Horror Express - Full Movie
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00:02:30The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:02:50is a true and faithful account of events that befell the Society's expedition in Manchuria.
00:02:59As the leader of the expedition, I must accept responsibility for its ending in disaster.
00:03:07But I will leave to the judgement of the honourable members the decision as to where the blame
00:03:13for the catastrophe lies.
00:03:59The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:04:12is a true and faithful account of events that befell the Society's expedition in Manchuria.
00:04:24The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:04:52is a true and faithful account of events that befell the Society's expedition in Manchuria.
00:05:22I'm sorry, there isn't a seat left.
00:05:36My name is Saxton, Alexander Saxton.
00:05:38If you will check, you will find a telegram I sent you three weeks ago instructing you
00:05:43to reserve accommodation for me.
00:05:46There's nothing I can do.
00:05:49Hello?
00:05:50Yes.
00:05:51Yes.
00:05:52Well, well, look who's here.
00:05:53Professor Saxton, I presume?
00:05:54Dr. Wells.
00:05:55And what are you doing in Shanghai?
00:05:56I've asked you the same thing.
00:05:57Oh, I'm just collecting a few specimens.
00:05:58Miss Jones, let me introduce Professor Alexander Saxton.
00:05:59He dabbles in fossils and bones.
00:06:00Glad to meet you, Professor.
00:06:01How do you do?
00:06:02Miss Jones has been assisting me.
00:06:03Bacteriology.
00:06:04Excellent technician.
00:06:05For a woman, he means.
00:06:06I'm not a woman.
00:06:07I'm a man.
00:06:08I'm a man.
00:06:09I'm a man.
00:06:10I'm a man.
00:06:11I'm a man.
00:06:12I'm a man.
00:06:13I'm a man.
00:06:14I'm a man.
00:06:15I'm a man.
00:06:16I'm a man.
00:06:17I'm a man.
00:06:18I'm a man.
00:06:21I'm a man.
00:06:22I'm a man.
00:06:23I'm a man.
00:06:24I'm a man.
00:06:25I'm a man.
00:06:26I'm a man.
00:06:27I'm a man.
00:06:28I'm a man.
00:06:29I'm a man.
00:06:30I'm a man.
00:06:31I'm a man.
00:06:32I'm a man.
00:06:33I'm a man.
00:06:34I'm a man.
00:06:35I'm a man.
00:06:36I'm a man.
00:06:37I'm a man.
00:06:38I'm a man.
00:06:39I'm a man.
00:06:40I'm a man.
00:06:41I'm a man.
00:06:42I'm a man.
00:06:43I'm a man.
00:06:44I'm a man.
00:06:45I'm a man.
00:06:46I'm a man.
00:06:47I'm a man.
00:06:48I'm a man.
00:06:49I'm a man.
00:06:50I'm a man.
00:06:51I'm a man.
00:06:52I'm a man.
00:06:53I'm a man.
00:06:54I'm a man.
00:06:55I'm a man.
00:06:56I'm a man.
00:06:57I'm a man.
00:06:58I'm a man.
00:06:59I'm a man.
00:07:00I'm a man.
00:07:01I'm a man.
00:07:02I'm a man.
00:07:03I'm a man.
00:07:04I'm a man.
00:07:05I'm a man.
00:07:06I'm a man.
00:07:07I'm a man.
00:07:08I'm a man.
00:07:09I'm a man.
00:07:10I'm a man.
00:07:11I'm a man.
00:07:12I'm a man.
00:07:13I'm a man.
00:07:14I'm a man.
00:07:15I'm a man.
00:07:16I'm a man.
00:07:17I'm a man.
00:07:18I'm a man.
00:07:19I'm a man.
00:07:46It's called squeeze in China. The American people know how.
00:07:50And in Britain, we call it bribery and corruption.
00:07:55Now, sir. Excuse me.
00:08:06You...
00:08:08Get out!
00:08:09Huh?
00:08:10Sir Alexander Saxton.
00:08:14Yes?
00:08:16Captain O'Hagan, sir. General Wang told me to find you.
00:08:19And to make myself useful.
00:08:23Now I remember. I do have your excellency's ticket.
00:08:29Your ticket. Right here.
00:08:33Oh, Shambhala. Oh, Shambhala.
00:08:36Shambhala.
00:08:45And the Lord have mercy on his soul.
00:08:48Not that he deserves it. The dirty thief.
00:08:51You have his things?
00:08:53You knew him?
00:08:55Krasinski, the locksmith.
00:08:58He corrupts many trunks with a hairpin.
00:09:04A thief?
00:09:06But he was blind.
00:09:08Blind? He could spot a policeman a mile away.
00:09:16I'll be damned.
00:09:23The work of the devil.
00:09:34Can I be of any assistance, father?
00:09:39This is yours.
00:09:40It is, but I demand an explanation.
00:09:44Whatever you have here is unholy and must be destroyed.
00:10:03Inspector Mirov. What is in there, excellency?
00:10:07Fossils.
00:10:09What is a fossil?
00:10:11A stone.
00:10:14Stones.
00:10:16There wouldn't be something valuable in there, like gold?
00:10:19Gold? It's a laboratory specimen.
00:10:23No value to a thief.
00:10:25Where there is God,
00:10:28there is always a place for the cross.
00:10:31Even on this stone floor, just so.
00:10:38But Satan is evil.
00:10:40And where evil is, there is no place for the cross.
00:10:45Rubbish. A conjurer's trick.
00:10:49Captain?
00:10:50Yes, sir?
00:10:51You get your men to put the crate on the train.
00:11:00Ready?
00:11:01Yes, sir.
00:11:02Ready?
00:11:03Yes, sir.
00:11:04Ready?
00:11:05Yes, sir.
00:11:06Ready?
00:11:07Yes, sir.
00:11:08Ready?
00:11:09Yes, sir.
00:11:10Ready?
00:11:11Yes, sir.
00:11:12Ready?
00:11:13Yes, sir.
00:11:14Ready?
00:11:19Lift it up.
00:11:21Off you go.
00:11:22Off you go.
00:11:43Where's crate C?
00:11:44It's over there, sir.
00:11:48You want to be careful with this one?
00:11:49Oh, thank you.
00:11:52Follow me.
00:12:22Oh, thank you.
00:12:52Oh, thank you.
00:13:22Oh, thank you.
00:13:53What are you going to astound the scientific world with this time?
00:13:58You'll read about it in the Society's annual report.
00:14:01It's a remarkable fossil.
00:14:02Fossil?
00:14:03But you've got something live in there, I heard it.
00:14:06You're mistaken.
00:14:08You've only defeated them.
00:14:10The occupant hasn't eaten in two million years.
00:14:13That's one way to economize on food bills.
00:14:19Baggage man.
00:14:23Alinka, what's the matter with you?
00:14:26Yes, countess?
00:14:27You have a safe of valuables?
00:14:29Yes, countess.
00:14:30I shall make out a receipt.
00:14:37Excuse me.
00:14:42Alinka's afraid of something.
00:14:45What do you have in that crate?
00:14:47Oh, nothing that would interest Alinka, madame.
00:14:52Normally, she likes Englishmen.
00:14:55All we Poles do.
00:14:57I am honored, madame.
00:14:59Oh, yes, England.
00:15:01Queen Victoria, crumpets, Shakespeare.
00:15:06I admire Poland, madame.
00:15:08I believe that there is a bond between our countries.
00:15:11My husband, the Count Petrovsky,
00:15:14says that in the 15th century,
00:15:16your King Henry betrayed us to the Russians.
00:15:20Betrayed us to the Russians?
00:15:24I hope that you and your husband, madame,
00:15:26will accept my profoundest apologies.
00:15:28She's really afraid.
00:15:33I wonder what it is.
00:15:36May I escort you back to your carriage, madame?
00:15:50Yes.
00:16:09Yours?
00:16:12Oh, thank you.
00:16:14Excuse me.
00:16:16Yes?
00:16:17I was on the platform before
00:16:19and a mad monk was carrying on.
00:16:21Yes?
00:16:22I'm an engineer, a scientist.
00:16:29And this is ordinary chalk.
00:16:33How do you explain it's not writing on that crate?
00:16:36Hypnosis, yoga.
00:16:39These mystics can be very convincing.
00:16:41They can even hypnotize themselves.
00:16:50The fresh food we will pick up.
00:16:52Who will pay for it, sir?
00:16:54Oh, just keep in account of how much you spend.
00:16:59If someone were to drill a little hole
00:17:02in this crate during the night
00:17:04and take a look at what's inside,
00:17:09I'd be very grateful.
00:17:12I'd be very grateful.
00:17:32It's in order.
00:17:38Help me.
00:17:42In what way, madame?
00:17:49Is this number eight?
00:17:51That's next door, Wells confinement.
00:17:55There, there, don't cry.
00:17:59Everything will be all right.
00:18:03Excuse me.
00:18:06Sorry, dear fellow, I'm afraid you're in the wrong pew.
00:18:09Here, number eight, do you see?
00:18:13Eight A, lower berth.
00:18:16Eight B, upper berth.
00:18:19Don't worry, look here.
00:18:21I was supposed to have this compartment to myself.
00:18:23If you don't mind.
00:18:24I'm sorry if I'm in your way.
00:18:26Excuse me.
00:18:27I have no ticket and I have to get out of Shanghai.
00:18:30I'm sure I can make it worth your while.
00:18:32The young lady's in trouble.
00:18:34What do you suggest we do about it?
00:18:37Couldn't you...
00:18:38Couldn't you double up with somebody else?
00:18:40Miss Jones, steady.
00:18:42I'm sure we can all get along very well together.
00:19:06I'm sure we can all get along very well together.
00:19:36I'm sure we can all get along very well together.
00:20:06I'm sure we can all get along very well together.
00:20:36I'm sure we can all get along very well together.
00:21:06I'm sure we can all get along very well together.
00:21:36I'm sure we can all get along very well together.
00:22:07There's the stink of hell on this train.
00:22:10Even the dog knows it.
00:22:17When the Englishman comes to call, what should I wear?
00:22:21Sure of yourself, aren't you?
00:22:24The blue one with the decollete.
00:22:27Or perhaps the red one.
00:22:32You're jesting with her immortal soul.
00:22:36That's why we keep you, Pujardov.
00:22:39Our immortal souls are your concern.
00:22:47She's afraid of something.
00:22:50Tell me, Pujardov.
00:22:52Yes?
00:22:54Which do you think I should wear for the Englishman?
00:22:57The red?
00:22:58Or the blue?
00:22:59Enough.
00:23:02I forbid you to talk this way.
00:23:04You forbid?
00:23:07Forgive me, Your Excellency.
00:23:11My concern for the spiritual welfare of the Countess,
00:23:14I forgot myself.
00:23:17I will pray for humility.
00:23:22Pray hard, Pujardov.
00:23:24Or you'll find yourself praying for a job, too.
00:23:27May the Father, Son, and Holy Ghost...
00:23:35Oh, it's the piece I was playing.
00:23:38I wonder who it is.
00:24:34You wish to see us?
00:24:35I thought one of you might know what happened to the baggage man.
00:24:39I haven't the remotest idea.
00:24:41What about you?
00:24:44Perhaps it had something to do with what's inside that crate.
00:24:47I agree with you.
00:24:48He was trying to open it when something happened.
00:24:51What?
00:24:58Fortunately, he was interrupted.
00:25:00Yes.
00:25:01By whom?
00:25:04Why are you so worried about it being opened?
00:25:07It may be my fault.
00:25:09I asked the baggage man to take a look.
00:25:11I was curious.
00:25:13It was no concern of yours.
00:25:16Or of yours.
00:25:20Good night.
00:25:23One man dead, another missing.
00:25:25It's time we opened this box.
00:25:27You will do no such thing.
00:25:30Give me the key.
00:25:35Come on.
00:25:48Konev, see if you can open the crate with that.
00:25:53Go ahead.
00:26:04Come on.
00:26:35My God.
00:26:37It's the baggage man.
00:26:39What was in there?
00:26:40I told you, a fossil, part ape, part man.
00:26:43It lived two million years ago.
00:26:44Are you telling me that an ape that lived two million years ago
00:26:48got out of that crate, killed the baggage man and put him in there,
00:26:52then locked everything up neat and tidy and got away?
00:26:55Yes, I am.
00:26:56It's alive.
00:26:57It must be.
00:26:58Lock him up.
00:26:59We'll search the train and find it, whatever it is.
00:27:02And destroy it.
00:27:03But if it's alive...
00:27:04I want this kept quiet.
00:27:06I don't want to panic the passengers.
00:27:32I don't want to panic the passengers.
00:28:02I don't want to panic the passengers.
00:28:32I don't want to panic the passengers.
00:28:34I don't want to panic the passengers.
00:29:02I don't want to panic the passengers.
00:29:32I don't want to panic the passengers.
00:30:02Come on.
00:30:27My glass is empty.
00:30:29Oh, forgive me.
00:30:31me. My mind was elsewhere. What is it? I'm sorry, I can't tell you.
00:30:44Good evening. Good evening. Haven't we met? I don't believe so. Yes, at the
00:30:57Governor's Palace, General Wang. Your mistake. Of course, I beg your pardon, it was somebody else.
00:31:09What's the matter? The eye of that fish, it's white. Naturally, it's boiled. Boiled? Yes.
00:31:39Is it true you're a doctor? Ask me when I finish my dinner. It's urgent. What are the symptoms? He's dead,
00:31:51you saw him. Oh, that one. There's nothing I can do for him. Now there's one more dead, one of my
00:31:59soldiers, the same white eyes. I want to know the cause of death. Who's dead? Keep your nose out of
00:32:04it, you didn't hear anything. Excuse me. Is Professor Saxon's fossil still at large? I think the
00:32:15fossil or whatever it is escaped, jumped off the train. Miss Jones, I shall need your assistance.
00:32:25Yes, but at your age I'm not surprised. With an autopsy. Oh, well that's different.
00:32:35Very curious. A genetic defect, obviously. Scalpel. Mm-hmm. Can you keep that still?
00:33:04Mm-hmm. What is he doing? Trepans.
00:33:26Don't get up, please.
00:33:35I see you have decided to dine alone, Sir Alexander. I've eaten in worse circumstances and in worse
00:33:42company. Have some. Here you are, Doctor. You're in bad humour because you've lost your box of bones.
00:34:05Hmm? That box of bones, madame, could have solved many of the riddles of science. If the theory of
00:34:17evolution is confirmed, if the science of biology is revolutionized, if the very origin of man is
00:34:23determined. I have heard of evolution. It's, it's immoral. It's a fact and there's no morality in a
00:34:31fact. And what about the baggage man and that poor thief at the station? What about them? They are
00:34:46dead. Was your creature responsible for that? Probably. And you don't care? A baggage man and a thief?
00:35:02You're right, madame. I don't care as much as I should. Can you tell me how he died? Smooth as a baby's bottom. You saw this man today and he was normal.
00:35:27Absolutely. It must be a mutation, a freak of nature. What's so special about this brain? Learning and memory are engraved on the normal brain, leaving a wrinkled surface. This brain has been drained. The memory has been removed, like chalk erased from a blackboard.
00:36:27Come in. Thank you. It's all yours. I won't be long.
00:39:27Miss, it's Dr. Wells. Miss, are you all right?
00:39:57Miss, are you there?
00:40:20Miss, are you there?
00:40:50Miss, are you there?
00:41:20Miss, are you there?
00:41:48Miss, are you there?
00:42:17Come in. Feeling better? Yes. Anything wrong? That woman who was killed, the engineer, you know, the chess player, he told me that she was an international spy. Yes, I know. Oh, you do? Well, could that fact have had anything to do with her death?
00:42:44What do you think?
00:42:47Dr. Wells and I performed an autopsy on her. Her brain was completely smooth, just like the baggage man's, everything had been erased. Now, I have a theory about this. I'm only a policeman, Professor. I don't have much education.
00:43:00Well, I'll make it simple. Supposing that creature, the one you killed, was capable of taking ideas directly from other people's brains and transferring them to its own. You mean it sucked other people's brains? Absorbed through the eyes. That was our first clue, the eyes going white.
00:43:27Then, if the beast had absorbed your brains, all of your education would have gone into its brain. It would have been as clever as you. Much more so, because what it had taken from me would have been added to the learning that it already had. Professor, spy, baggage man, thief. What was the creature looking for?
00:43:53Well, that we'll never know, now that it's dead. And yet, what? A creature like that. How would it ever die?
00:44:07Inspector? What is it? I found this. The animal had it. The animal had it? Give it to me.
00:44:16It belonged to Count Petrovsky. How do you know? I saw him put it in the safe.
00:44:23I don't know, but I'm sure he put it in the safe.
00:44:33Steel, harder than a diamond. That's why the spies are after it. French, German, English. But they're wasting their time. What really matters is the formula. And that gentleman is safe. Up here.
00:44:54What happened to the girl? The spy? She's dead. The fossil, or whatever it was, killed her. But there's no more danger, Countess. The beast is not dead. I put four bullets into him.
00:45:08You think evil can be killed with bullets? Satan lives. The unholy one is among us.
00:45:38The specimen dropped. What do you expect to find in the eye fluid? I don't know.
00:46:38What?
00:46:45Why, it's the last thing the creature saw.
00:46:50Police inspector. The image has been retained in the fluid.
00:46:54Exactly. The creature's visual memory is located not in its brain, but in the eye itself.
00:47:38Can you identify anything? It's a brontosaurus. A pterodactyl.
00:48:08Incredible. This is not a map. It can only be the earth seen from space. I hope I'm not intruding. People on the train are becoming afraid, Professor.
00:48:37People on long journeys become bored, Madame. They crave excitement. Then there's no more danger. It's all finished. And what about your science? The evolution you were talking about? Look for yourself.
00:49:07Come here, Pujarov. There's something I want to show you. Look.
00:49:33It is the holy wreath on the second day he created the earth.
00:49:54Where did you get it? There, from the creature's eye.
00:50:04The eye of Satan? Nonsense. There's a scientific explanation. You know it?
00:50:14No. Not yet.
00:50:21Before the fall, before Satan was banished from the throne of God, the evil one looked down from heaven and did see...
00:50:32Rubbish!
00:50:44Pujarov!
00:50:57Pujarov! Where is he?
00:51:00I don't know. He's gone mad.
00:51:09I'll look in the baggage car. Right.
00:51:29Pujarov!
00:51:59Pujarov!
00:52:15Looking for the thief, Miss Jones?
00:52:19You know about it.
00:52:21What's all the fuss?
00:52:23You get back that eye and there's a thousand rubles in it for you.
00:52:31A thousand rubles for an eye?
00:52:35There's something in it. Pictures.
00:52:41Pictures of what?
00:52:43Pictures of the earth in prehistoric times. Pictures of the earth seen from space.
00:52:51Who else has seen such pictures?
00:52:55Dr. Wells, Professor Saxton, and that pretty Countess.
00:52:59I see.
00:53:21I see.
00:53:51Have pity. Have pity.
00:54:15Are you going to kill me?
00:54:17Kill me.
00:54:21Fool. There's nothing in your head of any use.
00:54:31Another killing.
00:54:41Stop the train!
00:54:43I want to get off!
00:54:45Quiet.
00:54:47There's been talk about getting off the train.
00:54:49Well, you can forget it.
00:54:51I'll complain to the authorities.
00:54:53I'm not one of your musics.
00:54:55If necessary, I'll shoot anyone who tries to stop the train.
00:54:57Shoot! Shoot, you stupid Russian!
00:55:16Who else has seen such pictures?
00:55:19Dr. Wells, Professor Saxton, and that pretty Countess.
00:55:26Wells, Saxton, Countess.
00:55:28Wells, Saxton, Countess.
00:55:30Wells, Saxton, Countess.
00:55:32Wells, is this creature dead or not?
00:55:44If it is, who killed Miss Jones?
00:55:52Do you have any idea?
00:55:54No, Inspector, I haven't, but I've asked the conductor to wire ahead to stop the train at the next station.
00:56:02What's the idea?
00:56:32Tell me who you are.
00:56:42Tell me, I will serve you.
00:57:02I want to help you.
00:57:08It's like some contagious disease.
00:57:11Well, if there's a disease, there must be symptoms.
00:57:14Fever?
00:57:16You could take everyone's temperature.
00:57:18The eyes.
00:57:20Why do their eyes go white?
00:57:42Do you think it's true what they say about those horrible white eyes?
00:57:46Oh, that part is true enough.
00:57:52Ah, Inspector, it's only you now.
00:57:55What about me?
00:57:56Your eyes.
00:57:58We must examine your eyes too.
00:58:02Certainly.
00:58:11Perhaps you should test for radiation or other invisible rays.
00:58:15X-rays?
00:58:17Well, it's a thought, but on this train, how would we go about it?
00:58:21Are you a scientist?
00:58:23An engineer, but I try to keep up with things.
00:58:26That's to be admired.
00:58:30Inspector, I suggest you tell all these people to stay together, in groups or in pairs,
00:58:35so that if anything does happen to anybody, then somebody can raise the alarm.
00:58:39On no account must anybody be left alone.
00:59:27Use of the train.
00:59:56The train will be here in exactly...
01:00:0614 minutes.
01:00:0914 minutes?
01:00:11Yes, Your Honor.
01:00:13That's what it says here.
01:00:20Doesn't say it in words, Your Honor, but in code.
01:00:23It's like another language.
01:00:25I know about telegraphs, little papa.
01:00:29I know about trains.
01:00:30I know about electrical currents.
01:00:34On your feet, everybody.
01:00:37Outside, full pack.
01:00:41Even though I still believe in God, I don't like to be made a fool of.
01:00:44No, Your Honor.
01:00:50I wouldn't do that.
01:00:55Tell me, little father.
01:00:58Do you believe in the devil?
01:01:02Yes, Your Honor.
01:01:06Oh, good. Send a telegram.
01:01:10Tell him that Captain Kazan, he knows that a horse has four legs.
01:01:15He knows that a murderer has two arms.
01:01:18But still, the devil must be afraid of one honest Cossack.
01:01:46Earth gravity.
01:01:48You know how to measure it?
01:01:50How to measure gravity?
01:01:53What I would like to know is, can gravity be overcome?
01:01:58Ah, if you mean, can man get beyond the gravitational field of the Earth into space?
01:02:03Not yet, but any day now.
01:02:06Someday?
01:02:08There is a mathematics professor.
01:02:10His name is Tsiolkovsky.
01:02:12He has ideas about rockets.
01:02:14Machines that can fly free of the Earth's gravity.
01:02:18You know him?
01:02:23Tsiolkovsky was one of my teachers.
01:02:26He was like a father to me.
01:02:28But why would a man like you be interested...
01:02:42What do you think is behind all this, Excellency?
01:03:09Look at this.
01:03:11That's what we saw under the microscope.
01:03:13It shows the Earth as it might look from space.
01:03:16What does it mean?
01:03:18It means that millions of years ago, something, some form of intelligence,
01:03:23came to the Earth from another planet.
01:03:26The atmosphere of the Earth was new to it, different.
01:03:29But it learned how to survive.
01:03:31How?
01:03:34By entering into the body and brain of an Earth creature.
01:03:39The fossil that I found and brought with me.
01:03:42And this thing from another planet survived the fossil?
01:03:45Then came to life again?
01:03:47Exactly.
01:03:48Go on, Professor.
01:03:51The animal that you shot was only the host.
01:03:56And when that animal died,
01:03:58the alien intelligence transferred somehow to another host.
01:04:06It's alive in someone on this train.
01:04:11You're a very good detective.
01:04:13You've discovered everything except who is now the host.
01:04:17That's our next step.
01:04:20Thought this might come in handy.
01:04:21Good idea.
01:04:22Two of you together, that's fine.
01:04:25But what if one of you is the monster?
01:04:28Monster?
01:04:29They're British, you know.
01:04:41But you must have seen something.
01:04:43I told you, I was asleep.
01:04:47He knew about the white eyes. He told me.
01:04:51When you fell asleep, the lights were on.
01:04:54And when you woke up?
01:04:55They were off.
01:04:57Are you sure?
01:04:58Positive.
01:04:59It was dark. I put the lights on.
01:05:02And that's when I found him beside me.
01:05:06When we did the test, the lights were on.
01:05:12Master.
01:05:25Master.
01:05:46Inspector.
01:05:49This steel at high temperatures, what happens to it?
01:05:57It gets stronger.
01:05:59What temperatures, for example?
01:06:01Ten or twelve thousand degrees.
01:06:04Where on earth would you get such temperatures?
01:06:07Nowhere on earth.
01:06:18Oh, my God.
01:06:49The Tsar will hear of this.
01:06:51I'll have you sent to Siberia.
01:06:55I am in Siberia.
01:06:57This is Countess Irina Petrovska.
01:07:00And I'm Count Marian Petrovsky.
01:07:03Oh, Your Excellencies, I'm sorry.
01:07:06Of course the Count and Countess are exempt from our orders.
01:07:10Please, escort them to their car.
01:07:19Peasants.
01:07:21Peasants!
01:07:31Are you a Countess?
01:07:33I'm an American, and I'm not accustomed to being bullied by foreigners.
01:07:37That man, he's the one who wouldn't let us get off the train.
01:07:40He's responsible.
01:07:44Your Excellency, I'm a police inspector.
01:07:47Everybody's under arrest.
01:07:53Including you.
01:07:57Who are the killers? Who?
01:07:59Who are the troublemakers?
01:08:05Who are you?
01:08:07Who are you?
01:08:09Who are the troublemakers?
01:08:18Who are the foreign influencers?
01:08:21Who?
01:08:26Don't worry. I'll smoke them out.
01:08:29What's he raving about?
01:08:40You English believe in free speech, don't you, huh?
01:08:44Certainly.
01:08:46If instead of babbling nonsense, you'd investigate this properly.
01:08:49This is outrageous.
01:08:53So.
01:08:56You are a police inspector, huh?
01:08:59Yes, Captain. Mirov is my name.
01:09:02Mirov. Oh, Mirov.
01:09:06That's a good Russian name, Mirov.
01:09:10Tell me, Mirov.
01:09:13What do you know about all the filth that's going on here, huh?
01:09:16Filth?
01:09:18Oh, come on, Inspector. Certainly you know what I'm doing here, don't you?
01:09:21You just point out the suspects, and I promise you I'll get the truth out of them.
01:09:26You're mistaken, sir.
01:09:29Mistaken?
01:09:31Fool!
01:09:36Get back!
01:09:38Get back! Back!
01:09:41Or I will put the curse on your heads.
01:09:48He has the evil eye.
01:09:59Beware the wrath of Satan.
01:10:06Satan.
01:10:24Oh, hello.
01:10:29On your knees, monk.
01:10:35We must try and stop this.
01:11:06He was trying to protect you.
01:11:09Why?
01:11:11He's mad.
01:11:15Who are you?
01:11:17I told you, a policeman.
01:11:35Mirov!
01:11:46No!
01:11:48Mirov!
01:12:04You saw his eyes. One look at them and you're dead.
01:12:19Oh, come into me, Satan.
01:12:24Thine is the kingdom and the power and the glory.
01:12:30Thy will be done on earth as it is in hell.
01:12:37Now, anything.
01:12:39Anything that moves near that door, kill it.
01:12:43But what if the monk is innocent?
01:12:45Yeah, we got lots of innocent monks.
01:12:48All right, let's move these peasants out of here. Quickly!
01:14:15Hurry!
01:14:45Oh, no!
01:15:15No!
01:15:45No!
01:15:56There.
01:16:02He always kills in the dark. He can't play his little tricks in a strong light.
01:16:15Come on.
01:16:45Come on.
01:17:16We'll take care of the others.
01:17:18What about you?
01:17:20I'll be all right. Go on.
01:17:22Will you take this?
01:17:24Right.
01:17:46You know, in spite of everything,
01:17:49Pujatov had a certain affection for you.
01:17:54Yet you humiliated him often.
01:17:58Even in front of the countess.
01:18:15Come on.
01:18:46He's dead.
01:18:50You killed him.
01:18:52If you want to kill Pujatov, it's too late.
01:18:57I see you hanged.
01:18:59The poor monk.
01:19:01He loved you more than he loved the promise of heaven.
01:19:05Over there. Quickly, over there.
01:19:07Irina, behind me.
01:19:16It would be a mistake to kill me.
01:19:19Who are you?
01:19:21I'm Pujatov's father.
01:19:23I'm here to kill you.
01:19:25I'm here to kill you.
01:19:27I'm here to kill you.
01:19:29I'm here to kill you.
01:19:31I'm here to kill you.
01:19:34Who are you?
01:19:36In words, it's difficult.
01:19:38I'm a form of energy occupying the shell.
01:19:43Where do you come from?
01:19:46Another galaxy.
01:19:50I came with others like myself.
01:19:53I was left behind.
01:19:55An accident.
01:19:57I survived in protozoans,
01:19:59fish, vertebrates.
01:20:03The history of your planet is part of me.
01:20:09Pull the trigger and you will end it.
01:20:16What am I to do with you?
01:20:20Let me go.
01:20:21That's not possible.
01:20:23It is possible.
01:20:27I will teach you to end disease, pain, hunger.
01:20:33Wait!
01:20:36There is something more.
01:21:02I will teach you to end disease, pain, hunger.
01:21:05Wait!
01:21:28Wait!
01:21:32Wait!
01:22:02Let me go!
01:22:33No!
01:22:43No!
01:23:02No!
01:23:32No!
01:23:44Sexton! Thank God!
01:23:48Stand back, please. Make room.
01:24:02Let's go.
01:24:18Moscow says to stop the express when it goes through the switching point.
01:24:28That means killing everybody on board.
01:24:33That's what it says.
01:24:35Maybe there's a war.
01:24:39Maybe it's war.
01:25:02Let's go.
01:25:32Let's go.
01:26:02Let's go.
01:26:32Let's go.
01:27:02Let's go.
01:27:32THE END
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