Igra sudbine 1180 Epizoda - Igra sudbine 1180 Epizoda
Igra sudbine, Epizoda 1180,Igra sudbine 1180 ,Igra sudbine 1181,Igra sudbine Epizoda 1180, Igra sudbine Epizoda 1181,Epizoda 1180 Igra sudbine ,Epizoda 1181 Igra sudbine
Transcript
00:00Let's go, let's go, sir. Let's do it this way.
00:13I'm going to deal with Tambur first.
00:17You know what I'm going to tell him?
00:18What?
00:20He's not ashamed of you.
00:22Tell me.
00:23He's not ashamed of you.
00:25I'm ashamed of you.
00:26He's probably going to look at me like that.
00:28What?
00:29What?
00:31That kind of man lives alone, so it doesn't make sense.
00:34He must have a wife who will follow him in his life.
00:39And then he starts talking about his aunt from Australia.
00:43But somehow you have to let him know that his aunt is not young.
00:48She is not pretty, except when she puts on makeup.
00:51But I've never seen her put on makeup.
00:53And we know that Tambur likes young women.
00:56Stop it, stop it.
00:58You have no idea what you're talking about.
01:00What does he like?
01:01You don't.
01:02I could have told you.
01:03Yes.
01:04And now look at him, he doesn't like pretty women.
01:06Terrible.
01:07Well, he likes young women.
01:08You wouldn't go after them, you wouldn't look at them.
01:10And what are we going to do if he doesn't like his aunt?
01:15You don't have to worry.
01:18He might like her.
01:20When I start telling him stories about her, you know,
01:24he will bite his lips, because he is a glutton.
01:29I know that he will bite his lips.
01:33You have to tell him that his aunt has money,
01:37that it's a stone from a rock.
01:38You have to tell him that.
01:39I can't.
01:40If you are a normal man,
01:43who is the one who is afraid of money?
01:47Aunt.
01:48Aunt.
01:49Don't you understand?
01:50Aunt.
01:51Every dinar earned in a blood way.
01:55Let me tell you.
01:56I know.
01:57Let me tell you.
01:58I told you nicely.
01:59It has nothing to do with Tamburo, you know?
02:01I will tell him everything nicely.
02:04He will clap.
02:06He will learn, he will not be shocked.
02:09And then you will step on the stage.
02:12You understand?
02:13That sounds like a plan.
02:15Your task is next.
02:17You have to call your aunt.
02:20And then it's nice to talk.
02:22You have a wonderful friend, you know,
02:25who is successful, comfortable,
02:27who is stable,
02:28who is influential in society.
02:31You know?
02:32You have everything you need.
02:34I can try everything.
02:35What do you have to try, man?
02:37There is no trial here.
02:39You have to do as I tell you.
02:42You have to try.
02:44Then I will tell her that he is
02:47attractive, successful,
02:50in a different way than other people.
02:53I will tell her that.
02:55Not like that.
02:56But as I tell you,
02:57your aunt has to understand
02:59that he is not a goal.
03:01You understand?
03:02But that the man is successful
03:04in his own way.
03:06I won't tell her.
03:07That's it.
03:08I can't tell her that.
03:09So you will call her now.
03:10And tomorrow morning I will call her.
03:12That's what I said.
03:13I'm going to drink in your name one more time.
03:15I can't do it anymore.
03:16You can't do it.
03:17You can do it.
03:18As long as I see you,
03:19nothing is missing.
03:20Come on, dear.
03:21One more time.
03:22Come on.
03:23I've had enough.
03:24Come on.
03:25Enough is enough.
03:27So,
03:28we have a deal.
03:29So,
03:30we have a deal.
03:32Call your aunt.
03:33Call my aunt.
03:34Okay, okay.
03:47You're not sleeping?
03:50I was waiting for you.
03:53Nice surprise for me.
03:57Why did Ruka call you?
04:00They had some problems in Milan.
04:03What problems?
04:07Men's stuff.
04:10Vrandje, you don't have to do that.
04:12Men's stuff.
04:14You don't have to do that.
04:16What should I do?
04:17I'm asking nicely.
04:19Well, some problems about production.
04:22I've already helped them once.
04:25Yes, you told me that.
04:26Well, okay.
04:27You see,
04:28you know everything.
04:29Now,
04:30I have to help them again.
04:33Do you want to help them?
04:35Well,
04:36I want to.
04:37I want as much as I can, but
04:39Ruka's behavior is beyond my power.
04:43What do you mean?
04:45She was in a relationship with your Laura.
04:48And she's the real problem.
04:53Is that weird to you?
04:57A little.
04:59Okay, that's
05:01Luka's usual behavior.
05:04He's
05:06such a man.
05:08What will you do?
05:09Of course, I'll help.
05:14I'm going to sleep.
05:19Good night.
05:21Good night.
05:23Good night.
05:42It's impossible that you didn't hear anything.
05:46Yes.
05:47Marijana,
05:48I see that you don't trust me,
05:50but I'm doing all this for Andrija's well-being.
05:53Do you understand?
05:56She's convinced that Andrija is a thief.
05:59She's so tense that she can cut herself with a knife.
06:02Normal.
06:04What do you mean, normal?
06:06Well, nice.
06:07There was one Jovana Bošnjak,
06:09who was in a relationship with Luka.
06:12She was in a relationship with Luka.
06:15Jovana Bošnjak, who, despite all the doubts,
06:18encouraged Andrija on his business path.
06:21And she's just following him around.
06:24She's adapting him.
06:25Do you understand, Marijana?
06:27That's why I need you.
06:29Me?
06:30Don't we want the same?
06:32I don't understand.
06:33Do you want Andrija to be good?
06:35Of course I do.
06:37Then I have to be involved in all his problems.
06:41Don't you understand?
06:43And why?
06:44How can you help?
06:46Besides, you could hurt him,
06:48and that wouldn't be the first time.
06:50Alright, but this time it's different.
06:53This time I'm not here to start a fire,
06:55but to put it out.
06:57He's had a lot of women who've disqualified him.
07:00And the most important thing for us is that he's good.
07:03We don't care about him.
07:08Well, if that's really the case,
07:11then I'm at your disposal.
07:13You see?
07:37Hello, auntie.
07:38I didn't call you too late, did I?
07:41No, no.
07:42Here I am with my friends.
07:43I'm at a restaurant.
07:45You really know how to live.
07:47No big deal.
07:48We're dying of boredom.
07:50Ah, well.
07:51Okay, I haven't been to Melbourne,
07:53because you never invited me, auntie,
07:55but Melbourne, as the name of the city,
07:58already sounds boring.
08:00It does.
08:02If you were a little closer,
08:05I'd like to introduce you to a man
08:09who's just like you.
08:11A friend of mine.
08:12Why?
08:13Because, auntie,
08:15he's just as bored in life,
08:18and because he's a soul of a man,
08:22an emotional man.
08:24He runs one of the most prestigious restaurants
08:27in the city, auntie.
08:29It's nice that you think of me, my dear.
08:32But I don't believe in manly love anymore.
08:35But it's not like that with all men, you know?
08:38I don't believe it until I see it.
08:40That's why I set you the conditions
08:42I set for your future.
08:44I want to be sure with my own eyes
08:46that there's another man in the world
08:48who's capable of loving.
08:50You will be sure.
08:51I believe you will be sure.
08:54Those are just words, my dear.
08:56All men in my life have betrayed me,
08:58including your aunt,
09:00and that's why she threw me out of the house
09:02and then into poverty.
09:04I didn't even give her a ring.
09:06She didn't deserve it.
09:07When there's no love,
09:08there's no compensation.
09:10That's why this friend of mine
09:12is the ideal man for you, auntie.
09:15You know?
09:17Okay, then your friend,
09:19like you, should prove it.
09:23I guarantee you that he will.
09:26There's no guarantee.
09:27I have to be sure with my own eyes.
09:30You will be sure.
09:32As soon as you come,
09:33you will be sure.
09:35And I believe you will be sure.
09:37I have to go now.
09:38I have a lot of work to do,
09:40so I'll have to go.
09:41Love you, auntie.
09:43I love you, my dear.
09:45Bye.
10:00Why are you looking at me like that?
10:05Why am I looking at you?
10:07I have to tell you, Vicky,
10:09I've been thinking about you.
10:13About me?
10:16You're my friend, Vicky, so I have to.
10:18You're somehow
10:20lonely, lonely.
10:22It's like you're a sad cheese
10:24without anyone.
10:26You're completely lonely.
10:28Lonely.
10:29Like what?
10:30I don't understand.
10:31Vicky,
10:33you're alone, bro.
10:34You don't have time, you know.
10:36You need a little more
10:37female energy, so to speak.
10:41How do you see that?
10:43Well, Vicky, everyone sees it.
10:45We all see it without you.
10:48You see how you sit, how you talk,
10:50how you move, how you drink coffee.
10:53You know, you need a woman in your life.
10:55Come on.
10:56Are you kidding me?
10:57I'm not kidding you, Vicky.
10:59I'm not kidding you.
11:01What's wrong with you?
11:02It's time for you to put on some make-up.
11:05And here you are.
11:06You're a city guy, man.
11:08You're interesting.
11:09You look good.
11:10You're in good shape.
11:11You have a catch.
11:13You must have a woman
11:14who will bring you back to life.
11:18Look, there's no such thing.
11:20And if there was,
11:22I would already be with her, you know.
11:24There is, there is.
11:26Don't worry.
11:27Who is she?
11:29You are the woman of my life.
11:34They play our song at night.
11:38All right, leave me alone.
11:39And you hide your tears.
11:42All right, all right.
11:43You hide them, they fall.
11:50That's her.
11:54Come in.
11:59Come on.
12:00Cheers.
12:01I'm so glad we're together again.
12:04You missed me so much.
12:05Oh, Dinama.
12:07Are you all right now?
12:09I mean, from the surgery and everything, are you okay?
12:11Well, you see me.
12:12You see that I've recovered.
12:14Not that you've recovered,
12:15but love has started.
12:17People,
12:18how can you believe
12:19what's happening to me?
12:20In my life.
12:21I mean, I go to Italy
12:22and I don't see anyone,
12:23I don't hear anyone.
12:25And in the middle of Italy,
12:26in Milan,
12:27I'm sleeping with Luka again.
12:29Unbelievable.
12:30Unbelievable.
12:31Wait, are you still with Pancetta?
12:33Well, we are at the moment,
12:34but, I mean, I don't know, slowly.
12:36And how are you going to survive
12:38Pancetta's orders?
12:40Well, I don't know,
12:41because Pancetta is not here at the moment.
12:43She went to Strahinja and you'll see.
12:45But, well, everything will be okay.
12:48I want to.
12:50And I wanted to share something else with you.
12:53I mean,
12:54I'm just interested in hearing your opinion.
12:56That's it.
13:06I'm not feeling well.
13:10It's a very difficult period for me.
13:11Take it easy, Milena.
13:13The pressure you put on me is unbearable.
13:17You say that as a therapist.
13:19But I don't understand,
13:20why is it hitting you all of a sudden?
13:23What do you mean, why?
13:24Una is going around
13:25and talking about how I'm having an affair with Andrija.
13:28I understand, but...
13:30Imagine she finds out
13:32that I was with a patient.
13:35Okay, I know.
13:36Una is unbearable.
13:38I mean,
13:39I know that best.
13:40Well, then you have to understand her.
13:42There's no way.
13:43I'm sick of her work every day.
13:45Yesterday, I had an argument with her
13:47about Andrija.
13:48I know, but this has to stop.
13:50Listen,
13:51you have to distance yourself from all of this.
13:54But how, Grandma?
13:55I don't know you, I don't know how.
13:58My life has turned upside down.
14:00I don't know what to do.
14:01I'll help you.
14:03Please.
14:04I'll help you, but I have to know.
14:08What?
14:09The truth, Milena.
14:11Was there something between you and Andrija?
14:18I don't know.
14:28You called me, boss.
14:30Hey, Svjanović.
14:32Come on in.
14:35You're free to go.
14:37Sit down.
14:41Sit down, sit down.
14:43Come on.
14:44Tell me.
14:45I'm not free.
14:46I just want to ask you something.
14:48Don't, professor.
14:50Boss, you're interrogating me.
14:52I forgot my job.
14:54You know, when did I go to police school?
14:58That was a long time ago.
14:59But you can ask my professors.
15:01What was Svjanović like at school?
15:05What was he like as a student?
15:06They'll all tell you.
15:08They'll all tell you.
15:09I quote,
15:10he had great potential.
15:13I didn't forget my job.
15:16I remember, for example,
15:19how to act in the presence of a suspect.
15:26I remember limiting violence against a suspect.
15:30That was great for me.
15:32I even remember the definition,
15:35which says,
15:37physical violence against a suspect
15:40can only be carried out
15:42under the condition that...
15:47physical violence against a suspect
15:49can only be carried out under the condition that...
15:52Svjanović.
15:53Yes, yes.
15:54Svjanović.
15:56Enough, man.
15:57You didn't even interrogate me.
16:00Why?
16:02You didn't call me to interrogate you.
16:04I'm working.
16:06Let's talk about your colleague, Svjanović.
16:17Whatever happened, happened.
16:18It doesn't matter anymore.
16:20It does matter, Milena.
16:22Because if nothing happened,
16:24she'll avoid me.
16:25I know her.
16:29I don't know what to tell you.
16:32Milena,
16:35it's the truth.
16:47It's the truth.
16:50I'm sorry.
16:52That was the biggest mistake of my life.
16:57Earlier, I would have told you
17:00that I would give everything to be in your place.
17:03But since I know how much women have gone through Andrija's life,
17:07and he never paid attention to me...
17:12Bobo...
17:13Don't say anything, please.
17:18But I have to tell you something.
17:21I'm glad you don't judge me.
17:24You know,
17:26it's not that easy now.
17:31I'll do everything to help you.
17:46I'm afraid of meeting Luna.
17:51What?
17:52You think that
17:54Luka and her are having something together again?
17:57No, I'm sure it's all over.
18:00Okay, what's your advice?
18:03Everything that happened between them,
18:06especially when I wasn't there...
18:09We ended up in a good relationship, but...
18:12I don't think you should worry about that.
18:15So much time has passed.
18:17I don't think you should be afraid.
18:19She's with another man now, it doesn't matter.
18:23You're right.
18:26I can't avoid that encounter.
18:29I don't want to avoid it.
18:31She'll come and bring the jacket.
18:35We have to be okay.
18:37Everything will be okay, trust me.
18:40Okay, I feel better now.
18:43Can you give me some advice?
18:46Go ahead.
18:49Mila has an aunt from Australia
18:52who is ready to give her a huge inheritance,
18:55but only if he proves that he loves me.
18:58What's the problem?
19:00He can't name three reasons why he loves me.
19:04Does he love you at all?
19:07I'm sure he loves me.
19:09I'm sure he loves me, but I don't know.
19:12He's so shiny.
19:14I don't know, he's so weak.
19:16I don't know what to say.
19:18I doubt I can plan anything with him.
19:20How do you plan your life with such a man?
19:23First, I think he loves you.
19:26Second, you said it yourself, he's a little crazy.
19:29I really think you'll end up with him.
19:33You think so?
19:35Yes.
19:36If I were someone,
19:38I'd rob half a million and leave.
19:41Is it possible that there's so much money?
19:43Yes.
19:44Wait, if there's any money,
19:47what would you do with so much money?
19:50I'm so lucky.
19:52I wouldn't even see the money.
19:56Well, okay.
19:57It's not up to me, it's up to you.
20:00Thank you, I feel a little better.
20:03Let us support you.
20:05And you don't go anywhere.
20:07I won't go anywhere.
20:09Enough.
20:10Cheers.
20:18Why Trivanović?
20:23Well, I wanted to know what you think
20:27about your colleague,
20:29about him as a man, as a policeman.
20:33What do you think of him?
20:35I think he's the best boss.
20:39I spend time with him every day.
20:43I can guarantee
20:45that he's a well-educated guy.
20:49I mean, he's well-educated,
20:52and I can't...
20:54How does he behave at work?
20:56Does he ever...
20:58Is he late?
21:01No.
21:03Never?
21:04Never, God forbid.
21:06It's never happened that he's late for a minute or two.
21:09How?
21:10How?
21:11Trivanović?
21:13There's no trick.
21:14There's no trick.
21:15Exactly on time.
21:17Wait, does it ever happen
21:19that during working hours
21:21he goes somewhere for a short time,
21:2315-20 minutes, half an hour,
21:25and then comes back after a while?
21:28Have you noticed that?
21:30It happens.
21:33It happens, boss.
21:36Sometimes.
21:38Okay.
21:39When he goes,
21:41does he go with a girl?
21:46No.
21:47With a woman?
21:48No, not with a woman.
21:50He goes alone.
21:52Aha.
21:53He goes alone.
21:54But he goes?
21:56He goes, let's say...
21:58Where?
21:59He goes...
22:01Sometimes he takes a sandwich
22:03that we ordered,
22:05or he goes to replace the sandwich
22:07if he made a mistake in the order,
22:09and then he goes there for half an hour
22:11to argue with them, to threaten them,
22:13to mistreat them a little,
22:16but every time he comes back
22:19with the right order.
22:23Trivanović, I'll try again.
22:26Has it ever happened
22:28that you saw your colleague
22:30who goes to work
22:33with a girl?
22:37Do you understand?
22:40I understand.
22:41No.
22:43It happens.
22:45It happens
22:47that he argues
22:50with a girl,
22:53but only if she's a pretty girl.
22:55You really don't let me down with this criterion.
22:58So, only if she's a pretty girl,
23:00or it happens with a cashier
23:02in a shop when he goes to buy chewing gum,
23:04or...
23:08It happens.
23:09It happens
23:11that he stops some girl
23:13on the street
23:15to ask her for her ID,
23:17to mistreat her a little,
23:20to show her her ID,
23:22to talk to her a little.
23:25And I've told him a million times
23:27not to do that.
23:28A million times.
23:31Trivanović...
23:35You're free to go.
23:37What?
23:39Come on.
23:41To...
23:42Yes, yes.
23:46Excuse me,
23:47if I may ask you something.
23:50Why are you asking about Trivanović?
23:53Did he do something wrong, or...
23:57Goodbye.
24:01See you, boss.
24:02See you.
24:05Goodbye.
24:06Goodbye.
24:16Huh?
24:17Look at her, man.
24:18A thunderbolt.
24:19Huh?
24:20What do you think?
24:21Do you like her?
24:22Huh?
24:23Is she pretty or not?
24:26Rich.
24:27Interesting.
24:28You see, she has an artistic soul.
24:30She plays the piano.
24:33She paints.
24:34She's an artist.
24:35She washes, bakes, cooks,
24:37does her hair,
24:38like a blue rabbit,
24:39and she's looking for a husband.
24:40What do you think, huh?
24:41Mido, slowly.
24:42I don't need
24:43some mature whore
24:45who's looking for a shoulder to cry on.
24:47Let me go.
24:48Oh, don't.
24:50You don't need one, do you?
24:52But she's a rich,
24:53mature whore.
24:55Maybe she doesn't need
24:56a shoulder to cry on.
24:59Huh?
25:00Is she pretty?
25:01Admit it.
25:02Mido, come on.
25:03Huh?
25:04She's good.
25:05She's like a painting,
25:06like a painting.
25:07I don't care.
25:08Do you know how many people
25:09turn their backs on me?
25:10Look at her.
25:11Who?
25:12Look,
25:13she's your aunt
25:14from that Millet.
25:16Cabbage.
25:18From Australia.
25:20Full of cabbage.
25:22Do you know what she did?
25:24She told him about cabbage.
25:26If he proves
25:28that he loves
25:29his girlfriend,
25:30she'll give him
25:31half a million dollars.
25:34Those plastic,
25:36Australian cabbages.
25:38Can you imagine
25:39how much she has?
25:40Wait,
25:41if he proves he loves her?
25:42Well,
25:43that surprised me, too.
25:45Half a million,
25:47half a million,
25:48if he gives her
25:49just three reasons
25:50why he loves her.
25:52Can you imagine?
25:53Half a million just for that?
25:54Well, yes.
25:57Look at her again.
25:58Don't turn them away.
26:00Huh?
26:01Interesting?
26:02She's not uninteresting.
26:04She's not, she's not.
26:05Look,
26:06I'm looking at you,
26:07I'm looking at you and her.
26:08She's hidden behind you.
26:10She'd lay down
26:11like that sack.
26:12The two of you,
26:13the two of you would get together
26:15like planks on a plank.
26:17I see, I see.
26:18Huh?
26:19I don't know,
26:20it's far away,
26:21Australia,
26:22it's not worth it
26:23to have so much beauty.
26:24Vicky,
26:25don't you hate me?
26:27You're not going to go
26:28on a dead trip.
26:29What's wrong with you?
26:30Why do you have me?
26:31Do you hear?
26:32I'm going to bring you
26:33to your feet from Australia
26:34when he sees you.
26:35He's going to panic,
26:36he's going to be scared,
26:37he's going to freak out.
26:39Excuse me.
26:42Yes.
26:44Aha.
26:45I'm coming,
26:46I'm coming,
26:47hurry up,
26:48come on.
26:49Vicky,
26:50I'm sorry,
26:51I beg you.
26:52I'm in a bad mood,
26:53and these guys
26:54can't call me on time.
26:55So now I have to do everything
26:56by myself,
26:57you understand?
26:58I have to run.
26:59Vicky,
27:00I'm going now,
27:01and you think about it.
27:03Okay, I will.
27:04Your friend will marry you,
27:05don't worry.
27:07You're not going to
27:08be alone anymore.
27:09Bye.
27:10Bye.
27:14Is this really happening?
27:15Oh no.
27:16No.
27:17No.
27:18No.
27:19No.
27:20No.
27:21No.
27:22No.
27:23No.
27:24No.
27:25No.
27:26What is this?
27:27Oh,
27:28Andrew.
27:29My wife
27:30is focused on this job
27:31and I'm not.
27:32Why do you have to
27:33do this?
27:34I have a job,
27:35I have a job,
27:36and I...
27:37I am not
27:38going to
27:39work
27:40in an empty house
27:41all day.
27:42What's this?
27:47If anyone knows what this is, it's probably Bobo.
27:58Hello?
28:00What are you doing tonight?
28:13No.
28:19Oh, I'm a legend.
28:24A legendary cleaner.
28:28Me too.
28:30Me too.
28:32I can't. This monkey. Take it.
28:37Where are you from?
28:39Where am I from?
28:42Come on, we've been waiting for you all day.
28:45We came to surprise you and to see you.
29:03Here, boss.
29:05Vicenc.
29:08You see those tables over there?
29:10Let's go.
29:12Let's go.
29:14No pixels.
29:18No pixels.
29:20Here, I'll put it down. Just a second.
29:40Mido, it's me.
29:48Tell me, when is that aunt coming to Belgrade?
29:56I don't feel well.
29:59I suppose you've lost interest in me, is that it?
30:04No, that's not the point.
30:07Okay, Milena, what's the problem?
30:10How can you ask me that? As if everything is fine.
30:13Well, maybe it's not fine, but I thought we could get along.
30:17Me too.
30:19And then I realized that she made chaos out of my life.
30:22Well, whatever you say.
30:24What?
30:26Welcome, I'm glad to see you.
30:28Yes, welcome, I'm glad to see you.
30:31I'm glad to see you, but you surprised me a bit, so...
30:35I'm sorry.
30:37I suppose it's a pleasure.
30:39Pleasure, yes.
30:41You surprised me.
30:43I'm glad to see you.
30:45I'm glad to see you.
30:47I'm glad to see you.
30:49I'm glad to see you.
30:50You surprised me.
31:04Milena Kupus is in charge of everything related to aunt.
31:09Not me.
31:11Yes, yes.
31:13Okay, go ahead.
31:15Ask around a bit, so we can see.
31:17I will, I will, don't worry.
31:19She'll ask and I'll tell her.
31:21Okay. If there's any news, let me know, okay?
31:41Open it.
31:47No.
31:57No, she's not coming at all. Laura is my partner.
32:00Okay, okay, then I'll personally call the studio
32:03and tell them she's not credible enough to negotiate at all.
32:06My sincere advice is not to do that.
32:08Yes, yes, of course, of course.
32:10To protect her and...
32:12You leave me no choice.
32:17You leave me no choice.
32:27I've already organized the whole party.
32:30Crazy party.
32:32You know how we get along here.
32:35Don't you hear me?
32:48I was at Luka's.
32:50Again.
32:52I don't understand the question.
32:55I mean, Akica wanted to stay and drink with him,
32:58so I took him.
33:00Why don't you take Akica to the park to play with your dad?
33:18What's the only reason she comes here so often?
33:22I think she wants to get Luka back.
33:43Milena?
33:45What happened?
33:47I don't know.