2003 The Kiss Full HOT Movie #NowPlayingMovies #EnglishMovie
2003 The Kiss Full HOT Movie
#NowPlayingMovies #EnglishMovie #cdrama #shortfilm #drama #crimedrama #engsub #chinesedramaengsub #movieshortfull #reelshort #comingsoon #fyp
#NowPlayingMovies #EnglishMovie #cdrama #shortfilm #drama #crimedrama #engsub #chinesedramaengsub #movieshortfull #reelshort #comingsoon #fyp
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🎥
Short filmTranscript
00:00:00Lover, where did you go You told me that you'd love me till the end
00:00:22Of ever after
00:00:34Lover, you were the one
00:00:39Who said the sun would shine upon our love
00:00:43Forever after
00:00:49It took you all this time
00:00:53For you to realize
00:00:56I'm not what I seem
00:01:03Memories leave you cold
00:01:07The future seems so old
00:01:10You awoke from my dream
00:01:16Goodbye, my little one
00:01:21Since you're gone
00:01:23The love we made has come undone
00:01:34The love we made has come undone
00:01:39Leg!
00:01:44Zig!
00:02:04May I help you?
00:02:06I'm here about the ad.
00:02:10And which ad might that be?
00:02:12Single, white, female, seeks quiet, responsible roommate.
00:02:16And I found her. You're responsible and very quiet.
00:02:20Well, did that mean that I had to be too?
00:02:23Come on, Megan. I'd like to get some sleep. Tomorrow's my big day.
00:02:27I know. You're right. Please forgive me. Things just kind of got out of hand.
00:02:31Right.
00:02:32Hey.
00:02:33You know how it is.
00:02:35It took you all this time
00:02:38For you to realize
00:02:41I'm not what I seem
00:02:48Memories leave you cold
00:02:52The future seems so old
00:02:55You awoke from my dream
00:03:01Goodbye, my little one
00:03:06Since you're gone
00:03:08The love we made has come undone
00:03:18The love we made has come undone
00:03:29The love we made has come undone
00:03:55Morning.
00:03:56Hey. Sleep well?
00:03:58Oh, right.
00:04:01Uh, this is Zig.
00:04:05Ziggy, actually.
00:04:08But my friends call me Zig.
00:04:11Megan's told me all about you.
00:04:14We just met last night.
00:04:16Over the phone.
00:04:18How did you refer to him?
00:04:20The man of your dreams.
00:04:23I can see why.
00:04:24Ziggy's the new bartender.
00:04:26This is my soon-to-be ex-roommate, Cara.
00:04:29Hi.
00:04:30Nice meeting you.
00:04:31I've got to get going.
00:04:33Can't be late on my first day.
00:04:35Cara's just been promoted.
00:04:37Sweet.
00:04:38What do you do?
00:04:40She's an editor.
00:04:41Associate editor.
00:04:42At Owens & Zeller.
00:04:44Explains the books.
00:04:46I was worried they were yours.
00:05:26No place like home.
00:05:33I guess we're not in Kansas anymore.
00:05:43Did they lose the keys to this room?
00:05:45Well, they didn't want anything to disturb
00:05:47in case Gilbert was working on something important when he died.
00:05:50So on top of everything else, it's our job to figure that out?
00:05:53Think of it as a mission.
00:05:55The secrets of Harry Gilbert, the wizard.
00:05:57Hey, do you know how many bestsellers he edited?
00:05:59No.
00:06:00Let's just hope he left his wizardry here for me.
00:06:12Fred?
00:06:15What's the status on Northern Lights?
00:06:17I spoke to Jonathan over the weekend.
00:06:19Does he understand what a million-copy first printing is?
00:06:22Of course. It's just...
00:06:23We paid him $600,000 for this book.
00:06:26It is scheduled to be our big Christmas release.
00:06:28Do I have to remind you of that?
00:06:30No.
00:06:31Good.
00:06:32Then inform Mr. Gray that he better stop fucking around
00:06:34and get his manuscript in on time.
00:06:36Kara, are you all moved in?
00:06:38It's underway.
00:06:39Let me know if you find anything interesting.
00:06:41Meanwhile, diet for a sensuous you?
00:06:44Ready for copy editing.
00:06:46We're going to push the release date till this November.
00:06:49I think it'll make a perfect stocking stuffer.
00:06:54How'd it go?
00:06:56She wants diet for a sensuous you ready for Christmas.
00:07:00This Christmas?
00:07:01Uh-huh.
00:07:03Oh, and then there's this.
00:07:05Looking for a husband in all the wrong places.
00:07:08After the meeting, she pulled me aside,
00:07:10told me this is right up my alley.
00:07:13Was that a compliment?
00:07:15I'm not sure.
00:07:16Oh.
00:07:22Will you look at this?
00:07:24I don't believe there's a sufficient market
00:07:26for legal thrillers.
00:07:28Huh.
00:07:29This guy's been at the top of the bestseller list
00:07:31for the past decade.
00:07:32I wonder if Joyce knew about the wizard's letter.
00:07:34Probably not.
00:07:35His death wasn't ruled a homicide.
00:07:37Hey, girl.
00:07:38It's happy hour.
00:07:39I can't tonight.
00:07:40I'm buying.
00:07:41I'll take a rain check.
00:07:42I've got a date.
00:07:43One, I don't do rain checks.
00:07:45Anyone I know?
00:07:46Doubt it.
00:07:47Then I'm at a photo gallery downtown.
00:07:48He seems nice.
00:07:49Is he cute?
00:07:51Very.
00:07:55Yeah, no, I don't know.
00:07:56She's supposed to be in here.
00:07:57I'm already on my first glass of wine.
00:07:59Yeah.
00:08:00I'll give her a few more minutes.
00:08:04Hi.
00:08:05How are you?
00:08:06Sorry I'm so late.
00:08:07That's all right.
00:08:08No problem.
00:08:09I had my phone to keep me company.
00:08:10Yeah.
00:08:12So, uh, tough first day?
00:08:14Something like that.
00:08:15Just trying to settle in.
00:08:17Yeah, I understand.
00:08:18You know, Carrie, you really ought to think
00:08:20about your future there.
00:08:22What do you mean?
00:08:24Books.
00:08:25Come on.
00:08:27But that's...
00:08:28Let me show you something.
00:08:33The entire 22-volume Oxford English Dictionary in here,
00:08:37compressed into four megs of RAM.
00:08:39But you missed the whole tactile sensation,
00:08:42the smell of the ink and paper when it was...
00:08:44Kara, this is the future.
00:08:47It's just the start.
00:08:48There's a tech firm out in Seattle
00:08:49that's embedding microcircuits into monkeys' brains.
00:08:52It takes less than three nanoseconds
00:08:54to upload one piece into the chimp's memory.
00:08:58And we're next.
00:09:00It's just a matter of time.
00:09:02So, you hungry?
00:09:04Yeah.
00:09:05I'm hungry.
00:09:07Are you hungry?
00:09:08Yeah.
00:09:09Good, good, good.
00:09:22Oh.
00:09:24Hi.
00:09:27So?
00:09:29Date sucked, huh?
00:09:32He's no Ziggy, the man of my dreams.
00:09:35Mm-hmm.
00:09:36Let me tell you something about Ziggy.
00:09:38I mean, he's got some interesting qualities,
00:09:40but, oh, he, like, smells funny.
00:09:42Really?
00:09:43I didn't notice anything.
00:09:45Next time, get closer.
00:09:47No, thanks.
00:09:48A guy's got to smell nice, among other things.
00:09:52Ooh, like guitar player boy?
00:09:54Ed?
00:09:55Oh, please.
00:09:57Oh, he was so cute.
00:09:59He was cheap.
00:10:01I had to pay for everything.
00:10:03His smell, the cologne I bought him.
00:10:07I even bought him his strings.
00:10:10So let me get this straight.
00:10:12You're looking for a relationship
00:10:14with no strings attached.
00:10:16Or you could just become celibate.
00:10:20I am celibate.
00:10:21It's not always cracked up to be.
00:10:23Hmm.
00:10:25I want passion.
00:10:27Ah, the dreaded P word.
00:10:29I want my toes to tingle.
00:10:32Hey, you know, I think there's a personal ad in here
00:10:34promising just that.
00:10:36I want to be swept off my feet.
00:10:39Relax, you've got time.
00:10:41You're what, 28?
00:10:4229.
00:10:44I'm 31.
00:10:46Really?
00:10:48Well, you still got your look, Sonny.
00:10:50I'm sure Mr. Right is out there somewhere right now
00:10:52with flowers in one hand, down on one knee.
00:10:57Am I missing something here?
00:11:01No, it's a long story, Megan.
00:11:04Oh, come on, tell me.
00:11:08It's just...
00:11:10I think maybe I already let Mr. Right get away.
00:11:14This guy I dated in college.
00:11:18Alan Roberts.
00:11:21Okay, why is it that I'm only hearing about this
00:11:23Alan Roberts right now?
00:11:25It's something I try not to think about.
00:11:28I get it.
00:11:30Hey, how did he smell?
00:11:33Great.
00:11:35Unfortunately.
00:11:37And I'm guessing he occasionally picked up the check.
00:11:40More than occasionally.
00:11:42So what did he do?
00:11:44He was an artist, a painter.
00:11:47No, what did he do?
00:11:50Oh.
00:11:53The day before graduation,
00:11:55he showed up at my dorm,
00:11:57and out of nowhere drops to his knees,
00:12:00whips out a ring, and says,
00:12:02Kara, I can't imagine living a day without you.
00:12:04I love you. Marry me.
00:12:06What an asshole.
00:12:08Come on, you've got to understand.
00:12:10I mean, I was 22.
00:12:12I wasn't ready for that sort of commitment.
00:12:14He said no?
00:12:16I didn't know what to say.
00:12:18He just kept pressing me for an answer,
00:12:20and I didn't have one.
00:12:22And then he just disappeared.
00:12:25Well, that's not too depressing or anything.
00:12:29Do you have any pictures of this Alan guy?
00:12:32Remember that stupid question?
00:12:34I've got boxes full.
00:12:42I know, you're right.
00:12:47But that's all been changed.
00:12:50The book's been fast-tracked for Christmas release.
00:12:53Yes, this Christmas.
00:12:57Look, this is coming directly from Joyce.
00:13:01I thought it would.
00:13:03All right, bye-bye.
00:13:20What's the deal with those?
00:13:22What do you mean?
00:13:24There must be hundreds of editors.
00:13:26Thousands.
00:13:28Okay, thousands.
00:13:30And every night, each of you brings home
00:13:32three or four manuscripts to read.
00:13:34We're all searching for that perfect book?
00:13:37Is there such a thing?
00:13:39I don't know.
00:13:41It's not like I'm going to read it.
00:13:43It's not like I'm going to read it.
00:13:45It's not like I'm going to read it.
00:13:47Look, is there such a thing?
00:13:49Yes.
00:13:52I don't know.
00:13:57I hope so.
00:14:09The Kiss.
00:14:11For Claire.
00:14:13Their language had not yet been invented
00:14:15as love was a mere word,
00:14:17a worn cliché compared to their unique experience.
00:14:21What awakened within them
00:14:23was a phenomenon unfamiliar to each
00:14:26which enclosed them like a gossamer blanket of joy.
00:14:37This isn't me.
00:14:39Who is it?
00:14:41I don't do this.
00:14:43Do what?
00:14:45Spend the night with a stranger.
00:14:47It's too quick.
00:14:49Too weird.
00:14:51Too beautiful.
00:14:57They became addicted to their passion.
00:15:00Every other heartbeat was communal property,
00:15:03and yet she discovered a fragile bliss
00:15:06threatened by the frightening possibility
00:15:08of it all dissolving in the demanding reality of life.
00:15:14Is anything wrong?
00:15:18No, I...
00:15:22What?
00:15:24Come on, tell me.
00:15:26Just years from now, I was just...
00:15:31I'm trying to save this moment,
00:15:33this feeling for then.
00:15:35I'll be there to remind you.
00:15:37Will you?
00:15:44She felt exhilarated
00:15:46and simultaneously suffocated
00:15:48by the totality of them
00:15:50to the point of dreading the prospect of a meltdown,
00:15:54leaving her with a tangible emptiness
00:15:57scraping her soul.
00:15:59Apparently, there's a renowned Japanese theater company in town
00:16:03performing a series of these heightened, minimalist plays.
00:16:07It's kind of like a comedia.
00:16:09They use masks and dance and music.
00:16:11Anyway, I thought we'd go with her,
00:16:13and we'll see how it goes.
00:16:15I don't know.
00:16:17I don't know.
00:16:19I don't know.
00:16:21I don't know.
00:16:23I don't know.
00:16:25I don't know.
00:16:28Anyway, I thought we'd go with Rene and Isabelle tomorrow...
00:16:31Philip?
00:16:32...after dinner.
00:16:33We can go tonight,
00:16:35but we'd have to cancel with your mother.
00:16:37Philip, I...
00:16:39What is it, dear?
00:16:43I love you.
00:16:47Why, I love you.
00:16:51I love you,
00:16:53like I have never loved anyone else,
00:16:55And I have done things with you that I never dreamed of.
00:17:01And it's gone even beyond that.
00:17:03Good.
00:17:04Something crazy about you.
00:17:06I've completely lost myself in you.
00:17:08All I think about, all I dream about is you, is us.
00:17:12What are you saying?
00:17:15It's too much, Philip.
00:17:16We're too much.
00:17:25I love you.
00:17:28Claire.
00:17:30Claire.
00:17:31Claire.
00:17:35Claire?
00:17:40Claire!
00:17:41He stormed the streets, his personal hell of abandonment.
00:17:44His vanished connection to the meaning of life
00:17:47took the form of heated writing in hopes of alleviating
00:17:50the desperate pain of loss.
00:17:52Claire!
00:17:55Lifting his hand, he struck the first key and...
00:17:59What?
00:18:04Lifting his hand, he struck the first key and...
00:18:55I can't believe this.
00:19:06Good morning.
00:19:07Not yet.
00:19:17Julie.
00:19:19Something wrong?
00:19:20No.
00:19:21I'm not in the mood.
00:19:22I'm not in the mood.
00:19:23Julie.
00:19:24Something wrong?
00:19:25The rest of the old manuscripts.
00:19:27Well, I threw them out.
00:19:28What?
00:19:29Like you said.
00:19:31Is something missing?
00:19:33Just the ending to an incredible book.
00:19:35Incredible?
00:19:37I can't believe that.
00:19:49We're sorry.
00:19:50The number you have reached is no longer in service.
00:19:53Damn it.
00:19:55Do a web search.
00:19:56OK.
00:20:02Director of Assistance, what city, please?
00:20:04Brookdale, please.
00:20:05I'd like the number for a Conway Hall.
00:20:07Can you spell that, please?
00:20:09Hall.
00:20:10H-A-L-L.
00:20:14There is no listing for Hall in Brookdale.
00:20:17Nothing at all.
00:20:23No hits.
00:20:42Well?
00:20:43He's just not cooperating.
00:20:46Have legal give him a call.
00:20:49Kara, I read it last night.
00:20:52What did you think?
00:20:54Well, I have to say, it's not exactly my taste.
00:20:57My cup of tea, as it were.
00:21:00But I have to admit, it has bestseller written all over it,
00:21:03assuming it were complete and we knew where it came from.
00:21:07Steve, see what you can do with it.
00:21:17Yes?
00:21:20This just came.
00:21:29Doesn't matter anyway.
00:21:32She just took it away from me.
00:21:34OK, call her.
00:21:35Let Joyce walk all over you.
00:21:37She's my boss.
00:21:38What am I supposed to do?
00:21:40Here, have another glass of wine.
00:21:41No, I mean, I know what you mean.
00:21:43Look, tomorrow's Saturday, right?
00:21:45Get up early, rent a car.
00:21:48But all I've got is a post office box.
00:21:50It's a start, right?
00:21:52But nothing.
00:21:53Every night you search for the perfect book, remember?
00:21:56In just a sec.
00:21:58Look, if you've found it, don't give up so easily.
00:22:00Always in my brain.
00:22:07Travel and adventure, summer getting harder.
00:22:15Every time you come, every time you come, you're in the game.
00:22:31Excuse me, where's box 708?
00:22:33There is no box 708.
00:22:35That doesn't make sense.
00:22:37Walt!
00:22:38Yep?
00:22:39Before we remodeled, was there a box 708?
00:22:43Oh, you betcha.
00:22:44It went all the way up to 850.
00:22:46Would you have any information about box 708?
00:22:49No.
00:22:50A forwarding address?
00:22:51Mm-mm.
00:22:52A phone number?
00:22:53No.
00:22:55We really don't keep those sort of records, miss.
00:22:57That was so long ago.
00:23:00Back when the prep school closed.
00:23:02Everybody moved away then.
00:23:04How long ago?
00:23:06Walt!
00:23:08How long ago was that?
00:23:10Oh, I guess 20 years back now.
00:23:14Wait a minute.
00:23:15You're saying that there hasn't been a box 708 in at least...
00:23:1920 years.
00:23:21♪
00:23:51♪
00:24:01♪
00:24:11♪
00:24:20You were here.
00:24:22♪
00:24:29Joyce, could I speak with you for a moment?
00:24:32It's about the kiss.
00:24:33I want to find the author.
00:24:34I have a whole set of problems with this.
00:24:36You've only been on the job ten days.
00:24:38Your plate is full, Kara.
00:24:39I'll make the time.
00:24:40Well, what about the fact that Steve is a fiction editor
00:24:42and you are not?
00:24:43Joyce, give me a chance.
00:24:44I know this book.
00:24:45I'm only asking for one week.
00:24:4720 years is a long time.
00:24:48He could be dead.
00:24:49I'm willing to take that chance.
00:24:51You know, there are plenty of assistants
00:24:53that are waiting to see you screw up
00:24:54so that they can take your slot.
00:25:01Do not make me regret this.
00:25:07A leave of absence?
00:25:09Just the week?
00:25:10I'm the impetuous one.
00:25:12You're supposed to be responsible and quiet.
00:25:16That's some example you're setting.
00:25:18I'm very quiet.
00:25:20It's just time for a little role reversal.
00:25:25A week, huh?
00:25:33You know, this sort of looks like you.
00:25:35You think so?
00:25:36Yeah.
00:25:38Oh, baby.
00:25:41When I was reading the book, I actually thought it was me.
00:25:44Let's see.
00:25:46What are you doing?
00:25:48I want to know if you're totally whacked.
00:26:08Oh, baby, the leaves tumble down
00:26:15Pieces of my heart on the ground
00:26:23The summer winter plays beneath your feet
00:26:30And you don't even notice
00:26:34The course of paradise
00:27:01Hello?
00:27:02Hi, Zig.
00:27:03Yeah?
00:27:04It's me, Megan.
00:27:05I'm shocked.
00:27:06I'll bet you are.
00:27:09Uh, hey, I need a favor.
00:27:12What?
00:27:13Could you cover my shift for a couple of nights?
00:27:15Oh, I don't know.
00:27:16I understand.
00:27:17I'll be back on Wednesday, I promise.
00:27:19All right.
00:27:20Great.
00:27:21How are you going to repay me?
00:27:22How will I repay you?
00:27:27Uh, I'll think of something.
00:27:31Yeah, you better.
00:27:32Be good.
00:27:33Okay.
00:27:34Oh, thanks again.
00:27:35Bye.
00:27:36Okay, bye.
00:27:41We should call it a night.
00:27:44Since when do you get to bed before 4 a.m.?
00:27:47When I'm driving to Brookdale first thing in the morning.
00:27:51Night.
00:28:09I've got a picture of you
00:28:16I keep it in my mind
00:28:23And whenever I'm blue
00:28:29I know you're mine
00:28:33What about the headmaster?
00:28:35Do you remember his name?
00:28:36Hmm, it was a German name.
00:28:39Weiss.
00:28:40No.
00:28:41Fleiss.
00:28:42Bonner.
00:28:43That's it?
00:28:44Yeah.
00:28:45Do you know where we can find him?
00:28:47Oh, sure.
00:28:48Over at the Heavenly Hill Cemetery.
00:28:50He died a couple of years after the school closed.
00:28:53Shit.
00:28:58Now what?
00:29:00Here you go.
00:29:01Enjoy.
00:29:02Dessert?
00:29:03Thanks.
00:29:04That's not what I meant.
00:29:05I know, but that cherry pie looks awesome.
00:29:10Carol.
00:29:12Yeah?
00:29:14The local paper.
00:29:16What about it?
00:29:18Maybe there's some kind of lead, you know, something about the school.
00:29:21What, a Derek Conway column?
00:29:24You never know.
00:29:26It's worth a try.
00:29:29Excuse me.
00:29:30Check, please.
00:29:31I'll be right there.
00:29:32No cherry pie.
00:29:34Do you see the sacrifices I've made?
00:29:38Do you see the sacrifices I make for you?
00:29:43Told you it was a mess.
00:29:47This is why God invented the Internet.
00:29:50You two will be all right down here?
00:29:52Yeah, we'll be fine.
00:29:53All righty.
00:29:54You're just dandy.
00:29:56Where do you want to start?
00:29:58If I go back to the womb, my life held promise at that point.
00:30:02You work back.
00:30:03I'll work forwards.
00:30:24Hey, listen to this.
00:30:25Services will be held Thursday for Claire Noday.
00:30:29Claire, like in the book.
00:30:31Noday, who died Monday, April 14th, 1980 at Brookdale Hospital after a long illness.
00:30:36The time frame is right.
00:30:38Oh, my God.
00:30:39She was married to Philip Noday, English instructor at Westerbrook Prep.
00:30:43Philip and Claire.
00:30:44He used their real names.
00:30:57I think I've got it.
00:30:59Address or phone number would be great.
00:31:02How about a photo of the faculty?
00:31:04Donald Kellerman, Priscilla Hopewell, Athene Mumford, and Philip Noday.
00:31:09Yes, all we have to do now is find him.
00:31:12Let's go.
00:31:30May I help you?
00:31:33Yes, Priscilla Hopewell.
00:31:35Yes.
00:31:36We'd like to ask you a question about one of your colleagues at Westerbrook Prep.
00:31:40Are you with the police?
00:31:43No, not at all.
00:31:45We're trying to locate Philip Noday.
00:31:49You sure you're not with the police?
00:31:54Huh?
00:31:55Yeah.
00:31:56Yeah.
00:31:58Sorry I can't help you.
00:32:00But, Mr. Kellerman, I...
00:32:01Look.
00:32:05Philip and I didn't exactly see eye to eye.
00:32:08I have no idea where he is.
00:32:10But believe me, I wish I did.
00:32:12That son of a bitch owes me 35 bucks.
00:32:23Are we crazy?
00:32:25You tell me.
00:32:29You know, I don't even care if this thing ever gets published.
00:32:32I just want to find out how it ends.
00:32:34Sometimes I feel the same way.
00:32:36Like I don't want to share this story with the rest of the world.
00:32:40I want it to be all mine.
00:32:43Do you think they reunite?
00:32:46Maybe.
00:32:47This is a clue.
00:32:49I thought about that, but I don't know if it's supposed to show them at the beginning or at the end.
00:32:55Right?
00:32:56It's got to be the end.
00:32:58Why?
00:32:59Because all that searching.
00:33:01And he's got to find her.
00:33:03Twin hearts.
00:33:06Hmm?
00:33:07Twin hearts.
00:33:08The idea that there's one person out there who's perfect for you.
00:33:14Alan.
00:33:15It's mushy.
00:33:17I hate mushing.
00:33:19We would lie in bed at night and hold each other,
00:33:22his chest pressing against mine,
00:33:24and I swear we could feel our hearts beating together as one.
00:33:41It's not that mushy.
00:33:49I've got one.
00:33:50No day?
00:33:52Chemistry teacher.
00:33:53Affine Q Mumford.
00:33:55Ah, parents can be so mean.
00:33:57Which one is he?
00:33:59The one with the mustache.
00:34:04He lives in Waterbury.
00:34:10That's about two inches north of here.
00:34:21Let's do it.
00:34:22Yep.
00:34:28Ziggy.
00:34:29Shh.
00:34:30You get us thrown out of here.
00:34:33Over here.
00:34:42Damn.
00:34:51Ladies.
00:34:52We're sorry to interrupt.
00:34:53Oh, no, no. Forget about it.
00:34:55I've been trying for two weeks now to rescue the princess from the demon spaceship.
00:35:00She can wait for another hour or so.
00:35:03We'd like to ask you...
00:35:04I know. I know.
00:35:06You're looking for Philip Noday.
00:35:09Priscilla Hopewell told me all about it.
00:35:11You may as well just put it on the internet.
00:35:13She even described what you were wearing.
00:35:17She told you about the book?
00:35:18Yeah, and the missing ending.
00:35:20Philip.
00:35:23Do you know where he is?
00:35:24I might.
00:35:31Is there any good to the book?
00:35:33We wouldn't be here.
00:35:34Yeah, I suppose.
00:35:37Can you help us?
00:35:39I'm not sure he wants to be bothered.
00:35:42Mr. Mumford, I can't publish his book unless I find him.
00:35:46I'm not sure he wants to be bothered.
00:35:49Look, we've come a long way, and we're pretty desperate.
00:35:51Oh, now, are you threatening to beat it out of me?
00:35:53No, no, I just meant...
00:35:54No, that's a joke.
00:35:56Old man's fantasy.
00:36:06On one condition.
00:36:08You name it.
00:36:09You got the manuscript with you?
00:36:11In here?
00:36:12Let me read it.
00:36:14Tonight.
00:36:16Hello?
00:36:17Joyce, it's Cara.
00:36:18I think I've got something.
00:36:20Have you got an ending?
00:36:21No, not an ending.
00:36:22Not yet, anyway, but...
00:36:24Did you put off looking for a husband?
00:36:26No.
00:36:28Looking for a husband is with the copy editor.
00:36:31We're right on schedule with that.
00:36:32Well, don't waste any more time.
00:36:34You'll be back on Monday, right?
00:36:36Yes, I will be there on Monday.
00:36:38Monday. Love you.
00:36:43The witch.
00:36:45I want to kill her.
00:36:49Water.
00:36:50Try a big bucket of water.
00:36:57The first thing you have to do is to be able to tell the difference
00:37:00between an electrolyte and a non-electrolyte.
00:37:03That's a no-brainer.
00:37:04Then you have to be able to predict the solubility of ionic compounds in water.
00:37:08What if he hated it?
00:37:10He didn't say he had to like it, just that he wanted to read it.
00:37:13See you there in Chapter 6.
00:37:15Saved by the bell.
00:37:19All right, for tomorrow, we're going to review Chapter 6.
00:37:22You got me? Review Chapter 6.
00:37:34Mr. Mumford.
00:37:38The literary angels.
00:37:44It'd sell a million copies, wouldn't it?
00:37:47If I can get the ending.
00:37:49Yes, maybe more.
00:37:54You've got his number?
00:37:57As far as I know, he doesn't have one.
00:38:02He, uh, he lives in East Wellfield.
00:38:06Um, that's up the coast on Route 1.
00:38:09I'm guessing it's about three hours from here.
00:38:13A mile into East Wellfield, you'll see an old gas station on the right.
00:38:19Does it have a name?
00:38:20No, it just says old here, underlined, and that you can't miss it.
00:38:26And?
00:38:28You're supposed to ask for him there.
00:38:34Sure you can't stay?
00:38:36One of us has to have a job.
00:38:39Bring back the ending, okay? I don't like to be kept hanging.
00:38:42I'll do what I can.
00:38:44Get going, you've got a long drive.
00:38:46I'll call.
00:38:48You better.
00:38:49Good luck.
00:38:50Thanks.
00:38:52Peace, Mama.
00:39:08♪
00:39:14You get so alone at times that it just makes sense
00:39:21Even when I talk to myself, the fear crackles up again
00:39:28And there's something coming into my life, a vision today
00:39:37A memory rings while my mind unveils all the shit that you say
00:39:45But I'm bad to choose, and I easily bruise
00:39:53And you know my ways, I'm unstrung and dazed
00:40:00What am I supposed to do now that you're not here?
00:40:08What am I supposed to do now that you're not here?
00:40:23Fill her up.
00:40:25Uh, sure.
00:40:28Regular, please.
00:40:41Open the gas cap.
00:40:42Huh?
00:40:43Uh, gas cap.
00:40:45On the floor, left of your seat.
00:40:46Oh.
00:40:49Rent a car?
00:40:51Yeah.
00:40:52How did you know?
00:40:54Us, my area of expertise.
00:40:58What are you doing up here this time of year?
00:41:00I'm looking for someone.
00:41:02I'm hoping you can help me.
00:41:03I was told to ask here.
00:41:05Oh.
00:41:06Do you know where I can find Philip Nodet?
00:41:08Who?
00:41:09Philip Nodet.
00:41:11N-A-U-D-E-T.
00:41:14Never heard of him.
00:41:15But I'm sure this is...
00:41:18Sorry.
00:41:20That'll be 12 bucks.
00:41:33Is there someone else who works here who might be able to...
00:41:36Afraid not.
00:41:37I wish I could help you.
00:41:39Well, drive safely, miss.
00:41:42Is there any place around here where I can get some food?
00:41:45Well, there's a diner, but it's a good hour north.
00:41:49Figures.
00:41:52I might have some crackers in the office.
00:41:56Great.
00:42:03Um, I'm sure I have some somewhere.
00:42:06Wait here, miss.
00:42:27This is my home, miss.
00:42:29Oh, I'm sorry. I-I just followed you in.
00:42:34That should hold you.
00:42:36On me.
00:42:37So, you'll be on your way now, huh?
00:42:40Uh, sure.
00:42:41You're him.
00:42:43I told you you wouldn't leave me alone.
00:42:48Sorry.
00:42:49Ugh.
00:42:51Hey.
00:42:52No.
00:42:53I haven't.
00:42:58Hey.
00:43:02What are you doing here?
00:43:08It's me.
00:43:09You're him.
00:43:11I told you, I don't know this.
00:43:12No, that's you in the pictures.
00:43:13No, it isn't.
00:43:14Yes, it is.
00:43:19Who sent you here?
00:43:20A fain Mumford.
00:43:22Mumford?
00:43:24That's the science himself.
00:43:27What do you want?
00:43:28An ending.
00:43:31An ending?
00:43:32Yes, to this.
00:43:40Where on earth did you find this?
00:43:42At Owen's in Zeller.
00:43:44I work there, and I think I can get it published if you
00:43:46give me the missing pages.
00:43:48We threw them away by mistake.
00:43:52Where were you 20 years ago?
00:43:54In fourth grade.
00:44:01You'd like it?
00:44:04I think it's wonderful.
00:44:09It was our honeymoon.
00:44:10We kissed when the picture became so popular.
00:44:18Overexposed.
00:44:20Every goddamn poster shop had one in the window.
00:44:23It stopped being us.
00:44:25Claire and I would imagine about these two people
00:44:28in front of the bookstore until they met.
00:44:30The passion, separation, the love, the passion.
00:44:34And then we kissed.
00:44:40In Claire's version, they were always reunited in the end.
00:44:46And in this one?
00:44:50Are you OK?
00:44:54Yeah, I have some time for a cigarette.
00:45:00In fact, I'm a bit tired.
00:45:02I wonder if we could continue tomorrow.
00:45:06Uh, sure.
00:45:08I'll be fine.
00:45:10Tomorrow's fine.
00:45:15Just one more question.
00:45:17Is that a promise?
00:45:19Yep.
00:45:20Why Jake?
00:45:22Oh, it's the guy I bought the station from.
00:45:24I got dozens. You want one?
00:45:25No, but thanks anyway.
00:45:28I'll see you in the morning.
00:45:29See you in the morning.
00:45:39Oh.
00:45:46That's him in the picture.
00:45:47They were on their honeymoon in Paris.
00:45:50You're kidding.
00:45:51Does he look anything like the guy in the picture?
00:45:54Yeah, sort of.
00:45:57There's something about him.
00:45:59Do I detect a May, December thing here?
00:46:03No, I don't think so, Megan.
00:46:05Hey, don't rule it out.
00:46:07OK, I'm going to say goodnight now.
00:46:09Call me when you have an ending.
00:47:07Hey, Kilgore.
00:47:09Hey, buddy.
00:47:17Mr. No Day?
00:47:23Mr. No Day?
00:47:29Mr. No Day?
00:47:37Mr. No Day?
00:48:08I had a lot of spare time since Claire died.
00:48:12How many are there?
00:48:21I have to run into town for some groceries.
00:48:23You want to come?
00:48:24We can talk in the car.
00:48:25Sure, we'll watch the stage.
00:48:27Oh, locals need gas.
00:48:28They'll come by later.
00:48:30Come on, Kilgore.
00:48:31Walk in.
00:48:32Come on, man.
00:48:38You were pretty hard to find.
00:48:40That was the plan.
00:48:43Why?
00:48:45I feel more alone in company.
00:48:51Have you been up here long?
00:48:54Since the school closed.
00:48:57I didn't feel like teaching anymore,
00:48:58and I had a little money stashed away, so.
00:49:02But a gas station.
00:49:05Suits me fine.
00:49:07I don't do repairs.
00:49:08I don't sell tires.
00:49:11It's a perfect five minutes of interaction,
00:49:14and back to the typewriter.
00:49:16So how many of my colleagues did you meet on this journey?
00:49:21A few.
00:49:22Priscilla Hopewell, Donald Kellerman.
00:49:25Kellerman?
00:49:27Hell will freeze over before he gets his $35.
00:49:32Damn tourists.
00:49:36More than a kiss, more than a kiss.
00:49:41Claire and I used to spend our vacations up here.
00:49:45Afterwards, it seemed like a good place to scribble.
00:49:50Actually, could we talk about?
00:49:52No.
00:49:53Later.
00:49:56If I'm going to let you publish it,
00:49:58I should get to know you a bit first.
00:50:01Such as?
00:50:03Name would be good.
00:50:05My God.
00:50:07Kara Thompson.
00:50:08Kara.
00:50:09It's a nice name.
00:50:11We're off to a good start.
00:50:13What do you say, Kilgore?
00:50:16Woof.
00:50:17Woof.
00:50:19He's a cheap date.
00:50:25It's beautiful.
00:50:28Claire used to say,
00:50:30if you squinted, you could see the top of the Eiffel Tower from here.
00:50:35It was her favorite place on Earth.
00:50:38I laid her to rest here.
00:50:41Grr.
00:50:43Come on, lad.
00:50:47Was she like the Claire in the book?
00:50:54In small ways.
00:50:56People just liked to be around her.
00:50:59When we were apart, I'd be longing for her return.
00:51:02But when we were together, I couldn't relax.
00:51:06I was dreading her absence.
00:51:30What happens at the end?
00:51:34You're the publishing expert.
00:51:36How do you think it should end?
00:51:39With a kiss.
00:51:44I should be getting back to the station.
00:52:30So, how much of the book is true?
00:52:33Oh.
00:52:36A lot of it.
00:52:39A lot of it.
00:52:42A lot of it.
00:52:45A lot of it.
00:52:48A lot of it.
00:52:51A lot of it.
00:52:54A lot of it.
00:52:57A lot of it.
00:53:01I was just trying to capture the feeling of how it was.
00:53:06Most of the manuscript's the same.
00:53:09Just shuffling the memories.
00:53:12How about their relationship?
00:53:17I got most of it right.
00:53:20Did Claire leave when I proposed?
00:53:25No.
00:53:27Probably should have, but she didn't.
00:53:32Was the passion so...
00:53:36Overwhelming?
00:53:39Absolutely.
00:53:47And Paris?
00:53:50Paris.
00:53:56Paris I got right, at least.
00:54:04You seem to have a passion for bookshops.
00:54:08Good memories.
00:54:10So why not get your pen name from one?
00:54:13Instead of Conway Hall.
00:54:15Oh, it was a joke.
00:54:17The building was falling down on our heads.
00:54:21An homage?
00:54:25To my crumbling existence.
00:54:30So, what are you passionate about?
00:54:34Books. Literature.
00:54:36Ah, too obvious.
00:54:38Tell me something I don't know.
00:54:40Tell me...
00:54:42Who in history you would have liked to have had a love affair with.
00:54:47Anyone?
00:54:49Anyone.
00:54:52Botticelli, maybe.
00:54:54Ah.
00:54:56You see yourself as Venus.
00:54:58The goddess of love.
00:55:00No, that's my roommate.
00:55:02Maybe he would have painted me after we made love.
00:55:06Ah, that's original.
00:55:09And you?
00:55:11Me?
00:55:15Cleopatra.
00:55:19And I did have a lot of fantasies about Ava Gardner.
00:55:24But then I remembered how it was with Claire.
00:55:29It couldn't possibly have been better with anyone else.
00:55:34Hopeless, aren't I?
00:55:37I don't think so.
00:55:39So, tell me about the man in your life.
00:55:44There isn't one at the moment.
00:55:47Please tell me you truly have been in love.
00:55:53Well...
00:55:55Once?
00:55:59Okay, once.
00:56:01And what did he do to make you fall so in love with him?
00:56:08He made me feel like we were the only two people alive
00:56:13and everything that existed existed for us.
00:56:17So where is he?
00:56:19I don't know.
00:56:21So suddenly you weren't so alone anymore?
00:56:26Not at all.
00:56:29What happened?
00:56:34I panicked.
00:56:36Well, we all panic.
00:56:39I haven't heard from him since.
00:56:43So find him.
00:56:46Who knows if he'd remember me.
00:56:52I think you'd be pretty hard to forget.
00:57:05Mmm.
00:57:10I know a secret about cocoa.
00:57:14It triggers the release of endorphins.
00:57:17Your body's own opium
00:57:20produces the same feeling as when you're in love.
00:57:26So let's eliminate love, replace it with cocoa.
00:57:30I'll break out the window.
00:57:35By the way, how did you meet Claire?
00:57:40We met in a bookshop in Greenwich Village.
00:57:45I heard this couple arguing.
00:57:47The guy was banging on about how TV had made books redundant.
00:57:52I looked over.
00:57:54I saw Claire clutching a book to her chest.
00:57:58When I saw what it was, I came to her defense.
00:58:01Said it was the most beautiful depiction
00:58:04of unrequited love I'd ever read.
00:58:07She...
00:58:09She handed the book to her date and said,
00:58:13apparently you need this more than me.
00:58:16What was the book?
00:58:18Sentimental Education by Flaubert.
00:58:21I don't think anybody's ever got it that right, in my opinion.
00:58:27I don't think anybody's ever got it that right, in my opinion.
00:58:32Until now.
00:58:34Ah.
00:58:36Silver-tongued devil.
00:58:39Well, listen.
00:58:43See for yourself.
00:58:58Has there been anyone since?
00:59:01Is that a euphemism?
00:59:04No.
00:59:07I mean, well, you're intelligent, attractive.
00:59:13Passed myself by date.
00:59:19No, having you here the last few days, it's been...
00:59:24It's been...
00:59:35It's late.
00:59:37Maybe we'd better call it a night.
00:59:40Yeah.
00:59:42See you in the morning.
00:59:44We'll discuss the ending.
00:59:46I promise.
00:59:48We got a bit sidetracked tonight.
00:59:53Good night, Philip.
00:59:55Good night.
01:00:14quelque chose de tendre
01:00:18d'aussi solidaire
01:00:21quelque chose de tendre
01:00:24dans ce regard
01:00:26quelque chose d'étrange
01:00:30de farouche
01:00:32et de si solitaire
01:00:35dans ton regard
01:00:38m'a fascinée
01:00:43à Saint-Germain-des-Prés
01:00:47ce matin de juin
01:00:50mais qu'est-ce qui s'est passé
01:00:57Ã Saint-Germain
01:01:00ce matin de juin
01:01:03je voulais rien donner
01:01:11tu restais lÃ
01:01:14au milieu du trottoir
01:01:18Come in.
01:01:23That smells great.
01:01:26Would you like some omelette?
01:01:28Between the food and the cocoa, this is going to be a pleasure to edit.
01:01:32Perhaps not.
01:01:34What, you're going to stop cooking for me once I buy your book?
01:01:39That wasn't what I meant exactly.
01:01:48You didn't lose the ending, Cara.
01:01:52Come, I've got something to show you.
01:02:07There's no ending.
01:02:09Happy, sad, or otherwise.
01:02:12You sent the manuscript to Owens and Zeller incomplete?
01:02:15I was hoping for a response of some kind, an echo,
01:02:19so I'd know I wasn't alone.
01:02:21I guess I thought that if an editor liked the story,
01:02:24it would provide a spark,
01:02:27give me the push I need to...
01:02:30solving an ending.
01:02:33So here I am.
01:02:39Maybe that was how it was 20 years ago.
01:02:42It's not like that anymore.
01:02:45Can't they just find each other and live happily ever after?
01:02:50It's not like that now.
01:02:52It is, Philip. You can finish this book.
01:02:55I don't think so.
01:02:57At least try.
01:02:59I've been trying for 20 goddamn years.
01:03:02I've done nothing else.
01:03:04Let me help you.
01:03:06You don't understand.
01:03:08Tell me.
01:03:10An ending means it's over.
01:03:23I'm sorry.
01:03:30I guess I should...
01:03:33leave.
01:03:41♪
01:03:44♪
01:04:07Hey.
01:04:09Surprise.
01:04:12Oh. Oh, oh, oh, oh.
01:04:15I'm sorry. You don't like the poster.
01:04:17Get it out of here.
01:04:19I never want to see that picture again.
01:04:22Come here.
01:04:24Everything sucks.
01:04:28That's life, sister.
01:04:30Can I get you a drink?
01:04:32Beer? Gin and tonic?
01:04:35Whiskey straight up?
01:04:37Or hot cocoa?
01:04:40Okay. Please.
01:04:42Coming right up.
01:04:48So he just wouldn't do it.
01:04:51He couldn't.
01:04:53I believe him.
01:04:57No, if you had met him, you'd understand.
01:05:00He's still not over her.
01:05:02Come on, Kara. You've got to be able to move on.
01:05:04Otherwise, you...
01:05:06Die?
01:05:08I was gonna say rot.
01:05:10♪
01:05:21♪ When the day ever ends
01:05:25♪ And the night begins
01:05:28♪ You breathe it, breathe it
01:05:32♪ Oh, you breathe it
01:05:39♪ When the stars fade again
01:05:44♪ And the sun comes in
01:05:47♪ You breathe it, breathe it
01:05:50♪ Oh, you breathe it
01:05:52As I'm sure you have heard,
01:05:54Kara has struck out with the kiss.
01:05:57You know I read the manuscript.
01:05:59Deidre Stone could tack on an ending in a day.
01:06:01Mr. No Day...
01:06:03Conway Hall was a pen name.
01:06:05His real name is Philip No Day.
01:06:07Like in the book?
01:06:09Right. He doesn't want the book published,
01:06:11with or without his ending.
01:06:13He's no longer interested.
01:06:15I can't believe that.
01:06:17Believe it, Steve.
01:06:19It was a good try, Kara.
01:06:21But now it is time to get serious.
01:06:26♪
01:06:29Kara Thompson. May I tell who's calling?
01:06:33Nathane Mumford?
01:06:41Mr. Mumford, hello.
01:06:43Can you come up here? He's asking for you.
01:06:46Sure. How about this weekend?
01:06:48The weekend?
01:06:50Something's wrong, isn't it? Is Philip all right?
01:06:52Can you come sooner?
01:06:54Okay.
01:06:56When will you come?
01:06:58Well, I'm leaving now. I'll be there tonight.
01:07:00Okay. Okay.
01:07:02What's going on?
01:07:04Philip. I... Philip No Day.
01:07:06The kiss guy? Yeah.
01:07:08Tell Joyce I went home early.
01:07:10Tell her I was sick. Tell her anything. I don't care.
01:07:30He's upstairs.
01:07:32He, um...
01:07:34He doesn't look so good.
01:07:53Can I have a few minutes with my pal?
01:08:01I'll be right downstairs if he needs me.
01:08:09I guess I look pretty rough, huh?
01:08:12Is that morphine?
01:08:14Yeah.
01:08:17Less distracting than the pain.
01:08:21I had it's good to...
01:08:26...confront what you fear most before you die.
01:08:31Are you referring to me?
01:08:37After you left, I...
01:08:39I suddenly realised that although I've been living for years without Claire,
01:08:43I've never been able to live without you.
01:08:47I suddenly realised that although I've been living for years without Claire,
01:08:52I've never lived without the memory of her.
01:08:57And then there was a silence.
01:09:03And it just embraced all the thoughts.
01:09:11A kind of vibrant peace.
01:09:14Empty yet...
01:09:17...never the same.
01:09:21Sounds like your luggage is packed.
01:09:26Yeah.
01:09:28And I'm travelling light.
01:09:34All that time I was rummaging in the past and...
01:09:40...the end was waiting for me in the moment.
01:09:44She'll be there for you.
01:09:47We'll see.
01:09:55I want you to take care of my dog.
01:09:59Yep.
01:10:00Promise?
01:10:01Yes, promise.
01:10:06This is for you.
01:10:15Kara.
01:10:18It's okay.
01:10:21Nothing real ever dies.
01:10:44I love you.
01:11:15Twenty years.
01:11:19I don't see him or hear from him.
01:11:23And then he calls me up here to watch him die.
01:11:31I'm supposed to wrap up the Lucent I did.
01:11:34He told me to send a check for $35 to Donald Kellerman.
01:11:40All the rest of this goes to you.
01:11:58Scotch, on the rocks.
01:12:00I don't drink scotch.
01:12:02Good day to start.
01:12:04Single malt, impeccably aged.
01:12:06The bar's private stash.
01:12:08You know, the owner thinks none of us knows where he keeps the key.
01:12:11What if it's... I mean, there's no guarantee.
01:12:14For all I know, it could be a stack of blank pages.
01:12:18Bottoms up, girl.
01:12:28Okay?
01:12:30Okay.
01:12:31All right.
01:12:33Okay.
01:12:34All right.
01:13:04In hopes of alleviating the desperate pain of loss,
01:13:08lifting his hand, he struck the first key and wrote,
01:13:12for Claire.
01:13:14Bonjour.
01:13:16Sales have been good, Monsieur Nodet.
01:13:19We sold eight copies of your book the last week alone.
01:13:24Very good.
01:13:28Bonjour.
01:13:30Bonjour.
01:13:33Are you waiting for someone?
01:13:37No.
01:13:39Why?
01:13:41No.
01:14:01Monsieur, would you please sign this for me?
01:14:08Claire?
01:14:12Yes.
01:14:14It's me.
01:14:19Oh, my God, Claire.
01:14:21I'm sorry.
01:14:23I'm so sorry.
01:14:25I never should have left you.
01:14:27I wasted so much time.
01:14:29I...
01:14:31I don't even remember what I was afraid of.
01:14:34It doesn't matter.
01:14:36No.
01:14:38We had...
01:14:39We have.
01:14:41We have.
01:14:42My feelings haven't changed for you.
01:14:46I was frightened.
01:14:48I was wrong to leave.
01:14:50I was wrong about so many things.
01:14:52I walked the streets of Paris until my feet bled.
01:14:56This guy wrote a book, um,
01:14:59in the hopes that you'd find me,
01:15:01and I really don't care about it because you're here now.
01:15:05I carry this.
01:15:26I carry this.
01:15:56As he drew her close, Claire could smell the wool of his coat
01:15:59made wet by the warm Paris rain.
01:16:02With the touch of his lips,
01:16:04all her senses dissolved and surrendered to the kiss,
01:16:07the kiss which reached through time itself
01:16:10into the boundless, miraculous realm of eternity.
01:16:26Backed by a million-dollar ad campaign,
01:16:29this is gonna be next summer's hot book.
01:16:31The ending's good, Cara.
01:16:33Really good.
01:16:38At long last, I'm home.
01:16:41Not for long.
01:16:43I've got the night off.
01:16:45Dinner, Al?
01:16:47Nah, I was thinking more along the lines of
01:16:51an opening.
01:16:56Oh, my God.
01:17:02Uh-uh.
01:17:04No.
01:17:06I can't go to this. Not tonight.
01:17:08No, I can't.
01:17:10Mm-mm. No.
01:17:13I don't have anything to wear.
01:17:15No. No.
01:17:20Are you sure about this?
01:17:23Trust me.
01:17:25What about Kilgore? I can't leave him alone.
01:17:27Oh, Doug, he'll be fine.
01:17:29I even got him a sitter.
01:17:31Speak of the devil.
01:17:36You remember Ziggy.
01:17:38Of course.
01:17:40Hi.
01:17:42Ziggy, this is Kilgore.
01:17:45Hi, buddy.
01:17:50Bye, boy.
01:17:52Enjoy.
01:17:56Bye.
01:18:00So that's how you repay him for covering his shift.
01:18:03You ask him to dog sit.
01:18:05He's nuts about animals.
01:18:07He goes to veterinarian school by day.
01:18:09That explains the smell.
01:18:11Honey, it explains a lot of things.
01:18:16I can't do this.
01:18:18Yes, you can. You can.
01:18:20Who knows if he'll even recognize me?
01:18:25Oh, he'll recognize you.
01:18:27How can you be so sure?
01:18:33Oh, my God.
01:18:42I think you've just been swept off your feet.
01:18:48What are you waiting for?
01:18:50I...
01:18:52Go. Go.
01:18:55Go.
01:19:01Are you sure about this?
01:19:03Go.
01:19:22Hi.
01:19:25Hi.
01:19:31You look good.
01:19:33Thank you. So do you.
01:19:38Interesting subject.
01:19:41Yeah.
01:19:44She was a charming girl.
01:19:47Never get her to sit still, though.
01:19:51So this is quite a departure for you.
01:19:55Yeah.
01:19:57A cheesy photorealism as revenge.
01:20:04What do you think?
01:20:06Oh, it works.
01:20:08Good, because they're selling like hotcakes.
01:20:12Bastard.
01:20:16I was gonna invite you.
01:20:18But I...
01:20:20Didn't think you'd come.
01:20:24I'm glad I'm here.
01:20:27You sure?
01:20:29Yes.
01:20:31Good.
01:20:34Alan, meet my friend, Megan.
01:20:36Hi.
01:20:38Hello, friend Megan.
01:20:40Great hands.
01:20:44I'm gonna use them to strangle her later.
01:20:46Stop her.
01:20:48Howard.
01:20:50See you guys around.
01:21:12Oh, my God.
01:21:14The tingling toes guy.
01:21:16He's gotta be pretty desperate to place an ad here.
01:21:23We'll be back around dinner time.
01:21:25I hope so.
01:21:27Neither of us knows how to cook, remember.
01:21:29Well, food, that is.
01:21:32Kill gore.
01:21:35Bye, puppy.
01:21:44Bye.
01:22:09Goodbye.
01:22:15They're together now.
01:22:33You're not gonna freak out on me again, are you?
01:22:37No.
01:22:40I promise.
01:22:44I don't wanna be without you.
01:22:50It's beautiful here.
01:22:53Wanna know the best part?
01:22:55Mm-hmm.
01:22:57If you squint, you can see the top of the Eiffel Tower from here.
01:23:01Oh, yeah?
01:23:03Mm-hmm.
01:23:05Where?
01:23:06There.
01:23:11There.
01:23:14She believes the greedy make the needy feel the way they do
01:23:20And everyone can make a difference, even me and you
01:23:25And he believes that destiny is following your dreams
01:23:30He says you gotta say the things you feel
01:23:33And always feel the things you mean
01:23:36And they buy each other coffees in a Bronte cafe
01:23:42And they talk about the music
01:23:45They heard last night on Rage
01:23:48Ain't nothin' more to life
01:23:54Ain't nothin' more to life
01:24:00Ain't nothin' more to life
01:24:05Mm-hmm
01:24:08She believes that in the end it's love that matters most
01:24:13The greatest gift, the sweetest kiss, the reason that we're close
01:24:19And he believes in liberty and giving people choice
01:24:24He says the world outside his bedroom is just as loud as his own voice
01:24:30And the waitress wipes the table as they both get up to leave
01:24:36He can almost smell the ocean and she feels so at ease
01:24:42Ain't nothin' more to life
01:24:48Ain't nothin' more to life
01:24:54Ain't nothin' more to life
01:24:58Mm-hmm
01:25:02Ooh, I hope that you can see me
01:25:08And I hope that you can hear me
01:25:13You know I love it when you're near me, near me
01:25:18There ain't nothin' more to life
01:25:23There ain't nothin' more to life
01:25:30Ain't nothin' more to life
01:25:35I know, I know
01:25:37There ain't nothin', nothin', nothin', nothin' more
01:25:53Mm-hmm
01:26:00Ooh, yeah, yeah, yeah, yeah
01:26:04Ain't nothin' more to life
01:26:08The thinkin', feelin'
01:26:10Ain't nothin' more to life
01:26:13The simply bein'
01:26:15Ain't nothin' more to life
01:26:20There ain't nothin', nothin', nothin', nothin' more
01:26:24No, no, no, no
01:26:29Ain't nothin' more to life
01:26:35Ain't nothin' more to life
01:26:40There ain't nothin', nothin', nothin', nothin' more
01:26:44Ain't nothin' more to life
01:26:47The laughin', cryin'
01:26:49Ain't nothin' more to life
01:26:53The livin', dyin'
01:26:55Ain't nothin' more to life
01:27:17© transcript Emily Beynon
01:27:47© transcript Emily Beynon
01:28:17© transcript Emily Beynon