Category
🎥
Short filmTranscript
00:00:30♪
00:00:55It's time for us.
00:00:58At least you could stay with us today.
00:01:00It can be dangerous on the streets.
00:01:02Leave me alone, leave me alone, Mama, leave me alone.
00:01:06Are you coming?
00:01:10Good night.
00:01:27♪
00:01:54Shh!
00:01:55Shh!
00:01:56Shh!
00:01:57Shh!
00:02:01You've ruined my collection again.
00:02:05I've done you very well.
00:02:07I've done you very well.
00:02:09You have no right to do this.
00:02:11You have no right to do this.
00:02:16You have no right.
00:02:18Very well.
00:02:21Very well.
00:02:24Very well.
00:02:37Adam!
00:02:39Adam!
00:02:41Where are you going?
00:02:54Do something!
00:03:07Adam!
00:03:09What do you want to do?
00:03:12Stop!
00:03:17Stefan!
00:03:19Stop him!
00:03:20Stop him!
00:03:50♪
00:04:15Good morning.
00:04:16Yes.
00:04:17Yes.
00:04:19Yes.
00:04:21Yes, a little.
00:04:23I'll go.
00:04:25Yes, I'll make it.
00:04:26Of course, it will be ready by today.
00:04:28Yes.
00:04:47Good morning.
00:04:48Good morning.
00:04:49We'll meet in a month.
00:04:52It's hard to catch you.
00:04:57Not enough.
00:04:58A hundred more.
00:04:59And once he said that...
00:05:00Because at your brother's time it was cheaper.
00:05:02You were born in a hurry anyway.
00:05:03Where are you now?
00:05:04Okay.
00:05:05Okay, tomorrow.
00:05:06See you tomorrow.
00:05:07Ladies, this is not allowed!
00:05:10What happened today?
00:05:11Which flowers bloomed, which flowers fell,
00:05:13when do you open?
00:05:16I thought you'd come to see the spring.
00:05:20Sometimes you can see how beautiful spring is.
00:05:23Yes.
00:05:25I'll be out of here.
00:05:26Good morning.
00:05:28Good morning.
00:05:32Good morning.
00:05:33Welcome.
00:05:34Do you remember me?
00:05:35Sometimes you can see it when you walk between the trees.
00:05:39In your character.
00:05:41You wouldn't pay attention to that, but I have something.
00:05:45This is my secret.
00:05:48There are no signs, because they are highly toxic.
00:05:51This is, for example, a white frog,
00:05:54and this is a black dragonfly.
00:05:58Let's leave these resources and go to the forest together.
00:06:02I can't. I have to take care of these resources.
00:06:06Does that mean you're in love?
00:06:09No.
00:06:11But I love someone.
00:06:26You see, we're going.
00:06:32Let's go.
00:06:48We have a better tip for you.
00:06:51A young high school student came to Warsaw for an exam.
00:06:55For a study.
00:06:57She went for breakfast to Słoneczna Street.
00:07:00She has a bad habit.
00:07:03She decided to write a story about them.
00:07:07What's so interesting about it?
00:07:09She didn't go for the exam.
00:07:11She left home and became one of them.
00:07:16They took her as their own daughter.
00:07:21She's probably sitting there. Maybe she'll come.
00:07:25Do you have any small ones?
00:07:29No.
00:07:33Is that enough?
00:07:35You'll recognize her easily. She's 15-16 years old.
00:07:39She was adopted by Saganek.
00:07:59I'm not a sweetheart, because I have red hair.
00:08:04No brown hair, no brown hair.
00:08:07I'm just a sweetheart, like a summer leaf.
00:08:12Nobody remembers my name, but everybody knows me as a sweetheart.
00:08:17Nothing has changed for many years.
00:08:20Even my boyfriend calls me a sweetheart.
00:08:23And I'm a sweetheart.
00:08:25Excuse me, do you order anything?
00:08:27I have money.
00:08:29I have money, too.
00:08:42What's so interesting about it?
00:08:44Why do you care?
00:08:46I wanted to invite you to...
00:08:48Fuck off.
00:08:50Why?
00:08:52Money isn't enough?
00:08:54What else?
00:08:56Let's think about it.
00:08:59Calm down.
00:09:01Calm down.
00:09:03What are you doing?
00:09:05Nothing interesting.
00:09:07Let's take off our shoes.
00:09:09Let's go to the forest.
00:09:12Come on.
00:09:14What's that?
00:09:16It's for you.
00:09:18To the forest?
00:09:20Yes.
00:09:27But where's the forest?
00:09:29I want to go to the forest.
00:09:31Be quiet.
00:09:35Good morning!
00:09:38Are you happy that your village is turning into a city?
00:09:42Why are you running away?
00:09:44Which way to the forest?
00:09:46Where's Sołtys?
00:09:49Which way to the forest?
00:09:52Where's Sołtys?
00:10:09We're not reporting anyone.
00:10:11I'd like to talk.
00:10:13No way. The books are sealed.
00:10:16The books are sealed.
00:10:19Why?
00:10:21It's a rule.
00:10:23The capital is forbidden to report.
00:10:27But it's not Warsaw.
00:10:29It'll be banned in a week.
00:10:32You have to help us.
00:10:34We don't report.
00:10:37My wife is expecting.
00:10:39I don't have time.
00:10:41Goodbye.
00:10:43How much?
00:10:45One, two, three...
00:10:52All right.
00:10:54I'll do it for my wife and child.
00:10:58Five people.
00:11:00Deal?
00:11:06The money.
00:11:10Where do you want to stay?
00:11:24At the Siara's, next to the 8th.
00:11:27My son beat someone up.
00:11:29He went to sit.
00:11:31The woman is alone.
00:11:33To the Wodzika.
00:11:35Please.
00:11:40I didn't take it.
00:11:42My wife left it in the hotel.
00:11:48Ma'am...
00:11:51There's no hotel here.
00:11:54I was great as your wife.
00:11:57But I'd never want a husband like you.
00:12:01Do you really want to live here?
00:12:05Let's go to the forest.
00:12:07I'll stay here.
00:12:09Where?
00:12:11I want to go to the forest.
00:12:13Adam, come back!
00:12:20Is Siara here?
00:12:25What?
00:12:27I'm from the village.
00:12:29Again?
00:12:31Enough people.
00:12:34Enough!
00:12:36I was joking.
00:12:38I have a message from my son.
00:12:41Were you together?
00:12:43I'm a nurse in the hospital.
00:12:46My son is sick.
00:12:48He was beaten up.
00:12:50He was killed.
00:12:52We don't know the sentence.
00:12:54He didn't do it.
00:12:56He was robbed.
00:12:58Who robbed him?
00:13:00Who?
00:13:02The police.
00:13:04Why are you asking?
00:13:06Maybe I could help.
00:13:08What can you do?
00:13:10Bad people robbed him.
00:13:12Bad people changed him.
00:13:14Bad people kill him.
00:13:16Where do you get so many tenants?
00:13:19They are here.
00:13:21I report fake souls.
00:13:23None of them live here.
00:13:25But if they kick us out,
00:13:27everyone will get a flat in Warsaw.
00:13:30Like other people from the village.
00:13:32Five pieces for the head.
00:13:34No, no, no.
00:13:36You don't have to.
00:13:38This is my youngest.
00:13:40She's going through a lot.
00:13:42Wait a minute.
00:13:44Take this to my son.
00:13:47Tell him it's from me.
00:13:50Congratulations.
00:13:52Two notes in the last number.
00:13:54But why do you sign with the initials PP?
00:13:57It has nothing to do with your last name.
00:14:00It's just a pseudonym.
00:14:02I see.
00:14:04Be careful.
00:14:06The word is dirty.
00:14:08You can't sign with it.
00:14:10You can't sign with it.
00:14:12You can't sign with it.
00:14:14You can't sign with it.
00:14:16You can't sign with it.
00:14:18You can't sign with it.
00:14:32It's ready, sir.
00:14:34I see.
00:14:38Sir, your name.
00:14:40I want to know it only from our newspaper.
00:14:43Not from the phone, from outside.
00:14:46He has to have an instinct.
00:14:48He has to know where his hunting field ends.
00:14:51And you enter the area where lions and leopards live.
00:14:55And you yourself are a small animal.
00:14:58A grizzly bear, in the best case.
00:15:00Thank you, sir.
00:15:02I'm going to hunt you.
00:15:04And here they want to kill you and me.
00:15:07For a snack.
00:15:16The village of Kapustnik.
00:15:18Don't forget it.
00:15:20Unless you grow up enough
00:15:22to take up the great, pathetic subject of the city's drama.
00:15:25But you sent me there yourself.
00:15:27Yes, but on the subject of great publicity.
00:15:30And not sensation.
00:15:32You like waste.
00:15:34And matters are important.
00:15:36You put it aside.
00:15:39You know that Warsaw is developing.
00:15:42It's not happening for no reason.
00:15:45What is it?
00:15:47But what do they mean
00:15:49because of social processes
00:15:51when the village is overshadowed by the city.
00:15:54You got a great subject
00:15:56for a great reportage and wasted your chance.
00:15:59But you know that I don't care about publicity.
00:16:01It seemed to me that...
00:16:03It seemed to you.
00:16:05Too early for a big subject for you.
00:16:07I advise you to think about
00:16:09what world you're walking in.
00:16:11All right.
00:16:13All right.
00:16:14A new subject.
00:16:16A murderer sentenced by his own mother to death.
00:16:19Criminals again.
00:16:21Sensational.
00:16:22When will you grow up enough
00:16:24to write a reportage?
00:16:26But it's a subject for a wider social context.
00:16:28Can I trust you?
00:16:30You wander in the clouds.
00:16:32You build castles on ice.
00:16:34Go back to the reportage.
00:16:36I really have something special for you.
00:16:38A great subject.
00:16:40All right.
00:16:41All right.
00:16:42Collect the material
00:16:44and write your great subject.
00:16:47But don't forget the notes.
00:16:53He won't give you anything.
00:16:55It's the last time.
00:16:56Just keep the notes.
00:17:02I have to go.
00:17:03I'm penniless.
00:17:05Warsaw, what?
00:17:06Saganka.
00:17:08He won't let you go without a summer jacket.
00:17:10It's about poisonous plants.
00:17:13Too many texts.
00:17:15A beautiful story.
00:17:17Someone plans to murder
00:17:19with poisonous plants from a botanical garden.
00:17:22All right.
00:17:23As usual, 20% of your honorarium.
00:17:26As always, 10%, little one.
00:17:29I invite you to my brother's wedding.
00:17:3220%.
00:17:36No, it won't be 20%.
00:17:41And an invitation to the wedding.
00:17:46Siara was hired for a few zlotys
00:17:48and a bottle of vodka.
00:17:49He was supposed to beat up a guy.
00:17:51But he drank too much
00:17:53and was sent to the other world.
00:17:55He was beaten up.
00:17:56I don't think you might be interested in this case.
00:17:59Who hired him?
00:18:00The widow's sister.
00:18:02She insisted it was her idea.
00:18:05But she's mentally ill.
00:18:07Didn't Siara's siblings testify?
00:18:09Siblings?
00:18:11He was the only son.
00:18:15I want to see Siara.
00:18:18You want your mother to see her son?
00:18:21Give her the way.
00:18:22I can't.
00:18:23Siara filed a petition.
00:18:25If she finds out she has two visions,
00:18:28she may think the petition was rejected.
00:18:31She may do something stupid.
00:18:34Suicide, for example.
00:18:36That would be beautiful for you, of course.
00:18:43You know you remind me of Stefan.
00:18:47You ran away, so you're on my side.
00:18:51I'm not on anyone's side.
00:19:01Please.
00:19:12He knows you have no chance.
00:19:15It's a cunning trick.
00:19:17Be careful.
00:19:18He may beat you up,
00:19:20or even kill you,
00:19:21to prevent his sentence.
00:19:26There must be a new investigation,
00:19:28a trial, a sentence,
00:19:30an appeal,
00:19:31at least a year.
00:19:37I'll give you two bodyguards.
00:19:39You'll be separated from the prisoner.
00:19:42I'm sorry.
00:20:00Save me.
00:20:01I don't want to die.
00:20:03Find a cure.
00:20:05I'll do whatever you tell me.
00:20:07There's a secret number.
00:20:10No.
00:20:13Not now.
00:20:17I beg you, priest.
00:20:19I didn't kill him.
00:20:23He was supposed to live.
00:20:25And I was supposed to live.
00:20:27When I left, he was still alive.
00:20:29No.
00:20:32Not now.
00:20:34I beg you.
00:20:35No.
00:20:38Not now.
00:20:40I'm not going anywhere.
00:20:43You don't have to go anywhere.
00:20:45I came with a visit,
00:20:47and I want to help you,
00:20:49but I don't know how.
00:20:54The priest is going to Tvotsk
00:20:56on a boat.
00:20:58He'll ask the guys from the train.
00:21:00They'll tell him where to look.
00:21:02He knows everything.
00:21:04He's here every day.
00:21:08It's from your mother.
00:21:12What am I supposed to tell her?
00:21:14And what am I supposed to tell my sister?
00:21:27Leave me, you bastard!
00:21:31You bastard!
00:21:34I told you.
00:22:04I love you.
00:22:11I love you too.
00:22:14I love you too.
00:22:29I love you.
00:22:34I love you too.
00:22:40Don't drown.
00:22:43I can do whatever I want.
00:22:57I want to drink.
00:22:58Let's go somewhere.
00:23:00If...
00:23:02If I keep drinking with you,
00:23:07everything in my life will be lost.
00:23:12I'll be...
00:23:15Drunk and wandering around the world,
00:23:18and I won't get anywhere.
00:23:20Where do you want to go?
00:23:31Let's go.
00:23:37Gentlemen!
00:23:41I have slippers full of money.
00:23:44Here you are.
00:23:45That's too much, ma'am.
00:23:47You know how much they give you.
00:23:58You know, I must be crazy.
00:24:02What would you do if I proposed to you?
00:24:09That's impossible.
00:24:11I fell in love with you.
00:24:20What's wrong?
00:24:21Can't you hear me?
00:24:25Wait a minute.
00:24:26I'll be right back.
00:24:28Go, go.
00:24:31Maybe I'll wait, maybe not.
00:25:01I'll be right back.
00:25:31I'll be right back.
00:26:02Strent?
00:26:03I'm looking for Strent.
00:26:06Go ahead.
00:26:10Siara sent me.
00:26:16What do you want?
00:26:18Siara says something's wrong.
00:26:25Siara got an order.
00:26:27He's a good guy.
00:26:28He's a good guy.
00:26:29He's always been a bit too zealous.
00:26:38Siara says he didn't kill him.
00:26:40Who did?
00:26:41Who?
00:26:45I'm not asking and I'm alive.
00:26:59Do you know anything about Siara?
00:27:03I don't, but there's someone who knows everything.
00:27:06Who?
00:27:08God.
00:27:16The widow knows everything.
00:27:18Persuade her to go to Siara's mother.
00:27:20Why?
00:27:21If she goes, it means Siara didn't kill him.
00:27:24And who?
00:27:34I need her address.
00:27:37It's not a problem for you to check Siara's files.
00:27:43I need it right now.
00:27:48I'll be right back.
00:27:55Okay. Tomorrow.
00:27:58Remember.
00:28:24I'll be right back.
00:28:37I'd like to give you a chance.
00:28:40Good day.
00:28:43So, here you are.
00:28:49You can buy this apartment.
00:28:52You'll give me 5,000.
00:28:56I'll register and you'll get a share.
00:29:01In a month, the building will be demolished.
00:29:06You'll get a new flat.
00:29:08If not, you'll move out in three days.
00:29:22Everything I have now.
00:29:24The rest later.
00:29:32Okay.
00:29:35But in three days.
00:29:40Will you ever come to me?
00:29:44Why are you so obsessed with Siara?
00:29:47Because I have a chance to be on the front page of our daily press.
00:29:53I thought you wanted to defend an innocent man.
00:29:56That too.
00:29:57You can give me 10,000.
00:29:5910,000?
00:30:00Why do you need that much?
00:30:02I need it.
00:30:04No, I don't have that much.
00:30:06The rest comes from my parents.
00:30:09A wedding with the daughter of Mecenas Rewiński is expensive.
00:30:14Bye then.
00:30:15I'm engaged to Mecenas.
00:30:21Will you marry Mecenas or his daughter?
00:30:24You'll see when they get married.
00:30:27Try it without interest.
00:30:29No.
00:30:41How are you?
00:30:43I'm fine.
00:30:45Really?
00:30:48You're a generation that has mastered self-improvement.
00:30:54And you don't want to know about it.
00:30:59We're a generation that has been lied to.
00:31:03And we don't want to know about it.
00:31:07And that's why you steal from your parents.
00:31:10Maybe you don't know that they sold half of the furniture
00:31:13for Juliusz to become a lawyer.
00:31:15And now they'll sell the other half
00:31:17because you want to become a journalist.
00:31:20You're afraid it won't be enough for you.
00:31:25Cooks.
00:31:29Come on.
00:31:39Don't pay attention to him.
00:31:41He's a good boy, just nervous.
00:31:46Here you are.
00:31:47I don't have more for now, but I'll have some in a few days.
00:31:51Here you are.
00:32:05Hello, Mr. Płaszczyk.
00:32:23Excuse me.
00:32:25I'm looking for a young lady who used to sit here all the time.
00:32:32Gogi?
00:32:34She was wearing a white blouse and a white skirt.
00:32:37I don't think she's bad.
00:32:47Excuse me.
00:32:49I'm looking for a blonde who used to sit here and write.
00:32:55They took her to the hospital yesterday.
00:32:57You're finally here, my boy!
00:33:00What's this?
00:33:01A gift for me?
00:33:06It's you?
00:33:09How cute!
00:33:12I have a small favor to ask you.
00:33:14Could you lend me...
00:33:16My diary?
00:33:17Yes, yes.
00:33:18I know, I know.
00:33:19I'm your biggest treasure.
00:33:22If I give it to you one day,
00:33:24you'll be able to write a million great stories, right?
00:33:29Tell me, if I get better, will you marry me?
00:33:34Then drink to my health.
00:33:37Excuse me.
00:33:38Could you leave the room for a moment?
00:33:47I'm Gogi's mother.
00:33:49We live in Rada.
00:33:50Gogi, as you know, came to Warsaw on her own.
00:33:53We're a little worried about the environment in which she lives.
00:33:57She told us a lot about you.
00:33:59She likes you very much.
00:34:01She says you're an idealist.
00:34:06But you know about it.
00:34:08And we both have to pretend that we don't know.
00:34:12Because she's afraid that we'll find out.
00:34:14If she found out that we know, she'd take her life.
00:34:17Gogi, I beg you.
00:34:18Please help us.
00:34:19Please get her out of this environment.
00:34:21Please take her into your company.
00:34:23Please take care of her.
00:34:25I know a lady who's into fashion.
00:34:28Gogi, maybe she could be a model there.
00:34:31Maybe you should go with her.
00:34:35You know, I've been thinking about it.
00:34:40I even got a job in the editorial office.
00:34:42We can't thank you enough.
00:34:44We're not poor.
00:34:45I'm almost a dentist.
00:34:47Please take this.
00:34:49It's very useful.
00:34:56I need some money.
00:34:58Can you lend me a thousand?
00:35:00How much?
00:35:01A thousand.
00:35:03Go to him.
00:35:04He'll give you the money.
00:35:07What's going on?
00:35:15Ma'am.
00:35:16Someone's throwing himself off the bridge.
00:35:19He's drowning.
00:35:20He's calling for help.
00:35:21Someone's jumping.
00:35:22He's pulling him out.
00:35:23A crowd is gathering.
00:35:25Artificial respiration.
00:35:27Just where I was standing with the fishing rod.
00:35:30It's a shame, ma'am.
00:35:31There was nothing like that.
00:35:33I made a mistake.
00:35:34I'm an author.
00:35:35I fish under the Poniatowski bridge every day.
00:35:37And I didn't see anything like that.
00:35:39No, it was the bridge of Kierbedzia.
00:35:42I made a mistake.
00:35:43You see, it's all clear now.
00:35:46Thank you for your attention.
00:35:49Such a reader is a pride for our newspaper.
00:35:52And we wish you successful fishing.
00:35:57Mr. Adam.
00:35:59Our profession has to rely on the truth.
00:36:02I know.
00:36:03You're going to say that real life is boring.
00:36:05Nothing like that.
00:36:06You just have to know how to search and look.
00:36:08Do you agree?
00:36:09There's no difference with the truth.
00:36:11I don't want to know what you mean.
00:36:13Goodbye, sir.
00:36:14Goodbye.
00:36:16Good morning.
00:36:17I'd like to ask for a bill.
00:36:19I'm collecting material for this report.
00:36:21Which one do you want?
00:36:25Here you are.
00:36:27Here you are.
00:36:30All right.
00:36:31Five hundred.
00:36:32The account of the truth.
00:36:33The big topic you're preparing.
00:36:36And buy yourself a new tie.
00:36:45You found him by the road, by the Bili forest.
00:36:49Bili?
00:36:50So he wasn't alone?
00:36:52I don't know what you mean to me.
00:36:54Do you know Matka Siara?
00:36:56No.
00:36:57Huh?
00:36:58No.
00:36:59Have you visited her?
00:37:01What?
00:37:03Why should I visit her?
00:37:05Do you have sisters?
00:37:10No.
00:37:11Tell me how it was.
00:37:15I've already told you.
00:37:17Why did they attack your husband?
00:37:19Maybe your sisters will tell you.
00:37:21Did Siara kill him?
00:37:22Was he alone?
00:37:23Leave me alone.
00:37:24All right?
00:37:25I don't know.
00:37:33What is it?
00:37:34You can go now.
00:37:49What is it?
00:37:50You're late.
00:37:51Yesterday the chalice of Aspernium was developed.
00:37:54But it only takes an hour.
00:37:56And how is our white-winged daffodil?
00:37:59Daffodil?
00:38:00Do you want to see how it grew?
00:38:03No.
00:38:04And there is no such plant as Aspernium.
00:38:07You're lying.
00:38:08I'm not lying.
00:38:09I'm not lying.
00:38:10I'm not lying.
00:38:11I'm not lying.
00:38:12I'm not lying.
00:38:13I'm not lying.
00:38:14I'm not lying.
00:38:15I'm not lying.
00:38:16I'm not lying.
00:38:17I'm not lying.
00:38:18There's no Aspernium.
00:38:19No, there isn't.
00:38:20But it's written with a pen.
00:38:23I see.
00:38:25Then I invite you to a coffee.
00:38:28But I can't now.
00:38:31Why don't you want me?
00:38:35I do.
00:38:36But later.
00:38:42Excuse me.
00:38:45Go ahead.
00:38:46Well, then jump.
00:39:01Please, sir. Please.
00:39:06How could you? In public? In the whole city?
00:39:10Goga, you're never going to do it.
00:39:12You promised to do it, and what did you do?
00:39:15What do you mean? What happened? Calm down.
00:39:17Why are you getting up?
00:39:19It's not about Goga, it's about Saganka.
00:39:21Did you know exactly what Goga told you?
00:39:23No.
00:39:24You're lying! The whole city found out!
00:39:28You're lying!
00:39:30People...
00:39:31All right, all right.
00:39:33We'll go and I'll show you the real Saganka. Do you want to?
00:39:37I really don't know what to do.
00:39:43You could have saved her. You could have helped her, and now...
00:39:47I'll help her as soon as she gets out of the hospital.
00:39:49She's already out. She went to the sanatorium in Zakopane.
00:39:53She just left a letter.
00:40:04I'll go to her tomorrow morning.
00:40:06Will you do it?
00:40:08She's been through a lot.
00:40:10I don't know anything.
00:40:13I'll take care of it.
00:40:15I don't know how to thank you.
00:40:17If you see each other again, please call us as soon as possible.
00:40:21Here's the money.
00:40:24No, I don't want it.
00:40:26Then I'll give it to Goga.
00:40:31And the address?
00:40:34She wrote it on the envelope.
00:40:37She was counting on you.
00:40:44How do you like it here?
00:40:48Here?
00:40:51It's nice, but I need to clean up a bit.
00:40:56I don't like it here.
00:40:58Maybe you need to clean up a bit.
00:41:01It's a shame you have to leave.
00:41:03I thought you'd help me.
00:41:05Yes, when you come back.
00:42:06Can I have a light?
00:42:19I have an interesting message.
00:42:21Yes?
00:42:22You'll get an explanation like in the machine.
00:42:30Like in the machine.
00:42:32You give me 200, and it falls out of my mouth.
00:42:43It's a short story.
00:42:45A widow hired a greyhound to scare her husband.
00:42:48But the greyhound didn't kill him.
00:42:50He left him for a four-year-old.
00:42:52The widow got scared and hit him in the back of the head.
00:42:55And then she mentally hit the greyhound.
00:42:58That's it.
00:43:00Do you have any proof?
00:43:04Believe it or not.
00:43:07It's your business.
00:43:30It's your business.
00:44:01Hello, sir.
00:44:04The greyhound is here.
00:44:06Get out of the way.
00:44:14Mr. Editor.
00:44:16It's our business.
00:44:18Do you know where the greyhound lives now?
00:44:21I know, but for 10,000.
00:44:3010,000?
00:44:46I have an important message.
00:44:53Wait a minute.
00:44:58Mr. Editor.
00:45:02Mr. Editor.
00:45:20Come here.
00:45:27Mr. Editor.
00:45:45What happened today?
00:45:47Which trees bloomed? Which flowers fell asleep?
00:45:49When did you open?
00:45:54Look at this.
00:45:57What did it do to you?
00:45:59What did it do to you?
00:46:02Why did you become a poison to live?
00:46:05Everything is the other way around for people.
00:46:07All right, all right.
00:46:09Don't worry.
00:46:11It's all because of you.
00:46:13Because of that article in the newspaper.
00:46:15Who broke out at night.
00:46:19All right.
00:46:21I wrote the second article.
00:46:25People will bring it back.
00:46:28What?
00:46:30Now smile.
00:46:33Because you're going to my brother's wedding.
00:46:35I can't look at you.
00:46:37All right.
00:46:51All right.
00:46:55All right.
00:47:20You weren't at my wedding.
00:47:21I have an important matter for you.
00:47:23You can't come without any interest.
00:47:25I have an important matter.
00:47:32Come tomorrow.
00:47:54Why is it that in this world
00:47:56Sometimes everything goes wrong?
00:47:59This only heart
00:48:01Is still in decay.
00:48:04We saved the country from destruction.
00:48:06But the Warsaw Uprising...
00:48:08If the Warsaw Uprising...
00:48:10What is happening now is important.
00:48:12We rebuilt the destruction.
00:48:15We are moving forward.
00:48:17Ladies and gentlemen, we live in such times
00:48:20That it's hard to judge them.
00:48:22There was a great chance before the war.
00:48:24But it wasn't in the Warsaw Uprising.
00:48:26If the Uprising didn't fall...
00:48:27I'll tell you honestly.
00:48:29The Uprising was necessary like a hole in a bridge.
00:48:32Now smile.
00:48:52Now smile.
00:49:23What are you doing to my girls?
00:49:25You haven't seen each other for the last year.
00:49:27He's probably bored of us again.
00:49:29You're still crying like you used to.
00:49:31I've been to you a few times.
00:49:33You're crazy and independent.
00:49:35Maybe he's embarrassed of us again.
00:49:37He's signing his notes in the courier.
00:49:40He's embarrassed of us again.
00:49:42He's embarrassed of us again.
00:49:44He's embarrassed of us again.
00:49:46He's embarrassed of us again.
00:49:48He's embarrassed of us again.
00:49:50Get out of here.
00:49:52You invited us.
00:49:54And there are no decent guys here.
00:49:58Is it your wedding or your husband?
00:50:01There's a lot.
00:50:03There are two deputy prime ministers.
00:50:07One pre-war general.
00:50:10One deputy president.
00:50:12I have evidence.
00:50:15Judge Bulak.
00:50:17She's a widow. You have to help me.
00:50:19I danced with Bulak's wife.
00:50:28You were at my funeral.
00:50:41I'll marry you.
00:50:49I'll marry you.
00:51:07It's all right. We're all drunk.
00:51:14Stefan.
00:51:16Stefan has left too.
00:51:22Why don't you love your mother?
00:51:28Stefan!
00:51:30Jesus Christ!
00:52:17Catch a taxi.
00:52:25You're doing it on purpose.
00:52:36Get in.
00:52:40He'll pay.
00:52:42Get in.
00:52:46Get in.
00:52:50I'm only doing it because I'm angry with you.
00:53:01It's quite dark in here.
00:53:03And it stinks.
00:53:06Did you sleep in this bed?
00:53:09Throw it away.
00:53:16I can't take off my dress.
00:53:19Come back.
00:53:21If you don't come back, it's over.
00:53:25Get out of here.
00:53:30You have to do it so I don't wrinkle my dress.
00:53:46You have to do it so I don't wrinkle my dress.
00:54:07Are you avoiding me?
00:54:09You're never here.
00:54:11What are you doing?
00:54:14You're not here.
00:54:16Give me the key and get out.
00:54:22Did you sleep?
00:54:24Not quite.
00:54:26Did you do something to Stefan you'll never forget?
00:54:29Not quite.
00:54:31I think you slept.
00:54:33I'm watching you.
00:54:35You told your story to the hero and you overslept.
00:54:40Now you can go back to your dreams.
00:54:44Hello?
00:54:46Not quite.
00:54:48Adam, think about it.
00:54:50You can't help him anymore.
00:54:52Do you want to send others to that world?
00:54:54Not quite.
00:54:56You're a big reporter.
00:54:58It's a simple subject.
00:55:00Not quite.
00:55:02Adam, stop talking to me.
00:55:04Stop talking to me.
00:55:06You can have a lot of trouble.
00:55:08A few more people can have a lot of trouble.
00:55:23Hurry up, I'm running out of time.
00:55:36Money for the light and the phone.
00:55:45I'll go and see what's wrong with me.
00:55:49Take what's left of it.
00:55:51What's it worth?
00:56:07My friend.
00:56:09I have two girls, we have nowhere to go.
00:56:12The keys, please.
00:56:15Don't be a friar.
00:56:17One will be for you.
00:56:19You have an apartment.
00:56:21I don't have the keys.
00:56:23No problem.
00:56:29Which one is for me?
00:56:31Whichever you want, my friend.
00:56:33Don't be a friar.
00:56:35Don't be a friar.
00:56:37They're widows.
00:56:43Drink, my friend.
00:56:45Don't be a friar.
00:57:03Give me the keys.
00:57:15Don't be a friar.
00:57:28My friend, it's not all the same.
00:57:31Which one?
00:57:33Give me the keys.
00:57:43I'm wet.
00:57:45Lie to me a little.
00:57:49You're a widow's daughter.
00:57:54A sister.
00:57:56Who killed you?
00:57:58Tell me.
00:58:00Lie to me.
00:58:02You're a widow's daughter.
00:58:06We do it in the same profession.
00:58:10No!
00:58:21Talk to me.
00:58:26Talk to me.
00:58:29Talk to me.
00:58:54She didn't want to give her father.
00:58:57She wanted to punish him.
00:58:59My friend.
00:59:03Now it's just me.
00:59:08Go on, lie to me.
00:59:27Where is this lady?
00:59:29What lady?
00:59:31The blonde.
00:59:33You were dealing with poisonous plants.
00:59:36What was I doing?
00:59:38You were growing here.
00:59:40Belun, Dziendrzeżawa, Lulek Czarny.
00:59:43I think you're mistaken.
00:59:45There are no poisonous plants in the Botanical Garden.
00:59:48I'm not a botanist.
00:59:50I'm a farmer.
00:59:52I'm a farmer.
00:59:54You're mistaken.
00:59:56There are no poisonous plants in the Botanical Garden.
00:59:59Belun, Dziendrzeżawa.
01:00:01I think you've been cheated.
01:00:24I'm disappointed in you.
01:00:29Who am I to you?
01:00:31A nanny?
01:00:33A good uncle?
01:00:35And what are you doing?
01:00:37Get out of here.
01:00:42You understand.
01:00:44I'm a farmer.
01:00:46I'm a farmer.
01:00:48I'm a farmer.
01:00:50I'm a farmer.
01:00:52I'm a farmer.
01:00:55We have to part ways.
01:00:57You have no access to our building.
01:00:59You're talented.
01:01:02Maybe even too talented for our newspaper.
01:01:06You were in Poprost.
01:01:08You have a lot of experience.
01:01:10You'll find a place where they'll want to print...
01:01:15...everything in front of you.
01:01:18Good luck.
01:01:48I'm a farmer.
01:01:50I'm a farmer.
01:01:52I'm a farmer.
01:01:54I'm a farmer.
01:01:56I'm a farmer.
01:01:58I'm a farmer.
01:02:15A passenger train departs from platform 1 at the second platform.
01:02:20I repeat.
01:02:22A personal advice.
01:02:23Leave the first table at the second platform.
01:02:33Girls, where am I?
01:02:35I'm sitting.
01:03:22Adam.
01:03:33Adam.
01:03:34Adam.
01:03:35Adam.
01:03:55Shakespeare broke the notebook with his pen.
01:03:59Yesterday afternoon a young intern, a reporter,
01:04:02known to our readers as P.T.,
01:04:05revealed strange behaviours in the newsroom,
01:04:09and then completely lost consciousness.
01:04:14The doctor confirmed a serious poisoning of the whole organism,
01:04:20as well as persistent changes in the brain.
01:04:24Unfortunately, so far we have not been able to determine
01:04:27the cause of the dangerous poisoning.
01:04:32Some say it was the poisonous plants
01:04:36that the editor P.T. wrote about in one of the issues of our newspaper.
01:04:42So the question remains.
01:04:45Who, why and how poisoned our colleague?
01:05:32Who, why and how poisoned our colleague?
01:06:02Who, why and how poisoned our colleague?
01:06:32Who, why and how poisoned our colleague?
01:07:02Who, why and how poisoned our colleague?
01:07:32Who, why and how poisoned our colleague?