Rain (1932) - Full Movie - Joan Crawford
Category
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Short filmTranscript
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00:15:30Thanks, Wally.
00:15:35Well, boys, let's dip the beat.
00:15:37Well, now, ain't that a beautiful sight?
00:15:39After you, art's delight to me, gizzard.
00:15:41I'll find a glass for you, Miss Thompson.
00:15:43What for? Down the hatch.
00:15:45Now, there's a lady after me own art.
00:15:47A friend of mine slipped me that just before I left town, Lula.
00:15:50Not that you'll need it, Sadie, said he.
00:15:52And like he was, Sadie, you're not the type that needs hooch to pep you up.
00:15:55Nah, I was born hooch.
00:15:57Oh, Wally, look at this. The Wabash Blues.
00:16:00Music and a nip of liquor.
00:16:02That's what a rainy day is for, says I.
00:16:04Can you dance, Hanson?
00:16:06No, Miss Thompson. I'm a club porter.
00:16:08I never could twist my legs right.
00:16:10Well, I'll learn you before I leave. That's a threat.
00:16:13Quartermaster here's a great little stepper.
00:16:15You'll see him shake a shoulder.
00:16:17For one of his brains in years, you'd be surprised.
00:16:20Come on, Ethelbert, let's show these island boys how hip meets hip in the gay cafes of Honolulu.
00:16:25Right-o, let's have a go at it.
00:16:27Here, bought my cabbage. Now, nothing too fancy now.
00:16:30Nope.
00:16:39Shake that thing, baby, shake that thing.
00:16:41Easy now, easy, slow.
00:16:43Hot mama, burn that fool.
00:16:45Thank you.
00:16:46Don't bounce, dearie.
00:16:48Take them up high and put them down easy.
00:16:50That's it. The word you remember is mild, dearie.
00:16:53That's the stuff, baby. I hit the high time.
00:16:55This is a rhythm of constant emotion.
00:16:57Come on, now, blast.
00:16:59Out of the way, you young woman.
00:17:02You got this way now, Bernie?
00:17:04Young woman, have you no respect for the Lord's day?
00:17:07Pardon?
00:17:08This is Sunday, young woman.
00:17:09Are you speaking to me?
00:17:10I am simply reminding you that this is the Sabbath.
00:17:13Sabbath?
00:17:14Yes, it is the right one.
00:17:16I say this must stop. Do you hear me?
00:17:20I say, ma'am, are we disturbing you?
00:17:22Whether I am being disturbed or not is of no consequence.
00:17:25There are six days in the week to dance, if you must dance.
00:17:28Mr. Horne, is this sort of thing general in your store?
00:17:32Well, it's a general store, ma'am.
00:17:34Oh, enough said. Complaints registered.
00:17:38You must go to my private suite if you've no objection, Mr. Horne.
00:17:41No objection as far as I'm concerned.
00:17:44Come on, Ethelbury.
00:17:47Come on, boys, we're moving.
00:17:49You bring the records, handsome, and you the hoops, Sullivan.
00:17:52Drop in later if you feel like it, Mr. Horne. Always glad to see you.
00:17:57Who is that young woman?
00:17:59Her name, ma'am, is Thompson, as far as I know.
00:18:02I mean, what is she?
00:18:04I didn't inquire.
00:18:06She was on the Arduino, wasn't she?
00:18:08I am aware she was.
00:18:12I'm afraid Mr. Davidson will not like this at all.
00:18:17I've argued it out with the governor, but there's nothing to be done.
00:18:20That means ten days here.
00:18:22Two weeks, probably.
00:18:24Well, I've prepared for the worst. I've taken rooms for us upstairs.
00:18:29Two weeks with nothing to occupy us.
00:18:31It's enforced an activity that's likely to prove wearisome.
00:18:34The only thing to do is to portion out the day to different occupations.
00:18:37Certain hours of the day we will set aside for study.
00:18:40Certain hours for, uh, exercise.
00:18:43Certain hours for, uh, exercise, rain or shine.
00:18:46And two certain hours we'll go for, uh, recreation.
00:18:50Recreation may be hard to find.
00:18:52Someone appears to have found it.
00:18:54It's a person from the second class.
00:18:56Exceedingly common.
00:18:58Very nicely dressed.
00:19:00In fact, she looks rather fast to me.
00:19:04Perhaps you noticed her on the boat.
00:19:06I met her. Rather good-natured girl.
00:19:08I'll await her position and appear.
00:19:10What kind of a girl?
00:19:11Well, just an ordinary human being.
00:19:13None of her prosperous, I should say.
00:19:15I think it's perfectly outrageous for her to keep that music up, don't you?
00:19:18She wishes to play her own machine. It is not our right to interfere.
00:19:21By the way, Doctor, we can visit the Naval Hospital tomorrow if you think we'll interest you.
00:19:25It's a busman's holiday, but I'll go.
00:19:30The Arduino must be going out before her scheduled time.
00:19:34I hate to see her go.
00:19:36She seemed to be our last link with home.
00:19:38So long, my darling boy.
00:19:41You'd better hurry, little one, or you're going to get late.
00:19:43Right-o, Sadie. I'm sorry I can't stay for lunch, but I'm off.
00:19:46But I hope I'll see you again sometime, because you're a good kid and I like you.
00:19:50I'll tell you what you do. You write me a nice little loving postcard.
00:19:53Will you?
00:19:54Right-o, a nice little postcard.
00:19:56And once you write it, just drop it in the ocean.
00:19:59Well, bye-bye.
00:20:00Hello.
00:20:01Hello.
00:20:02Dinara?
00:20:03I'm off.
00:20:04Goodbye, Mr. Davidson.
00:20:06I got stranded on the Mary Jane.
00:20:09And I guess I never will get home again.
00:20:13Goodbye, Mr. Davidson.
00:20:15The queen up there's named Gumdrop Sal, and she's very nice.
00:20:20Goodbye, Mr. Davidson.
00:20:22Look at me.
00:20:24Oh, the queen's in rock.
00:20:26Hello, Mr. Davidson.
00:20:28Goodbye, Mr. Davidson.
00:20:30Oh, the queen's in rock.
00:20:32Hello, Mr. Davidson.
00:20:35You'd better get aboard, Quartermaster, as fast as you can.
00:20:38Right-o.
00:20:39Well, goodbye, everybody. Bye-bye, folks.
00:20:41The queen up there's named Gumdrop Sal, and she's very nice to me.
00:20:46The king's in wrong, but I'm in right.
00:20:49The king stays out most every night.
00:20:52And the nights are six months long.
00:20:55Goodbye, Mr. Davidson.
00:20:58Come on, the tea's getting cold.
00:21:14How long has this been going on?
00:21:16All morning.
00:21:17Where did those Marines come from?
00:21:19They just appeared from nowhere, in her wake.
00:21:22If we're to have a fortnight of this sort of thing,
00:21:24I don't know what we shall all feel like at the end of it.
00:21:27What's the matter, Alfred?
00:21:29Of course, it just occurred to me the woman's out of Ibele.
00:21:32The thought came to me when I first saw her, but I didn't dare speak of it.
00:21:36What's Ibele?
00:21:37The, uh, plague spot of Honolulu.
00:21:40Oh, that guy in there just gave me the filthiest look.
00:21:44What are you going to do, Alfred?
00:21:46What do you expect me to do?
00:21:47I'm not going to have this house turned into a brothel.
00:21:49I'm going to stop it.
00:21:50She has a number of men in there.
00:21:51She can be rather rash to quit now.
00:21:53You know Mr. Davidson very little,
00:21:55if you think that fear of physical danger
00:21:57is going to stop him in the performance of his duties.
00:22:02Halt! This has gone far enough!
00:22:04Ha, ha, ha, ha, ha!
00:22:05Hey!
00:22:06Boys, the skids!
00:22:07Oh, I told you!
00:22:11The next time, I'll get sore.
00:22:13There'll be no next time.
00:22:15When you bust into a lady's room, you ought to get someone to introduce you, fella.
00:22:20Fall in, sweetheart.
00:22:24Alfred! Alfred!
00:22:32I don't know what he'll do.
00:22:34All I know is, I wouldn't be in that girl's shoes for anything in the world.
00:22:54I love you.
00:22:55I love you.
00:22:56I love you.
00:22:57I love you.
00:22:58I love you.
00:22:59I love you.
00:23:00I love you.
00:23:01I love you.
00:23:02I love you.
00:23:03I love you.
00:23:04I love you.
00:23:05I love you.
00:23:06I love you.
00:23:07I love you.
00:23:08I love you.
00:23:09I love you.
00:23:10I love you.
00:23:11I love you.
00:23:12I love you.
00:23:13I love you.
00:23:14I love you.
00:23:15I love you.
00:23:16I love you.
00:23:17I love you.
00:23:18I love you.
00:23:19I love you.
00:23:20I love you.
00:23:21I love you.
00:23:22I love you.
00:23:23I love you.
00:23:24I love you.
00:23:25I love you.
00:23:26I love you.
00:23:27I love you.
00:23:28I love you.
00:23:29I love you.
00:23:30I love you.
00:23:31I love you.
00:23:32I love you.
00:23:33I love you.
00:23:34I love you.
00:23:35I love you.
00:23:36I love you.
00:23:37I love you.
00:23:38I love you.
00:23:39I love you.
00:23:40I love you.
00:23:41I love you.
00:23:42I love you.
00:23:43I love you.
00:23:44I love you.
00:23:45I love you.
00:23:46I love you.
00:23:47I love you.
00:23:48I love you.
00:23:49I love you.
00:23:50I love you.
00:23:51Why a twiddle?
00:23:52Forced idleness makes them rested.
00:23:56Back in Illinois, where I was raised, it was generally believed that a person who stayed
00:24:01away from business more than one working day in every ten years was a loose, dangerous,
00:24:07and depraved character.
00:24:12You don't see a bottle around here anywhere, do you, doc?
00:24:16Have a drink.
00:24:20Well, they offer still holds. There's more in the store.
00:24:25Now, what was I saying?
00:24:27Subject, I believe, was the evil of too much work.
00:24:29So it was.
00:24:31There's a lot too much misdirected energy in this world, doctor.
00:24:34Are you speaking biographically or autobiographically?
00:24:37Confidentially.
00:24:38That was a mighty foolish thing Davidson did.
00:24:41That girl Sadie Thompson wasn't doing any harm.
00:24:44Hmm, I see what you're getting at.
00:24:46He's been after me for letting her have her own.
00:24:48It's your own house, isn't it?
00:24:50Yes, but people like that have got a lot of influence.
00:24:53Once they get down on a traitor, he might as well shut up shop and quit.
00:24:57Surely he isn't asking you to turn this poor girl out into the rain.
00:25:00No, not exactly.
00:25:02He knows there'd be no place for her to go except the native hut.
00:25:06Not but what I think she'd do better to go to one and stay here, now that he's on tour.
00:25:10Just what does he want you to do?
00:25:12Well, he said he wanted to be fair to her and to me.
00:25:15But he wouldn't stand for any doings.
00:25:17What do you think, Horn?
00:25:18Is she out of Ivalay, that Honolulu place?
00:25:21I don't know and I don't care.
00:25:23What if she is?
00:25:25We've all crossed thresholds we don't brag about.
00:25:45Hello, Doctor.
00:25:46Good evening.
00:25:50Evening, Joe.
00:25:52Aye, the merry water sprites sure do carry on, don't they?
00:25:55Why, I...
00:25:56Oh, let's don't mention the heat.
00:25:58Just got around to get myself dressed and it's almost time to go to bed.
00:26:02I've been playing solitaire all afternoon trying to decide what to have for supper.
00:26:06Tuna fish or beans?
00:26:09And beans won.
00:26:11Trying to play beans against tamales.
00:26:13Just for something to do with what tamales got to say.
00:26:16Got any can of tamales, Mr. Horn?
00:26:18I guess so.
00:26:19Poke around until you find them.
00:26:24Oh, no hurry.
00:26:25Lots of time.
00:26:27There's too much time lying loose around this island.
00:26:29Somebody ought to bottle it up and send it back when they need some.
00:26:34You don't mind, do you, seeing we're here all by ourselves?
00:26:36If I sit down and have a skag with you, boy?
00:26:38Not at all.
00:26:39Have a drink.
00:26:40Thanks.
00:26:43You haven't seen that marine sergeant around that I call handsome, have you?
00:26:46No, he hasn't been around today.
00:26:50Well, it don't matter.
00:26:52I just wanted to ask him something.
00:26:54If you do see him, tell him to drop around this evening, will you?
00:26:57Uh, you know what I said to you last night?
00:27:00As friend to friend, get me?
00:27:02I'd go slow on company for a day or two.
00:27:05I see.
00:27:06I see.
00:27:07Till Davidson gets over his terrible experience, huh?
00:27:11Do you think I've been to blame for what happened?
00:27:13I ain't blaming anyone.
00:27:15Pushing himself in on us that way.
00:27:17What harm were we doing?
00:27:18Just talking and singing.
00:27:20Not a word of thought out of the way when bang goes the door and in he comes.
00:27:23Knocking the phonograph over.
00:27:25Here I says, quit that.
00:27:27Then he began to ball us out.
00:27:29The boys naturally thought he'd gone crazy, so they put the skids under him.
00:27:32I know.
00:27:33I wouldn't attract his attention any more than I had to just now.
00:27:37Well, if it comes to that, he'd better not attract mine.
00:27:40I've never known anyone like him, and I don't want him.
00:27:46Say, what kind of an egg is the governor of this place?
00:27:49Do you know?
00:27:50The governor?
00:27:51Yes.
00:27:52Let's see.
00:27:53Oh, pretty good sort, I'd say.
00:27:55Why?
00:27:57Oh, nothing.
00:27:58I just wanted to know, that's all.
00:28:01The nerve of him.
00:28:03Going to see the governor about me.
00:28:05Giving him the like of a...
00:28:06How do you know he went to see him about you?
00:28:08O'Hara told me.
00:28:09He's reported O'Hara to his office for drinking.
00:28:12So I don't want that boy to get any trouble through me.
00:28:15Oh, I guess O'Hara can take care of himself.
00:28:17Yeah, well, so can I if it comes to that.
00:28:20Miss Thompson, I'd be careful.
00:28:21Of what?
00:28:22I'd be careful for my own good.
00:28:24You can't tell.
00:28:26Give me strength.
00:28:28How many times have I got to tell you,
00:28:30that old sinbuster don't mean a thing to me.
00:28:32If he minds his own business, I'll mind mine.
00:28:34And if he's looking for trouble,
00:28:35I'll see that he gets it, that's all.
00:28:37Mr. Davidson's opinion of people is never wrong.
00:28:41Oh, really?
00:28:44He thinks they hear the winds of reform
00:28:46whistling down the chimney.
00:28:48Where at, the little hussy?
00:28:50Frolics off to buy her supper.
00:28:54Where do you keep your can of Molly's, old partner?
00:28:56If there's any left, you'll find them on that shelf by the door.
00:29:06Anyway, there's no real feeling between any of us, is there?
00:29:09Huh?
00:29:10Well, I wouldn't say the doc had been exactly chatty.
00:29:16Life just teems with quiet fun.
00:29:23Has Mr. Davidson returned yet?
00:29:25Not yet, Mrs. Davidson.
00:29:26How's the headache, any better?
00:29:28Very little.
00:29:36Uh...
00:29:38That girl, Miss Thompson.
00:29:40I have an idea she's sorry for what happened.
00:29:43If she knew what she'd really done,
00:29:45she'd be sorrier still.
00:29:48Mr. Davidson has a wonderful heart,
00:29:51and no one has ever gone to him in trouble
00:29:53without being comforted.
00:29:55But he has no mercy for sin.
00:29:58Did you find your Molly, Sadie?
00:30:00Yeah.
00:30:01Don't look around. Here she comes now.
00:30:04Yes, here I come now.
00:30:06Why shouldn't I come now?
00:30:07See here, let's settle this.
00:30:09I'm paying for my own room here, isn't that so, Mr. Horn?
00:30:11That's so, Miss Thompson.
00:30:13Will you kindly tell your guests then
00:30:14that I have just as much right here as they have?
00:30:16Now, Miss Thompson, there isn't anyone saying you haven't.
00:30:19Don't look at her.
00:30:20Don't speak to her.
00:30:24No, I wouldn't if I was you.
00:30:34She's brazen.
00:30:36Outrageous.
00:30:37Don't. You'll only harm yourself.
00:30:40Oh, it's foolish, I know.
00:30:42But it's the first time I've ever had words
00:30:45with a woman of that sort.
00:30:48Well, there's one comfort.
00:30:50She shan't have to suffer this sort of thing much longer.
00:30:54Mr. Davidson is attending to that.
00:31:02Hello, Davidson.
00:31:04Alfred, please change your wet clothes.
00:31:07No, I shall be going out again, probably.
00:31:09Again?
00:31:10Oh, Alfred, you must try to get a little rest.
00:31:13Alfred, you must.
00:31:14My wife, like Martha.
00:31:16You have troubled thyself about many things,
00:31:18but mostly about me.
00:31:20I do not know what I should ever have done
00:31:22without my dear wife.
00:31:23In the early days of our island work,
00:31:25it was she who gave me the strength and courage to go on.
00:31:30Alfred, just before you got back,
00:31:33that girl spoke to me.
00:31:35She jeered and screamed at us.
00:31:37What are you going to do about it?
00:31:39Been already bound by.
00:31:41Strange how one's thoughts run to food
00:31:43when there's nothing else to think of.
00:31:45There is a great deal to think of.
00:31:47This Thompson woman you say spoke to you?
00:31:49Yes, she thrust herself in upon us with low insult.
00:31:53The governor tells me the affair is no concern of his.
00:31:56But if I find her incorrigible,
00:31:58I shall see to it that he acts.
00:32:00I'm afraid he has no backbone.
00:32:02I suppose that means he won't do exactly as you want,
00:32:04whatever it is you want him to do.
00:32:06I only want him to do what is right.
00:32:08There may be differences of opinion as to what is right.
00:32:10If a man had a gangrenous foot,
00:32:12would you have patience with anyone who hesitates to cut it off?
00:32:15Gangrenous is a matter of fact.
00:32:17And is not evil?
00:32:18To me it has always seemed a matter of opinion.
00:32:20Anyway, the poor thing will only be here
00:32:22until the boat for a beer goes.
00:32:24And after she gets to a beer.
00:32:25I can't see how that concerns us.
00:32:27That's where you and I differ, doctor.
00:32:29I think it would be best if I spoke to her.
00:32:31But Alfred, why do you see her?
00:32:33I cannot act until I have given her every chance.
00:32:35She'll only insult you.
00:32:37Let her insult me. Let her spit on me.
00:32:39She has an immortal soul.
00:32:41And I must do all in my power, you see.
00:32:55Miss Thompson, I want to talk to you.
00:32:57I'm eating my supper.
00:32:58I'll wait until you're through.
00:33:00Well, I guess the supper can stand by if it's important.
00:33:12Miss Thompson, I have come to make you a gift.
00:33:14The most precious gift that life can offer.
00:33:18You want to give me something?
00:33:20Yes, I want to give you something.
00:33:22I guess I'm not following.
00:33:24The gift I offer is free.
00:33:30I don't know why I get all this attention from you.
00:33:32But I'm sure you'll like it.
00:33:34Thank you.
00:33:37I don't know why I get all this attention from you, Mr. Davidson.
00:33:41I guess you mean well.
00:33:44I think I can wear you along as I've been wearing along for several years.
00:33:48I go my own way and don't ask any favors.
00:33:51Those who have the key of salvation offered them and fail to open the door must be destroyed.
00:33:57Oh, I see what you mean.
00:33:59But I won't get destroyed.
00:34:01I always make out one way or another.
00:34:03That's all, Mr. Davidson. I'll go on eating.
00:34:05I'm hungry.
00:34:06You are hungry for the bread of the spirit.
00:34:08You are thirsty for the waters of eternal life.
00:34:12You mean right by me, Mr. Davidson, and I'm grateful.
00:34:15Especially after what happened the other day.
00:34:18You know, just between ourselves,
00:34:22I had a feeling you were laying to get me for that little trouble we had.
00:34:26I felt awful bad about it and I've been wanting to apologize.
00:34:29I see you are mistaking me, but I do not think willfully.
00:34:32They all said you were sore, but...
00:34:35I didn't think a man as big as you could hold a grudge over a little misunderstanding.
00:34:38This is all beside the point, Miss Thompson.
00:34:40The thing that concerns me now is that you be given your chance before I act.
00:34:46My chance for what?
00:34:47Your chance to be saved.
00:34:52Oh, I'm all right.
00:34:54I'm all right.
00:34:57Oh, I'm all right.
00:35:00Don't you worry about me a bit.
00:35:03You see, I'm a happy-go-lucky sort of a fellow.
00:35:06It's true I'm broke now, but that don't worry me.
00:35:09I'll be all right as soon as I get to Ophia.
00:35:11I got friends there.
00:35:13Yes? What sort of friends?
00:35:16Just friends.
00:35:18The girl I used to work with is there.
00:35:20And some American boys have opened up a sugar plant.
00:35:23She told me I could have a job as cashier.
00:35:25I'm pretty quick at figures.
00:35:26For some time you have lived in Honolulu, haven't you?
00:35:28What did you do there?
00:35:31Had a job.
00:35:32What kind of a job?
00:35:34Well, part of the time I had sort of a singing job.
00:35:39My voice ain't so bad if you don't listen too hard.
00:35:41Before you went away to Honolulu, where were you?
00:35:44Where'd I come from, you mean?
00:35:45Yes, where did you come from?
00:35:47Well, I was born in Kennesaw, Kansas, if that means anything.
00:35:52Ma and Pa got the California fever,
00:35:54so they sold the farm and bought a ranch just outside Los Angeles.
00:35:57I was about 15 then, I guess.
00:36:00And Ma died.
00:36:01Pa and I didn't get along so well, so I went up to San Francisco.
00:36:05I worked there up until the time I went to Honolulu.
00:36:07What made you go away to Honolulu?
00:36:11I don't know.
00:36:12Wanted a change, I suppose.
00:36:13Oh, you wanted a change.
00:36:14Well, Sadie Thompson, this gift I have to offer you,
00:36:16what are you going to do about it?
00:36:18Do about it?
00:36:20I don't know.
00:36:25I don't know what you're talking about.
00:36:30See here.
00:36:31I told you I wasn't asking anything from anybody.
00:36:33I can take care of myself.
00:36:35Up or down, in, jack or broke, what's the odds?
00:36:38Wherever night overtakes me, that's my resting place.
00:36:40That's my way.
00:36:45Thank you, though, for your interest.
00:36:47Kind of you after what happened.
00:36:50I'm mighty glad you aren't sore at me,
00:36:51because, well, I like to keep friends with everybody.
00:36:56Miss Thompson, I see I must be patient with you.
00:36:58I see I must try and make you understand, my poor lost child.
00:37:02What happened the other day is of no importance.
00:37:05Do you imagine what you or those sailors said to me makes any difference?
00:37:10You sure are all to the good, Mr. Davidson.
00:37:12And I want to say this.
00:37:14Don't be afraid, but that I'll keep to myself.
00:37:17I know oil and water don't mix.
00:37:19Those ladies in your party won't even know I'm under the same roof as them.
00:37:22I'll be as quiet as a mouse, honest, I will.
00:37:25Besides, I don't want to get any more black looks from them.
00:37:29Oh, no, you will get no more black looks from them, my poor child.
00:37:32They're only waiting for the moment when they can be your friends,
00:37:35to help you with your burden.
00:37:37Oh, no.
00:37:38You don't know the ladies like I know them.
00:37:41You don't need a spyglass to see those ladies,
00:37:43and you'll never be shipmates.
00:37:47This is your chance, Sadie Thompson.
00:37:49If you will accept your atonement without resentment or grief,
00:37:52the way will be found for you.
00:37:56I'll admit you've got me stalled.
00:37:58What are you driving at?
00:37:59What have I to atone for?
00:38:01Your life.
00:38:04Mr. Davidson, why do you worry about me?
00:38:09You've had your own soul and trust, and you have failed.
00:38:12It is my business to show you the way to redeem it.
00:38:15Haven't I anything to say about myself, then?
00:38:17You can choose but one of two paths.
00:38:21What's the second choice?
00:38:24Destruction.
00:38:27And who's going to destruct me?
00:38:30The powers which find no place for evil.
00:38:33And you? What are you going to do?
00:38:35Only my duty.
00:38:38Yeah, I know.
00:38:39You went to see the governor about me, didn't you?
00:38:41All right, Miss Thompson, I have been to see the governor.
00:38:43So all you said just now about letting bygones be bygones,
00:38:46calling quits on that bust-up we had, was just a bluff.
00:38:48Be silent!
00:38:49Are you ready to put away your sins, to live a righteous and decent life,
00:38:52to pray for forgiveness? If you are not, be it on your own head.
00:38:54Hey, hey!
00:38:55I shall not let you go to a pier, Sadie Thompson.
00:38:57You are an evil woman. You have lived an evil life,
00:38:59and you have come here to carry your infamy to other places.
00:39:01You're a liar!
00:39:02Who do you think you are, standing there calling me names?
00:39:04Do you deny that you have escaped from evil, eh?
00:39:07I've listened to you all I'm going to listen to.
00:39:09Now you listen to me.
00:39:10You just told me I'd better be careful.
00:39:12You'd better be careful yourself.
00:39:14Lay off me, or I'll show you what it means when I start to get mad.
00:39:16It'll be worse for you if you don't.
00:39:22The devil in you is strong, my poor Sadie Thompson.
00:39:24Evil has claimed you as its own.
00:39:26You take care of your own evil, and I'll take care of mine.
00:39:29I know what you want. You want another scalp.
00:39:31Well, you don't get mine. You don't fool me.
00:39:34You want to make me over your way, do you?
00:39:36Well, you just try it.
00:39:37This is your last chance, Sadie Thompson.
00:39:39Kneel with me and pray.
00:39:40Let go of me!
00:39:41Sadie Thompson, you are doomed.
00:39:42Oh, you make me laugh.
00:39:59Evening.
00:40:00Young man, I should not come here if I were you.
00:40:04Why?
00:40:05You're likely to get into more trouble than you're in already.
00:40:08This isn't my first year away from home, ma'am.
00:40:11And I ain't been run over yet.
00:40:12Do you know what kind of a girl this Sadie Thompson is?
00:40:16Yes, ma'am.
00:40:18My advice to you is to keep away from bad company.
00:40:24Bad company present.
00:40:29You'll excuse this, won't you?
00:40:34Mr. Horn.
00:40:38Mr. Horn.
00:40:49What's the matter?
00:40:51You look low.
00:40:52Low?
00:40:54Maybe.
00:40:56It's this rain, I guess.
00:41:00Makes me jumpy.
00:41:03Makes me want to knock my head against the wall.
00:41:05It's worse when it don't rain.
00:41:07When the sun comes out for a minute, you think you're in a steam room.
00:41:10You ought to try getting out for a walk.
00:41:12I was out this morning.
00:41:14I went to see that half-caste family you told me about.
00:41:20They slammed the door in my face so fast, you'd have thought I had smallpox.
00:41:25Being an orphan's a wonderful thing.
00:41:27Sadie, please.
00:41:29Do you want to get me in a jam?
00:41:30Okay, Joe.
00:41:32Thank you, Sadie.
00:41:35Thank you.
00:41:44Listen to it.
00:41:45Don't it make you want to scream?
00:41:49When you do scream, what good does it do you?
00:41:52You haven't any strength left.
00:41:54You're hopeless.
00:41:56Miserable.
00:41:57Don't talk like that, Miss Sadie.
00:41:59Don't sound like it.
00:42:00Oh, forget it.
00:42:02I got the fan club, I guess.
00:42:04I'll get over.
00:42:08You see, I just had a run-in with that Davidson.
00:42:11Yeah?
00:42:12Yeah.
00:42:13What about?
00:42:14He's not going to let me go to a pier, so he says.
00:42:16And anyone can see with two glass eyes it's this side of the equator.
00:42:19He's in right and I'm in wrong.
00:42:23The only thing I can't figure out is what devil's trick he'll use to stop me.
00:42:28I don't see what he can do.
00:42:30Yeah, neither do I.
00:42:31And we don't fit with Bill either.
00:42:35You know, there's something about that old crow that isn't human.
00:42:39He's deep.
00:42:40Creepy.
00:42:42I guess it's his eyes.
00:42:45They seem to look right in me.
00:42:46I know what you're thinking.
00:42:52Something tells me I'm going to need friends soon, Hanson.
00:42:56Apart from Holmes.
00:42:58You just keep your chin up.
00:42:59It'll be all right.
00:43:01Yeah, but it's not knowing what's going on.
00:43:03It's being here alone.
00:43:08Rain.
00:43:11I feel about so big.
00:43:13Like a kid feels in a bad dream.
00:43:16Things coming at you.
00:43:17You're yelling for help and nobody hears you.
00:43:20Well, any time you call for help, I'm right here.
00:43:22Don't forget that.
00:43:24Thanks, Hanson.
00:43:25Say, look here.
00:43:26If something should go wrong...
00:43:28That is, about you getting to appear...
00:43:30What'll you do?
00:43:32You might as well make plans.
00:43:34What'll I do?
00:43:35You mean you're afraid something will go wrong?
00:43:37No, no.
00:43:38But if that old nose pusher gets around the governor somehow...
00:43:41And they do stop you somehow...
00:43:43What'll you do?
00:43:45I don't know.
00:43:47Go back to the States, I suppose.
00:43:48No.
00:43:50There's no way they could make me go back, is there?
00:43:52I don't see how, unless you want to.
00:43:55Well, I don't want to go back to the States...
00:43:57Yet, why?
00:43:59Mightn't be bad to run back and see your folks.
00:44:02I haven't any folks.
00:44:05Going back to the States doesn't mean anything to me.
00:44:09Don't to me either.
00:44:13Why, what's the matter, Miss Sadie?
00:44:15I won't go back.
00:44:16They can't make me, can they?
00:44:18You don't want to go to Honolulu either, I suppose.
00:44:20No.
00:44:21You could go to Sydney.
00:44:24Australia?
00:44:25A ship?
00:44:26What'd they do there?
00:44:27Work's easy to get.
00:44:28Living's cheap, they say.
00:44:30I'd head that way instead of a pier if I were you.
00:44:34You think I'd do better there?
00:44:35You'd never get much of anywhere in a pier.
00:44:37Greased spot of the world, they say.
00:44:39And hot, holy bilge water.
00:44:43I never thought of Sydney.
00:44:44Can I get there from here?
00:44:45There's a boat twice a month.
00:44:47I'm headed that way just as soon as I shed these hash marks.
00:44:49Yeah?
00:44:50That'll be a month and three days.
00:44:51What are you going to do there, Hanson?
00:44:53Going in the building business.
00:44:54Old shipmate of mine has a place and wants a partner.
00:44:57These three years, Lefty's been at me to get me discharged and come in with him.
00:45:00You'd like Lefty.
00:45:02Me and him joined the service same time 12 years ago.
00:45:06I'm glad you're fixed, Hanson.
00:45:08You ought to do fine.
00:45:09You know, two times Lefty and me joined over.
00:45:12When it comes to number three, Nick says he is.
00:45:15Guess what I'm going to do, says Lefty.
00:45:17Well, I knew without guessing.
00:45:18So I stood up with him and the bride,
00:45:20and they shoved off to Sydney,
00:45:22me throwing the rice.
00:45:24I'll bet you'll be glad to see them.
00:45:26If you should go to Sydney,
00:45:27Lefty and Maggie would put your wife what to do.
00:45:31Can't I just hear Lefty's wife yelping with joy at the sight of me?
00:45:36You haven't any cause to worry about, Maggie.
00:45:38You two would get along swell.
00:45:40Baby boy, I know females.
00:45:42You don't.
00:45:44I got an idea what's on your mind.
00:45:46If Maggie ain't the kind of a dame you're meeting,
00:45:48she's square from the toes up.
00:45:50Funny thing,
00:45:51when you kick highest,
00:45:52always seem to settle down harder.
00:45:57You mean this Maggie was sort of gay
00:45:59before Lefty came along?
00:46:00Lefty met her in Honolulu.
00:46:02They were both nuts over each other right from the start.
00:46:05It never mattered to either of them
00:46:06that they met in Eberlake.
00:46:09In Eberlake?
00:46:11Yeah.
00:46:12Knowing the worst to begin with
00:46:13isn't always the worst way to begin.
00:46:16Of course,
00:46:17if there's some reason why you're set for a peer,
00:46:20if there's someone you're wanting to see there,
00:46:23I wouldn't want to persuade you.
00:46:26I'm not looking forward to a peer with any wild joy.
00:46:29Then there's another thing.
00:46:31If you go to Sydney now,
00:46:32I'll be over in sight in a few weeks.
00:46:35Not that that might mean so much to you, maybe.
00:46:39I haven't so many friends, handsome,
00:46:41but what I can do with one more.
00:46:44You know, you're an awful funny fellow, handsome.
00:46:47I guess I'm the dumbbell king, all right.
00:46:55Are there any kids?
00:46:57Who?
00:46:58Those friends of yours in Sydney?
00:47:00Oh, I was thinking of something else.
00:47:03Yep, two.
00:47:05How about it?
00:47:07Huh?
00:47:08How about what?
00:47:11Huh?
00:47:12How about what?
00:47:13Changing your route and going to Sydney instead.
00:47:16Sure, why not?
00:47:17I guess no one can stop me from doing that.
00:47:20What a simp I was getting on wind up all over nothing.
00:47:24Here I was jumping with the shakes and nervous as a witch
00:47:26because that dismal sun wouldn't let me go to a peer.
00:47:29Well, a peer, my foot.
00:47:30It's Sydney for mine.
00:47:32What balloon do you want?
00:47:33That one.
00:47:34Sock a balloon to me, I may go.
00:47:35All right.
00:47:36It's for you.
00:47:38For me?
00:47:39Who's writing me a letter?
00:47:45It's from the governor's office.
00:47:47You'd better go.
00:48:03What's the matter?
00:48:05I won't go back.
00:48:06They can't make me.
00:48:07There's reasons.
00:48:09What's the matter?
00:48:10The governor's ordered me back to San Francisco.
00:48:12Now, don't get nervous.
00:48:13I'll tell you what to do.
00:48:15You go see the governor.
00:48:16Ask him as a favor to let you stay here until the Sydney boat leaves.
00:48:18That'll only be three or four more days.
00:48:19Will he see me?
00:48:20Hurry up before he goes to supper.
00:48:21It's only a few steps.
00:48:22You want me to go with you?
00:48:23Yeah, well, you wait till I get my coat.
00:48:24I'll make him lose me.
00:48:39So, you're back, are you?
00:48:41You low-down skunk.
00:48:42What have you been telling the governor about me?
00:48:44I've been hoping to have another talk with you, Miss Thompson.
00:48:47Why, you miserable snail-smasher.
00:48:49I wouldn't talk to you if you and me were the only two people left on Earth.
00:48:52Why, you're also doggone mean.
00:48:53It makes me sick even to look at you.
00:48:55That's what I think of you.
00:48:56Coming to me with all that guff you spill about salvation.
00:48:59Then going and having me deported on top of it while you're low-living.
00:49:02I'm wholly indifferent to the abuse you think fit to heap upon me.
00:49:05Filling the governor up with a lot of filthy lies about me.
00:49:08Now this comes.
00:49:09Now I've got to beat it on the next boat.
00:49:11I hardly expect him to let you stay under the circumstances.
00:49:13Yeah, well, what did the governor know or care about me?
00:49:15You went and hauled your hooks into me.
00:49:17It's you that did it.
00:49:18You did it all.
00:49:19I don't want to deceive you, Miss Thompson.
00:49:20I urge the governor to take the only steps consistent with his obligation.
00:49:23Well, why couldn't you let me be?
00:49:25Was I doing you any harm?
00:49:26You may rest assured, if you had been, I would be the last one to resent it.
00:49:29You don't think I want to stay in this rain hole, do you?
00:49:31You are being given every opportunity of getting out.
00:49:33Come on, Sadie, don't say any more.
00:49:35I know your kind.
00:49:36You dirty, two-faced mutt.
00:49:38I bet when you were a kid, you caught flies and tore their wings off.
00:49:41I bet you stuck pins in frogs just to see them wiggle and flap while you read them a lecture.
00:49:45I know you.
00:49:46Why, you'd tear the heart out of your grandmother if she didn't think your way until you were saving her soul.
00:49:50You sound thing.
00:49:51Incredible.
00:49:55You will be glad to hear that the governor has acted at last.
00:49:57He's a weak man.
00:49:59For days, he has shilly-shallied, saying it was none of his concern.
00:50:02I can readily see why.
00:50:04How did you convince him?
00:50:07I finally had to speak straight to his shoulder.
00:50:10The foundation that I represent in Washington is not entirely without influence.
00:50:14Miss Thompson will sail on the next boat that goes.
00:50:17How soon will that be?
00:50:18The Golden Gate is due here from Sydney next Tuesday.
00:50:21She will sail on that.
00:50:23Four days more.
00:50:26Are you ready?
00:50:33Well, that settles Sadie Thompson's hash, I guess.
00:50:45Mrs. Davidson tells me she hasn't closed her eyes ever since that girl came to live under the same roof as her.
00:50:51The founder of her religion wasn't so squeamish.
00:50:54Don't joke about such things. Please, Robert.
00:50:57Excuse me, Doc.
00:50:58Miss Thompson isn't feeling well.
00:51:00Will you see her for a moment?
00:51:01Certainly.
00:51:05She's right out here.
00:51:16Well, you're not feeling well.
00:51:18I'm well enough. Not really sick.
00:51:21O'Hara said that just because I had to see you.
00:51:23Yes, Miss Thompson.
00:51:24I gotta get back for inspection now.
00:51:26I'll see you later.
00:51:28Keep your chin up.
00:51:29Thanks, Hanson.
00:51:31Lucky meeting you, Sarge.
00:51:33What's up?
00:51:34Hey, what have you been doing lately?
00:51:36You're booked for the break.
00:51:38That's right, Sarge. Fall in.
00:51:40Okay.
00:51:42I don't know exactly what I can do.
00:51:44I thought maybe you wouldn't mind asking him if he'd let me wait and go to Sydney instead.
00:51:48It's only three or four days longer.
00:51:50I'll ask him.
00:51:51Tell him I can get work in Sydney. It's great stuff.
00:51:53Tell him I just can't go back to San Francisco now.
00:51:55There's a reason.
00:51:56I'll do what I can.
00:51:57Thank you.
00:51:58Thank you.
00:52:01Oh, Davidson.
00:52:02Hello, Doctor.
00:52:03I want to speak to you about something.
00:52:05Shall I come up?
00:52:06No, I'll come right down.
00:52:08Tell him I ask his pardon.
00:52:09Tell him I'm sorry.
00:52:10Better get into your room now, Miss Thompson.
00:52:17Well, Doctor, what can I do for you?
00:52:19It's all right.
00:52:20It's all right.
00:52:21It's all right.
00:52:22It's all right.
00:52:23It's all right.
00:52:24Well, Doctor, what can I do for you?
00:52:26It's about Miss Thompson.
00:52:29The governor has told her that if you have no objection, he will allow her to remain here until she can take the boat for Sydney.
00:52:34I'm sorry, Doctor, but it is useless to discuss the matter.
00:52:37It appears the girl has reasons for not wanting to return to San Francisco.
00:52:41I don't see that it makes any difference if she goes to Sydney instead.
00:52:44It's only a matter of a few days.
00:52:46Well, you mean this interference for the best, but my mind is made up.
00:52:49If you want to know what I think, I think you're harsh and tyrannical.
00:52:53I'm terribly sorry you should think that of me, Doctor.
00:52:56Believe me, my heart bleeds for that unfortunate young woman.
00:52:59But I cannot find it in my conscience to change my decision.
00:53:03However, if the governor wishes to do so on his own account, that is his business.
00:53:07He won't.
00:53:08And you know why.
00:53:10Please don't bear any malice toward me because I cannot accede to your wish.
00:53:14I respect you very much, Doctor MacPhail, and I should be sorry indeed if you thought ill of me.
00:53:19I have no doubt you have a sufficiently good opinion of yourself to bear mine with equanimity.
00:53:39I'm sorry.
00:53:44Don't give up hope, Miss Thompson.
00:53:46I think it's a shame the way they're treating you.
00:53:48I'll go and see the governor myself.
00:53:51Will you?
00:53:53Will you now?
00:53:54Now.
00:53:55Oh, you're awful good. Awful good!
00:53:58You don't know what this means to me, Doctor.
00:54:00Don't cry, Miss Thompson. I think I can do something.
00:54:02God bless you.
00:54:18The earth is the Lord's, and so is the earth.
00:54:21The earth is made of heaven and earth.
00:54:24But we have founded it upon the sea, and established it upon the heavens.
00:54:30And we shall ascend into heaven and earth.
00:54:33And we shall climb into heaven and earth.
00:54:36Let me tell you something.
00:54:38Mr. Davidson's long time bee got to her.
00:54:41What's that?
00:54:43What are you saying?
00:54:44All the same, I know.
00:54:46He bee got to her.
00:54:59What's she saying?
00:55:00What were you saying, Amina?
00:55:03All the same, I know.
00:55:04He bee got to her.
00:55:07A witch, Doctor.
00:55:08A species of withers, you perceive.
00:55:10Knew everything, saw everything.
00:55:13Lived by the power of thought.
00:55:15A grilled goat chop.
00:55:16Had no charm for him.
00:55:18When hungry, he simply ferreted out a devil and ate him up for tea.
00:55:22Oh, God.
00:55:24That kind of talk gives me the woolly.
00:55:30Let me have a drink.
00:55:36That's Davidson up there, isn't it?
00:55:38Sounds like his voice.
00:55:40What's he saying?
00:55:41Amen.
00:55:42He says, Amen.
00:55:44Amen.
00:55:52You know, that's Dr. Jinks, the lion horn.
00:55:55I can't seem to feel it.
00:55:58Maybe there are two of us after all.
00:56:02What's that the old jig does?
00:56:04Sees everything?
00:56:06Knows everything?
00:56:08You know, that's the kind of an eye Davidson has, all right.
00:56:14Looks right into you.
00:56:16Knows what you're trying to hide.
00:56:20Guess it wouldn't be any use to try and hide much from him, would it?
00:56:24Not much.
00:56:32What'd he say?
00:56:35What'd he say?
00:56:37I'm sorry, Miss Thompson.
00:56:41That's all right.
00:56:43Thank you.
00:57:04Thank you.
00:57:26I'm...
00:57:27I'm sorry for what I said the other day.
00:57:29For everything that's happened, I ask pardon.
00:57:31I guess my back is broad enough to bear a few hard words.
00:57:35You got me beat.
00:57:37I'm all in.
00:57:38Oh, don't make me go back to San Francisco, please.
00:57:40I'll go anywhere else you say.
00:57:42Why don't you want to go back there?
00:57:44Well...
00:57:46My folks live there, and I guess I don't want them to see me like this.
00:57:50I understood you had no people.
00:57:52I got a father.
00:57:54But you told me yourself your father did not live in San Francisco.
00:57:58And that's not the reason, Miss Thompson.
00:58:00What is the reason you don't want to go back there?
00:58:02I told you.
00:58:03No, no, you haven't told me.
00:58:05Well, it's this way.
00:58:08I'm trying to go straight now, and if I go back there, I can't go straight.
00:58:12What will prevent you from going straight if you really want to?
00:58:15There's a man back there that won't let me.
00:58:17Why won't he let you?
00:58:19He just won't.
00:58:20You see, it's this way.
00:58:23I'm scared he'll get me again.
00:58:25Who is this man?
00:58:27I don't know.
00:58:28Sort of a politician.
00:58:29I see.
00:58:30And you fear his influence, eh?
00:58:31Yeah.
00:58:32Yeah, that's it.
00:58:33You see, he's bad, and I'm scared of him.
00:58:36Does he need to know that you have returned?
00:58:38Oh, he'll know.
00:58:39Oh, but Miss Thompson, San Francisco is a big place.
00:58:42It should not be difficult for you to keep out of his way if you want to.
00:58:46Well, I'll have to get help once I get back,
00:58:48and the only people that'll help me are in with him.
00:58:51If you earnestly desire to go straight,
00:58:53it will not be necessary for you to go to your former friends for help.
00:58:56My foundation will help you until you are on your feet.
00:58:59This man you fear need never know you are in the city.
00:59:01Oh, he'll know, though.
00:59:02All the boats coming in are being watched.
00:59:05You mean to tell me that every boat coming into port
00:59:07will be watched on the chance that you are on it?
00:59:11Yes.
00:59:12Come, come, Miss Thompson.
00:59:13These evasions are getting you nowhere.
00:59:16Why are you afraid to return to San Francisco?
00:59:18I told you, because I can't go straight there.
00:59:21Shall I tell you why you're afraid to go back?
00:59:23This politician you fear is a politician in a uniform.
00:59:26He wears a badge.
00:59:27What you fear is the penitentiary.
00:59:30Oh, don't send me back, please.
00:59:31I'll be good.
00:59:32Honest, I will.
00:59:33Is that it?
00:59:34The penitentiary?
00:59:35But I was framed.
00:59:36I got away before they caught me.
00:59:37Gee, they'll nab me the minute I get off that boat.
00:59:39It'll be three years for mine.
00:59:41Three years.
00:59:42Oh, give me a chance, will you?
00:59:43Just one chance.
00:59:44I'm going to give you the finest chance you've ever had.
00:59:48I don't have to go back, you mean?
00:59:50Yes, you will have to go back.
00:59:51You will sail for San Francisco Tuesday, as the governor has ordered.
00:59:58If you are truly repentant, you will accept this punishment.
01:00:01You will offer it as the atonement for your sins.
01:00:04When you want me, Sadie Thompson, call me.
01:00:06I will come.
01:00:07At any hour of the day or night, when you need me, I will come.
01:00:11I shall be waiting for your call.
01:00:14Mr. Davidson, wait a minute.
01:00:18You're right, Mr. Davidson.
01:00:20I am bad, but I want to be good, only I don't know how.
01:00:24So, I'll tell you what.
01:00:26You let me stay here with you, and then you can tell me what to do.
01:00:29And no matter what it is, I'll do it for you.
01:00:33You can't stay here.
01:00:34You've got to go back.
01:00:35You've got to serve your time.
01:00:38You mean, Mr. Davidson?
01:00:40You mean to say, if I repent and want to be good,
01:00:43I still have to go to the penitentiary?
01:00:45Yes, you've got to go.
01:00:49All right.
01:00:50You send me back there, and that's my finish.
01:00:52No, it will be your beginning.
01:00:54But I was framed, I tell you.
01:00:56Innocent or guilty, you have got to serve your sentence.
01:00:58It's the only way you can prove you are worthy of mercy.
01:01:03Innocent and guilty.
01:01:05What are you talking about?
01:01:07Innocent and guilty.
01:01:09What are you talking about?
01:01:11Where's your mercy?
01:01:13Oh, no.
01:01:15I guess that repenting stuff is off.
01:01:17Was it ever on, Miss Thompson?
01:01:19Whether it was or not, it's off now.
01:01:21You've got to go back to San Francisco.
01:01:23Straight orders from your private Helena?
01:01:26Oh, no, Mr. Davidson.
01:01:28Your God and me could never be shipmates.
01:01:30And the next time you talk to him, you can tell him this for me,
01:01:33that Sadie Thompson is on her way to hell.
01:01:35This has gone far enough.
01:01:37Oh, no, it hasn't gone far enough.
01:01:39You've been telling me what's wrong with me.
01:01:41Now I'm going to tell you what's wrong with you.
01:01:43You keep yelling at me to be punished, to go back and suffer.
01:01:46How do you know what I've suffered?
01:01:48You don't know, you don't care, and you don't even ask,
01:01:50and you call yourself a Christian.
01:01:52Well, you're nothing but a miserable witch for an ugly Jew.
01:01:54You believe in torture.
01:01:56You know you're big and you know you're strong
01:01:58and you've got the law on your side and the power to hang me.
01:02:00All right.
01:02:02I've got the power to stand here and say you hang me and be damned to you!
01:02:06...prespice against us.
01:02:08Lead us not into temptation, but deliver us from evil.
01:02:11For thine is the kingdom, the power, and the glory,
01:02:14forever and ever. Amen.
01:02:17Oh, Lord, hear thou my prayers for this lost sister.
01:02:21Close thy ears to her wild and heedless word.
01:02:24Our Father, who art in heaven,
01:02:27hallowed be thy name.
01:02:29Thy kingdom come.
01:02:31Thy will be done on earth as it is in heaven.
01:02:33Give us this day our daily bread.
01:02:35Forgive us our trespasses as we forgive those who trespass against us.
01:02:39Lead us not into temptation, but deliver us from evil.
01:02:43For thine is the kingdom, the power, and the glory,
01:02:46forever and ever. Amen.
01:02:49Our Father, who art in heaven,
01:02:52hallowed be thy name.
01:02:54Thy kingdom come.
01:02:56Thy will be done on earth as it is in heaven.
01:02:59Give us this day our daily bread.
01:03:02Forgive us our trespasses as we forgive those who trespass against us.
01:03:06Lead us not into temptation, but deliver us from evil.
01:03:10For thine is the kingdom, the power, and the glory,
01:03:14forever and ever. Amen.
01:03:17Our Father, who art in heaven,
01:03:20hallowed be thy name.
01:03:22Thy kingdom come.
01:03:24Thy will be done on earth as it is in heaven.
01:03:28Give us this day our daily bread.
01:03:31Forgive us our trespasses as we forgive those who trespass against us.
01:03:36Lead us not into temptation, but deliver us from evil.
01:03:40For thine is the kingdom, the power, and the glory,
01:03:44forever and ever. Amen.
01:04:58I like him running. Pull her.
01:05:03Come here! Move!
01:05:06Wait!
01:05:08Move!
01:05:29You got my clothes?
01:05:31Everything's here. I'll be out in a few minutes.
01:05:37Everything goeth, everything returneth.
01:05:40Eternally rolleth the wheel of existence.
01:05:43Everything dieth, everything blossometh forth again.
01:05:47Eternally runneth on the year of existence.
01:05:50Thus spake Zarathustra.
01:05:53Ah, good old Nietzsche.
01:05:57You speak fine, Joe. What do you mean?
01:06:03Tomorrow she goeth.
01:06:05Thus endeth that episode.
01:06:15I expect we'd better go back. I have a feeling that something is wrong.
01:06:18But the other dancers are about to begin.
01:06:22We ought to be here to protect them.
01:06:24My girl and her salvation are more important to me now than anything else.
01:06:27I've got to go.
01:06:29If you aren't going to stop this thing, then I personally would like to see it finished.
01:06:32Perhaps, Doctor, you wouldn't mind escorting the ladies home.
01:06:35I must go.
01:06:42How is she?
01:06:44Not so good.
01:06:46Has she wondered why I haven't been around?
01:06:49No.
01:06:51Didn't you tell her, you old pelican, that they had me in the brig?
01:06:54No, she didn't ask.
01:06:56She didn't ask?
01:06:57No, she didn't even inquire about you.
01:07:02I'm asking because the last time I seen her we were pretty good friends.
01:07:06You don't suppose, do you, that she's had time to think about you or anything else?
01:07:11With Davidson getting her ready to go back to San Francisco.
01:07:15What's he been doing to her?
01:07:17Praying.
01:07:18Praying?
01:07:20Praying.
01:07:22About her beach with her son stuff, huh?
01:07:24Beached and delirious, I'd say.
01:07:27He took pretty good care to get rid of me before he started, didn't he?
01:07:30Well, I'll beat him to it tonight.
01:07:33How did you get out?
01:07:35Walked out.
01:07:39What's it doing, O'Hara?
01:07:41You arouse my curiosity.
01:07:44If I was you, I'd ease off to bed with the old lady and not have any curiosity.
01:07:50Oh, you would, would you?
01:07:53And why would you do that?
01:07:56I'd do that so as I wouldn't be blamed for anything in case anything happened.
01:08:00Sounds like another rouse, Doc.
01:08:03The most unlucky day of my life.
01:08:05The day that old woman came into port.
01:08:07Amina, lock up.
01:08:11I like my comfort.
01:08:13For five days now, this whole household is centered on that tormented Thompson girl in there.
01:08:19With Davidson and old Nick wrestling for her soul.
01:08:22It's got me nervous.
01:08:24Cheer up. It won't center around her much longer.
01:08:26What do you know about her?
01:08:28Safe in the brig all week.
01:08:30There hasn't been such a casting out of devil since the first chapter of Exodus.
01:08:35The last vestige of mortal sin lurking in that poor critter's heart has been torn out.
01:08:40Sadie Thompson, who blew into my hotel a week ago, isn't anymore.
01:08:45Where do you see her?
01:08:47You aren't keeping anything from me, are you, Joe?
01:08:49Wait till you see her, I say.
01:08:51She's like a victim they've got crust up to sacrifice to some bloody idol.
01:08:55Yeah, it'll make you sick to look at her.
01:08:58Get her out for me. I'll tend to the rest of this.
01:09:00Gladly.
01:09:01My mind is blank, save for one fact.
01:09:04Tomorrow, Miss Sadie Thompson will be on the high seas.
01:09:07You bet she'll be.
01:09:10Miss Thompson, your water.
01:09:12All right.
01:09:17Thank you.
01:09:28Sadie, you look awful sick.
01:09:33I was wondering whether I'd see you before I left.
01:09:36You've been awful kind.
01:09:39I'll never forget it.
01:09:41I want to thank you.
01:09:48Look here, Sadie.
01:09:49How long will it take you to get packed?
01:09:51I'm pretty well packed now.
01:09:53That's good.
01:09:54Griggs and Hudson will be along any minute.
01:09:56Let her tote your bag.
01:09:58You hurry up now and get dressed as fast as you can.
01:10:01Get dressed?
01:10:03You're leaving this place tonight.
01:10:07My boat don't leave till tomorrow morning.
01:10:10Your boat's leaving tonight, and I'm going to see you get aboard it.
01:10:13I must wait for Mr. Davidson.
01:10:16He's going to see me on board.
01:10:19Mr. Davidson isn't going to see you off.
01:10:22He isn't?
01:10:24What's happened?
01:10:26Where is he?
01:10:27You're not going to San Francisco if that's what's happened.
01:10:30You'll leave him here in a few minutes with the Samoan Islands on the junk.
01:10:33You'll wait there until the Sydney boat comes along, then you're going to Sydney.
01:10:39But what do you suppose Mr. Davidson will say?
01:10:43He came back and found me gone.
01:10:45You know the old shouter better than I do.
01:10:48But I don't mind admitting at the sight of his face at that moment,
01:10:50it's let me consider with quiet fun.
01:11:02You've had a pretty bad time these last few days, I guess.
01:11:05Just forget it.
01:11:06It's mighty sweet to find you got all this trouble for me.
01:11:10Fine, fine, nothing.
01:11:12This ain't one small bit of what I'd like to do for you if I got the chance.
01:11:16You know, you're doing this sort of makes me want to cry.
01:11:22But...
01:11:23But what?
01:11:24I can't do it.
01:11:26Why can't you do it?
01:11:29I'm going through with what I've got to go through with.
01:11:33Are you afraid of Davidson?
01:11:35He'll never get hold of you again, I'll see to that.
01:11:37No, that isn't it.
01:11:40It'd be awful hard for me to make you understand what's come over me.
01:11:45I can't understand it myself except that it's happened.
01:11:49Sadie, this sort of thing don't make you happy.
01:11:52You don't realize it ain't yourself.
01:11:54You gotta forget Mr. Davidson and...
01:11:57and come with me.
01:11:59No, I couldn't.
01:12:01I couldn't.
01:12:03You don't know what you're saying.
01:12:05You haven't any idea what you're saying.
01:12:07They're not gonna send you back there with no one to take care of you.
01:12:10In Sydney, in a couple of weeks, you'll have me.
01:12:14Remember what I told you about Lefty and Maggie?
01:12:17I won't listen. I won't listen.
01:12:19What's to hinder you repenting in Sydney as well as in San Francisco
01:12:23if you gotta repent?
01:12:24Oh, you don't understand.
01:12:28I've gotta go back and be punished for what I've been.
01:12:33Is that what you're saying?
01:12:37When I get back to San Francisco, handsome,
01:12:41I've gotta go to the penitentiary for three years.
01:12:51Mr. Davidson says it doesn't make any difference
01:12:55whether I was innocent or guilty
01:12:58of what they framed me for.
01:13:01He says it's the only way of letting me square myself.
01:13:08He says I've got to accept an unjust punishment
01:13:13by man as a sacrifice for my sins.
01:13:18Why, you listen to me.
01:13:19Get into your room and throw your clothes on as fast as you can.
01:13:21Let go of me. Let go.
01:13:24Don't you dare do that again.
01:13:26I want you to go away, dear. Go away.
01:13:28Sadie, Sadie.
01:13:29I mean it. Go away.
01:13:30Oh, Sadie, listen, please.
01:13:32Oh, handsome, why can't you let me alone?
01:13:34Here are the boys, Sadie.
01:13:36Come to say goodbye to you.
01:13:37No.
01:13:38They're gonna put your things aboard the junk for you.
01:13:40No, don't.
01:13:42Why doesn't Mr. Davidson come?
01:13:45Where is he?
01:13:46Where is he?
01:13:49See if there is a coat or something in that room.
01:13:51That old peeler's got her like she's trans.
01:13:53We're taking her whether she wants to go or not.
01:14:00Oh, they're taking my things.
01:14:02They mustn't take my things.
01:14:04Sadie, don't. Someone will hear you.
01:14:05Oh, let me go.
01:14:06Go away.
01:14:07Oh, handsome, why can't you let me be?
01:14:15Don't you see, Sadie?
01:14:16You ain't yourself.
01:14:18I am.
01:14:19I am myself.
01:14:21That's what I've been trying to tell you.
01:14:24Mr. Davidson's a holy man.
01:14:27He's different from you and me.
01:14:30He's made me different.
01:14:32I've been born all over again, handsome.
01:14:34Can't you see?
01:14:36Yes, I see, and I see something else.
01:14:39Remember I told you if you ever needed a friend, I'd be here?
01:14:42Well, you need a friend right now.
01:14:44You're not going to San Francisco.
01:14:46You're going to Sydney.
01:14:48Sadie, out there you got your whole life before you.
01:14:52We'd go away where this rain or anything else can't bother us.
01:14:55Just you and me.
01:14:57Like Lefty and Maggie.
01:14:5950-50.
01:15:01You'll be Mrs. Tim O'Hara.
01:15:04It's Sydney and us.
01:15:06The whole works against the penitentiary.
01:15:09And I'm taking you whether you want to go or not.
01:15:11No.
01:15:12No, you mustn't.
01:15:13You mustn't.
01:15:16I'm saying that to you.
01:15:17You'll turn me to hell.
01:15:19Mr. Davidson.
01:15:20Mr. Davidson.
01:15:22Seems I got here just about in time.
01:15:25All evening I had a peculiar feeling you were in danger.
01:15:28Sadie, don't pay any attention to him.
01:15:30I'm sorry for you, O'Hara.
01:15:32What you are trying to do is a serious offense.
01:15:34What you're trying to do is make a hyena cry.
01:15:36I'm trying to abduct Sadie Thompson.
01:15:38You've made an attempt to defeat the Lord.
01:15:39It's likely to go hard with you.
01:15:41That's my lookout.
01:15:42What kind of a man are you anyway, picking on this poor kid here?
01:15:44Getting her so she's half crazy.
01:15:46Sending her so she'd have to go back to prison.
01:15:48You're one choice specimen, Davidson, I'll say that for you.
01:15:51Don't make your kind every day.
01:15:52You are a reckless, headstrong man, O'Hara.
01:15:54You are breaking barracks and attempting a high-handed crime.
01:15:56You defy the authority of state and God.
01:15:58You cannot go on the way you are going, and I shall see to it that you do not.
01:16:01Begging your pardon might I ask what you think you're going to do about it?
01:16:04Back to your barracks as fast as you can and report here to me tomorrow after Miss Thompson is gone.
01:16:08Where do you get these ideas anyway?
01:16:10If it's good advice you want to ladle out, keep it.
01:16:12On such rare moments as I think I think for myself.
01:16:15This is not helping your case.
01:16:16Watch what you say.
01:16:17I'm here to watch out that Sadie don't make any fool breaks.
01:16:20You've got to do some setting with me before she does any sailing.
01:16:23You're wrong.
01:16:24I know what I'm doing.
01:16:26I'm sorry, but I see clear.
01:16:29See clear?
01:16:30Why, he's got you so it's like you don't.
01:16:32I see what you don't see.
01:16:34What's happened to me don't happen to everybody.
01:16:37I was nothing.
01:16:39I was nobody.
01:16:41Now I'm something.
01:16:43I'm somebody.
01:16:45It's a wonderful thing to know you're being made of some account.
01:16:49The only thing I can't see is how it's happened to me.
01:16:54Is that the way it is, Sadie?
01:16:57Yes.
01:16:59What do you want me to do?
01:17:03I don't want you to do anything.
01:17:06Except...
01:17:08Just don't say anything more.
01:17:12All right.
01:17:14I'll tell the boys to bring your things back.
01:17:18Sadie...
01:17:20If...
01:17:21If you and me never see each other again...
01:17:25I want to say this.
01:17:28I'll never forget you.
01:17:31Ever.
01:17:41If you'd like...
01:17:43I'll come back tomorrow and put your things aboard the boat for you.
01:17:48If you want me to.
01:18:03Don't blame O'Hara, Mr. Davidson.
01:18:06It was all my fault.
01:18:09No, my poor child, it is not your fault.
01:18:12In the last few days, you've become very close and dear to God.
01:18:16He has tested you and found you true.
01:18:18Tonight, he sent the devil to tempt you, but you thrust away the devil.
01:18:23Once, your soul lay like a stagnant pool in the lowest pit of the deepest valley.
01:18:28But tonight, it has lifted to the sun,
01:18:31cleansed, glorified as the rain of heaven.
01:18:37When you're here, everything's clear.
01:18:41Everything's all right.
01:18:44But...
01:18:45when you're away, I'm afraid.
01:18:49I get to thinking of how wicked I used to be.
01:18:53And...
01:18:54I just can't believe it's all forgiven.
01:18:58The days aren't so bad, but...
01:19:00it's the nights.
01:19:03Then I begin to think and wonder...
01:19:06if they're bad now.
01:19:09What are they gonna be like...
01:19:11when you can't come to me anymore, when I'm alone?
01:19:14When you are alone, my strength will come to you through prayers,
01:19:17which will always be on my lips.
01:19:20Little by little, you yourself will grow stronger, sure.
01:19:23And presently, the time will come when sin and terror will be powerless
01:19:27to penetrate the great love that God has wrapped around you.
01:19:31Then will you be redeemed.
01:19:34The kingdom and the glory will be yours.
01:19:37Yes.
01:19:39Yes.
01:19:41When you talk like that...
01:19:43I'm not afraid.
01:19:46That old life I led...
01:19:48don't belong to me at all.
01:19:51It wasn't me.
01:19:53It was someone else.
01:19:56When I feel like that, Mr. Davidson...
01:19:59does it mean I'm redeemed?
01:20:01Yes, Sadie.
01:20:03Tomorrow will be a very busy day for you.
01:20:05You'll need all your strength.
01:20:08You must try and get some sleep now.
01:20:12Tomorrow.
01:20:16If I wake up tonight and get afraid...
01:20:19can I call you?
01:20:21When I hear you call, I will come.
01:20:25Good night, darling.
01:20:32Good night.
01:20:36Good night.
01:20:41Good night.
01:20:58Hello, Horn. You still up?
01:21:00Yep. Reading.
01:21:02Want anything?
01:21:03No, I'm off to bed.
01:21:05There's an uncanny concentration about the rain tonight.
01:21:09Perhaps. Everybody in?
01:21:11Davidson's still out. Can't sleep.
01:21:14Can't sleep, eh?
01:21:16Has uneasy dreams, his wife...
01:21:18tells me.
01:21:22Good night.
01:21:24Good night.
01:21:40Everything goeth, everything returneth.
01:21:44So rolleth the wheel of existence.
01:21:47Everything dieth, everything losseth forth again.
01:21:51So runneth the year of existence.
01:22:00Thus spake Zarathustra.
01:22:09Mr. Davidson.
01:22:11Oh, Miss Thompson, what are you up for?
01:22:14I couldn't sleep.
01:22:16With this rain and those drums.
01:22:19And then...
01:22:21thinking about tomorrow.
01:22:23I'm afraid.
01:22:25I'm afraid.
01:22:27I'm afraid.
01:22:29I'm afraid.
01:22:31I'm afraid.
01:22:33I'm afraid.
01:22:35I'm afraid.
01:22:37Thinking about tomorrow.
01:22:41I don't seem to be able to do much by myself, do I?
01:22:44Not yet maybe, but every prayer is going to make you stronger.
01:22:49This time tomorrow I'll be on the sea.
01:22:55I don't suppose we'll ever meet again.
01:22:57Not in this life, Sadie, probably.
01:23:01I'll be in prison three years.
01:23:04That's a long time.
01:23:07when I come. What love me. For hours and hours I've been one.
01:23:14Out there in the rain I walked and wandered to the darkness was full of eyes I saw
01:23:20things I never saw before I looked into the awful groves of asked of yourself.
01:23:28So you don't have to go back to San Francisco. What do you mean just that.
01:23:33Didn't you tell me I had to make
01:23:37a sacrifice but I repeat you don't have to go back unless you truly want. But I do
01:23:43want. I haven't got anything else. The only thing I've got. And I want to give
01:23:50I thank the I thank the. Why do you say that. Because you said what
01:23:57I knew you say my every prayer has been answered. I prayed that there might come
01:24:03into your heart so passionate a desire for this punishment which you now lay as
01:24:07a bank offering at your Redeemer speak that even if I offered to let you go. I
01:24:13hope I'll be strong enough to go through with the right. From now on you will be
01:24:19strong there's to be no more fear. Radiant.
01:24:25Beauty. You'll be one of the daughters of the king. That's what you are now city
01:24:32one of the daughters of the king. Radiant.
01:25:54Radiant.
01:26:24Radiant.
01:26:25Radiant.
01:26:26Radiant.
01:26:27Radiant.
01:26:28Radiant.
01:26:29Radiant.
01:26:30Radiant.
01:26:31Radiant.
01:26:32Radiant.
01:26:33Radiant.
01:26:34Radiant.
01:26:35Radiant.
01:26:36Radiant.
01:26:37Radiant.
01:26:38Radiant.
01:26:39Radiant.
01:26:40Radiant.
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01:26:50Radiant.
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01:26:53Radiant.
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01:26:55Radiant.
01:26:56Radiant.
01:26:57Radiant.
01:26:58Radiant.
01:26:59Radiant.
01:27:00Radiant.
01:27:01Radiant.
01:27:02Radiant.
01:27:03Radiant.
01:27:04Radiant.
01:27:05Radiant.
01:27:06Radiant.
01:27:07Radiant.
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01:27:09Radiant.
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01:27:12Radiant.
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01:27:17Radiant.
01:27:18Radiant.
01:27:19Radiant.
01:27:20Radiant.
01:27:21Radiant.
01:27:22Radiant.
01:27:23Radiant.
01:27:24Radiant.
01:27:25Radiant.
01:27:26Radiant.
01:27:27Radiant.
01:27:28Radiant.
01:27:29Radiant.
01:27:30Radiant.
01:27:31Radiant.
01:27:32Radiant.
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01:27:46Radiant.
01:27:47Radiant.
01:27:48Radiant.
01:27:49Radiant.
01:27:50Radiant.
01:27:51Radiant.
01:27:52Radiant.
01:27:53Radiant.
01:27:54Radiant.
01:27:55Radiant.
01:27:56Radiant.
01:27:57Radiant.
01:27:58Radiant.
01:27:59Radiant.
01:28:00Radiant.
01:28:01Radiant.
01:28:02Radiant.
01:28:03And David, he is not dead is he?
01:28:04Froltscott has been dead for several hours.
01:28:06Suicide.
01:28:07I must tell Mrs. David.
01:28:09No, I'll go back and tell her.
01:28:11I hate to do it, but I guess she knows something already.
01:28:13She heard the boys calling for you.
01:28:15Better hurry!
01:28:19Joe, where's Miss Thompson?
01:28:44How did you know about it?
01:28:45One of the boys told me.
01:28:46He came over here as fast as I could in case Sadie needed me.
01:28:49You don't think...
01:28:50There isn't any chance of Sadie being mixed up in this, is there?
01:28:52No, he did it himself.
01:28:54I hope they don't bring him in here.
01:28:56I don't like men that die that way.
01:28:58They don't rest easy.
01:28:59Wait a minute.
01:29:10Pretty cool, I'll say.
01:29:11Yeah.
01:29:12Well, anyway, I'm glad I didn't have to cover.
01:29:15I wonder how she'll take it.
01:29:16I wonder...
01:29:17Now what?
01:29:18Listen to that.
01:29:19You see?
01:29:20She don't know yet.
01:29:21Man, why is she playing it?
01:29:22One of us ought to go in and tell her what's happened.
01:29:23She hasn't touched that thing since Davidson went after her.
01:29:24What's she playing it now for?
01:29:25I don't know.
01:29:26Look here.
01:29:27Last night, she was frightened and all in about going back to San Francisco.
01:29:28Why is she playing that thing, the first thing this morning, when it no longer matters?
01:29:29I don't know.
01:29:30I don't know.
01:29:31I don't know.
01:29:32I don't know.
01:29:33I don't know.
01:29:34I don't know.
01:29:35I don't know.
01:29:36I don't know.
01:29:37I don't know.
01:29:38I don't know.
01:29:39I don't know.
01:29:40Why should I know what you've heard?
01:29:45I'm not inferred.
01:29:48Who's going to tell her?
01:29:52You.
01:29:53It'll come better from you.
01:29:56All right.
01:30:00Miss Thompson?
01:30:01Yeah, what is it?
01:30:03Let me in.
01:30:04It's Horne.
01:30:05Oh no you don't.
01:30:06Stay where you are.
01:30:07It's very important, Miss Thompson.
01:30:09OK, coming right up.
01:30:23Hello, Horn. What's going on?
01:30:27Hello, handsome. What are you doing up so early?
01:30:30Sadie.
01:30:35Surprised to see me all dolled up, huh?
01:30:37Well, why not?
01:30:39I had to put on my bestest, gay and glorious morning, didn't I?
01:30:43Besides, I'm radiant, beautiful.
01:30:47You didn't know that, did you?
01:30:50Hardly believe my eyes when I saw that sun this morning.
01:30:53Do I feel fine? I do.
01:30:57I'd race you down to the beach if it wasn't for these pesky heels.
01:30:59Sadie, turn off that phonograph.
01:31:01Why?
01:31:02They'll be back any minute.
01:31:03Who?
01:31:04Mrs. Davidson.
01:31:06And why should I turn off the phonograph because Mrs. Davidson's coming back?
01:31:11I'm not concerned with what Mrs. Davidson thinks,
01:31:14or for that matter, with what Mr. Davidson thinks.
01:31:17My advice to him is to pin on his wings and try the air.
01:31:20Joe, turn off that phonograph.
01:31:21Stay out of my room, Joe.
01:31:23That phonograph stays on.
01:31:24Sadie, something has happened.
01:31:26You bet something's happened.
01:31:28You men, pigs.
01:31:35Sadie, Davidson's killed himself.
01:31:38What?
01:31:40They found him on the beach this morning with his throat cut.
01:31:47Killed himself.
01:31:51Then I can forgive him.
01:31:54I thought the joke was all on me.
01:31:58But I see it wasn't.
01:32:01Joe, please.
01:32:06Joe.
01:32:17No offense to you and that last crack I made, handsome.
01:32:21Oh, that's all right.
01:32:24I'm going to Sydney with you, if the invitation still holds good.
01:32:35Let's go.
01:33:00I understand Miss Thompson.
01:33:04I'm sorry for him, and I'm sorry for you.
01:33:11I'm sorry for everybody in the world, I guess.
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