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00:00:30I'm going to kill you!
00:00:31I'm going to kill you!
00:00:32I'm going to kill you!
00:00:33I'm going to kill you!
00:00:34I'm going to kill you!
00:00:35I'm going to kill you!
00:00:36I'm going to kill you!
00:00:37I'm going to kill you!
00:00:38I'm going to kill you!
00:00:39I'm going to kill you!
00:00:40I'm going to kill you!
00:00:41I'm going to kill you!
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00:00:44I'm going to kill you!
00:00:45I'm going to kill you!
00:00:46I'm going to kill you!
00:00:47I'm going to kill you!
00:00:48I'm going to kill you!
00:00:49I'm going to kill you!
00:00:50I'm going to kill you!
00:00:51I'm going to kill you!
00:00:52I'm going to kill you!
00:00:53I'm going to kill you!
00:00:55I'm going to kill you!
00:00:56I'm going to kill you!
00:00:57I'm going to kill you!
00:00:58I'm going to kill you!
00:00:59I'm going to kill you!
00:01:00I'm going to kill you!
00:01:01I'm going to kill you!
00:01:02I'm going to kill you!
00:01:03I'm going to kill you!
00:01:04I'm going to kill you!
00:01:05I'm going to kill you!
00:01:06I'm going to kill you!
00:01:07I'm going to kill you!
00:01:08I'm going to kill you!
00:01:09I'm going to kill you!
00:01:10I'm going to kill you!
00:01:11I'm going to kill you!
00:01:12I'm going to kill you!
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00:01:19I'm going to kill you!
00:01:20I'm going to kill you!
00:01:21I'm going to kill you!
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00:01:25I'm going to kill you!
00:01:26I'm going to kill you!
00:01:27I'm going to kill you!
00:01:28I'm going to kill you!
00:01:29I'm going to kill you!
00:01:30I'm going to kill you!
00:01:31I'm going to kill you!
00:01:32I'm going to kill you!
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00:01:34I'm going to kill you!
00:01:35I'm going to kill you!
00:01:36I'm going to kill you!
00:01:37I'm going to kill you!
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00:01:40I'm going to kill you!
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00:01:42I'm going to kill you!
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00:01:44I'm going to kill you!
00:01:45I'm going to kill you!
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00:01:47I'm going to kill you!
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00:01:49I'm going to kill you!
00:01:50I'm going to kill you!
00:01:51I'm going to kill you!
00:01:52I'm going to kill you!
00:01:53I'm going to kill you!
00:01:54I'm going to kill you!
00:01:55I'm going to kill you!
00:01:56I'm going to kill you!
00:01:57I'm going to kill you!
00:01:58I'm going to kill you!
00:01:59I'm going to kill you!
00:02:00I'm going to kill you!
00:02:01I'm going to kill you!
00:02:02I'm going to kill you!
00:02:03I'm going to kill you!
00:02:04I'm going to kill you!
00:02:05I'm going to kill you!
00:02:06I'm going to kill you!
00:02:07I had to go to the Santa Domingo Bar, and I had to find Agent XK120, whom I'd never
00:02:26I looked around the room.
00:02:48Long training and my own instinct told me that the girl sitting at the table seemed
00:03:23The king is dead.
00:03:24Long live the king.
00:03:25Is that supposed to be a political remark?
00:03:26I don't know anything about politics.
00:03:27Do you play?
00:03:28I never worked, if I can help it.
00:03:29I meant chess.
00:03:30It's a very interesting game.
00:03:31So is this one we're playing.
00:03:32Would you like a drink?
00:03:33No, thank you.
00:03:34No, thank you.
00:03:35No, thank you.
00:03:36No, thank you.
00:03:37No, thank you.
00:03:38No, thank you.
00:03:39No, thank you.
00:03:40No, thank you.
00:03:41No, thank you.
00:03:42No, thank you.
00:03:43No, thank you.
00:03:44No, thank you.
00:03:45No, thank you.
00:03:46No, thank you.
00:03:47No, thank you.
00:03:48No, thank you.
00:03:49No, thank you.
00:03:50No, thank you.
00:03:51Would you like a drink?
00:03:52I wouldn't mind.
00:03:53Waiter, bring us a bottle of Chateau Marmont 1907.
00:03:591911 was a better year.
00:04:051911 it is.
00:04:07We don't have any Chateau Marmont.
00:04:09But we have a good Chateau Vion 1922.
00:04:11Forget it.
00:04:12Make it a couple of rum columns, kilo 58.
00:04:15Be there.
00:04:18I had to be sure it was you.
00:04:21XK120?
00:04:22Right.
00:04:23XK150?
00:04:24Right.
00:04:25Who's the waiter?
00:04:27One of them.
00:04:29Thinks I'm on their side.
00:04:36She was beautiful.
00:04:38I could have killed myself for wearing this stupid disguise.
00:04:42Now she would never know me as I really am.
00:04:45I'm leaving tonight.
00:04:46We'll keep in touch by radio.
00:04:49You have Dakota?
00:04:51In point of fact.
00:04:52Yes.
00:04:54In point of fact.
00:04:56Yes.
00:04:57In point of fact, I've got my Dakota ring.
00:04:59Right.
00:05:01Pay no attention to me when I leave.
00:05:03Right.
00:05:09Aren't you going to kiss me goodbye?
00:05:11Right.
00:05:48Right.
00:06:18Right.
00:06:49The 20th century occurred in Havana, Cuba.
00:06:52The revolutionary victors marched in and the national complexion changed completely.
00:06:59They had been liberated.
00:07:01The survivors of the old regime escaped as best they could,
00:07:04taking with them only a few meager effects,
00:07:07such as the Cuban treasury and other art objects.
00:07:12It wasn't always easy to smuggle a loot out of Cuba,
00:07:15and so secret meetings were being held all over the island.
00:07:20This story of robbery, double-cross, and murder begins with just such a meeting.
00:07:45Are you Renzo Capetto?
00:07:56I am.
00:07:57Who are you?
00:07:58Never mind who I am.
00:07:59It's the mission that counts.
00:08:02Let's get on with it.
00:08:04As an American gambler and gangster, you're above suspicion.
00:08:08Of course you know that our government has been overthrown.
00:08:11You know, I heard that.
00:08:12Shut up.
00:08:13Not for long.
00:08:14We'll be back.
00:08:16And if you think you're seeing executions now, oh boy.
00:08:20Bravo.
00:08:21Bravissimo.
00:08:22But of course, in order to finance our great counter-revolution,
00:08:28it has been necessary for us to steal the Cuban treasure.
00:08:33Shut up.
00:08:34Shut up.
00:08:36Let us proceed.
00:08:38You're going to lose your casino, so you'll be leaving Cuba anyway.
00:08:42You have a big yacht, and you can leave anytime you wish, such as immediately.
00:08:47Therefore, I'm going to entrust you a solemn trust.
00:08:50Here we have one-fourth of the Cuban treasure.
00:08:53Your group, General Tostada, Coronel Cabeza Grande,
00:08:57and a squad of men will proceed to Ciudad Trujillo.
00:09:00There you'll wait for us to contact you and relieve you of the money.
00:09:03One-fifth of which will be paid to you.
00:09:04Do you understand?
00:09:06I get the whole picture.
00:09:08Now you do the rest.
00:09:24My name is Javier Jack Monahan.
00:09:25Glad to meet you, Jim.
00:09:38And now, the gold.
00:10:09You two had better get into the car.
00:10:11The General doesn't know any English, Senor Capero.
00:10:14I'll be his translator for you.
00:10:17Bueno?
00:10:18Bueno.
00:10:19Bueno.
00:10:20Vete al auto.
00:10:22Now it's time to go.
00:10:24Adios.
00:10:25Adios.
00:10:26I'll see you later, huh?
00:10:28Coronel.
00:10:38Coronel.
00:11:08The first move in the great conspiracy had been made.
00:11:34The Cuban treasury was now in the gentle hands of Renzo Capeto,
00:11:38the most trustworthy man ever to be deported from Sicily.
00:11:42They thought they were smart.
00:11:44But little did they know that I, Sparks Moran, was an American agent.
00:11:48Luckily, I had been able to work my way into the crew
00:11:51by posing as a notorious gun machine burglar from Chicago.
00:11:55My real name is XK150.
00:11:58Hey, you.
00:12:00Come on down here and help with this.
00:12:03How'd it go, pussy?
00:12:05We had a hairy little chase, but we got the stuff.
00:12:08Crazy.
00:12:09Hey, Colonel Grande, you can bring your men aboard.
00:12:13What happens with all that mob?
00:12:15I don't know.
00:12:16I thought we'd just have an officer or two,
00:12:18but it looks like we're going to have a little difficulty.
00:12:22You think of a way to remove them and grab that loot?
00:12:27You're my big, strong, swinging brain.
00:12:32You're sweet, baby.
00:12:38Hi, sis.
00:12:40Hi, baby doll.
00:12:42Did they scare you?
00:12:43Ah, just a little.
00:12:45All right, boys.
00:12:46Get ready to go.
00:12:48Pete, take the wheel.
00:12:50Jack, you and, uh, Clarks, uh, Sparks,
00:12:55get ready to cast off.
00:13:04Well, well, this is a beautiful night for sailing.
00:13:13And so we left Cuba forever,
00:13:16sailing the most astounding adventure
00:13:18to be inflicted upon man.
00:13:20And what a group we were.
00:13:22The big cheese was Renzo Capetto,
00:13:25alias Capo Rossetto,
00:13:27alias Rado Pizzetti,
00:13:29alias Zeppo Staccato,
00:13:31alias Shirley Lamore.
00:13:34At 15, he served his first stretch for rolling a drunk
00:13:37in the lobby of the Waldorf Astoria New Year's Eve, 1934.
00:13:42In 1940, he was involved in an unsuccessful attempt
00:13:45to nominate Benito Mussolini for the Republican ticket.
00:13:49During the war, he was rejected by the Navy, Marines, and the SS.
00:13:53Now deported, he has retained his contacts with the syndicate
00:13:57and is still regarded as a dangerous character.
00:14:03Mary Bell Monaghan, alias Mary Monaghan Bell,
00:14:06alias Bell Mary Monaghan,
00:14:08alias Monaghan Maribel.
00:14:10They say she was a gun mall
00:14:12just because Lucky Luciano gave her a Rolls Royce every Christmas.
00:14:15And they can't really prove that she sneaked into the Hollywood Bowl
00:14:18with a Tommy gun and rubbed out the convention of police chiefs in 1956.
00:14:22Oh, I know that she got nailed cold
00:14:25when she was pushing heroin in a laundry room in Boys Town.
00:14:28But I'm willing to give anyone the benefit of the doubt,
00:14:31especially when she's as crazy-looking as Mary Bell.
00:14:34This is Happy Jack Monaghan,
00:14:37so-called because he developed a muscle spasm in his cheeks
00:14:41from watching too many Humphrey Bogart pictures.
00:14:44Happy Jack's record is bereaved,
00:14:46his only crimes having been committed after his sister, Mary Bell,
00:14:50talked Renzo into giving him a job.
00:14:52Up until that time, Happy Jack had been a tennis bum,
00:14:55sleeping under the bleachers at Forest Hills
00:14:58and mooching nickels on the BMT subway.
00:15:00Since taking up with Renzo,
00:15:02he has become a well-known dice loader and murderer.
00:15:06The most member of the Dark Quartet is Pete Peterson, Jr.,
00:15:10son of Pete Peterson, Sr., famed vaudeville bird mimic.
00:15:13Pete, Jr. inherited his father's talent for animal imitations,
00:15:16but unfortunately blew his brain out of whack
00:15:19while imitating a whooping crane
00:15:21at the Elk's Convention picnic in Oshkosh in 1942.
00:15:24Since then, anyone has been able to convince Pete of anything.
00:15:28Renzo found him struggling along as a pickpocket at Jones Beach
00:15:32and took him with him in his exile.
00:15:34Since then, he has been Renzo's faithful servant,
00:15:37shining his shoes and rubbing out his enemies.
00:15:40In return, Renzo permits him to imitate any animal that comes into his head.
00:15:50That, for instance, was a mating call of the Himalayan yak.
00:15:55There they are, my shipmates.
00:15:58I didn't know where they were taking those unsuspecting Cubans,
00:16:01but I knew they were taking.
00:16:03And so, with grim faces,
00:16:05we set our helm against a perilous future.
00:16:09All right.
00:16:15Okay, now, before I begin,
00:16:17does anyone have anything to say?
00:16:20Pete?
00:16:22Nah.
00:16:24How about you, Jack? What do you think we should do?
00:16:27You, huh?
00:16:29Oh, now, honey, is there any way for Maribel Cignant to talk?
00:16:32Now, look, we've got to get rid of at least half of these Cubans
00:16:36without making the rest of them suspicious.
00:16:43There used to be a Cuban fisherman by the name of Hemingway.
00:16:48He got hooked on a sea monster
00:16:51in these waters a couple of years ago,
00:16:53and he was dragged for miles.
00:16:55Got a lot of publicity.
00:16:57We're going to show these boys
00:16:59the greatest sea monster they ever saw in their lives.
00:17:02Jack, in my trunk,
00:17:04there's some garden rakes used for weeding tomatoes.
00:17:07You get them and sharpen them like scalpers.
00:17:10Pete, you mix up a mess of olive oil and green ink
00:17:15and stag some seaweed from over the side.
00:17:18Now, Jack, what are you going to do?
00:17:21Sharpen up the garden rakes?
00:17:23Good boy.
00:17:25Pete, how about you?
00:17:27How about you?
00:17:31Does he have to do that?
00:17:34All right, Jack.
00:17:58We've had a good life together, haven't we, baby?
00:18:01You know it, folks.
00:18:05Winters in Tijuana, summers in Cicero.
00:18:10Remember that wonderful trip we took to Monte Carlo?
00:18:14You mean the time we heisted all those $100 chips?
00:18:17Sure.
00:18:20I'll admit, I couldn't really hear anything through that door,
00:18:23but I was sure they were up to no good.
00:18:25I knew it was up to me to stop them.
00:18:29Now we're off again to parts unknown.
00:18:34It's like a second honeymoon.
00:18:36You know something?
00:18:38We ought to get married.
00:18:40Now, don't be a drag, baby.
00:18:44How much Jack do you think's in that strongbox?
00:18:48There's plenty of Cuban sugar, though.
00:18:51What are we going to do with all of it?
00:18:56I don't know.
00:18:59I always wanted to open up a home for the ages of us.
00:19:04Baby, you got a heart as big as all our doors.
00:19:18A government agent lives in constant peril.
00:19:22I devised my undetectable radio set using simulated hot dogs for knobs
00:19:27and tubes inside of dill pickles
00:19:30while watching a number of sewer workmen during lunch hour.
00:19:34It comes in mighty handy, believe you me.
00:19:37One little slip and I could be headed for Davy Jones' locker.
00:19:43Hello, Havana, this is Agent XK150.
00:19:47Over.
00:19:49I'm making my first official report.
00:19:52So far, not too much has happened, but I'm anticipating.
00:19:57Renzo Capetto and his gang are on board as suspected.
00:20:00I am with them.
00:20:02I will call you again soon, one of these days.
00:20:05This is Agent XK150 signing off.
00:20:14Hey, what's happening?
00:20:16Just having a bite.
00:20:22Gee, that looks good. Do you mind if I join you?
00:20:40Come to mama.
00:20:47Crazy.
00:20:56So, what's the point?
00:20:58Good morning, encantadora y hermosa criatura.
00:21:02The General says, good morning, you gorgeous, beautiful creature.
00:21:09Would you ask the General to remove himself from my presence?
00:21:15Ella dice que muy buenos días para usted, mi General.
00:21:20Usted para mí es como una flor del mar.
00:21:23Como un ángel de Neptuno sonriendo en el fondo.
00:21:28The General says you are a...
00:21:30You are a golden angel flower singing.
00:21:36Would you tell the General that I feel that he'd be most at home
00:21:39barbecuing slowly over a hot spit?
00:21:44Ella dice que mi General es un hombre muy digno y de gran empuje.
00:21:54You must be a glutton for punishment.
00:22:08Now, what do you want?
00:22:10You're too good for this life.
00:22:13You're young and you're innocent. You should get out.
00:22:16The longer you're here, the good.
00:22:20Are you unwell?
00:22:22The getting is great.
00:22:24You're a victim of circumstance.
00:22:27I've tried.
00:22:29Have you tried?
00:22:31You're a crazy and a tough kid.
00:22:33I'm perfectly adjusted to my life of crime.
00:22:36Now, what is your story?
00:22:38Oh, well, you see, I'm beyond help, but you're not.
00:22:41I can't find a clean young man to marry and...
00:22:43I haven't got the time.
00:22:45But I can help you marry Belle.
00:22:48You can turn blue.
00:22:50Don't worry, marry Belle.
00:22:52I'll save you.
00:22:54Or die.
00:22:57That's a comforting alternative.
00:23:07A secret agent should never sleep.
00:23:09But there I was, dreaming of Mom's apple pie...
00:23:12while up on deck, Renzo and his cutthroats...
00:23:15were taking the first step...
00:23:17killing an innocent Cuban...
00:23:19and pretending some imaginary monster did it...
00:23:22just so they would be panicked into changing course...
00:23:25so that Renzo could steer them to his own picked destination.
00:23:40Chief, wait one minute, then give the alarm.
00:23:48But what none of us knew...
00:23:50was that the monster invented by Renzo...
00:23:52had already been invented by somebody else.
00:23:55By a couple of other monsters, I guess.
00:23:58I don't know.
00:24:00I don't know.
00:24:02I don't know.
00:24:04I don't know.
00:24:06By a couple of other monsters, I guess.
00:24:30Help! Police! Murder!
00:24:33It's a monster!
00:24:37Cuban soldiers.
00:24:39Something terrible has happened here last night.
00:24:42Two of our comrades have been cowardly murdered.
00:24:46We must find the one who committed this cowardly murder...
00:24:50so that this never happens again.
00:24:53What did he say?
00:24:55He says what happened.
00:24:57Well, I have an idea, if you'd like to hear it.
00:25:00Please, go ahead.
00:25:03Well, I don't think it was anything human that killed your soldiers.
00:25:07I've seen the tracks and the claw wounds on their bodies.
00:25:12Now, in my studied opinion...
00:25:14those soldiers were attacked by some weird creature from the sea.
00:25:19Came in, did your boys in, and vanished.
00:25:26It was so funny.
00:25:28That creature, how silly.
00:25:31Did you really think it...
00:25:55You're a turtle.
00:25:57Well, uh, the General says you're right.
00:26:02It is the monster.
00:26:10The General says these waters are very dangerous...
00:26:13so we must flood a new course.
00:26:20March it!
00:26:27That's that?
00:26:29Our brave General Tostado didn't miss an excuse...
00:26:33to blow the trip and change course.
00:26:35You think he's got a glint in his eye?
00:26:38Pure gold.
00:26:41Maybe he won't want to have to knock them all off.
00:26:44Oh.
00:26:46You boys are getting careless.
00:26:48I told you to kill one, not two.
00:26:51What's that? I can't just count?
00:26:54Okay, Pete.
00:26:56Take a wheel.
00:26:58General, I thought it was only one.
00:27:01I can't figure this out.
00:27:05Though we were going somewhere I didn't know.
00:27:08Washington didn't know.
00:27:10Renzo didn't know.
00:27:12We all had to find out.
00:27:14Now, gentlemen, I think we ought to make our decision.
00:27:18He's got it.
00:27:21Thank you, Pete.
00:27:23Now, has anybody got an idea?
00:27:26About where we're going?
00:27:28I thought it was the Ciudad Rojillo we were going.
00:27:31Oh, no. That's been changed.
00:27:33General Tostado thinks we ought to change course...
00:27:36in order to escape the monster.
00:27:39Por fin donde vamos, General?
00:27:41Caracas, Venezuela.
00:27:43I think we ought to go to...
00:27:45Let's go to India.
00:27:47I've always wanted to see a secret town.
00:27:49Actually, I think we ought to go to Cannes.
00:27:51It's really strange this time of the year.
00:27:53So strange, my friend.
00:27:55I always had a secret desire.
00:27:57I always wanted to go to Bali, you know.
00:27:59Bali?
00:28:00Bali!
00:28:01Bali!
00:28:13We are not going to Bali.
00:28:15Caracas, Venezuela.
00:28:17No.
00:28:18Please tell the General that I am convinced...
00:28:22He says he is convinced that the only place he can go...
00:28:25is to San Juan de Puerto Rico.
00:28:51Well, how do you know he can't live in deep water?
00:28:55Because of his feet.
00:28:57He's a walker and he's got to stay at the bottom.
00:28:59All right, stupid?
00:29:01All right, stupid.
00:29:03Now, when we get to Puerto Rico...
00:29:05we'll take the strong box ashore.
00:29:07Now, as an American, I won't be noticed.
00:29:09I'm thinking of playing up the Ciudad Rojillo.
00:29:12Take the box with me.
00:29:14I can say unequivocally...
00:29:16without the slightest qualm of doubt...
00:29:19that he is...
00:29:21heading for Bali.
00:29:24I think the government should watch for us at the Panama Canal.
00:29:27Over.
00:29:31The General says it's all right.
00:29:33We may go to Puerto Rico.
00:29:35But he wants Kiev to take the strong box out of his sight.
00:29:39Okay.
00:29:50Uh-huh.
00:29:52What do you think of it, Sparks?
00:29:57Looks like a Portuguese fishing vessel to me.
00:29:59Good guess.
00:30:01A giraffe.
00:30:03The Cuban coast guard.
00:30:06Looks like they're coming this way.
00:30:09Maybe they're looking for the gold.
00:30:11Hey, Pete.
00:30:13Tell Sostara and his men to stay below.
00:30:15Sparks, see if you can catch a fish.
00:30:19Everybody keep your guns handy.
00:30:21I don't have any guns.
00:30:23Maribel.
00:30:25Give him one of your guns.
00:30:27Ow!
00:30:28Give him one of your guns, Maribel.
00:30:38Now, that's a pure casual.
00:30:40Maribel, sing a song.
00:30:48Oh, kiss me, baby
00:30:55Please kiss me fine
00:31:03I'll make you forget
00:31:12I'll make you forget
00:31:19What you've got on your mind
00:31:27Oh, kiss my voice
00:31:34And I'll kiss it
00:31:41So kiss me, baby
00:31:49I'll make you forget the war
00:31:57Remember somewhere in 52
00:32:07I met you somewhere in 52
00:32:19You kissed me somewhere
00:32:25Oh, Maribel
00:32:31Oh, kiss me, baby
00:32:38Don't you make me mad
00:32:45I can make you forget
00:32:52All that you never had
00:33:00Kiss me, baby
00:33:06I am the deepest
00:33:14Ever
00:33:16Loved
00:33:20Kiss me, baby
00:33:27I'm the creature
00:33:30From the haunted sea
00:33:35You never need
00:33:38Kiss me, baby
00:33:43Oh, kiss me, baby
00:33:48Kiss me, kiss me
00:33:53Kiss me, kiss me
00:33:58Kiss me, kiss me
00:34:03Kiss me, kiss me
00:34:08Kiss me, kiss me
00:34:13Kiss me, kiss me
00:34:18Kiss me, kiss me
00:34:23Kiss me, kiss me
00:34:28Kiss me, kiss me
00:34:33Kiss me, kiss me
00:34:38Kiss me, kiss me
00:34:43Kiss me, kiss me
00:34:48Kiss me, kiss me
00:34:53Kiss me, kiss me
00:34:58Kiss me, kiss me
00:35:03Kiss me, kiss me
00:35:08Kiss me, kiss me
00:35:13Kiss me, kiss me
00:35:18Kiss me, kiss me
00:35:24Kiss me, kiss me
00:35:30Kiss me, kiss me
00:35:36Kiss me, kiss me
00:35:42Kiss me, kiss me
00:35:47Kiss me, kiss me
00:35:52Kiss me, kiss me
00:35:57Kiss me, kiss me
00:36:02Kiss me, kiss me
00:36:07Kiss me, kiss me
00:36:12Kiss me, kiss me
00:36:17Kiss me, kiss me
00:36:22Kiss me, kiss me
00:36:27Kiss me, kiss me
00:36:32Kiss me, kiss me
00:36:37Now, on the north coast of the big island there's a teeny speck of land called La Isla del Borracho
00:36:45Named after one of Columbus' lieutenants
00:36:48It should be deserted by now
00:36:50We ought to be able to land there, huh?
00:36:53Good
00:36:55Now, there's a reef around the island
00:36:59And a very narrow opening which we have to go through
00:37:03I am going to run this yacht on the rocks
00:37:07Right at the entrance
00:37:09Now, during the panic, we'll take the strong box
00:37:12Load it on a skiff and head for shore
00:37:15Now, Pete, when we get over 30 feet of water
00:37:19I'll give you a signal
00:37:22And then I want you to capsize the boat
00:37:26You understand?
00:37:29Later, Pete, we'll come back and dive for it
00:37:32You understand everything?
00:37:34Sure
00:37:35Uh, when we hit the rocks
00:37:37And then we put the box in the skiff
00:37:39And then we dump it over 30 feet of water
00:37:41So we can come back and get it
00:37:46And that's because it's still a natural weapon
00:37:49It shouldn't be on board anyway
00:37:53El Borracho
00:37:55Look at the reef
00:38:00Reef, go ahead
00:38:10We're starting through
00:38:13Pete, go!
00:38:39Very well, I won't leave you, I'll never leave you
00:38:41We'll drown together
00:38:43My lunch
00:38:46My, what a short memory
00:38:59It's all right, be calm everybody
00:39:01The boat's insured
00:39:11Get out of the way!
00:39:34Everything went according to plan
00:39:37Renzos and the monsters
00:39:41They're coming
00:39:51Row, row, row your boat gently up the creek
00:39:54Merrily, merrily, merrily, merrily I'm going to be sick
00:40:07You know, this reminds me of one time on Lake Minnetonka
00:40:10Jerry Schmidt and I were paddling along
00:40:12When what do you think happened?
00:40:28General says he'll have your order
00:40:30As soon as he can estimate the situation
00:40:32Well, you can tell El General
00:40:36Tell him he's still giving orders around here
00:40:39I love you
00:40:40You men have no money and you have no guns
00:40:42And you're on U.S. soil
00:40:44That's all right, I'm on your side
00:40:47Pete, I want you to search the island
00:40:49See if anybody lives here
00:40:51Jack, you take one of the lifeboats and row to shore
00:40:55Make your way to San Juan and lend us a fishing boat
00:40:58And plenty of diving gear
00:41:00Uh-huh
00:41:01Come on, boys
00:41:04Colonel, see if you can get your men to build us a lean-to
00:41:08Or something to keep the rain off
00:41:34Colonel, Colonel
00:41:38Are you okay?
00:41:39Could stay here forever
00:41:41That won't be necessary, babe
00:41:43Why?
00:41:46Well, the way I figure it
00:41:47These Cubans aren't very much at diving
00:41:50But Jack, Pete and I are all pretty good spear fishermen
00:41:53We'll go down, find the strong box
00:41:56And hide it in a hole in the reef
00:41:59After that we'll tell the Cubans that it's no use
00:42:02And give up
00:42:04It'll be safe there for months
00:42:07Even years, until we're ready to come back and get it
00:42:11You like it?
00:42:13Bootsy
00:42:15Sometimes you are so smart you make me sick
00:43:03Hello, operator
00:43:05Get me Havana, Cuba
00:43:07652314
00:43:13Cuba
00:43:15652314
00:43:22Oh, listen, I don't have the right chain
00:43:24So would you mind charging that to my home phone
00:43:27Which is in Washington, D.C.?
00:43:30In Washington, D.C.
00:43:32In U.S.A.
00:43:34It is 762691
00:43:38Estada Unida, Washington
00:43:416
00:43:446
00:43:46Duo
00:43:48692
00:43:50Duo, whatever
00:43:53Right, thanks a lot
00:43:55That service is terrific
00:44:00Hello, Santa Domingo Bar
00:44:02Is there a girl there playing chess?
00:44:04You're right, I want to talk to her
00:44:10Hello
00:44:11I'll give you all my utilities
00:44:14And all my railroads for Park Place
00:44:17Not a chance
00:44:18Go directly to jail
00:44:20Do not pass go
00:44:21Do not collect your $200
00:44:24XK120?
00:44:25Right, XK150
00:44:27Right
00:44:28Listen, I can't really talk now
00:44:30I don't know exactly what's happening
00:44:32Or where I am
00:44:33But I have the feeling that this case
00:44:35Is about to bust wide open
00:44:38I can't talk now
00:44:39Someone's waiting to use the phone
00:44:40But I'll keep in touch
00:44:41Did you get that?
00:44:42Repeat the last part of that message
00:44:45I'll keep in touch
00:44:48Did you get that?
00:44:51Right
00:44:52Which way do I turn this Dakota pin?
00:44:54Left
00:44:55Left?
00:44:56Right
00:44:57Right
00:45:27Right
00:45:28Right
00:45:29Right
00:45:30Right
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00:51:15The search for the strong box had begun, but the sea was cluttered up with Cubans, dispersed
00:51:41by General Tostada to search independently. All those Cubans alone in the deep. This was
00:51:48a chance for Renzo to again become the sea monster. A lonely Cuban had found one of the
00:51:58many wrecks on the bottom. And Renzo had found the lonely Cuban.
00:52:11Their attack was cleanly executed.
00:52:41The victim was dead, the killers delighted, but not satisfied. Renzo must have another
00:52:49quart of Latin blood. We waited, sensing the dangers below, while the unholy three sought
00:53:03new prey.
00:53:11It didn't take them long to find it.
00:53:28What happened to them? Wasn't this tight? No, it was a monster. What do you mean a monster? A real, live, honest-to-goodness monster with claws and everything.
00:53:35No, you're not. Who is he? Carmelita, it's too dangerous for you here. Let's run away and live a little. No, no, I'm in love with Spock. Spock Moran?
00:53:44Let's see. Well, how can you be in love with him? He's an idiot. You ought to be in love with me. No, I'm in love with him. And I don't care if he'll never see you again.
00:53:53Oh, if I'd only pay my life insurance premium, I'd kill myself. Oh, no, no, no. Don't kid yourself over now.
00:54:02You come with me. I'll show you. Come with me to the jungle. You've seen one jungle, you've seen them all. You come with me, you'll see and you'll like.
00:54:09Hello, girl. Senor, I'm very much afraid of this monster. Well, let's pick up and go home. No, I am enough. We will not stop until we have this scrambler. From now on, we'll dive with beer guns. Crazy.
00:54:32Mango! Mango! Mango!
00:55:02Senor, this girl is my daughter. Her name is Mango. Mango?
00:55:24I was telling her what that no good of Carmelita do to you. I was telling her to cheat you up. Gee, thanks, poor senor. But it really wasn't necessary.
00:55:47Oh, do you not like mango? Oh, yeah, I like. She not speak good English, senor. Well, I don't think that's going to matter at all.
00:56:05Okay, I'm going back now. Mr. Peterson, he is waiting for me now. Adios, poor senor. Adios.
00:56:36Don't think you can get away with this, right? Let me go, you dirty dog! Let me go, you dirty dog!
00:56:58Are you all right, poor senor? Oh, I'm all right, my hero.
00:57:03Hey, where's Happy Jack? Oh, come on, I tell you to them. Them? Yes.
00:57:17Oh, I don't know what you said, Mango, but it sure was wonderful.
00:57:23I feel the same way, Mango. Why, I never felt like this in my whole life before.
00:57:44Oh, I know, Mango. I know.
00:57:48Well, here come Pete and poor senor.
00:57:59Hi, Jack, who's your friend? Well, this is Mango Perez, poor senor's daughter.
00:58:03Gee, she's almost as pretty as her mother. Yeah, she's wonderful.
00:58:07Yeah, but can't she do imitation? Well, I don't know, and I don't care, because I love her.
00:58:13What? You're going to marry her? Yeah, well, why not?
00:58:16Why not? If you marry Mango, and I marry poor senor, I'll be your father.
00:58:24What about boy Paul, is that? Oh, we can not talk here, we can not talk.
00:58:30He made big trouble. Yeah, I just had a fight with him.
00:58:36You know, Pete, I'm getting tired of all this running around.
00:58:40You know what I'd like to do? I'd like to marry Mango and settle down here.
00:58:46Well, I could start a tennis club. They don't have clubs. They have rackets.
00:58:52You know, you're right. But you know something, though? I'd like to do the same thing myself.
00:58:58Say, why don't we rub them all out, and this way we can keep the strong box for ourselves?
00:59:04Oh, yes. Well, even Mary-Belle? Oh, gee, I don't know about her.
00:59:10Well, she is my sister. Of course, we could keep her around to do the housekeeping.
00:59:15Sure. And she'll get over losing Renzo.
00:59:18Sure. Well, how about it? Is it a deal?
00:59:20Sure. Besides, they've been cheating on their income tax anyway.
00:59:26First Pete and the boys, they know we should be diving this afternoon.
00:59:29I think they're somewhere in the jungle.
00:59:38Señor, usted me está proponiendo una cosa sucia. Le pido una satisfacción.
00:59:42What's this? Well, what is it?
00:59:44These men's lives is in danger.
00:59:47Señor, usted me está proponiendo una cosa sucia. Le pido una satisfacción.
00:59:51What's this? Well, what is it?
00:59:53These men's lives is playing around with me for Pete. He's very angry.
00:59:58That's tough.
01:00:00Mire, lo único que puedo hacer es venderla. Yo creo que cincuenta dólares y una caja de saldillas está en orden.
01:00:05This man wants to sell you his wife for fifty dollars and a case of rum.
01:00:09Television, that's...
01:00:11Dice que está loco.
01:00:13Señor, no acepto esa clase de insulto a nadie. Ahora le pido cien dólares.
01:00:17Tomalita, will you talk to him? We're busy.
01:00:20No, sure. I was told him to cut down to twenty for a pip of gin.
01:00:25Gin nothing. Who wants to buy his improbable wife?
01:00:30Come on, gentlemen, let's get going.
01:00:34Soldados cubanos, de nuevo a sumergirnos.
01:00:39Una, dos, y tres.
01:00:42Una, dos, y tres.
01:00:45Una, dos, y tres.
01:00:56All right, baby.
01:00:58Listen, you hold on to these because I can't use them without Pete or Jack to help me, huh?
01:01:02I'll keep them warm for you.
01:01:33No!
01:01:35Now, you're in!
01:01:54Renzo Capetto had at last found the strongboat.
01:01:59And the unknown partner had found Renzo Capetto.
01:02:29You're in! You're in! You're in!
01:02:49You're in already! You're in!
01:03:29Mangle!
01:03:33Mangle!
01:03:38Mangle!
01:03:43Mangle!
01:03:50Mangle!
01:03:55Michael! Please! Find my daughter, please!
01:04:09Michael! Michael!
01:04:14Michael! Michael!
01:04:20Why did you have to do it, Renzo?
01:04:22Why did I have to do what?
01:04:24Don't play games with me. Why'd you kill her?
01:04:26Jack, I swear I had nothing to do with it.
01:04:28I said don't play games. We all saw it.
01:04:31The same five incisions in those brown marks from that stupid saw I plunged her.
01:04:35Why don't you ask Maribel? I gave her the rakes before I went under.
01:04:38That won't play. You had two more in your truck, just in case, you said. Remember?
01:04:42Yeah, I remember. But they're still there.
01:04:45I can't convince them, honey.
01:04:47I can't convince them, honey. Maybe you can.
01:04:50Sorry, honey. I'm afraid I'm going to have to go along with Jack.
01:04:54You think I did it?
01:04:56Well, what else can I think?
01:04:58You made that monster up out of thin air.
01:05:00And I don't care to tell me it's real. I'm not that stupid.
01:05:03Well, I am. I always believed in it.
01:05:06But it's got to be real.
01:05:08Either that or the Cubans are trying to kill us all.
01:05:10I can't buy that.
01:05:11I don't care what you buy.
01:05:13From now on, we're going to die with spirits like the rest of them.
01:05:16We've got to get rid of the rest of those Cubans as quickly as possible.
01:05:19Now, we'll start tomorrow morning with tostado.
01:05:23Jack?
01:05:25Pete?
01:05:47Possible death notwithstanding,
01:05:50the courageous general and two of his men dove once more into the deadly sea.
01:05:55But, as usual, they were not alone.
01:05:58Renzo waited for them to separate.
01:06:12One pulled away, and then there were two.
01:06:16Two.
01:06:28Tostado went on alone into the forbidding void,
01:06:31with the killers closing in.
01:06:46The giant observer stood watching over a pathetic bit of cloth,
01:06:50all that remained of Mango.
01:06:53At last, Tostado had found his gold in his own watery grave.
01:07:17Oh, no.
01:07:42The general died as all generals should.
01:07:45His greedy murderers let his body drift away while they congratulated each other.
01:07:56Happy Jack found the scrap of the dress and knew what had happened to his beloved.
01:08:01Suddenly...
01:08:16Don't touch me.
01:08:17Oh, honey.
01:08:18Go ahead, try to talk yourself out of it.
01:08:20Try to talk yourself cool this time.
01:08:22Baby.
01:08:23Boy, tell me the Cubans did it.
01:08:24Only they were on board pulling in the general.
01:08:26Now, who was down there with Jack?
01:08:27No, baby, you've got to believe me.
01:08:29I'll never have to look at you again.
01:08:46I ran through.
01:08:47Mary-Belle, I saw what he did to you.
01:08:49They killed your brother.
01:08:50And now you've got to leave, Mary-Belle, and there's no one to help you but me.
01:08:54Oh, Mary-Belle, I love you so much I could split.
01:08:57Hey, get on.
01:09:03What do you do to my man?
01:09:05Oh, shut up.
01:09:12Come on, baby.
01:09:16It was dusk.
01:09:18I could tell because the sun was going down.
01:09:26You were right, senor.
01:09:28All my army is finished.
01:09:31I knew when the general died.
01:09:34I don't care about the cops anymore.
01:09:36I don't want him to kill any more of my men.
01:09:40Neither do I.
01:09:42I think we must go to Ciudad Trujillo in the morning.
01:09:45You can go anywhere you like.
01:09:47I'm going home.
01:09:48To America?
01:09:50America?
01:09:53No, I can't go back there anymore.
01:09:57Sicily.
01:09:59Oh.
01:10:01I've got an uncle there who's been asking me for years to help him stamp grapes.
01:10:06He's beginning to appeal to me.
01:10:10Mary-Belle hates me.
01:10:13I know.
01:10:15But I love you.
01:10:18It's kind of nice having somebody love you.
01:10:22Why don't you try to love me?
01:10:25You might like it.
01:10:28I guess I can try.
01:10:31She pressed her hot Latin lips against mine.
01:10:36She pressed her hot Latin lips against mine.
01:10:39And I forgot everything but Armolito.
01:10:41But our silent partner was not going to let me forget.
01:10:46This was it.
01:10:48There was but one thing a responsible, trusted representative of the United States government could do at a time like this.
01:10:53Get out of there.
01:10:56Mary-Belle.
01:10:59I'd just like one more chance to explain.
01:11:04Hey.
01:11:07All right, Booksy.
01:11:09It doesn't really matter.
01:11:11No matter where you go or what you do or who you kill.
01:11:16I'll love you till the day I die.
01:11:19Oh!
01:11:21Oh!
01:11:23Oh!
01:11:24Oh!
01:11:25Oh!
01:11:26Oh!
01:11:27Oh!
01:11:28Oh!
01:11:29Oh!
01:11:30Oh!
01:11:31Oh!
01:11:32Oh!
01:11:33Oh!
01:11:34Oh!
01:11:35Oh!
01:11:36Oh!
01:11:37Oh!
01:11:38Oh!
01:11:39Oh!
01:11:40Oh!
01:11:41Oh!
01:11:42Oh!
01:11:43Oh!
01:11:44Oh!
01:11:45Oh!
01:11:46Oh!
01:11:47Oh!
01:11:48Oh!
01:11:49Oh!
01:11:50Oh!
01:11:51Oh!
01:11:52Oh!
01:11:53Oh!
01:11:54Oh!
01:11:55Oh!
01:11:56Oh!
01:11:57Oh!
01:11:58Oh!
01:11:59Oh!
01:12:00Oh!
01:12:01Oh!
01:12:02Oh!
01:12:03Oh!
01:12:04Oh!
01:12:05Oh!
01:12:06Oh!
01:12:07Oh!
01:12:08Oh!
01:12:09Oh!
01:12:10Oh!
01:12:11Oh!
01:12:12Oh!
01:12:13Oh!
01:12:14Oh!
01:12:15Oh!
01:12:16Oh!
01:12:17Aaaaah!
01:12:29Aaaaah!
01:12:40Aaaaah!
01:13:17I've never known a girl like you.
01:13:19You want to spend your whole life in a monastery?
01:13:22Carmelita, I love you, and I want to marry you
01:13:24and take you away from all this.
01:13:26That I would like it, I think.
01:13:28Of course, we'd have to live on the salary of an American spy,
01:13:31which is $41.50 a week.
01:13:33I don't care.
01:13:34You're so strong, so intelligent.
01:13:36Do you see how much I love you?
01:13:38I love you.
01:13:39I love you.
01:13:40I love you.
01:13:41I love you.
01:13:42I love you.
01:13:43I love you.
01:13:44I love you.
01:13:45I love you.
01:13:46Do you see how you solve the cold case?
01:13:49You're the smartest person in the whole world.
01:13:52I'm not really as smart as I look, Carmelita.
01:13:54You see, I have to admit that all that time,
01:13:58I thought Renzo and the Cubans were trying to steal that song box.
01:14:02But I was wrong.
01:14:04The real killer was the monster.
01:14:06So what?
01:14:07You're beautiful.
01:14:11So I got the girl.
01:14:14And guess who got the gold?