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01:30Tranquila, tranquila.
01:32Estás muy alterada y lo entiendo.
01:34Pero su estado hay que tratarlo de alguna manera.
01:36Que no, Jesús, que estoy bien.
01:39Bueno, no lo estoy.
01:41Por eso quiero irme a Londres cuanto antes.
01:44A Londres.
01:45Con esa confusión mental que tanto nos preocupa a todos.
01:48¿Qué confusión mental?
01:49Lo que me pasó ayer fue fruto de haber dejado a los calmantes.
01:52Ya está.
01:53Calma, cálmate.
01:54Quédate sentada ahí.
01:55Tranquila.
01:56Estoy bien, Jesús.
01:59Solo estoy un poco aturdida, pero en unos días mejoraré.
02:02Te lo aseguro.
02:03Aturdida, despistada.
02:05No estás bien.
02:06Mi amor, si no mejoras de aquí a una semana,
02:09yo creo que no deberías viajar.
02:16No, por favor.
02:18Eso sí que no.
02:19¿Y si vuelves a tener un episodio de estos
02:21sin que yo o Dina podamos estar aquí?
02:23Pero ¿un episodio de qué?
02:24Si yo lo único que estoy es cansada
02:26y necesito tiempo para estar sola,
02:28para reencontrarme conmigo misma.
02:29Nada más.
02:30Begoña, mi obligación es cuidarte y protegerte.
02:33Y si te dejo marchar,
02:34estaría eludiendo mi responsabilidad.
02:37Me estás tomando por una enajenada.
02:39En absoluto.
02:40En absoluto.
02:41Ya te he dicho que yo entiendo las razones
02:43por las que estás así.
02:45Pero yo tengo que hacer todo lo que esté en mi mano
02:47para que te recuperes del todo.
02:50Y luego sí podrás hacer ese viaje.
02:57Todo lo que hago es por tu bien.
03:00Lo sabes, ¿verdad?
03:04Tal vez tenga razón.
03:07¿Ves?
03:08Ya vuelves a ser la de siempre.
03:10Mira, unos días más.
03:13Unos días más para que comprobemos
03:15que has recuperado la lucidez
03:16y yo mismo te llevaré al aeropuerto.
03:18¿Sí?
03:26Toma.
03:27¿Quieres que te lo calienten un poco?
03:33Bueno.
03:49Hasta luego.
03:56Todo el mundo va a recordar esta celebración.
03:59Hay que hacer algo que esté a la altura
04:00de un aniversario tan importante.
04:02Bueno, ¿y qué has pensado entonces, María,
04:04para la celebración de los 30 años
04:06de Perfumerías de la Reina?
04:09Bueno, sé que en ocasiones anteriores
04:11se celebraba una misa
04:12y después se hacía una comilona con los empleados.
04:15Bueno, no es mal plano.
04:16Andrés.
04:18¿Qué pasa? ¿A ti no te agrada la idea?
04:20Creo que podríamos hacer algo
04:21que se adapte más a los nuevos tiempos.
04:23Ya, pero la misa no puede faltar.
04:24Por supuesto.
04:25Y una buena comida para el personal, ¿no, María?
04:27Buenos días.
04:28Buenos días.
04:29Bueno, eso es lo que se hacía anteriormente,
04:31me lo ha dicho Andrés,
04:32pero estamos en una nueva etapa.
04:34Con los tres hermanos de la reina al frente de la empresa.
04:36Ya, y el padre jubilado, ¿no?
04:39No, por favor.
04:41Usted siempre será el alma de todo esto.
04:44¿Cómo está, Begoño?
04:46Mejor, gracias.
04:47¿Y qué?
04:48¿Nos vas a explicar tu idea
04:49o todavía no tienes nada pensado?
04:51Bueno, después de darle muchas vueltas,
04:54creo que lo más interesante y lo más divertido
04:56sería hacer una verbena.
04:59¿Una verbena?
05:00¿Con orquesta y puestos y todo eso?
05:03Pues no me parece muy serio, la verdad, María.
05:06Desde luego suena muy festivo.
05:08Esa es la idea, ¿no?
05:09María dio por la clave.
05:11¿Para qué hacemos una fiesta?
05:12Para agradecer a nuestros empleados
05:14su trabajo y su lealtad.
05:16Y a ellos les va a encantar, os lo aseguro.
05:18Se sentirán en su salsa.
05:20Ahí te doy toda la razón.
05:21María, cuando dices verbena,
05:23¿te refieres a adornar la fábrica
05:25con farolillos, guirnaldas y todas esas gaitas?
05:30Nos centraremos en el patio, ¿sí?
05:32Habrá que adornarlo todo como una verbena tradicional.
05:35Y contrataremos una orquesta,
05:37la mejor, para que la gente pueda bailar.
05:39Que es una fiesta sin un baile.
05:40Nada.
05:41Claro que sí.
05:43La que van a tener nuestros trabajadores, ¿eh?
05:45Pues yo me niego a montar ese tinglado en la colonia.
05:47Por el mero hecho de negarte a todo, quizá.
05:49Por el mero hecho de que nos va a costar un ojo de la cara.
05:51Se sale del presupuesto.
05:53Pues entonces ni hablar de los fuegos artificiales.
05:55¿Fuegos artificiales?
05:56Y una tarta, enorme, de varios pisos.
05:59Los trabajadores merecen eso y más.
06:01No creo que salga tan caro.
06:03Debemos tener ese detalle con ellos.
06:07Son ellos quienes levantan cada día esta empresa.
06:10Y ya cobran sus buenos sueldos.
06:13Venga, María, siguiente idea.
06:15Y esfuérzate, a ver si es un poco mejor.
06:17Solo a ti no te parece bien, Jesús.
06:20¿Padre?
06:23A mí no me desagrada la idea de María.
06:26Una verbena.
06:29Y si el problema es el dinero,
06:31ella se apretará el cinturón y se ajustará un poco.
06:34¿Verdad?
06:35Claro.
06:36¿Votamos entonces?
06:39¿Por qué me miras así?
06:40Por nada.
06:42Y no hará falta votar.
06:43Tendremos verbena.
06:44Pero exijo que Isabel ayude a María.
06:50¿Puedo hacerlo perfectamente sola?
06:53¿O con Gema, si acaso?
06:54Quiere un poco de sentido común.
06:56Isabel es muy eficiente
06:57y será la que contacte con los proveedores
06:59y ajuste el presupuesto.
07:00¿Y tú?
07:01Bueno, ¿tú puedes ayudar a Gema a colgar los farolillos?
07:04Si quieres.
07:05No te pases, Jesús.
07:06Se acabó.
07:08Tendremos la verbena que quiere María
07:11y con Isabel supervisando los gastos.
07:15Se levanta la sesión.
07:17Ya no puede uno ni desayunar.
07:19Tranquilo.
07:23¿Tu marido no ha bajado, hija?
07:26Voy a avisarle.
07:54¿Qué estás haciendo?
07:57Nada.
08:00¿Querías comprobar qué se siente cuando se pierde la vista?
08:03No, hoy me he levantado mucho mejor.
08:06No me mientas, Jaime.
08:08Y no intentes protegerme.
08:09Ahora soy yo la que te tiene que proteger a ti.
08:12Aparte de los terribles dolores de cabeza,
08:15más pronto que tarde voy a perder la vista.
08:19Estaba comprobando cómo me iba a sentir.
08:22¿Y?
08:30Iba a ser duro.
08:35No volver a ver tu rostro.
08:38Los atardeceres, tu ruido.
08:41Los colores, todo.
08:45Yo voy a estar a tu lado para explicarte todo
08:47para que lo sientas como si lo estuvieras viendo.
08:52Me alegro mucho de que estés aquí conmigo.
08:57Jaime, tenemos que hablar.
08:59¿De qué?
09:01¿De qué vamos a hacer a partir de ahora?
09:04Esperar, Marta. Yo no puedo hacer otra cosa.
09:08¿Esperar sentados?
09:10No, no. Quiero seguir con mi vida.
09:13¿Quieres seguir trabajando en el dispensario?
09:15Quiero sentirme útil, Marta.
09:18Es un poco risco.
09:21¿Lo dices por los pacientes?
09:23Claro.
09:25Estás perdiendo la vista.
09:26Luz me ayudará.
09:28La iba haciendo hasta ahora.
09:30Hasta donde yo sé, ya no estáis juntos.
09:35No sé si es muy justo sobrecargarla a ella con esa responsabilidad.
09:39He hablado con ella y está dispuesta a ayudarme.
09:42¿De acuerdo?
09:43Está bien.
09:47¿Y cuándo le vas a contar a los demás qué te pasa?
09:49No, no.
09:52No quiero sentirme observado.
09:55Que se convadezcan de mí.
09:57Pero según avance tu enfermedad, necesitarás probablemente cuidados especiales.
10:02¿Un enfermero? No sé.
10:05¿Aceptarás que contrate a alguien?
10:08No adelantemos acontecimientos, por favor.
10:10No estoy adelantando nada, pero hay cosas que hay que hablar.
10:13Quiero poder organizarme para darte la mejor calidad de vida posible.
10:16Hablar de cosas como...
10:18Como si cuando llegue el momento quieres que te lleve a un hospital.
10:22No, no a un hospital.
10:24¿Entonces qué?
10:27No, no lo sé, Marta.
10:29No sé lo que voy a querer, no sé cómo me voy a sentir.
10:32No lo sé.
10:33Lo hablamos en el momento, por favor.
10:34Vale, perdona.
10:36Es que...
10:38Solo quiero vivir el presente.
10:41Porque me puedo morir mañana o en cualquier momento.
10:43No digas eso.
10:44Es mi realidad.
10:48La cosa se va a poner muy fea para mí.
10:52Y entendería perfectamente que no quisieras estar.
10:54Lo único que tú tienes que entender es que voy a estar a tu lado hasta el final.
10:59Y que te quiero.
11:03Y que prácticamente eres la única persona que me conoce de verdad en esta casa.
11:06Así que cuando tú no estés, me voy a quedar muy sola.
11:11Así que...
11:12Sola.
11:14Así que me tienes que dejar disfrutar de ti todo el tiempo que podamos.
11:20Sí.
11:24Como quieras.
11:27Está bien.
11:28¿Cómo estás?
11:40Claudia, lo que oyes, le ha echado de casa.
11:44Yo creo que Tasio ha dormido en la colonia.
11:45Madre mía, Finna, pero eso cómo va a ser.
11:48Que tiene que estar bien.
11:49Que vamos a tener un bebé.
11:51Carmen, ¿qué pasa?
11:52¿Es que tiene pensado pagar alquile ya sola?
11:54No, ella tiene la sensación de que se va para largo.
11:56I think he'll leave the rent and come back to the room with us.
12:01I don't know, Fina.
12:05Mateo, come, sit with us.
12:09It's just that...
12:12I have mass now, so I can't stay.
12:16If you still want to go, right?
12:17No.
12:18No?
12:19No, not today.
12:20Well, it's okay, if you don't want to come to mass.
12:23It's just that I have a lot of work today.
12:26Of course, me too. I also have a lot of work.
12:28But if you want, I can go see you at the store later, right?
12:32No, no.
12:33No?
12:34No, I'll go later. If not, I'll go to the chapel.
12:37Ah, well, very good.
12:39Of course.
12:41What's wrong with you?
12:46It would be better if I go.
12:48But...
12:49Everything is fine.
12:51Have a good day.
12:53See you later.
12:54Bye.
13:03Claudia.
13:05Talk.
13:08Oh, Fina, we kissed, but very little.
13:22Carmencita.
13:23How are you, Carmen?
13:24No, no, please, don't go. I just want to know how you are.
13:27Fine. And you?
13:28Well, without hitting or together at night.
13:30Conscience punishes you.
13:32No, what punishes me are the snores of the vice, which are horrible.
13:35God punishes you.
13:37Look, what hurts me the most is that...
13:39You don't want to be with me.
13:41I've already learned the lesson, I promise you.
13:43Do you have news from the Civil Guard?
13:45Well, no. I just know they're after him and nothing else.
13:48Come on, we're not going to get our money back.
13:52Very well.
13:53I'm going to revoke our apartment contract.
13:55What are you saying?
13:57But what about our house?
13:58I'll take care of the money, really.
14:00Playing poker.
14:01No, I'll work until I get the last peseta back.
14:03You're going to have to work harder to leave the house as it was.
14:06Well, I'll do whatever it takes.
14:07I just ask you to be patient and stay at home, please.
14:11No.
14:12I'm very hurt, Tassio.
14:14A lot.
14:15But, Carmen.
14:16You don't know how much I love you.
14:18And what good is it to me that you love me so much?
14:20It's not just the money, it's your lack of common sense.
14:23They lose our savings, they almost kill you.
14:26You've risked our future because you wanted it.
14:29Carmen, I just wanted to have you as a queen, nothing more.
14:31Yes, well, look how you have me in the ruin.
14:33And with a husband who's a prisoner.
14:35I've messed up, I know, I'm sorry.
14:37Yes, you've messed up, yes.
14:40I don't want to be with a man who doesn't respect me.
14:43Carmen, please.
14:44Tassio, I'm asking you to leave me.
14:46But, Carmen.
14:47Tassio, leave me.
14:48You can't respect that, at least.
14:50Well, so you know I'm not going to give up.
14:52Well, you're going to waste time.
14:54I swear I'm going to fix it.
14:56And even if it takes 20 years for you to love me again.
14:58I'm leaving.
14:59Carmen, please.
15:01Give me a hope, one.
15:05I'd be lying to you.
15:09I want you as far away as possible.
15:12I want you as far away as possible.
15:23But how did you kiss him?
15:25A kiss, a kiss.
15:26What kind of kiss?
15:27A kiss, a kiss, a kiss.
15:29With all his sacrament.
15:32No, no, no, not with that, not with that.
15:34Oh my God, my life, Claudia, please.
15:36He's the priest.
15:37I know, I know.
15:39I don't know under what stone to get into.
15:41But let's see, how was it?
15:45Well, you know that I with him, because I have a great time with him.
15:50That I'm very comfortable, that he makes me laugh.
15:53Well, and what?
15:54Are you going to thank him that way?
15:56No.
15:57No, Fina, but ...
16:00But well, I feel attracted to him.
16:04And I think he also feels attracted to me.
16:08Of course.
16:09Today we were in the warehouse and suddenly ...
16:12Suddenly nothing, Claudia.
16:14A kiss doesn't happen suddenly.
16:15A kiss implies an approach.
16:19I know, Fina, I know it's very bad.
16:21We're both going to burn in hell.
16:23And that's it, what can I do, Fina?
16:25Well, I don't know.
16:26You tell me.
16:28He's a priest, Claudia.
16:30With his vow of chastity.
16:31And you're going to be a mother.
16:34Oh, Fina.
16:36This is the worst of you.
16:37That you ...
16:38That you ...
16:39It's a forbidden love, forbidden, forbidden.
16:42Look, there are complicated loves, complicated, huh?
16:46But this one ...
16:50Claudia, you have to cut this out for the good.
16:53Really.
16:54If not, this creature is going to have a lot of problems.
16:56And not just because of Tassio.
16:57I know, Fina.
17:00But I ...
17:02I'm in love with him.
17:06Oh no.
17:09Oh my God.
17:13Well, I don't think it's good that your brother has castrated Isabel.
17:16She's an efficient secretary.
17:17She can help you, Maria.
17:19No, Jesus wants to control me.
17:21It's a moment in everything.
17:22I can't stand it, really.
17:24Gema.
17:25What do you think?
17:27Gema.
17:28What do you think?
17:29What do you think they put us an inspector for the sheep?
17:32Let's see if that's how the gentlemen have decided.
17:35Look, I know perfectly well what I want to do.
17:37With Gema we understand each other just by looking at each other.
17:40Getting in the way of a stranger is going to be very uncomfortable.
17:43Yes, it is true that later he will go with the story of everything, Jesus.
17:46Exactly.
17:48It will be like being hand in hand with him.
17:50A nightmare, come on.
17:52He could already focus on controlling his wife.
17:56Why hasn't Mrs. Begoña come down for breakfast?
17:59Well, because she will be dead of shame after the number she set up yesterday.
18:03It is clear that she does not know about her mother's death.
18:05We have to be comprehensive with her.
18:07Even more?
18:09Hey, we haven't done anything to her.
18:11Like for her to go charging against every living creature.
18:14Poor Gema.
18:16Let's see, I was very calm because I hadn't touched the medal or anything.
18:20It is clear that she lost her nerves.
18:22Well, let her control herself.
18:24Not only has she suffered a painful loss.
18:27It is more dramatic to lose a child.
18:29And here I am, keeping the pace and composure.
18:31You are admirable.
18:32Be polite and considerate.
18:35But no, she always has to be the protagonist.
18:37For the good or for the bad.
18:39She always has to excel over the rest.
18:41Just like her husband.
18:42Maria, stop it.
18:44I don't think she did it consciously.
18:46Don't justify it.
18:48Begoña is wrong.
18:50She doesn't even know what she's doing.
18:52It's been a while since Gema had to go.
18:54I'm sure she did it because she can't stand us being friends.
18:57Honestly, I don't think it's because of that.
18:59Maria, neither do I, really.
19:02What if you had lost your job?
19:04That would never have happened, Maria.
19:06Well, because it's family.
19:07And because it's worthy of the medal.
19:09But what if it wasn't?
19:11I had one of the worst outbursts of my life, that's true.
19:14I'm a thief.
19:15Please, Begoña didn't say that.
19:16Please, let it go.
19:17Well, she insinuated it.
19:18Which is the same.
19:20Her anger.
19:21The educated one.
19:22The one who has lived in London.
19:24You're absolutely right, Maria.
19:29Gema.
19:30Yesterday was very unfair to you.
19:33Forgive me.
19:34No.
19:35I don't know what happened to me.
19:39What happened was that you lost your guts.
19:42And that you can't go through life without controlling your impulses.
19:45I know.
19:46And if you're feeling so bad, you should look for help.
19:50There are shelters.
19:52Like the one your mother was in.
19:54Maria.
19:56What do you mean?
20:00I've been clear, haven't I?
20:01You've understood me.
20:05I'm very tired.
20:07I'm going to my room.
20:17You've gone too far.
20:20Don't you think the same?
20:22I'm fed up, Andrés.
20:25Unless all this is a masterful interpretation and it's not being taken seriously, which would be worse.
20:30I'm going to the factory.
20:47No, Fina, no.
20:49No one saw us in the warehouse because there was no one there.
20:52He would have missed it.
20:54What I don't understand is how you got to that.
20:57Because he came to tell me that Tassio had already left the dungeon.
21:00I already knew that.
21:01But well, he came to tell me that he had sung it at 40 and that he had read the letter.
21:06Well, someone should read the letter to him too.
21:10Fina, it was a stupid robbery because of me.
21:13So you kissed him?
21:15No, he kissed me.
21:19But then I gave him back the kiss.
21:22Oh my God, it wasn't one kiss, it was two.
21:25Oh, Fina, don't make me more nervous.
21:27Okay, go on.
21:30That's what I was telling you.
21:32That you know that a week ago I see him and I start laughing like a fool.
21:38That I feel butterflies in my stomach.
21:40I don't know what's wrong with me, Fina.
21:42Well, you're in love with him.
21:46And he also feels attracted to me, Fina, because he told me.
21:49The mother he brought you.
21:51Come on, he wanted it too.
21:54Oh my God.
21:56And he has at least considered forgetting his vows and forming a family with you.
22:00No, no, no, that's not true.
22:01Why not?
22:02It wouldn't be the first time.
22:03And I don't know if you love each other that much.
22:05No, Fina, no, man.
22:07He loves the saints and the Virgin and God.
22:10Come on, no.
22:11I'm not going to turn him away from the path.
22:13And what are you going to do?
22:16What am I going to do, Fina?
22:18I can forget about all this.
22:24And from time to time remember the almost the best kiss of my life.
22:30Oh, the Virgin.
22:35Come on, but you don't look like you're bringing me, do you?
22:38What happened?
22:39What do you think?
22:42Have you seen him?
22:45He apologized to me again.
22:47But don't tell me anything, I know I shouldn't forgive him.
22:51But it makes me sad.
22:54That's normal, Carmen.
22:55If in the end you love each other a lot and you are very good.
22:59Yes, but Tassio is an adult now.
23:02And he should stop screwing around.
23:03No, no, I'm not going to be on top of that.
23:05I'm telling you for free, come on.
23:08But someone would have to take a look at him.
23:10Because I know him and I know he's going to start drinking.
23:12He's going to start playing and in the end I'm going to feel guilty about all this.
23:17Why do these things have to happen to me?
23:20Carmen, I can take a look at him if you want.
23:22Yes, man, you already have enough with what you have.
23:25It has to be someone who puts it straight like a candle.
23:33What are you thinking about?
23:37Nothing.
23:47When we have the result, you'll be calmer.
23:49I hope so.
23:51You'll see, it's not important.
23:53And come here, so I can give you the results, okay?
23:56Thank you, doctor.
23:57You're welcome, see you later.
23:58Goodbye.
24:08I'm busy, Luis.
24:14I've come to know more about you.
24:17Well, curiosity killed the cat, I warn you.
24:21And why are you so interested in knowing about me?
24:24After despising me so much?
24:27I don't despise you, Luz.
24:30I don't despise you, Luis.
24:32After despising me so much?
24:35I don't despise you, Luz.
24:40I need to know everything about the person I fell madly in love with.
24:43What do you want to know?
24:45Everything.
24:47We can start at the beginning.
24:50Who are you?
24:51What's your name?
24:54My name is Luz Espósito.
24:55I have the last name of the children who are abandoned by their mothers and their mothers-in-law.
25:00Is that what happened to you?
25:03Yes.
25:04I only know that I was born in San Pérez de Rivas, a municipality in Barcelona.
25:08My mother abandoned me when I was barely a year old and the nuns took care of me.
25:13And you didn't hear from your mother again?
25:16I don't even know her name.
25:18The nuns found me at the door of the dead, cold and malnourished nun.
25:23I wasn't even in the attic where they leave the newborns because she was walking.
25:28They were the ones who gave me light.
25:31Because they said she was very white.
25:33But now, do you see me?
25:38If you didn't know your mother's name, I understand you couldn't find her.
25:42I tried.
25:45I tried to make inquiries in the village, but no one remembered any young woman who had had a girl my age, more or less.
25:52I even think that the nuns had made up the story of San Pera.
25:57How long did you live there?
25:59Until I was six years old.
26:01And then I moved to another nun and then to another.
26:06They couldn't find adoptive parents for me.
26:10And that?
26:11Because marriages want newborn babies, not a rebellious girl like I was at that time.
26:17That had to be hard.
26:20Yes.
26:22Everything a child can wish for, which is to have a father and a mother, I never had.
26:30And Dr. Borrell?
26:35I went to serve at his house when I was 15, by order of the nuns.
26:40It was the first time in my life that I felt safe and protected.
26:46He had to be a good person.
26:47He was.
26:49He and his wife were.
26:51They were having a consultation at home and when he saw how much I liked medicine, he threw me out to make me his nurse.
26:59So you have nursing studies?
27:02No, Luis, I don't have studies.
27:05Just what I found in the books.
27:07In the books and in practice, next to Dr. Borrell.
27:12Medicine saved me.
27:15But it has also brought me many problems.
27:18Sure.
27:19You were...
27:21You were in prison, but it wasn't for a demonstration.
27:25No.
27:27That was for practicing medicine without a degree.
27:31When Dr. Borrell died, I just wanted to do what I liked the most.
27:37I managed to change my name and look for a job.
27:40And in one of these, they found me and...
27:44And they...
27:46They arrested me.
27:49I understand.
27:51When I got out, I couldn't do anything else. I don't know how to do anything else.
27:57And soon after, I came...
27:59I came to La Colonia.
28:04Lights.
28:05Lights.
28:06We have to find an electrician to put lights side by side.
28:09Maria, remember that the charity market was a bit of a disaster.
28:13No, Gemma, we did that in terrible conditions.
28:15Now we have time, money, I know very well what I want to do and how I want to do it.
28:19I like to see you so sure.
28:21You look like a businesswoman.
28:23I could have been.
28:25Hey, have you seen Begoña?
28:27She was like gone.
28:28Yeah, yeah.
28:29And I think it has to be for something more than for the shame of her mother's death.
28:33Well, I don't know, but I assure you that Andrés will not be his dog again.
28:36Maria.
28:37What?
28:38From now on, I'm going to set the rules in this house.
28:42I take care that you have had a very hard life.
28:46But it is very serious that you attend to patients without being a doctor, Light.
28:54I am a doctor even if I have no title and I think I have proven it.
28:57Too much.
28:58But what happens if at some point you make a mistake with a patient?
29:04Are you doubting my worth?
29:05No, I'm just putting on the table the consequences it would have for you and for the company if you made any kind of mistake.
29:10That doesn't have to happen.
29:13Look, Light, right now I am the director of the company.
29:16And it's not just about you ending up in jail.
29:18It is that the company would have to answer for you with the consequences that this entails.
29:24You can do what I consider appropriate.
29:27If you want to report me, I will understand.
29:31But why didn't you study medicine?
29:33Why didn't you do things right?
29:35Let's see, with what money, Luis? With what money?
29:38You know how hard it is for us women to get to university.
29:43I know what I'm doing is a crime that is punishable by law.
29:47But what other option do I have?
29:53You're putting me in a very complicated situation.
29:58And it would have been the same if I had told you at the beginning of meeting us.
30:02I'm between a rock and a hard place.
30:08I don't know what to do.
30:14Blood, there has to be blood.
30:16Lemonade, soft drinks, more beer.
30:22And liqueurs too.
30:23Wait, wait, we have to write it all down.
30:25Hurry up, we have to have everything ready for when the inspector of Jesus arrives.
30:28What can't you say? This mouth is mine.
30:30It's going to swallow all the toads, you'll see.
30:32Well, Joaquín has told me that it is a real raspa.
30:34Marisabidilla, stretched.
30:36The joy of the garden, come on.
30:39Good morning.
30:40Hi, what do you want?
30:41I'm Isabel, the raspa.
30:45Don't listen to the gossip.
30:48A pleasure, I am Maria de la Reina.
30:50And she is Gema, my assistant.
30:52Delighted.
30:53I see that you have already advanced with the preparations.
30:55Yes, yes, yes, there is no time to lose.
30:57Can I see it?
30:58Of course.
31:01We have not yet started with the expenses, which I suppose is why you are here.
31:04Yes, if you tell me what you need, I can make you the budget and adjust it to the data that Mr. Jesus has told me.
31:11Well, here Jesus does not rule in this.
31:15The party is for everyone of the queen, we want it to be a celebration for all the high.
31:18And so it will be.
31:19You have the singing voice.
31:22Do we get down to work?
31:24Of course.
31:25Sit down, I'll explain it to you.
31:42Excuse me, Father, could you help me?
31:44I'm looking for the ...
31:45The secretariat, are you looking for it?
31:47Because, well, that's where they can inform you in case there is a vacant place to work.
31:51No, no, I've only come for a visit.
31:53What I was looking for is the store, where is it?
31:55Oh, you have a Marian cross, how beautiful.
31:58Yes, I am very religious.
32:01Very well, I am very happy.
32:03And I have a good collection of crucifixes.
32:05I have a silver one with a beautiful cross.
32:08And another older one with the papal cross.
32:12That's great.
32:13Well, let's see if you can show me any of them, right?
32:15It's just that I only take them out for walks in the Holy Week processions of my town.
32:20Yes, even my friends tell me how I haven't gotten into a seminary yet.
32:26And you've never thought about it?
32:28Get out, get out.
32:29Don't start with that too.
32:32There are earthly pleasures that I'm not willing to give up.
32:36Of course, yes, yes, yes, I understand perfectly.
32:39Ah, so you understand it too.
32:43Sorry.
32:45Oh, sorry, what a silly question.
32:49But how are you going to understand it if you've given your life to God?
32:52Well, then you're looking for the store, right?
32:54Because it's right at the entrance to the left, so you've missed it.
32:59Well, you could, huh?
33:00Because I'm so clueless that I don't know if I lost the dog or I found a belt.
33:05Well, you were clueless, but at least you were funny, right?
33:09By the way, I'm Mateo, one of the priests of La Colonia.
33:11Nice to meet you, I am...
33:12Joselito?
33:14Joselito?
33:15José Francisco, but since I was a kid they call me Joselito.
33:18But boy, what are you doing here?
33:20Oh, well, nothing, I had a fair in Toledo and since I was nearby, I thought I'd see if Claudia was there.
33:27Come on.
33:28Oh, what a surprise, and you know each other and everything?
33:32Yes, have you seen? He's a good friend of the priest.
33:35It's just that the priest is very nice.
33:37Of course, I've also heard a lot about you.
33:39Yes, he's my friend from town, Mateo Joselito.
33:43No, Claudia, we were more than friends.
33:47Look, Mateo, to tell you the truth, Claudia is the only girlfriend I've ever had in my life.
33:51Well, girlfriend, girlfriend, no.
33:52Girlfriend, girlfriend.
33:54Don't tell me you're not pretty, rabia.
33:58Yes, she's very pretty.
34:01Well, thank you very much for your visit, Mr. García.
34:04We'll keep in touch.
34:08Well, what do you think?
34:13Good, right? I didn't think the house would cost us so much money.
34:16Why didn't you want to believe me? This house is wonderful.
34:20Thank goodness your uncle didn't give it to you when all that happened.
34:23The only thing he's told me is that maybe I'll lower the price since I'm in my uncle's land.
34:28But the house is our property and the surrounding land too.
34:33Your uncle left it written.
34:35Well, now we just have to go to the bank and get the credit, putting the house up for sale.
34:39That's right, sister-in-law.
34:41With that and our savings, it should be enough to be able to buy the land and start building.
34:46Yes.
34:48Well, let's toast, come on, they just gave us good news.
34:52Let's toast to us.
34:57I'm fine.
35:01Cheers.
35:02To us.
35:05Well, excuse me, I have to go back to the factory.
35:07Me too, to the big house.
35:09But I'm going to change my shoes because my feet hurt a lot.
35:12And who's going to the bank?
35:14Because we have to go to the Madrid Central.
35:17And I've already been away from work for many days.
35:19Don't worry, I'll go.
35:21Let's see if we're more lucky this time.
35:24Labra, you'll tell me later.
35:36Come in.
35:39Hi.
35:40Hi.
35:47Are you very busy?
35:48Well, I'm always up.
35:50But right now the next patient won't be here in a while.
35:53So, if you want, you can even sit down.
35:57Tell me.
35:59Duluz, I had that strange dream.
36:03What did you notice?
36:05Yesterday was a terrible day.
36:08First, she didn't go down to eat because she didn't feel well.
36:12And then she lost her sanity because she said she couldn't find her mother's medal.
36:17And was she agitated?
36:18Or was she stable?
36:20It was a strange light.
36:22On the one hand, it seemed like she was tired, disoriented.
36:26It seemed like her head was aching.
36:28And on the other hand, she was very upset because she said the medal had disappeared.
36:34And it wasn't true.
36:35Begoña said she looked for it everywhere.
36:38That it wasn't in the drawer as usual.
36:41But she found it right away, in that drawer.
36:46The pain of her mother's death can lead her to that extreme state.
36:51Well, that and the streak she's been through.
36:54The decision to go to London is too many things.
36:58An extreme emotional tension can play two bad pasts.
37:04This morning she went down to the dining room.
37:06But she left right away because she said she wasn't feeling well.
37:09She's dazed, absent.
37:12It even seems like she's losing her balance.
37:15I don't know, it's very sad to see her like this.
37:17She says she's just fine in bed.
37:19In the room.
37:21I don't know.
37:22They're symptoms of melancholy.
37:25It could be.
37:27I don't want to mention it, but...
37:29My wife and Gemma think they could be signs of...
37:32Tell me.
37:34Of having inherited her mother's illness.
37:39And you didn't have to help Maria with the famous beret?
37:42Oh, look, she's been doing numbers and accounts with the secretary.
37:45And they've put my head like a bomb.
37:47So I'll talk to Maria when that Isabel leaves.
37:52And what does Isabel look like here?
37:54Well, Jesus sent her to frame the accounts.
37:57Maria has received her by the nails.
37:59But in the end, she just needed to make a reverence.
38:01And only because he screwed her over, not for anything else.
38:06What?
38:07You're not afraid that I'll take your place next to Maria, are you?
38:12You won't be jealous.
38:13What are you saying?
38:14You won't be jealous.
38:15What are you saying?
38:16Maria and I are friends.
38:18I don't know, that Isabel, even though she seems like a perfect lady,
38:21I don't like her.
38:22Yes, I don't like her either.
38:24There's something about her that smells like a fly.
38:27Anyway, the less she's in the big house, the better.
38:32I can't wait to start our business.
38:35And leave everyone at La Reina with a slap in the face.
38:46Well, I'm leaving now.
38:51Son, I really like seeing you so happy.
38:56See you later.
38:57See you later.
39:00Look, I have to tell you something.
39:02I didn't think I'd do it because it's a professional secret between a doctor and a patient, but...
39:07What is it?
39:08What is it, Luz?
39:09I gave Begoña some sedatives.
39:12And she used them as she shouldn't.
39:14What do you mean?
39:17Instead of taking one a day, she'd take five or six.
39:20When she'd get nervous or she'd have some discomfort because of something.
39:24Given the danger this poses, I had to get rid of them.
39:27So now she doesn't take them?
39:28And that's the problem.
39:30They create dependence.
39:31Maybe it's her body that's missing them.
39:33Imagine if one day she found out she was at the dispensary trying to steal hidden pills.
39:39She promised me she'd leave it, but...
39:42But you should have told me before.
39:44And why didn't you have it under control?
39:46Andres, this is not easy to control.
39:49And now the most important thing is to know the root of all this.
39:53You could go see her.
39:54It's more complicated for me to get close to her.
39:56With Maria and Jesus' suspicions.
39:58Yes, don't worry.
39:59I'll go see her in the morning.
40:01See if I can get something clear.
40:07Patience, Gemma.
40:08No matter how well things go, there's still time.
40:11I know.
40:14You're still upset with Begoña, aren't you?
40:16What do you think?
40:18She's terrible.
40:20She made me go through with the happy little medal.
40:23It was very unpleasant, really.
40:25But what's wrong with that woman?
40:26Well, she's not well.
40:27It's obvious.
40:28She's not like that.
40:30And we should forgive her.
40:32Has she already apologized to you?
40:34She apologized this morning, but she's still as angry as she was last night.
40:37So I don't know if those apologies are worth it or not.
40:40Gemma, knowing how she is, you shouldn't judge her so harshly.
40:45Do you think she's as sick as her mother?
40:47Don't say that, for God's sake.
40:49I think she's very affected by Mercedes' death.
40:53She has a husband.
40:56I'd better not say anything.
40:58I'll try to avoid Begoña as much as possible, just in case.
41:02If it's true that she has a mental imbalance, we should help her as much as we can.
41:07Don't you think?
41:09I guess.
41:10No matter how angry she is, I don't wish her any harm.
41:13Well, you know.
41:15Come on, let's go.
41:16I'll pick that up later. We'll be late.
41:20Well, this is the store where I work.
41:23It smells like holy glory.
41:24Yes, the smell of perfumes and soaps.
41:28I'm so lucky to work in such a beautiful place.
41:30Hey, and what you told me about the visit to the factory?
41:33Well, I was impressed.
41:36This is a leading company.
41:37The truth is that it is one of the most important perfumeries in Spain.
41:40And now we are going to expand in France.
41:42And they won't send you there, will they?
41:44No, no, I wouldn't like that.
41:46What's wrong?
41:47I wouldn't like that.
41:48What's wrong?
41:49Aren't you comfortable here?
41:51No, no, I'm very comfortable.
41:54Look, I'm going to introduce you to a good friend.
41:56Joselito Fina, Fina Joselito.
42:00Joselito, Joselito.
42:02Did she tell you about me?
42:03Yes, a lot. Very good.
42:05Oh, Claudia, I'm so excited.
42:07But, come on, Joselito is leaving.
42:08He came to a fair in Toledo and he's in a hurry, come on.
42:11Well, woman, there's no hurry.
42:13Yes, there is a hurry.
42:15Because Fina is very busy and I can't leave her alone with your work.
42:20Of course.
42:21Well, thank you, Claudia.
42:22See you later, Joselito.
42:23Delighted.
42:27Hey, Claudia.
42:29I didn't come to any fair.
42:31No.
42:32You came because my mother sent you.
42:35She told me you would be excited to see you.
42:39Well, you see, I'm fine, Joselito.
42:41I'm glad you're in my new home.
42:44She also told me you had asked her a lot about me.
42:47And of course, as I've always liked you,
42:50well, more than that,
42:52I came to see if it would be okay for us to get back together.
42:57But, Joselito, you and I have never been a couple.
42:59Come on, woman.
43:01I don't forget those two weeks.
43:03Well, those two weeks that my mother gave me
43:06so I could give you a chance, but...
43:08Come on.
43:09It's good to see you.
43:11You used to run around in my house.
43:13And that year, they made you the queen of the slaughterhouse.
43:16Let's see.
43:17You're such a liar.
43:18Joselito, what kind of boyfriend do you want?
43:20I'm not moving from here.
43:22Well, I'm going to buy a van to take you around
43:26and I can come here every weekend.
43:28Yeah, but, Joselito, I can't.
43:32I'll give you another boy.
43:34No.
43:35So?
43:36No, not that.
43:37They don't understand me anymore.
43:39Let's see.
43:40Your mother told me you didn't stop talking about me.
43:42Joselito, I have a lot of affection for you.
43:44It's not like you're going to pick on me.
43:46No, but really...
43:47Really, I'm going to treat you like a queen.
43:49Joselito, I don't want you to treat me like a queen.
43:51What I want is...
43:52Is to spend your life with me.
43:54As if you saw it.
43:55Look, Joselito, I'm pregnant.
44:04But when did you get married?
44:06Fuck, man, your mother could have told me.
44:08No, I'm not married, Joselito.
44:13These things that happen in the village,
44:15you know it's happened to me too.
44:17It's happened to me more than once.
44:20I'm sorry my mother made you come all the way here, but...
44:24Well, the truth is that...
44:27Do you think it's good that she told you the truth?
44:30Well, yes.
44:31Yes, because I came with very serious intentions.
44:34And of course,
44:35imagine the damage if I find you with the baby in the altar.
44:39Well, that's it.
44:41Problem solved, Joselito.
44:44You go back to Don Benito
44:45and there you will surely find a good woman who deserves you.
44:48And if that's the case, invite me to the wedding.
44:51Well, I have to get back to work.
45:04I love you.
45:23Begoña?
45:25Can I come in?
45:26How did you get in?
45:28Did Jesus let you in?
45:29He let me in, Digna.
45:32Your husband is not at home.
45:34How are you?
45:36Well, now that you're here, better.
45:40They told you, didn't they?
45:42What?
45:44The attack I had last night.
45:46I couldn't find my mother's medallion and...
45:48and I fought everyone.
45:51That's why you came, right?
45:53Andrés told me something. I'm very worried about you.
45:56I don't know.
45:57The more I sleep, the more tired I am.
46:00It's weird, isn't it?
46:01A little.
46:04Jesus told me that...
46:05that I can't travel in these conditions.
46:10Begoña, you haven't taken pills again, have you?
46:13No, I already told you no.
46:14That I left them.
46:16To be able to help you, you must be honest with me.
46:19Luz, I'm not taking anything.
46:23I'm sure if I look in the drawers or in the closet,
46:26I won't find them hidden.
46:27What are you insinuating? That I'm not hiding anything?
46:29Don't you believe me?
46:31Okay.
46:32Okay, Begoña.
46:34Then we have to see where that numbness comes from.
46:37That fatigue you feel.
46:41Does your head usually hurt?
46:43No.
46:44Well, sometimes.
46:46I don't know.
46:47It's not pain.
46:48What I have is like...
46:51like a feeling of constant fatigue.
46:53And the urge to sleep all the time.
46:55You should go out and get some fresh air.
46:57I don't feel like it.
47:00What I want is to be calm and lie down without thinking.
47:07What are you doing?
47:09I'm going to draw your blood to do an analysis.
47:11For what?
47:13Begoña, we have to know where that state comes from.
47:15Look at me.
47:17Let's see how those bloods are.
47:18What's wrong? Don't you believe me?
47:20I already told you I'm not taking anything.
47:21I'm not taking any sedatives.
47:22Begoña, I just want to help you.
47:23Look, if you don't believe me, get out of here.
47:26We have to...
47:27Get out!
47:29Get out!