Có Lẽ Là Yêu 2 Tập 12 Thuyết minh
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TV ve DiziDöküm
00:00Translation and Timing by Tomb Riders Team www.tombridersteam.com
00:30Translation and Timing by Tomb Riders Team www.tombridersteam.com
01:00Translation and Timing by Tomb Riders Team www.tombridersteam.com
01:30Translation and Timing by Tomb Riders Team www.tombridersteam.com
02:01Why do you look so sleepy?
02:05Did you get drunk last night?
02:27Why is this thing here?
02:29What do you want to do in this outfit?
02:32Ask me.
02:33What did you prepare for this outfit?
02:35Tell me.
02:36Who is this outfit for?
02:42This is...
02:44I imagined it.
02:59Hello, Lý Minh Thành. I'm not coming to the office today.
03:08Just stay at your company and handle the case.
03:10Mr. President, do you need any help?
03:12It's okay. Focus on your work.
03:14If there's nothing, don't call me.
03:16Please sign this for me.
03:23Tieu Bùi.
03:24Ms. Chu Thị.
03:25Please correct this part.
03:26According to what I wrote down,
03:27bring it to the editor and sign it.
03:29Got it?
03:30Ms. Chu Thị.
03:31Someone is looking for you.
03:33What's your name?
03:34Vệ Khanh.
03:39So Mr. Vệ Định works at Thượng Giác?
03:43That's right.
03:44So what if he has a job?
03:45As long as Lý Minh Thành and Vệ Khanh are there, it's enough.
03:48But you see,
03:49my office is only this big.
03:51I don't have enough space for the editor.
03:56I think this place is good.
03:57Make it short.
04:00Tieu Bùi.
04:01What's the matter, Ms. Chu?
04:03Send two people to move the desk here.
04:07The editor will be here soon.
04:10Thank you, Ms. Chu.
04:15By the way,
04:17when did you leave last night?
04:20I left when my clothes were dry.
04:22What were you doing when you left?
04:24I was drunk and fell asleep.
04:26Sleep?
04:27Yes.
04:28Ms. Chu Thị.
04:29Your stuff is here.
04:30Where is it?
04:31Put it here.
04:34Okay, let's go out.
04:42How is it?
04:43How is it?
04:44Is this desk suitable?
04:48Yes.
04:49I can look at you.
04:53Then take your time.
04:55I have to work.
05:02You want to tease me, don't you?
05:04I'm not angry.
05:13I'm not angry.
05:21So when do we start doing yoga?
05:23Choose a set you like.
05:25This set is enough.
05:27Let's start.
05:28How to do it?
05:30I'm here.
05:33If you dare to have any bad thoughts,
05:36I'll let you know
05:38what it's like to be a clumsy lover.
05:42Come here.
05:45Okay.
05:48Let's start.
05:49Start what?
05:50Massage your head.
05:52That's it?
05:53Why are you so tired today?
05:55I'm tired.
05:56I'm tired.
05:57I'm tired.
05:58I'm tired.
05:59I'm tired.
06:00That's it?
06:01Why are you so tired today?
06:03Hurry up and start.
06:09The way is not right.
06:11Put your hands up.
06:20What's wrong?
06:21My way is not right?
06:23If you were her,
06:25it would be good.
06:28Do you want me to give you a massage?
06:33No need.
06:35As long as she's with me,
06:38I can see her every day.
06:45I'm sleepy.
06:47I want to sleep.
06:49Can I stay with you until you're drunk?
06:52Okay.
06:58You've seen it all.
07:00He was drunk at that time.
07:02He thought I was someone else.
07:05He imagined it.
07:07I shouldn't have told you about this.
07:10But considering the relationship between you two,
07:13I think you should know.
07:15Open your eyes and imagine.
07:17Imagine?
07:19When did it happen?
07:21Half a year after you left.
07:23She began to appear in the illusion.
07:25I didn't see her anywhere.
07:27Then I went to the doctor.
07:29I took the medicine for a while,
07:31but it didn't get better.
07:33I even saw him enjoying this illusion.
07:36But why did he suddenly get like this?
07:39Love becomes a disease.
07:41But I didn't expect that
07:43when you came back,
07:45he was still sick,
07:47even though I shouldn't have asked.
07:49But between the two of you,
07:51is there something wrong?
07:53No.
07:55His previous illness was also cured by you.
07:58This illusion still has to rely on you.
08:01You are his support.
08:03So what do I have to do?
08:05Do you still like him?
08:07Then continue to love him.
08:09He will get well soon.
08:23Are you done?
08:25Let's go eat.
08:27I'm not hungry.
08:29This exhibition is two years in a row.
08:31In addition to Ngo Tranh,
08:33there are also many works of excellent artists.
08:35I have to strengthen the contract
08:37and decide the works to participate in their exhibition.
08:39I have to go to the exhibition room before 2 o'clock.
08:41Discussing how to arrange the exhibition,
08:43the amount of work is so big,
08:45I need to eat.
08:47There is one more hour left.
08:49After eating, go straight to the exhibition room.
08:51Okay.
09:03Do you only drink this every day?
09:05Yes.
09:07I don't like to eat rice anyway.
09:09Are you kidding me?
09:11Before, when I pursued you,
09:13you gave me whatever I wanted.
09:15There was only food that I couldn't resist.
09:17Now I tell you again,
09:19everyone will change, right?
09:21Do you want to drink coffee?
09:23I make you a cup.
09:43Have you treated yourself like this for the past two years?
09:45Fortunately, you came back.
09:57Excuse me, do you order now?
10:01You suddenly came to see me.
10:03I was so surprised.
10:07What's the matter with you? Just say it.
10:09Snow is a family business.
10:11The most important thing is unity.
10:13You have done a great job for Snow.
10:15But in the end,
10:17she was only adopted.
10:19Snow certainly likes you to make money for her family,
10:21but to really hand over the company to you,
10:23I guess
10:25most people will not agree.
10:27They want to find someone
10:29to inherit the bloodline of the Snow family.
10:31At first, I contributed to the award,
10:33but you couldn't object.
10:35I know in your heart
10:37you don't value the award too much.
10:39I guess this two-year exhibition
10:41is just a challenge for the Snow family
10:43to make money for the bloodline.
10:45Does it have anything to do with
10:47whether or not I can inherit the family business?
10:49You let Chu Thi participate in this
10:51just to get my attention.
10:53Let me get away from this sadness.
10:55You have to know
10:57that I have the ability to help the award succeed,
10:59get a place to stand firmly,
11:01win or lose.
11:03You have to look at Snow's attitude.
11:05Let me think about it.
11:07If you want to help me,
11:09I don't need to know what method you use.
11:11I can give you everything you want,
11:13provided that
11:15you have to let Chu Thi participate.
11:17I didn't expect it to be so long,
11:19but the boss is still stubborn
11:21like her.
11:23I'm a little jealous.
11:25So I can understand that
11:27we have reached a consensus.
11:29I believe the boss's eyes
11:31will definitely give the right choice.
11:39What are you doing?
11:41Sister Chu Thi, come and see.
11:51I just went to Bono.
11:53I think you probably don't want to go out
11:55to eat to make sure they buy these dishes.
11:57What do you want to eat?
11:59You can choose.
12:01Boss, can you change
12:03your mask?
12:05Like this mask?
12:07It's too little.
12:11Xiao Pei, have you eaten yet?
12:13Not yet.
12:15Everyone hasn't eaten yet.
12:19Everyone eat together.
12:21Thank the boss.
12:23Thank the boss.
12:25Thank the boss.
12:35Okay, I got it.
12:37We will try to improve the problems you have raised.
12:39After finishing, I will send it back to you to confirm again.
12:41Okay.
12:43Thank you.
12:45Okay.
12:47It's getting better and better.
12:49I used to be your assistant.
12:51I didn't even know how to answer the phone.
12:53Thank you for your compliment.
12:55Thanks to you for giving me good basic skills
12:57so I can be like today.
12:59Thank you so much.
13:01I will never forget it.
13:03Can I eat sushi?
13:15When did you become a woman?
13:19What do you know?
13:21Don't let lipstick stick.
13:27I'm full.
13:29You eat a lot.
13:31You haven't eaten anything all day.
13:37What is your idea
13:39about arranging the content of the exhibition
13:41once every two years?
13:43Shu Jia is a young company,
13:45so I want to show the young spirit
13:47in the exhibition once every two years
13:49The most recent work of Ngo Tran
13:51is the lead work of the exhibition.
13:53The exhibition is very themed.
13:55It's really a masterpiece of Ngo Tran's works.
13:57But if you compare it to the commercial value,
13:59the most commercial value of the exhibition
14:01is the plant-based set.
14:03It is more realistic,
14:05more in line with the popular realistic concept.
14:07People are more likely to accept it.
14:09No, although the exhibition is classic,
14:11it is also the early works of the period.
14:13It may satisfy the feelings of a group of fans,
14:15but it may not attract a new group of fans.
14:17It's not that hard. It's just a matter of whether the conditions are reasonable or not.
14:22This is my first time organizing an exhibition in a foreign country. You have more experience than me. You know the market better.
14:27Of course, I was the one who went first. But I also planned for a few exhibitions abroad.
14:32Although the scale is not large, but in terms of how to attract young people, I still have a certain experience.
14:37The scene of the market in the country is different from that of abroad.
14:42The audience of the exhibition in the country is always limited to a small number.
14:47It's hard for the public to accept it.
14:52So when the public accepts new things, they tend to choose classic works rather than new works.
14:57You're right about that. So before that, we investigated a lot of data.
15:02The conclusion is completely different from yours. People want to see new works rather than classic works.
15:07If you search online, you'll find it right away. As you said, there aren't many people lining up to see Mona Lisa every year.
15:12But the public sees it as a famous work, not an art.
15:17As you said, you have to choose a classic work. Famous works and art are always parallel.
15:22So the audience can also choose according to their preferences.
15:27But I said that the name of the exhibition is not intended to transfer the title of the classic work.
15:32You still have to do it according to my plan.
15:37You have to know that the organizers of this exhibition are ordinary people.
15:42The audience is only on the same side, so this time it's easy to arrange. You have to listen to me.
15:47Just do everything as I said.
15:52Is there anything else? Why do you look so bad?
15:57Now the president is very determined. I just gave her an opinion.
16:02As a result, I said one sentence, and she said another ten sentences. She didn't give me a chance to speak up.
16:07Let me guess. Did you take her experience to force her?
16:12I have more experience. Shouldn't she respect a man like me?
16:17President, I remember you hate to talk about experience.
16:22What is that?
16:27It's not right. Whose side are you on? Why are you on Thuy's side?
16:32Of course we are on your side.
16:37But if you want to make peace with Thuy, you have to be tolerant.
16:42Thuy's personality is that the stronger you meet, the bigger she gets. The more you try, the more she tries.
16:47President, so we don't bother you anymore, or does the president need our help?
16:52No need. I just need to learn from you.
16:57Listen to your wife. Your wife is just a lover.
17:03Hello, can you get me a cup of warm water?
17:08Yes, please wait a moment.
17:33Thank you.
17:41What's wrong? Are you uncomfortable?
17:44I'm fine. My stomach hurts. I have a stomachache.
17:47What's the problem? You don't eat on time every day. You can't stand stomachache.
17:56Are you hungry?
17:59I'm a little hungry.
18:01Then I'll take you to eat.
18:03No, I'm not done yet.
18:05You have to. You ate all the sushi.
18:10How about this? I'll go find you something to eat.
18:14When you're done, I'll take you to eat.
18:17Okay.
18:19Stupid.
18:30This is called life.
18:34If you want to live like this, you have to eat on time.
18:39I also want to eat on time, but I don't have time to pay attention to my daily work.
18:45Do you have to be so lazy to work?
18:48Shouldn't you be a little lazy when you're young?
18:51You used to be even lazier when you set up the company.
18:57It's because you've suffered.
19:03That's why I don't want you to suffer.
19:06This can't be avoided.
19:08If you don't suffer from this, you have to suffer from something else.
19:12It's called energy conservation. Do you understand?
19:18Actually...
19:21Actually...
19:22Stop.
19:23If you still want me to go back to Myanmar, you'd better not say it.
19:26If you say it again, I'll just argue with you.
19:35Can you tell me why?
19:37I want to know the real reason.
19:39The real reason is...
19:43I really don't want to be your underling anymore.
19:45Look at your attitude today in the photo studio.
19:48If I continue to be your underling, I'll be so mad at you.
19:52Don't object.
19:55Actually...
19:58Distance is beautiful.
20:00I hope we can keep a safe distance like this for a while.
20:04It's good for you, it's good for me.
20:09Thuy.
20:12Thanh Hoc.
20:14Is anyone home?
20:23I'm so hungry.
20:27I really miss the old days when I could eat home-cooked rice.
20:32It was still better than going to school.
20:38It's too much.
20:40I've eaten all the vegetables, and I'm still so full.
20:52I'm home.
21:05You're back.
21:08Aren't we supposed to film at night?
21:10Why did you send me here?
21:22What do you want to eat? Put your feet down.
21:25Do you want to eat gunpowder?
21:27You've just come home and you're already angry.
21:29If you want to live in my house, you have to follow my rules.
21:34Shut up.
21:36When did you become friends with him?
21:38Theoretically, Tiet Ninh is now just a temporary memory loss Ninh Phi.
21:42Because the nature is the same person.
21:44I'm just a change of feelings.
21:46I'm just for Ninh Phi, for Tiet Phi.
21:49There's nothing wrong with that. Listen to me.
21:52You still have to learn to understand the problem.
21:54I advise you to treat me well.
21:58If I don't, I'll be upset.
22:00Ninh Phi will be upset, too.
22:03Are you sure Ninh Phi will be upset?
22:05To put it simply, she is now Tua Ha and Thanh Ha.
22:09If you want to meet Tua Ha, you have to take good care of Thanh Ha first.
22:14I understand this. Clap your hands.
22:18Good. Very good. It depends on you two.
22:22I'm so angry.
22:23Wait a minute.
22:25Where did I sleep last night?
22:28Of course, I don't mind sleeping where I slept last night.
22:32Where did she sleep last night?
22:38Of course, she slept on the sofa last night.
22:41Don't worry. I will definitely arrange for you an excellent position.
22:47Are you going to let me sleep here?
22:50There is no door.
22:52What about my privacy?
23:04Privacy?
23:10Mrs. Thanh Hau
23:13It's useless for you to beg me.
23:15Ninh Phi used to sleep here.
23:17In return, you are very fair.
23:19I really like your political fairness.
23:23Go. Sign the contract.
23:25Let's go.
23:30She asked me to sleep next to the doorbell.
23:33She asked me to sign the contract of the devil.
23:35It's all about the devil.
23:38Don't bring other friends to play.
23:41At home, it's just called Ninh Phi.
23:44It's too much.
23:46If you like to sign, sign. If you don't sign, change.
23:50You have to cooperate with Lam Phi Phi's treatment.
23:54What treatment?
23:57Are you crazy?
23:59I'm treating you.
24:01It's still the same in the movie.
24:03Losing memory after brain injury.
24:05Hit again to restore memory.
24:08I just want to try it once.
24:10It's not just science.
24:12Losing memory is a complex medical process.
24:15If the brain is seriously injured,
24:17causing damage to the occipital lobe, occipital lobe,
24:20occipital lobe, occipital lobe, occipital lobe,
24:22brain tissue of the brain and central brain
24:25are all likely to cause memory loss.
24:27But two severe injuries can restore memory.
24:32This has not been scientifically proven yet.
24:35I think you should just watch the movie.
24:38I have to control my strength.
24:41Are you crazy?
24:44You don't have to sign.
24:46Now you still have time to regret.
24:53How long do you dare to beat me to death?
24:55Anyway, I was injured.
24:57It means that Ninh Phi was injured.
24:59Watch it yourself.
25:08Where are you going?
25:10Take a shower.
25:12Do you want to go crazy?
25:26Can you tell me if he can restore his memory?
25:29Everything can happen.
25:32Now Ninh does not want to face the past.
25:35He doesn't want to face his weak self before.
25:38If he can withstand such shock and loss,
25:40he can recover his memory.
25:42So let's find someone to beat him up.
25:45Don't be reckless.
25:47Absolutely don't be reckless.
25:49I don't care.
25:51As long as he can restore his memory,
25:53I will try everything.
25:56Oh my god.
25:58It's so cold.
26:00Lam Phi Phi is you again.
26:02What are you going to do?
26:04I heard that the sudden impact
26:06can help restore memory.
26:08I want to try it.
26:10I don't care.
26:12I like to take a cold shower.
26:14I often take a shower, so my skin is beautiful.
26:17Lam Phi Phi.
26:19I have a cold.
26:21You have to take responsibility.
26:23There are girls here.
26:25Can you pay attention to them?
26:27Tell me.
26:29How do you compensate me?
26:31This is a necessary sacrifice
26:33for the good of the world.
26:35If you don't compensate me,
26:37I won't be able to recover my memory.
26:39I don't care.
26:41I don't care.
26:43I don't care.
26:45This is a necessary sacrifice
26:47for the good of the world.
26:49Although I feel very guilty,
26:51this situation is hard to avoid.
26:53Since you have signed the contract,
26:55bear with it.
27:01What are you doing?
27:03Do you hate me that much?
27:05You must make me disappear, right?
27:07If you don't disappear,
27:09he won't come back.
27:11He is better than you.
27:15I have a cold.
27:17What else can I do?
27:19I'll get you some medicine.
27:21I don't take medicine.
27:23I'm hungry.
27:25Go cook noodles for me.
27:27What?
27:29Do you want me to cook noodles for you?
27:31What?
27:33No?
27:35Okay.
27:37You asked for it.
27:39Go.
27:45It looks good.
28:07It took me a long time to cook noodles.
28:09You don't respect me at all.
28:11Your noodles are poisonous.
28:13Do you know how many people
28:15want to eat noodles
28:17because of you?
28:25What's wrong?
28:27It's not good.
28:29Your noodles are poisonous.
28:37You hurt my self-esteem.
28:43Your noodles are poisonous.
28:57You can't even protect
28:59your only love.
29:01Why are you so stupid?
29:13Can you give me
29:15your honest heart?
29:17If it's that if,
29:19I'm willing to hurt
29:21to free you.
29:29I have revised the arrangement.
29:31Based on your opinion,
29:33this is the plan after the revision.
29:35Take a look.
29:37No need to look.
29:39I agree.
29:41What do you mean?
29:43This plan is good.
29:45Use it.
29:47Don't you always want to use
29:49the classic painting?
29:51Why did you change your mind suddenly?
29:53I've thought it through.
29:55For me,
29:57the exhibition is not important.
29:59You can arrange it yourself.
30:01As long as you're happy.
30:03It's easy to arrange.
30:05I'm talking to you.
30:07This plan is good. Use it.
30:09But you haven't seen it yet.
30:11You don't need to see it. I believe you.
30:13Okay, that's it.
30:15Let's go eat.
30:17What can you do with this plan?
30:19Wei Qian,
30:21can you be serious?
30:23I've thought it through
30:25and revised it.
30:27Can you respect my work?
30:29Yes.
30:31You're wrong.
30:33I'm under a lot of pressure.
30:35What do you mean?
30:39I don't mean that.
30:41Why are you not happy?
30:45Wei Qian,
30:47I don't need to know
30:49why you come to me.
30:51In the company,
30:53we are just business partners.
30:55If you can't even respect me,
30:57I hope you leave here immediately
30:59and don't bother my work.
31:01Okay.
31:09Go ahead.
31:11Don't be angry.
31:21I'm so angry.
31:25Xiao Pei,
31:27if Wei Qian comes back,
31:29don't bother my work.
31:41Come in.
31:45Shi Shi.
31:49Brother Ming Cheng,
31:51why are you here?
31:59He asked you to come here,
32:01didn't he?
32:03The president asked you to come
32:05to take over the exhibition twice.
32:07You only know how to make a fool of yourself.
32:09What are you arguing about?
32:11I can see the president's face.
32:13It hurts.
32:15I don't want to mention it.
32:17Brother Ming Cheng,
32:19I don't think you look good.
32:21Is it the name of the textbook
32:23that makes you look bad?
32:25No.
32:27But it's also the president who values you
32:29and assigns you to do a lot of important things.
32:31Including Wei An, he always supports you.
32:33It's true that he's a little busy, but it's fun.
32:35And you have changed a lot,
32:37Shi Shi.
32:39You are no longer the girl you used to be.
32:41Anyway, not everyone can
32:43scold him like that.
32:45That's right.
32:47Although we have just entered society,
32:49we have all changed.
32:51Not like Sister Tan,
32:53who thinks as clear as day.
32:55She is already a member of society.
32:57That's right.
32:59So I really appreciate her transparency.
33:01I hope I can protect her.
33:05I really admire Sister Tan.
33:07If only Wei An could respect his girlfriend
33:09half as much as you do,
33:11you wouldn't be so angry.
33:13Shi Shi.
33:15In fact, the president cares about you very much.
33:17It's just that he sits in that position.
33:19Sometimes it's hard to avoid
33:21having different opinions about things.
33:23More than half of the people
33:25have been in love for a long time.
33:27The president has become insecure,
33:29so he has a strong desire to control.
33:31But now he has tried to change.
33:33Before you came,
33:35he especially told you
33:37to be nice to him.
33:39It's true that you have said
33:41a lot of good words to him.
33:43Let him raise your salary.
33:45By the way,
33:47are you and Sister Tan okay?
33:49When will you pick her up?
33:51She said
33:53she still wanted to stay in Feifei's place.
33:55A few more days.
33:57I respect her opinion.
33:59If she wants to go home,
34:01you can pick her up anytime.
34:03What happened between you two?
34:05I don't know.
34:07Did she tell you
34:09what the reason was?
34:11Forget it.
34:13Let's talk about work first.
34:15Give me the plan.
34:17Yes.
34:21Let's go.
34:45Honey.
34:47Have you eaten?
34:51Let me know
34:53when you want to go home.
34:55Can you pick me up?
34:59Why are you angry?
35:21Why are you angry?
35:51Before I go,
35:53I have a question for you.
35:55Do you remember me?
35:57Toc Thu Tinh.
35:59Honey, don't call me honey.
36:01I heard you say Toc Thu Tinh.
36:03Do you know who you are calling?
36:05That person is not here now.
36:07Did she know
36:09something?
36:21Honey.
36:23Honey.
36:49Come in.
36:53Come in.
36:57Director.
36:59I've finished my work.
37:01I'll wait for you here for an hour.
37:03Okay.
37:07I'll see you out.
37:23Do you have any plans later?
37:25Not yet.
37:27It's okay.
37:29Take your time.
37:31You're still young.
37:33There are many opportunities waiting for you.
37:35Director.
37:37Why are you still talking nonsense?
37:39Goodbye, Rachel.
37:41I wish you a bright future.
37:43Director.
37:45No, Minh Thanh.
37:47This time,
37:49I won't see you again.
37:51Can you call my name one more time?
37:55It's better to call you Rachel.
37:57In my heart,
37:59Rachel is Rachel.
38:01Toc Thu Tinh is Toc Thu Tinh.
38:05Take care.
38:21Okay.
38:27Give this contract to
38:29painter Ngo Trinh.
38:31Yes, director.
38:33Senter is in a good mood.
38:35She even called me.
38:37Hello.
38:39Where are you?
38:41I'm about to go to your company.
38:43I want to see Andrea.
38:45What's going on?
38:47Director.
38:49Director.
38:53Good morning.
38:55What are you doing?
38:57What are you doing?
38:59Secretary Ngo Trinh just called.
39:01She said the contract has a problem.
39:03She wants to cancel the cooperation.
39:05What?
39:17I want to see you.
39:19I want to see you.
39:21I want to see you.
39:23I want to see you.
39:25I want to see you.
39:27I want to see you.
39:29I want to see you.
39:31I want to see you.
39:33I want to see you.
39:35I want to see you.
39:37I want to see you.
39:39I want to see you.
39:41I want to see you.
39:43I want to see you.
39:45I want to see you.
39:47I want to see you.
39:49I want to see you.
39:51I want to see you.
39:53I want to see you.
39:55I want to see you.
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40:01I want to see you.
40:03I want to see you.
40:05I want to see you.
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41:01I want to see you.
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41:07I want to see you.