.
13:51It's just a problem.
13:53This is my main problem.
13:55Oh, please.
13:57Be quiet.
13:59Where are you?
14:01Where are you?
14:02I was driving for an hour, so I got lost.
14:05Literally an hour and 11 minutes.
14:07You're too pretty for a boy.
14:09I'm glad you came here.
14:11Maybe you'll be able to solve my problem.
14:13There's no help for him.
14:15I have to take you to dinner.
14:17I want ice cream.
14:19We'll meet for dinner.
14:21This is the first normal thing
14:23I've heard in 10 days.
14:25But it's better to order ice cream
14:27and stay in the room.
14:29We should stay in the room.
14:31There's ice cream and paparazzi.
14:33So it's better to go.
14:35They'll have ice cream, too.
14:37We made a deal.
14:39We'll stay in the room and eat ice cream.
14:41I'm glad I saw you.
14:43Enjoy.
14:45Don't cry.
14:49Now I'm a professional dad.
14:51You're not a professional dad.
14:53I see.
14:55Do you know yourself well?
14:57A little.
15:15Hello?
15:21Hello?
15:23Good afternoon.
15:25Are we back on V?
15:27No, I'm just saying good afternoon.
15:29Tell me, Milena.
15:31I'd like to invite you to a drink
15:33at the business club.
15:35That's impossible.
15:37Why is it impossible?
15:39You can't invite me
15:41to my club.
15:43Only I can invite you.
15:45You're the owner of the business club.
15:47I didn't know that.
15:49Now you know.
15:51Do you want to go somewhere else?
15:53The business club.
15:55At nine.
15:57Deal.
16:13THE BUSINESS CLUB
16:31Hello?
16:35Who is it?
16:37Andrija Bošnjak.
16:39Hello, Andrija.
16:41How can I help you?
16:43I just wanted to thank you.
16:45For what?
16:47For the wine and the whole arrangement
16:49you arranged for me.
16:51I'm not sure what you mean.
16:53You invited me
16:55while you and Luka
16:57were going through the club.
16:59I didn't mention you.
17:01Are you sure?
17:03Yes, I'm sure.
17:05Just like I know
17:07I didn't demolish the club.
17:09It's just a glass.
17:15Hello?
17:17One more time.
17:19Thank you for the wine.
17:39THE BUSINESS CLUB
17:41Let me ask you something.
17:43Does Luka think he can calm down?
17:45Of course he doesn't.
17:47As soon as he smells the money
17:49he goes crazy.
17:51It's not like that at all.
17:53I'm telling you.
17:55Come on, Milo.
17:57Who else breaks clubs?
17:59I'm not a criminal.
18:01Mravica!
18:03The whole apartment
18:05was moved to Maldives.
18:07I'm so impressed.
18:09No, I need Mido.
18:11Have you seen him?
18:13He ran away from his ex-wife.
18:15She's not here.
18:17Wait.
18:19Where are the pigs without chocolate?
18:21Trivanović will take care of that.
18:23Where is Trivanović?
18:25He stayed in the apartment.
18:27Why did you do that?
18:29What's wrong with you?
18:31Why don't you tell us about Zvizd?
18:33You're not from here.
18:37What?
18:49Hey, Alexa.
18:51Have you thought about
18:53how you're going to solve
18:55this Lukin chaos?
18:57We've compiled the messages
18:59we've sent to Feshavik.
19:01Really?
19:03Do you think it will help?
19:05I sincerely hope so.
19:07I'm still waiting for an answer.
19:09Why are you so quiet?
19:11I'm not quiet.
19:13I'm here.
19:15I'm thinking.
19:17One of the
19:19explanations
19:21that you wrote
19:23might pass.
19:25But twice?
19:27It's hard.
19:29It's hard until
19:31Luka and Laura
19:33have a chance
19:35to help us.
19:37Really?
19:39What chance?
19:41A monster has appeared.
19:43If that doesn't calm him down,
19:45he won't do anything.
19:47A monster?
19:49Where did that come from?
19:53Okay,
19:55forget about it.
19:57Let them remember each other.
19:59She's a good girl.
20:01Thank you for this chaos.
20:03I know.
20:05Don't say anything.
20:07We all hope the same.
20:21Tell me more
20:23about the collection.
20:25The collection?
20:27What are you interested in?
20:29What are creations?
20:31They are creations.
20:33Our creations.
20:35I like them.
20:37I can show them to you later.
20:39Do you like what you do?
20:41I like what I do.
20:43It's hard work.
20:45Every job is hard.
20:47I know.
20:49But this one
20:51is dynamic and hard.
20:53But I like it.
20:55You can't do this without passion.
20:57I know.
20:59You got a great opportunity.
21:01Well...
21:03I'm happy for you.
21:05I'm happy for you.
21:07You're happy for me,
21:09and I'm happy for you.
21:11We got a great opportunity
21:13and a serious contract.
21:15We took it seriously
21:17and invested everything we got
21:19in that contract.
21:21We have passion and love.
21:23We invested everything in this.
21:25We want to make it good.
21:27Are we going to make a scandal?
21:29I don't know.
21:31I don't know.
21:33If everything is as you say,
21:35I don't know why I don't dedicate myself to work.
21:37Well...
21:39I mean...
21:41I don't know...
21:43Why do you need it?
21:45I can't explain.
21:47I can't.
21:49These are my weaknesses.
21:51That's how it is.
21:53You can't let them control you.
21:55Ok, Senika.
21:57I'll take your advice.
21:59You can't let them...
22:01I can introduce you to Laura.
22:03You can do whatever you want.
22:05You don't have to.
22:07I have to.
22:09You really don't have to.
22:11He's a bit too confident
22:13about my taste.
22:15You could hang out.
22:17When it comes to taste,
22:19I ate everything,
22:21You could have eaten a kilo of sweets.
22:23I didn't eat sweets.
22:25Wait, let it cool down.
22:27I was trying to eat something.
22:29Let it cool down a bit.
22:31You're a snob.
22:33You know what?
22:35Your friend Laura
22:37was drooling over you.
22:39You're eating like...
22:41Are you normal?
22:43This isn't...
22:45Shut up.
22:47Let's go.
22:49Let's go.
22:55Eat now.
22:57Let's go.
22:59Hello, Mido.
23:01How are you?
23:03Where are you, Miki?
23:05Please, have a seat.
23:07I'd like to pay this bill.
23:09Can I?
23:11No.
23:13My son paid for lunch yesterday.
23:15Today, I'll pay.
23:17I'll pay.
23:19I'll pay.
23:21I'll pay.
23:23I'll pay.
23:25I'll pay.
23:27My son paid for lunch yesterday.
23:29Today, I'll pay.
23:31It's my habit to pay for lunch as a guest.
23:33You?
23:35If you want to take me somewhere,
23:37I don't mind.
23:39But some other time.
23:41Some other place.
23:43I'll pay.
23:45I love people with a firm attitude.
23:47Thank you.
23:49What's new?
23:51I wanted to tell you something
23:53about Nebojsa.
23:55We have a lot in common.
23:57But we differ in many things.
23:59I mean, we don't always agree.
24:01So I wanted to ask you
24:03not to mention him.
24:05That we used to sit together,
24:07talk, hang out.
24:09Oh, that.
24:11Don't worry.
24:13To be honest,
24:15I noticed the tension between you two.
24:17Miki, that's normal.
24:19I'm a parent, I know what it's like.
24:21But it'll get better.
24:23You'll get over it.
24:25Believe me.
24:27The best thing to do
24:29is to have a full stomach.
24:31Please, order something to eat.
24:33I don't want to eat alone.
24:35Come on.
24:47You know what I'm interested in?
24:49That you tell me
24:51about the astrological aspects
24:53when it comes to cooperation.
24:55Why do you meddle
24:57when you have nothing to do with anyone?
24:59Why meddle?
25:01She's crazy about cockroaches.
25:03You found something to tell me.
25:05We have a dominant line
25:07that says
25:09if Leposava moves to Belgrade,
25:11all of us from Belgrade
25:13will move to Cosmo.
25:15Is that so?
25:17That's what it means?
25:19Who told you to come to Belgrade?
25:21I don't think so.
25:23I see that you all agreed.
25:25I came because I thought
25:27we should help each other.
25:29Well, you're helping
25:31by meddling on my account.
25:33Leposava, why do you keep
25:35pulling the wool over my eyes?
25:37Let's have a little fun.
25:39Shut up, I didn't ask you anything.
25:41Mile, where's Mido?
25:43I don't know, he didn't give me
25:45any information.
25:47Is he with Pancheta?
25:49No, Pancheta is alone at home.
25:51Maybe he's sleeping.
25:53He's moving. He knows the routes.
25:55Think fast.
25:57That's a good conclusion.
25:59Maybe he's in Fejm
26:01with Miki Tambur,
26:03whom I know well.
26:05Where's that place?
26:07Two streets down, one traffic light,
26:09two zebras.
26:11Two streets down.
26:13What a tough woman.
26:15That's how it is.
26:17Okay, she's leaving.
26:19Yes.
26:21Okay.
26:35Miki, let me ask you something.
26:37Explain to me, please,
26:39how it all works.
26:41Like this.
26:45Now, in the city, in good places,
26:47there are a few
26:49free, small
26:51business areas.
26:53Miki, I need a cafe.
26:55I know what you need.
26:57And I know why you work
26:59for Maldives.
27:01But look, this is the future.
27:03Believe me.
27:05Think about it.
27:07I'm always at the source of information.
27:09Okay, I get that.
27:11But I...
27:13I don't understand
27:15how that business plan works.
27:17I don't understand some things.
27:19Like this.
27:21Now, it's a trend in Belgrade
27:23to have a few small restaurants
27:25to order food.
27:27Now, imagine that instead of
27:29one big restaurant
27:31where you'll save a lot of money,
27:33you have a few small restaurants.
27:35That's how a couple of tables
27:37in a restaurant looks like.
27:39So, a few small restaurants
27:41to order your phenomenal food.
27:43Minimum investment,
27:45and a profit
27:47times 20.
27:49Just a little, just a little.
27:51You see, it makes sense.
27:53That's your job. Think about it.
27:55Mido.
27:57Miki.
27:59Let me introduce you to my wife.
28:01I mean, ex-wife.
28:03Miki.
28:05I was thinking...
28:07What's her name?
28:09Leposava.
28:11I'm glad. Miki.
28:13Miki Tambura.
28:15Mido has a lot to tell you.
28:17Mido, let's go.
28:19We have to go to Kosmaj.
28:21Okay, Leposava, let's go.
28:23Wait, slowly.
28:25Just pay the bill.
28:27Please.
28:30You'll hit this.
28:32What? I hope it's some good news.
28:34Great news,
28:36but you'll never hit anything.
28:38I won't even try.
28:40Tell me.
28:42Okay, okay.
28:44Zvrk is with Luka.
28:46What?
28:48Wait, where did that come from?
28:50Well, she's in Italy,
28:52they met and...
28:54That's phenomenal.
28:56In what way?
29:08Can you wash the dishes in the hotel room?
29:10I wash the dishes because this is my room.
29:12My room.
29:14My room.
29:16There are my dishes and I wash the dishes.
29:18That's too complicated.
29:20I'm sorry.
29:22Do you realize that there are two of us?
29:24What?
29:26What is what?
29:28What did we try?
29:30Tell me, what did we try?
29:32I don't know.
29:34We tried to...
29:36Maybe it just wasn't the right time.
29:38Maybe it just wasn't the right time.
29:54Where are you all from Kosmaj?
29:56I know I'm here.
29:58I know I'm in Belgrade,
30:00if you really want to know.
30:02You know, huh?
30:04That's why you stayed without Bayadere's order.
30:06Because it's closed there.
30:08You can't take anything.
30:24Aha.
30:26So...
30:28You want to stop?
30:30Only psychotherapy?
30:32No.
30:34This is not psychotherapy anymore.
30:36Then what is it?
30:40It turns into a private meeting, doesn't it?
30:44But...
30:46It helps me.
30:58These are the rules...
31:00Life and competition.
31:04You know, they all come to Belgrade
31:06to get rich, you know.
31:08But it doesn't work like that.
31:12They have to share something with us.
31:14Homeless people, right?
31:30Who is she to you?
31:32Why are you acting like that?
31:34How am I acting? I'm asking you nicely, who is she to you?
31:36She's my friend, as they say.
31:38She's a beast.
31:40She's very dear to me.
31:42I have some...
31:44common moments in the past with her.
31:46That's it.
32:00When is the next therapy at Milena's?
32:02I won't go to her anymore.
32:06Why?
32:08I mean...
32:10Why? Because she didn't realize?
32:12No.
32:14It's simple.
32:16She's not going.
32:30He kissed you.
32:32There was no other way to offer you.
32:34I'm telling you
32:36how it was.
32:38Okay, who initiated
32:40that kiss, you or him?
32:42I'm telling you, him.
32:44Are you sure about that?
33:00Floyd Glass.
33:02Please, give me the manager
33:04Kostu Zeljkovic.
33:06Tell him that Andrija Bošnjak wants to talk to him.
33:12Andrija Bošnjak? Where are you from?
33:14Yes, it's me.