Bent on winning a Pulitzer Prize, a journalist commits himself to a mental institution to solve a strange and unclear murder.
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Short filmTranscript
00:00:00My name is Johnny Barrett.
00:00:27I'm a reporter on the Daily Globe.
00:00:57I'm a reporter on the Daily Globe.
00:00:58I'm a reporter on the Daily Globe.
00:00:59I'm a reporter on the Daily Globe.
00:01:00I'm a reporter on the Daily Globe.
00:01:01I'm a reporter on the Daily Globe.
00:01:02I'm a reporter on the Daily Globe.
00:01:03I'm a reporter on the Daily Globe.
00:01:04I'm a reporter on the Daily Globe.
00:01:05I'm a reporter on the Daily Globe.
00:01:06I'm a reporter on the Daily Globe.
00:01:07I'm a reporter on the Daily Globe.
00:01:08I'm a reporter on the Daily Globe.
00:01:09I'm a reporter on the Daily Globe.
00:01:10I'm a reporter on the Daily Globe.
00:01:11I'm a reporter on the Daily Globe.
00:01:12I'm a reporter on the Daily Globe.
00:01:13I'm a reporter on the Daily Globe.
00:01:14I'm a reporter on the Daily Globe.
00:01:15I'm a reporter on the Daily Globe.
00:01:16I'm a reporter on the Daily Globe.
00:01:17I'm a reporter on the Daily Globe.
00:01:18I'm a reporter on the Daily Globe.
00:01:19I'm a reporter on the Daily Globe.
00:01:20I'm a reporter on the Daily Globe.
00:01:21I'm a reporter on the Daily Globe.
00:01:22I'm a reporter on the Daily Globe.
00:01:23I'm a reporter on the Daily Globe.
00:01:24I'm a reporter on the Daily Globe.
00:01:25I'm a reporter on the Daily Globe.
00:01:26I'm a reporter on the Daily Globe.
00:01:27I'm a reporter on the Daily Globe.
00:01:28I'm a reporter on the Daily Globe.
00:01:29I'm a reporter on the Daily Globe.
00:01:30I'm a reporter on the Daily Globe.
00:01:31I'm a reporter on the Daily Globe.
00:01:32I'm a reporter on the Daily Globe.
00:01:33I'm a reporter on the Daily Globe.
00:01:34I'm a reporter on the Daily Globe.
00:01:35I'm a reporter on the Daily Globe.
00:01:36I'm a reporter on the Daily Globe.
00:01:37I'm a reporter on the Daily Globe.
00:01:38I'm a reporter on the Daily Globe.
00:01:52When I was much younger, ten, that's when I got the feeling.
00:02:00What gave it to you?
00:02:02Her braids.
00:02:04Tell me about her braids.
00:02:06I got excited.
00:02:08Go on.
00:02:09I grabbed her braids.
00:02:11Is that when you hurt her?
00:02:13I've never hurt her.
00:02:15Did you pull on her braids?
00:02:18I caressed them.
00:02:20I caressed them.
00:02:22Just...
00:02:23Did you pull on them?
00:02:25Do you think I'm a fetishist?
00:02:27Hell no, Johnny.
00:02:29Let them bring up that word.
00:02:31Not you.
00:02:33You'll be facing the best psychiatrist in the state.
00:02:36They'll know when you're shabby.
00:02:38I feel sorry for Doc Fong.
00:02:40Professionally, he knows he's playing with dynamite.
00:02:43But he just couldn't turn down his closest friend, Swanee.
00:02:46They were in psychological warfare back in World War II.
00:02:50Today, the Doc's a top-flight head-handler.
00:02:53Swanee's my boss, managing editor of the Daily Globe.
00:02:57The role you'll be playing will be stronger than your strongest imagination.
00:03:01So don't ever weaken.
00:03:03It'll be a daily duel between the insane and your own sane mind.
00:03:07And as for the doctors there...
00:03:09Lower your mask for an instant, and they'll know you're a phony.
00:03:13Never let them forget you're living on a sexual powder keg.
00:03:16It's all yours, Swanee.
00:03:18Think he's ready?
00:03:20As he ever will be.
00:03:22Well...
00:03:24The next move...
00:03:26Is yours, Cathy.
00:03:28Caressing my braids.
00:03:30Kissing them.
00:03:32What a disgusting story.
00:03:34What happens if they find out I'm not really his sister?
00:03:38I'll handle that.
00:03:41Johnny...
00:03:43Johnny, you've got to be crazy
00:03:45to want to be committed to an insane asylum to solve a murder.
00:03:48Even if I don't crack this case, honey,
00:03:50my experiences alone will make a book, a play, or even a movie sale.
00:03:53Every man wants to get to the top of his profession.
00:03:55Mine is winning the Pulitzer Prize.
00:03:57If this story doesn't do it, nothing ever will.
00:03:59But their sickness is bound to rub off on you.
00:04:02I said the same thing to you when you started singing in your skin.
00:04:06Remember, Cathy? But those hawkers didn't get to you, did they?
00:04:09And those lunatics are not going to get to me.
00:04:11He's right.
00:04:13Reporters have impersonated coal miners, schoolteachers, hoodlums.
00:04:17Those reporters went in for a purpose.
00:04:19Not to win a journalistic halo on the cover of Life.
00:04:22And not to win a cash prize to get their pictures in Time and Newsweek.
00:04:25Oh, come on, Cathy. All you have to do is play your part.
00:04:28I'm fed up.
00:04:30Fed up playing grief chorus to your rehearsed nightmare.
00:04:33Why don't you smuggle aboard a rocket and write the memoirs of an astronaut?
00:04:36Do you have any cigarettes, Cathy?
00:04:38Why don't you give up this psychoanalytical binge?
00:04:40Because it's what people buy.
00:04:42Mark Twain didn't psychoanalyze Huck Finn or Tom Sawyer.
00:04:46Dickens didn't put Oliver Twist on the couch because he was hungry.
00:04:49Oh, come on, Cathy.
00:04:50Good copy comes out of people, Johnny.
00:04:52Not out of a lot of explanatory medical terms.
00:04:54Now, stop it, will you?
00:04:56You're on a hopped-up show offstage. Get off it.
00:04:59Don't be Moses leading your lunatics to the Pulitzer Prize.
00:05:02Would you care for a cigarette?
00:05:03Oh, you make me sick.
00:05:05Sick of the thought of you playing games with your mind and riding that crazy horse.
00:05:09He has been conditioned for a whole year to ride that horse.
00:05:13You've got to saddle it and get me off and running. That's all, Cathy.
00:05:17Scratch me in this race, Johnny.
00:05:28We made a deal.
00:05:31My whole instinct is to kick myself hard forever having gone into this deal with you.
00:05:38What I should do is to land a righteous punch on your super-civilized...
00:05:41Oh, Cathy, you're an intellectual well past the age of...
00:05:43Don't you dare analyze me!
00:05:48Johnny.
00:05:51Johnny.
00:05:54Johnny, I'm in love with a normal reporter holding down a normal job.
00:05:57Normal.
00:05:58Do you think I like singing in that sewer with a hot light on my navel?
00:06:01No.
00:06:02I'm doing it because it pays more than shorthand or clerking or typing.
00:06:05I know that, Cathy.
00:06:06I'm saving money so we can have that normal life. That's all I want.
00:06:09I know all about that.
00:06:11But I'm scared.
00:06:13I'm scared when I see how calm Dr. Fong and Swanee and you can be about this whole crazy scheme of yours.
00:06:19Oh.
00:06:20I'm scared this whole Jekyll Hyde idea is going to make a psycho out of me.
00:06:25Oh, now, wait a minute, Cathy.
00:06:27Cathy.
00:06:29Do you think I'd ever let anything happen to you?
00:06:33But you've just got to go through with your part, honey.
00:06:36You're the only one we can trust.
00:06:44Thank God.
00:06:47Cathy.
00:06:49Then go back to your dive!
00:06:51Dive!
00:06:55That dive is holy compared to your ideas of work.
00:06:59Hamlet was made for Freud, not you.
00:07:25I want somebody to love, someone to care for me.
00:07:56I need somebody to hold, someone who'll hold just me.
00:08:17I'd like someone who'll always be tender and sweet and kind.
00:08:34Who's more than I?
00:08:47I need somebody to kiss, someone who'll kiss just me.
00:09:07I want somebody to miss, someone who'll miss just me.
00:09:26I know that somewhere there's a someone who's true.
00:09:48I know the lover I want, darling, my love, is you.
00:10:18I told Mr. Freud that the only way for a stripper to strip
00:10:22is for me to take off all my clothes.
00:10:30Did Johnny fault?
00:10:32No.
00:10:48I'm scared this whole Jekyll and Hyde idea is going to backfire
00:10:51and make a psycho out of me.
00:11:00But their sickness is bound to rub off on you.
00:11:05I said the same thing to you when you started singing in your skin.
00:11:09Remember, Cathy?
00:11:10But those hawkers didn't get to you, did they?
00:11:12And those lunatics are not going to get to me.
00:11:15She's going to blow her top if that guy dumped her.
00:11:20How can a girl love a guy that much?
00:11:24Tell him it's Cathy.
00:11:27Yeah?
00:11:31Put her on.
00:11:33Oh, Swanee.
00:11:35Change your mind, Cathy?
00:11:37Swanee, it's been four days.
00:11:40You called the shot.
00:11:41Swanee, I haven't heard from him in four days.
00:11:46If you love him, you'd go to the limit for him.
00:11:57Well, good evening.
00:11:59What can I do for you, young lady?
00:12:01My brother won't let me alone.
00:12:07How old is he?
00:12:09Thirty.
00:12:11Are you married?
00:12:13No.
00:12:15Does he live with you?
00:12:17No.
00:12:19Has he ever tried to attack you?
00:12:22He's tried.
00:12:25Has he ever hurt you?
00:12:28Yes.
00:12:30Have you ever brought charges against his sickness?
00:12:34Why not?
00:12:35Ashamed.
00:12:37And now?
00:12:42He said he'd kill me if I...
00:12:49Are you ready to sign a formal complaint that he's mentally unsound?
00:12:54I didn't hear you.
00:12:56Yes.
00:12:57What's your brother's full name, please?
00:12:59John Barrett.
00:13:02County General Hospital.
00:13:04Psycho unit, please.
00:13:06Dr. Mencken.
00:13:08Kane.
00:13:0916th Precinct.
00:13:11Subject's name, John Barrett.
00:13:15Attempted incest with sister.
00:13:19As soon as we pick him up, we'll send him over for emergency admission.
00:13:24How dare you jackass me down here all by myself?
00:13:28How dare you jackass me down here on Earth say so?
00:13:31I'm a reporter for the Daily Globe.
00:13:32You can call my boss. He'll vouch for me.
00:13:34We checked with him. He gave you a clean bill of health.
00:13:36That's more like it.
00:13:37But his word doesn't carry much weight since your sister signed a formal complaint against him.
00:13:41Formal complaint! Now what can you expect from a stripper?
00:13:43Sis, come on in here and explain all your dreams.
00:13:45Please, Mr. Barrett, please.
00:13:47Sit down.
00:13:50Please.
00:13:58Your father living?
00:13:59No.
00:14:01Did you like him?
00:14:02Of course.
00:14:06Any brothers?
00:14:07No.
00:14:08Any other sisters?
00:14:10Just Kathy, that's enough.
00:14:13Mother living?
00:14:14No.
00:14:16Did you ever want your mother?
00:14:17What?
00:14:18What are you saying?
00:14:19That's a filthy thing to say to me!
00:14:21Please.
00:14:23We're here to help you.
00:14:28You, uh...
00:14:30You love Kathy, don't you?
00:14:31She's my sister.
00:14:33You love her like a woman, don't you?
00:14:34I would never let a meathead have her, no.
00:14:37Mothers and fathers have the same fears.
00:14:41You understand me, don't you?
00:14:43Of course, of course.
00:14:46Tell me...
00:14:48When was the first time you felt differently toward your sister?
00:14:52Well, the first time...
00:14:54When I was 14.
00:14:58Look at the way his eyes lit up.
00:15:00He's got me talking.
00:15:02He's a happy little rascal.
00:15:05Maybe younger, when I was 10.
00:15:08Now, if you just ask me what made me feel different,
00:15:11this story will write itself.
00:15:14What made you feel differently toward her?
00:15:17Her bravery.
00:15:19Her courage.
00:15:21What made you feel differently toward her?
00:15:24Her braids.
00:15:26Tell me about her braids.
00:15:28I caressed them.
00:15:30Kissed them.
00:15:32Did you pull on them?
00:15:34I'd never hurt her.
00:15:36The next question's gotta be about fetishism,
00:15:39according to Doc Fong's script.
00:15:41Oh, I don't like this.
00:15:43He's stalling too much.
00:15:45If he doesn't come through with that question,
00:15:47I'll fall right on my typographical face.
00:15:51Do you know what a fetishist is?
00:15:54There's no contest in this.
00:15:56Sure I know.
00:15:58As a reporter, do you ever cover a story
00:16:00where a man became intensely excited
00:16:02whenever he saw a woman with long hair?
00:16:04Long, loose hair.
00:16:07Yes.
00:16:08Did he make love to her?
00:16:09Yes.
00:16:10He killed her.
00:16:11You don't want to wake up some fine morning
00:16:12to learn you killed your sister.
00:16:13Oh, now, Doctor, I'm no epileptic
00:16:14with some kind of fetish for hair.
00:16:15Of course, of course.
00:16:16Kathy, now, her hair is different.
00:16:18I understand.
00:16:19I figured you would.
00:16:20I understand.
00:16:21Yeah.
00:16:22Didn't you threaten to commit suicide
00:16:23if she ever got married?
00:16:25Didn't you threaten your sister
00:16:26if she wouldn't let you make love to her?
00:16:27That's different.
00:16:28Why?
00:16:29Because she's different.
00:16:30Why is she different?
00:16:31Because.
00:16:32Because why?
00:16:33Because I want her,
00:16:34and nobody's going to keep us apart.
00:16:35Nobody's going to...
00:16:42Kathy!
00:16:43Kathy!
00:16:48Kathy!
00:16:50Kathy!
00:16:51Kathy!
00:16:52Kathy!
00:16:53Kathy!
00:16:54Kathy!
00:16:55Kathy!
00:16:56Kathy!
00:16:57Kathy!
00:16:58Kathy!
00:16:59Kathy!
00:17:00Kathy!
00:17:01Kathy!
00:17:02Kathy!
00:17:04Kathy!
00:17:06Personality synthesis.
00:17:08Emotional state.
00:17:09Test 3, emotional tendencies, and hemorrhoids.
00:17:13Personality synthesis, emotional state,
00:17:16Personality synthesis. Emotional state.
00:17:22You were a healthy lover until you started this crazy idea.
00:17:28And now it's consumed you and made a nervous wreck out of me.
00:17:34Well, reverse the situation, Johnny.
00:17:39What if I...
00:17:42I were going away on a trip that could separate us for weeks?
00:17:46Or months?
00:17:48Would you help me put a gap between us?
00:17:56The drama critic on your paper said my shabby, tinted hair
00:18:03was like a soft halo over wide-set, inviting eyes.
00:18:11And my mouth...
00:18:14My mouth was a lush tunnel through which golden notes came.
00:18:21Stop it, Kathy.
00:18:36And my movements evoked the most inflammatory passions
00:18:43in all...
00:18:46I miss you, Kathy.
00:18:49My yen for you goes up and down like a fever chart.
00:18:56I love you, Kathy.
00:18:58I don't like being alone, Johnny.
00:19:03But you made me be alone, Johnny.
00:19:07And I have a right to find another Johnny.
00:19:12No!
00:19:16Let me have this frequency table.
00:19:27Yeah.
00:19:28Yeah.
00:19:31Shows a culmination of internal sexual conflict.
00:19:36Generally of old standing.
00:19:39And based on a constitutionally determined chaotic sexual pattern.
00:19:45There's no doubt.
00:19:47His pattern of symptoms in a mental disease is familiar.
00:19:52We've got to resolve the underlying sexual conflict.
00:19:59Whenever he wants his sister physically,
00:20:03he is taking the form of a mental breakdown.
00:20:09An acute schizophrenic episode.
00:20:19What does it mean?
00:20:21It means I'm a pretty good teacher and Johnny's a smart student.
00:20:25So far, so good.
00:20:26I don't mean that.
00:20:30Aren't either of you concerned about his breakdown?
00:20:32What breakdown?
00:20:33Well, taking all those tests is bound to make him sick.
00:20:36You're right. That is something to worry about.
00:20:38On the contrary.
00:20:40I think he's got the perfect mood of borderline psychosis.
00:20:44Exactly as re-rehearsed.
00:20:46And if the superior court judge buys his performance,
00:20:49he'll be committed.
00:20:53140 IQ classification.
00:20:55Very good, Mr. Barrett.
00:20:57Means superior intelligence.
00:20:59Oh, my name's Wilkes.
00:21:00Oh, I'm sorry. You'll have to get used to no belt, no shoelaces.
00:21:04New patient, John Barrett.
00:21:06Barrett, eh?
00:21:10Barrett, put it back.
00:21:16Barrett.
00:21:18Ward B, bed 2.
00:21:21Come on, Mr. Barrett.
00:21:24Come on.
00:21:28Barrett, huh?
00:21:29So you're a 140 IQ journalist.
00:21:33Where's your typewriter?
00:21:34Easy, Lloyd.
00:21:36The last reporter I had on this floor was Ben Franklin.
00:21:39That egghead gave me more trouble than...
00:21:40Come on, Mr. Barrett.
00:21:41Thorn phonies all you newspaper men.
00:21:46You came here to make friends, Zahar?
00:21:50Patients who behave are permitted to congregate in this corridor.
00:21:54They call it the street.
00:21:55Gives them a chance to make new friends.
00:21:57The women have their street, too.
00:22:00I used to work in the female lane,
00:22:02but the nympho ward got too dangerous for me.
00:22:05I'm a man of my word.
00:22:07I'm a man of my word.
00:22:09I'm a man of my word.
00:22:11I'm a man of my word.
00:22:13The nympho ward got too dangerous for me.
00:22:25Well, this one's yours, Mr. Barrett.
00:22:27Am I the only loony in this ward?
00:22:30No, Mr. Barrett.
00:22:31Your roommates are in the street.
00:22:33Oh, if you don't mind, we never use words here like...
00:22:36nuts, bugs, screwy, goofy, loony.
00:22:40We'd like it very much if you didn't use them either.
00:22:42I'm sorry. I'm a greenhorn inmate.
00:22:45You're a patient, not an inmate.
00:22:46This is an insane asylum, is it not?
00:22:48Not exactly. This is a mental hospital,
00:22:50and we're dealing with mental hygiene.
00:22:53After Dr. Christo takes you in hand,
00:22:54you'll be a different man.
00:22:57He has one of the finest records in the country.
00:23:05I really don't belong here.
00:23:07I understand.
00:23:08You won't cause any trouble, though, will you?
00:23:10As you did when you attacked the county hospital psychiatrist.
00:23:14I forgot myself.
00:23:15We're here to help you to remember, not to forget.
00:23:18I phoned my sister.
00:23:20No, I'm sorry.
00:23:21I'm hungry!
00:23:23Lloyd will show you your place in the dining room.
00:23:25Lloyd?
00:23:26What's the matter?
00:23:27Lloyd, the keeper that called me a phony.
00:23:30He's no keeper. He's an attendant like me.
00:23:34Lloyd doesn't like me.
00:23:37Don't mind him.
00:23:38He doesn't mean anything to that chip on his shoulder.
00:23:41It's just his way of fighting everybody
00:23:43because he can't cure the patients.
00:23:46Well, make yourself at home, Mr. Barrett.
00:23:51I made it! I'm in!
00:23:58Ever since my voice changed,
00:24:00I've wanted to be in the company of the newspaper greats.
00:24:04And this long corridor is the magic highway to the Pulitzer Prize.
00:24:12Maybe I'm looking at the killer right now.
00:24:21Three witnesses.
00:24:23Stewart, Trent, Bowden.
00:24:34How do you do? I'm Pagliacci.
00:24:36Johnny Barrett.
00:24:38Welcome to Ward B, Mr. Barrett.
00:24:48Have you expected demonstration of insanity?
00:24:51Forget it.
00:24:54What are you in here for, Mr. Barrett?
00:24:57What are you in here for, Mr. Barrett?
00:25:27Witness number one, Stewart.
00:25:30Farm boy from the Bible Belt.
00:25:32Hobby, playing civil war games.
00:25:35He's a fool.
00:25:39He's a fool.
00:25:41He's a fool.
00:25:44He's a fool.
00:25:47He's a fool.
00:25:49He's a fool.
00:25:53He's a fool.
00:25:56playing Civil War games.
00:25:58Believes he's General J.E.B. Stuart,
00:26:00confederate hero of the Civil War.
00:26:03whistling
00:26:24Mr. Pulitzer.
00:26:27Come on, I'll show you to your table.
00:26:32whistling
00:26:41This is your place from now on, Brisbane.
00:26:44Yes, sir.
00:26:46Just behave yourself.
00:26:47Yes, sir.
00:26:49Yes, sir.
00:26:51whistling
00:27:00Don't give us any knives or forks around here.
00:27:02They're afraid we'll hurt ourselves.
00:27:04whistling
00:27:21whistling
00:27:42Take your anticonvulsant.
00:27:43I don't like it.
00:27:45Give me, uh...
00:27:47Give me the, uh...
00:27:50Ankylosing drug.
00:27:52No, no, no.
00:27:53Give me...
00:27:54Give me, give me...
00:27:55Give me the, uh...
00:27:57That one, that one.
00:27:58No, no, no.
00:27:59That one there.
00:28:00Yeah.
00:28:02I hate my meat already chewed up.
00:28:04I can eat a steak the size of a cow.
00:28:06What am I, an infant?
00:28:07Drink this.
00:28:08He ate my vitamins.
00:28:11whistling
00:28:20Stuart.
00:28:23Give me back my vitamins.
00:28:25Give me back my vitamins.
00:28:27Give me back my vitamins.
00:28:29Stuart, bring your brigade up around the right here.
00:28:31We'll flank McClellan's forces.
00:28:33Then we hit Antietam and hit him hard.
00:28:35You will address me as sir.
00:28:37A lieutenant general never serves a major general.
00:28:44What lieutenant general?
00:28:45Nathan Bedford Forrest.
00:28:50Antietam.
00:28:52Report to my command post.
00:28:53Where are you, Bidwaxer?
00:28:54Come on, gentlemen.
00:28:55We're going back to the wards.
00:28:58Where are you, Bidwaxer?
00:29:00A mile north of Gettysburg.
00:29:01Ward B.
00:29:03You better leave your brigade behind with me, general.
00:29:05I'll be there, sir.
00:29:07Now march.
00:29:25snoring
00:29:36snoring
00:29:43All of the men want me, Johnny.
00:29:46But I want you.
00:29:49And you...
00:29:51You want the Pulitzer Prize.
00:30:00I...
00:30:02want...
00:30:04somebody...
00:30:09to love...
00:30:13someone...
00:30:15to care...
00:30:18for me...
00:30:25I need...
00:30:29somebody...
00:30:34to love...
00:30:37somebody...
00:30:40to care...
00:30:43for me...
00:30:46I need...
00:30:49somebody...
00:30:52to love...
00:30:55somebody...
00:30:58to care...
00:31:01for me...
00:31:31babbling
00:31:34babbling
00:31:37babbling
00:31:51snoring
00:31:57snoring
00:32:31♪ Don't you know
00:32:39You come dear, Fenita.
00:32:46Thank you.
00:32:48Thank you.
00:32:51It was in the middle of that aria.
00:32:53And they pitched forward on my face like this.
00:32:56I died of a heart attack.
00:32:59Caused by overweight.
00:33:06A knife is a messy weapon.
00:33:12I was the knife that killed Sloan in the kitchen.
00:33:20Do you know why so many people came to my funeral?
00:33:22Do you know why so many people came to my funeral?
00:33:28They wanted to make sure I was dead.
00:33:31Who used a knife on Sloan?
00:33:37I took my time killing my wife.
00:33:41Did you know that a man named Sloan, a patient here, was killed with a knife in the kitchen?
00:33:47It's still an unsolved murder.
00:33:49I despise butchery.
00:33:54I didn't want my wife to die like Sloan.
00:33:57So I gently sang her to death.
00:34:03Good night, Mr. Barrett.
00:34:10He remembered Sloan's murder.
00:34:13They do have flashes of sanity.
00:34:20Good night.
00:34:29Wake up, John.
00:34:32Wake up.
00:34:34Wake up.
00:34:37Wake up, John.
00:34:39Wake up.
00:34:41Good morning.
00:34:50La la la la.
00:34:53La la la la.
00:34:56Sing.
00:34:57Figaro ti, figaro tau, sing, sing, sing.
00:35:00Figaro la, figaro li, figaro la la la la la, figaro la, figaro la, figaro la.
00:35:07You started as a coffee boy, I see.
00:35:10Yes, when I was 14.
00:35:12And you supported your sister.
00:35:15Did you sleep well?
00:35:16La la la la la la la la.
00:35:21I'm an opera lover now.
00:35:24Pagliacci is harmless.
00:35:28I want to help you, John, but I need your cooperation.
00:35:31I understand.
00:35:33Why didn't you cooperate with my staff this morning?
00:35:35They want to hurt me.
00:35:37Do I want to hurt you?
00:35:38Do I want to hurt you?
00:35:43Oh, I've had my eye on you every minute since I've been here.
00:35:47Do you know who I am?
00:35:49Of course.
00:35:50Who am I?
00:35:52Dr. Christo, clinical director, head of the medical staff for seven years.
00:35:56Married, two children, hobby, golf.
00:35:59Don't you know?
00:36:04Now it's time to ask me about voices.
00:36:09Do you hear voices?
00:36:11Yes.
00:36:12My head hurts.
00:36:14I have to get out of here.
00:36:16Call my paper. They can't go to the press without me there.
00:36:18Is Cathy all right?
00:36:19That's why you're here, John.
00:36:21To make sure she will be all right.
00:36:23Do you understand?
00:36:24Why did you fingerprint me? I've committed no crime.
00:36:27You're not in prison, John.
00:36:29He told me I shouldn't love her as a woman.
00:36:32Who told you?
00:36:34The man on TV. He looked right at me and told me it was naughty.
00:36:36Now, how would he know? He's never met Cathy.
00:36:39Does he talk to you often?
00:36:41Every time I turn on TV.
00:36:43Could this man be your father?
00:36:46My father wouldn't get sore if I played around with Cathy.
00:36:50And besides, what's he doing on TV? He's dead.
00:36:53I am impotent.
00:36:55And I like it.
00:37:01How are you feeling, Mr. Barrett?
00:37:03Fine, just fine.
00:37:05Hydrotherapy, is that what you call this treatment?
00:37:08That's right.
00:37:10Cathy come to visit me?
00:37:12Your sister?
00:37:14Not yet. She'll probably come on visiting day.
00:37:18Confidentially, Mr. Wilkes?
00:37:20Yes.
00:37:23Do you really think that all this nerve-calming treatment
00:37:26is going to help me forget how much I want her in my arms?
00:37:35We know about his fetish for your hair.
00:37:38But did he ever try to cut it off?
00:37:44Once.
00:37:46With a pair of scissors or a knife?
00:37:52Scissors.
00:37:54Scissors.
00:37:56I'm going to cut it off.
00:37:58I'm going to cut it off.
00:38:00I'm going to cut it off.
00:38:02I'm going to cut it off.
00:38:04Scissors.
00:38:07Did he kiss you when he tried to cut off your hair?
00:38:10No.
00:38:17Yes.
00:38:20Did he ever attack any man who showed an interest in you?
00:38:25Yes.
00:38:28Do you love John?
00:38:30Oh, yes.
00:38:32More than just as a brother?
00:38:34What do you mean?
00:38:36Well, often these cases are developed through encouragement.
00:38:41What do you mean?
00:38:45Forgive me for saying it, Miss Barrett,
00:38:48but there's something very strange about this case.
00:38:51And you don't appear to be too cooperative.
00:38:59I'm sorry, Dr. Christo.
00:39:00I...
00:39:02When I received your call,
00:39:04I thought something had happened to Johnny, and I...
00:39:08Well, I just wasn't prepared for this.
00:39:11Inquisition? No.
00:39:13But you thought of the word, didn't you?
00:39:16Yes.
00:39:18Was he jealous of the way you revealed your body to other men?
00:39:31Relax, Miss Barrett.
00:39:38May I see Johnny now?
00:39:40You'll have to wait for visiting day.
00:39:43How is he getting along?
00:39:45He's in dance therapy now.
00:39:47Dance therapy?
00:39:53I got an idea how I can help my buddy.
00:39:55I'd do anything to help.
00:39:57All right, have the fellow play Dixie.
00:40:00Joe, would you please play Dixie?
00:40:30¶¶
00:40:56¶¶
00:41:27I want water!
00:41:29I'll get the water for you, General.
00:41:31¶¶
00:41:52¶¶ My Johnny lies over the ocean ¶¶
00:41:56¶¶ My Barney lies over the sea ¶¶
00:42:00¶¶ My Barney lies over the ocean ¶¶
00:42:04¶¶ Oh, bring back my Barney to me ¶¶
00:42:09¶¶ Bring back ¶¶
00:42:11¶¶ Oh, bring back ¶¶
00:42:13¶¶ Oh, bring back my Barney ¶¶
00:42:15Nymphos.
00:42:18He's mine.
00:42:20He's mine.
00:42:23He's mine.
00:42:24He's mine.
00:42:26He's mine.
00:42:28He's mine.
00:42:30What's the matter with this door?
00:42:32He's mine.
00:42:34He's mine.
00:42:37He's mine.
00:42:40He's mine.
00:42:46Well, girl?
00:42:49I hope that door opens.
00:42:52It's got to.
00:42:54It's got to.
00:43:20¶¶ My Barney lies over the ocean ¶¶
00:43:22¶¶ My Barney lies over the sea ¶¶
00:43:27¶¶ My Barney lies over the ocean ¶¶
00:43:31¶¶ Oh, bring back my Barney to me ¶¶
00:43:35¶¶ My Barney lies over the sea ¶¶
00:43:39¶¶ My Barney lies over... ¶¶
00:43:44¶¶ I love coffee ¶¶
00:43:46¶¶ I love tea ¶¶
00:43:48¶¶ I love... ¶¶
00:43:50¶¶ Boys love me ¶¶
00:43:52I love coffee, I love tea, I love coffee, I love tea, I love coffee, I love tea, I love
00:43:59coffee, I love tea, I love coffee, I love tea, I love coffee, I love tea, I love coffee,
00:44:06I love tea, I love coffee, I love tea, I love coffee, I love tea, I love coffee, I love
00:44:13tea, I love coffee, I love tea, I love coffee, I love tea, I love coffee, I love tea, I love
00:44:20coffee, I love tea.
00:44:22I heard about you getting wounded at Shiloh, sir.
00:44:49Does it hurt much?
00:44:52I'll get the Miss Sergeant to fix you some baked apples.
00:44:59Baked apple, huh?
00:45:04I haven't had any baked apples since I was in Japan.
00:45:08How far is that from Shiloh?
00:45:12Japan isn't in this country.
00:45:15It's far away in Asia.
00:45:18Is that Buddha still there?
00:45:33I keep seeing it in color and it keeps looking at me.
00:45:37The great Buddha Kamakura.
00:45:39I want to climb a parallel up to his head and look at the people down below praying for
00:45:43my battalion.
00:45:45I keep seeing monks in a parade and little girls dressed like baby geishas going to prayer
00:45:53to ask Buddha to take care of me when I go back to Korea.
00:45:57How did I get up there on that playground?
00:45:59It's on the roof of the world.
00:46:01And the wheel keeps going round and round and round like his commies kept going round
00:46:07and round on that hill in Korea.
00:46:10Toy train, toy train.
00:46:14No.
00:46:17Train.
00:46:22Mount Fuji.
00:46:25No.
00:46:26Another train.
00:46:27And another train.
00:46:28And another.
00:46:29And another.
00:46:30And another.
00:46:31And another.
00:46:36We were supposed to sandbag a train in Korea.
00:46:41But we were captured.
00:46:45I remember it was cold and they marched us in the snow.
00:46:55Who are you?
00:46:57Johnny Barrett.
00:47:02What is this place?
00:47:05It's a mental hospital.
00:47:07What am I doing here?
00:47:11You were a commie in Korea.
00:47:14That's a dirty lie.
00:47:15You became a member of the Kremlin.
00:47:17Don't you call me a commie.
00:47:19You wrote your father that the Russians were your friends.
00:47:21Now you tell me something.
00:47:22Why should I write my papi?
00:47:25He can't read.
00:47:27He's a tenant farmer.
00:47:28He can't read.
00:47:29All right.
00:47:33I remember.
00:47:37I remember I helped papi share a crop in another man's land.
00:47:41But that's before I ran away from home and joined the army.
00:47:47But now why did I run away from home?
00:47:50I like my home.
00:47:55That's a downright lie.
00:47:59A downright lie.
00:48:06I know why I went over to the commies.
00:48:11Ever since I was a kid,
00:48:14my folks fed me bigotry for breakfast and ignorance for supper.
00:48:18Never.
00:48:19Not once did they ever make me feel proud of where I was born.
00:48:26See, that was the cancer they put in me.
00:48:31No knowledge of my country.
00:48:34No pride.
00:48:37Just a hymn of hate.
00:48:41I'd have defected to any enemy.
00:48:45Because, you see, it was easy.
00:48:47My brains was cabbage.
00:48:50They taught me everything from cabbages to commissars.
00:48:54And they gave me a woman.
00:48:59And she called me mister.
00:49:01And she made me feel important.
00:49:03And she made me feel important.
00:49:08What changed your mind about the Reds?
00:49:12The dark face.
00:49:16The dark face.
00:49:20I was having a ball waving a red flag until I met a sergeant from the 1st Division.
00:49:26He was a G.I. retread from World War II.
00:49:29Fought through North Africa,
00:49:32Sicily and all through Europe up to Czechoslovakia.
00:49:39And after he was captured in Korea, well, then, and he was transferred to my camp and then
00:49:44I was assigned to help brainwash him over the commissar.
00:49:53And this Sergeant Kollowitz,
00:49:55Kollowitz,
00:49:57that was his name,
00:49:59Kollowitz,
00:50:03he told me things that
00:50:06I never dreamed of.
00:50:13Things that,
00:50:15that I wanted to wrap up gentle and proud like and
00:50:19go to sleep thinking about.
00:50:21Things that give me a feeling like
00:50:26things my folks should have told me.
00:50:31And I wanted to go home.
00:50:37So, you see, I stopped waving the red flag
00:50:40and the commis said that I was sick in the head.
00:50:47So, it was easy for me to
00:50:48get on the next prisoner exchange.
00:50:52And they brought me back and they gave me a dishonorable discharge.
00:50:57And nobody talked to me.
00:51:00And everybody spit on me.
00:51:03And pappy spit on me.
00:51:09The newspaper reporters just kept hounding me,
00:51:12hounding me, hounding me and hounding me,
00:51:15hounding me and hounding me.
00:51:16Hounding me and hounding me,
00:51:18hounding me and hounding me.
00:51:30Mr. Warren,
00:51:35I'm sorry, but
00:51:38I gotta ask you a question.
00:51:41Do you think they'll
00:51:43let me out of this place now that I'm all right?
00:51:52Did you see the man
00:51:55that killed Sloan in the kitchen?
00:52:00Yeah, I saw him.
00:52:04I was under a table with two other men.
00:52:07What was I doing under a table?
00:52:10I didn't see his face,
00:52:13but I know he had white pants.
00:52:18White pants.
00:52:21White pants.
00:52:24A stone wall.
00:52:28A bend in a stone wall.
00:52:31A bend in a stone wall.
00:52:32A bend in a stone wall.
00:52:38Lee!
00:52:40We've got to help General Lee!
00:52:43Come on!
00:52:45Let's get those damn Yankees!
00:52:48Ah!
00:52:51Come on!
00:52:53Ah!
00:52:58All right.
00:52:59All right.
00:53:02Let's go upstairs.
00:53:04Let's go upstairs.
00:53:11He likes tea, you know.
00:53:13With lemon in it.
00:53:15And oatmeal.
00:53:16He'll serve oatmeal.
00:53:18All right.
00:53:26Oh, no.
00:53:29Oh, no.
00:53:39The killer is an attendant or a doctor.
00:53:42Stewart couldn't see his face,
00:53:44but he saw white pants.
00:53:47Tell Swanee that one of the other two witnesses
00:53:50will open up.
00:53:51I feel it.
00:53:55The killer is an attendant or a doctor.
00:53:57Stewart couldn't see his face,
00:53:59but he saw white pants.
00:54:02Tell Swanee that one of the other two witnesses
00:54:04will open up.
00:54:05I feel it.
00:54:17You know, if he went down into a coal mine
00:54:19on a disaster story,
00:54:21he'd come up with a little coal dirt on his face,
00:54:23wouldn't he?
00:54:24He's getting sick.
00:54:25Doing great.
00:54:26Been there only six weeks,
00:54:28narrowed the hunt down to a hospital employee, didn't he?
00:54:30Something the cops couldn't do.
00:54:32If you don't phone Dr. Christo right now
00:54:34and get Johnny out of there tonight, I will.
00:54:36Oh, Kathy, you're becoming a nervous wreck.
00:54:38I'm more worried about you outside
00:54:40than I am Johnny inside.
00:54:42Phone him!
00:54:44You phone him!
00:54:46Call Dr. Christo and you'll lose Johnny for good,
00:54:48and you know it!
00:54:57It's taking gum.
00:55:02I'll take another one, come on.
00:55:04Choo choo, open your mouth and chew them.
00:55:06I got five, come on.
00:55:10Choo, show him, go, put it in your mouth and chew.
00:55:12Choo choo, Choo choo, go on.
00:55:14Here we go.
00:55:16Bye-bye
00:55:21That's five, come on.
00:55:25Chew, chew them good, put them in your mouth.
00:55:27It's very good for you, yes.
00:55:29It's very good for you to chew these up.
00:55:31Chew them.
00:55:34One more, that'll be just enough.
00:55:36Chew, come on, chew, chew, chew.
00:55:38See, you chew, and your jaw muscles, they get tired, see?
00:55:44And then the other muscles, they get the message,
00:55:47and they get tired too, see?
00:55:50And before you know it, you're sleeping.
00:55:55And when we're asleep,
00:55:59nobody can tell a sane man from an insane man, huh?
00:56:05Good night, Mr. Barrett.
00:56:07No, I have to go to bed.
00:56:09Good night.
00:56:28Did you make Johnny change his mind?
00:56:30I tried, but he's just too close to the story now.
00:56:33That ex-GI Stewart has been transferred to another floor,
00:56:36and Johnny is certain that Trent or Bowden will open up.
00:56:39Was Dr. Fong with you?
00:56:40Uh-huh.
00:56:41What did he say?
00:56:42That it's natural for Johnny to show mental strain.
00:56:46What else?
00:56:46Well, that's it.
00:56:48Do you want me to check with Dr. Fong myself?
00:56:50Well, he is afraid that the force driving Johnny
00:56:53can boomerang.
00:56:55Meaning he could snap, is that it?
00:56:56Now, don't jump to conclusions.
00:56:59Look, if I pulled him off now,
00:57:00he'd still suffer from some kind of depressive psychosis,
00:57:03because he'd never know what would have happened
00:57:06if he had stuck it out long enough
00:57:07to contact the other witnesses.
00:57:09You mean if he quits now,
00:57:10that depression sickness could hit him?
00:57:12Yes.
00:57:13But if he cracks the murder, he'll be all right, won't he?
00:57:16Yes.
00:57:18Do you seriously believe that?
00:57:20Yes!
00:57:21You're crazy!
00:57:23Help!
00:57:25Help!
00:57:28Help!
00:57:52No, no, thank you, no.
00:58:04There is nothing in there that will hurt you.
00:58:05Last time I went into a strange room, I was attacked by amazons.
00:58:10That's the sacred dream most men have.
00:58:12Well, you try it sometime.
00:58:13Tell me about it.
00:58:14Come on, Mr. Barrett.
00:58:16Hmm.
00:58:18Something wrong?
00:58:25No, just saw the twitch in one of your muscles.
00:58:30The one in my head?
00:58:33Tell me, John.
00:58:36Is your desire for your sister still as strong as ever?
00:58:40I'll tell you what, doc.
00:58:42You level me off, and I'll share all my dreams with you.
00:58:46I'm cold and sweaty.
00:58:48Chill sweats are usual in your case.
00:58:51Oh.
00:58:53What is my case?
00:58:55You're suffering from a form of dementia praecox incident
00:58:59to the age of puberty,
00:59:01characterized by childish behavior,
00:59:05hallucinations,
00:59:07and emotional deterioration.
00:59:12I have been suffering from it since I was a little boy.
00:59:21Somebody's sleeping in my bed, says the papa bear.
00:59:24Come on, get up. Go to your bed. Go on.
00:59:43What are you in here for, Mr. Barrett?
00:59:52God-haunted ghost in the street of no return.
00:59:55Oh, Kathy, what a story this is going to make.
01:00:05Don't you dare strike me.
01:00:07I'm pregnant.
01:00:09I've been carrying my baby for five months now.
01:00:14God-haunted ghost. Not bad for a lead.
01:00:18If only Stuart had held on a little longer,
01:00:21another two seconds and I'd have cracked this yarn.
01:00:33Witness number two, Trench.
01:00:36Only Negro student in the Southern University.
01:00:39Hobby, collecting pillowcases.
01:00:41Trent.
01:00:42Yes, sir.
01:00:43The pillowcase is missing.
01:00:45I don't have it, sir.
01:00:46It's from your bed.
01:00:47I don't have it, sir.
01:00:48You want to go back into the hole?
01:00:50I don't have it, sir.
01:00:51Let him keep it.
01:00:52Keep out of this, Wilkes.
01:00:53Dr. Christo said not to get him excited.
01:00:56You know what that pillowcase means.
01:00:58That's all right, Trent. We know you don't have it.
01:01:01Thank you, sir.
01:01:02Come on, Lloyd.
01:01:07He does that every day.
01:01:09He's reaching out for his nerves.
01:01:11Friend of yours?
01:01:12No. He's a nigger lover.
01:01:14Didn't make his kids spit on the blackboard.
01:01:16Got punished, and that's why he's in the catatonic stupor.
01:01:18Watch this.
01:01:22Now he's a statue of liberty.
01:01:24What are you doing here?
01:01:25Visiting a friend.
01:01:26So am I, friend. So am I.
01:01:28The hole is for dangerous and troublesome people.
01:01:31They put me in by mistake.
01:01:32So I heard.
01:01:33No, you didn't. I just told you.
01:01:35That's right.
01:01:36You know why you're shining up to me?
01:01:38You want to carry my sign.
01:01:39No, I don't.
01:01:40Calling me a liar?
01:01:41No.
01:01:42You can make your own sign and carry it.
01:01:44You coming to the meeting?
01:01:45What meeting?
01:01:51I forgot.
01:01:54Do you know the conductor of the State Symphony Orchestra?
01:01:57No.
01:01:58I do.
01:01:59He comes here now and then as guest conductor of our own hospital band.
01:02:02I like him, but he's mixed up.
01:02:05How do you mean?
01:02:06He permits a black boy to play with white musicians.
01:02:09Imagine, a black boy.
01:02:13Well, they're all writers, entertainers, but...
01:02:20Let's get him before he marries my daughter.
01:02:27Come on, snap out of it.
01:02:32Trent.
01:02:35All right, break it up.
01:02:36No trouble.
01:02:37No trouble.
01:02:38What are you hunching up now?
01:02:39He's not hunching up.
01:02:40I'm talking to him.
01:02:41Leave him alone.
01:02:43Is everything all right, Trent?
01:02:45Yes, sir.
01:02:46No trouble now, Trent. Promise?
01:02:49Yes, sir.
01:02:52Let's check the back ward.
01:02:54Come on, boy.
01:02:56Come on.
01:03:01Thank you, friend.
01:03:03It's all right, friend.
01:03:12Have you ever been on the Mississippi?
01:03:15No.
01:03:17Would you like to watch the paddle boats go up and down the river?
01:03:22I'd like that.
01:03:24Yes, I'd like that.
01:03:25I know the captain.
01:03:30Mark Twain is a friend of mine. Come on.
01:03:46Mark!
01:03:50Mark Twain!
01:03:53Mark Twain!
01:04:03I like this trip.
01:04:05So do I.
01:04:06Hey.
01:04:22What's that?
01:04:24The sign of the invisible empire.
01:04:28That's a cyclos.
01:04:29From the Greek word kouklos.
01:04:32It means circle.
01:04:34This baptizes a new organization.
01:04:37The Kou Klux.
01:04:39Sounds good.
01:04:41No.
01:04:44Kou Klux Klan.
01:04:47Sounds more mysterious, more menacing, more alliterative.
01:04:50Kou Klux Klan. Say it.
01:04:53Kou Klux Klan.
01:04:54KKK.
01:04:55KKK.
01:04:56It'll catch on quick.
01:04:57It'll drive those carpetbaggers back north.
01:04:59Scare the hell out of them.
01:05:00Tar them, feather them, hang them, burn them.
01:05:06Who are you?
01:05:07Your friend.
01:05:08I don't know you.
01:05:09I got here firstest.
01:05:10We're the mostest men.
01:05:12General Forrest.
01:05:14Nathan Bedford Forrest.
01:05:18General.
01:05:20You going around taking credit for founding the KKK.
01:05:24I'm the founder.
01:05:26I'm the Grand Wizard.
01:05:27What's our code word?
01:05:28Secrecy.
01:05:31General.
01:05:33If Christ walked the streets of my hometown, he'd be horrified.
01:05:38You've never seen so many black people
01:05:41covering up our schools and buses and cafes and washrooms.
01:05:49I'm for pure Americanism.
01:05:52White supremacy.
01:05:55Listen to me, Americans.
01:05:56America for Americans.
01:05:59We got to throw rocks and hurl bombs.
01:06:03Black bombs for black foreigners.
01:06:07So they like hot music, do they?
01:06:11Well, we'll give them a crescendo they'll never forget.
01:06:15Burn that Freedom Bus.
01:06:17Burn those Freedom Riders.
01:06:19Burn any man who serves them at a lunch counter.
01:06:22Burn every dirty nigger lover.
01:06:24Burn every dirty nigger lover pocketbook integrationist.
01:06:29Collect a lot of blackjacks and good long lengths of pipe.
01:06:34And show those rabble-rousers they can't breathe our white air
01:06:38and go to school with our white children.
01:06:41We'll get some inflammable liquid and pour it on them.
01:06:44We'll pour it on their homes and burn them.
01:06:47Pour it on their pickaninnies and set them on fire.
01:06:50Call out the members of the White Citizens Council.
01:06:52Call out the KKK.
01:06:54We'll sponsor the Africans, no?
01:06:56Get ready to be black mother, son and daughter.
01:07:00America for Americans.
01:07:02America for Americans.
01:07:06Keep our schools white.
01:07:08Keep them white. That's right. Keep them white.
01:07:11I'm against Catholics. Hallelujah, man. Hallelujah.
01:07:13Against Jews. Hallelujah. Hallelujah. Hallelujah.
01:07:16Against niggers. Hallelujah. Hallelujah.
01:07:19Against niggers. Hallelujah.
01:07:21Against niggers. Hallelujah.
01:07:24That's one.
01:07:26Let's get that black boy before he marries my daughter.
01:07:30Hallelujah. Hallelujah.
01:07:51Hallelujah. Hallelujah.
01:07:53Hallelujah. Hallelujah.
01:07:55Hallelujah. Hallelujah.
01:07:57Hallelujah. Hallelujah.
01:07:59Hallelujah. Hallelujah.
01:08:01Hallelujah. Hallelujah.
01:08:03Hallelujah. Hallelujah.
01:08:05Hallelujah. Hallelujah.
01:08:07Hallelujah. Hallelujah.
01:08:09Hallelujah. Hallelujah.
01:08:11Hallelujah. Hallelujah.
01:08:13Hallelujah. Hallelujah.
01:08:15Hallelujah. Hallelujah.
01:08:17Hallelujah. Hallelujah.
01:08:18Hallelujah.
01:08:29Wednesday, August 30th, 1954.
01:08:38Wednesday, August 30th, 1954.
01:08:42The U.S. Supreme Court decreed the nation's schools must be racially desegregated
01:08:46with all deliberate speed.
01:08:48I'm a boy in the Amazon jungle.
01:08:50A brown boy, not a black boy.
01:08:52Someone is scraping my thigh with the teeth of the piranha fish
01:08:55to change my blood to white blood.
01:08:57I'm a boy in the Amazon jungle.
01:08:59A brown boy, not a black boy.
01:09:01And someone is scraping my thigh with the teeth of the piranha fish
01:09:04to change my blood to white blood.
01:09:06August 30th, 1954.
01:09:08The U.S. Supreme Court decreed a ceremonial dance
01:09:11to be racially desegregated with all deliberate speed.
01:09:13Wednesday, August 30th, 1954.
01:09:16The U.S. Supreme Court decreed a ceremonial dance
01:09:19to be racially desegregated with all deliberate speed.
01:09:22Here comes the KKK.
01:09:24Run. Run.
01:09:26Run for your life, Schmitt. I can't see his face.
01:09:28Here comes the KKK.
01:09:30Run. Run.
01:09:32Run for your life, Schmitt. I can't see his face. I can't see his face.
01:09:34Here comes the KKK.
01:09:36Run. Run.
01:09:38I can't see his face. I can't see his face.
01:09:40Run, Schmitt. Run. Run, Schmitt. Run!
01:09:43Run! Run! Run!
01:09:54Always in color.
01:09:58That same nightmare, always in color.
01:10:02Strange how I always get my mind back after that dream.
01:10:13What's your name?
01:10:15Johnny Barrett.
01:10:19I know all about that trouble you had in that southern university, Trent.
01:10:23You don't sound sick to me.
01:10:25We were in a race riot.
01:10:27You leading and me trying to save your neck.
01:10:30So you knew I was a guinea pig in a classroom.
01:10:34The whole country went to school with you every day, Trent.
01:10:39I failed.
01:10:40A lot of people were counting on you.
01:10:43Oh, I wish I'd had the guts to have stuck it out.
01:10:49I was brought up to have pride in my country.
01:10:52Call it esprit de corps. It's inside me. I love it.
01:10:56It's even a blessing to love my country, even when it gives me ulcers.
01:11:02And those ulcers will stop.
01:11:04And those ulcers will stop.
01:11:07The day all schools must get an education before being allowed to open their doors.
01:11:15Do you know who killed Sloan to put your knife in the kitchen?
01:11:20I can't blame the students.
01:11:23They were brought up to hate the color of my skin.
01:11:26It's their... their blueprint for delinquents, the birth of lynchings,
01:11:30the disease carried to those yet unborn.
01:11:34Those poor, sick children are taught to depend on their parents' claws
01:11:41instead of their love.
01:11:44And the irony of it is that many Negroes are mulatto,
01:11:49and integration is well established down south.
01:11:55Remember Sloan who was killed in the kitchen with a butcher knife?
01:11:57I remember the first day I went to school.
01:12:00A woman held up her child so he could reach out and beat me with his little fist.
01:12:06Sure, I remember Sloan.
01:12:09What was the name of the doctor that did it?
01:12:11It wasn't a doctor. It was an attendant.
01:12:15I even had a private teacher to help me to...
01:12:18to make sure the university wouldn't flunk me.
01:12:21Do you know his name?
01:12:23Of course. I saw him kill Sloan, didn't I?
01:12:25Did you know that my house was attacked by night-riding shotgunners?
01:12:29Would you tell me his name?
01:12:31Sure.
01:12:35You know,
01:12:37if I hadn't quit school,
01:12:40I'd have gotten very, very sick.
01:12:44Tell me his name!
01:12:46Chip that nigger!
01:12:48He's not going to school with my daughter.
01:12:51First the classrooms, then the kitchen.
01:12:53First the classrooms, then the school dances.
01:12:56You know what after that?
01:12:58Go to your own home. Go to your own school, nigger.
01:13:01Go to your own schools. Go to your own black schools, nigger.
01:13:04Go to your own black schools.
01:13:06I'm for pure Americanism.
01:13:08White supremacy!
01:13:10I'm for pure Americanism. White supremacy!
01:13:13Burn that freedom bus!
01:13:15Burn that freedom bus!
01:13:17Burn those freedom fighters!
01:13:19Shut up!
01:13:21Shut up!
01:13:23Shut up!
01:13:39Is it in time over?
01:13:41That close. I was that close to getting the killer's real name,
01:13:44and boom, he went nuts again.
01:13:46Right back to the hole.
01:13:50But there's still Bowdoin.
01:13:54I'll reach him.
01:13:56I'll get to him, and this time,
01:13:58I'm not going to waste one of his sane moments.
01:14:00I'm going to ask him right out, all about the murder.
01:14:02Boom, I'll get the answer.
01:14:06You realize, Kathy, I'm sitting right on top of the story.
01:14:15You all right, Kathy?
01:14:18Johnny.
01:14:23Don't ever do that.
01:14:25Don't you ever kiss me like that again.
01:14:27What?
01:14:29You know what I mean.
01:14:31No, I don't know what you mean, Johnny.
01:14:33You tell me.
01:14:35What do you mean I should never kiss you again like that?
01:14:37What's the matter? What is it, Johnny?
01:14:39Tell me.
01:14:41You're exciting the other bitch with my shotty.
01:14:43Tell me what you mean.
01:14:49What's the matter with her?
01:14:51What's the matter with her?
01:14:59Your wand on the phone, Kathy.
01:15:01Mr. Swanson.
01:15:06Kathy?
01:15:08Didn't you hear me?
01:15:10Mr. Swanson's on the phone.
01:15:20Kathy?
01:15:38Yes.
01:15:40You went to the hospital today, huh?
01:15:42Dr. Christo sent for me.
01:15:44Why did he send for you?
01:15:46Because he wanted my permission
01:15:47to give Johnny electric shock treatments.
01:15:50Have you lost your marbles?
01:15:52Johnny can't take that kind of punishment.
01:15:54He'll crack, they'll find out he's a fake.
01:15:56I hope they do.
01:15:59But it won't be me who'll expose him,
01:16:01he'll expose himself.
01:16:03Well, you should have refused the electric shock.
01:16:05After all, he knows the killer is an attendant
01:16:07and that he's bound to find out his identity
01:16:09from Bowden at the rate he's going.
01:16:11At the rate he's going?
01:16:14I don't know if you'll know his own rate.
01:16:15I don't know if you'll know his own identity.
01:16:17What are you talking about?
01:16:22He's beginning to think
01:16:27I'm really his sister.
01:16:46Johnny!
01:16:54Johnny!
01:16:57Johnny!
01:17:16What's the matter with my voice?
01:17:20Why can't I talk?
01:17:24What is it, John?
01:17:26Why can't I talk?
01:17:30I'll try again.
01:17:32Fine.
01:17:34I'm fine.
01:17:38Was there anything wrong a moment ago?
01:17:41No.
01:17:42You're not holding anything back from me, are you, John?
01:17:44No, sir.
01:17:47You think another shock treatment might help?
01:17:50Not unless you strap me in a chair
01:17:52and throw the switch yourself all the way.
01:17:54I've learned my lesson, believe me.
01:17:57No more race riots in the corridor, huh?
01:17:59The way I feel now, a midget could whip me.
01:18:03All right, John.
01:18:05You stretch your legs in the street
01:18:07during make-friends hour.
01:18:09I'm going to get some rest.
01:18:10I'm going to make-friends hour.
01:18:16I beat them all.
01:18:19They didn't learn a thing.
01:18:26Hey.
01:18:30What happened then?
01:18:33Why did I lose my power of speech?
01:18:34What happened to my voice?
01:18:52Witness number three,
01:18:54Dr. Bowden, American physicist,
01:18:56Nobel Prize winner,
01:18:58worked on the atom bomb, the H-bomb.
01:19:00The most brilliant scientist alive today
01:19:01went insane working on nuclear fission,
01:19:03missiles and rockets to the moon.
01:19:05Hobby, drawing,
01:19:07now has the mentality of a child of six.
01:19:20Hello.
01:19:21Hello.
01:19:23You been away?
01:19:25We played games.
01:19:27You want to play with me?
01:19:29Mm-hmm.
01:19:31Good.
01:19:33We'll play hide-and-seek.
01:19:34I'd like that.
01:19:35All right.
01:19:36You hide your eyes and count to ten.
01:19:38Okay.
01:19:41One, two, three,
01:19:43four, five,
01:19:45six, seven, eight, nine, ten.
01:19:58I wonder where he could be hiding.
01:20:01I don't know.
01:20:21Yes.
01:20:24Yes.
01:20:26Keep it up, John.
01:20:28Maybe you can help him.
01:20:29We can't.
01:20:31Come on.
01:20:38All by myself.
01:20:40Come in, Lloyd.
01:20:41Just fine, isn't it?
01:20:42Oh, yeah.
01:20:43Good.
01:20:44Yeah, I can do it.
01:20:45All by myself now.
01:20:47Hi.
01:20:48Guess what?
01:20:50I got Dr. Bowden making a portrait of me.
01:20:52It's really a professional job.
01:20:54He was a wonderful artist at one time, you know.
01:20:56Einstein's hobby was the fiddle
01:20:58and Bowden's hobby was drawing.
01:20:59He still has the mind of a child,
01:21:01but his hand,
01:21:03his hand is a stroke of an adult.
01:21:06Imagine me, your Johnny,
01:21:08giving therapeutic treatments to Dr. Bowden.
01:21:12Oh, you look so much better than you did the last time.
01:21:15Oh, you tell Swanee,
01:21:16Bowden's apt to snap back to sanity at any moment,
01:21:18and when that happens,
01:21:19I'll crack that jigsaw.
01:21:21What about my perjury?
01:21:23Dr. Crystal would be delighted.
01:21:25Don't you see, Kathy?
01:21:27The killer could score another victim
01:21:29if he's not exposed.
01:21:31And the judge will understand why you lied.
01:21:48Dr. Bowden.
01:21:54Dr. Bowden.
01:21:56Dr. Bowden.
01:22:00Dr. Bowden.
01:22:03Dr. Bowden wanted at the Pentagon.
01:22:05Dr. Bowden wanted at National Aeronautics
01:22:07and Space Administration.
01:22:09Dr. Bowden wanted at Newfoundland.
01:22:16Dr. Bowden wanted.
01:22:18Dr. Bowden.
01:22:22Dr. Bowden wanted at National Aeronautics
01:22:24and Space Administration.
01:22:26Dr. Bowden wanted at Newfoundland.
01:22:27Dr. Bowden wanted at Newfoundland.
01:22:29Dr. Bowden wanted at Newfoundland.
01:22:31Dr. Bowden wanted at Newfoundland.
01:22:33Not again.
01:22:35Rockets were fired off Newfoundland in 1953.
01:22:38I detected the first hint of the radiation, Bill, didn't I?
01:22:42Leave me alone.
01:22:44I'm through.
01:22:46He's rational.
01:22:50Hey, not now.
01:22:53Oh, God, don't let me lose my voice now.
01:22:58Hold still, John, you're moving too much.
01:23:03You know, John,
01:23:05we've become too sophisticated in the art of death.
01:23:09Please, please let me ask him.
01:23:12I've got to ask him.
01:23:16There's a sense of doom and crisis.
01:23:21I'll write the question.
01:23:23No, no, it's like we're snapping back in childhood.
01:23:24I've got to get my voice back.
01:23:29We have too many intellectuals
01:23:31who are afraid to use the pistol of common sense.
01:23:35Don't panic.
01:23:38John, how can I finish your portrait
01:23:40when you keep moving around?
01:23:42Don't panic now.
01:23:44You can hear your voice came back in the war, didn't it?
01:23:46Don't panic, it'll come.
01:23:48I'm getting it.
01:23:51Yes, my boy.
01:23:53I got fed up with man taking a daily hammer
01:23:55and sickle-coated pill of venom.
01:23:59If I keep saying it over and over and over in my mind,
01:24:01the words will have to jump out of my mouth.
01:24:04Who killed Sloan in the kitchen?
01:24:07I'm a pure scientist.
01:24:09Who killed Sloan in the kitchen?
01:24:11Not the Russian.
01:24:13Who killed Sloan in the kitchen?
01:24:14I'm a pure scientist.
01:24:16Who killed Sloan in the kitchen?
01:24:18Not the Russians, claim bigger satellites.
01:24:20Now, they're the first to discover
01:24:22the mating habits of seahorses.
01:24:25Must we then race them to discover
01:24:27the inner structure of a grasshopper's brain?
01:24:30Who killed Sloan in the kitchen?
01:24:34We should take advantage of our ignorance
01:24:36and quit living like tigers.
01:24:38Tigers in bomb shelters instead of homes.
01:24:42Who killed Sloan in the kitchen?
01:24:44Today, with all this talk of the panic button,
01:24:46we're right on the brink of disaster.
01:24:48Who killed Sloan in the kitchen?
01:24:51Today, everybody's giving the human race
01:24:53two weeks to get out.
01:24:55Now, I cannot live with a two-week notice.
01:24:59Well, so I quit living.
01:25:02Who killed Sloan in the kitchen?
01:25:06Oh, yes.
01:25:08Yes, I remember Sloan.
01:25:12You know,
01:25:14for an insane man, he had morals.
01:25:17Now, I was down in the kitchen with two friends,
01:25:19and we were under this table.
01:25:21Who killed him?
01:25:23And we saw Sloan confront this attendant.
01:25:26What was his name?
01:25:28And Sloan threatened to expose him to Dr. Christo.
01:25:31And do you know why?
01:25:34We're taking sexual advantage
01:25:36of feeble-minded women in the ladies' ward.
01:25:39Who killed Sloan?
01:25:41Wilkes.
01:25:42Wilkes?
01:25:44I've broken the story.
01:25:46Thank God.
01:25:48Take a look, John.
01:25:50It's perfect likeness.
01:25:53What's that?
01:25:56A portrait, of course.
01:25:58You must be crazy.
01:26:00That's not me.
01:26:02I only draw what I see, John.
01:26:04I don't want to play.
01:26:06I don't want to play.
01:26:08I don't want to play.
01:26:10I don't want to play.
01:26:12It's not me.
01:26:14It's not me.
01:26:16It's not me.
01:26:18It's not you.
01:26:20It's not me.
01:26:22It's not me.
01:26:24It's not me.
01:26:26It's not me.
01:26:28It's not me.
01:26:30It's not me.
01:26:32It's not me.
01:26:34It's not me.
01:26:36It's not me.
01:26:38It's not me.
01:26:40It's not me.
01:26:42It's not me.
01:26:44It's not me.
01:26:46I don't want to play.
01:26:48I don't want to play anymore.
01:26:50With you, I...
01:26:52I'm not going to play
01:26:54with you anymore.
01:26:59Dr. Christo?
01:27:01I know who killed Sloan in the kitchen.
01:27:04You've been hearing stories from the patient.
01:27:07No, no, no. I'm telling you, I remember.
01:27:09So you call the paper
01:27:10If you call the paper and tell Swanee that I know...
01:27:13I know who the killer is.
01:27:15It's Dr. Christo.
01:27:18No.
01:27:20It's Kathy.
01:27:22No.
01:27:24I killed Sloan.
01:27:26Yeah, I killed Sloan.
01:27:29I killed him.
01:27:31Oaks.
01:27:32Yes, sir?
01:27:34Keep him under restraint...
01:27:36until further orders.
01:27:40I killed Sloan.
01:27:50Are you sure you killed Sloan?
01:27:52Sure, I'm sure.
01:27:56No.
01:27:57No.
01:27:59Kathy...
01:28:00Kathy killed Sloan.
01:28:03Why are you interested in Sloan?
01:28:05Oaks killed him.
01:28:07Who told you I killed him?
01:28:09Dr. Christo.
01:28:11No.
01:28:13Kathy did.
01:28:16Kathy killed him.
01:28:19Kathy killed Sloan.
01:28:23Kathy did it.
01:28:28Kathy killed Sloan.
01:28:31No.
01:28:32Why should Kathy kill him?
01:28:35Ah!
01:28:44Oh, my head!
01:28:52Somebody do something about my head!
01:28:56Help my head!
01:28:59Help!
01:29:01Help me!
01:29:03Why aren't you taking a little walk in the street?
01:29:26With these on?
01:29:27What's wrong with them?
01:29:28It's embarrassing.
01:29:29That's a good sign.
01:29:30How's the headache?
01:29:31Gone.
01:29:33You know who I am?
01:29:34Dr. Christo.
01:29:35That's Mr. Wilkes, Mr. Lloyd, and I'm a different man.
01:29:40Who killed Sloan?
01:29:41I wish I could remember the name.
01:29:42Watch it now.
01:29:43This may be a trap.
01:29:44Two attendants here.
01:29:45Could be one of them.
01:29:46Who?
01:29:47Sloan.
01:29:48Who's Sloan?
01:29:49Remove it.
01:29:50Well, I think it's time you got a little exercise, John.
01:30:07Thank you, Doctor.
01:30:10Wilkes, relieve Kellogg in hydro, huh?
01:30:13Yes, sir.
01:30:14Well, I think you're making progress, John.
01:30:28Real progress.
01:30:29He gave me the name of the killer.
01:30:34He named the killer, and I can't remember.
01:30:39I just don't understand.
01:30:42He handed the story to me right on a platter, right on a platter.
01:30:46He gave me the name.
01:30:47I've got to...
01:30:48Why can't I think of a name?
01:30:49Name!
01:30:50I can't remember the name of the killer!
01:30:51I've got to...
01:30:52Why can't I think of a name?
01:30:53Name!
01:30:54I can't remember the name of the killer!
01:30:55I've got to...
01:30:56Why can't I think of a name?
01:30:57Name!
01:30:58I can't remember the name of the killer!
01:30:59I've got to...
01:31:00Why can't I think of a name?
01:31:01Name!
01:31:02I can't remember the name of the killer!
01:31:03I've got to...
01:31:04Why can't I think of a name?
01:31:05Name!
01:31:06I can't remember the name of the killer!
01:31:07I've got to...
01:31:08Why can't I think of a name?
01:31:09Name!
01:31:10I've got to...
01:31:11Why can't I think of a name?
01:31:12Name!
01:31:13I've got to...
01:31:14Why can't I think of a name?
01:31:15Name!
01:31:16I've got to...
01:31:17Why can't I think of a name?
01:31:18Name!
01:31:19I've got to...
01:31:20Why can't I think of a name?
01:31:21Name!
01:31:22I've got to...
01:31:23Why can't I think of a name?
01:31:24Name!
01:31:25I've got to...
01:31:26Why can't I think of a name?
01:31:27Name!
01:31:28I've got to...
01:31:29Why can't I think of a name?
01:31:30Name!
01:31:31I've got to...
01:31:32Why can't I think of a name?
01:31:33Name!
01:31:34I've got to...
01:31:35Why can't I think of a name?
01:31:36Name!
01:31:37I've got to...
01:31:38Why can't I think of a name?
01:31:39Name!
01:31:40I've got to...
01:31:41Why can't I think of a name?
01:31:42Name!
01:31:43I've got to...
01:31:44Why can't I think of a name?
01:31:45Name!
01:31:46I've got to...
01:31:47Why can't I think of a name?
01:31:48Name!
01:31:49I've got to...
01:31:50Why can't I think of a name?
01:31:51Name!
01:31:52I've got to...
01:31:53Why can't I think of a name?
01:31:54Name!
01:31:55I've got to...
01:31:56Why can't I think of a name?
01:31:57Name!
01:31:58I've got to...
01:31:59Why can't I think of a name?
01:32:00Name!
01:32:01I've got to...
01:32:02Why can't I think of a name?
01:32:03Name!
01:32:04I've got to...
01:32:05Why can't I think of a name?
01:32:06Name!
01:32:07I've got to...
01:32:08Why can't I think of a name?
01:32:09Name!
01:32:10I've got to...
01:32:11Why can't I think of a name?
01:32:12Name!
01:32:13I've got to...
01:32:14Why can't I think of a name?
01:32:15Name!
01:32:16I've got to...
01:32:17Why can't I think of a name?
01:32:18Name!
01:32:19I've got to...
01:32:20Why can't I think of a name?
01:32:21Name!
01:32:22I've got to...
01:32:23Why can't I think of a name?
01:32:24Name!
01:32:25I've got to...
01:32:26Why can't I think of a name?
01:32:27Name!
01:32:28I've got to...
01:32:29Why can't I think of a name?
01:32:30Name!
01:32:31I've got to...
01:32:32Why can't I think of a name?
01:32:33Name!
01:32:34I've got to...
01:32:35Why can't I think of a name?
01:32:36Name!
01:32:37I've got to...
01:32:38Why can't I think of a name?
01:32:39Name!
01:32:40I've got to...
01:32:41Why can't I think of a name?
01:32:42Name!
01:32:43I've got to...
01:32:44Why can't I think of a name?
01:32:45Name!
01:32:46I've got to...
01:32:47Why can't I think of a name?
01:32:48Name!
01:32:49I've got to...
01:32:50Why can't I think of a name?
01:32:51Name!
01:32:52I've got to...
01:32:53Why can't I think of a name?
01:32:54Name!
01:32:55I've got to...
01:32:56Why can't I think of a name?
01:32:57Name!
01:32:58I've got to...
01:32:59Why can't I think of a name?
01:33:00Name!
01:33:01I've got to...
01:33:02Why can't I think of a name?
01:33:03Name!
01:33:04I've got to...
01:33:05Why can't I think of a name?
01:33:06Name?
01:33:07I've got to...
01:33:08Why can't I think of a name?
01:33:09Name!
01:33:10I've got to...
01:33:11Why can't I think of a name?
01:33:12Name!
01:33:13I can't think of a name.
01:33:14Why can't I think of a name?
01:33:15♪♪
01:33:23♪♪
01:33:31♪♪
01:33:39Aah!
01:33:44That was such a sour note, John.
01:33:48You were way off key.
01:34:09I remember.
01:34:22Wilkes.
01:34:23Wilkes!
01:34:24Crystal, you've got to listen to me.
01:34:27You've got to let me out of here, please.
01:34:29Call my paper.
01:34:30Talk to Swan and he'll tell you why I'm here.
01:34:31Now, John, don't start that again.
01:34:33Wilkes killed Sloan.
01:34:34I swear it.
01:34:35Get Wilkes.
01:34:36I can prove it.
01:34:37I thought you killed him, John.
01:34:38I'm not a drunkard!
01:34:39I'm not nuts!
01:34:40I'm here for the paper!
01:34:41I'm a plant!
01:34:42Now, forget all about Sloan, huh?
01:34:43Why don't you keep Pagliacci company?
01:34:44Have him sing La Boheme for you.
01:34:45Yes, sir.
01:34:46Where did Crystal send Wilkes?
01:34:47Where?
01:34:48I remember.
01:34:49Hydra.
01:34:50Hydra therapy.
01:34:52I remember.
01:34:53Hydra therapy.
01:34:54I remember.
01:34:55I remember.
01:34:56I remember.
01:34:57I remember.
01:34:58I remember.
01:34:59I remember.
01:35:00I remember.
01:35:01I remember.
01:35:02I remember.
01:35:03I remember.
01:35:04I remember.
01:35:05I remember.
01:35:06I remember.
01:35:07I remember.
01:35:08I remember.
01:35:09I remember.
01:35:10I remember.
01:35:11I remember.
01:35:12I remember.
01:35:13I remember.
01:35:14I remember.
01:35:15I remember.
01:35:16I remember.
01:35:17I remember.
01:35:18I remember.
01:35:19I remember.
01:35:20I remember.
01:35:21I remember.
01:35:22I remember.
01:35:23I remember.
01:35:24I remember.
01:35:25I remember.
01:35:26I remember.
01:35:27I remember.
01:35:28I remember.
01:35:29I remember.
01:35:30I remember.
01:35:31I remember.
01:35:32I remember.
01:35:33I remember.
01:35:34I remember.
01:35:35I remember.
01:35:36I remember.
01:35:37I remember.
01:35:38I remember.
01:35:39I remember.
01:35:40I remember.
01:35:41I remember.
01:35:42I remember.
01:35:43I remember.
01:35:44I remember.
01:35:45I remember.
01:35:46I remember.
01:35:47I remember.
01:35:48I remember.
01:35:49I remember.
01:35:50I remember.
01:35:51I remember.
01:35:52I remember.
01:35:53I remember.
01:35:54I remember.
01:35:55I remember.
01:35:56I remember.
01:35:57I remember.
01:35:58I remember.
01:35:59I remember.
01:36:00I remember.
01:36:01I remember.
01:36:02I remember.
01:36:03I remember.
01:36:04I remember.
01:36:05I remember.
01:36:06I remember.
01:36:07I remember.
01:36:08I remember.
01:36:09I remember.
01:36:10I remember.
01:36:11I remember.
01:36:12I remember.
01:36:13I remember.
01:36:14I remember.
01:36:15I remember.
01:36:16I remember.
01:36:17I remember.
01:36:18I remember.
01:36:19I remember.
01:36:20I remember.
01:36:21I remember.
01:36:22I remember.
01:36:23I remember.
01:36:24I remember.
01:36:25I remember.
01:36:26I remember.
01:36:27I remember.
01:36:28I remember.
01:36:29I remember.
01:36:30I remember.
01:36:31I remember.
01:36:32I remember.
01:36:33I remember.
01:36:34I remember.
01:36:35I remember.
01:36:36I remember.
01:36:37I remember.
01:36:38I remember.
01:36:39I remember.
01:36:40I remember.
01:36:41I remember.
01:36:42I remember.
01:36:43I remember.
01:36:44I remember.
01:36:45I remember.
01:36:46I remember.
01:36:47I remember.
01:36:48I remember.
01:36:49I remember.
01:36:50I remember.
01:36:51I remember.
01:36:52I remember.
01:36:53I remember.
01:36:54I remember.
01:36:55I remember.
01:36:56I remember.
01:36:57I remember.
01:36:58I remember.
01:36:59I remember.
01:37:00I remember.
01:37:01I remember.
01:37:02I remember.
01:37:03I remember.
01:37:04I remember.
01:37:05I remember.
01:37:06I remember.
01:37:07I remember.
01:37:08I remember.
01:37:09I remember.
01:37:10I remember.
01:37:11I remember.
01:37:12I remember.
01:37:13I remember.
01:37:14I remember.
01:37:15I remember.
01:37:16I remember.
01:37:17I remember.
01:37:18I remember.
01:37:19I remember.
01:37:20I remember.
01:37:21I remember.
01:37:22I remember.
01:37:23I remember.
01:37:24I remember.
01:37:25I remember.
01:37:26I remember.
01:37:27I remember.
01:37:28I remember.
01:37:29I remember.
01:37:30I remember.
01:37:31I remember.
01:37:32I remember.
01:37:33I remember.
01:37:34I remember.
01:37:35I remember.
01:37:36I remember.
01:37:37I remember.
01:37:38I remember.
01:37:39I remember.
01:37:40I remember.
01:37:41I remember.
01:37:42I remember.
01:37:43I remember.
01:37:44I remember.
01:37:45Now, if you don't mind,
01:37:48I'd like you to call my paper
01:37:50and ask Swanee to confirm that I was a plant here.
01:37:54That is a load off my mind, Doctor.
01:37:57He was sane enough to write that story.
01:37:59He's been sane for weeks.
01:38:02Don't you stand there and tell me that there's nothing you can do for him.
01:38:06Why?
01:38:09Why is he like that?
01:38:13Oh, God in heaven.
01:38:15Well, a man can't tamper with the mind
01:38:17and live in a mental hospital
01:38:19and subject himself to all kinds of tests
01:38:21and expect to come out of it sane.
01:38:23John is a catatonic schizophrenic.
01:38:29What a tragedy.
01:38:32An insane mute will win the Pulitzer Prize.
01:38:38He is not insane.
01:38:47John, hold out your hand.
01:38:57Johnny!
01:39:00Johnny, Johnny, Johnny.
01:39:04Oh, Johnny.
01:39:07Johnny.
01:39:11Johnny.
01:39:16Oh.
01:39:18Oh.
01:39:20Oh.
01:39:24Oh, Johnny.
01:39:30Johnny, it's me. It's Kathy, Johnny.
01:39:35Johnny.
01:39:41Johnny, it's Kathy. It's me.
01:39:44Oh.
01:39:51No, no, no, no.
01:39:56Oh, Johnny, no.
01:40:00Patients who behave are permitted to congregate in this corridor.
01:40:14Patients who behave are permitted to congregate in this corridor.
01:40:36Figaro.
01:40:39Figaro.
01:40:41Figaro.
01:40:43Figaro.
01:40:45Figaro.
01:40:47Figaro.
01:40:49Figaro.
01:40:51Figaro.
01:40:53Figaro.
01:40:55Figaro.
01:40:57Figaro.
01:40:59Figaro.
01:41:01Figaro.
01:41:03Figaro.
01:41:05Figaro.
01:41:07Figaro.
01:41:09you