Criminal Affair | Full Movie | Rossano Brazzi, Ted Kneeland | Ann-Margret, Rossano Brazzi

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CRIMINAL AFFAIR
| Comedy, Crime | 1968 |

Plot:
A renowned author, college professor and criminologist is given a year off in order to write his latest book. His arrival in Buenos Aires gives him the opportunity to work on his true project, planning and pulling off the perfect crime.

Crew:

• Directed by: Rossano Brazzi, Ted Kneeland
• Written by: Rossano Brazzi
• Starring: Ann-Margret, Rossano Brazzi, Lando Buzzanca, Barbara Nichols, Hélène Chanel
• Produced by: Alfredo Rádice
• Music by: Carlo Rustichelli
• Cinematography: Stelvio Massi, Ricardo Younis
• Edited by: Giampiero Giunti

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Transcript

00:00:00You

00:00:30You

00:00:48Inspector

00:00:49Professor Ross

00:00:50Yes, of course that little jewelry store robbery will be taking place in just about ten minutes

00:00:58This better not be a false alarm. I assure you inspector. It will take place

00:01:04three notorious criminals

00:01:06You'll want to catch them

00:01:09Fine inspector

00:01:11Good night inspector

00:01:15Jimmy listen to me. It would have been much better to blow off the door of the safe and much easier

00:01:27I

00:01:54Call you

00:01:57I

00:02:27I

00:02:57I

00:03:27I

00:03:58You

00:04:11So hereby return the jewels and suggest that you seek more modern and

00:04:17More

00:04:20Effective

00:04:22Protection

00:04:24Devices

00:04:27Respectfully

00:04:30Ross

00:04:32Simpson

00:04:36University of

00:04:39Rome

00:04:49But

00:04:56You

00:04:58You

00:05:00You

00:05:02You

00:05:24Mama

00:05:27Mama

00:05:30Mama Mama

00:05:33Mama

00:05:34Mama those stupid idiots those fools

00:05:38Calm down. You'll wake up the neighbors. What's the matter?

00:05:41Well, you know mama how I try out practical experiments in the field for the University how I prove that my criminal theories really work

00:05:49Yes, spaghetti. Thank you mama

00:05:52Well this time I had a perfect situation

00:05:55Three crooks who should be in jail. Anyway, I

00:05:58Pull a perfect double cross

00:06:00The merchandise is returned and the theory is proven. So what's the problem?

00:06:05look

00:06:07thieves demolish jewelry store in deadly robbery

00:06:11Those idiots use too much TNT. They destroyed the whole store

00:06:16How can I admit I had anything to do with it? Now? I'll have to pay to rebuild the old store. I

00:06:22I

00:06:27Guess I just have to keep the jewels only my son would be worried

00:06:32Ravioli mama, you don't understand

00:06:36These jewels are worth a quarter of a million dollars. That's bad. Oh

00:06:42You listen to me how long have I told you crime is like sex you don't waste time writing about it you do it

00:06:49Look at you. You're a master criminal for a university

00:06:54Criminologist mama, ah names titles. What do they mean? What do you got to show for it?

00:07:00You write books. You're famous, but you don't make any money

00:07:05Even what you steal you give back Oh

00:07:09Imagine if you had just kept 10% of everything you stole a

00:07:14Little commission Oh mama, you know, that's impossible

00:07:19Nothing is impossible

00:07:21Why don't you really steal something for a change?

00:07:24Be a legitimate crook

00:07:27What about your plan to rob Fort Knox have some pizza mama?

00:07:32The Americans are my friends some friends if they were such good friends that are giving you back some of the gold

00:07:38Oh, all right, maybe not Fort Knox. What about your other plan? Which one?

00:07:44What do you mean? Which one?

00:07:46the greatest robbery in the world

00:07:49The one in South America in Buenos Aires. Oh mama, that would be too costly

00:07:55People would have to be paid in advance

00:07:58Many people it would take a great deal of seed money to finance

00:08:04More than a quarter of a million dollars, maybe you've got something

00:08:14Well

00:08:17Does anyone have anything to add on the subject

00:08:22Susan

00:08:25Well, well, I think it's a matter of ego professor you've no doubt heard that behind every great man there's a woman

00:08:31Of course

00:08:33Well, it's my contention that behind every master criminal. There's a mother. Why don't you really steal something?

00:08:41Well, yes

00:08:43Why not a brother or perhaps a father? No, no, there's always the possibility of a dormant sibling rivalry

00:08:51Or in the case of father hidden jealousy

00:08:54No, I have to say it would definitely be the mother. What about Fort Knox?

00:09:00And yes, well

00:09:04perhaps

00:09:06Angela would you like to comment?

00:09:08Angela would you like to comment?

00:09:11like quite agree professor as you brought out in your book crime faith and how a

00:09:16Criminal has a psychological need to discuss his crime with someone and it's usually this person who betrays him

00:09:23The master criminal would not make this mistake. He would discuss it only with his mother. So you see mama

00:09:30I have to give the choice

00:09:32Yes

00:09:34Well, oh I see

00:09:37They come to the end of our session, thank you ladies class is dismissed

00:09:45Party tonight. It's gonna be 8 o'clock. Bye-bye. You were marvelous. Thank you very much

00:09:51Oh

00:10:00Boy oh boy Ross you son of a gun. Have you ever got it made? Why don't I get classes with all that talent?

00:10:10As it occurred to you Jones that women are just not interested in spreading the hypotenuse well

00:10:16Anyway, that's lie. You're not in a hurry. I thought we might have lunch together. Thanks. I have expected in the dance room

00:10:24crying face and how

00:10:28It's easier to steal work for a living

00:10:31Beautiful women make the best cooks I

00:10:34Asked you gentlemen, how can we continue to tolerate this?

00:10:38That's all very well, my dear Dean

00:10:40But may I remind you that this university is subsidized by the government and the government says he's too famous to fire

00:10:47besides

00:10:48Unfortunately, these books have become textbooks on criminology throughout the world. Yes, but it's his plan. That's so damaging

00:10:56I grant you that's why I think Cunningham suggestion is right. Let him write his next book with the slant

00:11:02The crime does not pay. I

00:11:05Don't think you'll go for it

00:11:07Unless we make it attractive enough what man in his right mind would turn down a one-year paid vacation in a

00:11:15beautiful villa in a beautiful place

00:11:18with a beautiful girl assistant an

00:11:21unlimited expense account a

00:11:24chauffeured limousine

00:11:26So you see mama I am living for Buenos Aires

00:11:37You

00:11:53On the pretence of doing research for a book of criminology I take in a lovely villa in Buenos Aires

00:12:00I

00:12:03Was fortunate enough to have assigned to me by the university a beautiful student

00:12:09You're as lovely as ever. I

00:12:12Know what you like

00:12:15I'll bet you hate being a prisoner. Don't you collection?

00:12:20What a shame you have to be locked up all the time

00:12:23a

00:12:25Very beautiful student

00:12:27Of course, she had no way of knowing that she was actually helping me to plan the greatest robbery of my career

00:12:44I won't hurt you. Don't be afraid

00:12:53I'm a teacher something wrong. Uh, no, it's just that birthing cages make me sad. It's late

00:13:00You should have been dressed by now five minutes good

00:13:13Yes, how much is a parakeet worth

00:13:17It depends

00:13:23Are you talking about the sales value or or it's or mythological value I

00:13:29Just want to know the price of that parakeet. That's all don't call it a parakeet. It's a male of cicadas vario pintos

00:13:35and

00:13:37It's perhaps the most interesting of all birds because of its hypocrisy

00:13:41From the point of view of criminology you see. Yes, you told me all that but on

00:13:46Its monetary value can be interesting too. Can you hand me those pants over there?

00:14:04Let it

00:14:07How many times I told you that it's not proper for a student to invest in front of a professor

00:14:13What's the difference

00:14:17You never look anyway, and that's not the point

00:14:24Besides you always say you think of me as a daughter you can turn around now

00:14:32But me

00:14:36How do you think at the university would react if they discovered that I was potting up with the student that they assigned me

00:14:44To work on my book. I am working with you. Yes, but you weren't supposed to live here with me

00:14:51My landlady threw me out. I had nowhere else to go

00:14:56Leticia you're such a naughty girl. How would you know?

00:15:07Thank you

00:15:10Well, how much is it what the parakeet $1,000 one

00:15:16$1,000 sure and the others are worth even more

00:15:19That's why I wouldn't like it. If anything happened to them

00:15:23Try and finish at the museum I

00:15:26Need at least for the success of my plan

00:15:28I will need access to the opera house and as luck would have it the prima donna was an old love of mine

00:15:34I could have anything I wanted to the opera house

00:15:38And these files contain the records of all thieves

00:15:43Crooks

00:15:46Murderers and

00:15:48armed robbery

00:15:50specialists at large today

00:15:53Argentine criminals are very clever

00:15:57The best in the world good the records are at your complete disposal

00:16:03Thanks

00:16:07The

00:16:17Situation was beautiful. I had the perfect opportunity to select from these confidential files the finest criminals in Argentina

00:16:25There was a however one small problem with my latest escapade

00:16:34Hi, I will need not only experienced thieves but experienced thieves who were also musical

00:16:42I will need not only experienced thieves but experienced thieves who were also musical

00:16:56I had no way of knowing how difficult musical fees were to find but I was soon to find out

00:17:04Go maestro

00:17:06I

00:17:09Think I don't think I still

00:17:13sing

00:17:15there's all for the

00:17:18battery

00:17:20You're the quiet

00:17:23Every day called for no

00:17:27All right, two more

00:17:32Next

00:17:36Not so rough

00:17:43Sing

00:17:48La donna mobile

00:17:51Juan to my vento

00:17:54Muta da chento a

00:17:57Pense la donna mobile

00:18:00Qual me a

00:18:02Mo mo mo mo

00:18:04Oh

00:18:08Well maestro

00:18:10They are a bit nervous

00:18:11It's understandable. Oh, I said, please maestro. You'll be throwing them all out at this rate

00:18:16I know they are not exactly pretty Madonna's but we must have someone for the job to end with the job

00:18:21I won't tolerate the art of singing to be profaned in this way

00:18:27I'm maestro Gonzalez. I spent 10 years in the conservatory and five in jail for fraud

00:18:33So don't be so damn noble I like them everything you'll continue with the examination

00:18:40until we get what we're after I

00:18:43Must leave but I'll be watching you with the telecamera

00:19:03You

00:19:09How do you do

00:19:13You got the keys and dr. Schwartz, huh, and you've come to ask about his excellency

00:19:19Please come in

00:19:29His excellency she's an awful lot of me

00:19:34I'm ready

00:19:37Please don't hurt me

00:19:48What do you want to know about the minister

00:19:52well

00:19:53It's a delicate subject

00:19:55You can speak in front of tiny. It's been with me for years. He's a very old friend and

00:20:01Besides he's innocent

00:20:07He had a hunting accident when he was very young and it left him harmless in every way, you know what I mean?

00:20:24Now the ambassador has a box at the Cologne theater number 15, you know, he left operating more than he does women

00:20:31A

00:20:33Saturday night is the gala opening of La Traviata. I

00:20:37Must have his box that night. That's like taking a baby from his mother. He never misses an opening. You have to miss this one

00:20:46With me tomorrow evening to go over the details

00:20:50730 let's say 745

00:20:53730

00:20:55cafe de las flores

00:20:57You'll see a man there with three violets in his butthole follow him

00:21:08Can you really make that much you can with your looks what

00:21:27You

00:21:44All right, that's it

00:21:57Like that, don't you feel sexy be sexy

00:22:10Remember go up the film go up. Yes your eyes widen your eyes

00:22:14Tightness

00:22:24Good sexy

00:22:29Come on come on sweat sweat

00:22:35Between like that, but I just can't manage to sweat

00:22:44I

00:22:48Step what for the sake of art?

00:22:53But you're in good taste well, I've been good taste

00:22:58I'm sorry, but I can't do it

00:23:02Okay, okay, but a thousand dollars being good enough day

00:23:06I

00:23:12Took these pictures. I didn't think I'm sure you have all been wondering what the job will be. I

00:23:20Think now is the time to tell you what this is our objective. Uh-huh. They are

00:23:29That singer not bad

00:23:32They call on theater

00:23:34We are simply going to pull off the most sensational job of the year. No

00:23:39The cologne is the haven of lyric opera. It would be a sacrilege a

00:23:44Sacrilege that would give us a profit of ten million dollars

00:23:49That's over a million apiece

00:23:53Exactly. This was the opening night of aida

00:23:56There was a capacity audience as there will be at next week's opening of Latvia, which means the capacity audience of

00:24:042850 the wealthiest people in Buenos Aires like a Christmas tree

00:24:09You're right

00:24:132850 Christmas trees

00:24:16Full of presents all for us

00:24:19Well, what do you say?

00:24:22gentlemen

00:24:23The professor has told me his play

00:24:26brilliant

00:24:28It's most brilliant brilliant or not. It's dangerous. I want a

00:24:34deposit or I won't

00:24:36Move I'm a professional. Oh, this is right

00:24:40$10,000 by tomorrow or another let's go. All right

00:24:53Well, they're men let's get down to work

00:25:00We'll pull the job during the second act or not have you

00:25:06Magnificent so romantic gentlemen meet your jet. Mr. Gonzales, Antonio

00:25:14Claude

00:25:16Jose as I was saying we may come to the end of the day

00:25:21As I was saying we make our move during the second act of Traviata and this is where you train

00:25:29The job you require clockwork precision

00:25:33Therefore you are required to know the complete score backwards and forwards in order to keep pace with the music

00:25:40maestro

00:25:42Maestro

00:25:44Come on

00:25:46We have no time to lose

00:25:48All right second team gentlemen

00:26:19Oh

00:26:27Leticia where are you? Leticia? Leticia where are you?

00:26:48You

00:26:59Let me jump let me check what happened what happened down who was it? Tell me. Oh, yes, of course

00:27:07Oh

00:27:17But who

00:27:19Who did it? Leticia? I don't know. There were three men three

00:27:24What did they want? No, they were looking for you for me

00:27:29You know, they found my safe the safe

00:27:37As usual there's too much TNT, you know, they are

00:27:41They robbed the jewelry store in Rome and I was responsible for their arrest

00:27:46The police didn't find the jewels so they couldn't hold them for long. We'll have them under arrest. No, no

00:27:51I'll take care of it later

00:27:53Well, what if they come back? Don't be afraid. I'll see to it that you are never left alone

00:28:00By the way

00:28:03Would you please explain this to me do I like it

00:28:09You should be ashamed of yourself Leticia

00:28:13But I did it for the parakeet

00:28:17Well, that takes the place

00:28:19Some girls do it to get in the movies some for money, but she does it for a bird

00:28:24I'm not a moralist, but there is a limit to everything. I can't see anything wrong with buying a parakeet

00:28:30I'm posing Newton for money. Do you think that's honest? I did it for you. Is that dishonest? What? Oh, yes

00:28:38Yes, sure

00:28:41Professor I think that you're jealous

00:28:44Don't be ridiculous. It's just a matter of good taste

00:28:50You mean that you'd have felt like this with any student that you'd work with of course

00:29:00You

00:29:15Where are we at Mar del Plata? Come on Leticia. We just have time to get tested for the casino

00:29:21The

00:29:28Robberies left me in an embarrassing position. I am in the middle of an important business that section any funds by tomorrow. Yeah

00:29:38Thank you, is this the way you raise money but of course come

00:29:44I

00:29:50Shouldn't be long

00:29:51This will give you something to do while you wait for me. What do I do?

00:29:56You never play before?

00:29:58It's

00:30:00Just put one of these on one of those numbers and if the little ball lights on your number you win

00:30:06That's all that's all

00:30:09Just bet one chip at a time

00:30:11Maybe last longer that way. Okay

00:30:14Oh

00:30:31Excuse me, what was that you just bet on black and red you bet on which color will come up

00:30:45Hey, you want to laugh I bet for I want for but you win

00:30:52They just won't say yeah, that'd be

00:30:57Thank you, I'm very powerful

00:31:03He was very long

00:31:11Then the world very fast

00:31:14I

00:31:22Won

00:31:25That's why I'm very much

00:31:30What's that you are a very fast

00:31:35These are very much

00:31:38Great

00:31:39Deceptive worry very much

00:31:42Okay, I'm worried very much. That's what you miss you

00:31:46They just won't say

00:31:48But I don't blush about a carry

00:31:55Look he's one double

00:32:07I

00:32:09Want more don't be silly

00:32:13Started out with a dollar that was the 15th black in a row. How much does that make?

00:32:23Good wow very long

00:32:29That's

00:32:32$1,000

00:32:36$64,000, please take it off black or not. Keep coming up forever

00:32:42Yeah

00:32:45What are you I'm putting it all on red, you're right black and not keep coming up forever

00:32:55Then quite who's a very bad

00:33:02I

00:33:21What are you doing what why are you walking so stranger? I don't want to walk on the cracks and superstitious

00:33:32Are you mad because I wanted you didn't know it's just that I can't stand to see a woman gambling

00:33:39It's unbecoming. I

00:33:41Can't even look at but I did it for you, especially when she wins first to you both nude for me

00:33:48And now you gamble for me

00:33:50Do you think I can use this filthy money?

00:33:54If I give it it's just to give it to charity

00:34:02I

00:34:13Can understand being off-key, but this is too much

00:34:18Nine nine these scoundrels are infantile. I quit please maestro

00:34:24It's only necessary they keep time. I know but these gentlemen are doing a different opera. I can't follow any longer

00:34:31I

00:34:41Come on we'll start again from

00:34:56All right now man back to work

00:35:02Hey

00:35:04Now gentlemen, we'll run over the scene of the departure Flora and Violetta stuff

00:35:15Afraid of play now Alfredo

00:35:29We'll have an early dinner together

00:35:31Then he shall be my guest at the performance

00:35:36So I could have your box Saturday. I said we'd talk about it. I'm sure another night will be Saturday

00:35:45It's quite impossible I haven't missed an opening night in 10 years

00:35:48It's one of my duties to be there and besides that caveat is my favorite opera really

00:35:54Well, would you like to see my version your work?

00:35:58Sure, I know it all by heart

00:36:05I'll show you my Camille number

00:36:27I

00:36:39Need some rest

00:36:57Oh

00:37:19Boy oh boy, I don't think the Russian anyway would enjoy the la Traviata. I think for him to see

00:37:27But it's good enough

00:37:35So your little parakeet friend came back, yep

00:37:38There he was sitting on top of his cage this morning. And now we have two meloxic atoms where you paint us

00:37:45I'll eat it. Yeah, how's the director to give you a diagram of the cellar to what the seller was used as a prison or not?

00:37:52your time Jane

00:37:54Bye-bye. So long

00:38:03What is it now the micros run off

00:38:06We had a crisis

00:38:08Maestro had gone berserk unable to stand the terrible singing. He was making a rap for it threatening to tell us a we had to

00:38:15catch him

00:38:24Oh

00:38:26Oh

00:38:28Oh

00:38:51He's going straight to his grave that's to try to get him to understand

00:38:57This is liable to kill himself

00:39:00Maestro maestro wait maestro. Come back. We'll think better

00:39:04Oh

00:39:35Oh

00:39:45To tell for the prodigal son

00:39:54Gentlemen I've been persuaded to overlook certain of my prejudices about Belcanto. So if you'll be good enough, please

00:40:03Seen at the robbery

00:40:21I'm done

00:40:23What's the matter?

00:40:25Heavens at last I have someone who understands me. Don't listen to the conductor. That's evil's purpose

00:40:32Oh, Victor, I'm so aggravated!

00:40:34The conductor is incompetent, and the tenor thinks he's corrosive.

00:40:38I feel like walking out on the whole thing!

00:40:42And... I feel you should invite me to dinner.

00:40:46You've been neglecting me these last few days.

00:40:51Tomorrow evening, after the premiere.

00:40:53Then we'll celebrate your success. All right?

00:40:56All right. Professor?

00:40:57Call for you. The Carmelite convent.

00:41:01Excuse me. One of those cherries.

00:41:03Yes. Yes.

00:41:05Hello. Hello, sir.

00:41:06Good work.

00:41:12He's got a special machine connected backstage to this box.

00:41:18Something the Germans invented. Some secret weapon.

00:41:21We'll be borrowing some electricity from your machine.

00:41:24Thanks. Hello? Yes?

00:41:27How are you, sister?

00:41:28Sister is exhausted, that's how.

00:41:33I haven't been out of this room for six days.

00:41:36But you'll be pleased to know that I've got the box for you.

00:41:41Excellent, sister. Excellent!

00:41:45Everything is to remain the same.

00:41:47Don't you worry. I've arranged to be here with him for as long as he would like.

00:41:56Cut it out, Pancho.

00:41:58My uncle calling. Long distance.

00:42:00To hell with your uncle.

00:42:03It's back to work. Bye.

00:42:08Perfect. Good girl.

00:42:12You've made a really complete catalogue of the museum.

00:42:15Thank you. Now can we go to dinner?

00:42:17I'm starving. As soon as we finish our drinks.

00:42:20Just one more minute.

00:42:24I'm taking you to a really special place.

00:42:27The best food in all Buenos Aires.

00:42:29Can we dance there, too? But of course.

00:42:31Oh, I'm so excited.

00:42:37Wow, he sure is built.

00:42:39Oh, Tiny.

00:42:41Where'd you find him?

00:42:42He was loaned to me by a close friend of mine.

00:42:46With Tiny around, no one will dare to touch you when I'm not here.

00:42:49No one will touch me, hmm? Does that include Tiny?

00:42:53Whatever do you mean, Letizia?

00:42:54Aren't you afraid he might make a pass at me when you're not around?

00:42:57Oh, no. Impossible.

00:42:59How can you be so sure?

00:43:02Well, call it intuition.

00:43:05Shall we go? Okay.

00:43:07Um, excuse me.

00:43:18Hello?

00:43:20What?

00:43:22You can find yourself another Violeta.

00:43:23Miss Terenzi, if you please. I've got Mr. Simpson on the line for you.

00:43:28Oh.

00:43:29At last, someone who understands.

00:43:33Oh, yes, perfectly. Only, what is it?

00:43:37I understand.

00:43:38But I'd say it's a hasty decision.

00:43:40Darling, something terrible is happening to me.

00:43:45Now, listen.

00:43:47I have put the table at the table.

00:43:50We'll have dinner, and we will work everything out.

00:43:53Wonderful. Don't you worry.

00:43:56Right.

00:44:05That table was for us.

00:44:08Yes, I know. But there's been a complication, and...

00:44:10Who are you talking to? A girl?

00:44:12Of course not. Don't be silly.

00:44:15It was the publisher of my book.

00:44:17There seems to be a problem with the publication rights.

00:44:22But I must go.

00:44:23Will you come back for me later?

00:44:24No, the meeting will take some time.

00:44:27I have time to fix you something.

00:44:29I'll take you out tomorrow night, eh?

00:44:34Victor!

00:44:37Victor!

00:44:44Now, wouldn't you prefer a swim with me than an old business meeting?

00:44:49Tiny!

00:44:52Come on in. The water's fine.

00:44:56Senora, if you want me to, I will.

00:45:00But I think there's something you ought to know.

00:45:07Hello?

00:45:09Who is this?

00:45:13Oh, it's you.

00:45:15No, he's not around.

00:45:19But you can find him at the Piccadilly.

00:45:21Are you sure of that?

00:45:23If you're lying, we'll be back.

00:45:25And this time, we'll drown you for good.

00:45:29I'm sure of it.

00:45:31I want to thank you.

00:45:33Not just for myself, but on behalf of Mr. Bilbo.

00:45:37Esta viata without you would be meaningless.

00:45:41I'll do it only for you.

00:45:44And if you'll stay near me, I'll be the greatest traveller in the world.

00:45:49I'm sure of it.

00:45:51Thank you.

00:45:54I'll do it only for you.

00:45:57And if you'll stay near me, I'll be the greatest traveller in all history.

00:46:02I couldn't ask for more.

00:46:24Have you a reservation?

00:46:26No. We're looking for someone.

00:46:29You want to leave already?

00:46:31Yes, it's too crowded here.

00:46:35All right.

00:46:37$7.50, sir.

00:46:39May I?

00:46:41Let's go.

00:46:54$7.50

00:47:09Publisher.

00:47:14Excuse me for just a moment.

00:47:20They're having dinner.

00:47:23I'll be right back. Excuse me.

00:47:32Well, if it isn't the professor.

00:47:34What happened? An accident?

00:47:36Yes.

00:47:38With the police.

00:47:40The night of Dumbledore's Pass.

00:47:53Help me!

00:47:59I'm not hollow!

00:48:23I'm not hollow!

00:48:53We're ready, chief.

00:48:55Enter the sewers that run from the cellar of the museum.

00:48:58And make your way to the Cologne Theater.

00:49:01And keep strictly to the schedule.

00:49:04We're ready, chief.

00:49:06Enter the sewers that run from the cellar of the museum.

00:49:09And make your way to the Cologne Theater.

00:49:12And keep strictly to the schedule.

00:49:33Ready?

00:50:04$7.50

00:50:12You the thief, old thief?

00:50:14What thief?

00:50:16Plastic dynamite.

00:50:18You might set it off.

00:50:20And then ping.

00:50:22You're through.

00:50:31The girl!

00:50:34They haven't got the foreman yet, have they?

00:50:44Here's the diagram of the cellar.

00:50:48Professor?

00:50:51Professor?

00:50:53We're entering the cellar now.

00:50:56From now on, you won't be able to communicate by radio.

00:50:59Any questions?

00:51:01Everything's fine.

00:51:03Then good luck.

00:51:34We're here.

00:51:36If we want to get to the other side,

00:51:38we have to break through at this point.

00:51:40Achtung!

00:51:42Break through the gate!

00:51:55Get here.

00:52:03Get here.

00:52:33How come you're...

00:52:35Pick that up!

00:52:37Help them! Hurry!

00:52:39What are you waiting for, you incompetent, dumb cops?

00:52:42Come! Come!

00:52:46Verdammten spaghetti eaters!

00:52:52Blackheads!

00:52:55Still! Still!

00:53:03Still!

00:53:29Do you need help?

00:53:32Help me.

00:53:34Sure.

00:53:54Two.

00:53:57One.

00:54:02Two.

00:54:10Install the mirror.

00:54:15Install the mirror in the roses.

00:54:32Magnificent decoration.

00:54:34Yes, it's a real treat...

00:54:36for the eye.

00:54:56Looks very thick. Where is the hammer?

00:54:59Where is the hammer?

00:55:03Are you sure we won't be flooded?

00:55:06Give me a hand instead of sitting up there doing nothing.

00:55:09What do you mean, doing nothing?

00:55:17We'll go over the score again.

00:55:19The professor told us to practice up to the last minute.

00:55:21Proceed.

00:55:23Scene of the toredo.

00:55:30We're in trouble.

00:55:55Spanish?

00:55:57Yes.

00:56:03Hey, what's going on?

00:56:05That's La Traviata.

00:56:09It is La Traviata.

00:56:11But it starts tonight at nine.

00:56:14Something funny's going on down there.

00:56:27La Traviata.

00:56:45Gentlemen, we have five minutes more.

00:56:47And in five minutes, the bare highest the water can get is...

00:56:53Here.

00:56:55Wait a minute.

00:57:00Here. That's above my head.

00:57:03I want to get out of here.

00:57:05I can't swim. I can't swim.

00:57:07Let me out. I want to get out of here.

00:57:09Calm down.

00:57:11I can't swim.

00:57:13And that concludes our program of light music.

00:57:15Sound and sound, it will be exactly...

00:57:18You call this taking a breath of fresh air?

00:57:21It was so nice dead, too.

00:57:23Even the Lord took a rest on the sixth day.

00:57:25Seven.

00:57:27Seven.

00:57:53I hope Professor will be punctual.

00:57:56Otherwise all the Buenos Aires will hear the explosion.

00:57:59Silence.

00:58:22If I could, I would go.

00:58:27Don't get nervous.

00:58:32I can't do anything. I'm sorry.

00:58:37I'm swimming.

00:58:39I know how to swim.

00:58:41Come here. It's going to explode.

00:58:50Head down.

00:58:56Head down.

00:59:27Gentlemen.

00:59:29Allow me to introduce you to the Cologne Theater.

00:59:32This fireproof door leads to the chorus of the changing rooms.

00:59:37We shall go in...

00:59:39...in three hours...

00:59:41...when the opera begins.

00:59:44The chorus will be on stage then...

00:59:47...and the dressing room will be empty.

00:59:50Gentlemen, break for lunch.

00:59:56Thank you.

01:00:08This is a very important social occasion, ladies and gentlemen.

01:00:12A magnificent audience...

01:00:14...is pouring into the Cologne Opera House.

01:00:17The theater is marvelously decorated with thousands of people.

01:00:56The Cologne Opera House

01:01:26The Cologne Opera House

01:01:57The house is full of bullies.

01:02:04Bullies everywhere.

01:02:06The place is full.

01:02:08What do we do?

01:02:10Don't move from there.

01:02:26Bullies everywhere.

01:02:34This time you won't fool us.

01:02:37This time you may be sure, boys. I'll play ball.

01:02:50And everything's quiet.

01:02:57The Cologne Opera House

01:03:06Please, I have my private life.

01:03:12Look, you're in for a cut of the profits.

01:03:15Now you have to trust me.

01:03:17I'll be back in a few minutes and then we'll go.

01:03:20Go where?

01:03:22Gentlemen...

01:03:24Have you ever been to the opera?

01:03:55Hello?

01:03:57Operator, I'd like to send a telephone.

01:03:59To whom, sir?

01:04:01Minister de Flores.

01:04:03Patagonia Avenue.

01:04:05Telephone...

01:04:0673...

01:04:0877...

01:04:09787.

01:04:11Urgent.

01:04:12Here is the message for him.

01:04:14What's he doing in there? I thought he was in such a hurry.

01:04:18X5.

01:04:20X5?

01:04:22Yes.

01:04:23The code number.

01:04:24Is that all?

01:04:25That's all.

01:04:26We'll take care of it, sir.

01:04:27Thanks.

01:04:31She likes it.

01:04:36It's beautiful.

01:04:38Well, are you ready?

01:04:40Ready?

01:04:41Ready for what?

01:04:42Dinner.

01:04:44Ready?

01:04:45Ready for what?

01:04:46Dinner.

01:04:47You said last night that you'd take me out tonight.

01:04:49Oh, Letizia.

01:04:50I am very sorry, but it's impossible.

01:04:53What?

01:04:54Please forgive me.

01:04:56I forgot I have something to do.

01:04:58Oh, I bet you do.

01:05:01Letizia.

01:05:02Wait.

01:05:03Letizia.

01:05:05Letizia, what's the matter with you?

01:05:07I'll tell you what's the matter with me.

01:05:09I saw your publishers last night.

01:05:11Letizia.

01:05:12Letizia, wait.

01:05:13And for a man, he sure was too funny.

01:05:17Oh.

01:05:19Stop.

01:05:20How dare you behave like this to your professor?

01:05:23Letizia, I can explain everything.

01:05:26You can never explain to me why you left me for...

01:05:28to go to dinner with that half-baked...

01:05:30Raymond Carter!

01:05:32Letizia.

01:05:33I swear on my honor.

01:05:34It was only a business deal last night.

01:05:36Okay.

01:05:37Okay.

01:05:38Then what are you doing tonight that's so important, huh?

01:05:40I'm going to the opera.

01:05:41Can I go with you?

01:05:42Yes.

01:05:43Oh, no.

01:05:44No, no, no.

01:05:45How was your singing tonight?

01:05:46Huh?

01:05:48As a matter of fact, it's true.

01:05:52How dare you?

01:05:53I'm your professor.

01:05:55I'm your professor.

01:06:06Charlie!

01:06:11Charlie!

01:06:18Hurry up.

01:06:19Get in.

01:06:21Close the door.

01:06:23I hope we didn't disturb your private life.

01:06:30Letizia!

01:06:34I hate you!

01:06:41Charlie!

01:06:42Charlie!

01:06:43Charlie!

01:06:44Charlie!

01:06:45Charlie!

01:06:46Charlie!

01:06:47Charlie!

01:06:48Charlie!

01:06:49Charlie!

01:07:02Buenas tardes, señor.

01:07:04Bye-bye.

01:07:05See you.

01:07:06We take all the risk, and Professor takes most of the profits.

01:07:16No, no, no, he doesn't.

01:07:18Hype talk to the others, and they're all in agreement.

01:07:22Professor's out.

01:07:24Yes.

01:07:25Right.

01:07:36I'm in.

01:07:50A telegram.

01:07:56Don't bother me.

01:07:57I'm on a goodwill tour.

01:07:59The roses will bloom tonight.

01:08:02What does that matter to me?

01:08:03Tell it to the gardener.

01:08:05This is a coded message from X5.

01:08:08It means that the dollar will be devalued.

01:08:11Ah.

01:08:12By ten percent.

01:08:14What?

01:08:15Ah.

01:08:19Oh.

01:08:20Ah!

01:08:24Here.

01:08:29Oh.

01:08:33Telephone.

01:08:34And after this, please make a champagne.

01:08:40Brazilian ambassador, please.

01:08:42Hello, Minister de Flores.

01:08:45What?

01:08:49The grapevine says ten percent.

01:08:52It will be at least twenty percent.

01:08:56I know those damn Yankees.

01:08:58Devalued by fifty percent, certainly.

01:09:02Maybe more.

01:09:04By seventy percent.

01:09:07By the rest, an economy is going to be ruined.

01:09:09My savings.

01:09:11My rubles.

01:09:12But before informing the president, check with the American embassy.

01:09:16We've tried, but there's no answer.

01:09:18Saturday.

01:09:20Ah.

01:09:22Everyone on stage for act two.

01:09:38Everyone on stage for act two.

01:09:46Oh, the power of the almighty dollar.

01:10:01It successfully removed the president and his most unwelcome police escort before the end of the intermission.

01:10:07My plan could now continue on schedule.

01:10:36Now.

01:11:07Change tools.

01:11:35Change tools.

01:12:02Okay.

01:12:28Oh, whiskey.

01:12:39It is over.

01:13:05It is over.

01:13:11Change tools.

01:13:31I've never enjoyed anything so much.

01:14:53Change tools.

01:15:14What's that thing for?

01:15:16I must steal some electricity.

01:15:46Change tools.

01:16:15Change tools.

01:16:40You said seventy percent of the people would be pumped out.

01:16:44But people hide it, you new idiots.

01:17:14Change tools.

01:17:43Change tools.

01:18:12Again.

01:18:43Change tools.

01:19:09Change tools.

01:19:38Change tools.

01:20:07Change tools.

01:20:36Change tools.

01:21:05Change tools.

01:21:14Change tools.

01:21:42Change tools.

01:22:01Now.

01:22:12Idiots.

01:22:15You thought you were so clever.

01:22:17I timed them perfectly.

01:22:20I have one more canister than you.

01:22:50Change tools.

01:23:14Good night, everyone.

01:23:35Ladies and gentlemen, we interrupt this program to give you the latest bulletin on the incredible robbery at the Cologne Theater.

01:23:41The exact cause of the great sleep in which 2,850 spectators woke up early this morning completely stripped of their possessions and valuables is not known yet.

01:23:51The only explanation so far was given by police medical authority.

01:23:55They suggested that an excessive lack of hydrogen in the air could produce a surplus of oxygen, causing giddiness and eventually exhaustion and sleep.

01:24:03This might explain the presence of a peculiar device attached to the air ventilating system, something like a pump.

01:24:15Here.

01:24:35Please wait your turn.

01:24:43Yes, I know.

01:24:44But it would make you feel better.

01:24:45You have to get up now.

01:24:46You must get dressed.

01:24:52Your plane leaves in two hours.

01:24:58What happened?

01:24:59You passed out at the opera during the second act.

01:25:02You caused quite a confusion.

01:25:05I did?

01:25:07Fortunately, I saw you and brought you home.

01:25:12You have to hurry.

01:25:13The plane will wait.

01:25:16Please don't send me away.

01:25:19I'm not sending you away.

01:25:21It's only for a very short time.

01:25:26Understand?

01:25:43All right.

01:25:44I have a small cottage in Switzerland just outside Zurich.

01:25:48A place to forget about criminology.

01:25:50You mean I have to go alone?

01:25:52I'll join you there.

01:25:54It's just for a few hours.

01:25:56Then we'll be together.

01:25:58As long as you want.

01:26:23Excuse me.

01:26:24My plane is leaving.

01:26:25Sorry.

01:26:26We were here first.

01:26:28I'm sorry, but we've been ordered to check all passengers departing from Buenos Aires tonight.

01:26:33I know, I know.

01:26:34But it has to do with the robbery that took place at the Colón Theater.

01:26:37But I'll miss my plane.

01:26:39Please.

01:26:43Excuse me, miss.

01:26:44I think I can help you.

01:26:46Thank you.

01:26:49Could I have your passport?

01:26:51Here it is.

01:26:52It's only for a minute.

01:26:54All her baggage has been checked through except for a dozen parakeets.

01:26:57Parakeets?

01:26:58What are they for?

01:26:59I don't know.

01:27:00You an ornithologist?

01:27:01Oh, yes.

01:27:02Do you have your clearances?

01:27:06Yes.

01:27:07Shot record?

01:27:08Very good.

01:27:09All in order.

01:27:10Thank you.

01:27:11Have a good flight.

01:27:12Well, there you are, miss ornithologist.

01:27:14If you like, I'll escort you to your plane.

01:27:16Thank you.

01:27:19Thank you.

01:27:50Leticia!

01:27:54Bitcher!

01:27:58Bitcher!

01:28:02You bitcher!

01:28:08Leticia!

01:28:12Leticia!

01:28:16It's a picture!

01:28:22The birds!

01:28:25The birds!

01:28:33The birds!

01:28:34The birds!

01:28:35They're free!

01:28:36They're finally free!

01:28:38The birds!

01:28:41My birds!

01:28:46The birds!

01:28:52Why are you crying?

01:28:54I'm so happy.

01:28:57So happy.

01:28:59Take that!

01:29:46Thanks for watching!

01:30:16Subs by www.zeoranger.co.uk

Criminal Affair | Full Movie | Rossano Brazzi, Ted Kneeland | Ann-Margret, Rossano Brazzi

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