Category
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Short filmTranscript
00:00I
00:06Had a conversation
00:08So I can tell it all I'll never come back to that. I don't know what to do. Don't you can important don't know what they say
00:14Come on
00:16But what do you have a subtle algo hoy fuera de lo normal?
00:21Algo que te haya alterado
00:23Porque le tiene que pasar esto a él
00:26No, it's good
00:28Le queda mucho por vivir marta no hay explicación posible por eso duele tanto don damián yo solo venía
00:34a darle las gracias para haber pagado la fianza de tasio parte ya todo el mundo ha recuperado el dinero que me adelantó
00:40Tampoco te creas que nadie ha venido a pedirme disculpas por la denuncia o darme las gracias o algo así
00:44Vamos a hipotecar esta casa esta familia lleva demasiado tiempo en una situación que no le corresponde
00:49Marta puede ser muchas cosas pero no es ninguna invertida
00:53Quiero que te vaya a mi casa
00:55Voy a instalarte en la colonia es que no encontré mi medallita la tenía en la mesilla de noche y no está
01:00sé todo lo que hay que saber para ejercer la medicina pero no tengo un papel que lo acredite
01:05El problema es que yo ya no sé quién eres
01:07¿Dónde estaba?
01:09en el cajón de tu mesita
01:24Sueños de libertad
01:26Vivir de otra manera
01:28Alas para volar
01:30A donde el alma quiera
01:32Sueños de libertad
01:34El corazón no espera
01:36Está pidiendo otra oportunidad
01:38Sueños de libertad
01:40Aunque el pasado duela
01:42Volver a comenzar
01:44Amar a quien yo quiera
01:46Gritarles libertad
01:49Amar a quien yo quiera
01:51Gritarles libertad
01:53Vivir sin miedo y sin mirar atrás
02:13Sueños de libertad
02:18Sueños de libertad
02:48Sueños de libertad
02:56Buenos días
02:58Por fin despertaste
03:03¿Qué hora es?
03:05¿Es muy tarde?
03:06No, tranquila, puedes seguir en la cama un rato más si quieres
03:08Aunque con lo pronto que te acostaste
03:10debes llevar durmiendo más de 10 horas
03:13Te he hecho café
03:15Toma
03:18You're welcome.
03:20No matter how much I've slept, I feel like I've been beaten.
03:25Well, last night...
03:27Anyway, you were very upset, thinking you'd lost your mother's medal.
03:32I swear I can't explain how it could disappear and reappear as if by magic.
03:37I looked everywhere.
03:40It didn't appear by magic, darling.
03:43Did you find it in the drawer where you left it?
03:46When I looked, it wasn't there, I assure you.
03:50Calm down, calm down.
03:52You're very upset and I understand.
03:54But you have to deal with your state in some way.
03:56No, Jesus, I'm fine.
03:59Well, no, I'm not.
04:01That's why I want to go to London as soon as possible.
04:04To London?
04:05With that mental confusion that worries us all so much?
04:08What mental confusion?
04:10What happened yesterday was the result of having left the sedatives.
04:12That's it.
04:13Calm down, calm down.
04:14Stay seated there.
04:15Calm down.
04:16I'm fine, Jesus.
04:19I'm just a little stunned, but in a few days I'll get better.
04:22I assure you.
04:23Stunned, confused, you're not well.
04:26Darling, if you don't get better in a week, I don't think you should travel.
04:35No, please.
04:37Not that.
04:39You're going to have an episode of this again without me or Dina being here.
04:42But an episode of what?
04:44All I'm doing is resting and I need time to be alone, to reconnect with myself.
04:48Nothing more.
04:49Begoña, Begoña, my obligation is to take care of you and protect you.
04:52And if I let you go, would I be neglecting my responsibility?
04:56You're taking me for a stranger.
04:58Absolutely.
04:59Absolutely.
05:00I've already told you that I understand the reasons why you're like this.
05:04But I have to do everything I can to make you fully recover.
05:09And then you'll be able to go on that trip.
05:17Everything I do is for your own good.
05:19You know that, don't you?
05:23Maybe I'm right.
05:26See?
05:27You're the same as always.
05:30Look, a few more days.
05:32A few more days so we can see that you've regained your lucidity
05:36and I'll take you to the airport myself.
05:38Okay?
05:46Here.
05:47Do you want me to warm it up a bit?
05:49No.
05:53Okay.
06:02See you later.
06:08See you later.
06:16Everyone will remember this celebration.
06:18We have to do something that is worthy of such an important anniversary.
06:22Well, what have you thought, Maria,
06:24for the celebration of the 30th anniversary of Perfumería de la Reina?
06:28Well, I know that in previous occasions a mass was celebrated
06:32and then a meal was made with the employees.
06:34Well, that's not a bad plan.
06:36Andrés.
06:37What's wrong? Don't you like the idea?
06:40I think we could do something that fits the new times.
06:42Yeah, but the mass can't be missed.
06:44Of course.
06:45And a good meal for the staff, right, Maria?
06:47Good morning.
06:48Good morning.
06:49Good morning.
06:50Well, that's what was said before, Andrés told me,
06:52but we're in a new stage.
06:54With the three brothers of the queen in front of the company.
06:56And the retired father, right?
06:58No, please.
07:00You will always be the soul of all this.
07:03How are you, Begoña?
07:05Better, thank you.
07:06And what? Are you going to explain your idea or have you not thought of anything yet?
07:10Well, after giving it a lot of thought,
07:13I think the most interesting and the most fun would be to have a feast.
07:18A feast? With orchestra and stalls and all that?
07:22Well, I don't think the truth is very serious, Maria.
07:25Of course, it sounds very festive.
07:27And that's the idea, right? Maria and I for the key.
07:30Why do we have a feast?
07:32To thank our employees for their work and loyalty.
07:35And they will love it, I assure you.
07:38They will feel in their sauce.
07:39There I give you all the reason.
07:41Maria, when you say verbena, do you mean decorating the factory
07:45with lanterns, garlands and all those gaitas?
07:49We will focus on the patio, yes.
07:51We will have to decorate everything like a traditional verbena.
07:54And we will hire an orchestra, the best one, so that people can dance.
07:58What is a party without a dance?
08:00Nothing.
08:01Of course.
08:02The one that our workers are going to have, huh?
08:04Well, I refuse to set up that thing in La Colonia.
08:06For the mere fact of denying you everything, perhaps?
08:08For the mere fact that it will cost us an eye in the face.
08:10It's out of the budget.
08:12Well then, not to mention the fireworks.
08:14Fireworks?
08:16And a cake, huge, of several floors.
08:18The workers deserve that and more.
08:20I don't want it to be that expensive.
08:23We must have that detail with them.
08:27They are the ones who raise this company every day.
08:30And they already charge their good salaries.
08:32Come on, Maria.
08:34Next idea.
08:35And make an effort to see if it's a little better.
08:37You alone don't think it's good, Jesus.
08:40Father?
08:43I don't dislike Maria's idea.
08:46A verbena.
08:49And if the problem is the money,
08:51she will tighten her belt and adjust a little, right?
08:55Of course.
08:56Shall we vote then?
08:59Why are you looking at me like that?
09:01For nothing.
09:02And there will be no need to vote.
09:04We will have verbena.
09:05But I demand that Isabel help Maria.
09:10Can I do it perfectly alone?
09:12Or with Gemma, if that's the case?
09:14I want a little common sense.
09:16She is very efficient
09:17and will be the one to contact the suppliers and adjust the budget.
09:19And you...
09:20Well, you can help Gemma hang the lanterns, if you want.
09:24Don't overdo it, Jesus.
09:25It's over.
09:28We will have the verbena that Maria wants
09:30and with Isabel supervising the expenses.
09:34The session is lifted.
09:36You can't even have breakfast, calm down.
09:43Hasn't your stomach gone down, daughter?
09:46I'll let him know.
10:14What are you doing?
10:16Nothing.
10:19Did you want to check how I feel when I lose my sight?
10:22No, I feel much better today.
10:25Don't lie to me, Jaime.
10:27And don't try to protect me.
10:28Now I'm the one who has to protect you.
10:31Apart from the terrible headaches,
10:34sooner or later I will lose my sight.
10:38I was checking how I was going to feel.
10:42And?
10:47It was going to be hard.
10:52Not seeing your face again.
10:55The sunsets, Toledo.
10:58The colors, everything.
11:02I'll be by your side to explain everything to you
11:05so you feel like you're seeing it.
11:09I'm glad you're here with me.
11:11I'm glad you're here with me.
11:16Jaime, we have to talk.
11:19About what?
11:20About what we're going to do from now on.
11:23Wait, Marta, I can't do anything else.
11:28Wait, sit down.
11:30No, I want to continue with my life.
11:33You want to continue working at the dispensary, right?
11:35I want to feel useful, Marta.
11:38It's a bit risky.
11:40You mean for the patients?
11:43Of course.
11:44You're losing your sight.
11:45Luz will help me.
11:47She's been doing it until now.
11:50As far as I know, you're not together anymore.
11:54I don't know if it's fair to overload her with that responsibility.
11:58I've talked to her, she's willing to help me.
12:02Okay, fine.
12:05When are you going to tell the others what's wrong?
12:07No, no, no.
12:10I don't want to feel obsessed.
12:13I don't want them to be afraid of me.
12:15But as your illness progresses,
12:17you'll probably need special care.
12:19A nurse, I don't know.
12:22Will you agree to hire someone?
12:25Let's not get ahead of ourselves, please.
12:27I'm not getting ahead of myself, but there are things we need to talk about.
12:30I want to be able to organize myself to give you the best quality of life possible.
12:35Talk about things like...
12:38Like if when the time comes, you want me to take you to a hospital.
12:41No.
12:42Not a hospital.
12:44Then what?
12:46I don't know, Marta.
12:48I don't know what I'm going to want.
12:49I don't know how I'm going to feel.
12:51Let's talk about it when the time comes, please.
12:53Okay, forgive me.
12:55It's just that...
12:57It's just that...
13:00I just want to live in the present.
13:03Because I can't die tomorrow or at any moment.
13:05Don't say that.
13:06It's my reality.
13:11Things are going to get really ugly for me.
13:14And I would understand perfectly well that you wouldn't want to be here.
13:17All you have to understand is that I'm going to be by your side until the end.
13:21And that I love you.
13:26And that you're practically the only person who really knows me in this house.
13:29So when you're not here, I'm going to be very lonely.
13:33So you have to let me enjoy you as long as we can.
13:39Yes.
13:43As you wish.
13:46Okay.
13:57THE NEXT DAY
14:00Claudia, what do you hear?
14:01He kicked her out of the house.
14:03I think Tassio slept in the living room.
14:05Oh my God, Fina.
14:06But how is that going to happen?
14:07She has to be okay.
14:08We're going to have a baby.
14:11Carmen, what's going on?
14:12Is she going to pay the rent on her own?
14:14No, she has the feeling that she's going away.
14:16I think she's going to leave the rent and come back to the room with us.
14:21Oh, I don't know, Fina.
14:24Mateo, come, sit with us.
14:29It's just that...
14:31Well, I have mass now, so I can't stay.
14:35If the same thing, Claudia wants to go, right?
14:37No.
14:38No?
14:39No, not today.
14:40Well, it's okay, if you don't want to come to mass.
14:43It's just that I have a lot of work today.
14:46Sure, me too. I also have a lot of work.
14:48But come on, if you want, I can go see you at the store later, right?
14:52No.
14:53No?
14:54No, if not, I'll go later. If not, to the chapel.
14:57Ah, well, very good.
14:59Of course.
15:01What's wrong with you?
15:06I'd better go.
15:08But...
15:09Is everything okay?
15:11Have a good day.
15:12See you later.
15:13Bye.
15:23Claudia.
15:25Talk.
15:28Oh, Fina, we haven't kissed, but very little, huh?
15:43Carmencita.
15:45How are you, Carmen?
15:46No, no, please, don't go. I just want to know how you are.
15:48Fine. You?
15:49Well, without hitting or together at night.
15:51Conscience punishes you.
15:53No, what punishes me are the snores of the vice, which are horrible.
15:56God punishes you.
15:58Look, what hurts me the most is that you don't want to be with me.
16:02I've already learned the lesson, I promise you.
16:04Do you have any news from the Civil Guard?
16:06Well, no. I just know they're after him and nothing else.
16:09Come on, we're not going to get our money back, not even for Somo.
16:13Very well.
16:15I'm going to revoke our apartment contract.
16:17What are you saying?
16:18But what about our house?
16:20I'll take care of the money, really.
16:21Playing poker.
16:22No, I'm going to work until I get the last peso.
16:25Well, you're just going to have to give it to me to leave the postcard as it was.
16:28Well, I'll do whatever.
16:29I just ask you to be patient and stay at home, please.
16:33No.
16:34I'm very hurt, Tassio.
16:36A lot.
16:37But Carmen, you don't know how much I love you.
16:40What good is it to me that you love me so much?
16:42It's not just the money, it's your lack of common sense.
16:45They lose our savings, they almost kill you.
16:48You've risked our future because you wanted to.
16:51Carmen, I just wanted to have you as a queen, nothing more.
16:53Yes, well, look at how you have me in the ruin.
16:55And with a husband who is a prisoner.
16:57I've messed up, I don't know, I'm sorry.
16:59Yes, you've messed up, yes.
17:03I don't want to be with a man who doesn't respect me.
17:05Carmen, please.
17:06Tassio, I ask you to leave me.
17:09But Carmen.
17:10Tassio, let me go, you can't respect that, at least.
17:12Well, let him know that I'm not going to give up.
17:15Or you're going to waste time.
17:17I swear I'm going to fix it.
17:19And even if it takes 20 years for you to love me again.
17:22I'm leaving.
17:23Carmen, please.
17:24Give me a hope, one.
17:29I would be lying to you.
17:32I want you as far away as possible.
17:35I have faith that you will forgive me.
17:43But how?
17:44But how did you kiss him?
17:46Kiss, kiss.
17:47What kind of kiss is that?
17:48Kiss, kiss.
17:49With all his sacrament.
17:51No, no, no, not with that, not fine, not with that.
17:54Oh my God, Claudia, please, he's the priest.
17:56I already know, I already know, I don't know under what stone to get.
18:00But let's see, how was it?
18:04Fina, you know that I'm fine with him, that I'm comfortable with him, that he makes me laugh...
18:13And what? Are you going to thank him that way?
18:16No, Fina, but...
18:19But I feel attracted to him.
18:24I think he feels attracted to me too.
18:28Of course, because we were in the warehouse and suddenly...
18:32Suddenly nothing, Claudia. A kiss doesn't happen suddenly. A kiss implies an approach.
18:38I know, Fina, I know that it's very bad, that we're both going to burn in hell.
18:43And that's it, what can I do, Fina?
18:45I don't know, you tell me.
18:48You're a priest, Claudia, with your vow of chastity, and you're going to be a mother.
18:54Fina, this is the worst thing about you, that this is a forbidden love, forbidden, forbidden.
19:01Look, there are complicated, complicated loves.
19:06But this one...
19:10Claudia, you have to cut this out for the love of God.
19:13Really, if not, this creature is going to have a lot of problems, and not just because of Tassio.
19:17I know, Fina.
19:22Carlos, I... I'm in love with him.
19:28Fina.
19:31Oh my God.
19:35Well, I don't think it's good that your brother has framed Isabel.
19:38She's an efficient secretary. She can help you, Maria.
19:41No, Jesus wants to control me.
19:43It's a moment in everything, I can't stand it, really.
19:46Gema, what do you think, that they have put an inspector on us for the sheep?
19:51Let's see if that's how the gentlemen have decided.
19:54Look, I know perfectly well what I want to do.
19:57With Gema we understand each other just by looking at each other.
20:00Getting in the way of a stranger is going to be very uncomfortable.
20:03Yes, it is true that later he will go with the story of everything, Jesus.
20:05Exactly.
20:07It will be like being hand in hand with him.
20:09A nightmare, come on.
20:12He could already focus on controlling his wife.
20:15Why hasn't Mrs. Begoña come down for breakfast?
20:19Well, because she will be dead of shame after the number she set up yesterday.
20:22It is clear that she does not know about her mother's death.
20:24We have to be comprehensive with her.
20:26Even more?
20:28Hey, we haven't done anything to her,
20:30like to go charging against every living creature.
20:33Poor Gema.
20:35Let's see, I was very calm, because I hadn't touched the medal or anything.
20:39It is clear that she lost her nerves.
20:41Well, let her control herself.
20:43Not only has she suffered a painful loss.
20:46The most dramatic thing is to lose a child, and here I am,
20:48maintaining the type and the composure.
20:50You are admirable.
20:52Be polite and considerate.
20:55But no, she always has to be the protagonist,
20:57for the good or for the bad.
20:59She always has to stand out above the rest, just like her husband.
21:02María, stop it.
21:04I don't think she did it consciously.
21:06Don't justify it.
21:08Begoña is wrong.
21:09She doesn't even know what she's doing.
21:11The bad time that Gema had to go through.
21:14I'm sure she did it because she can't stand us being friends.
21:16I honestly don't think it's because of that.
21:19María, neither do I, really.
21:22What if you had lost your job?
21:23That would never have happened, María.
21:25Well, because it's family.
21:27And because it's worthy of the medal.
21:28But what if it wasn't?
21:30I had one of the worst days of my life, that's true.
21:33I'm a thief.
21:34Begoña didn't say that.
21:35Please, leave her alone.
21:36Well, she insinuated it, which is the same.
21:39And with that anger.
21:40The educated one.
21:41The one who has lived in London.
21:43You are absolutely right, María.
21:48Gema, yesterday was very unfair to you.
21:53Forgive me.
21:55I don't know what happened to me.
21:58What happened was that you lost your guts.
22:01And that you can't go through life without controlling your impulses.
22:04I know.
22:06And if you're so bad for whatever reason, you should look for help.
22:10There are shelters.
22:12Like the one your mother was in.
22:13María.
22:16What do you mean?
22:19I've been clear, haven't I? You've understood me.
22:24I'm very tired.
22:26I'm going to my room.
22:36You've gone too far.
22:39Don't you think the same?
22:41She's crazy, Andrés.
22:44Unless all this is a masterful interpretation and it's not being taken seriously, which would be worse.
22:49I have to go to the factory.
22:53See you later.
23:09No, Fina, no.
23:10No one saw us in the warehouse because there was no one there.
23:13They would have missed it.
23:15What I don't understand is how you got to that.
23:18Because he came to tell me that Tasio had already left the dungeon.
23:20I already knew that.
23:21But well, he came to tell me that he had sung it at 40 and that he had read the letter.
23:27Well, someone should read the letter to him too.
23:30Fina, it was a stupid robbery because of me.
23:34So you kissed him?
23:35No.
23:36No, he kissed me.
23:39But well, then I gave him the kiss back.
23:42Oh my God.
23:43So it wasn't one kiss, it was two.
23:45Oh, Fina, don't make me more nervous.
23:47Okay.
23:48Well, go on.
23:49What?
23:50Well, what I was telling you.
23:52That you know that a week ago I see him and I start laughing like a fool.
23:58That I feel butterflies in my stomach.
24:00I don't know what's wrong with me, Fina.
24:02Well, you're in love with him.
24:05And he's also attracted to me, Fina, because he told me.
24:08The mother he brought you.
24:10Come on, he wanted it too.
24:14Oh my God.
24:16And he has at least considered forgetting his vows and starting a family with you.
24:19No, no, no, that's not true.
24:20Why not?
24:21It wouldn't be the first time.
24:23And I don't know if you believe so much.
24:25No, Fina, no, man.
24:26He wants the saints and the Virgin and God.
24:29Come on, no.
24:30I'm not going to turn him away from the path.
24:33And what are you going to do?
24:36What am I going to do, Fina?
24:38Forget about everything.
24:41Hmm.
24:43And from time to time remember the almost the best kiss of my life.
24:49Oh, the Virgin.
24:54Come on, the other one.
24:55But you don't give me face, you bring me, right?
24:57What happened?
24:59What do you think?
25:02Have you seen him?
25:04He apologized to me again.
25:06But don't tell me anything, I know I shouldn't forgive him.
25:10But it makes me sad.
25:13That's normal, Carmen.
25:15If in the end you love each other a lot and you are very good.
25:19Yes, but Tassio is an adult now.
25:21And he should stop doing nonsense.
25:23No, no, I'm not going to be on top of that.
25:25I'm telling you for free, come on.
25:27But someone, yes, I would have to take a look at him.
25:29Because I know him and I know he's going to get pregnant.
25:31He's going to get drunk and in the end I'm going to feel guilty about all this.
25:36Why do these things have to happen to me?
25:39Let's see, Carmen, if you want, I can take a look at him.
25:41Yes, man, you already have enough with what you have.
25:44It has to be someone who puts it straight like a candle.
25:53What are you thinking about?
25:54What are you thinking about?
26:07When we have the result you will be calmer.
26:09I hope so.
26:11You'll see, it's nothing important.
26:13And come here so I can give you the results, okay?
26:16Thank you, doctor.
26:17You're welcome, see you later.
26:18Goodbye.
26:24Goodbye.
26:35I'm busy, Luis.
26:42I've come to know more about you.
26:45Well, curiosity killed the cat, I warn you.
26:49And why are you so interested in knowing about me?
26:51After despising me so much?
26:54I don't despise you, Luz.
26:59I need to know everything about the person I fell madly in love with.
27:03What do you want to know?
27:05Everything.
27:07We can start at the beginning.
27:09Who are you?
27:11What's your name?
27:13My name is Luz Espósito.
27:15I have the last name of the children who are abandoned by their mothers and their mothers-in-law.
27:20Is that what happened to you?
27:22Yes.
27:23I only know that I was born in San Pérez de Rivas, a municipality in Barcelona.
27:28My mother abandoned me when I was barely a year old and the nuns took care of me.
27:33And you didn't hear from your mother again?
27:36I don't even know her name.
27:38The nuns found me at the door of the dead, cold and disloyal inclusive.
27:43I wasn't even around where they leave the newborns because she was already walking.
27:48They were the ones who put me to light.
27:51Because they said I was too white.
27:53But now, do you see me?
27:58If you didn't know your mother's name, I understand that you couldn't find her.
28:02I tried.
28:05I tried to make inquiries in the village, but no one remembered any young woman who had had a girl my age, more or less.
28:12I even think that the nuns had made up the story of San Pera.
28:17How long did you live there?
28:19Until I was six years old.
28:21And then I moved to another nun and then to another.
28:26They couldn't find adoptive parents for me.
28:30And that?
28:31Because marriages want newborn babies, not a rebellious girl like I was at that time.
28:37That had to be hard.
28:40Yes.
28:42Everything a child can wish for, which is to have a father and a mother, I never had.
28:50And Dr. Borrell?
28:54I came to serve at his house when I was 15, by order of the nuns.
28:59It was the first time in my life that I felt safe and protected.
29:06He had to be a good person.
29:07He was.
29:09He and his wife were.
29:11They went through a consultation at home and when I saw how much I liked medicine, he threw me out so I could become his nurse.
29:19So you have nursing studies?
29:22No, Luis, I don't have studies.
29:25Only what I found in the books.
29:27In the books and in practice, next to Dr. Borrell.
29:31Medicine saved me, but it has also brought me many problems.
29:38Sure.
29:39You were in prison, but it wasn't for a demonstration.
29:44No.
29:45No.
29:47That was for practicing medicine without a degree.
29:51When Dr. Borrell died, I just wanted to do what I liked best.
29:57I managed to change my name and look for a job.
30:00And in one of these, they found me and...
30:04And they...
30:06They arrested me.
30:09I understand.
30:11When I got out, I couldn't do anything else.
30:13I don't know how to do anything else.
30:17And soon after, I came to La Colonia.
30:24Lights.
30:26We have to find an electrician to put lights side by side.
30:29Maria, remember that the charity market was a bit of a disaster.
30:33Emma, we did that in terrible conditions.
30:35Now we have time, money.
30:37I know very well what I want to do and how I want to do it.
30:38I like to see you so sure.
30:40You look like a businesswoman.
30:42I could have been.
30:44Hey, have you seen Begoña?
30:46She was like gone.
30:48Yeah, yeah.
30:49And I think it has to be for something else than for the shame of her mother's death.
30:53Well, I don't know.
30:54But I assure you that Andrés will not be his dog again.
30:56Maria.
30:57What?
30:58From now on, I will set the rules in this house.
31:02I'll make sure you've had a very hard life.
31:05But it's very serious.
31:06That you attend to patients without being a doctor, Light.
31:13I'm a doctor even if I don't have a degree.
31:15And I think I've proven it.
31:17Too much.
31:19But what happens if at some point you make a mistake with a patient?
31:23Are you doubting my worth?
31:25No, I'm just putting on the table the consequences it would have for you and the company.
31:29That you make any kind of mistake.
31:31That doesn't have to happen.
31:33Look, Light.
31:34Right now I'm the director of the company.
31:36And it's not just about you ending up in jail.
31:39It's that the company would have to answer for you.
31:41With the consequences that that entails.
31:45You can do what you consider appropriate.
31:47If you want to report me, I'll understand.
31:51But why didn't you study medicine?
31:53Why didn't you do things right?
31:55With what money, Luis?
31:56With what money?
31:58You know how hard it is for us women to get to university.
32:03I know what I'm doing is a crime that is punished by law.
32:07But what other option do I have?
32:12You're putting me in a very complicated situation.
32:17And it would have been the same if I had told you at the beginning of getting to know each other.
32:21I'm between a rock and a hard place.
32:27I don't know what to do.
32:34Blood. There has to be blood.
32:36Lemonade.
32:37Soda.
32:39What else? Beer.
32:41And liquor, too.
32:42Wait, wait.
32:43Do we have to write it all down?
32:44Hurry up.
32:45We have to have everything ready for when the inspector of Jesus arrives.
32:48What can't I say?
32:49This mouth is mine.
32:50It's going to swallow all the toads.
32:51You'll see.
32:52Well, Joaquín has told me that it is a real raspa.
32:54Marisabidilla.
32:55Stretched.
32:56The joy of the garden.
32:57Come on.
32:59Good morning.
33:00Hello. What can I do for you?
33:02I'm Isabel.
33:03The raspa.
33:05Don't listen to the gossip.
33:08A pleasure. I am María de la Reina.
33:10And she is Gema, my assistant.
33:11Delighted.
33:13I see that you have already advanced with the preparations.
33:15Yes, yes, yes. There is no time to lose.
33:17Can I see it?
33:18Of course.
33:21We have not yet started with the expenses, which I suppose is why he is coming.
33:24Yes, if they tell me what they need, I can make them the budget and adjust it to the data that Mr. Jesus has told me.
33:30Well, here Jesus does not rule in this.
33:33The party is for everyone in La Reina.
33:35We want it to be a celebration above all else.
33:37And so it will be.
33:39You have a singing voice.
33:41We get down to work.
33:43Of course.
33:44Sit down. I'll explain it to you.
34:00Excuse me, Father, could you help me?
34:02I'm looking for the ...
34:04The secretariat. Are you looking for it?
34:06Because, well, there is where they can inform you in case there is a vacant place to work.
34:10No, no. I only came for a visit.
34:12What I was looking for is the store. Where is it?
34:14Oh, you have a Marian cross.
34:16How beautiful.
34:17Yes, I am very religious.
34:19Ah, very well.
34:21Well, I'm very happy.
34:23And I have a good collection of crucifixes.
34:25I have a silver one with a precious Christ.
34:27Ah.
34:28And an older one with the papal cross.
34:30That's great.
34:32Well, let's see if you can show me any of them.
34:34I only take them out for walks in the Holy Week processions of my town.
34:39Yes, even my friends tell me how I haven't gone to a seminary yet.
34:45And you've never thought about it?
34:47Take it off, take it off.
34:49Don't you start with that too.
34:51There are earthly pleasures that I'm not willing to give up.
34:55Of course. Yes, yes, yes. I understand perfectly.
34:58Ah.
35:00So you understand it too.
35:02Sorry?
35:04Oh, sorry.
35:06What a silly question.
35:08But how is he going to understand it if he has given his life to God?
35:11Well, then you're looking for the store, right?
35:13Because it's right at the entrance to the left, so you've missed it.
35:18Well, you could.
35:20Because I'm so lost that I don't know if I've lost the dog or I've found a belt.
35:23Well, you're lost, but at least you're funny, aren't you?
35:27By the way, I'm Mateo, one of the priests of La Colonia.
35:30Nice to meet you. I am...
35:32Joselito?
35:34Joselito?
35:36José Francisco. But since I was a kid, they call me Joselito.
35:38But boy, what are you doing here?
35:40Well, nothing. I had a fair in Toledo and since I was nearby, I said to myself,
35:45I'm going to see if Claudia is there.
35:47Oh, what a surprise. And you know each other and everything?
35:50Hey, did you see? He's a friend of the priest.
35:53The priest is very nice.
35:55Of course, I've also heard a lot about you.
35:57Yes, he's my town friend, Mateo Joselito.
36:01No, Claudia. We were more than friends.
36:04Look, Mateo, to tell you the truth, Claudia is the only girlfriend I've had in my life.
36:09Well, girlfriend, girlfriend...
36:11Girlfriend, girlfriend.
36:13Don't tell me you're not angry.
36:16Yes, she's very pretty.
36:17Yes, she's very pretty.
36:20Well, thank you very much for your visit, Mr. García.
36:23We'll keep in touch.
36:28Well, what do you think?
36:32Good, right? I didn't think you could afford the house for so much money.
36:36Why didn't you want to believe me? This house is wonderful.
36:39Thank goodness your uncle didn't give it to you when all that happened.
36:42The only thing he told me is that he might lower the price because he's in his uncle's land.
36:47But the house is our property and the surrounding land too.
36:52Your uncle left it written.
36:54Well, now we just have to go to the bank and get the credit, putting the house up for sale.
36:58That's right, sister-in-law.
37:00With that and our savings, it should be enough to be able to buy the land and start building.
37:05Yes.
37:07Well, let's toast, come on. They just gave us good news.
37:09Let's toast to us.
37:15I'm fine.
37:18Cheers.
37:19Cheers.
37:20To us.
37:23Well, excuse me, I have to go back to the factory.
37:25Me too, to the big house.
37:27But I'm going to change my shoes because my feet hurt a lot.
37:30And who's going to the bank?
37:32Because we have to go to the Madrid Central.
37:35And I've been out of work for many days.
37:36Don't worry, I'll go.
37:38Let's see if we're luckier this time.
37:41Labra, you'll tell me later.
37:53Come in.
37:56Hello.
37:57Hello.
38:07Are you very busy?
38:08Well, I'm always up to the top.
38:10But right now the next patient won't be here in a while.
38:13So if you want, you can even sit down.
38:17Tell me.
38:19Duluz, I had that strange hangover.
38:23What did you notice?
38:25Yesterday was a terrible day.
38:28First, she didn't come down to eat because she wasn't feeling well.
38:32And then she lost her sanity because she said she couldn't find her mother's medal.
38:36And was she agitated?
38:38Or was she stable?
38:40It was a strange light.
38:42On the one hand, it seemed like she was tired, disoriented.
38:45It seemed like her head was aching.
38:48And on the other hand, she was very upset because she said the medal had disappeared.
38:53And it wasn't true.
38:55Begoña said she had looked for it everywhere.
38:58That it wasn't in the usual drawer.
39:00But she found it right away.
39:02In that drawer.
39:06The pain from her mother's death can lead her to such an extreme state.
39:10Well, that and...
39:12And the streak she's been through.
39:14The decision to go to London is...
39:15It's too many things.
39:17An extreme emotional tension can...
39:20Can play two bad pasts.
39:24This morning she went down to the dining room.
39:26But she left right away because she said she wasn't feeling well.
39:29She's demacrized, absent.
39:31It even seems like she's losing her balance.
39:33She's cold.
39:35I don't know, it's very sad to see her like this.
39:37She says she's just fine in bed.
39:39In the bedroom.
39:41I don't know, it's...
39:43It's symptoms of melancholy.
39:45It could be.
39:47I don't want to mention it, but...
39:49My wife, Gemma, thinks it could be signs of...
39:52Tell me.
39:54Of having inherited her mother's illness.
39:59And you didn't have to help Maria with the famous berbera?
40:01Oh, look.
40:03She's been doing numbers and accounts with the secretary
40:05and they've made me look like a fool.
40:07So I'll talk to Maria when that Isabel leaves.
40:11And what does Isabel look like?
40:13Well, Jesus sent her to frame the accounts.
40:16Maria has received her by the nails,
40:18but in the end, all she needed to do was make a reverence.
40:20And only because he's screwed her, not for anything else.
40:23Oh, oh, oh, oh.
40:25What?
40:27You're not afraid that I'll take your place
40:29next to Maria, are you?
40:31Don't be jealous.
40:33What are you saying?
40:35You're jealous.
40:37What are you saying?
40:39Maria and I are friends.
40:41I don't know, that Isabel, although she looks like a perfect lady,
40:43gives me a bad feeling.
40:45Yes, I don't like her either.
40:47There's something about her that smells like a fly.
40:49Anyway, the less she's in the big house,
40:51the better.
40:53I'm dying to start our business
40:55and leave everyone at the queen's with a slap in the face.
41:02Mmm.
41:05Well, I'm leaving now.
41:10Son, I really like seeing you so happy.
41:15See you later.
41:19Look, I have to tell you something.
41:22I didn't think I'd do it because it's a professional secret
41:24between a doctor and a patient, but...
41:26What is it?
41:28What is it, Luz?
41:29I gave Begoña some sedatives.
41:31And she used them as she shouldn't.
41:33What do you mean?
41:36Instead of taking one a day, she took five or six.
41:39When she got nervous
41:41or felt uncomfortable about something.
41:43In the face of the danger this poses,
41:45I had to get rid of them.
41:47So now she doesn't take them.
41:49And that's the problem.
41:51They create addiction.
41:53Maybe it's her body that's missing them.
41:55Imagine if one day she found out
41:56that her husband was trying to steal hidden pills.
41:59He promised he'd let him, but...
42:02You should have told me before.
42:04Why didn't you keep it under control?
42:06Andres, this isn't easy to control.
42:09The most important thing now
42:11is to find out what's going on.
42:13You could go see her.
42:15It's more complicated for me to get close to her
42:17than Maria and Jesus' suspicions.
42:19Yes, don't worry.
42:21I'll go see her in the morning
42:23to see if I can get something clear.
42:25Patience, Gemma.
42:27No matter how well things go,
42:29there's still time.
42:31I know.
42:33You're still upset with Begoña, aren't you?
42:35What do you think?
42:37She's terrible.
42:39She made me go through
42:41with the happy little medal.
42:43It was very unpleasant.
42:45What's wrong with that woman?
42:47She's not well. It's obvious.
42:49She's not like that.
42:51And we should forgive her.
42:52Has she already apologized?
42:54She apologized this morning,
42:56but she's still as angry as she was last night.
42:58I don't know if those apologies are worth it.
43:00Gemma, knowing how she is,
43:02you shouldn't judge her so harshly.
43:04Do you think she's as sick as her mother?
43:07Don't say that, for God's sake.
43:09I think she's very affected
43:11by Mercedes' death.
43:13She has a husband.
43:16I'd better not say anything.
43:18I'll try to get as close as possible to Begoña
43:20just in case.
43:22If it's true that she has a mental imbalance,
43:24we should help her as much as we can.
43:26Don't you think?
43:28I guess.
43:30No matter how angry she is,
43:32I don't wish her any harm.
43:34Well, you know.
43:36Come on, let's go.
43:38I'll pick you up later.
43:40We're going to be late.
43:42Is this the store where I work?
43:45It smells like holy glory.
43:47Yes, the smell of perfumes and soaps.
43:49I'm lucky to work in such a beautiful place.
43:52You told me about your visit to the factory.
43:55Well, I'm impressed.
43:57This is a top-notch company.
43:59It's one of the most important perfumeries in Spain.
44:02Now we're going to expand to France.
44:04They won't send you there, will they?
44:06No, I don't want to go there.
44:08Why?
44:10Don't you like it here?
44:12No, I like it here.
44:14Look, I'll introduce you to a good friend.
44:16Fine Joselito, fine Joselito.
44:19Joselito, Joselito.
44:22Did he tell you about me?
44:24Yes, a lot. Very good.
44:26Oh, Claudia, I'm so excited.
44:28Come on, Joselito is leaving.
44:30He's at a fair in Toledo and he's in a hurry.
44:32Come on, woman, there's no hurry.
44:34Yes, there is a hurry.
44:36He's very busy and I can't leave him alone with your work.
44:40Of course.
44:42Well, thank you, Claudia.
44:44See you later, Joselito.
44:48Hey, Claudia.
44:50I didn't come to any fair.
44:52You came because my mother sent you.
44:54She told me you'd be happy if I came to see you.
44:58Well, you know, I'm fine, Joselito.
45:01This is my new home, I like it here.
45:04She also told me you'd asked her a lot about me.
45:07And of course, as I've always liked you,
45:10well, more than that,
45:12I came to see if it would be okay
45:15if we got back together as a couple.
45:17But Joselito, you and I have never been a couple.
45:19Come on, woman.
45:21I haven't forgotten those two weeks.
45:23No, those two weeks my mother gave me
45:26so I could give you a chance, but...
45:28Come on, it's good to see you.
45:31You even ate at my house.
45:33And that year, they made you queen of the slaughterhouse.
45:35Let's see.
45:37You're such a liar.
45:39Joselito, what kind of boyfriend do you want?
45:41I'm not moving from here.
45:43Well, I'm going to buy a van to take you
45:46and I can come here every weekend.
45:47Yeah, but, Joselito, I can't.
45:52I'm giving you another boy.
45:54No.
45:55So?
45:56No, not that, no.
45:57You don't understand me anymore.
45:59Look, your mother told me you kept talking about me.
46:02Joselito, I have a lot of affection for you.
46:04Man, you're going to get me in trouble.
46:06No, but really...
46:08Really, I'm going to treat you like a queen.
46:10Joselito, I don't want you to treat me like a queen.
46:12What I want is...
46:13Is to spend your life with me, as if you saw it.
46:15Look, Joselito, I'm pregnant.
46:17I'm pregnant.
46:24But when did you get married?
46:26Man, I could have seen it with your mother.
46:28No, I'm not married, Joselito.
46:33These things that happen in the village,
46:35you know it's happened to me too.
46:37It's happened to more than one, come on.
46:40I'm very sorry that my mother got you in trouble
46:42to come here, but...
46:44Well,
46:45the truth is that...
46:47Do you think it's good that I told you the truth?
46:49Well, yes, yes.
46:51Because I came with very serious intentions.
46:53And of course,
46:55imagine the mess if I find you with the man in the altar.
46:58Well, that's it.
47:00Problem solved, Joselito.
47:03You go back to Don Benito
47:05and there you will surely find a good woman who deserves you.
47:07And if so, you invite me to the wedding.
47:10Well,
47:12I have to get back to work.
47:13I have to get back to work.
47:14Get in.
47:15Get in.
47:16Get in.
47:43Begoña.
47:44Can I come in?
47:46How did you get in?
47:48Did Jesus let you in?
47:50He let me in, Digna.
47:52Your husband is not at home.
47:54How are you?
47:56Well, now that you're here, better.
48:00They told you, didn't they?
48:02What?
48:04The attack I had last night.
48:06I couldn't find my mother's medallion and...
48:08and I fought everyone.
48:11That's why you came, didn't you?
48:13Andrés told me something.
48:15I'm very worried about you.
48:17I don't know.
48:19The more I sleep, the more tired I am.
48:21It's weird, isn't it?
48:23A little.
48:25Jesus told me that...
48:27that I can't travel in these conditions.
48:31Begoña, you won't take pills again, will you?
48:33No, I already told you no.
48:35I quit.
48:37To be able to help you,
48:39you must be honest with me.
48:40I'm not taking anything.
48:43I'm sure that if I look in the drawers or in the closet,
48:46I won't find them hidden.
48:48What are you insinuating? I'm not hiding anything.
48:50Don't you believe me?
48:52Okay.
48:54Okay, Begoña.
48:56Then we have to see where that numbness comes from.
48:58That fatigue you feel.
49:01Does your head usually hurt?
49:03No.
49:05Well, sometimes.
49:07I don't know, it's just that...
49:08it's not pain.
49:10It's like...
49:12like a feeling of constant fatigue
49:14and the urge to sleep all the time.
49:16You should go out and get some fresh air.
49:18I just don't feel like it.
49:20What I want is to be calm
49:22and lie down without thinking.
49:27What are you doing?
49:29I'm going to draw your blood to do an analysis.
49:31For what?
49:33Begoña, we have to know where that state comes from.
49:35Look at me.
49:36Let's see how you feel.
49:38Don't you believe me?
49:40I told you I'm not taking anything.
49:42I'm not taking any sedatives.
49:44Begoña, I just want to help you.
49:46Look, if you don't believe me, get out of here.
49:48We have to...
49:50Get out!
50:07I want the Reina and the Merinos
50:09to celebrate the factory's anniversary
50:11together tomorrow.
50:13I'm really worried about this event.
50:15I need it to go well.
50:17I know.
50:19I work every day for the Reina
50:21and I know how demanding she is.
50:23Get out of my sight.
50:25The radio you sold me doesn't work anymore.
50:27I don't know how it's possible
50:29if it's high-end.
50:31What do you mean she's pregnant
50:33and she's not with anyone?
50:34Because she had a celibate boyfriend
50:36and you can imagine the rest.
50:38Her son hasn't been home for a few days
50:40because he broke her heart.
50:42You know who her father is.
50:44Luz told me about her past,
50:46about what she's hiding.
50:48She's not rejecting you.
50:50She's begging you.
50:52Really?
50:54I could be losing my mind.
50:56That's the last thing I'd like to face.
50:58My father was a traveler.
51:00You know I was looking for him like an idiot.
51:01I'm really sorry.
51:03We'll tell him to make another one.
51:05I don't want another drawing!
51:07When I kept it in my book, it was perfect.
51:09It was intact.
51:11Someone had to take it and destroy it.