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Short filmTranscript
00:00I
00:06Had a conversation
00:08So I can tell it all I'll never come back to that. I don't know what to do. Don't you can important don't know what they say
00:14Come on
00:16But what do you have a subtle algo hoy fuera de lo normal?
00:21Algo que te haya alterado
00:23Porque le tiene que pasar esto a él
00:26No, it's good
00:28Le queda mucho por vivir marta no hay explicación posible por eso duele tanto don damián yo solo venía
00:34a darle las gracias para haber pagado la fianza de tasio parte ya todo el mundo ha recuperado el dinero que me adelantó
00:40Tampoco te creas que nadie ha venido a pedirme disculpas por la denuncia o darme las gracias o algo así
00:44Vamos a hipotecar esta casa esta familia lleva demasiado tiempo en una situación que no le corresponde
00:49Marta puede ser muchas cosas pero no es ninguna invertida
00:53Quiero que te vaya a mi casa
00:55Voy a instalarte en la colonia es que no encontré mi medallita la tenía en la mesilla de noche y no está
01:00sé todo lo que hay que saber para ejercer la medicina pero no tengo un papel que lo acredite
01:05El problema es que yo ya no sé quién eres
01:07¿Dónde estaba?
01:09en el cajón de tu mesita
01:24Sueños de libertad
01:26Vivir de otra manera
01:28Alas para volar
01:30A donde el alma quiera
01:32Sueños de libertad
01:34El corazón no espera
01:36Está pidiendo otra oportunidad
01:38Sueños de libertad
01:40Aunque el pasado duela
01:42Volver a comenzar
01:44Amar a quien yo quiera
01:46Gritarles libertad
01:49Amar a quien yo quiera
01:51Gritarles libertad
01:53Vivir sin miedo y sin mirar atrás
02:13Sueños de libertad
02:18Sueños de libertad
02:48Sueños de libertad
02:56Buenos días
02:58Por fin despertaste
03:04¿Qué hora es? Es muy tarde
03:06No, tranquila. Puedes seguir en la cama un rato más si quieres
03:08Aunque con lo pronto que te acostaste deba llevar durmiendo más de 10 horas
03:13Tere ha hecho café
03:15Toma
03:18You're welcome.
03:20No matter how much I've slept, I feel like I've been beaten.
03:25Well, last night...
03:27Anyway, you were very upset, thinking you'd lost your mother's medal.
03:32I swear I can't explain how it could disappear and reappear as if by magic.
03:38I looked everywhere.
03:40It didn't appear by magic, darling.
03:43Digna found it in the drawer where you left it.
03:46When I looked, it wasn't there, I assure you.
03:50Calm down, calm down.
03:52You're very upset and I understand.
03:54But you have to deal with your state somehow.
03:55No, Jesus, I'm fine.
03:59Well, no, I'm not.
04:01That's why I want to go to London as soon as possible.
04:03London?
04:05With that mental confusion that worries us all so much?
04:07What mental confusion?
04:09What happened to me yesterday was the fault of having left the sedatives, that's it.
04:12Calm down, calm down.
04:13Stay seated there.
04:15Calm down.
04:16I'm fine, Jesus.
04:19I'm just a little stunned, but in a few days I'll get better, I assure you.
04:23Stunned, confused, you're not well.
04:26My love, if you don't get better in a week, I think you shouldn't travel.
04:35No, please.
04:37Not that.
04:38What if you have another episode of these without me or Digna being here?
04:42But an episode of what?
04:44If all I'm doing is resting and I need time to be alone, to find myself again, nothing more.
04:49Begoña, Begoña, my obligation is to take care of you and protect you.
04:52And if I let you go, would I be neglecting my responsibility?
04:56You're taking me for a stranger.
04:58Absolutely.
05:00I've already told you that I understand the reasons why you're like this.
05:04But I have to do everything in my power to make you fully recover.
05:09And then you can go on that trip.
05:12No.
05:17Everything I do is for your own good.
05:20You know that, don't you?
05:24Maybe I'm right.
05:27See? You're the same as always.
05:30Look, a few more days.
05:33A few more days, so we can see that you've regained your lucidity, and I'll take you to the airport myself.
05:38Okay?
05:42Okay.
05:46Here, do you want me to warm it up for you?
05:53Okay.
06:08See you later.
06:12See you later.
06:16Everyone will remember this celebration.
06:19We have to do something that is worthy of such an important anniversary.
06:22Well, what have you thought then, Maria, for the celebration of the 30th anniversary of Perfumerías de la Reina?
06:28Well, I know that in previous occasions a mass was celebrated and then a meal was made with the employees.
06:35Well, it's not a bad plan.
06:36Andrés.
06:38What's wrong? Don't you like the idea?
06:39I think we could do something that fits the new times.
06:42Yeah, but the mass can't be missing.
06:44And a good meal for the staff, right, Maria?
06:46Good morning.
06:47Good morning.
06:48Good morning.
06:49Well, that's what was said before, Andrés told me, but we're in a new stage.
06:53With the three brothers of the queen in front of the company.
06:55Yeah, and the retired father, right?
06:58No, please.
07:00You will always be the soul of all this.
07:03How are you, Begoña?
07:05Better, thank you.
07:06And what? Are you going to explain your idea or have you not thought of anything yet?
07:10Well, after thinking about it a lot, I think the most interesting and the most fun thing would be to make a feast.
07:18A feast? With an orchestra and stalls and all that? Well, I don't think the truth is very serious, Maria.
07:25Of course, it sounds very festive.
07:27And that's the idea, right? Maria, I think it's key.
07:30Why are we having a party?
07:32To thank our employees for their work and loyalty.
07:34And they will love it, I assure you.
07:37They will feel in their sauce.
07:39There I give you all the reason.
07:41Maria, when you say verbena, do you mean decorating the factory with lanterns, garlands and all those gaitas?
07:49We will focus on the patio, yes.
07:51We will have to decorate everything like a traditional verbena.
07:54And we will hire an orchestra, the best, so that people can dance.
07:58What is a party without a dance?
07:59Nothing.
08:00Of course.
08:01Of course.
08:03The one that our workers are going to have, huh?
08:05Well, I refuse to set up that party in La Colonia.
08:07For the mere fact of denying everything, perhaps?
08:09For the mere fact that it will cost us an eye in the face.
08:11It's out of the budget.
08:13Well then, not to mention the fireworks.
08:15Fireworks?
08:17And a cake, huge, of several floors.
08:19The workers deserve that and more.
08:21I don't want it to be so expensive.
08:23We must have that detail with them.
08:27They are the ones who raise this company every day.
08:30And they already charge their good salaries.
08:32Come on, Maria, next idea.
08:34And make an effort to see if it's a little better.
08:36You don't like it, Jesus.
08:39Father?
08:43I don't dislike Maria's idea.
08:45A verbena.
08:48And if the problem is the money,
08:50she will tighten her belt and adjust a little, right?
08:55Of course.
08:56Shall we vote then?
08:59Why are you looking at me like that?
09:01For nothing.
09:03And there will be no need to vote.
09:05We will have a verbena.
09:07But I demand that Isabel help Maria.
09:11Can I do it perfectly alone?
09:13Or with Gemma, if that's the case?
09:15I want a little common sense.
09:17Isabel is very efficient and will be the one to contact the suppliers and adjust the budget.
09:20And you, well, you can help Gemma hang the lanterns, if you want.
09:24Don't overdo it, Jesus.
09:26It's over.
09:28We will have the verbena that Maria wants.
09:30And with Isabel supervising the expenses.
09:34The session is starting.
09:36No one can have breakfast anymore.
09:38Don't worry.
09:43Your stomach hasn't gone down, has it?
09:46I'll let him know.
09:57What are you doing?
09:59Nothing.
10:02Did you want to see how it feels when you lose sight?
10:05No, today I've woken up much better.
10:08Don't lie to me, Jaime.
10:10I'm not lying to you.
10:12I'm not lying to you.
10:14I'm not lying to you.
10:16I'm not lying to you.
10:18I'm not lying to you.
10:20I'm not lying to you.
10:22I'm not lying to you.
10:24I'm not lying to you.
10:25Don't lie to me, Jaime.
10:27And don't try to protect me.
10:29Now I'm the one who has to protect you.
10:31Apart from the terrible headaches,
10:34sooner or later I will lose sight.
10:38I was checking how I was going to feel.
10:41And?
10:49It was going to be hard.
10:50It was going to be hard.
10:55Not seeing your face again.
10:58The sunsets, Toledo.
11:01The colors, everything.
11:05I'm going to be by your side to explain everything to you,
11:08so you feel like you're seeing it.
11:12I'm very glad you're here with me.
11:17Jaime, we have to talk.
11:19About what?
11:21What are we going to do from now on?
11:24Wait, Marta. I can't do anything else.
11:28Sit down and wait?
11:30No, no. I want to continue with my life.
11:33You want to continue working at the dispensary, right?
11:35I want to feel useful, Marta.
11:38It's a bit risky.
11:40You mean for the patients?
11:42Of course.
11:44You're losing your sight.
11:46Light will help me.
11:48What have I been doing until now?
11:50As far as I know,
11:52you're not together anymore.
11:55I don't know if it's fair
11:57to burden her with that responsibility.
11:59I've spoken to her. She's willing to help me.
12:02Okay.
12:07When are you going to tell the others what's wrong?
12:10No, no, no.
12:12I don't want to feel like I'm being watched.
12:15I don't want them to be afraid of me.
12:17But as your illness progresses,
12:19you'll probably need special care.
12:21A nurse, I don't know.
12:24Will you agree to hire someone?
12:27Let's not get ahead of ourselves, please.
12:29I'm not getting ahead of myself,
12:31but there are things we need to talk about.
12:33I want to be able to organize myself
12:35to give you the best quality of life possible.
12:37Talk about things like...
12:40Like when the time comes,
12:42do you want me to take you to a hospital?
12:44No, not a hospital.
12:46Then what?
12:49No, I don't know, Marta.
12:51I don't know what I'm going to want.
12:53I don't know how I'm going to feel.
12:55Let's talk about it later, please.
12:57Okay, forgive me.
12:59It's just that...
13:01I just want to live in the present.
13:03Because I could die tomorrow,
13:05or at any moment.
13:07Don't say that.
13:09It's my reality.
13:11Things are going to get really ugly for me.
13:12And I would understand perfectly well
13:14that you don't want to be here.
13:16The only thing you have to understand
13:18is that I'm going to be by your side until the end.
13:20And that I love you.
13:24And that you're practically the only person
13:26who really knows me in this house.
13:28So when you're not here,
13:30I'm going to be very lonely.
13:32So you have to let me enjoy you
13:34as long as we can.
13:38Yes.
13:43As you wish.
13:46Okay.
13:59Claudia, what you're hearing
14:01has gotten her out of the house.
14:03I think Tassio has gone to sleep in the neighborhood.
14:05My God, Fina, but how is that going to happen?
14:07They have to be okay.
14:09We're going to have a baby.
14:10Carmen, what's going on?
14:12Is she going to pay the rent on her own?
14:14No, she has the feeling that she's going away.
14:16I think she's going to leave the rent
14:18and come back to the room with us.
14:20Oh, I don't know, Fina.
14:24Mateo, come.
14:26Sit with us.
14:29It's just that...
14:31Well, I have mass now,
14:33so I can't stay.
14:35Claudia wants to go too, right?
14:37No.
14:38No?
14:40No, not today.
14:42Well, it's okay.
14:44If you don't want to come to mass...
14:46It's just that I have a lot of work today.
14:48Sure, me too.
14:50I also have a lot of work,
14:52but if you want,
14:54I can go see you at the store later, right?
14:56No, no.
14:58No?
15:00No, I'll go later,
15:02if not, to the chapel.
15:04Ah, well, very good.
15:06Of course.
15:08But...
15:10Is everything okay?
15:12Have a good day.
15:13See you later.
15:14Bye.
15:23Claudia.
15:25Talk.
15:28Oh, Fina, we kissed,
15:30but very little.
15:39Carmencita.
15:41How are you, Carmen?
15:42No, no, please, don't go.
15:43I just want to know how you are.
15:45Fine. And you?
15:47Well, without hitting or together at night.
15:49Conscience punishes you.
15:51No, what punishes me are the snoring of the bike,
15:53which are horrible.
15:55God punishes you.
15:57Look, what hurts me the most is that
15:59you don't want to be with me.
16:01I've already learned the lesson, I promise you.
16:03Do you have news from the civil guard?
16:05Well, no.
16:06All I know is that they're after him and nothing else.
16:08Come on, we're not going to get our money back,
16:10not for nothing.
16:12Very well.
16:14I'm going to revoke our apartment contract.
16:16What are you saying?
16:18But what about our house?
16:20I'll take care of the money, really.
16:22Playing poker.
16:24No, I'll work until I get the last peseta back.
16:26Well, you're going to have to do more
16:28to leave the house as it was.
16:30Well, I'll do whatever.
16:32I just ask you to be patient
16:34and stay at home, please.
16:36A lot.
16:38But Carmen, you don't know how much I love you.
16:40What good is it to me that you love me so much?
16:42It's not just the money,
16:44it's your lack of common sense.
16:46They lose our savings, they almost kill you.
16:48You've risked our future
16:50because you wanted to.
16:52Carmen, I just wanted to have you as a queen, nothing more.
16:54Yes, well, look how you have me in the ruin
16:56and with a husband who is a prisoner.
16:58I've messed up, I don't know, I'm sorry.
17:00Yes, you've messed up, yes.
17:02I don't want to be with a man who doesn't respect me.
17:06Carmen, please.
17:08Tassio, I ask you to leave me.
17:10But Carmen, please.
17:12Tassio, leave me, you can't respect that, at least.
17:14Well, you know I'm not going to give up.
17:16Well, you're going to waste time.
17:18I swear I'm going to solve it.
17:20And even if it takes 20 years for you to love me again.
17:22I'm leaving.
17:24Carmen, please.
17:26Give me a hope, one.
17:29I would be lying to you.
17:32I want you as far away as possible.
17:36Carmen.
17:43But how did you give him a kiss?
17:46A kiss, a kiss.
17:48What kind of kiss?
17:50A kiss, a kiss with all his sacrament.
17:52No, no, no, not with that, Fina, not with that.
17:54Oh my God, Claudia, please, he's the priest.
17:57I know, I know.
17:59I don't know under what stone to get into.
18:01But let's see, how was it?
18:02Fina, well, you know that ...
18:04that I with him, because ...
18:06that I have a great time with him,
18:08that I'm very comfortable, that ...
18:10that makes me laugh.
18:12Well, and what?
18:14Are you going to thank him that way?
18:16No, no, Fina, but ...
18:19but well, I feel attracted to him.
18:22To him.
18:24And he, I think, also feels attracted to me.
18:27And of course, because we were in the warehouse
18:29and suddenly ...
18:31Suddenly nothing, Claudia.
18:33A kiss doesn't happen suddenly.
18:35A kiss, well ...
18:37well, it implies an approach.
18:39I know, Fina, I know it's very bad.
18:41We're both going to burn in hell.
18:43And that's it, what can I do, Fina?
18:45Well, I don't know, you tell me.
18:48You are a priest, Claudia,
18:50with his vow of chastity, and you are going to be a mother.
18:53Oh, Fina.
18:55This is the worst of you,
18:56that you, that you ...
18:58It's a forbidden love, forbidden, forbidden.
19:01It's that, look, there are complicated loves, complicated, huh?
19:05But this one ...
19:09Claudia, you have to cut this out for the love of God.
19:12Really,
19:14if not, this creature is going to have a lot of problems,
19:16and not just because of Tassio.
19:18Oh, I know, Fina.
19:22Look, I ...
19:24I'm in love with him.
19:27Oh no.
19:31Oh my God.
19:35Well, I don't think it's right
19:37that your brother has framed Isabel.
19:39She is an efficient secretary,
19:41she can help you, Maria.
19:43No, Jesus wants to control him.
19:45It's a moment in everything, I can't stand it, really.
19:47Gema,
19:49what do you think,
19:51that they have put an inspector on us for the case of La Verbena?
19:53Let's see if that's how the gentlemen have decided.
19:54Look, I know perfectly well what I want to do.
19:57With Gema we understand each other just by looking at each other.
20:00Getting in the way of a stranger is going to be very uncomfortable.
20:03Yes, it is true that later he will go with the story of everything, Jesus.
20:06Exactly.
20:08It will be like being hand in hand with him.
20:10A nightmare, come on.
20:12He could already focus on controlling his wife.
20:15Why hasn't Mrs. Begoña come down for breakfast?
20:19Well, because she will be dead of shame after the number she set up yesterday.
20:22It is clear that she does not know about her mother's death.
20:25We have to be comprehensive with her.
20:27Even more?
20:29Hey, we haven't done anything to her,
20:31like for her to go charging against every living creature.
20:34Poor Gema.
20:36Let's see, I was very calm,
20:38because I hadn't even touched the medal or anything.
20:40It is clear that she lost her nerves.
20:42Well, let her control herself.
20:44Not only has she suffered a painful loss,
20:47the most dramatic thing is to lose a child, and here I am,
20:49maintaining the type and the composure.
20:50You are admirable.
20:52Be polite and considerate.
20:54But no, she always has to be the protagonist,
20:57for the good or the bad.
20:59She always has to stand out from the rest,
21:01just like her husband.
21:03María, enough.
21:05I don't think she did it consciously.
21:07Don't justify it.
21:09Begoña is wrong.
21:11She doesn't even know what she's doing.
21:13The bad time that Gema had to go through.
21:15I'm sure she did it because she can't stand us being friends.
21:17I honestly don't think it's because of that.
21:19María, neither do I, really.
21:22What if you had lost your job?
21:24That would never have happened, María.
21:26Well, because it's family.
21:28And because it's worthy of the medal.
21:30But what if it wasn't?
21:32I had one of the worst days of my life, that's true.
21:34I'm a thief.
21:36Begoña didn't say that.
21:38Please, leave her alone.
21:40Well, she insinuated it, which is the same.
21:42And with that anger, the educated one,
21:44the one who has lived in London.
21:46You are absolutely right, María.
21:48Gema.
21:50Yesterday was very unfair to you.
21:53Forgive me.
21:55I don't know what happened to me.
21:58What happened was that you lost your nerves.
22:01And that you can't go through life without controlling your impulses.
22:04I know.
22:06And if you are so bad for whatever reason,
22:08you should look for help.
22:10There are shelters.
22:12Like the one your mother was in.
22:14María.
22:16What do you mean?
22:19I've been clear, haven't I?
22:21You've understood me.
22:24I'm very tired.
22:26I'm going to my room.
22:36You've gone too far.
22:39Don't you think the same?
22:41She's crazy, Andrés.
22:44Unless all this is a masterful interpretation
22:45and she's not taking the piss, which would be worse.
22:49I have to go to the factory.
23:08No, Fina, no.
23:10No one saw us in the warehouse because there was no one there.
23:13She'd miss it.
23:15What I don't understand is how you got to that.
23:17Because she came to tell me that Tasio had already left the dungeon.
23:20That I already knew.
23:22But she came to tell me that I had sung to her at 40
23:25and that I had read her the letter.
23:27Someone should read the letter to him too.
23:30Fina, it was a stupid robbery because of me.
23:34So you kissed him?
23:36No, he kissed me.
23:39But then I gave him the kiss back.
23:41I gave him the kiss back.
23:43Oh my God, it wasn't one kiss, it was two.
23:46Don't make me nervous.
23:48Okay, go on.
23:50That's what I was telling you.
23:52That...
23:54You know that a week ago, when I saw him,
23:57I started laughing like a fool.
23:59I feel butterflies in my stomach.
24:01I don't know what's wrong with me, Fina.
24:03Well, you're in love with him.
24:05And he's also attracted to me, Fina, because he told me.
24:09The mother he brought you.
24:11Because he wanted it too.
24:14Oh my God.
24:16And he has at least considered forgetting his vows
24:18and starting a family with you.
24:20No, no, no, that's not true.
24:22Why not? It wouldn't be the first time.
24:24And I don't know if you love each other that much.
24:26No, Fina, no, man.
24:28They want the saints and the Virgin and God.
24:30No, I'm not going to turn him away from the path.
24:33And what are you going to do?
24:36What am I going to do, Fina?
24:38Forget about everything.
24:42And from time to time remember
24:45the almost the best kiss of my life.
24:49Oh, the Virgin.
24:54Come on, the other one.
24:56But you don't give me face, you bring me, right?
24:58What happened?
25:00Or you, what do you think?
25:02Have you seen him?
25:04He apologized to me again.
25:06But don't tell me anything,
25:08I know I shouldn't forgive him.
25:10But it's a shame.
25:13It's normal, Carmen.
25:15If in the end you love each other a lot
25:18and you are very good.
25:20Yes, but Tassio is a little older now
25:22and he should stop screwing around.
25:24No, no, I'm not going to be on top of that,
25:26I'm telling you for free, come on.
25:28But someone, yes, I would have to take a look at him
25:30because I know him and I know he's going to get pregnant,
25:32he's going to get drunk and in the end I'm going to feel guilty
25:34about all this.
25:36Really, why do these things have to happen to me?
25:39Let's see, Carmen, if you want, I can take a look at him.
25:42Yes, man, you already have enough with what you have.
25:44It has to be someone who puts it straight like a candle.
25:53What are you thinking about?
26:06When we have the result you will be calmer.
26:09I hope so.
26:11You'll see, it's nothing important.
26:13And come here so I can give you the results, okay?
26:16Thank you, doctor.
26:17You're welcome, see you later.
26:18Goodbye.
26:34I'm busy, Luis.
26:40I've come to know more about you.
26:44Well, curiosity killed the cat, I warn you.
26:47And why are you so interested in knowing about me?
26:50After despising me so much?
26:53I don't despise you, Luz.
26:58I need to know everything about the person I fell in love with.
27:02What do you want to know?
27:04Everything.
27:06We can start at the beginning.
27:07Who are you?
27:09What's your name?
27:11My name is Luz Espósito.
27:13I have the last name of the children who are abandoned by their mothers and their mothers-in-law.
27:18Is that what happened to you?
27:20Yes.
27:22I only know that I was born in San Pera de Rivas, a municipality in Barcelona.
27:26My mother abandoned me when I was barely a year old,
27:29and the nuns took care of me.
27:31And you didn't hear from your mother again?
27:34I don't know how she found out.
27:36I don't even know her name.
27:38The nuns found me at the door of the dead, cold and unloved nun.
27:43I wasn't even in the latrine where they leave the newborns because she was already walking.
27:48They were the ones who put me to light.
27:51Because they said I was very white.
27:53But now, do you see me?
27:58If you didn't know your mother's name, I understand you couldn't find her.
28:02I tried.
28:05I tried to make inquiries in the village, but no one remembered any young woman
28:09who had had a girl of my age, more or less.
28:12I even think that the nuns had made up the story of San Pera.
28:16How long did you live there?
28:19Until I was six years old.
28:21And then I moved to another nun and then to another.
28:26They couldn't find adoptive parents for me.
28:29And that?
28:31Because marriages want newborn babies,
28:32not a rebellious girl like I was at that time.
28:37That had to be hard.
28:40Yes. Everything.
28:42What a child can want, which is to have a father and a mother,
28:47I never had.
28:50And Dr. Borrell?
28:54I came to serve at his house when I was 15,
28:57by order of the nuns.
28:59It was the first time in my life
29:02that I felt safe and protected.
29:06He had to be a good person.
29:08He was.
29:10He and his wife were.
29:12They had a consultation at home,
29:14and when he saw how much I liked medicine,
29:16he threw me out to make me his nurse.
29:19So you have nursing studies?
29:23No, Luis, I don't have studies.
29:25Only what I found in the books.
29:27In the books and in practice, next to Dr. Borrell.
29:30Medicine saved me,
29:33but it has also brought me many problems.
29:36Sure.
29:38You were...
29:40You were in prison, but it wasn't for a demonstration.
29:43No.
29:45That was for practicing medicine without a degree.
29:49When Dr. Borrell died,
29:52I just wanted to do what I liked best.
29:55I got to change my name,
29:56I got to change my name and look for a job.
29:59And in one of these, they found me and...
30:03And they...
30:05They arrested me.
30:08I understand.
30:10When I got out, I couldn't do anything else.
30:13I don't know how to do anything else.
30:16And soon after, I came...
30:18I came to La Colonia.
30:23Ah, lights.
30:24We have to look for an electrician
30:26to put lights side by side.
30:28Maria, remember that the charity market was a bit of a disaster.
30:31Oh, Gemma, we did that in terrible conditions.
30:34Now we have time, money,
30:36I know very well what I want to do and how I want to do it.
30:38I like to see you so sure.
30:40You look like a businesswoman.
30:42I could have been.
30:44Hey, have you seen Begoña?
30:46She was like gone.
30:48Yeah, yeah, and I think it has to be for something else
30:50than for the shame of her mother's death.
30:52Well, I don't know.
30:54But I assure you that Andrés will not be his dog again.
30:56Maria.
30:58What?
31:00From now on, I will set the rules in this house.
31:02I take care that you have had a very hard life.
31:05But it is very serious
31:07that you attend to patients without being a doctor, light.
31:14I am a doctor even if I have no title
31:16and I think I have shown it.
31:18Too much.
31:20But what happens if at some point you make a mistake
31:22with a patient?
31:24Are you doubting my worth?
31:26No, I'm just putting on the table
31:28the consequences it would have for you and the company
31:30if you made any kind of mistake.
31:32That doesn't have to happen.
31:34Look, light.
31:36Right now I am the director of the company.
31:38And it's not just about you ending up in jail.
31:40The company would have to answer for you
31:42with the consequences that that entails.
31:45You can do what you consider appropriate.
31:47If you want to report me, I'll understand.
31:51But why don't you study medicine?
31:53Why didn't you do things right?
31:55With what money, Luis?
31:57With what money?
31:59Do you know how hard it is for us women
32:01to get to university?
32:03I know what I'm doing is a crime
32:05that is punished by law.
32:07But what other option do I have?
32:12You're putting me in a very complicated situation.
32:17And it would have been the same
32:19if I had told you at the beginning of meeting us.
32:21I'm between a rock and a hard place.
32:27I don't know what to do.
32:34Blood. There has to be blood.
32:36Lemonade, soft drinks,
32:39more beers,
32:41and liquors too.
32:43Wait, wait.
32:45Do we have to write it all down?
32:47Hurry up. We have to have everything ready
32:48for the meeting.
32:50What can't I say? This mouth is mine.
32:52It will swallow all the toads, you'll see.
32:54Well, Joaquín told me it's a real raspa.
32:56Marisabidilla, stretched.
32:58The joy of the garden, come on.
33:00Good morning.
33:02Hi, how can I help you?
33:04I'm Isabel, the raspa.
33:06Don't listen to the gossip.
33:09A pleasure. I'm María de la Reina.
33:11And she's Gema, my assistant.
33:13Delighted.
33:15I see you've already advanced with the preparations.
33:16There's no time to lose.
33:18Can I see it?
33:20Of course.
33:24We haven't started with the expenses yet,
33:26which I suppose is why you're here.
33:28Yes, if you tell me what you need,
33:30I can give you the budget and adjust it
33:32to the data that Mr. Jesús told me.
33:34Well, Jesús doesn't rule here.
33:36The party is for everyone in La Reina.
33:38We want it to be a celebration above all.
33:40And it will be.
33:42You have a singing voice.
33:44Shall we get down to work?
33:46Let's go.
34:02Excuse me, Father, can you help me?
34:04I'm looking for...
34:06The secretariat.
34:08They can tell you if there's a vacant place to work.
34:11No, I've only come for a visit.
34:13I was looking for the store.
34:14Where is it?
34:16You have a Marian cross.
34:18It's beautiful.
34:20Yes, I'm very religious.
34:22I'm glad to hear that.
34:24And I have a good collection of crucifixes.
34:26I have a silver one with a beautiful cross.
34:29And an older one with the papal cross.
34:31That's great.
34:33Let's see if you can show me one.
34:35I only take them out for walks
34:37at my town's Holy Week processions.
34:40Even my friends tell me
34:41how I haven't joined a seminary yet.
34:45And you've never thought about it?
34:47Get out of here.
34:49Don't start with that.
34:51There are earthly pleasures
34:53that I'm not willing to give up.
34:55Of course.
34:57Yes, I understand that perfectly.
34:59Ah, so you understand it too.
35:02Excuse me?
35:04Oh, excuse me.
35:06What a silly question.
35:08But how will you understand it
35:09if you've given your life to God?
35:11So, you're looking for the store, right?
35:13Because it's just on the left,
35:15so you've missed it.
35:17You could say that.
35:19Because I'm so clueless
35:21that I don't know if I lost the dog
35:23or if I found a belt.
35:25Well, you're clueless,
35:27but at least you're funny, right?
35:29By the way, I'm Mateo,
35:31one of La Colonia's priests.
35:33Nice to meet you. I'm...
35:35Joselito?
35:37Joselito?
35:39What are you doing here?
35:41Oh, nothing.
35:43I had a fair in Toledo
35:45and since I was nearby,
35:47I thought I'd see if Claudia was there.
35:49What a surprise.
35:51Do you know each other?
35:53Have you seen him?
35:55He's a friend of the priest.
35:57The priest is very nice.
35:59I've heard a lot about you too.
36:01Yes, he's my town friend,
36:03Mateo Joselito.
36:05No, Claudia.
36:07We're more than friends.
36:09She's the only girlfriend I've had in my life.
36:11Girlfriend, girlfriend.
36:13Girlfriend, girlfriend.
36:15Don't tell me you're angry.
36:18Yes, she's very pretty.
36:20Well, thank you very much for your visit, Mr. García.
36:23We'll keep in touch.
36:29Well, what did you think?
36:32Good, right?
36:34I didn't think the house would cost us so much money.
36:37Why didn't you believe me?
36:39Well, thank goodness your uncle didn't give it to us
36:42when all that happened.
36:44All he's told me is that it might be cheaper
36:46since it's in his land.
36:48But the house is our property
36:50and the surrounding land too.
36:53Your uncle left it written.
36:55Well, now we just have to go to the bank
36:57and get the credit,
36:59putting the house up for sale.
37:01That's right, sister-in-law.
37:03With that and our savings,
37:05it should be enough to buy the land
37:07and start building.
37:09That's good news.
37:11Let's drink to us.
37:17I'm fine.
37:20Cheers.
37:22To us.
37:25Excuse me, I have to go back to the factory.
37:27Me too, to the big house.
37:29But I'm going to change my shoes
37:31because my feet hurt a lot.
37:33And who's going to the bank?
37:35Because we have to go to the Madrid Central Bank
37:37and I've been out of work for many days.
37:39Don't worry, I'll go.
37:41Let's see if we're luckier this time.
37:44Laura, you can tell me later.
37:56Come in.
37:59Hi.
38:07Are you very busy?
38:09No, I'm upstairs.
38:11But right now the next patient
38:13won't be here for a while.
38:15So if you want, you can even sit down.
38:19Tell me.
38:21Duluz, I had a strange nightmare.
38:23What did you notice?
38:25Yesterday was a terrible day.
38:28First, she didn't go down to eat
38:30because she wasn't feeling well.
38:32And then she lost her sanity
38:34because she said she couldn't find her mother's medal.
38:37And was she agitated?
38:39It was a strange light.
38:41On the one hand, it seemed like she was tired, disoriented.
38:44It seemed like her head was aching.
38:47And on the other hand,
38:49she was very upset because she said
38:51the medal had disappeared.
38:53And it wasn't true.
38:55Begoña said she had looked for it everywhere,
38:57that it wasn't in the usual drawer.
39:00But she found it right away,
39:02in that drawer.
39:05The pain from her mother's death
39:06can lead her to such an extreme state.
39:09Well, that and...
39:11the streak she's been through.
39:13The decision to go to London
39:15is too many things.
39:17An extreme emotional tension
39:19can play two bad moves.
39:23This morning she went down to the dining room.
39:25But she left right away
39:27because she said she wasn't feeling well.
39:29She's demacrized, absent.
39:31It even seems like she's losing her balance.
39:33I don't know, it's very sad to see her like this.
39:36She says she's fine in bed.
39:38She's in her room.
39:40I don't know.
39:42It's a sign of melancholy.
39:44It could be.
39:46I don't want to mention it,
39:48but my wife, Gemma,
39:50thinks it could be a sign of...
39:52Tell me.
39:54Of having inherited her mother's disability.
39:59And you didn't have to help Maria
40:01with the famous berbena?
40:03Oh, look, she's been doing numbers
40:04and accounts with the secretary
40:06and they've made me look like a fool.
40:08So I'll talk to Maria
40:10when Isabel leaves.
40:12And what's Isabel up to?
40:14Jesus sent her to do the accounts.
40:17Maria has received her by the nails,
40:19but in the end,
40:21all she needed to do was bow.
40:23And only because he's done her a favor,
40:25not for anything else.
40:27What?
40:29You're not afraid I'll take your job
40:31from Maria, are you?
40:32You're jealous.
40:34You're jealous.
40:36What are you saying?
40:38Maria and I are friends.
40:40I don't know,
40:42I don't like Isabel,
40:44even though she seems like a perfect lady.
40:46Yeah, I don't like her either.
40:48There's something about her that smells like musk.
40:50In any case,
40:52the less she's in the big house,
40:54the better.
40:56I can't wait to start our business
40:58and leave everyone at the queen's
41:00with a slap in the face.
41:03Mmm.
41:05Well,
41:07I'm leaving now.
41:11Son,
41:13I love seeing you so happy.
41:16See you later.
41:20I have to tell you something.
41:22I didn't think I'd do it
41:24because it's a professional secret
41:26between doctor and patient, but...
41:28What is it?
41:30I gave Begoña some sedatives.
41:32She used them as she shouldn't.
41:34What do you mean?
41:36Instead of taking one a day,
41:38she'd take five or six.
41:40When she'd get nervous
41:42or feel disgusted about something,
41:44in the face of the danger this poses,
41:46I had to get rid of them.
41:48So now she doesn't take them.
41:50And that's the problem.
41:52They create addiction.
41:54Maybe it's her body that's missing them.
41:56Imagine if one day she found out
41:58she was at the dispensary
42:00trying to steal hidden pills.
42:02You should have told me before.
42:04Why didn't you keep it under control?
42:06Andrés, this isn't easy to control.
42:09Now the most important thing
42:11is to find out what's going on.
42:13You could go and see her.
42:15It's harder for me to get close to her
42:17with Maria and Jesus' suspicions.
42:19Yes, don't worry.
42:21I'll go and see her in the morning
42:23to see if I can get something out of it.
42:27Be patient, Gemma.
42:29No matter how well things go,
42:30there's still time.
42:32I know.
42:34You're still mad at Begoña, aren't you?
42:36What do you think?
42:38She's awful.
42:40She made me go through with the lucky medal.
42:43It was very unpleasant, really.
42:45What's wrong with that woman?
42:47She's not well. It's obvious.
42:49She's not like that.
42:51And we should forgive her.
42:53Has she already apologized to you?
42:55She apologized this morning,
42:57but she's still as drunk as last night,
42:58isn't she?
43:00Gemma, knowing how she is,
43:02you shouldn't judge her so harshly.
43:04Do you think she's as sick as her mother?
43:07Don't say that, for God's sake.
43:09I think she's very affected
43:11by Mercedes' death.
43:13She has a husband.
43:16I'd better not say anything.
43:18I'll try to get as close as possible
43:20to Begoña just in case.
43:22If it's true that she has a mental imbalance,
43:24we should help her as much as we can.
43:26Don't you think?
43:29I guess.
43:31No matter how angry she is,
43:33I don't wish her any harm.
43:35You know.
43:37Come on, let's go.
43:39I'll pick you up later.
43:41We'll be late.
43:43Is this the store where I work?
43:45It smells of holy glory.
43:47Yes, the smell of perfumes and soaps.
43:50I'm lucky to work in such a beautiful place.
43:52And what you told me about the visit to the factory,
43:55well, I was impressed.
43:56Impressed?
43:58This is a top-notch company.
44:00It's one of the most important perfumeries in Spain.
44:02And now we're going to expand in France.
44:04They won't send you there, will they?
44:06No, no, I don't like that joke.
44:08What's wrong?
44:10Aren't you comfortable here?
44:12No, no, I'm comfortable.
44:14Look, I'll introduce you to a good friend.
44:16Joselito Fina, Fina Joselito.
44:19Joselito, Joselito.
44:22She told you about me?
44:24Yes, a lot. Very good.
44:26It's great, isn't it?
44:28Come on, Joselito is leaving.
44:30He came to a fair in Toledo and he's in a hurry.
44:32Come on, woman, there's no hurry.
44:34Yes, there is.
44:36Because Fina is very busy
44:38and I can't leave her alone with your work.
44:40Of course.
44:42Well, thank you, Claudia.
44:44See you later, Joselito.
44:48Hey, Claudia.
44:50I didn't come to any fair.
44:52No, you came because my mother sent you.
44:55She told me you'd be happy if I came to see you.
44:58Well, you know, I'm fine, Joselito.
45:01This is my new home, I like it here.
45:04She also told me you'd asked her a lot about me.
45:07And of course, as I've always liked you,
45:10well, more than that,
45:12I came to see if you'd be okay
45:15if we got back together as a couple.
45:17But Joselito, we've never been a couple.
45:19Come on, woman.
45:21I haven't forgotten those two weeks.
45:22No, not those two weeks.
45:24My mother gave me the stick
45:26so I could give you a chance, but...
45:28Come on!
45:30It's good to see you.
45:32You even ate at my house.
45:34And that year, they made you queen of the slaughterhouse.
45:36Come on.
45:38Joselito, what kind of boyfriend do you want?
45:41I'm not moving from here.
45:43Well, I'm going to buy a van to take you around
45:46and I can come here every weekend.
45:48But, Joselito, I can't.
45:52I'm giving you another boy.
45:54No.
45:56So?
45:57No, not that.
45:59She doesn't understand me anymore.
46:01Look, your mother told me you didn't stop talking about me.
46:03Joselito, I have a lot of affection for you.
46:05And you're going to pick on me.
46:07No, but really...
46:09Really, I'm going to treat you like a queen.
46:11Joselito, I don't want you to treat me like a queen.
46:13What I want...
46:15Is to spend the rest of your life with me.
46:17Look, Joselito, I'm pregnant.
46:23But when did you get married?
46:25Man, you could have told me with your mother.
46:28No, I didn't get married, Joselito.
46:32These things that happen in the village,
46:35you know it's happened to me too.
46:37It's happened to more than one.
46:39I'm sorry my mother made you come all the way here, but...
46:44Well, the truth is...
46:47Do you think it's good that I told you the truth?
46:49Well, yes, yes.
46:51Because I came with very serious intentions.
46:53And of course,
46:55imagine the damage if I find you with Bonbon at the altar.
46:58Well, that's it.
47:00Problem solved, Joselito.
47:03You go back to Don Benito
47:05and there you will surely find a good woman who deserves you.
47:07And if that's the case, you invite me to the wedding.
47:11Well, I have to get back to work.
47:19Bye.
47:43Begoña.
47:45Can I come in?
47:47How did you get in?
47:49Digna has let me in.
47:51Your husband is not at home.
47:53How are you?
47:55Well, now that you're here, better.
47:59They told you, didn't they?
48:01What?
48:03The attack I had last night.
48:05I couldn't find my mother's medallion and...
48:08and I fought everyone.
48:10That's why you came, right?
48:12Andrés told me something. I'm very worried about you.
48:15I don't know.
48:17The more I sleep, the more tired I am.
48:19It's weird, isn't it?
48:21A little.
48:23Jesús told me that...
48:25that I can't travel in these conditions.
48:30Begoña, you haven't taken pills again, have you?
48:33No, I already told you no.
48:35That I left them.
48:37To be able to help you, you must be honest with me.
48:40Luz, I'm not taking anything.
48:43I'm sure if I look in the drawers or in the closet,
48:46I won't find them hidden.
48:47What are you insinuating? I'm not hiding anything.
48:50Don't you believe me?
48:52Okay. Okay, Begoña.
48:54Then we have to see where that numbness comes from.
48:57That fatigue you feel.
49:01Does your head usually hurt?
49:03No.
49:05Well, sometimes. I don't know if it's not...
49:08It's not pain, what I have. It's like...
49:11Like a feeling of constant fatigue.
49:14And a desire to sleep all the time.
49:15You should go out and get some fresh air.
49:18I just don't feel like it.
49:20What I want is to be calm and lie down without thinking.
49:27What are you doing?
49:29I'm going to draw your blood to do an analysis.
49:31For what?
49:33Begoña, we have to know where that state comes from.
49:36Look at me. Let's see how those...
49:38What's wrong? Don't you believe me?
49:40I already told you I'm not taking anything.
49:42I'm not taking any sedatives.
49:43I'm going to help you.
49:45Look, if you don't believe me, get out of here.
49:47We have to...
49:49Get out!
50:14I want La Reina and Los Merinos
50:17to celebrate the anniversary of the factory together tomorrow.
50:20I'm very worried about this event. I need it to go well.
50:23I know. I work every day for La Reina
50:26and I know what their level of demand is.
50:28Get out of my sight.
50:30The radio you sold me doesn't work anymore.
50:32I don't know. How is it possible to record if it's high-end?
50:34How can you be pregnant if you're not with anyone?
50:36Well, because I had a celibate boyfriend and...
50:39And the rest, well, you can imagine.
50:40Your son has been on the wrong side for a few days
50:43because of a piece of news that broke his heart.
50:45You know who his father is.
50:47Luz told me about his past,
50:49about what he's hiding.
50:51That girl isn't rejecting you.
50:53She's begging you. It's not the same thing.
50:55Really?
50:57I could be losing my mind.
50:59That's the last thing I'd like to face.
51:01My father was a traveler.
51:03You know I was looking for him like an idiot.
51:05I'm very sorry.
51:07Let's tell him to make another one.
51:08Come on!
51:10When I kept it in my book, it was perfect.
51:12It was intact.
51:14Someone had to take it and destroy it.