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Transcript
00:00:00I'm here, large, tremendous, humongous, money growing up out of my wallet like a fungus,
00:00:29my face means credit everywhere I go, never waiting online to get my debt to slow, I got
00:00:33a yacht in every color for the days of the week, and by the way, let's speak, you know
00:00:37my pockets are deep, a lot of limos, jets, and assets, I'm in charge, I'm not giving
00:00:40up a cent, I'm living large.
00:00:52Yo, y'all, this is the tales of the tapes of Dexter Jackson.
00:00:57Now, Dexter Jackson was my main man, and for as long as I've known him, he always wanted
00:01:02to be on TV.
00:01:07Me, I just wanted to watch him.
00:01:10But Dexter, he always dreamed of being an anchorman and living large.
00:01:18What's up, fellas?
00:01:19Yo, man.
00:01:20Hey, Dexter, you still trying to get on the TV news?
00:01:23The only way he's going to get on the TV is in one of them chalk outlines.
00:01:29Just ignore them, Dexter.
00:01:31They're just like crabs in a barrel.
00:01:33Just keep on doing what you're doing, and don't let nothing stop you.
00:01:37Yo, bro, lady wants 606.
00:01:40I got it.
00:01:41Aight.
00:01:42Later, y'all.
00:01:44Find your celebrity.
00:01:46I'm living large like a pirate, even if I don't desire it.
00:01:49I still ride so the people can admire it.
00:01:51Thank you.
00:01:52Notes taped to boats from the banks.
00:01:53I'm in the world's richest.
00:01:54People start to freak at how I'm ranking.
00:01:56In the king's side's house, there used to be a museum.
00:01:58I got tropical birds.
00:01:59Did you see them?
00:02:00I got a whole fleet of antique cars in my garage with gold on each seat belt.
00:02:04I'm living large.
00:02:06How you doing, Anna-Mae?
00:02:07Hey, baby.
00:02:08Put those over there and pick up the new load.
00:02:12How you doing, beautiful?
00:02:14Now, a lot of people thought my boy Dexter was a pain in the booty butt.
00:02:17Hey, hey, lady.
00:02:18And he was.
00:02:19Excuse me.
00:02:20What do you think about the transportation system?
00:02:21Is it safe enough for you?
00:02:22Yeah, it made me take all my clothes.
00:02:23Well, do you feel safe riding the bus at night?
00:02:24Come on, just speak right here in this microphone.
00:02:25But nothing was going to stop the brother.
00:02:26You see what I mean?
00:02:27Get out of the way.
00:02:28Come on.
00:02:29Hey, lady, lady.
00:02:30Get out of the way.
00:02:31Get out of the way.
00:02:32Get out of the way.
00:02:33Get out of the way.
00:02:34Get out of the way.
00:02:35Get out of the way.
00:02:36Get out of the way.
00:02:37Get out of the way.
00:02:38Get out of the way.
00:02:39Get out of the way.
00:02:40Get out of the way.
00:02:41Get out of the way.
00:02:42Get out of the way.
00:02:43Get out of the way.
00:02:44Get out of the way.
00:02:45Get out of the way.
00:02:46Get out of the way.
00:02:47Get out of the way.
00:02:48Get out of the way.
00:02:49Get out of the way.
00:02:50Get out of the way.
00:02:51Get out of the way.
00:02:52Get out of the way.
00:02:53Get out of the way.
00:02:54Get out of the way.
00:02:55Get out of the way.
00:02:56Get out of the way.
00:02:57Get out of the way.
00:02:58Get out of the way.
00:02:59Get out of the way.
00:03:00Get out of the way.
00:03:01Get out of the way.
00:03:02Get out of the way.
00:03:03Get out of the way.
00:03:04Get out of the way.
00:03:05Get out of the way.
00:03:06Get out of the way.
00:03:07Get out of the way.
00:03:08Get out of the way.
00:03:09Get out of the way.
00:03:10Get out of the way.
00:03:11Get out of the way.
00:03:12Get out of the way.
00:03:13Get out of the way.
00:03:14Get out of the way.
00:03:15Get out of the way.
00:03:16Get out of the way.
00:03:17Get out of the way.
00:03:18Get out of the way.
00:03:19Get out of the way.
00:03:20Get out of the way.
00:03:21Get out of the way.
00:03:22Get out of the way.
00:03:23Get out of the way.
00:03:24Get out of the way.
00:03:25Get out of the way.
00:03:26Get out of the way.
00:03:27Get out of the way.
00:03:28Get out of the way.
00:03:29Get out of the way.
00:03:30Get out of the way.
00:03:31Get out of the way.
00:03:32Get out of the way.
00:03:33Get out of the way.
00:03:34Get out of the way.
00:03:35Get out of the way.
00:03:36Get out of the way.
00:03:37Get out of the way.
00:03:38Get out of the way.
00:03:39Get out of the way.
00:03:40Get out of the way.
00:03:41Get out of the way.
00:03:42Get out of the way.
00:03:43Get out of the way.
00:03:44Get out of the way.
00:03:45Get out of the way.
00:03:46Get out of the way.
00:03:47Get out of the way.
00:03:48Get out of the way.
00:03:49Get out of the way.
00:03:50Get out of the way.
00:03:51Get out of the way.
00:03:52Get out of the way.
00:03:53Get out of the way.
00:03:54Get out of the way.
00:03:55Get out of the way.
00:03:56Get out of the way.
00:03:57Get out of the way.
00:03:58Get out of the way.
00:03:59Get out of the way.
00:04:01Get out of the way.
00:04:02Get out of the way.
00:04:03Get out of the way.
00:04:04Get out of the way.
00:04:05Get out of the way.
00:04:06Get out of the way.
00:04:07Get out of the way.
00:04:08Get out of the way.
00:04:09Get out of the way.
00:04:10Get out of the way.
00:04:11Get out of the way.
00:04:12Get out of the way.
00:04:13Get out of the way.
00:04:14Get out of the way.
00:04:15Get out of the way.
00:04:16Get out of the way.
00:04:17Get out of the way.
00:04:18Get out of the way.
00:04:19Get out of the way.
00:04:20Get out of the way.
00:04:21Get out of the way.
00:04:22Get out of the way.
00:04:23Get out of the way.
00:04:24Get out of the way.
00:04:25Get out of the way.
00:04:26Get out of the way.
00:04:27Get out of the way.
00:04:28That's not good.
00:04:29Three-year-olds know that.
00:04:30Don't worry, sweetie, don't worry.
00:04:31News for Atlanta.
00:04:32Dexter, Dexter, let's get a move on.
00:04:33All right, all right,
00:04:34I just don't want to put no peace in this.
00:04:40Perfectamundo.
00:04:41You cannot rush genius, Nadine.
00:04:44Then why are you fooling with that video crap?
00:04:46We got a ton of clothes that need pressing.
00:04:48It ain't crap, that's my homework.
00:04:49Oh, you and that Ajax school of broadcasting
00:04:50is about to drive me out of business.
00:04:54If Dexter don't study his tape, how's he ever going to be an Anchorman?
00:04:57Yeah, like my man Clifford Worthy.
00:04:59Anchorman?
00:05:01They're not going to put you on the news.
00:05:03Take this cleaning to the plant.
00:05:05You keep at it, baby. I know you can do it.
00:05:11If I may interrupt the two of you to bring you this special broadcast,
00:05:15as far as that school goes, you are wasting your money.
00:05:19You should be.
00:05:21Honey, you should be putting all your energy into making this business grow.
00:05:27You know, Mom and Dad.
00:05:29Let's this business to us.
00:05:31So we can have something to hold on to.
00:05:37Is that Mr. Gilmore's shirt?
00:05:39Huh? Huh? Huh?
00:05:41Get it off. Get it off.
00:05:43I've told you about wearing customers' clothes.
00:05:45Get it off. Get it off.
00:05:47He ain't coming in till next Tuesday.
00:05:49I'm going to take the cost of re-cleaning it out of your paycheck.
00:05:51Get it off right now. I've told you about wearing the customer clothes.
00:05:53Get it off, and I'm going to charge you.
00:05:55And you know something else? I'm going to take a look.
00:05:57It's funky.
00:05:59You do what you gotta do, all right?
00:06:03I told you.
00:06:05Thanks, baby.
00:06:07Don't be trying to kiss on me.
00:06:09I got to go now. See you in a minute, baby.
00:06:11Don't be encouraging my brother in this childishness, okay?
00:06:15Nadine, you watch.
00:06:17This is going to make something out of himself one day,
00:06:19and I'm going to be right there with him.
00:06:21Mm-hmm. Standing in the unemployment line.
00:06:37Unit 25. Unit 25.
00:06:39See the man.
00:06:41Nicholson Project, Unit 707.
00:06:43District Court 459.
00:06:45Domestic disturbance.
00:06:47Woman beating her husband.
00:06:49Any units in area, clear emergency channel.
00:06:51Shots have been fired at children hostage situation.
00:06:5316th floor Healy Building.
00:06:55Dome Paramilitary Headquarters.
00:06:57Area Universe, northeast corner, Poplar and Peachtree.
00:06:59Use caution approaching.
00:07:01Suspect is heavily armed and considered dangerous.
00:07:03This should be live.
00:07:05Repeat, suspect is considered heavily armed and dangerous.
00:07:07Shots have been fired at children hostage incident.
00:07:0916th floor.
00:07:11Healy Building. Dome Paramilitary Headquarters.
00:07:13Area Universe.
00:07:15All units...
00:07:17Yeah, yeah.
00:07:19Donut shake. That'll work. That'll work.
00:07:25Please stay behind the police barricade.
00:07:29Stay behind the police barricade.
00:07:31Excuse me. Excuse me.
00:07:33You will be subject to arrest.
00:07:35You will be subject to arrest.
00:07:37Stay behind the police barricade.
00:07:39Excuse me. Come on.
00:07:41Come in through. Come in through.
00:07:43I got a delivery to make. Come on. Come on.
00:07:45Excuse me. Excuse me.
00:07:47Yo, yo. Delivery.
00:07:49Where do you think you're going?
00:07:51I got donuts for the crew.
00:07:53Send me a jelly. I'll let you know.
00:07:55Bet.
00:07:57Yo, Charles Hempstead, Channel 4.
00:07:59What's up, man? How you doing?
00:08:01Can't you see I'm busy?
00:08:03I'm sorry. Look, my name is Dexter Jackson,
00:08:05and I take classes at the Ajax School of Broadcasting,
00:08:07and it's for the work that you all elect my heroes, man.
00:08:09I was wondering if you had a chance,
00:08:11could you possibly please take a look at my tape, you know?
00:08:13Please?
00:08:15This is the tape? Yes, sir.
00:08:17It sucks.
00:08:19Now, beat it.
00:08:23There's always one.
00:08:25Why do these people always bother me?
00:08:27Let's go, Jimmy.
00:08:31Uh-uh. You can't go in there.
00:08:33Hey, we're media.
00:08:37You watch television?
00:08:39Do you really want to do this out there?
00:08:41I've got to have the building in the background, you knucklehead.
00:08:45You got that?
00:08:47Be sure to shoot my left side, Jimmy.
00:08:49So let's look at this new storm front
00:08:51developing over Siberia,
00:08:53moving southeast into Alaska
00:08:55and creating a massive cold front
00:08:57for the entire USA.
00:08:59Which brings us to this nasty high-pressure system
00:09:01happening over the Carolinas.
00:09:03Whoops. Those are the Dakotas.
00:09:05But it's raining there, too.
00:09:07Trust me.
00:09:09In fact, there's a lot of participation...
00:09:11That is one world-class weather billboard.
00:09:13...and snow and other wet kinds of weather...
00:09:15We've got to get on the air with Charles
00:09:17before the competition shows up.
00:09:19Cut her off now!
00:09:21Go into the field, boys. Y'all ready?
00:09:23Ready to go live?
00:09:25We interrupt our weather to bring you this special bulletin.
00:09:27Jimmy, check your focus one time.
00:09:29This is a hell of a coup for us, Kate.
00:09:31It will be if Charles doesn't find a way to screw it up.
00:09:34Stand by remote.
00:09:36Be sure to shoot me on my left side, Jimmy.
00:09:38Go to Charles in three, two...
00:09:40Open his mic. Cue Charles.
00:09:42I'm Charles Hempstead, coming to you live...
00:09:44Oh!
00:09:46Oh, my God! What happened?
00:09:48He just screwed it up.
00:09:50Jimmy!
00:09:52Hey, Jimmy, what's going on?
00:09:54Jimmy, what's happening?
00:09:56Jesus! Charles has been shot!
00:09:58Stand by to go to commercial in five,
00:10:00four, three...
00:10:02No! No, stay with this.
00:10:04What? You can't stay with this!
00:10:06Goddammit, Kate, as general manager, I assist...
00:10:08Excuse me! In this control room, I'm the boss.
00:10:10So, please, let me do my job, okay?
00:10:12That is not one of your three-headed baby stories
00:10:14up on that screen, woman!
00:10:16That's our anchorman lying there dead!
00:10:18Oh, Roger, take it easy.
00:10:20Let her do her job.
00:10:22If I want the opinion of my sales manager,
00:10:24I'll ask for it, Martin. Otherwise, shut the fuck up.
00:10:26Jimmy, talk to me.
00:10:28Jimmy? Hey, hey, hey, look at this.
00:10:30What the hell?
00:10:32Somebody talk to me!
00:10:34What am I supposed to do?
00:10:36What the hell is going on, Jimmy?
00:10:38Somebody's picking up the microphone.
00:10:40They're robbing him!
00:10:42Zoom out, you idiot!
00:10:44Who the hell is this?
00:10:46This is Dexter Jackson.
00:10:48Who?
00:10:50Yeah, yeah.
00:10:52Yeah, that's right.
00:10:54Dexter Jackson.
00:10:56Coming to you live, Jim.
00:10:58It live in color.
00:11:00From downtown in front of this big old building
00:11:02where this motherfucker...
00:11:04I mean, this sniper
00:11:06is holed up in the offices of the Boy Guides of the Aryan Universe.
00:11:08Yo, and just moments ago,
00:11:10he shot and...
00:11:12killed?
00:11:14Shot and killed Charles Hempstead,
00:11:16the dopest anchorman on the dial.
00:11:18Yo, and a personal hero of mine.
00:11:20For Christ's sake, Katie, he isn't even speaking English.
00:11:22We're all missing.
00:11:24The sniper didn't, but we will.
00:11:26Cut that clown off now!
00:11:28Don't you dare.
00:11:30That clown is the only one down there
00:11:32who seems to have a clue as to what's going on.
00:11:34Yo, yo, wait, wait. And bust this.
00:11:36He's got hostages up there.
00:11:38About 15 boy guides and some administrative personnel.
00:11:40Now, you know, the boys in blue don't know what's up as usual.
00:11:42You know what I'm saying?
00:11:44Hey, hey, hey. Yo, man, I'm on air.
00:11:46And the sniper's on the phone?
00:11:48He's watching right this very minute on TV.
00:11:50Word. He's checking us out?
00:11:52Yeah.
00:11:54What's up, man?
00:11:56He wants you to come up there.
00:11:58He says he'll give the interview of a lifetime
00:12:00and maybe let the hostages go.
00:12:02All right, man, look, I'll be right up.
00:12:04Come on, let's go.
00:12:06I ain't going, man.
00:12:08Yo, man, we owe it to those kids up there.
00:12:10Screw them. I'm not going.
00:12:12All right, all right, well, then show me how to work this camera.
00:12:14I'm responsible for this camera.
00:12:16Give him the camera, you chicken-hearted bastard!
00:12:18All right.
00:12:20Okay. Harry, get the bell.
00:12:22Come here, kid.
00:12:24This is a $40,000 piece of equipment.
00:12:26For this old thing?
00:12:28It's your butt if you break it, you understand me?
00:12:30I handle stuff like this all the time.
00:12:32You're gonna need a sun gun, too.
00:12:34You just keep it pointed straight and stay wide.
00:12:38Point it, stay wide. Yeah, all right.
00:12:40Good luck, buddy.
00:12:42Thanks, man.
00:12:44Try and get those kids out of there.
00:12:46Okay, so here we go.
00:12:48We're walking down Poplar Street,
00:12:50Oh, yo, yo.
00:12:52This is Dexter Jackson, Channel 4 News
00:12:54and the Ajax School of Broadcasting.
00:12:56I'm stepping into the mouth of the danger.
00:12:58I'm on my way into that building right up there.
00:13:00Put some live one-on-one
00:13:02with that sniper Jim.
00:13:04Yeah, buddy.
00:13:06This is all the way live.
00:13:08Oh, Nick, they got the boys in black.
00:13:10The SWAT team is on the case.
00:13:12All right, oh, there's one right over there,
00:13:14and here's one over here.
00:13:16Oh, yo, man, you want to say something to your mama?
00:13:18You want a cup? I'm sorry. Okay.
00:13:20Now we're walking down the street,
00:13:22and we're walking in, and we're walking up the stairs here,
00:13:24and are we going into the building?
00:13:26Yeah.
00:13:28And ain't nobody here.
00:13:30So it's, well, it's just me, y'all.
00:13:32Yeah, okay.
00:13:34All right, so I'm walking in the lobby.
00:13:36Man, it look like a tomb up in here.
00:13:38Can you tell somebody live here?
00:13:40All right, okay, okay, here it is.
00:13:42We're gonna press the button.
00:13:44Ah, this is Dexter Jackson,
00:13:46Channel 4 News taking you
00:13:48where no other news team dares to go.
00:13:50And I'm going by myself.
00:13:52Mm-hmm.
00:13:5416th floor right here.
00:13:56And the door's closed.
00:13:58Oh, yo, yo, somebody,
00:14:00please call my sister and my girlfriend
00:14:02and make sure they're with us.
00:14:04They work at the Little Dog Cleaners, right?
00:14:06We watch your baby.
00:14:08Yeah, yeah, the Little Dog Cleaners.
00:14:10Where you can get your clothes dry-cleaned
00:14:12and pressed in two hours or less
00:14:14so you don't be lyin' when you could be ryin', man, you know?
00:14:16Who they be?
00:14:18He just did a commercial for you.
00:14:20He didn't get a damn address.
00:14:22What kind of commercial is that?
00:14:24Okay, all right.
00:14:26All right, I'm 16 with you.
00:14:30Man, check out how Lady Liberty
00:14:32dressed to kill, you know?
00:14:34Okay, boy, guys, I'm...
00:14:36You had better be alone!
00:14:38Um, yo, man,
00:14:40I got 40 million viewers with me.
00:14:42Can we come in?
00:14:44Okay.
00:14:48Fabian Marks!
00:14:50Quick, you!
00:14:52Get me an insert from last night's show, now!
00:14:54He gonna get himself killed.
00:14:56Uh-huh.
00:14:58But we're in Mr. Johnson's club.
00:15:00See, see, all I got is a camera.
00:15:02And they got the poor guy stacked up over in the corner
00:15:04like animals, man, look at that, and they prayin' again.
00:15:06All right, I'm comin' a little closer.
00:15:08See, I don't have a gun or anything, okay?
00:15:10All right, all right.
00:15:12Yo, yo, man, but check it out, check it out.
00:15:14In order to do this interview, I gotta put the camera down, all right?
00:15:16And I just wanna put it on this table right here, okay?
00:15:18All right, so why don't you have a seat right over...
00:15:20Don't tell me what to do!
00:15:22Okay, all right, all right, yo, if you have a seat,
00:15:24I can put the camera down, and then we can both be in the picture, all right?
00:15:26Okay, put it down.
00:15:28And you sit.
00:15:30Okay, I'm gonna sit after you sit.
00:15:32Okay, so sit right over there, and I can focus the camera on you.
00:15:34You sit, too.
00:15:36I am, I am.
00:15:38Hold up, hold up.
00:15:40I'm sittin' down now.
00:15:42It's just a microphone, okay?
00:15:44Okay.
00:15:46So...
00:15:48Okay.
00:15:50So, tell us.
00:15:52Why you up here killin' people?
00:15:54You people ruined my life!
00:15:56What, black people, what?
00:15:58Okay, whoa, whoa, whoa, wait!
00:16:02Whoa, whoa, wait, yo, yo, wait.
00:16:04Look, now, if you just put the gun down,
00:16:06and you can tell us how
00:16:08they, how they ruined your life, all right?
00:16:10Mr. Hempstead
00:16:12didn't approve of my taste in reading material.
00:16:14Okay.
00:16:16I was dumb enough to walk out of the next-rated bookstore
00:16:18in my uniform
00:16:20while the late Mr. Hempstead
00:16:22was doing a series on child pornography.
00:16:24Okay?
00:16:26In one night, I was tried,
00:16:28convicted, and hung.
00:16:30Yesterday,
00:16:32after 17 years of faithful service,
00:16:34I was fired by the Boy Scouts.
00:16:36Oh, man.
00:16:38What's your name?
00:16:40Uh, Dexter Jackson.
00:16:42Okay, Dexter Jackson.
00:16:44For a real new story.
00:16:46Yo, whoa, whoa, whoa, whoa!
00:16:48Wait, wait, wait, wait.
00:16:50You can't be doin' that on national TV, man.
00:16:52What's up with you? I mean, yo, I thought you said you hated them motherfuckers.
00:16:54I mean, Channel 4, right?
00:16:56It's the PC!
00:16:58Yo, think about it, Fabian, think about it, man.
00:17:00All right, if you pull that trigger,
00:17:02you're gonna do exactly what they want you to do, all right?
00:17:04They're gonna have you blowin' your brains out
00:17:06every hour on the hour, right there on TV.
00:17:08Yes! Do it!
00:17:10You wanna do that for them, man?
00:17:12You wanna work that for them?
00:17:14All right, yo, let's fuck them up, then.
00:17:16Let's fuck them up.
00:17:18All right, let's put it down.
00:17:20Put it down.
00:17:22Easy. Careful, careful, careful.
00:17:24All right, can I take this?
00:17:26Okay.
00:17:28We're gonna put it right down.
00:17:30We're gonna put it right here, okay?
00:17:32We're gonna pull it down, okay?
00:17:34I'm gonna put it right on the floor, see?
00:17:36I'm going right here with you, okay?
00:17:38Yo, yo, all right, so, man, check this.
00:17:40This is what we're gonna do. We're gonna go downstairs.
00:17:42We're gonna go downstairs and talk to these people
00:17:44and get this thing straightened out, all right?
00:17:46Work this all out. All right, you all right?
00:17:48All right, hold this, hold this. You trust me, right?
00:17:50You trust me? I'm the man, I'm here.
00:17:52All right, no, no, no, you the man, you the man, you the man.
00:17:54Okay, now I'm gonna go get your camera, okay?
00:17:56Now hold up, and I'm gonna go right on over here
00:17:58and get this thing straightened out.
00:18:00It's gonna be all right, okay? Okay.
00:18:02Yo, all right, let's-let's go. Y'all go first.
00:18:04Come on, come on, move it, move it, move it!
00:18:08See, what did I tell you?
00:18:10I told you it's gonna be all right.
00:18:12Hey, Rambo, kiss my ass!
00:18:16Nice work, Kate, super.
00:18:18I know.
00:18:20Still want to cut that clown off, Roger?
00:18:22I didn't think so.
00:18:24Way to go, Kate.
00:18:26Thanks.
00:18:32Kate, do you have a moment?
00:18:34That's all I've got. Make it quick.
00:18:36I want to be considered for Charles' replacement.
00:18:38I have five years on-air experience.
00:18:40I have terrific skin. I give great weather.
00:18:42No one considered...
00:18:44Boy, you move quicker than rigor mortis.
00:18:46Okay, so my timing's bad,
00:18:48but it's not like I haven't paid my dues.
00:18:50Come off it, missy.
00:18:52You didn't just jump from office temp to on-air talent
00:18:54just for those fake eyelashes of yours,
00:18:56so be damn grateful you've still got the weather.
00:19:02Alex,
00:19:04get me those dubs ASAP.
00:19:06Also, I'm gonna need an overnight on this.
00:19:08And before you do anything,
00:19:10find out everything you can
00:19:12about Dexter Jackson.
00:19:14Yay!
00:19:16Whoo!
00:19:18Whoo!
00:19:20Whoo!
00:19:22Whoo!
00:19:26We got us a real live celebrity here.
00:19:28I was giving four to one
00:19:30that you weren't gonna make it.
00:19:32Look, I'm a newsman.
00:19:34I did what I had to do.
00:19:36Baby, you had me so scared.
00:19:38It's gonna look real good on your resume, huh?
00:19:40It was almost on his tombstone.
00:19:42Could have got your fool head blown off.
00:19:44But he didn't, right? That's why we're celebrating.
00:19:46Whoo!
00:19:48Hey, what it is,
00:19:50what it is is what it was.
00:19:52What it was is what it's gonna be like.
00:19:54Looks like it's gonna be another party in here.
00:19:56Yo, yo, yo, bake a move, man. You seen the news, right?
00:19:58Oh, come on, man. Now you know my set been out for a week.
00:20:00I gotta go down to the bar just to see the damn ball game.
00:20:02Go ahead, Mr. Dexter Jackson.
00:20:04You a hero, honey. You a hero.
00:20:06Just doing what I was born to do.
00:20:08Excuse me, excuse me.
00:20:10Dexter is my hero, honey.
00:20:12Dexter, why you got all these women hanging all around you?
00:20:14What's all these women for?
00:20:16Are you gonna get back to work sometime today, uh, Mr. Hero?
00:20:18You want me to press close after what I did today?
00:20:20Yeah!
00:20:22What'd he do? What'd he do?
00:20:24Until you start getting paid for doing the news,
00:20:26this is your job.
00:20:28News? Takes the years on the news?
00:20:30That's what I'm trying to tell you, man.
00:20:32Don't worry about it, Nadine. I'll take care of his jobs today.
00:20:34Thank you, baby.
00:20:36Talk to you later, honey.
00:20:38Bye.
00:20:40Come on, I'll tell you the whole thing later.
00:20:42Nadine, I'll be back with them pink clothes on Friday.
00:20:44All right?
00:20:46Yo, pump up the music!
00:20:48Come on!
00:20:54Oh, yeah!
00:20:56Oh, yeah!
00:21:18Oh, snap!
00:21:20Look at that!
00:21:26Damn!
00:21:32Two.
00:21:34I must have two at least.
00:21:38Dexter Jackson?
00:21:40Yes, you.
00:21:44Hi.
00:21:46I'm Catherine Pendragon,
00:21:48executive producer of Channel 4 News.
00:21:50Get out of here.
00:21:52I liked how you handled yourself this morning.
00:21:54Look, wait till you see my tape. Stay right inside.
00:21:56Maybe later, okay?
00:21:58For now, why don't you just come to this address
00:22:00first thing Thursday morning.
00:22:02All right, bet, yeah.
00:22:04You may have won yourself an opportunity today, Dexter.
00:22:06Is that anything like a job?
00:22:08Yes.
00:22:12Just one thing.
00:22:14The next time someone wants to blow their brains out
00:22:16on camera,
00:22:18let them.
00:22:20How?
00:22:24How?
00:22:46A funeral?
00:22:48A funeral?
00:22:54Yo, that's Clifford Worthy, man!
00:23:12Yo, Clifford!
00:23:14Clifford Worthy!
00:23:16What's up? How you doing?
00:23:18Yeah, you know, you stupid freshman. You deaf.
00:23:20You all the way down with the news.
00:23:22I do be down.
00:23:24Look, I just wanted to tell you, man,
00:23:26I always thought you was the deafest.
00:23:28Oh, yo, I'm sorry. My name is Dexter...
00:23:30Dexter Jackson. I'm honored.
00:23:32I caught your act the day the Grim Reaper
00:23:34snatched our guest of honor.
00:23:36Let me tell you, kid.
00:23:38Remind me of me in the earlier days.
00:23:40Really?
00:23:42Yeah, more balls than brains.
00:23:44This could easily have been your funeral.
00:23:46And for what?
00:23:48For news.
00:23:50Yo, yo, yo, yo, man, I'm gonna be just like you
00:23:52when I become a newsman, right?
00:23:54I'm gonna tell people the real dope.
00:23:56God, you're naive.
00:23:58What's that thing?
00:24:00Oh, this? This is a tape I did at school.
00:24:02Yo, it's my best one, too. You wanna check it out?
00:24:04Maybe you should save that for the heavy hitters.
00:24:06They're already inside.
00:24:08In there?
00:24:10All right, yo, I'll talk to you later, all right?
00:24:14Yo, this place is dope!
00:24:16Dope!
00:24:22Dexter.
00:24:24Where have you been? I've been waiting.
00:24:26Um, I'm sorry. I got here as soon as I could.
00:24:28But I brought my tape.
00:24:30Not now.
00:24:32Hello to you, too, Kate.
00:24:34Sorry. Hi, Clifford.
00:24:38Stay away from Clifford.
00:24:40He has a lot of bullshit ideas
00:24:42about what the news is supposed to be.
00:24:46Hi, guys.
00:24:48You remember Dexter Jackson?
00:24:50Meet Roger Pye. He's our boss.
00:24:52Oh, nice to meet you.
00:24:54Yeah, right on. How you doing?
00:24:56And this is our sales manager,
00:24:58Martin Quinsett.
00:25:00How you doing, Martin? Yeah, nice to meet you.
00:25:02Yeah, right on.
00:25:04Wow, man, that's a nice suit.
00:25:06Oh, well, thank you very much.
00:25:08Your cleaners did a real good job of pressing it, too.
00:25:10You know, you got to be careful, man.
00:25:12Those lightweight Italian woolens
00:25:14can crease up something awful.
00:25:16Here, take this.
00:25:18It's from my sister's cleaners.
00:25:20Stop on by, man. We can work something out.
00:25:22Right.
00:25:28So, I hear Clifford
00:25:30is going to replace Charles as anchor.
00:25:32He's a Pulitzer Prize winner.
00:25:34And I was once a virgin.
00:25:36For God's sakes,
00:25:38Roger, he's a drunk.
00:25:40I've also given Clifford
00:25:42control of all the news before the first break.
00:25:44Are you out of your mind?
00:25:46He'll ruin my show.
00:25:48It's not your show to ruin. It's mine.
00:25:50I trust Clifford's judgment.
00:25:52Take it easy, Roger.
00:25:54Look, there's no point in arguing about this.
00:25:56He's made up his mind over it.
00:25:58Mind? What mind?
00:26:00Take it easy.
00:26:02You brought me to Last Place Channel 4
00:26:04to build an audience, and I have done precisely that.
00:26:06What about these shows you've been leading off with?
00:26:08Wolf Boys, Elvis Sightings?
00:26:10Fine, you can get holier than thou if you like,
00:26:12but I happen to be getting ratings.
00:26:14Ratings aren't everything.
00:26:16We have an image to consider.
00:26:18And what do you think will happen when we lead off
00:26:20with Clifford's bullshit about Third World debt
00:26:22and arms control?
00:26:24I'll tell you what's going to happen.
00:26:26Our ratings will shrink to the size of your dicks!
00:26:28Oh!
00:26:30Oh!
00:26:32Oh!
00:26:34Oh!
00:26:36Lord have mercy!
00:26:38Oh!
00:26:40If you pull this chicken shit on me,
00:26:42then I demand the right
00:26:44to choose Clifford's replacement on the street.
00:26:46Of course. Of course.
00:26:48That makes sense, doesn't it, Roger?
00:26:50Who do you have in mind?
00:26:52Oh!
00:26:54Oh!
00:26:56Now here's where things
00:26:58really started to bust loose.
00:27:04All right.
00:27:06Let's try and pronounce this word again.
00:27:08Ask.
00:27:10Ask.
00:27:12The word is ask.
00:27:14Ask.
00:27:16Don't push.
00:27:18You can get this. Ask.
00:27:20Ask. Ask.
00:27:22Ask.
00:27:24Ask. Ask. I mean...
00:27:26Shh.
00:27:30Look.
00:27:32This is an ask.
00:27:34All right. All right. Ask.
00:27:36That's it.
00:27:38Don't you hear that?
00:27:40He said.
00:27:42We don't need
00:27:44this kind of man.
00:27:46But the day comes
00:27:48when you're down
00:27:50and I'm in trouble
00:27:52and I've got to drown.
00:27:54Hold on.
00:27:56I'm coming.
00:27:58Hold on.
00:28:00I'm coming.
00:28:02Look here.
00:28:04Reach out to me
00:28:06for satisfaction.
00:28:08Yeah.
00:28:10Look here, babe.
00:28:12All she's got to do
00:28:14is call my name
00:28:16and make a reaction.
00:28:18Yeah.
00:28:20Yeah.
00:28:38Now don't you hear that?
00:28:40He said.
00:28:42We don't need
00:28:44this kind of man.
00:28:46But the day comes
00:28:48when you're down, baby
00:28:50and I'm in trouble
00:28:52and I've got to drown.
00:28:54Hold on.
00:28:56I'm coming.
00:28:58Hold on.
00:29:00I'm coming.
00:29:02Are you coming, baby?
00:29:04Oh, yes.
00:29:06Yes.
00:29:08Yes.
00:29:10Yes.
00:29:12Yes.
00:29:14Okay, Dexter.
00:29:16Let's go.
00:29:18Okay, folks.
00:29:20Time to tense up.
00:29:22We're coming back.
00:29:24Stand by, Mysterio.
00:29:26In 5, 4, 3, 2.
00:29:28Open it by QM.
00:29:30And now with his first
00:29:32of what will be many reports
00:29:34for Channel 4, Dexter Jackson.
00:29:36This is Dexter Jackson,
00:29:38your man about town.
00:29:40Boulevard Northeast. Check it out.
00:29:44911 emergency dispatch.
00:29:46Look, there are
00:29:48five guys laying here shot and stabbed.
00:29:50What's the location?
00:29:52I'm at the corner of Halston Street and Boulevard Northeast.
00:29:54All right, we got it.
00:29:56Look, can you hurry up, please? These five guys, they're laying here dying.
00:30:02Okay, let's wait.
00:30:04It's been over two hours,
00:30:06and not even one patrol car
00:30:08has driven by to take a look at the scene.
00:30:10Check this out.
00:30:12I'm now at the corner of Fawn Glen
00:30:14and Bunny Rabbit Lane,
00:30:16and I'm about to dial 911 again.
00:30:18911 emergency dispatch.
00:30:20There's a woman down here
00:30:22who has on high heels,
00:30:24and when she stepped up on the curb,
00:30:26she may have twisted her ankle.
00:30:28Oh, what's your location, sir?
00:30:30I'm at the corner of Fawn Glen
00:30:32and Bunny Rabbit Lane.
00:30:42Where is she?
00:30:44I'll take a look.
00:30:46Have you seen a woman around here
00:30:48with a sprained ankle?
00:30:50How about over here? Is she a pretty woman?
00:30:52I'm Dexter Jackson,
00:30:54your homeboy about town
00:30:56in the heart of Atlanta.
00:30:58Do you believe that?
00:31:00That was an ass-kicking report, baby.
00:31:02Yeah, man. He told it like it was.
00:31:04You the man. No, you the man.
00:31:06Okay, we the man.
00:31:08I'm so proud of you, baby.
00:31:10Wait, wait, wait. Kate wants me to study my tapes.
00:31:12Check it out.
00:31:14Check it out.
00:31:16Right here, I'm studying how deaf I look.
00:31:18Look at it. The boy's clean. He's clean.
00:31:20He's so fine. Look at that smile.
00:31:22Look at that smile. I'm cool.
00:31:24He's so fine. Look at his teeth.
00:31:26Look at his teeth.
00:31:28Man, I did not...
00:31:30I did not throw on my lady-snatching threads
00:31:32to watch you jock yourself on this television.
00:31:34Wait, wait, wait.
00:31:36Those are your lady-snatching threads?
00:31:38Yes, these are my lady-snatching threads.
00:31:40Today is your celebration
00:31:42and my woman's year.
00:31:44Yo, yo, yo, yo, man.
00:31:46You wore that shit the last two New Years.
00:31:48I don't know what you think that is, but it ain't right.
00:31:50It's okay. Your mama likes it.
00:31:52Oh, all right. Don't go there,
00:31:54because you know what you might do.
00:31:56Wait up, y'all. Wait up.
00:32:26Don't believe all that you see
00:32:28The impossible, you're from hell
00:32:30You can fall on him
00:32:32And I know what you don't understand
00:32:36Brother, brother
00:32:38It's only color
00:32:40It's just a small thing
00:32:44You must go
00:32:46If you love her
00:32:48It's just a small thing
00:32:56You must go
00:32:58If you love her
00:33:00It's just a small thing
00:33:10Mother Nature
00:33:12She's in danger
00:33:14It's a no small thing
00:33:16Yeah
00:33:18Don't be a stranger
00:33:20Caring for nature
00:33:22It's just a small thing
00:33:25Yeah
00:33:40Yeah
00:33:48That weather lady sure can dance.
00:33:50Maybe not, but she sure is fine.
00:33:52She sure is fine.
00:33:53I'll drink to that.
00:33:54Come on, man.
00:33:55Let's go get a drink.
00:33:56Come on.
00:33:57Yeah, let's go get a drink, buddy.
00:33:58OK, OK.
00:33:59There's some people I want to introduce you to.
00:34:00This is my homie, Begum.
00:34:01How do you do?
00:34:02And this right here.
00:34:03Cornel Davis.
00:34:04Dexter's fiancee.
00:34:05Oh, how long have you two been seeing each other?
00:34:06Girl, we've been doing a lot more than seeing each other.
00:34:07That's nice.
00:34:08I'm going to go get a drink.
00:34:09I'm going to get a drink.
00:34:10I'm going to get a drink.
00:34:11I'm going to get a drink.
00:34:12I'm going to get a drink.
00:34:13I'm going to get a drink.
00:34:14I'm going to get a drink.
00:34:15I'm going to get a drink.
00:34:16I'm going to get a drink.
00:34:17I'm going to get a drink.
00:34:18I'm going to get a drink.
00:34:19I'm going to get a drink.
00:34:20I'm going to get a drink.
00:34:21I'm going to get a drink.
00:34:22I'm going to get a drink.
00:34:23I'm going to get a drink.
00:34:24I'm going to get a drink.
00:34:25I'm going to get a drink.
00:34:26I'm going to get a drink.
00:34:27I'm going to get a drink.
00:34:28I'm going to get a drink.
00:34:29I'm going to get a drink.
00:34:30I'm going to get a drink.
00:34:31I'm going to get a drink.
00:34:32I'm going to get a drink.
00:34:33I'm going to get a drink.
00:34:34I'm going to get a drink.
00:34:35I'm going to get a drink.
00:34:36I'm going to get a drink.
00:34:37I'm going to get a drink.
00:34:38I'm going to get a drink.
00:34:39I'm going to get a drink.
00:34:40I'm going to get a drink.
00:34:41I'm going to get a drink.
00:34:42I'm going to get a drink.
00:34:43I'm going to get a drink.
00:34:44I'm going to get a drink.
00:34:45I'm going to get a drink.
00:34:46I'm going to get a drink.
00:34:47I'm going to get a drink.
00:34:48I'm going to get a drink.
00:34:49I'm going to get a drink.
00:34:50I'm going to get a drink.
00:34:51I'm going to get a drink.
00:34:52I'm going to get a drink.
00:34:53I'm going to get a drink.
00:34:54I'm going to get a drink.
00:34:55I'm going to get a drink.
00:34:56I'm going to get a drink.
00:34:57I'm going to get a drink.
00:34:58I'm going to get a drink.
00:35:00I'm going to get a drink.
00:35:01I'm going to get a drink.
00:35:02I'm going to get a drink.
00:35:03I'm going to get a drink.
00:35:04I'm going to get a drink.
00:35:05I'm going to get a drink.
00:35:06I'm going to get a drink.
00:35:07I'm going to get a drink.
00:35:08I'm going to get a drink.
00:35:09I'm going to get a drink.
00:35:10I'm going to get a drink.
00:35:11I'm going to get a drink.
00:35:12I'm going to get a drink.
00:35:13I'm going to get a drink.
00:35:14I'm going to get a drink.
00:35:15I'm going to get a drink.
00:35:16I'm going to get a drink.
00:35:17I'm going to get a drink.
00:35:18I'm going to get a drink.
00:35:19I'm going to get a drink.
00:35:20I'm going to get a drink.
00:35:21I'm going to get a drink.
00:35:22I'm going to get a drink.
00:35:23I'm going to get a drink.
00:35:24I'm going to get a drink.
00:35:25I'm going to get a drink.
00:35:26I'm going to get a drink.
00:35:27I'm going to get a drink.
00:35:28I'm going to get a drink.
00:35:29I'm going to get a drink.
00:35:30I'm going to get a drink.
00:35:31I'm going to get a drink.
00:35:32I'm going to get a drink.
00:35:33I'm going to get a drink.
00:35:34I'm going to get a drink.
00:35:35I'm going to get a drink.
00:35:36I'm going to get a drink.
00:35:37I'm going to get a drink.
00:35:38I'm going to get a drink.
00:35:39I'm going to get a drink.
00:35:40I'm going to get a drink.
00:35:41I'm going to get a drink.
00:35:42I'm going to get a drink.
00:35:43I'm going to get a drink.
00:35:44I'm going to get a drink.
00:35:45I'm going to get a drink.
00:35:46I'm going to get a drink.
00:35:47I'm going to get a drink.
00:35:48I'm going to get a drink.
00:35:49I'm going to get a drink.
00:35:50I'm going to get a drink.
00:35:51I'm going to get a drink.
00:35:52I'm going to get a drink.
00:35:53I'm going to get a drink.
00:35:54I'm going to get a drink.
00:35:55I'm going to get a drink.
00:35:56I'm going to get a drink.
00:35:57I'm going to get a drink.
00:35:58I'm going to get a drink.
00:35:59I'm going to get a drink.
00:36:00I'm going to get a drink.
00:36:01I'm going to get a drink.
00:36:02I'm going to get a drink.
00:36:03I'm going to get a drink.
00:36:04I'm going to get a drink.
00:36:05I'm going to get a drink.
00:36:06I'm going to get a drink.
00:36:07I'm going to get a drink.
00:36:08I'm going to get a drink.
00:36:09I'm going to get a drink.
00:36:10I'm going to get a drink.
00:36:11I'm going to get a drink.
00:36:12I'm going to get a drink.
00:36:13I'm going to get a drink.
00:36:14I'm going to get a drink.
00:36:15I'm going to get a drink.
00:36:16I'm going to get a drink.
00:36:17I'm going to get a drink.
00:36:18I'm going to get a drink.
00:36:19I'm going to get a drink.
00:36:20I'm going to get a drink.
00:36:21I'm going to get a drink.
00:36:22I'm going to get a drink.
00:36:23I'm going to get a drink.
00:36:24I'm going to get a drink.
00:36:25I'm going to get a drink.
00:36:26I'm going to get a drink.
00:36:27I'm going to get a drink.
00:36:29Uh, yo.
00:36:32Excuse me.
00:36:33Can I have a wine cooler, please?
00:36:34Mm-hmm.
00:36:35Right up.
00:36:36So, Dexter, my friend, how's it feel to be a TV star?
00:36:41To tell you the truth, I'm scared to death.
00:36:44I don't know what all those people out there want from me.
00:36:47It's really simple.
00:36:49Keep finding stories that mean something to Dexter Jackson,
00:36:54and I'm sure you'll do just fine.
00:36:58White wine, please.
00:37:00Yes, ma'am.
00:37:05Why, hey there.
00:37:07You know, you look even better in person than you do on TV.
00:37:09Listen, you can turn off the charm, okay?
00:37:11Damn, baby, what did I say?
00:37:14Look, Dexter, you're probably a really nice guy,
00:37:19but I've worked long and hard to get where I am.
00:37:22And your overnight success is still a little hard to swallow.
00:37:24Here you are, ma'am.
00:37:25Besides, you've got Kate in your corner.
00:37:28You don't need me.
00:37:38Have you seen the bathroom in this place?
00:37:40Turn down, turn down.
00:37:41Don't go there.
00:37:42Sorry.
00:37:43Look, look, turn down.
00:37:44I want to introduce you to Clifford Worthen.
00:37:46You know, he wants to talk to you.
00:37:48Look, look, turn down.
00:37:49I want to introduce you to Clifford Worthen.
00:37:51You know, he want a Pulitzer Prize.
00:37:53A what?
00:37:54A Pulitzer Prize.
00:37:55You know, you should know shit like that.
00:38:06This is Dexter Jackson,
00:38:07your man about town in News 4 Atlanta.
00:38:10Today, I'm in Bubba Knuckles Barbershop,
00:38:12a fixture in the Southside community for years.
00:38:15Tell us, Bubba,
00:38:16what makes your haircuts so special?
00:38:18Personal attention, Dexter.
00:38:20The little things.
00:38:21Like our tackle power.
00:38:23It comes straight from France.
00:38:25That's right.
00:38:26That's right.
00:38:27Our stops are raised afresh after every shave,
00:38:29and we sweep up after every single haircut,
00:38:34even on a Saturday.
00:38:36Makes sense to me.
00:38:38Well, Bubba.
00:38:39Look out, now.
00:38:40Don't just don't put no polish on my socks.
00:38:42I been shinin' shoes on in your country
00:38:44since I been wearin' them.
00:38:45Don't come in here.
00:38:46Shut up.
00:38:47Come in here.
00:38:48Hold on.
00:38:49We on TV.
00:38:50So you see, Dexter,
00:38:52we are totally dedicated here
00:38:54to giving our customers the best service
00:38:56their hard-earned money can buy.
00:38:58That's why we been cuttin' hair right here
00:39:01for 31 years.
00:39:03I understand another service you provide
00:39:06is writing numbers.
00:39:07Ooh!
00:39:08What'd you say?
00:39:09I don't know what you talkin' about.
00:39:11Numbers, Bubba.
00:39:12You know, the policy game.
00:39:14Just how long have you been bleeding
00:39:16this community dry through that racket?
00:39:18I'll catch you later, Bubba.
00:39:20Otis!
00:39:21L.C.!
00:39:22Wait a minute, y'all!
00:39:23Now, Dexter Jackson,
00:39:24you know I don't write no numbers out of here.
00:39:26I'm just a poor old Bubba.
00:39:28Poor?
00:39:29What is the weekly take
00:39:30in this illegal and immoral enterprise?
00:39:33I don't know what you talkin' about.
00:39:35Excuse me.
00:39:36Where's Bubba?
00:39:37Let the blind lady through.
00:39:39I need to talk to Bubba.
00:39:41I want to play two whole dollars
00:39:43on 309 for tomorrow.
00:39:45Bubba gone.
00:39:46He's right here, ma'am.
00:39:47I feel awful lucky.
00:39:49No.
00:39:50Where's Bubba?
00:39:51He gone.
00:39:52He's right here, ma'am.
00:39:53Now that's real nice.
00:39:54You got the wrong Bubba.
00:39:55I want two dollars on 309 for tomorrow.
00:39:58No, no, you got the wrong Bubba.
00:40:01Bubba, what's goin' on?
00:40:02Let's go, Jimmy.
00:40:03Wait, Bubba,
00:40:04I have a few more questions for you.
00:40:06Get it to my head!
00:40:07So that's all you gonna see of me,
00:40:09son of a bitch!
00:40:10Just another example of corruption
00:40:12running rampant in this neighborhood.
00:40:15I'm Dexter Jackson,
00:40:16man of our town,
00:40:17Channel 4 News.
00:40:27Oh, now, we'll see now.
00:40:28My lips and my nose aren't that thin.
00:40:31This gotta be a fly on the tape.
00:40:34Yeah.
00:40:35Yeah.
00:40:36Yeah, yeah, yeah, that's what it is.
00:40:41Oh.
00:40:42Hey, hey, Clifford.
00:40:43What you think of my story, man?
00:40:45Kid, I was a pretty good newsman once.
00:40:50Before I sold my soul for the glamour of TV.
00:41:01Come here!
00:41:02Come here!
00:41:21Your enunciation is much better.
00:41:25You look great in that suit.
00:41:27I don't know what's up.
00:41:29But your posture still needs work.
00:41:32What are you talking about?
00:41:34See what I mean?
00:41:36Oh, yeah, I'm down with it.
00:41:38I beg your pardon.
00:41:40I mean, I can relate.
00:41:42Now, don't you ever be sad
00:41:46When you're with me
00:41:48When the times are bad
00:41:50When the day comes
00:41:52And you look down, baby
00:41:55And you look down, baby
00:42:05It's funny, but the more polished Dexter became,
00:42:08The less he shined.
00:42:10At least to those of us who knew the brother from way back when.
00:42:14Oh, thank you.
00:42:16Yeah, I suppose I have to close it to you, huh?
00:42:26What is his problem?
00:42:28He's probably just after the ribs.
00:42:30Yeah, mine.
00:42:37I thought it was mighty cold the way you did Bubba,
00:42:39Embarrassing him on TV like that.
00:42:41It wasn't like you made it up, Mama.
00:42:43He was just doing his job.
00:42:45It's just news, Miss Davis.
00:42:46Tomorrow, nobody will remember.
00:42:48Besides, the money that Bubba got from those numbers
00:42:50Could be put to better use in our community.
00:42:52Maybe so.
00:42:54But I still didn't appreciate it.
00:42:56Now I had my say, so eat up.
00:43:05Just pick them up and eat them, Dexter.
00:43:08Ain't no cameras here.
00:43:11It's not that, Miss Davis.
00:43:13I just don't want to get sauce on my $75 shirt.
00:43:15You can afford to mess up ten shirts, Dexter.
00:43:18He's making lots of money now, Mama.
00:43:20$95,000 a year.
00:43:24$95,000?
00:43:26Lord have mercy.
00:43:28I just hope you're putting something away for a rainy day.
00:43:31Because these white folk can get mighty fickle.
00:43:33Well, I am looking into certain investments.
00:43:36Oh, ain't he something, Mama?
00:43:39That's not all, Mama.
00:43:41Look.
00:43:49Baby, no.
00:43:51Mama, yes.
00:43:53Baby, no!
00:43:55Mama, yes!
00:43:59I'm so happy for you, honey.
00:44:02Dexter, honey, you come over here
00:44:04And give Mama the biggest hug you got.
00:44:14I think what you're doing is wonderful.
00:44:18Yeah, but I usually do it alone.
00:44:21Oh, don't be so provincial.
00:44:24I just wanted to tell you how proud I am
00:44:26Of that last story you filed.
00:44:28You mean you really liked it?
00:44:30We finally took our time slot.
00:44:32Oh, wow, that's great.
00:44:34Come here. I want to show you something.
00:44:36Hey, can I finish doing what I was doing first?
00:44:38Oh, sure. I'm sorry. Of course.
00:44:43Come on.
00:44:45Come on.
00:44:47Reel it in.
00:44:49Now around this corner and down a step.
00:44:52Careful. Good boy.
00:44:54One more step and one more.
00:44:56And last one. Now open.
00:44:59Ooh, now that's nice.
00:45:02That's real nice.
00:45:04Get out of here.
00:45:06Get out of here!
00:45:08That's right. It's yours, Dexter.
00:45:11One of our advertisers is leasing it to us
00:45:13At a great price.
00:45:15So, wait, wait, wait.
00:45:17Wait, wait, wait.
00:45:19This is mine.
00:45:21We can't have our star reporter
00:45:23Just tooling around into any old thing, now can we?
00:45:25Kate, I don't know how to thank you.
00:45:28Just keep filing those great stories.
00:45:33What are you working on today?
00:45:35Um, nothing, really.
00:45:37You see, well, toynell and me.
00:45:40I'm gonna go look at an apartment today.
00:45:42Oh.
00:45:43Yeah, you know, we're gonna get married.
00:45:45Have you really thought about this?
00:45:47I don't think getting married at this time
00:45:49Is such a great career move,
00:45:51Especially to someone who is not...
00:45:53Not in the business.
00:45:55Kate, my private life is my business.
00:46:00I have an awful lot riding on your career.
00:46:04I'd hate to see it all taken away from you.
00:46:08So, she's out of town for how long?
00:46:12Oh.
00:46:14Well, how does the terrace garden hotel sound to you?
00:46:18Yeah?
00:46:20Well, does candlelight champagne and me
00:46:23Sound romantic enough?
00:46:25Does that light your fire?
00:46:27Knock, knock.
00:46:29Who's there?
00:46:31Who's there?
00:46:33Who's there?
00:46:36Knock, knock.
00:46:38Yeah, uh, high pressure ahead of a cold front?
00:46:41Ooh, yeah, sounds nasty.
00:46:43Listen, I gotta go. Thanks.
00:46:45Oh, those folks down at the national weather service,
00:46:47They'll talk you to death if you let them.
00:46:49So, kate, what's on your mind?
00:46:53Still want to be a reporter, missy?
00:46:56What are you saying?
00:46:58Seems dexter's still clinging to the past.
00:47:00Do you know he's actually planning
00:47:02On marrying that toynell woman?
00:47:04At a time like this when he should be
00:47:06Totally focused on his career.
00:47:08So, what's that got to do with me?
00:47:11Plenty.
00:47:13If you can help me get his mind off toynell.
00:47:16Well, how am I supposed to do that?
00:47:19I thought you might be the person
00:47:21To broaden his horizons.
00:47:25Show him the candlelit side of life.
00:47:29Oh.
00:47:31Let's be straight.
00:47:34You're saying that you want me to...
00:47:37You know what? With dexter?
00:47:40Forget it. It was a crazy idea.
00:47:42No, no, no.
00:47:44Kate, it's okay.
00:47:46I mean, after all, we're in this together.
00:47:49You mean you'll do it?
00:47:51For a chance at being a reporter?
00:47:54I'll fuck him so hard he gets whiplash.
00:47:57Now, my boy dexter was making his moves.
00:47:59He was going from downtown to uptown,
00:48:01Pedal to the metal.
00:48:05Home slice went from the back of the bus
00:48:08Right into the driver's seat.
00:48:22Hi, how you doing?
00:48:24Hi, dexter.
00:48:25Nice to see you again.
00:48:26I want to introduce you to somebody.
00:48:28Come here. Here you go.
00:48:30This is nick.
00:48:37I don't believe it.
00:48:40Wait till mama sees this.
00:48:44Well, look, dexter, you can see the projects off in the distance.
00:48:51That's about the only way I want to see him, too.
00:48:54With all this space, the first thing we're going to have to do
00:48:57Is throw a party and invite the whole neighborhood out.
00:49:01I thought you said you liked the place.
00:49:03Listen to you.
00:49:05Have you forgotten where you come from?
00:49:08Not quite.
00:49:10But I'm working on it.
00:49:15Oh, come on, I'm only kidding.
00:49:18Come here.
00:49:20Come here.
00:49:24We'll take it.
00:49:25You like it?
00:49:26Say yes.
00:49:27Yes.
00:49:28Okay, tell her.
00:49:29Yes.
00:49:30Okay, yes, we'll take it.
00:49:33I'm dexter jackson, you're a man about town.
00:49:36And believe it or not, I'm standing in front of one of the city's most famous soul food restaurants.
00:49:40Annie mae's, you'll get fat.
00:49:42Come on, let's go inside and see just what makes its food so special.
00:49:50Come on in.
00:49:51This is the main dining area.
00:49:53There's a patio out back, and over here, there's a lounge for customers waiting for takeout orders.
00:49:59Hi, sir, how are you?
00:50:00Yes.
00:50:01Ah, looks good.
00:50:03Does it taste good?
00:50:04Ah, good.
00:50:05Come on, let's go in the kitchen.
00:50:08Hi, how are you today?
00:50:10Mm, black-eyed peas, huh?
00:50:13Smells good.
00:50:15Ah, you're over here frying chicken.
00:50:17Wonderful, wonderful.
00:50:20Mm, smells good, anna.
00:50:22So what are you cooking for the people today?
00:50:24Oh, just the usual, frying the chicken, frying the fish, frying the pork.
00:50:28You name it, we fry it.
00:50:31And you use corn oil when you fry your food, don't you, anna?
00:50:35Oh, lord, no, honey.
00:50:36I don't use nothing but pure lard.
00:50:39And your collard greens, what gives them their unique flavor?
00:50:43I usually don't tell nobody my secret, but since it's you, I'll tell you.
00:50:48Plenty of good old fat fat.
00:50:53It's hard to believe that this little old lady right here is just another one of the killers in the ghetto.
00:51:01What are you talking about?
00:51:05And here's one of her potential victims now.
00:51:09Excuse me, sir, but do you know what that fried chicken is going to do to your cholesterol level?
00:51:16And what that macaroni and cheese is going to do to your heart?
00:51:19And what that piece of fat back right there in those greens is going to do to your arteries and your high blood pressure?
00:51:27You might as well have taken a magnum and put it to your head. It would be quicker.
00:51:34At anna mae's, you'll get fat, but will you live?
00:51:41I don't believe she would do that.
00:51:45Maybe I guess I'm too certain.
00:51:53This has been Dexter Jackson at Anna Mae's.
00:51:57Channel 4 News, your man about town. Tune in tomorrow for another exciting segment on inner city people.
00:52:04I don't have straight hair. That's not my hair.
00:52:09What the hell is going on here? What is this James Brown shit? I got good hair.
00:52:14I never had good hair. What is that?
00:52:16What's the matter, baby?
00:52:18Um, nothing, nothing.
00:52:22You ready to book?
00:52:24Yeah.
00:52:25All right. Come on. Come on. Let's go.
00:52:28Yeah.
00:52:29All right. Come on. Come on. Let's go.
00:52:33Oh, come on. Let's go.
00:52:44Yeah. Yeah. I ain't sweating it.
00:52:48Yeah. Yeah. I ain't sweating it.
00:52:53Oh, my God.
00:52:59Take one. Take two.
00:53:01Crazy. Like a baseball bat.
00:53:04And things like that. So let me see you shake that booty.
00:53:08So I can swing my booty.
00:53:10Let it hang from left to right.
00:53:12Do my thing to you all day and night like that.
00:53:15Yeah.
00:53:36Yeah. Yeah. I ain't sweating it.
00:53:40Yeah. Yeah. I ain't sweating it.
00:53:46Yo.
00:53:48I start sniffing like Mr. Snuffleupagus.
00:53:50And all the freaks, they just can't get enough of this.
00:53:52Could it be my sex appeal?
00:53:54Or could it be the way I wheel and deal?
00:53:56Kick a little lingo.
00:53:58Baby, I'm single.
00:53:59Gift from God, but I ain't Kris Kringle.
00:54:01Yeah. Yeah. I ain't sweating it.
00:54:07Lock you to you in the Timberland booth.
00:54:09Down with the brothers and the JV troop.
00:54:12Maybe we should sit down.
00:54:35What's the matter, darling? We were jamming.
00:54:38What is this darling shit with you lately?
00:54:40What happened to baby?
00:54:41I ain't sweating it.
00:54:43Jeez, I'm broke.
00:54:45I ain't sweating it.
00:54:51Mr. Snuffleupagus.
00:54:55What is your problem?
00:54:57I'm not the one with the problem.
00:55:03We'll be back in about a half.
00:55:11Dexter. Dexter Jackson.
00:55:14Why did you stop? You look great up there.
00:55:17Come on.
00:55:18You are a terrific dancer.
00:55:22Harmon dances like a white boy.
00:55:25That's because I am a white boy, missy.
00:55:34Ooh, I love this song.
00:55:41Can I have a dance with Dexter?
00:55:44Ooh, knock yourself out.
00:55:46Great.
00:55:47Are you sure you don't mind?
00:55:54Don't even think about it.
00:56:10I was afraid you'd refuse me.
00:56:12I know I've been a real bitch lately.
00:56:14Yeah, well, so why the change of heart?
00:56:17Well, I guess I just realized
00:56:20there's no reason for me to hold your success against you.
00:56:23I'm sorry.
00:56:24Ah, that's okay. Forget it.
00:56:32Hey, I hear you've got a new apartment.
00:56:34I'd really love to see it sometime.
00:56:37Well, it's really kind of dirty right now.
00:56:39Yeah?
00:56:41Well, with the lights out, who will notice?
00:56:48Yeah.
00:56:51It's getting really picky.
00:57:09Hey, you're not going to leave me out here all by myself, are you?
00:57:12Look, look, missy, I really have to catch Sunelle, okay?
00:57:15I'll see you later.
00:57:16Dexter!
00:57:17What are you doing chasing her?
00:57:19She should be chasing you.
00:57:21After all, you're Dexter Jackson.
00:57:40Mm-hmm.
00:57:46Dexter.
00:57:47Mm-hmm.
00:57:48Dexter.
00:57:49Mm-hmm.
00:57:50Is that that weather bitch lying next to you?
00:57:56Missy, what are you doing here?
00:57:59Anything you want, sexy Dexy.
00:58:01Sexy Dexy, my ass!
00:58:03I'm going to kill her!
00:58:04Wait a minute, Sunelle.
00:58:05Sunelle, darling, baby.
00:58:06I mean, baby, yes, wait.
00:58:08Sunelle, we can talk.
00:58:09Not the lamp.
00:58:10Sunelle, no, not the lamp.
00:58:11Wait, please.
00:58:14Sunelle.
00:58:15No, no, no.
00:58:16Come on, Sunelle.
00:58:17Please don't let it end this way.
00:58:19Sunelle, come on.
00:58:20I'm going to claw your eyes out.
00:58:21Bitch, get off of me, Dexter.
00:58:23I'm going to kill you, too.
00:58:25Stop!
00:58:26Stop!
00:58:27How could you do this?
00:58:30I loved you.
00:58:34I hope you're real happy, Dexter.
00:58:39Come here.
00:58:40Come on.
00:58:41Where's my stuff?
00:58:42Where's my stuff?
00:58:45Are you all right?
00:58:46I will be once I get the hell out of here.
00:58:53She's got a gun!
00:58:54Wait.
00:58:55Wait a minute, Sunelle.
00:58:56Sunelle!
00:59:09Sunelle!
00:59:10Wait!
00:59:11Sunelle!
00:59:12Sunelle!
00:59:13Wait!
00:59:17Sunelle!
00:59:19Sunelle!
00:59:24Sunelle!
00:59:28Sunelle, wait!
00:59:33Sunelle, wait!
00:59:34Come on, Sunelle, look!
00:59:36Oh, darling!
00:59:37We need to talk about this, darling.
00:59:39Come on.
00:59:40Oh, darling.
00:59:41Wait.
00:59:42Oh, baby, baby.
00:59:43Okay.
00:59:44Sunelle, look.
00:59:45I didn't mean to hurt you, but I'm just under so much pressure.
00:59:48You see, this job, it's got me all screwed up.
00:59:51You look all screwed up to me, Dexter.
00:59:53You don't support!
00:59:54Come on, Sunelle, look.
00:59:55All right, you have every right to be peeved, darling, but...
00:59:58Jeez, don't you think it's a tad extreme to terminate our relationship?
01:00:03Take your funny-talking ass off my porch!
01:00:06Hercules!
01:00:07Oh, come on, Sunelle, you really wouldn't say...
01:00:09Hercules!
01:00:14Right!
01:00:24Hercules!
01:00:25That's enough!
01:00:26Down, boy!
01:00:28Wait a minute!
01:00:33Damn.
01:00:34Now, you see, women like to say that all men are dogs,
01:00:38but sometimes it's the women that bring out that dog.
01:00:44I don't know what hurt my boy Dexter worse,
01:00:47the pain he put into Sunelle's heart
01:00:49or the pain that pit bull put in his ass.
01:00:52Okay, Jerry, you can roll tape on BT-1.
01:00:55Kate, I'm sorry.
01:00:56You're late.
01:00:57Yeah, I know.
01:00:58That's quite a fashion statement.
01:01:01Oh, well, I ran into a few snags.
01:01:04DVP-640, Missy Carnes and the Siamese twins.
01:01:08Okay, Missy.
01:01:09Okay, stand up straight.
01:01:10You're gonna be great.
01:01:11You got your material?
01:01:13What is this? Why...
01:01:14Shh!
01:01:16And so the people of this state have a grave decision facing them.
01:01:21What to do with two men joined at the hip from birth?
01:01:25One, a premeditated, cold-blooded killer.
01:01:29The other, an upstanding, law-abiding citizen.
01:01:33Do we free the innocent man and let a killer back on the streets?
01:01:37Or do we strap the killer to the electric chair,
01:01:40knowing the dire consequences of his actions?
01:01:43Think about it.
01:01:45This is Missy Carnes, Lady About Town, for Channel 4 News.
01:01:49Brilliant.
01:01:52Absolutely brilliant.
01:01:53Thank you.
01:01:54Why is Missy doing my job?
01:01:56She is surprisingly good.
01:01:58Answer my question!
01:01:59Kate, I'll just talk to you later, okay?
01:02:05What the hell is going on here?
01:02:07Nothing you can't overcome.
01:02:09What the hell is going on here?
01:02:11Nothing you can't overcome if you get your mind back on your work.
01:02:15Sexy Dixie.
01:02:23Don't worry about it, D.
01:02:25You and Toynell, y'all been through too much together.
01:02:28Toynell just doesn't realize that everything I'm doing is laying a foundation for our future.
01:02:33Oh, and boning Missy?
01:02:35I suppose that was for you and Toynell's future?
01:02:37Look, Baker, if you want to stay my friend, just mind your own affairs, okay, dude?
01:02:42What's up with you, man?
01:02:44You've changed.
01:02:45What do you mean? Why do you say I've changed?
01:02:47Listen to how you sound.
01:02:49Look at you.
01:02:50What are you doing?
01:02:51What are you doing?
01:02:52Nothing, nothing.
01:02:56Hey, guess who's back on the street, man.
01:02:58Who?
01:02:59Felix.
01:03:00Four Fingers Felix?
01:03:01Yeah, he got out on that morning a couple of days ago.
01:03:04And he at it again.
01:03:05He wanted me to run up with him tonight, but I told him I wasn't with him,
01:03:07because you know I lost my nerve for that kind of shit.
01:03:10Where's he going, Lakewood?
01:03:11Same old, same old. That's his spot.
01:03:13Tonight?
01:03:14I said tonight.
01:03:17And don't go running that on none of your cover stories,
01:03:19because if you do, my funeral will be the next thing you're covering.
01:03:23Baker, do you really think that I would do anything to endanger your welfare?
01:03:28Hey, I'm not on welfare. I'm just covering my ass.
01:03:32You going to eat any more of that cornbread?
01:03:36Croissant.
01:03:37Whatever, is you going to eat any more of that croissant?
01:03:41No, here, dude.
01:03:42Here, help yourself.
01:03:43Look, I've got to get back to the office.
01:03:45Ciao.
01:03:47Ciao.
01:03:49Catch you later, dude.
01:03:56Now, I knew my boy Dexter had burned a lot of bridges,
01:03:59and stepped on a lot of toes while making it on his way to the top.
01:04:03But I figured as sure as the sky was blue,
01:04:05and the welfare cheese was hard,
01:04:07I could trust my brother.
01:04:14Ladies and gentlemen, this is Dexter Jackson, Channel 4 News,
01:04:17taking you where no news team has gone before.
01:04:20Thanks to a tip from one of our most trusted informants,
01:04:23we are at the scene of an actual inner-city crime in progress.
01:04:26On your screen is Four Fingers Felix, a well-known criminal,
01:04:30and we are watching as he tries to commit Grand Theft Auto.
01:04:35But we have a surprise in store for Felix.
01:04:38Freeze, Fingers. You're under arrest.
01:04:41Don't try to run. We have you surrounded.
01:04:45Fingers, can you tell us why you're here tonight?
01:04:47Get out of here.
01:04:48Come on, Jimmy.
01:04:49Hold it, right there.
01:04:51Don't move.
01:04:52All right, all right, all right.
01:04:53Let me...
01:04:54Okay, okay.
01:04:55Let's find out what the alleged criminal has to say, if anything.
01:04:58Do you have a statement you'd like to make, Felix?
01:05:00You tell mother... You set me up.
01:05:02You and that... Banker set me up.
01:05:05All right, Fingers, come on.
01:05:06I'll get you, punk.
01:05:07The banker, too.
01:05:08I'm gonna bust that ass.
01:05:09Why steal cars?
01:05:11Why the Cadillac in particular?
01:05:13Maybe because the Cadillac is a symbol for the fading American dream.
01:05:16This has been Dexter Jackson.
01:05:20Wait, wait. I didn't do that.
01:05:22Whoa, whoa, whoa, wait.
01:05:23It's as if the Cadillac holds some mystical attraction for these people.
01:05:28I'm scared. Wait a minute.
01:05:29I'm scared.
01:05:30I'm Dexter Jackson.
01:05:31I've got blue eyes?
01:05:33It's against the laws of nature.
01:05:44Yeah?
01:05:45Dexter Baker's been hurt.
01:05:46What?
01:05:47He's been badly beaten up.
01:05:49Where is he?
01:05:50He's in the hospital.
01:05:51Where?
01:05:52He's at Marcus Garvey Memorial.
01:05:53Now, hurry.
01:05:54Yeah, all right, all right, all right.
01:05:55I'll be right there.
01:05:59Yeah, I don't see why they just didn't kill me and get it over with.
01:06:02Come on, now. You're gonna be all right.
01:06:06You got a visitor?
01:06:07Who?
01:06:08Dexter's here.
01:06:10Don't nobody want to see him, Nadine.
01:06:12Is that you, Ruby?
01:06:17I got here as soon as I could.
01:06:23Uh, hey. Hey.
01:06:25How you doing, man?
01:06:26It's me, your homeboy.
01:06:28Homeboy?
01:06:29You killed it, man.
01:06:30I can't swing with you no more.
01:06:31I can see that.
01:06:33Well, come on, Baker, man.
01:06:35I mean, we used to do everything together, right?
01:06:37Yeah, but this time, you on your own.
01:06:39You messed up Bubba's business,
01:06:41don't nobody eat at Anna Mae's no more,
01:06:43you cut Tornell off,
01:06:45and you played me like a motherfucking piano.
01:06:47You know what you could do for me?
01:06:49You could kiss my ass.
01:06:51Ruby, is that you?
01:06:53Come on, come on, Baker, man.
01:06:54I really didn't mean to dog you, man. I didn't.
01:06:56Yeah, dog me. Bow wow.
01:06:58I don't want to hear it no more.
01:07:00Get out of my face.
01:07:02Nurse? Nurse?
01:07:10Ruby, is that you?
01:07:22Is that you, Ruby?
01:07:24Who do you think it is, fool?
01:07:26Fuck you, Ruby.
01:07:52That's why I say lose
01:07:57That's why I sing
01:08:00How'd you do
01:08:02How'd you do
01:08:05That's why I say lose
01:08:11That's why I sing
01:08:19Jimmy, Jimmy, Jimmy.
01:08:20Jimmy, Jimmy, grab your gear. Come on, man. Let's go.
01:08:27I think we got our first exclusive. Come on.
01:08:36Jimmy, come on.
01:08:42You heard about the story Dexter got this morning?
01:08:45You're gonna lead off the show with it.
01:08:47You know I choose what goes at the top of the show.
01:08:49Except, oh, ancient one, when we get an exclusive,
01:08:52if you don't believe me, read your contract.
01:08:56Kate, why do you hate me?
01:08:58It's not you exactly. It's what you stand for.
01:09:01What is that? Low ratings.
01:09:08That's fine. Put the dwarves at the top of the show.
01:09:10Okay, we're coming back.
01:09:12Ready in the studio? Ready to cue Clifford and cue him.
01:09:15It's late at night. Okay, talk to you later.
01:09:18Good evening.
01:09:20I'm Clifford Worthy, and this, allegedly, is the news.
01:09:25This is Dexter Jackson, your man about town.
01:09:28A man masquerading as a priest
01:09:30picked a novel method of protesting today's relaxed sexual climate.
01:09:35My son, put down those rubbers.
01:09:37They are a plague upon mankind.
01:09:40They will be the undoing of the whole human race!
01:09:43These things are a mortal sin
01:09:45of the work of the devil itself,
01:09:47a blight on the sanctity of human life!
01:09:51Celibacy and mental illness.
01:09:53Is there a link?
01:09:55Forgive them, for they know not what they do.
01:09:57This is Dexter Jackson, man about town.
01:09:59News 4, Atlanta.
01:10:01Open his mic. Cue, Clifford.
01:10:03Well, another tragic tale
01:10:05of what happens when condoms
01:10:09and condoms and condoms
01:10:11and firearms
01:10:15are mixed.
01:10:21What the heck is he doing?
01:10:23Just blows the hell out of my ears.
01:10:25Someone shut the little baby off.
01:10:27Shut up, missy, shut up. You okay?
01:10:29Sure, yeah. Hey, everything's fine.
01:10:31Let's take a walk. Sure.
01:10:33Why don't we take a walk and get a drink of water?
01:10:35Okay, everybody settle. We're fine here.
01:10:37Good, good, good.
01:10:40Kate? Kate?
01:10:42Sit down.
01:10:44I want to see you in close-up.
01:10:46Oh, very nice.
01:10:50So what did you want to talk to me about?
01:10:52I just wanted to see
01:10:54how you'd look in the anchor chair.
01:10:58Are you saying I'm gonna replace Clifford?
01:11:00We're actually going to the co-anchor format.
01:11:02I'd like to use you...
01:11:04and missy.
01:11:06And I've come up with
01:11:08a fantastic way to kick it off.
01:11:10Get this.
01:11:12You're going to co-anchor as husband and wife.
01:11:14What?
01:11:16What the...
01:11:18Dexter, wait a minute.
01:11:20We could talk about this.
01:11:22What is wrong with you?
01:11:24What are you talking about?
01:11:26Ratings. We could promo the hell out of it.
01:11:28You're actually serious about this?
01:11:30I never joke when it comes to ratings.
01:11:32You know that, Dexter.
01:11:34Dexter,
01:11:36I'm too good to spend the rest of my life
01:11:38in this second-rate market.
01:11:40And in your heart of hearts,
01:11:42you know you're destined for more than
01:11:44mere street reporting.
01:11:46We've got to seize the opportunity
01:11:48while we're still young.
01:11:50Just look at that chair.
01:11:54A short while ago, you would have been happy
01:11:56with a job sweeping up in this studio,
01:11:58and now you have a chance
01:12:00to be the main man.
01:12:02Numero uno, baby.
01:12:04Tell me you don't want it.
01:12:06Of course I want it, Kate.
01:12:08I just don't want to have to marry Missy
01:12:10to get it.
01:12:12You don't have to stay married to her.
01:12:14Hell, divorce her during the next ratings sweep
01:12:16and I'll do a story on that.
01:12:18But if you want to sit in that chair
01:12:20now instead of waiting the next
01:12:2215 years dreaming about it,
01:12:24you're going
01:12:26to marry her.
01:12:34Big milkman!
01:12:36Burley! Tiger!
01:12:38Sullivan!
01:12:40Here we go!
01:12:50You have a visitor, baby.
01:12:58I just can't listen.
01:13:00Come in.
01:13:03I need to talk to you, darling.
01:13:07I mean, baby.
01:13:09Then start talking.
01:13:15You're not making this easy.
01:13:22What do you want, Dexter?
01:13:24Tonya, I'm about to do something.
01:13:26Something big.
01:13:28Something that may seem a little crazy on the outside,
01:13:30but it's not going to be what it seems like.
01:13:32You want me to get to the point or what?
01:13:34Well, remember when we used to work
01:13:36at Little Dog and I was taking classes down at Ajax?
01:13:38Remember how we always talked about
01:13:40what it would be like when I graduated?
01:13:42Yeah.
01:13:44And remember how you used to always take up for me
01:13:46when Nadine would start in on me?
01:13:48Yeah, I remember.
01:13:50Knowing you were there, knowing you believed in me
01:13:52helped me believe that I could be a newsman
01:13:54and maybe even one day be an anchorman.
01:13:56Well, that day is today.
01:13:58I'm going to be the new anchorman down at Channel 4.
01:14:00I just wanted you to be the first to know.
01:14:02Oh, I knew you could do it.
01:14:04I knew you could do it, Dexter.
01:14:06Um, there's just one little catch.
01:14:12What's the catch, baby?
01:14:14Oh, and you know, when I become an anchorman,
01:14:16I'm going to have a lot more control over the news down there.
01:14:18What's the catch?
01:14:20In order to get the job,
01:14:22I'm going to have to marry Missy.
01:14:24How are you going to tell me that?
01:14:26Wait, wait, Tonya, don't go...
01:14:29How are you going to tell me that?
01:14:31Wait a minute.
01:14:33Look, it's not like I love her or anything.
01:14:35We don't even have to stay married.
01:14:37Kate says once we get married...
01:14:39Kate says? Kate says?
01:14:41What kind of man going to let that bitch run they life?
01:14:43She does not run my life.
01:14:45Nobody runs my life.
01:14:47Then what do you call it, Dexter?
01:14:49You were in there a man
01:14:51and you let that female turn you into a weak-ass punk.
01:14:53Don't you understand?
01:14:55It's just for the ratings.
01:14:57That don't make it right.
01:15:01See, I knew you wouldn't understand.
01:15:03No, I understand.
01:15:05You don't care about me.
01:15:07Well, Mr. Anchorman,
01:15:09you can take your new clothes
01:15:11and your fancy car
01:15:13and your bullshit stories
01:15:15and one of those rating boxes
01:15:17you think is so important
01:15:19and shove them all where the sun don't shine!
01:15:27Can fairy tales
01:15:29really come true?
01:15:31First there was Grace
01:15:33and the Prince.
01:15:35Then came Diana
01:15:37and Charles.
01:15:39And now, Atlanta spins
01:15:41its own fairy tale.
01:15:43Better than the Princess
01:15:45and the Pauper,
01:15:47Dexter and Missy
01:15:49and the Prince,
01:15:51there's a fairy tale
01:15:53about a man
01:15:55Dexter and Missy are in love.
01:15:59And now,
01:16:01at last, Gone with the Wind
01:16:03meets Superfly.
01:16:05Look at it, look at it, look at it.
01:16:07Dexter Jackson and Missy Carnes
01:16:09are going to be joined in holy matrimony
01:16:11live at Living Color
01:16:13on Channel 4.
01:16:15Your brother's an idiot.
01:16:17Oh, shut up.
01:16:19To RSVP, all you have to do is tune in.
01:16:21Channel 4
01:16:24invites you to tune in to the wedding
01:16:26of Atlanta's favorite TV news personalities
01:16:28Missy Carnes
01:16:30and Dexter Jackson.
01:16:32So be there
01:16:34on this joyous occasion
01:16:36when Atlanta's favorite news personalities
01:16:38become Atlanta's
01:16:40favorite married couple.
01:16:46No, not you again!
01:16:48What do you want?
01:16:50Why are you following me?
01:16:52Ah!
01:16:54It's not me, it's not me!
01:16:56I can't turn you off.
01:16:58Why would you leave?
01:17:00You can't turn me off, man.
01:17:02I mean, dude, you're almost there.
01:17:04No, you're not me.
01:17:06Why are you following me, man?
01:17:10Okay, just stay calm.
01:17:12It's gonna be alright.
01:17:16I just unplugged you.
01:17:18I know I did.
01:17:20You ain't real!
01:17:22You ain't real!
01:17:24You are not real!
01:17:26The moment all of Atlanta
01:17:28has been anxiously awaiting.
01:17:30So be there on this joyous occasion
01:17:32when Atlanta's favorite news personalities
01:17:34become Atlanta's
01:17:36favorite married anchorman
01:17:38and woman.
01:17:40Okay, people, before we begin,
01:17:42we need a lot of involvement from you during the presentation.
01:17:44So if you'll look to Marty,
01:17:46he'll be cueing you with applause.
01:17:48Follow me, please.
01:17:50A little bit more.
01:17:52Yes, good.
01:17:54Save this one for the vowels.
01:17:56Very subtle.
01:17:58Okay, 15 seconds.
01:18:00We'll be going to a taped intro
01:18:02that will last approximately a minute and a half.
01:18:04Are you sure this young man is going to show up?
01:18:06Of course he is, Mommy.
01:18:08You wish he'd hurry.
01:18:10These shoes Mother bought are killing me.
01:18:12I'm sure Dexter will be here soon.
01:18:14He's probably just stuck in traffic.
01:18:17I don't approve.
01:18:19These people aren't anything like...
01:18:21Don't bother.
01:18:23The Lord never gives you more than you can bear.
01:18:29Oh, good heavens.
01:18:31Mommy?
01:18:33Hey, I'm sorry.
01:18:35You're late.
01:18:37You missed the camera run-through.
01:18:39Missy, aren't you going to introduce
01:18:41Dexter to your parents?
01:18:43Yeah.
01:18:45Of course.
01:18:47Dexter.
01:18:49Mommy and Daddy,
01:18:51this is Dexter.
01:18:53Dexter, the Reverend of Mrs. Carnes,
01:18:55my Mommy and Daddy.
01:18:57It's a pleasure and an honor to make your acquaintance.
01:18:59Dexter!
01:19:01Dexter!
01:19:03Here he is.
01:19:05This guy is a joker.
01:19:07Indeed.
01:19:09Ladies.
01:19:11Reverend.
01:19:13Reverend.
01:19:17You have a very lovely wife, Reverend Carnes.
01:19:19Camera one,
01:19:21just stay on the crowd.
01:19:23Everybody settle.
01:19:25That one right there.
01:19:27Dexter, you're here.
01:19:29Good. Thank you.
01:19:31Marty, can I have two cards, please?
01:19:33Dexter, right this way. We're very close.
01:19:35There's your mark right there.
01:19:37Yellow. Okay.
01:19:39Right. Yes.
01:19:42Who are all these people?
01:19:44They're actors. We hired them.
01:19:46This is your best man.
01:19:48He'll be fine.
01:19:50No, no, wait. Becker Moon is my best...
01:19:52Okay, folks, in approximately 15 seconds,
01:19:54we'll go on to the tape's intro.
01:19:56That runs about a minute and a half.
01:19:58After that, it's showtime.
01:20:00Let's go.
01:20:02Look, Kate, this had better go without a hitch.
01:20:04Take it easy, Roger.
01:20:06And room wedding, room of three.
01:20:08No problem.
01:20:10Four, three, two...
01:20:16From America's fastest-rising
01:20:18international city...
01:20:20Get out of my way.
01:20:22Don't touch me.
01:20:24Thank you.
01:20:26Did you have a pass?
01:20:28That's the Jackson. It's my pass.
01:20:30What's going on? Who are they?
01:20:32Friends and relatives of the groom.
01:20:34Let's make room for them, please.
01:20:36Thank you.
01:20:38And now,
01:20:40Atlanta spins its own fairy tale.
01:20:42The Princess and the Pauper.
01:20:44Dexter and Missy
01:20:46are in love.
01:20:48So be there
01:20:50on this joyous occasion
01:20:52when Atlanta's favorite news personalities
01:20:54become Atlanta's favorite married anchors.
01:20:56Oh, look at them.
01:20:58They're beautiful.
01:21:00They're beautiful.
01:21:02They're beautiful.
01:21:04They're beautiful.
01:21:07All the famous Julia
01:21:09brings you up close and personal
01:21:11the television event of the year
01:21:13a dream come true
01:21:15as Missy Karnes and Dexter Jackson
01:21:17start their new life together
01:21:19as Mr. and Mrs.
01:21:21The world's first
01:21:23husband and wife interracial news anchors
01:21:26right here on Channel 4.
01:21:28When I first set eyes on Dexter
01:21:30I knew he was the man for me.
01:21:32I knew your daughter sure can
01:21:34lie, man.
01:21:36is a dream come true. A day I'll cherish forever.
01:21:41It's the truth.
01:21:42In a short time, Dexter Jackson has become a local favorite and top street reporter.
01:21:48A few days ago, he shared his thoughts about this special day.
01:21:53First, this wonderful job, and now this fabulous woman?
01:21:56I can hardly believe it.
01:21:57I mean, look at us. We're from two entirely different backgrounds, but yet we're going
01:22:01to be husband and wife on News 4. Atlantis.
01:22:05What's wrong, guy?
01:22:07We are now what you've always wanted to be.
01:22:10No!
01:22:14What's he doing?
01:22:16Get back to the crowd.
01:22:18Get out of here.
01:22:19Come on, guy. Let's go apply for credit cards.
01:22:21Shut up! Just shut up!
01:22:23We finally made it. It's the off time.
01:22:25I'm telling you, it's not me. It's not me.
01:22:27I'm just so lucky to have met a woman like Missy.
01:22:30No, it's Toynell! Toynell! It's Toynell!
01:22:33Shut up!
01:22:34I'll take care of it.
01:22:35Just shut up! That's not me! He's not me!
01:22:38Shut up! That's not me!
01:22:39I only wish I could have turned white sooner.
01:22:41I'm black! Damn it, I'm black! What's wrong with you?
01:22:44I'm black!
01:22:45What's your problem? Everybody in here can see that you're black.
01:22:48But, Baker, man, Baker, can't you see the face?
01:22:50What is going on?
01:22:52Are you okay?
01:22:53What are you doing here?
01:22:54I'm a guest of a groom, all right?
01:22:56Let's roll the commercial.
01:22:59I'm okay, I'm okay.
01:23:00As long as I can have Baker Moon as my best man.
01:23:02Guys, we go live here in 30 seconds. Come on!
01:23:04Come on!
01:23:06You got him.
01:23:07Okay, Fred, take a hike. You're out of here.
01:23:09Okay, let's move quickly.
01:23:14You, on your mark.
01:23:15Okay, everybody settle, please.
01:23:16There you go.
01:23:17Okay, we're set and ready to go.
01:23:19I got your back, but I don't know why you're marrying this bitch.
01:23:22You're crazy.
01:23:24No problem. It's under control.
01:23:26Okay, and in five, four, three, two...
01:23:33And now, Atlanta, the city too busy to hate,
01:23:37is stepping to the forefront of racial harmony.
01:23:40You all right?
01:23:41You all right?
01:23:42Yeah, I'm all right.
01:23:49Somebody's gonna have to stop this fool before he can make Dean know.
01:23:52It ain't any good unless he does it for himself.
01:23:55Okay.
01:24:02All right, camera two, give me a shot of the bimbo and take two.
01:24:06That's good. Go in on the mother.
01:24:09Three. Give me mama.
01:24:12Oh, that's nice.
01:24:14Very nice.
01:24:20It's beautiful.
01:24:21It's a damn circus is what it is.
01:24:24It's a damn circus is what it is.
01:24:37Dearly beloved, we are gathered here today in the sight of God
01:24:42to join together this man and this woman in holy matrimony.
01:24:48Missy, do you take Dexter to be your lawful wedded husband
01:24:54in sickness and in health as long as you both shall love?
01:25:02Oh, that's good.
01:25:04I do.
01:25:06And Dexter, do you take Missy to be your lawful wedded wife
01:25:11in sickness and in health as long as you both shall love?
01:25:17Huh?
01:25:27Dexter, Dexter, you answer her or I will.
01:25:31What?
01:25:32Dexter, just say I do.
01:25:36Do what?
01:25:38Take Missy to be your lawful wedded wife.
01:25:42Come on, come on, come on, come on.
01:25:45Why?
01:25:46Say yes, say yes quick.
01:25:48Do you want to marry my daughter or not?
01:25:51Marry? Hell no, man.
01:25:53Look, I just wanted to pussy.
01:25:55You know what I'm saying?
01:25:56What?
01:25:57It wasn't no big thing.
01:25:58You know what I'm saying?
01:26:00Dexter, Dexter.
01:26:02Now see.
01:26:03Here, boy.
01:26:04Boy.
01:26:07Mommy.
01:26:09Mommy.
01:26:11Camera two, tighten up on Dexter.
01:26:13I don't believe you said that.
01:26:15How could you?
01:26:16What?
01:26:17You know, it's just like they say you can dress them up,
01:26:19but you can't take them anywhere.
01:26:20After all the things we've done, Dexter,
01:26:22you're nothing but a stupid ass nigger.
01:26:24Who you calling a nigger?
01:26:26Look, I'm sick of you.
01:26:27All right, I got you, nigger.
01:26:28Wait.
01:26:30Dexter, wait.
01:26:31Dexter, I was only kidding.
01:26:32What the hell is going on here?
01:26:34Look, Dexter, it's me.
01:26:35It's your homeboy.
01:26:36Come on.
01:26:37Dexter, Dexter.
01:26:38No, not the boy.
01:26:40I've turned you off,
01:26:41Dexter, where are you?
01:26:42No.
01:26:44Oh, wait.
01:26:45No, no.
01:26:46Dexter.
01:26:47This is all your fault.
01:26:48It's not my fault.
01:26:50Dexter, hold on.
01:26:51No.
01:26:52Dexter.
01:26:55Whoa, windbag.
01:26:56It's your fault.
01:26:57My fault.
01:26:58My fault.
01:26:59You gotta be crazy.
01:27:02You ungrateful piece of gutter trash.
01:27:04You fucked up my career.
01:27:06Uh-uh, bitch.
01:27:08I'll kill you.
01:27:09You black bastard.
01:27:13Kay, that's the nicest thing you've ever said to me.
01:27:16I'll tear you limb from limb.
01:27:18You're gonna have to come to me first.
01:27:19Oh, shit.
01:27:21Ah, honey, you're gonna have to stay and get yours.
01:27:33Camera one, let's just bail out of this baby and cue the announcer.
01:27:36We're going to you.
01:27:38This camera in three, two, one.
01:27:41Well, ladies and gentlemen, as you can see,
01:27:43the Winter Chapel has become a scene of total chaos.
01:27:46And Dexter Jackson has obviously gone stark raving mad.
01:27:50That's a lie.
01:27:51Losing the prospect.
01:27:55Ladies and gentlemen, contrary to what you just heard,
01:27:57this homeboy is in complete possession of his faculties.
01:28:00Chaos, however, is an accurate description of the scene unfolding before you.
01:28:04Let's take a closer look, shall we?
01:28:08Kate!
01:28:09Take care of her, baby. Get her out of there.
01:28:12Ladies and gentlemen, the blur you just saw rushing across your screen
01:28:15was Kate Pendragon, our executive producer.
01:28:23Ladies and gentlemen, this is Twinelle Davis, my real fiancée.
01:28:27Twinelle, can you tell our viewers what you intend on doing
01:28:29should you catch those ladies?
01:28:31I'm gonna kill the bitches.
01:28:32Okay, fine.
01:28:37Let's just hope for their sake that they continue to elude Miss Davis.
01:28:41Look at her. She's doing fine.
01:28:42Ladies and gentlemen, today's wedding is just typical
01:28:45of the hype that has replaced meaningful news here on Channel 4.
01:28:48Hi, Bob.
01:28:49Take one.
01:28:52Boy, your mama been dead. Get on out of here.
01:28:56May as well open up and see it all.
01:28:58Take three.
01:28:59In any case, this reporter must shoulder the blame for his own runaway ambition.
01:29:07Annie Mae, Bubba, Nadine, and Baker, man...
01:29:15I'm sorry.
01:29:17I'm really sorry.
01:29:20Look, I can't change what's already happened,
01:29:23but you best believe that no matter what my fate here at Channel 4,
01:29:26Dexter Jackson is definitely Dexter Jackson once again.
01:29:30Dexter all right, y'all. He's all right.
01:29:34Ow! Ow!
01:29:37Let go of me!
01:29:38Uh-uh, honey.
01:29:39Ow!
01:29:40You can hug Dexter.
01:29:42I already got Dexter.
01:29:43No!
01:29:44Ow!
01:29:45Ow!
01:29:46Oh, my God!
01:30:01Aw, don't cry with her, lady.
01:30:03Baker's here for you now, sugar.
01:30:06Ah!
01:30:15Turnell, I'm really sorry, baby.
01:30:20I love you.
01:30:22I've always loved you.
01:30:25Whoo!
01:30:35Well, Kate got what she wanted.
01:30:37That show was the highest-rated news show in Atlanta
01:30:40and still is the most talked about.
01:30:42One critic wrote, peep this,
01:30:44the news beats pro wrestling.
01:30:47Oh, I could tell you that the story had a happy ending,
01:30:50but I won't.
01:30:51I'll let you see for yourself.
01:30:55Beep.
01:30:59And now it's time for the Channel 4 Evening News
01:31:04with Atlanta's newest and freshest news team,
01:31:07Clifford Worthy and our own Dexter Jackson.
01:31:14Hush! Hush!
01:31:15Quiet up now. He talking. He talking.
01:31:17Are we down, Clifford?
01:31:19We do be down.
01:31:22Ha, ha, ha.
01:31:25Our top story tonight.
01:31:27Hush! Hush!
01:31:28Quiet up now. He talking. He talking.
01:31:30Are we down, Clifford?
01:31:31We do be down.
01:31:32Ha, ha, ha.
01:31:33Are we down, Clifford?
01:31:34We do be down.
01:31:35Ha, ha, ha.
01:31:36Are we down, Clifford?
01:31:37We do be down.
01:31:38Ha, ha, ha.
01:31:39Are we down, Clifford?
01:31:40We do be down.
01:31:41Ha, ha, ha.
01:31:42Are we down, Clifford?
01:31:43We do be down.
01:31:44Ha, ha, ha.
01:31:45Are we down, Clifford?
01:31:46We do be down.
01:31:47Ha, ha, ha.
01:31:48Are we down, Clifford?
01:31:49We do be down.
01:31:50Ha, ha, ha.
01:31:51Are we down, Clifford?
01:31:52We do be down.
01:31:53Ha, ha, ha.
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