• 4 months ago
Igra sudbine, Epizoda 1163,Igra sudbine 1164 ,Igra sudbine 1163,Igra sudbine Epizoda 1164, Igra sudbine Epizoda 1163,Epizoda 1164 Igra sudbine ,Epizoda 1163 Igra sudbine

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00:00IN THE NEXT EPISODE
00:09Yes?
00:11Yes.
00:18Here you go, Andrej.
00:19What is it?
00:21Senka's letter of resignation,
00:23and a request to come to America and run the company there.
00:31All right.
00:34I'll sign it.
00:36He says he's had enough of this circus.
00:41As he pleases.
00:44If he doesn't like me here, he can go.
00:47There's plenty of work in America, as he pleases.
00:52All right.
00:54I'll transfer him.
01:01Hey, Bobo.
01:03What are you doing after work today?
01:07I didn't plan to stay, unless it's something urgent.
01:12Great, because I didn't want anything business-related.
01:16But?
01:19Do you want to sit down for coffee?
01:23What would be the topic?
01:26Well...
01:27Andrija and all this mess with him and that...
01:31I'll have to reject that right away,
01:33because I'm Andrija's secretary,
01:35not a counter-intelligence agency.
01:38Bobo, don't be stupid.
01:41I really don't want to run away.
01:44That's what it sounded like to me.
01:47Andrija is my ex-husband,
01:49and I really don't want anything bad to happen to him.
01:52Besides, we have a son, for God's sake.
01:54All right, so what's he up to?
01:57I'm interested in how serious the problem is.
02:01Why don't you ask him? He knows it best.
02:03I don't have any God-knows-what information.
02:07And even if I did...
02:09Even if you did what?
02:11Bobo, you don't need to talk to me like that.
02:14I'm still the owner of 50% of this company.
02:19So, even if you're the owner,
02:21I'm still the owner of 50% of this company.
02:24So, that's what it's all about.
02:26Of course.
02:27And I don't intend to meddle in their personal lives.
02:31I'm just missing something.
02:36All right.
02:38Then, tonight at the business club,
02:42I have 20 minutes for you.
02:45And don't expect anything spicy from me.
02:51Sigh.
03:22I don't know if you noticed, but I left earlier today.
03:27I did.
03:29Are you all right?
03:32Senka and Bobo advised me not to cause a scandal.
03:37Clever.
03:40I see.
03:41I mean, do what you think you should do, but...
03:45We shouldn't expose the dirty business.
03:49I didn't expose it, Andrija.
03:52I'm reading that story about that famous drag queen.
03:57Completely unnecessary dust collection.
04:01Here, I'm begging you to explain it to me now.
04:05What should I explain?
04:06For starters, you can explain to me
04:09the mysterious interruption of your therapy.
04:14That again?
04:15Yes, that again.
04:17I don't get it.
04:18And then you can explain to me
04:20the unexpected reversal of your return to the same therapy.
04:25Well, you see, it's pretty simple.
04:29I didn't want to burden you.
04:31You're burdening me more when I don't know.
04:35All right.
04:40Milena has begun some kind of transfer of emotions towards me.
04:47What does that mean?
04:50Well, it means that she likes me.
04:55You see, she rationalized it quite a bit,
04:59put it in its place and said,
05:03a powerful figure,
05:06she likes that.
05:10And how did she manage to convince you to go back to the session?
05:13And why did you even agree?
05:17Because every psychotherapist has their own psychotherapist,
05:21and her psychotherapist told her to transfer her emotions towards me.
05:26That's it.
05:28Just like that?
05:29Yes.
05:31Just like that.
05:32She rationalized it, put it in its place,
05:35transferred her emotions and that's it.
05:39That's it.
05:41Tell me, how can I eliminate my feelings of betrayal?
05:48I didn't betray you, Milena.
05:50Why do I feel that way?
05:52I don't know why you feel that way.
05:55But I can help you to eliminate that feeling
06:02with one move.
06:05Please, explain it to me.
06:11Mhm.
06:29Hello.
06:32I don't have much time.
06:35Andrej is going to therapy with Milena Porazer.
06:40I'm sorry.
06:52I'm sorry, what are you doing?
06:55I'm doing what I have to do.
07:07I'm so happy you came.
07:11Who is that?
07:12It's me, Luka, your boyfriend.
07:15Luka?
07:16Someone is knocking.
07:17Someone is knocking, it's me.
07:35Do you have a few minutes?
07:40Yes.
07:47Vova, don't underestimate me.
07:50I understood everything.
07:53Like what?
07:55Like why Milena kept that building on us.
08:00That was Una's idea.
08:01Yes, I know that Una has been going to her place
08:04for a long time.
08:05But I didn't know that she got Andrej involved.
08:08Why do you need to know that?
08:10Why is it important to you?
08:11Because I like him.
08:14I see.
08:16Well, I had him after the divorce,
08:19but I really care about him.
08:23Especially when there are other women involved.
08:26Yes, especially. What's so strange about that?
08:28It's strange because you are divorced
08:31and he has a new wife.
08:33Yes, but only I have the right to mistreat him.
08:37And you really use that.
08:40Vova, we've been together for half our lives.
08:43He only has children with me.
08:45And I love him as a man.
08:47I believe you.
08:50Okay, let's talk about that.
08:53Tell me, please, what's the situation between
08:56Andrej and Una?
08:57It doesn't seem very stable to me.
09:02I have no idea.
09:03How could I know that?
09:05How could you know?
09:06You've been around him all your life.
09:09I'm working with him.
09:11Bobo, you're working with him,
09:13but you're secretly in love with him.
09:15That's not true.
09:16It's true, but it's not a big deal.
09:18It's in your job description.
09:20Every secretary is in love with their boss.
09:22Wait, Bobo, take it easy.
09:24Where are you going?
09:27Cheers.
09:30What do you want from me?
09:33Bobo, I didn't want to bother you.
09:37I wanted to ask you to report me on time.
09:43About what?
09:44About the situation between Andrej and Una.
09:49Aha, you want to protect Andrej from Una.
09:53That's right, Bobo.
09:54We both want to protect him, don't we?
09:57Okay, I'll let you know.
10:00As soon as I find out that Una intends to kill Andrej.
10:19I didn't get it.
10:25Wait, wait.
10:26Don't stop.
10:27You can't do this.
10:29Don't overdo it.
10:31It's not very inspiring.
10:33I know, but we can't rush this.
10:36Wait, wait.
10:38Didn't you want this?
10:40No, I just...
10:43What?
10:44Not like this.
10:45What, how?
10:47I don't know.
10:48Do you have something against spontaneity?
10:51No, no, no.
10:52Not Superman, not that.
10:55I just imagined something romantic for the first time.
10:59Come on, don't complicate things.
11:01I'm not complicating things.
11:02Just understand me.
11:03Okay, understand me.
11:05I understand you.
11:06I didn't want to take you to Venice,
11:08to have a honeymoon,
11:09so it didn't work out, did it?
11:11No, no, no.
11:12It didn't work out.
11:13No.
11:14It was because of something else.
11:15Come on, what do you want to tell me now?
11:16Come on, tell me what you want to tell me.
11:18I don't want to tell you anything.
11:19Didn't you say that things are going better?
11:21Yes, they are.
11:22Okay.
11:24What?
11:25What did I say?
11:27I'm sorry to tell you,
11:28but it seems to me that you just wanted to
11:30skip the topic we were talking about.
11:32I'm sorry that you think so.
11:44Unbelievable.
11:46It's like something always has to happen
11:49to avoid intimacy.
11:51I'm sorry.
11:54Where are you going now?
11:56Nowhere.
11:58I'm going to ask around.
12:00Excuse me.
12:23Do you have a few minutes?
12:26Do I have to do it now?
12:28You don't have to,
12:29but since we're working together, it would be good.
12:32So it's not private?
12:34No, it's business.
12:37Okay.
12:39Okay, wait for me at the Kotovski bar.
12:42Just don't make me wait too long.
12:44I'll be right there.
12:55I'm sorry, I mean...
12:56It's okay.
12:57I have to talk to her as soon as possible.
13:01Okay.
13:03I knew it would be like this.
13:05It looked like I wasn't convincing enough,
13:08but now we're going to talk, and that's it.
13:11It looks like you're not.
13:12It looks like I'm not.
13:13I don't know, Luka,
13:14I think this blonde can cause serious problems.
13:16What can she do?
13:18I pay her, I can let her go.
13:20You know how much you can pay her?
13:22What?
13:23No, you can't.
13:24I really don't think that's a problem.
13:26You think she's stupid?
13:27You always say she's stupid.
13:52Andrija?
13:53Who are you calling?
13:56It's Andrija.
13:58I can't talk right now.
14:00We should meet.
14:02Now?
14:03Where?
14:06Maybe it would be best if we met in your office.
14:09I'll be waiting for you there in half an hour.
14:11Okay.
14:13Andrija, what are you doing here?
14:14Do you need anything?
14:15Do you want to eat something?
14:16I don't need anything, thank you.
14:17I'm going for a walk.
14:19Okay.
14:38So, what's the problem?
14:40We just sat down.
14:42Yeah, you called me to talk,
14:43so I was wondering what we were going to talk about.
14:45About your brother.
14:46That's your business, I'm not going to meddle.
14:48I don't know what I'm going to do.
14:49It's not about our business.
14:51The thing is, he doesn't want me in the studio anymore.
14:54Why doesn't he want you in the studio?
14:56I don't know, that's what I wanted to ask you.
14:58I don't know either.
15:00I mean, I'll talk to him, I don't know what else to tell you.
15:04Look, I'm not asking you to lie to me about him.
15:08I don't want to go somewhere where someone doesn't want me.
15:12Look, Laura, I need to know what's going on first,
15:14so I can do something.
15:16He's not worth it this way.
15:17He can talk to you like this,
15:18I don't know what's going on.
15:19Okay, fine.
15:20Then talk to him,
15:21and let me know what you've decided,
15:23whether you want me to run your business or not.
15:25And then I'll give you my final answer.
15:30Is that a threat or what?
15:31No, it's not a threat at all.
15:33I'm just not used to working like this.
15:35I usually decide when it's over.
15:37And it's never good when I feel rejected.
15:44So, let me know what you've decided.
15:51Okay.
16:05Hey, there's a key.
16:09Andrija went somewhere, right?
16:12Yes, he did. He's going for a walk.
16:15Okay.
16:16Is everything okay?
16:18Yes, yes, everything's okay.
16:20Come on, tell me.
16:21At least you can tell me.
16:27We were in the bedroom, and...
16:31You know, I can already see
16:34the lack of a connection.
16:37I mean...
16:39I'm sorry for being a bit direct, but...
16:44A wedding bed can sometimes be a paradise,
16:50and sometimes it can be hell,
16:52but you can't lie about that.
16:54Yes.
16:55And I feel like it always depends on the woman.
16:59Why exactly on the woman?
17:01Well, you know, men are simple when it comes to that.
17:04What do you mean?
17:05They only care about one thing.
17:06And when they don't get it, they're unhappy.
17:08At least that's how it looks to me.
17:09Why is it just not clear to me
17:10how we always suffer when they're unhappy?
17:13Yes, yes.
17:15Besides, I guess we women also ask ourselves something.
17:17Right?
17:18Yes, and we have some desires and needs.
17:19Why does it always have to be how they want it,
17:21when they want it, and the way they want it?
17:23Of course, you said everything right,
17:25and we asked ourselves something.
17:27Don't worry, everything will be fine.
17:29Come on, let me fix you up a bit.
17:48I'm sorry.
18:11Where's Una tonight?
18:14She stayed in her bed.
18:16She wasn't supposed to be there, so you came here.
18:20Ah, I see.
18:25Did I do something wrong?
18:28No.
18:30I really like it when you come over.
18:32I mean, I really enjoy being with you,
18:36it's just that I feel guilty.
18:38Because of Una.
18:40She somehow had to leave
18:43because I had to help you,
18:45and I didn't...
18:47Well, maybe you can help me.
18:50Well, I don't see it as a big help for Una
18:54to get married,
18:56and neither for you,
18:58to finally be happy with her.
18:59Listen, listen, Milena,
19:01don't blame yourself at all
19:03for those things.
19:05Una simply raised the wall
19:08between us, I can feel it.
19:11Don't like each other,
19:13my power is growing,
19:17I feel inferior.
19:20Yes, exactly.
19:22I told her to put all those obstacles
19:25in her bed.
19:27Yes.
19:29It looks like I can't.
19:32I'm sorry,
19:34but can I still hang out here with you?
19:37Of course.
19:44THE BEST DAY OF YOUR LIFE
19:57We're going to have a good time.
19:59Of course.
20:01Right? Here's the milk.
20:03More?
20:04No.
20:05Enough.
20:06Here you go, sir.
20:09THE BEST DAY OF YOUR LIFE
20:16Can I? Can I have some?
20:19Can I?
20:20My darling.
20:23Hi, Maki, good morning.
20:24Good morning.
20:25Would you like some coffee?
20:26Or maybe some tea?
20:27Sure.
20:28But,
20:30did Andrija come home last night?
20:34How would I know?
20:37I'd say he didn't.
20:39That's why I'm asking.
20:40How?
20:41Did you check the rooms?
20:42Maybe he's somewhere else.
20:44He's nowhere to be found.
20:46Did you talk to him again?
20:47No.
20:48Marijana, even if I did,
20:49what does it matter?
20:50He should be at home, sleeping.
20:52Call him.
20:53Maybe he got upset,
20:54went for a walk,
20:55to clear his head.
20:56No, I don't want to bother him.
20:58Let him come back on his own.
21:02What if something happened to him?
21:04Marijana,
21:05what could happen to such a man?
21:07How would I know what time it is?
21:09If he was angry,
21:10if he was driving fast,
21:11I don't know.
21:12Now I'm paranoid.
21:14Okay, now you're worrying me.
21:16Call him, please.
21:34Call him.
21:50How could we miss him?
21:56She's calling.
21:57So?
21:58What are we going to do now?
22:00Nothing.
22:03I'm not going to answer.
22:06How could we fall asleep?
22:10What can I say?
22:12It was nice.
22:14We were relaxed.
22:16There's nothing strange about it.
22:18Yes, yes,
22:19but our relaxation has consequences.
22:21Come on, calm down.
22:23It's okay.
22:24Don't you understand
22:25that we could have walked
22:26without any injuries,
22:27just because we weren't asleep?
22:28Milena,
22:29we'll walk without injuries.
22:31Look at me.
22:32Calm down.
22:33No, no, I can't calm down.
22:35He's really,
22:36really bad.
22:38Listen, I'll tell you one thing.
22:41You're the one
22:42who asked me
22:44to call you sometimes,
22:46right?
22:47And I just fulfilled your wish.
22:54I'm not blaming you.
22:55I wanted this.
22:57What do I have to try?
23:02I just don't know
23:04why you're so relaxed.
23:06What?
23:08I'm relaxed.
23:10Everything's okay.
23:13I know what to do.
23:32Hello?
23:34Have you seen Andrija since this morning?
23:37No, no, I haven't.
23:39I just got to the office.
23:41He's not at home.
23:43I don't know where he is.
23:44What do you mean?
23:45I don't know.
23:46When I woke up,
23:47he wasn't there.
23:48Marijana didn't see him either.
23:50Did you fight?
23:52A little.
23:53I mean,
23:54it didn't go as planned.
23:56You know.
23:57How do you mean
23:58it didn't go as planned?
23:59In bed.
24:00When I have to say it.
24:02Maybe he ran away from me.
24:04Well, okay.
24:05It happens,
24:06but no one runs
24:07to the end of the world because of it.
24:09Since all this happened between us,
24:11I totally lost my confidence.
24:14Come on, don't exaggerate.
24:15Please, everything will be fine.
24:17Where are you now?
24:19In my office,
24:20where else would I be?
24:22Hello?
24:23Hello, Una?
24:25Hello?
24:26Una?
24:28Here.
24:30How did you lose the man,
24:32the woman of God?
24:33I don't know.
24:35We'll find out when he shows up,
24:36if he shows up.
24:38Aha, did you call him?
24:40How many times?
24:41He didn't answer.
24:42I didn't either.
24:43He didn't answer since this morning.
24:45You didn't either?
24:46No.
24:47Have you been to the office
24:48to see if he's there?
24:49Not yet.
24:50What do you mean?
24:52I don't know.
24:54I'm out of my mind,
24:55so I didn't go.
24:58I'm sorry.
25:07Why did we meet here?
25:09We met to talk about a few things.
25:12What's going on?
25:14That's what I'm curious about.
25:15How can you make such important decisions
25:17without consulting me?
25:19What decisions?
25:22Did you push Laura away?
25:25I didn't push her away.
25:26Yes, but you told her not to come, right?
25:29Yes.
25:30Well, Laura convinced us.
25:33She wants to know
25:34if she still leads the organization,
25:36how she does it,
25:38and she'll give you a final answer.
25:40So, congratulations.
25:42Of course, she leads the organization,
25:44but she doesn't need to come here.
25:46I agree with that.
25:48Although Laura is my partner,
25:50I think that
25:52it's better for her to work from the hotel.
25:55Why does she have to work from the hotel?
25:56Why doesn't she come?
25:57I don't understand.
25:58Well, so that you don't get unlucky.
26:01I'll go and tell her
26:03that it's a decision of all of us.
26:08Okay, does anyone know
26:09if she took Salo into custody?
26:11I'll check that
26:12when I see her.
26:14Agreed.
26:15Hey.
26:16Hey.
26:17Where are you from?
26:18We came to help.
26:21Senors, I'm going to see Laura.
26:26Bye.
26:27Bye.
26:28Bye.
26:49What's wrong with you two?
26:51You slept all night.
26:53What do you mean?
26:54You didn't sleep at home.
26:57I came home pretty late,
26:59and you were already sleeping.
27:01Who heard you?
27:02Right?
27:03How is it possible that I didn't hear you?
27:05Well, because you were sleeping like a log.
27:09I was watching TV
27:11and I fell asleep on the couch.
27:12That's it.
27:13Maybe I started snoring in the meantime.
27:15Right?
27:16Why didn't you call me in the morning
27:18when you went to work?
27:19I woke up earlier,
27:22took a shower,
27:25and went to work.
27:28Why didn't you call me?
27:30I called you all morning, Andrija.
27:34I don't know.
27:36I was probably...
27:38Aha.
27:39I was on silent.
27:43Now I'm back on.
27:45And that's it.
27:47I can hear you.
27:48I'm here.
27:49What do you want?
27:52When did you stop talking like that?
27:54It never happened.
27:56Right?
27:57Fine.
27:58I can make a mistake once in my life.
28:01Let's see what we can do today.
28:04Hey, listen.
28:25Everything's fine.
28:26You don't have to worry.
28:28How did you do it?
28:30I'll tell you later.
28:32I can't talk right now.
28:36You'll pay for this, you know?
28:38For what?
28:39For the room.
28:46Come on, let's see what you've got.
28:47We've got a lot of stuff.
28:49A lot of nice stuff.
28:51Everything's new.
28:53Let's see.
28:54Right away.
28:58I was expecting this.
29:00This is great.
29:01It is, but it's a bit narrow.
29:03A bit?
29:04We'll find something else.
29:06There will be.
29:07We'll find, let's say...
29:10This would be great for you.
29:12Here, this one.
29:15Listen, they're a bit small.
29:17I can see it's small.
29:18Give me something.
29:19Give me this.
29:20What do you need this for?
29:21No, no, no.
29:22Here, we've got this one.
29:25This one.
29:26This is great.
29:27This is...
29:28This is interesting.
29:29This is really...
29:32Like Salivano.
29:34There's nothing.
29:36Great, great.
29:37I don't think this is it.
29:38Great.
29:40I don't think...
29:41Here, we've got salons.
29:43If you need...
29:45I don't wear them.
29:46You don't?
29:47No, no.
29:48This is OK.
29:49Like Salivano.
29:50Bomb, bomb, bomb.
29:51OK.
29:52Come on.
29:53Let this be.
29:55Oh, thank you.
30:01Bravo, Milo.
30:03Here you are, Pance.
30:05That coffee will do.
30:07Milo, I'm a bit unhappy for 7 years.
30:09Can I have one?
30:10Sure.
30:11See how fired up I am, my hands are shaking.
30:13Just one more week, and we'll have this fashion revue in Milan.
30:18OK, this doesn't have to go bad.
30:21Who said it would go bad?
30:23What are you talking about? I'm just saying that I'm upset.
30:25They gave me all the money, they invested it, they broke for that review.
30:28I don't know how it's going to go. I'm worried.
30:41I know you don't agree with this decision, but luckily you don't ask anything.
30:46So you turned your back on me, too?
30:48I knew you would understand everything so tragically.
30:52I don't know how to understand. Those two sent you to kick me out of the project.
30:55Laura, you knew that sooner or later your actions would lead to that.
31:00Well, nothing would have happened if it wasn't for me.
31:17I still don't know what to think.
31:19Yes, he acted somehow strange.
31:22Pretty strange.
31:24He's up to something, but I can't figure out what.
31:28You know what? There's something pretty strange and unusual in the whole situation,
31:33but I can't figure out what exactly.
31:35What do you mean unusual? And Andrija? Who's Andrija?
31:49My wife and I are talking about that.
31:53Completely unsuccessful.
31:56We're considering the possibility of me not getting married and taking the money.
32:02What is this, my people? You're not able to take the money,
32:05not even when you have a man under your nose.
32:08That's what I'm talking about.
32:11Because I'm a good man with a warm heart, I can't do that.
32:19But you can.
32:27How can you say that all of a sudden?
32:29The owner urgently needs the money, that's why he's so low.
32:34Low?
32:35Yes.
32:36Good.
32:37If it's so great as you say, I think we should take a look.
32:42I wouldn't really want to rush myself now.
32:49I don't want to rush myself.
32:57He wants to ruin our project. He wants to do it directly.
33:00He wants to ruin us so easily.
33:02Don't let him take the money.
33:06So, we don't have the money.
33:10The payment deadline has expired.
33:12Review for the next two days.
33:14Deal.
33:19What are you working on?
33:22Something between us two, Milan.
33:24I found a piece of Andrija's underwear.
33:29How does that have anything to do with me?
33:32Something between us two, Milan.
33:34I found a piece of Andrija's underwear.
33:39How does that have anything to do with me?
33:54I'm begging you, I can't take it anymore.
33:56Tell me.
33:58Like this.
34:00I came to see you.
34:03And I have to tell you...
34:05I have to ask you for a favor.
34:07Tell me.
34:23Bobo, have you seen Uro?
34:26He's not at work today.
34:28Do you know why?
34:32Bobo.
34:33I'm begging you.
34:35Do you know why?