Igra sudbine, Epizoda 1164,Igra sudbine 1164 ,Igra sudbine 1165,Igra sudbine Epizoda 1164, Igra sudbine Epizoda 1165,Epizoda 1164 Igra sudbine ,Epizoda 1165 Igra sudbine
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00:00šµ
00:08Enjoy your meal.
00:15Oh, thank you.
00:16You're welcome, dear.
00:17Here you go, miss.
00:19I'll have that coffee later.
00:21Oh, dear, in just a little over seven years of bad luck, you'll catch me, huh?
00:24See how tense I am, my hands are shaking.
00:27It's only a week away from this fashionable revue in Milan.
00:32It doesn't have to be anything bad.
00:35Who said it was going to be bad?
00:36What are you talking about?
00:38I'm just saying that I'm tense.
00:39They gave me all the money, they invested it, they broke for that revue.
00:42I don't know how it's going to go, I'm worried.
00:44And I have a feeling, miss, here, like this,
00:47that it's going to be, here, I see,
00:49it's all fantastic.
00:51Really?
00:51Yeah.
00:52Are you going to show up?
00:52I am.
00:53Well, I didn't know you were such a star.
00:55Why didn't you tell me not to worry about the future,
00:57to come and look at me nicely, a little in the corner?
00:59Right?
01:00Okay, you're teasing me, I'm just saying.
01:02Don't you say anything.
01:04I hate those who talk a lot, and don't say anything, and miss the subject.
01:08What did you do with your aunt?
01:09Nothing.
01:10Come on, that's what you're saying.
01:11No, I didn't do anything.
01:12Well, that's what I'm talking about.
01:14Oh, my dear, dear God.
01:17Why did you punish me like this?
01:18Why do I always have to deal with those smart people,
01:22and I can't deal with some elementary, ordinary things?
01:26But, PanÄiÄ.
01:27Don't call me PanÄiÄ.
01:29Crazy, you're going to miss all the money,
01:32the wealth in front of your nose, because you're incapable.
01:35What's wrong with you? Why don't you take a look at
01:38Ljubinka and TrivanoviÄ?
01:41They're idiots.
01:42What do you mean, idiots?
01:43Do you know what you think of me?
01:45Not at all.
01:46No, thank you.
01:46But still, dear,
01:48you should take a look at them,
01:50ask them how they like it, how it works,
01:53how it...
01:54What, what, what?
01:57Do you want me to draw it for you?
01:58Do you want me to show it to you?
01:59Ask them how they like it when two people are in love.
02:02Take a sample, you and Kaja.
02:04That's not a bad idea.
02:06Not a single idea of mine is bad.
02:08Not a single one.
02:10What did you see? Where's Kajmak?
02:12How's it going, folks?
02:14What's up?
02:16What's up, dear? You're not married yet?
02:20No.
02:28I know you don't agree with this decision,
02:30but luckily you're not asking anything.
02:33So you turned your back on me, too?
02:35I knew you'd understand everything so tragically.
02:38How could I?
02:39Those two sent you to kick me out of the project.
02:41Laura, you knew that sooner or later
02:44your actions would lead to that.
02:46Did I?
02:48If it weren't for this job, it wouldn't be me.
02:52Please, calm down.
02:54Let's try to talk calmly.
02:56No, we can't talk calmly.
02:58Because I came up with the whole project.
03:00I made all the agreements.
03:01I put them in Milan Fashion Week
03:03based on their sketches, so I don't say
03:05scrabble.
03:06Okay, I know that.
03:10You do?
03:11Is that why you're kicking me out?
03:13Laura, no one's kicking you out.
03:14We're just trying to keep you away from the decision.
03:17That's an even bigger humiliation.
03:19You two can't control yourselves.
03:23Now that it's over, when we have the most work,
03:26and Sala hasn't been paid, what were you waiting for?
03:29I don't know what I was waiting for.
03:31I was waiting to see how this would end with Sala.
03:35What do you mean?
03:36Explain that to me.
03:40What do you think?
03:41That Sala wasn't paid by accident?
03:48I still don't know what to think.
03:50Yes.
03:51It seemed strange.
03:53Pretty confusing.
03:56It's confusing, but I can't figure out what.
04:00You know what?
04:01There's something pretty strange and unusual
04:03about this whole situation,
04:05but I can't figure out what it is.
04:07What do you mean by unusual?
04:09And Andrija? Who's Andrija?
04:13I don't know.
04:14Andrija, who's Andrija?
04:18The dress.
04:19What dress?
04:20The dress!
04:21It's the first time I've seen that dress on him.
04:24What's so unusual about it?
04:25Andrija has hundreds of dresses.
04:26He does, but he wears five or six a month,
04:28and then he changes them.
04:29Maybe he's changing them now.
04:31Don't make a fool of me, I know what I'm talking about.
04:34It's the first time I've seen this dress on him.
04:37And what does it tell you?
04:39First of all, it's an unknown dress.
04:43And secondly, it's an unknown piece of work.
04:53That's exactly what I'm talking about.
04:57Completely unsuccessful.
05:00I'm considering the possibility
05:02of not getting married and taking the money.
05:06What's this, people?
05:07You're not able to take the money,
05:09not even when it's under your nose.
05:12That's what I'm talking about.
05:14That's what I'm talking about.
05:15Because I'm a good man,
05:17with a warm heart,
05:18I can't do that.
05:20And I, Vala ŠaŔava,
05:21instead of listening to that SeljanoviÄ,
05:23it's nice that I agreed to marry him,
05:25I'm considering it.
05:26May God see me!
05:27That SeljanoviÄ is dangerous.
05:29See, that's how things work.
05:31Everything is in your interest.
05:33I'm waiting for something
05:35that will make me fall in love with him.
05:38No way!
05:40No way!
05:41That's a dead species.
05:43No, no.
05:44What's a dead species?
05:46There are people who survived from that species.
05:48Who survived?
05:49Who?
05:50What are you?
05:51You're like a cockroach.
05:53Quiet!
05:54He!
05:55He's gone mad.
05:56You're crazy!
05:57Who's left?
05:58Let's hear it.
05:59No, everyone is like him.
06:01Definitely.
06:03Come on!
06:04Everyone is divorced.
06:06They kiss, get married,
06:07everyone goes their own way.
06:09Whatever it looks like.
06:10Yeah, yeah.
06:11Only that Mido is still a bit ugly,
06:13he gives signs of life.
06:14But no, he won't last long.
06:16She kicked him,
06:17I'm pretty.
06:20When we were at Mido's,
06:22did he come back?
06:24Did anyone see him?
06:35Mido's
06:40Miki!
06:41Oh, Mido, how are you?
06:44I'm good, Miki.
06:45Sit down.
06:46How are you?
07:05Hello?
07:06Hello.
07:07Hello, Milena.
07:08I've been thinking,
07:09and I think it's a good time
07:11to switch to you,
07:12if you don't mind.
07:14Can you please
07:15finish the train,
07:16I mean, the session,
07:17quickly?
07:18Yes, sure.
07:19I'll be there in a minute.
07:21I'll be there in a minute.
07:23I'll be there in a minute.
07:25I'll be there in a minute.
07:27I'll be there in a minute.
07:29I'll be there in a minute.
07:31I'll be there in a minute.
07:33I'll be there in a minute.
07:39Yes.
07:40Okay, okay, yes.
07:42I understand.
07:43Okay.
07:44Come on.
07:53Hey.
07:54What's up?
07:56We have a problem.
08:00Laura doesn't want to buy the car.
08:02What?
08:12Yes, okay.
08:13I'm glad.
08:14Never better,
08:15I mean, excellent,
08:16and all thanks to you.
08:17Really?
08:18Yes.
08:19How come?
08:20Listen,
08:21I found a phenomenal business opportunity,
08:23we just have to react quickly.
08:25Really?
08:26Yes.
08:27How come all of a sudden?
08:29The owner urgently needs money,
08:31and that's why he's so undervalued.
08:33Undervalued?
08:34Yes.
08:35Okay.
08:36If it's as great as you say,
08:38I think we should take a look,
08:40but...
08:42I wouldn't really want to rush myself now, you know?
08:46Why not?
08:47What for?
08:48I don't want to turn out to be a provincial peasant
08:51and fall right on the first ball, you know?
08:54Come on, please.
08:56Provincialism isn't that bad at all.
09:00You shouldn't be ashamed of it.
09:02You should be careful about it.
09:04I'm telling you all,
09:06if it wasn't for that energy,
09:08those people from the province,
09:10this city wouldn't have spread so quickly.
09:12Okay.
09:13Now it's even good for us to be in Belgrade.
09:17You think so?
09:18I'm a little jealous of you.
09:20Me?
09:21Yes, whenever I see you.
09:23I see myself,
09:24actually, when I came to Belgrade.
09:26Okay.
09:27Okay.
09:29What's that place like?
09:31Whose is it?
09:32We don't want to talk about it.
09:34Let's go and see.
09:35Okay?
09:36Come on.
09:37Let's go.
09:55Wait, Laura doesn't want to go shopping?
09:58No, unfortunately.
09:59Where did you get that information?
10:01Paula saw her.
10:02What did Paula say?
10:03Nothing.
10:04She's dragging us into shopping.
10:06In fact, she's underestimating us
10:08for the job she arranged through her connections.
10:10So she wants to destroy our project.
10:12I told you, she wants to destroy our project.
10:14Don't worry about them.
10:16Okay, listen to me.
10:19So,
10:21we don't have a room,
10:23the payment deadline has expired,
10:25the review is due in a week,
10:27that's it.
10:28Okay, Paula will have to solve it.
10:30How will she solve it?
10:32She can't solve it, man.
10:33No one can solve it with her.
10:34Wait, she has to do something.
10:36Look.
10:40I'm going to see her.
10:42Is she smart?
10:45No, it's a different option.
10:48We'll figure it out.
10:49Yes.
10:50We'll figure it out.
10:54Are you okay?
10:56Yes, I have to finish something quickly,
10:58then I'll be back.
11:00It's okay.
11:02Okay.
11:18A meeting?
11:19Of course, of course.
11:22Now I don't know what to do.
11:25Maybe it's some kind of
11:27unconscious mistake.
11:29About what?
11:31It's not a mistake.
11:33Okay.
11:34What's the topic of the meeting?
11:37That will be the topic of our meeting.
11:40Really?
11:43What is it about?
11:45Something between us, Milan.
11:48I found a drug on Andrija Breveruc's car.
11:52What does that have to do with me?
11:55You're my psychotherapist, aren't you?
11:59Yes, of course.
12:02I think Andrija is up to something.
12:05You think he's cheating on you?
12:08I don't know.
12:09Probably.
12:11Okay.
12:12Calm down.
12:14He's a jerk.
12:16I mean, he could have picked her up anywhere.
12:20Maybe she's yours, too.
12:23She's not mine, I checked.
12:25I have her with me.
12:28Okay.
12:29Let's not talk about this over the phone.
12:32Let's talk during the meeting.
12:34Slowly.
12:36Okay.
12:38We'll talk tonight,
12:40at the usual time.
12:42Great.
12:57I'm sorry.
13:07How could you do this to me?
13:09Why are you doing this?
13:11I'm asking you, why are you doing this?
13:13What do you want? To destroy Revi?
13:15You know very well why I'm doing this.
13:17Okay, now you're going to call and tell Salo about Revi.
13:19Is that clear?
13:21So you can't do it without me?
13:23Please, don't provoke me.
13:25In the end, everything boils down to the fact that you need me.
13:27No, everything boils down to the fact that you're not a professional.
13:29And you're like a better one.
13:31I have a job and a life.
13:33I'm paid for it, are you normal?
13:35Luka, I didn't bring this on my own.
13:37For such things, two people are needed.
13:39What two?
13:40You can't develop a business in private.
13:42That's your problem.
13:43I can.
13:44You can.
13:45You're the same as me.
13:46Of course you're not.
13:55You know what, Miki? You were right.
13:57The space is excellent.
13:59I told you it wouldn't be enough.
14:01Give us drinks, please.
14:03Let's drink one at a time.
14:05Of course.
14:06If the papers are in order, maybe I'll buy it.
14:09Everything will be in order.
14:11I've hired a lawyer just in case.
14:13Let him check everything.
14:15I think that's the best way.
14:17But...
14:18I don't know.
14:19I don't know.
14:20I don't know.
14:21I don't know.
14:22I don't know.
14:23I think that's the best way.
14:25But...
14:27Cheers.
14:28Cheers.
14:30Where do you live when you're in Belgrade?
14:33I rent a flat.
14:35You know why?
14:37I know some people who live in the city.
14:40If you want to buy a flat, you know I can help you.
14:46Miki, Miki.
14:48You won't leave until you get rid of me.
14:51You won't leave until you get rid of me?
14:53You can't talk to Ljepo about this?
14:55No, no.
14:56It's not like that.
14:57I'm just worried that your wife and daughter won't harass you.
15:02I'll take care of my daughter.
15:04I have a plan for Ljepo.
15:06I want him to stay in Kosmaj.
15:09Have you talked to your wife?
15:12Will she agree?
15:14My ex-wife, Miki.
15:16My ex-wife.
15:17Okay, Mido.
15:18Your ex-wife.
15:19Once a wife, always a wife.
15:23I have to go.
15:25Okay.
15:26Okay.
15:27See you.
15:28Bye.
15:50Tell me, what do you want from me?
15:52No, the first question is what do you want?
15:55What do I want?
15:56I don't understand.
15:58Are you really crazy to leave me because of that...
16:01beast?
16:02Why are we talking about that?
16:03That's not the point.
16:04Why are we talking about the beast?
16:07She's a good girl.
16:10But she's impersonal.
16:11And she's not a challenge for you.
16:13First thing.
16:14You don't know that girl.
16:15It's very ugly to talk about such things about her.
16:20Do you know what kind of life you could have with me?
16:24Oh, God.
16:25Laura.
16:27Remember what I told you.
16:28There's nothing in it.
16:30I would bring you to the top of this business, Luka.
16:32Great.
16:34Maybe next time.
16:36You obviously don't understand...
16:38how much I need you.
16:39You obviously don't understand...
16:41that this mess will go on for hours or without you.
16:44It will.
16:45But what will you do when it comes to sales?
16:47Marketing?
16:48Everything when it comes to money.
16:50I'll need you like the air you breathe.
16:53And you humiliate me.
16:54Enough.
16:56You brought another woman here.
17:02I came to talk about business.
17:04I didn't come to talk about love.
17:06It's the same for me.
17:10If it's the same for you...
17:11then spend an hour with me.
17:14I will.
17:16But you have to apologize to me for all this.
17:25I apologize.
17:30You pulled out.
17:31For now.
17:34But that's not all.
17:38I want us to spend the night together.
17:41Last time, I promise.
17:42I promise.
17:44And then I'll arrange a place for you to perform.
17:48Can you come now?
18:13Come in.
18:15Where are you?
18:16Where are you going?
18:17Good day.
18:19How are you?
18:21Just sit down.
18:22Sit down.
18:24Coffee?
18:25No.
18:26Something else?
18:27No.
18:28I can't.
18:29I can't.
18:30I can't.
18:31Tell me.
18:33Here's the thing.
18:34I came to see you.
18:36And I have to tell you...
18:38I have to ask you for a favor.
18:40Tell me the word.
18:42Don't be afraid.
18:43You know that I'm a student of Jura.
18:45He's a business man.
18:46Okay.
18:47I found a great place.
18:50However, my lawyer says that the one who sold it didn't sell it to himself.
18:55Aha.
18:56Do you understand?
18:57Aha.
18:58I understand.
18:59Okay.
19:00Well, I...
19:01If you can see through your people who that man is and...
19:06what he does, whose place it is, do you understand?
19:10Aha.
19:11It's a great place.
19:12Don't be afraid.
19:13It's a great place.
19:14I wouldn't want to lose it.
19:15And I have to tell you.
19:16I wouldn't want to end up like Bravo and Ovca who sold it.
19:20Do you understand?
19:21Yes, yes.
19:23I can see that.
19:25It looks like a fraud.
19:26Really?
19:27Yes.
19:28Oh.
19:29But it doesn't have to mean that.
19:30Does it?
19:31You know, many people won't take it upon themselves.
19:35You know, someone inherits it or doesn't report it to the police.
19:38Someone takes it as a gift.
19:40But don't worry.
19:41I'll see it through my people.
19:43You'll see it?
19:44Yes.
19:46Don't be afraid.
19:47I can see it.
19:48And to Pljanovic.
19:49He has a coat.
19:50John.
19:51I won't forget about you.
19:52It means a lot to me.
19:53Don't worry.
19:54It's over for you.
19:55How's your family?
19:56How is it?
19:57Leposava?
19:58Ljubinka?
19:59Don't be afraid of me.
20:00Don't ask me anything.
20:02I'm going to the revolution.
20:04Don't talk to me about the revolution.
20:05I won't.
20:06I won't.
20:07I won't but I'll tell you one thing.
20:09Since they came to Belgrade,
20:10everything went crazy.
20:13Everything.
20:14My mind goes blank.
20:16You hear me?
20:18And while they were in the village,
20:19no idea went into my head.
20:21They didn't even think about anything.
20:23That's it.
20:25Ideas, I said.
20:26Like what?
20:28This Ljeposava,
20:30my ex-wife.
20:32I want to buy her a flat.
20:34Ljubinka is mine.
20:35She wants me to rent her a flat, to live with that moron from TrivanoviÄ.
20:39Where am I in all of this? She owes me more money.
20:42Yes.
20:43You know, I feel like a character from a song.
20:49Crna Gora, my dear mother, would you give me a giraffe?
20:53There you go, I'm like a fountain of wishes for you, don't be afraid.
20:59Nivo, when we're done with this...
21:01Tell me.
21:02Will you give me...
21:04You know my situation.
21:06Okay.
21:08Would you give me a giraffe?
21:12Excuse me?
21:13Would you give me a giraffe?
21:14How could I not?
21:16Don't, please, don't.
21:19Don't, please, don't.
21:21I would, but I can't.
21:23I made a mistake, I saw it.
21:25I'm done, don't worry.
21:27Now it's easier.
21:29Nivo, just give me that information.
21:31Information?
21:33Here, I have it all on my phone.
21:36Oh, Mito, Mito, where are you?
21:56Grandma, have you seen Una?
21:59She's not at work today.
22:01Do you know why?
22:05Grandma?
22:06Yes?
22:08Do you know why?
22:10Why?
22:11Why isn't she at work?
22:13I don't know.
22:30Mito, I have to tell you.
22:32And I'm telling you for the last time.
22:34I wouldn't mess with Miki ever again.
22:38Just don't worry.
22:40For God's sake.
22:41Mito, a man is a pervert,
22:44a mafia member, a criminal.
22:46I don't want to argue with you.
22:48Calm down, man, calm down.
22:49For God's sake, what do you think of me?
22:51Am I some naive fool?
22:54Right?
22:55Am I some naive fool?
22:57Right?
22:58Thank you for worrying, but it's only my decision.
23:01Mito, I have to tell you.
23:02Enough.
23:03I have to draw your attention.
23:04Enough, TrivanoviÄ,
23:06lower your tongue.
23:07We're done with this story.
23:09The rest.
23:10I need Tambura
23:12because of the information
23:14about the places you went to.
23:16That's how I meet people.
23:17That's what I need the most right now.
23:20Do you understand?
23:21I understand, but I have to tell you again.
23:24A man is...
23:25TrivanoviÄ,
23:26don't talk so much.
23:28You're scaring my guests.
23:30That's right.
23:31Because of that Miki Tambura.
23:33It's not because of Miki Tambura,
23:35but because Mito wants to work with him.
23:37Wait, how can you work with him
23:39when he's a criminal?
23:42What's wrong with you guys?
23:44Easy, easy.
23:46I know people like that.
23:48Don't worry.
23:49Everyone says that.
23:50Everyone says that
23:51before they start crying.
23:53Listen to me carefully, VazdoviÄ.
23:56I'm a good friend of NebojŔa,
23:58his son.
24:00He's my guarantor
24:01that everything will be fine.
24:03Period.
24:05Okay.
24:06No.
24:07I can't.
24:08Really.
24:09I'm going.
24:10I need to go to the movies.
24:12Go.
24:13A little bit more.
24:14That's your job.
24:15Don't push me.
24:16Do you want me to pay?
24:17Come on.
24:18Mito will pay.
24:19No, I'll pay.
24:20You'll pay.
24:24Hey, NebojŔa.
24:26What's up?
24:28I have bad news
24:29about this papyrology for vocals.
24:32I'm listening.
24:49Hello, Milena.
24:51Hello.
24:53I'm glad you're so happy.
24:56I don't understand.
24:58You didn't run away from the call.
25:00It's like you were distancing yourself.
25:02I'm busy.
25:03I have a lot of work.
25:04And it's not always about you.
25:07So I can't call you anymore
25:08to ask you what you're doing?
25:10Why don't you call me?
25:12Of course you can.
25:13I told you everything is fine.
25:15Maybe you're insecure
25:16because of your unclean conscience.
25:18Did you forget that?
25:20What does my conscience have to do
25:22with our relationship?
25:24I was kidding.
25:25Kidding, Milena.
25:26Did you forget what a joke is?
25:28Why are you so serious?
25:30What really happened?
25:32I was worried about Una.
25:34She booked a session.
25:36And that's unusual because...
25:40Because she sounded like
25:42she was ready for a military campaign.
25:45Well, I don't know.
25:47I think she's behaving normally.
25:49She mentioned someone easy.
25:51Easy?
25:53Who's easy?
25:54You don't know?
25:56I have no idea.
25:58Did Una find out?
26:00No, but...
26:02I thought you were more involved.
26:05Why would I be?
26:06I'm not Andrea or BoŔnja
26:08who keeps secrets.
26:09Listen, I have to hang up.
26:11I have to do something.
26:12Okay.
26:13Okay, Milena.
26:14Talk to you later.
26:15Bye.
26:19Bye.
26:45Hi.
26:50Yes?
26:54Yes, I'm here.
26:55Can I help you somehow?
26:58Excuse me.
27:00Do you remember
27:01when was the last time
27:02you wore this piece at the chemist's?
27:06No, why?
27:09It doesn't matter.
27:10I'm just asking.
27:11Actually, I don't even remember this piece.
27:13It's like it's new.
27:15Well, it looks like it's new to me too.
27:19Even the pockets are sewn.
27:22Yes, this is a completely new piece.
27:28What is this?
27:31It doesn't look like it has pockets.
27:41Yes.
27:44It looks like Mr. BoŔnjak
27:46started buying clothes
27:50in secret.
27:57Yes.
27:58Or is he just supposed to stand here?
28:17What are you doing?
28:19What are you doing?
28:22I was really surprised
28:24when Senka offered a leave
28:27and that they wanted to go to America.
28:30I wasn't at all.
28:32What do you mean you weren't?
28:33Everyone was surprised.
28:35Everyone was surprised,
28:36but you weren't.
28:37You always have to be against it.
28:39You were surprised.
28:40Come on, you were surprised.
28:41Look at the chaos.
28:42Look.
28:43There has never been such chaos in this company.
28:45Never.
28:56I checked the papers.
28:58The owner is a descendant of Kockar.
29:02What does that mean?
29:03Father won't sign the lease,
29:06but he will forcefully sell it
29:08without his father's knowledge.
29:10Are you kidding me?
29:12No.
29:13He has been selling it for years
29:15as a family property.
29:17He doesn't even own it.
29:32I understand your right
29:34to slap me.
29:36Slap you?
29:37What are you talking about?
29:39Like a wolf slapping a sheep?
29:41Shut up.
29:42That's what I meant.
29:43Where is this peasant girl?
29:45I'm sick of her.
29:47I'm sick of being around her.
29:48He put this on Kosovo
29:50with those piglets
29:52and roasted them.
29:54He won't put his hand in his pocket
29:56to open up a little bit.
30:11What changes?
30:15That's how I feel.
30:20All of a sudden?
30:22Sometimes I change my hairstyle
30:24so impulsively.
30:26You know how they say
30:28small changes from the outside
30:30bring some changes from the inside.
30:42I hope I'm not interrupting you.
30:45What?
30:46You won't invite me in?
30:48I think it's better for you
30:50if you don't come in.
30:52Why?
30:57Because Luka has to come.
31:12I just dropped by for a drink.
31:14You just dropped by for a drink.
31:16The most beautiful girl in town
31:18came to Fame.
31:20Let's not exaggerate.
31:22You know what?
31:24I have to hire a film crew
31:26to film you entering.
31:28Really?
31:29Why would we do that?
31:30Why?
31:31You'll make history.
31:32Everyone will see how beautiful you are.
31:34All right.
31:42What does this label tell you?
31:47That Andrija bought this piece
31:50this morning.
32:12I'm the only one
32:14who can reserve a space
32:16because it goes through my friends.
32:18But...
32:21Why didn't you do it then?
32:36It's not like someone is
32:38a father to a son.
32:44Good evening, Viki.
32:46Look who I brought you.
32:50Have a seat.