The Making of Toy Story (1995)

Tadizmon

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Transcript

00:00Hey, yes, draw.

00:05There's a new toy in town.

00:08Animators have discovered computers and the face of animation is about to change forever.

00:17It's Toy Story, the first computer animated feature film in the history of motion pictures.

00:23In the next half hour, we're going to go behind the scenes to see who's who and what's what

00:29with this amazing new film from Pixar and Walt Disney Pictures.

00:34So get your eyeballs focused and your volume adjusted and let's go to infinity and beyond!

00:53When people aren't around, toys come to life.

01:08You knew that, right?

01:10That's me, Annie Potts.

01:13Don't let it get you down, Woody.

01:15In Toy Story, I'm the voice of Bo Peep, a porcelain lamb who has a big crush on a cowboy

01:21doll named Woody.

01:22Oh, hi, Bo.

01:23What do you say I get someone else to watch the sheep tonight?

01:28Hell yeah!

01:29The film tells the story of Woody, an old-fashioned pull string toy, and Buzz Lightyear,

01:35a supercharged action figure who threatens to take over as the top toy in Andy's room.

01:41Woody!

01:42Who's up there with you?

01:43Hello?

01:49Oh, impressive wingspan!

01:51Look at him.

01:52He's got more gadgets on him than a Swiss army knife.

01:54Toy Story features the voices of Tom Hanks and Tim Allen and music by Grammy winner Randy

02:00Newman, but it was the film's director, John Lasseter, who guided all of us involved in

02:06Toy Story toward the computer-animated world that existed only in his imagination.

02:12I felt like I was on to something new and I was on to something that I was like we were

02:16like pioneers and it was so exciting.

02:18Every day you would go to work and there would be like something new on the monitor

02:22on the screen.

02:23Wow, that's great!

02:25John Lasseter, whose creative vision shaped the film, has the enthusiasm of a kid on the

02:31loose in a candy shop.

02:35Sometimes it's kind of hard to tell if John is working or playing.

02:39Any similarities between Andy's room, which is the home to all the toys in Toy Story,

02:45and John Lasseter's office are more than just a coincidence.

02:50See for yourself.

02:51These are like some of my favorite toys.

02:53I've had these for a while.

02:54Now, these guys are amazing.

02:56They're like little robot things.

02:58One of the things I like about them the most is they have a sense of personality to them.

03:04This is a toy that I got from a friend.

03:06This is not only an Etch A Sketch, but it's my Etch A Sketch as a little boy.

03:13Now, if you look closely, see right there what it says?

03:16Johnny.

03:17It's mine.

03:18That was mine.

03:20It looks as though I've been accepted into your culture.

03:22Your chief, Andy, inscribed his name on it.

03:26Wow!

03:26With permanent ink, too!

03:29Well, I must get back to repairing my ship.

03:31Every animator in his heart is a toy nut.

03:35Every animator is a child at heart.

03:37I mean, I think you have to be to be in this medium.

03:39And so you walk around Pixar, you walk around Disney for that matter,

03:42and it's like every desk practically is filled with toys.

03:48Tuesday night's plastic corrosion awareness meeting was, I think, a big success.

03:54Woody, which is Andy's favorite toy when the movie starts,

03:57was kind of based on a toy that I had when I was a little kid.

04:00This is my Casper from when I was a little boy.

04:04This is probably 30, 37 years old.

04:07And see, he has a pull string.

04:11See, that's, can I stay with you?

04:13It's like a parent understanding their child's, you know, words.

04:20See, that's, I'm a friendly ghost.

04:25Buzz Lightyear was actually derived from the G.I. Joe.

04:28Now, you know, once I grew out of Casper, I was into G.I. Does in a big way.

04:34And so we thought, you know, as an action figure, we'd update him and stuff.

04:37But he's, Buzz Lightyear's about the same size as G.I. Joe.

04:41Buzz Lightyear to Star Command.

04:42Come in, Star Command.

04:45Star Command, come in.

04:46Do you read me?

04:47Why don't they answer?

04:49The whole thing with Buzz Lightyear, of course, is he doesn't know he's a toy.

04:52He thinks he's really Buzz Lightyear, Space Ranger, Defender of the Galaxy.

04:56I'm stationed up in the Gamma Quadrant of Sector 4

04:59as a member of the elite Universe Protection Unit of the Space Ranger Corps.

05:03I protect the galaxy from the threat of invasion from the evil Emperor Zurg,

05:07sworn enemy of the Galactic Alliance.

05:10Buzz Lightyear is well-trained.

05:12You know, he's been through the State Space Academy.

05:14He is taught.

05:15He's toned.

05:15So you want to do it the hard way, huh?

05:17Don't even think about it, cowboy.

05:19Oh, yeah? Tough guy?

05:20For the voices of Woody and Buzz,

05:23Lasseter cast two very big stars who had never performed in an animated film before.

05:29From the beginning, for the voices of Woody and Buzz,

05:32we really wanted Tom Hanks and Tim Allen.

05:35I mean, they were great.

05:37It's because of you, the security of the entire universe is in jeopardy.

05:40And you, my friend, are responsible for delaying my rendezvous with Star Command.

05:45Good riddance, you loony!

05:47Like the toys they portrayed,

05:49Hanks and Allen were sort of a study in clashing styles.

05:54Tom, for instance, did his homework.

05:56Woody is a, he's a classic piece of Americana.

06:01He's a piece of American folklore and arts and crafts.

06:03He's the old-fashioned, western, loose-limbed marionette without the strings.

06:11He's got, he's got a vocabulary that is stored in a wire in his chest,

06:15and he's got a pull string on it, and he says things like...

06:19Somebody's poisoned the water hole!

06:21Is Tom a lot nicer than me?

06:24Is Tom a lot nicer than me?

06:26But I'm better looking than he is, aren't I?

06:27While Tim brought a lot of himself to the role.

06:31A whole lot of himself, as it turns out.

06:34Toy Story is essentially, of course, a movie about my character.

06:39Always he is.

06:40And that's why it came to me, because it seemed to fit me.

06:44It seemed to be me.

06:45You know, with this, I have so much emotional strength.

06:54Oh, it's always me, me, me, me.

06:56That's what drives me, is me.

06:59Over the two years it took to record The Voices,

07:02definite opinions were formed, and those opinions were...

07:05Come on!

07:07Definitely divided.

07:09Buzz is a twit.

07:11Oh, you're an accent figure!

07:13Woody is a arrogant, thin, ugly, misshapen toy.

07:20You are a sad, strange little man.

07:22Maybe it's just he's been breathing that purified air

07:25behind his space helmet for a little too long,

07:26or maybe just he's, like, inhaled a few too many ions

07:29from his propulsive drive rocket thruster booster thing.

07:33You're mocking me, aren't you?

07:34Oh, no, no, no, no, no, no, no.

07:35Buzz, look, an alien!

07:37Where?

07:40Ultimately, it was up to the director to find the right chemistry

07:44for a classic buddy story,

07:46in which Woody and Buzz are thrust together by fate.

07:50Buzz, will you get up here and give me a hand?

07:53And then have to work out their differences to survive.

08:07You know, and the great thing is,

08:08the computer has finally gotten to the point

08:11where animators can use it, and they're powerful enough,

08:14to get those performances onto the screen.

08:17What happened to you?

08:18One minute, you're defending the whole galaxy,

08:20and suddenly, you find yourself sucking down Darjeeling with...

08:25Marie Antoinette and her little sister.

08:28Just a couple of years ago, it would not have been possible.

08:30I think you've had enough tea for today.

08:39In the 1960s, computer art was as crude

08:42as the computers that were used to create it.

08:45My name is Ralph.

08:47I'm a Siliconian.

08:48One frame of Toy Story is so unbelievably complex and detailed,

08:54and when you compare that with the computer graphics

08:57and computer animation that was being done in the early 70s,

09:00I mean, they were just like single points of light

09:03moving around on the screen.

09:07As the computers got more powerful,

09:09the artists who were using them were able to get more artistic.

09:12The movement became far more fluid,

09:16the textures were richer,

09:19and the lighting came from...

09:20They were able to use multiple light sources.

09:25I was working at Disney as an animator

09:27on Mickey's Christmas Carol,

09:29doing Goofy and Donald and Scrooge McDuck and so on,

09:33and two very close friends of mine were working on Tron.

09:36Now, you remember Tron, right?

09:43The moment I saw it, it was like a little door in my head opened up,

09:49and I was like,

09:51this is the future.

09:52This is amazing.

09:53And it wasn't for what I was seeing.

09:56It was the potential I saw in computer animation.

09:58Lasseter left Disney in 1983

10:01to join some of the world's top computer scientists

10:04like Bill Reeves and Ed Catmull

10:06to form the nucleus of a new computer graphics company called Pixar.

10:11Their mission?

10:12To create the world's first computer animated feature film.

10:17We weren't interested in anything that moved or flying logos.

10:20We wanted to have characters and objects come to life.

10:24And this is where John is the master.

10:27At Pixar, Lasseter directed a series of experimental short films

10:32beginning with Luxo Jr. in 1986.

10:36The life came out of purely the movement of it

10:39and the limitations.

10:41The way that the baby moved in comparison to the father

10:44clearly said,

10:46you know, here's a parent and here's a child.

10:50In Red's Dream, one of the things we tried to get was mood.

10:54You know, a dark, rich mood.

10:56And I think we were able to achieve something

10:58that no one had seen in computer animation before.

11:00And that's this, you know, like atmosphere.

11:04This dark, rainy city streets at night and stuff.

11:07It was really interesting.

11:11In 1988, Tintoy won the Academy Award as Best Animated Short.

11:18John Lasseter's unique point of view

11:20was coming more into focus all the time.

11:23Turns out, John sees the world through the eyes of a toy.

11:28In Tintoy, I first started developing this notion

11:31of a juxtaposition with the audience.

11:33It's where you can show them something

11:35that they are so familiar with.

11:37And then all of a sudden you make them look at it

11:38from a different point of view.

11:40Tintoy was followed by another experimental film

11:43called Knick-Knack

11:45and a series of very lively television commercials.

11:50With every project, Pixar was pushing the possibilities

11:54of computer animation.

11:56This did not go unnoticed back at the studio that Walt built.

12:05The Walt Disney Studios has a long history

12:08of breakthroughs in entertainment technology.

12:11Whether it was sound design,

12:14color,

12:17the multi-plane camera,

12:20or audio animatronics.

12:23Where would Pirates of the Caribbean be without them?

12:27Walt didn't miss a trick.

12:29Led by Walt's nephew, Disney Vice Chairman Roy Disney

12:33and feature animation president Peter Schneider,

12:36the studio has continued to explore animation technology

12:39in films like Who Framed Roger Rabbit,

12:44Beauty and the Beast,

12:47and The Lion King.

12:52Ironically, it wasn't Pixar's way with computers

12:55that interested Disney most.

12:58It was John Lasseter's way with characters.

13:00Say, what's that button do?

13:02I'll show you.

13:03Hey, Woody's got something like that.

13:05His is a pull-strap, only...

13:07Only it sounds like a car ran over it.

13:09He happens to work with computer technique.

13:11If he were working in clay, or with puppets, or with models,

13:15I think if John Lasseter were working with socks on his hands,

13:17with two buttons sewn on it, we'd be charmed by it.

13:21The story we're telling here is very different

13:23than a story we've told before.

13:25We've never made a buddy movie.

13:27We've never made a movie set with this level of complexity.

13:31We've never made a movie set with this level of contemporary,

13:34human-type characters.

13:36So what we're doing with John

13:37is something we've never had the license to do before.

13:39When we got the final go-ahead from Disney, The Green Light,

13:43we couldn't believe it was actually going to happen.

13:45You know, but like, so where do you start?

13:48Well, you start where all classic Disney animated films start,

13:52with the story and the characters.

13:55It's always a challenge

13:57any time you try to be the first to do something.

14:00But the biggest challenge in Toy Story

14:02was not the new technology, say the film's producers,

14:06Bonnie Arnold and Ralph Guggenheim.

14:08We knew that we had a great process,

14:10a technique that looked really different and it was unusual,

14:13but we knew also that what really was going to, you know,

14:16sell the picture was a story.

14:18The story came first at all times,

14:19and that's what we wanted to do.

14:21Woody goes over and Sarge is sitting on the table,

14:23and he says, Sarge, establish a recon post downstairs.

14:27Code Red, you know what to do.

14:28Yes, sir!

14:31All right, men, you heard him.

14:32Code Red, repeat, we're at Code Red.

14:34Recon plant Charlie, execute.

14:36What? Move, move, move, move, move!

14:38Just like every Disney animated film,

14:40the director, the writers, and the storyboard artists

14:43worked out the story shot by shot,

14:45and then they began casting the characters.

14:47Little Bo Peep is very dainty because she's porcelain.

14:51You know, she's going to break.

14:52She just moves very daintily.

14:54I know Andy's excited about Buzz,

14:57but you know he'll always have a special place for you.

15:00Because we record the voices separately,

15:02we rely a lot on the director to set the scene for us.

15:05I play Bo Peep as a sort of a Betty Boop-ish,

15:09but I also play a sort of a Betty Boop-ish,

15:11but I also play a sort of a Betty Boop-ish,

15:13but I also play a sort of a Betty Boop-ish,

15:15but I also play a sort of a Betty Boop-ish,

15:17Mae West-y kind of a girl.

15:19I'm just a couple of blocks away.

15:22Wally Shawn plays Rex the dinosaur.

15:25He plays it perfectly as this neurotic, insecure wreck.

15:30What if Andy gets another dinosaur?

15:32A mean one!

15:33I just don't think I can take that kind of rejection!

15:36Perhaps people who, to themselves, are gentle and kindly,

15:42but who, to others, seem large and fearsome

15:47will find my character a source of solace and consolation.

15:54What's going on?

15:56If there is the perfect casting,

15:58I think casting of the century,

16:00it is Don Rickles as Mr. Potato Head.

16:03It's on my box!

16:04Ages three and up,

16:05I'm not supposed to be babysitting Princess Drool!

16:08What are you looking at, you hockey puck?

16:10Face it, if you were Mr. Potato Head,

16:12and you kept losing your facial features every day of your life,

16:16you would have a chip on your shoulder, too.

16:18When we went over to originally pitch the idea to Don Rickles,

16:22it was at his home,

16:23I went in there and I gave him a Mr. Potato Head,

16:27and when I handed it to him, the hat fell off,

16:29and he stood there and he was holding it,

16:31and he looked just like him.

16:33That used to be a wart,

16:34and now it's a whole doll.

16:37Isn't that terrific?

16:39I knew you'd come back, Woody!

16:41Jim Varney, who plays Ernest,

16:43you know, in all the Ernest movies,

16:45he plays Slinky Dog,

16:47who gives him this great southern hound dog kind of quality.

16:51Let me find the moment.

16:52And, you know, to be honest,

16:53I think he used his own dog for inspiration.

16:57When she wants something, she really tries to speak.

16:59It's not just a bark, it's...

17:04And she really tries to form words and make herself known.

17:07And so I'm sort of thinking Maggie's

17:11growl mixed with a voice,

17:13and he sort of comes out like this,

17:14so he's growling and talking at the same time.

17:17Right here, Woody.

17:18I'm red this time.

17:19No, Slink.

17:21Oh, well, all right.

17:22You can be red if you want.

17:23Not now, Slink.

17:24I got some bad news.

17:25Bad news?

17:28Just gather everyone up for a staff meeting and be happy.

17:31Got it.

17:31Be happy!

17:33Hey, what's going on?

17:35The staff meeting?

17:36I didn't get any memo.

17:38Imagine that, nobody can tell me about it.

17:40Hate to break up the staff meeting, but...

17:43John Ratzenberger, who played Cliff Mailman on Cheers,

17:47he plays Ham, this piggy bank.

17:50And he's always sitting up on the shelf,

17:53seeing the whole world.

17:54So he's really kind of a Mr. Know-it-all.

17:57And John was just hilarious at it.

17:59Yes, sir, we're next month's garage sale fodder for sure.

18:02Any dinosaur-shaped ones?

18:04Oh, for crying out loud.

18:05They're all in boxes, you idiot.

18:07You don't seem too popular over there.

18:09When we started seeing the picture come together with our voices,

18:13we began to realize that we were a part of something groundbreaking.

18:19Something really extraordinary.

18:22There's just some sort of all-encompassing kind of liquidity to it

18:27that's undeniable when you see it.

18:35I was quite amazed by it.

18:37It doesn't look like anything I've ever seen.

18:40Where are your rebel friends now?

18:44When that door is closed, all those toys kind of pop up,

18:47and they all have the characteristics and personalities

18:50that you would imagine the toys to have.

18:51And it's mesmerizing.

18:53Five, four, three, two, one.

19:04One of the things that makes Toy Story so unique

19:07is the collaboration between traditionally trained artists and animators

19:11and these amazing computer geniuses.

19:14So my big job today is to act like an angry potato.

19:20Here's how it works.

19:21From the storyboards, the technical directors

19:23model the characters in three dimensions within the computer.

19:27Then the animators, like Pete Docter,

19:30test the models of the characters to see if the animation variables,

19:33or AVARs, work correctly.

19:35I would just make sure that each pose is pushed about as far as I can get it.

19:39And then I've tested a lot of the expressions.

19:42He's got great snarls and sneers.

19:44And then when that's done,

19:46it's ready for the animators to make the characters come alive.

19:49What we try to do is get everything to read just in the acting, the pantomime.

19:53And then when you stick the face on, it'll only plus that.

19:56To give you an idea of how complicated it is,

19:59Woody has 212 animation controls just for his head.

20:0358 for his mouth alone.

20:06While all this is going on,

20:07Ralph Eggleston and his amazing staff designed all the sets in the film.

20:12And we're talking about the neighborhood, the street,

20:15the trees, the leaves on the trees,

20:17the houses, the bedrooms, the beds, the furniture,

20:23all the way down to the little dust balls in the corners.

20:27Hey, guys!

20:28Guys!

20:29Hey!

20:30Son of a building block!

20:31It's Woody!

20:32One of the things we tried to do with this film was to remove it from its

20:37computer look, you know?

20:39The thing that a computer does easiest is straight lines.

20:41And we have our share of straight lines,

20:42because this is a film with a lot of architecture.

20:45But we tried to soften it by rounding the corners slightly here and there

20:50and using a lot of specialized lighting, a lot of bounce light,

20:54a lot of very, very careful lighting, a really great lighting crew on this film.

20:59This was no accident.

21:01The computer animation process from beginning to end looks like this.

21:06All right, that's enough.

21:07Look, we're all very impressed with Andy's new toy.

21:10Toy?

21:11T-O-Y, toy.

21:13Excuse me.

21:13I think the word you're searching...

21:15With the animation stored in the computer's memory,

21:17it was time to add one more vital element to the film.

21:21Getting kind of tense, aren't you?

21:43Look at the blood on this chart.

21:45I slaved weeks over it.

21:47With most of the scenes completed and the film cut to its final length,

21:51it was time to record the music.

21:53Grammy winner Randy Newman composed the score and wrote three songs for Toy Story.

22:00You can't treat it as if exactly as if it were a real picture.

22:04I mean, there's stuff you have to catch, you know, you know.

22:06You know, and if something happens like that, it looks funny if you don't.

22:10Toy Story is a bit of a departure musically from most Disney animated films.

22:15Randy Newman's songs are not sung by the Toy Story characters.

22:20Newman sings them himself.

22:30In the song Strange Things,

22:33Newman sings about how Woody's world unravels after Buzz arrives on the scene.

22:40In I Will Go Sailing No More,

22:48the songwriter has penned a heartfelt lament about the limitations of life as a toy.

23:10Newman and Grammy winner Lyle Lovett sing a duet which captures a child's love for a toy

23:35and vice versa.

23:41Toy Story definitely had a friend in Randy Newman.

23:46I liked the idea of the story and I absolutely loved the people.

23:51I mean, they were even good for regular people,

23:53but for show business, they're like 99th percentile, you know.

23:56These guys are professionals. They're the best.

24:04As the day of the Toy Story release drew near,

24:07the film went through the final days of post-production.

24:10Scenes were rechecked for final color and lighting and then sent back to the lab.

24:17Actors were called back one final time for as little as one line.

24:22Wow!

24:23And the soundtrack got mixed with meticulous attention to detail.

24:33We are in the last two weeks of production.

24:35Um, here, and we're doing the final mix here at Skywalker Ranch.

24:39This is where you take the music Randy Newman has done,

24:42the sound effects Gary Reitzerman has done,

24:44and the dialogue and I'll balance it so that it,

24:47the sound is exactly what you will hear in the theater.

24:50Uh, oh yes, one minor note here.

24:52Andy's birthday party has been moved to today.

24:57What do you mean the party's today?

24:58His birthday's not till next week.

25:00What's going on down there?

25:01In 1982, John Lasseter saw his future.

25:05Inspired by the possibilities of computer animation,

25:09he set out on a 13-year journey.

25:12With Toy Story, he has arrived.

25:15And with him, a generation of artists who use computers

25:19to imagine new stories and new worlds to set them in.

25:27The last four years of this production,

25:29the thing I feel the most satisfaction out of

25:33is the working with the people on the production.

25:38Everybody's going to notice and talk about the fact

25:40this is the very first computer animated feature film.

25:43But the computers are just tools.

25:45They didn't create this picture,

25:47it's the people that created the picture.

25:49And we had such a fantastic group of people

25:51and I had so much fun working with them.

25:53And that's what I'm going to remember for the rest of my life.

25:58I'm going to get stuck with you.

26:09There's a movie, buddy.

26:13You uncultured swine!

26:15Way to go, Idaho!

26:17You all right?

26:20Buddy!

26:21This way!

26:21Years of academy, training, waste!

26:29It's me and you, boy.

26:31Merry Christmas, Sheriff.

26:36A friendship will never die.

26:39Snap out of it, boy!

26:41It's our destiny.

26:43Incoming!

26:45You've got a friend in me.

26:47Yeah, you've got a friend in me.

26:51We're almost there!

26:53You've got a friend in me.

26:55I've learned so much about this medium from making this film

26:58that it's given all of us ideas on what we can do in the future.

27:02And clearly, this is just the beginning.

27:14Our great Disney Channel preview weekend,

27:17your chance to sample the variety of programming

27:19that Disney Channel offers everyone in your family

27:22continues tomorrow when there's a chance to see a rock legend in action.

27:26Seen as never before,

27:28it's Bruce Springsteen in Blood Brothers.

27:31Part one is tomorrow and part two on Sunday at nine o'clock,

27:34only here on the Disney Channel.

27:51Go back to your lives, citizens.

27:53Show's over.

27:54Thank you.

27:55Barnacle Bargainer Media.

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