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00:00:00You
00:00:30It's the frogs croaking in the pond the moment I thought you thought it's certainly not like you Charles I thought I heard voice well of course you did it was the frogs darling the frogs
00:00:54Now I can't sleep anymore I'm going downstairs for a book now what's this the light bulb is burnt out again
00:01:24Oh
00:01:54Oh
00:02:24Oh
00:02:54Oh
00:03:24Oh
00:03:54Oh
00:04:24Oh
00:04:39My
00:04:43Beautiful jewels here you are at last inspector his lordship and I were sleeping upstairs quietly
00:04:49Well, that's right. I insist on knowing what the police are going to do about it
00:04:52I beg pardon my lady for years now the frog and his gang have been running right meanwhile our police do nothing
00:04:58I shall complain to sir Archibald
00:05:00That is a good idea. My lady
00:05:03Charles is he making fun of me Charles now, sweetheart
00:05:06The police are all trying to do everything they can yes to make sure the frog can do just as he pleases
00:05:11He does whatever he wants and they trust me up like a chicken me
00:05:15Why they even put a gag in my mouth and he does whatever he wants
00:05:19And then of course he left no clues did he yes my lady his sign as usual you see
00:05:26his receipt for stolen goods
00:05:31Wait for me here James very well, sir
00:05:45Excuse me, let me through please
00:05:49Inspector what is it this time?
00:05:58You must look for a man who hears frogs when they croak at night
00:06:19I
00:06:49I
00:07:20Lady Farnsworth has lodged a formal complaint. Sir Archibald. That's all we need
00:07:26Clues no same as usual. Nothing
00:07:34This morning I received a call from the ministry
00:07:37They want me to supervise your work more closely
00:07:40What did you say? Yes, I know you're hard of hearing on that side
00:07:49Now look hedge I've naturally is in the past great confidence in you and I'll do all I can for you
00:07:53But it's getting more and more difficult. Yes, I know sir, and we must be careful about public opinion
00:07:59Yes, I know sir, then, you know what they expect from Scotland Yard, eh?
00:08:05Yes, sir, as always they expect us to solve the case
00:08:10And so you see hedge we've simply got to have results
00:08:13I'll do all that I possibly can sir. And by the way, I heard from Higgins
00:08:17Yes
00:08:18He has spent an entire year in trying to establish contact with the frogs men and tonight
00:08:23He will enter the organization as a member
00:08:33It'll be long before we get there. No, we've arrived already. So the frogs in that building, what is it? It's an abandoned cement factory
00:08:44You
00:08:56One moment pal you sure you want to go through with this or this is what I've been waiting for
00:09:02It's painful when he brands you with the sign of the frog
00:09:04But after that, you'll be one of us and if you work you'll pick up a pile of dough. That's what you say
00:09:09It's true
00:09:11If you get caught don't worry number seven will fix it for you
00:09:14You boys are pretty smart. You bet we are and there are more and more of us over 300. We're really organized chief
00:09:22No one knows him personally. We lieutenants bring him new guys guys like you
00:09:27And he will probably give you a special job kind of job
00:09:31the rub out
00:09:32He'll want to break you in, right?
00:09:41Okay, 33 chief I bring a new one
00:09:46Roll up your left sleeve
00:09:51Now stretch your arm out
00:10:05Don't wipe it off let it bleed go in and turn left
00:10:11You
00:10:20Close the door
00:10:23Close it tight and bolt it now turn around. I want to see what you look like
00:10:33All right
00:10:36Your number is K to nine seven K to nine seven, okay
00:10:41What's my assignment? Are you always in such a hurry when it's for money always?
00:10:47You see the photograph of this young man he lives in Lansmore eight and a half miles from London his name is Ray Bennett
00:10:54here his sister Ella
00:10:56remember her face I
00:10:58Have plans for her and no one to stand in my way if you see a man hanging around Ella Bennett kill him in gold
00:11:04Blood but what for you're not here to ask questions. How do I know you'll pay?
00:11:08Behind you on the table. There's an envelope. It contains a hundred pounds and instructions as to how you should make your reports
00:11:15Remember treachery means death. Okay chief pick up the envelope
00:11:22Hands up, I'm inspector Higgins of Scotland Yard the jigs up
00:11:39Oh and that case will get someone else
00:11:53He was one of our best men
00:11:56They certainly didn't kill him here. It looks like a poison gas job. There are no signs of violence
00:12:03Well, he was probably thrown out of a car here stop move along sir, well, I can't do both at once
00:12:10George
00:12:14Always let him through. Oh, is he? He's a wealthy American who has more money than they can handle. Oh
00:12:21He's a nephew a searchable. It's different any ideas Barclay? Yes
00:12:26His shoes have been carefully wiped off and his clothes. Yes, you're right. Now, let's see
00:12:32So as his hair and his beard yes
00:12:38In the corner of his mouth
00:12:40There is something
00:12:43What is it, sir?
00:12:46Don't touch
00:12:48Looks like cement dust. Well inspector discovered anything discovered. I'm not Christopher Columbus
00:12:54You amateur detectives always expect the police to make discoveries. Don't you?
00:12:59That depends sometimes we find the solution before the police do how clever
00:13:06Well James
00:13:09It's obvious sir
00:13:11Here the left shoe has a rubber sole the right hasn't
00:13:15I'll follow these tracks and get a look at the man. No, you stay here. You may find more clues
00:13:28I
00:13:58Can I give you a lift? Thanks. I'd rather walk the big suitcase. It must be very tiring. Where are you going?
00:14:05Lance. Well, that's right on my way
00:14:08Hop in I'll drive you
00:14:15Give me your suitcase. No
00:14:18I'm sorry. I'm sorry. I'm sorry. I didn't mean it. I didn't mean it
00:14:23I'm sorry. I'm sorry. I didn't mean it. I didn't mean it
00:14:25I didn't mean it. I didn't mean it
00:14:28I
00:14:58Didn't mean it
00:15:00When father finds out you haven't been to the office, he'll explode. Yes. I know
00:15:04Why don't you just mind your own business and leave me alone?
00:15:07Anyway, he won't get home before tonight by then. I'll be here officially see. Oh
00:15:12Boy, get a look at that wagon
00:15:14Wow
00:15:16Thanks, Ray. It's father
00:15:20Thanks so much how nice that you're home so early for once
00:15:28Hello father, why aren't you in the office? The office was closed because of the funeral. How do you do?
00:15:38I've got to go to town to buy a few things for dinner
00:15:42How do you do? My name is Richard Gordon. Oh, hello. I'm Ella Bennett. I'd like to thank you for bringing my father home
00:15:48It's a great car. You mind if I drive around the block? I'll be right back. You'll do nothing of the kind
00:15:59My
00:16:01Brother's wild with cars. It's better not to encourage him too much
00:16:05Ray you don't drive well enough yet. Where did you hear that? Just let me at the controls. I'll show you if I can drive
00:16:11It's your car, isn't it? No, I wish it were I'm just breaking it in for a customer
00:16:18I'll be glad to do it for you. Well
00:16:21Your father wouldn't like it. Oh
00:16:29You
00:16:54Shouldn't have let him borrow it after this
00:16:56he won't be happy till he has one of his own,
00:16:58and he's far too reckless to own a car.
00:17:00But Miss Ella, since your father's always so strict with him,
00:17:02why not let him have a little fun?
00:17:04And me too.
00:17:05You?
00:17:07Well, while your brother's amusing himself,
00:17:08I can take advantage of the opportunity
00:17:10to enjoy the pleasure of your company.
00:17:12Oh, you seem extremely sure of yourself, Mr. Gordon.
00:17:27♪♪
00:17:32Wait, Miss Ella, I'll go with you.
00:17:34I hope your car isn't smashed.
00:17:35Heh, if it is, we'll repair it.
00:17:37After all, it's my business.
00:17:38And what'll happen if the owner finds out?
00:17:40Absolutely nothing. He's a charming fellow.
00:17:43When he learns that I've made the acquaintance
00:17:45of such a delightful young lady,
00:17:47he'll probably be glad to hear it.
00:17:49Your father has an unusual personality.
00:17:52Is he always so quiet?
00:17:53Yes, especially when he comes back from a trip.
00:17:57I see. Does he travel often?
00:17:59Sometimes he's gone for days.
00:18:02Why do you ask?
00:18:03-♪♪
00:18:20Ah!
00:18:21-♪♪
00:18:24Ah!
00:18:25-♪♪
00:18:34Is he dead?
00:18:36No.
00:18:37He's breathing normally. He's just knocked out.
00:18:40You have enemies?
00:18:43I don't know.
00:18:44I suppose I do.
00:18:46Ah!
00:18:47Oh, Lord!
00:18:48The sign of the frog!
00:18:50-♪♪
00:18:53Inspector.
00:18:54Huh?
00:18:55They've brought another suspect, sir.
00:18:57My master takes the liberty of sending you a frog
00:19:00for your collection.
00:19:01He captured it in the woods near Lansmore after a fight.
00:19:04And here are the photos I found on the specimen, Mr. Commissioner.
00:19:07I'm just an inspector.
00:19:08If you say so, sir.
00:19:09Remarkable how few people seem to realize I'm just an inspector.
00:19:12All right, now, Mr. Frog.
00:19:14Now, who are they?
00:19:15Don't be ridiculous.
00:19:16I won't talk.
00:19:17May I take the liberty to point out, sir,
00:19:19that one is a picture of Miss Ella Bennett, sir,
00:19:22and the other is her brother?
00:19:24Take him away.
00:19:27And put him in cell 11.
00:19:30Very well, inspector.
00:19:31This specimen specializes in the gentle art of knife throwing.
00:19:34His technique is far more advanced than any of the others.
00:19:37He's a very good fighter.
00:19:39His technique is far from perfect, thank heaven.
00:19:42He's what you'd call a gay blade.
00:19:44Say, tell me, why do you talk so fancy?
00:19:47I was taught, sir.
00:19:48I graduated from the butler's academy.
00:19:50Come loudly, no doubt.
00:19:51Now, tell me, was his behavior in any way out of the ordinary?
00:19:54I should say so.
00:19:55He was in very gay spirits, and he kept repeating, sir,
00:19:58that a certain number seven would get him out of prison.
00:20:03Number seven?
00:20:09Brushes, shoe polish, key rings, matches.
00:20:13Shoelaces, brushes, key rings, shoelaces.
00:20:24Any better, Ray?
00:20:34Good morning.
00:20:35Ah, good morning, Mr. Craig.
00:20:38What a beautiful day it is today.
00:20:40Just the right weather for...
00:20:41For work.
00:20:42For work.
00:20:52He asked why you didn't show up yesterday.
00:20:54I don't give a damn what he says.
00:20:56Now, look, Ray.
00:20:57You shouldn't have thought like that, my boy.
00:21:01How is your charming sister?
00:21:03She complains just as much as my father.
00:21:05They all pick on me all day long.
00:21:06Ray.
00:21:07Except you, Mr. Johnson.
00:21:08I tell you, if it weren't for you...
00:21:09I know you would have left here long ago.
00:21:11But remember, you've got to work for a living.
00:21:13And there's a boss no matter where you are.
00:21:15Yes, but not like this one.
00:21:16He's not a man, he's just a machine.
00:21:18I won't be quiet.
00:21:20I'm not afraid of him.
00:21:21Wait, I'll show you.
00:21:22Please.
00:21:24Ray.
00:21:25I'm going to ask for a raise.
00:21:26Someone has to make a start.
00:21:31Mr. Maitland.
00:21:32Yes.
00:21:33I know you're the boss.
00:21:35But I'm a human being after all.
00:21:37You never even speak to us.
00:21:39But now you're going to have to say something.
00:21:54Well, to make it short...
00:21:57I want a raise, Mr. Maitland.
00:22:00Get out.
00:22:04But Ray, that's no way to do it.
00:22:35Matches.
00:22:36Hairbrushes.
00:22:37Shoe polishes.
00:22:38Earrings.
00:22:39Shoelaces.
00:22:41Earrings.
00:22:43Shoelaces.
00:22:44Matches.
00:22:45Brushes.
00:22:46Shoelaces.
00:22:47Sewing needles.
00:22:48Matches.
00:22:49Shoelaces.
00:22:50Needles.
00:22:52Matches.
00:22:55I dream Rex.
00:22:57Shoelaces.
00:23:05Shoelaces.
00:23:12Here, show me your permit, Gramps.
00:23:14I hear the voice of authority.
00:23:16Now, that's all right.
00:23:18Now, I know you wouldn't be peddling without a permit.
00:23:20Just be sure you don't bother anyone now.
00:23:23I don't bother anyone.
00:23:35Now, there's really no reason for you to be so angry.
00:23:38I've come here to put in a good word for the lad.
00:23:41Ray's such a very gifted boy.
00:23:43Yes, he's brilliant.
00:23:44He's so bright that he's lost three jobs in the last six months.
00:23:47You don't know what Maitland's like.
00:23:49Ray had really nothing to do with it.
00:23:51And when he finally does come back to the house,
00:23:53please don't be too strict with him.
00:23:55He'll find another position, I'm certain.
00:23:58Father.
00:23:59I'm afraid I'll have to run along now.
00:24:03I want to thank you for coming.
00:24:05I know you meant for the best.
00:24:07I hope that I've been able to be of some help,
00:24:11even if only in a small way.
00:24:14Good night, Miss Ella.
00:24:16Good night.
00:24:22I'm afraid I'll have to run along now.
00:24:24I want to thank you for coming.
00:24:27Now go to bed, Ella.
00:24:29Shouldn't I wait up for Ray, Father?
00:24:32Go to bed.
00:24:57I'm afraid I'll have to run along now.
00:24:59Good night, Miss Ella.
00:25:02Good night.
00:25:24Be quiet, and nothing will happen to you.
00:25:26I have plans for you.
00:25:28I want to take you away with me.
00:25:30Not now, later.
00:25:32When the time has come, you will give me your answer.
00:25:34And if you refuse, I shall force you to yield.
00:25:37Here.
00:25:38Now you will know you are not just dreaming.
00:25:49Father!
00:25:53Father!
00:25:54Father!
00:25:56What is it?
00:25:58What's the matter? What is it?
00:26:01The frog!
00:26:02The frog was here!
00:26:09All right, Rex, go and eat.
00:26:12Your master can take off his disguise.
00:26:28There's one more thing.
00:26:29Our man has an astonishing capacity
00:26:31for assuming all possible types of disguises.
00:26:34But I don't understand why he wears the frog mask.
00:26:37I wish I knew myself.
00:26:39It must be uncomfortable.
00:26:41Well, sir, perhaps he has a scar he's ashamed of.
00:26:44That's much too simple.
00:26:46No, James, there's someone else.
00:26:48There's one name that keeps occurring to me.
00:26:50No one else could be such a master of burglary.
00:26:53Harry Lyme.
00:26:54Yes.
00:26:55And it's worth investigating.
00:26:56Then we're fighting with a ghost, sir,
00:26:58since Harry Lyme is dead.
00:26:59Yes, I know it, but I still...
00:27:01I think you're wrong not to believe
00:27:02in the death of Harry Lyme, sir.
00:27:04His mutilated body was discovered
00:27:05in a railroad accident over five years ago, sir.
00:27:08They were able to identify the body
00:27:09by the papers they found.
00:27:10Yes, yes, yes, I know.
00:27:12Nevertheless, I wonder if the papers
00:27:14really belong to that body they discovered.
00:27:25♪
00:27:55♪
00:28:25♪
00:28:50What are you doing here?
00:28:51How did you get into the house?
00:28:54Through the door.
00:28:55Sir, your humor's quite out of place.
00:28:57Who are you, anyway?
00:28:59Miss Bennett knows me.
00:29:00I must admit that I, uh,
00:29:02am in a rather embarrassing position.
00:29:06Will you please leave this house at once?
00:29:10I see.
00:29:11Miss Bennett has requested you to go.
00:29:13Yes, I'm not hard of hearing.
00:29:17Don't touch me, you hear?
00:29:18I must tell you something.
00:29:21When I begin something,
00:29:22I make a point of seeing it through to the end,
00:29:24especially when the person involved is one I...
00:29:28like so much.
00:29:31♪
00:29:49Miss Ella,
00:29:50I do not know what role this young man plays in your life,
00:29:53but I wouldn't trust him if I were you.
00:29:55He is not worthy of your confidence.
00:29:57Please, don't be angry with me.
00:29:59I only want to be alone.
00:30:01Wouldn't it be better if I stayed a while?
00:30:03Perhaps you will come back.
00:30:05It was very nice of you to take me home,
00:30:07and I do appreciate it.
00:30:08Thanks for all you did for me and Ray.
00:30:10You're very sweet.
00:30:11Oh, so...
00:30:13Listen, Miss Ella,
00:30:14you're his sister, after all,
00:30:15and may be the only one who can help him
00:30:17overcome his childish attitude.
00:30:19I'll do what I can.
00:30:21Thank you once again.
00:30:22I hope you succeed, Miss Ella.
00:30:24Goodbye.
00:30:25And if you need me,
00:30:27call on me.
00:30:36Is he her father?
00:30:38Or isn't he?
00:30:41I've been asking the same question, sir,
00:30:43but I haven't found the answer.
00:30:50Oh.
00:30:51How do you know who it was I was talking about?
00:30:53If I may take the liberty of saying so, sir,
00:30:55the pleasure you take in the company of the young lady
00:30:57is somewhat too noticeable
00:30:58under the present circumstances.
00:31:01Oh.
00:31:02That's true.
00:31:04Well, that's enough for today.
00:31:05Very well, sir.
00:31:07A mutilated body,
00:31:08which was found with all identification papers intact.
00:31:12James,
00:31:13there's something fishy here.
00:31:14I think so, too, sir.
00:31:15And the accomplice of Harry Lyme,
00:31:16with whom he operated his racket,
00:31:18disappeared at exactly the same time, too.
00:31:21Ah, I regret, sir,
00:31:22but for a full-dress party at the Duchess's,
00:31:24that hardly seems the right tie.
00:31:26Thinking too much about that frog.
00:31:28Or about that curious accomplice of his,
00:31:30who hasn't even been heard of since the accident.
00:31:32Nevertheless, sir, I think...
00:31:38Women and children
00:31:39are the two worst pitfalls there are for a man.
00:31:41Well, is that one of your maxims?
00:31:45No.
00:31:46It was a famous criminal who said that,
00:31:48a master in the business.
00:31:49He's dead.
00:31:50Harry Lyme.
00:31:51Ah, yes, quite right.
00:31:54Know the name?
00:31:55As a novelist, I'm familiar with all these names.
00:31:58Hmm, that's quite an unusual coincidence.
00:32:00As a matter of fact,
00:32:02I'm looking for a name.
00:32:04It's that of his partner.
00:32:05Did Harry Lyme have a partner?
00:32:07Yes.
00:32:08Also a master in the business.
00:32:11In any case,
00:32:12we know what he looked like.
00:32:14They sang.
00:32:15But the fellow had a cleft chin.
00:32:17Ah?
00:32:18Something like this?
00:32:21Perhaps.
00:32:22I've never seen him.
00:32:25They also say that he had a strange tattoo.
00:32:28A mark on his right wrist.
00:32:30A frog.
00:32:33Careful, you'll stain your cuff.
00:32:38Oh, it's nothing.
00:32:39There are many ways of removing a frog.
00:32:42Oh, it's nothing.
00:32:43There are many ways of removing such marks.
00:32:48What does he want from the girl?
00:32:52I've been turning it over in my mind.
00:32:54It simply doesn't make sense.
00:32:55It's rather complicated, isn't it?
00:32:57A man who's committed dozens of murders
00:32:59and defied the police for years
00:33:01should find it easy to kidnap her.
00:33:02But he seems to want her to come to him
00:33:04of her own free will.
00:33:05A good thing for us.
00:33:07What?
00:33:08Yes.
00:33:10Why is it a good thing for us?
00:33:12In my opinion, the frog has made his first slip-up.
00:33:15Women and children are the two worst pitfalls there are for a man,
00:33:19as good old Harry Lyme used to say.
00:33:22Just a moment.
00:33:25Yes?
00:33:26Ella Bennett just called in. No news.
00:33:27Ah, thank you.
00:33:29That girl certainly has courage, hasn't she?
00:33:31Yes.
00:33:32She has great strength of character
00:33:34and won't submit in spite of all the man's threats.
00:33:36So, he'll be forced to use some other means of persuasion.
00:33:40Now, if I were the frog,
00:33:42I believe I would try to get at her through Mr. Bennett, Jr.
00:33:53Excuse me.
00:33:54Can you tell me the way to the Lolita Bar?
00:33:56Third turn to the left.
00:33:57Thank you.
00:34:06It's number one there yet.
00:34:30Don't ask stupid questions. Keep your eyes open.
00:34:32Wait for us over there.
00:34:36Thank you.
00:35:04Good evening, sir.
00:35:05Good evening.
00:35:10May I help you, sir?
00:35:11I've received this letter asking me to come by here.
00:35:14Oh, Mr. Bennett.
00:35:15I've been expecting you.
00:35:17You're a lucky young man, you know.
00:35:19Miss Lolita wants to meet you personally.
00:35:21If you don't mind waiting a few minutes.
00:35:23This way, please.
00:35:28This way, please.
00:35:30Right over here.
00:35:32Now, this is a perfect take.
00:35:34You'll see everything perfect.
00:35:36Sit down, would you please?
00:35:38Now, what can I offer you?
00:35:40Oh, thank you.
00:35:42You're our guest tonight.
00:35:43I don't know.
00:35:45I might take a cognac, all right?
00:35:47Oh, come on. You might as well enjoy yourself.
00:35:49I'll bring you a bottle of champagne.
00:35:50The best quality.
00:35:51And your cognac, of course.
00:35:53Will that be all right?
00:35:54Yes, whatever you say.
00:35:56Fine.
00:36:04Thank you.
00:36:34Hey!
00:36:35Hey!
00:37:03Hey, you there! Stop!
00:37:04Hey, there! Stop!
00:37:05Stop!
00:37:10Come along.
00:37:11Let me go!
00:37:13What do you want with me?
00:37:14I didn't do anything.
00:37:15Tell it to Scotland Yard.
00:37:22I might have known it'd be another frog job.
00:37:26I know you, Inspector.
00:37:28You know much more than you let on.
00:37:30No, I don't, I'm sorry to say.
00:37:32If I knew more, I'd be a genius.
00:37:33But I'm no genius, I'm just a policeman.
00:37:35I won't stand for this, do you hear?
00:37:37Now, what are they dragging in?
00:37:39I don't understand.
00:37:40What's the world coming to when a decent man can't go to work in peace anymore?
00:37:43Oh, tempo moris, et cetera, yes, of course.
00:37:45Decent work like safe-breaking, is that it?
00:37:47I'm a working man.
00:37:48Oh, a working man. And where do you work?
00:37:50In the Lolita Bar. I work the lights.
00:37:52Ah, a light man. You mean you're light-fingered, don't you?
00:37:55I've got to go. The show's about to begin.
00:37:57It's about to begin without you. Well, that's show business.
00:38:00First thing tomorrow morning, he goes to Central Prison.
00:38:02Take him yourself, Barkley. See if you can make him talk.
00:38:05Yes, sir.
00:38:06I guess I will pop over to the Lolita Bar.
00:38:33Nachts im Nebel an der Temse
00:38:38Darf man nicht alleine sein
00:38:44Hinter tausend Hafenfenster
00:38:49Zieh dein heißes Leben ein
00:38:54Eng umschlungen voller Sehnsucht
00:39:00Flüstert man das erste Du
00:39:05Und die Nebel von der Temse
00:39:11Decken alles andere zu
00:39:17Würdest du mit starken Armen
00:39:21Dich erbarmen
00:39:24Und mich nehmen, wie ich bin
00:39:26Ging ich gern mit dir dorthin
00:39:29Nur musst du wissen
00:39:32Ich hab beim Küssen
00:39:35Nur den Rausch und nicht Treue im Sinn
00:39:39Nachts im Nebel an der Temse
00:39:44Brauch ich einen Mann wie dich
00:39:49Und du sollst mich nie vergessen
00:39:55Komm mit mir und küsse mich
00:40:15Nachts im Nebel an der Temse
00:40:21Zeig ich dir ein Paradies
00:40:26Komm nur mit, du sollst mir sagen
00:40:32Ob ich dir zu viel verhieß
00:40:45Excuse me, sir, but evening calls are compulsory.
00:40:48Ah, if it isn't Lou Brady.
00:40:51And such elegance. The last time I saw you, you were wearing stripes.
00:40:57But Inspector Hedge, you wouldn't want to interfere with my work, would you?
00:41:02Not as long as you work in a harmless place like this.
00:41:05But since I saw you last, I've gone straight.
00:41:07Oh, did I hear rightly?
00:41:09Be careful, Brady, you're slipping.
00:41:11Now what do you look at me like that for? Where's your sense of humor?
00:41:15Tell me, how much longer will I have to wait?
00:41:18I'll take you to Miss Lolita immediately.
00:41:20Please excuse me, Inspector.
00:41:32Can't you even wait a minute till I'm dressed?
00:41:35I can, sure, but the kid's getting impatient.
00:41:38What's he like?
00:41:40You saw him, I pointed him out to you at his table.
00:41:42Yes, but I mean...
00:41:44Since when do you ask questions?
00:41:46All right.
00:41:49Here we go.
00:41:51Wait till Junior gets a look at this.
00:41:54You can come in now.
00:41:59Good evening.
00:42:02Good evening.
00:42:08Ray Bennett?
00:42:10Yes, Ray Bennett.
00:42:12Give me a light.
00:42:14Yes, here.
00:42:19Thanks.
00:42:23Won't you sit down?
00:42:25Yes, thanks.
00:42:30Well, Mr. Bennett,
00:42:32a good friend has recommended you to me as a very valuable collaborator.
00:42:36And now that I see you, I think he was right.
00:42:39Really? I'm glad.
00:42:41I'm afraid that I've little experience.
00:42:43Don't be so shy, Mr. Bennett.
00:42:45You're more competent than you think.
00:42:46You've got great charm.
00:42:48It's true, you attract women.
00:42:50I know what I'm saying.
00:42:52I mean it, really.
00:42:54You're not aware of that fatal charm of yours.
00:42:57You're a man that girls should be frightened of.
00:43:01Miss Lolita, I...
00:43:03When could you begin?
00:43:05Right away.
00:43:07Good.
00:43:09I like men who make rapid decisions.
00:43:11And now listen to me.
00:43:13I'm so sorry, Inspector.
00:43:14Now I'm at your disposal.
00:43:16What will it be for you?
00:43:18Bond or a brunette?
00:43:20That's humor.
00:43:22Now tell me, Brady, how many light men do you employ here?
00:43:25Well, two, but one didn't show up tonight.
00:43:28His name?
00:43:30The Mills.
00:43:32Look for a new man.
00:43:34He won't be back tomorrow night, nor for quite a while yet, Brady.
00:43:36Why not?
00:43:38When grown men play at leapfrog,
00:43:40sooner or later they break their necks.
00:43:44Good night, my friend.
00:43:46Good night, Inspector.
00:43:57What do you want with me?
00:43:59You're an important man for us.
00:44:02You won't make me talk.
00:44:04Number 7 will get me out.
00:44:06Number 7 will get me out.
00:44:09You can't make me talk.
00:44:11Oh, no?
00:44:13If I...
00:44:15If I should talk.
00:44:18It'd make things easier for you, chum.
00:44:37That was no accidental collision.
00:44:39That was deliberate.
00:44:40It's bad.
00:44:42Give me a hand.
00:44:44Be careful.
00:44:46Milder's hurt.
00:44:51Careful with him there.
00:44:53Oh, easy there.
00:44:56I hope he's not seriously hurt.
00:44:59Inspector Hedge wants a confession out of him.
00:45:01Too bad, sir.
00:45:03I'm afraid this man won't be able to confess now.
00:45:05He's dead.
00:45:07Yes, quite.
00:45:08But I must say you deserve congratulations
00:45:10for getting rid of our only key witness.
00:45:12Inspector, I'm sorry that I...
00:45:14Yes, but that won't bring Mills back to life.
00:45:17I'm afraid your promotion
00:45:19will be held up for a while.
00:45:21Sir?
00:45:23I have a family.
00:45:25Well, I'm afraid he can't blame us for that.
00:45:27Of course I can't, Inspector.
00:45:29Now, please go outside and wait for me.
00:45:31Give him a last chance.
00:45:33Ah, Barkley.
00:45:35Hold on a second.
00:45:36The frog in cell 11's playing hard to get
00:45:38and won't talk.
00:45:40Perhaps you can make him open up.
00:45:42Who, me, Inspector?
00:45:44It would redeem you, Barkley.
00:45:46Thank you, sir.
00:45:48I will do what I can.
00:45:50We will lock you up with him in cell 11
00:45:52for a while.
00:45:54We're making a spy out of you, Barkley.
00:45:56I don't mind, sir.
00:45:58I'm doing it for my promotion.
00:46:00And for your family.
00:46:02That too.
00:46:04A likable young chap.
00:46:06Good morning, Uncle.
00:46:08Hello, Inspector.
00:46:10Ah, an important visitor.
00:46:12You here, Richard?
00:46:14Well, that's a pleasant surprise.
00:46:16Have a seat.
00:46:18You know I never bother you in your office,
00:46:20but things seem to have come to a standstill.
00:46:22I'm not making progress.
00:46:24Well, perhaps I should leave you two alone to talk.
00:46:26No, please stay with us, Inspector.
00:46:28Come, sit down.
00:46:30Gin or whiskey?
00:46:32Nothing for me, thanks, Uncle.
00:46:34What's on your mind?
00:46:37Well,
00:46:39who is John Bennett?
00:46:42Do you know anything at all about Mr. Bennett?
00:46:47Yes, we have a few facts.
00:46:49For example, a certain Richard Gordon
00:46:51was seen hanging round his house.
00:46:53And we are also aware
00:46:55that Mr. Bennett has a beautiful young daughter,
00:46:57Mr. Gordon.
00:46:59Strange as it seems, Inspector,
00:47:01I happen to have noticed that.
00:47:03Mr. Gordon.
00:47:04Inspector.
00:47:06You are on the wrong track.
00:47:08If you want to do something for Ella Bennett,
00:47:10you would do better to forget her father
00:47:12and investigate her brother.
00:47:16Brushes, safety matches.
00:47:18Brushes.
00:47:21Safety matches, key rings,
00:47:23shoe polish.
00:47:25Brushes.
00:47:27Who are you, anyway?
00:47:29Are you deaf, too?
00:47:31No, sir, not deaf, only blind.
00:47:32Well, most people are as good as blind.
00:47:34Give me some matches.
00:47:36They may light up the situation.
00:47:38Here.
00:48:01Shoe polish, brushes, key rings,
00:48:03needles and thread.
00:48:05Shoe polish, brushes,
00:48:07Earrings.
00:48:08Naturally, we have a reservation for you, Mr. Maitland.
00:48:11Best in the house.
00:48:13This way, please.
00:48:16This way.
00:48:28Say, who's the big shot?
00:48:29Maitland, the multi-millionaire. He's the one who owns the whole place.
00:48:32Oh, now I see.
00:48:37In the fog on the Thames, I'll show you a paradise.
00:48:47Just come with me, you should tell me if I've promised you too much.
00:49:08Bravo! Wonderful!
00:49:13Say, Brady, why do you want to give up such a fine job?
00:49:16What's that, Inspector?
00:49:18Well, you're breaking in your successor, young Ray Bennett, aren't you?
00:49:22You got a new light man yet?
00:49:24Yes, yesterday.
00:49:37Thank you, it's very sweet of you.
00:49:47Champagne, Charlie. Two glasses, please.
00:50:07You're such a marvelous woman.
00:50:09Thank you.
00:50:10She's the most exciting woman in the world.
00:50:12You're right, she's unique.
00:50:13Isn't she?
00:50:14You were never more beautiful.
00:50:19You really mean that?
00:50:20Absolutely.
00:50:23What's wrong with you?
00:50:24Tell them to leave you alone.
00:50:26Oh, you're jealous, how sweet.
00:50:28Jealous? Out of those clowns.
00:50:30Now look, dear.
00:50:32Ray!
00:50:33You're wrong to act like that, you must trust me.
00:50:39Miss Lolita, I should be honored if you'd be my guest tonight.
00:50:43Lolita is with me.
00:50:45Oh, I'm so sorry.
00:50:47I simply won't have you interfering with business.
00:50:49Well, it's just more than I can stand.
00:50:54You're sweet.
00:50:56Sorry, I couldn't help it.
00:51:04You can't come in like that, mister.
00:51:06I must ask you to remove your overcoat.
00:51:13Come here at once, Ray.
00:51:21You're coming home with me.
00:51:34Come with me to the house.
00:51:35Why should I?
00:51:36This is not the right place for you.
00:51:40I know much better what the right place for me is.
00:51:44You will come with me.
00:51:47At once.
00:51:48I'll do nothing of the kind.
00:51:49Go along with your father, Ray.
00:51:51Come.
00:51:52Go away, go away, go away!
00:52:03Come.
00:52:21Come, drink this.
00:52:33Thank you.
00:52:41Taxi.
00:52:42Right away, sir.
00:52:52Mr. Maitland, what's the matter?
00:52:55Parkway in Kensington, please.
00:53:04Ray, darling.
00:53:06Come on, sit down, drink another glass.
00:53:08There you are.
00:53:25Ray.
00:53:29How many women have you loved in your life?
00:53:31I've already told you.
00:53:32But I want you to tell me once again.
00:53:35Lolita, how often do I have to say that I've never loved anyone but you?
00:53:39I never will love anyone but you.
00:53:41You must believe me, it's the truth.
00:53:45Ray, my darling Ray.
00:53:58Ray.
00:53:59Ray.
00:54:01Would you do anything for me, Ray?
00:54:03Anything.
00:54:04Anything?
00:54:05There's nothing in the world I wouldn't do for you.
00:54:07Kiss me.
00:54:20Ray!
00:54:21Ray!
00:54:29It would be better if you didn't go, Ella.
00:54:32I know you're waiting here for Ray, but you can't help him.
00:54:35And he's not coming.
00:54:36Why not? Has he left London?
00:54:39No, he hasn't, but...
00:54:41Please, you must believe me, you can't help him.
00:54:43Let me take care of him.
00:54:45You?
00:54:46Yes.
00:54:47I've already told you that once I start something, I see it through to the end.
00:54:52I've also told you why.
00:54:57Ella, I wish you'd have a little more confidence in me.
00:55:01I know it's not only your brother who's in danger.
00:55:03You are too.
00:55:08Ella, you must trust me.
00:55:18Ella.
00:55:22I trust you.
00:55:26Come with me.
00:55:47Dog!
00:55:53Don't make a move, Maitland, or the dog will be at your throat.
00:55:56Now walk up those steps.
00:55:58Open the door.
00:56:04Now go to your desk.
00:56:06Faster.
00:56:11Sit down.
00:56:13Leave your hands on the desk and don't make a move.
00:56:17Your time has come, Maitland.
00:56:19What do I care?
00:56:21I'm ready to give up now.
00:56:23Never a moment's peace.
00:56:25I'm tired of never being able to say a word.
00:56:27I don't give a damn for your money, Frog.
00:56:29Nor my life.
00:56:31Here.
00:56:32You want the whole thing?
00:56:34You want to pull a job at the Tracy Company on Saturday?
00:56:37All right.
00:56:38There.
00:56:39Downright.
00:56:40There.
00:56:41Downright.
00:56:42There.
00:56:45Swine.
00:56:47You can't turn back, Maitland.
00:56:56Now, now.
00:56:57Who?
00:56:58No.
00:56:59This is the warden's office, yes.
00:57:01The alarm?
00:57:02You say it's a prison break?
00:57:04Yes, I see.
00:57:05Yes, right away.
00:57:08Why did you let the man get away?
00:57:10Well, he had a police pass and a name of Leonard Barclay.
00:57:12It seemed legitimate.
00:57:14Good God, Barclay.
00:57:18Give me the handcuff keys.
00:57:21Are you hurt?
00:57:23I don't think so.
00:57:25Get him a drink.
00:57:27Barclay, when did a thing like this happen?
00:57:30I thought he was about to talk, sir.
00:57:32When suddenly he grabbed me by the throat and tried to strangle me.
00:57:35Here's the whistle, sir.
00:57:37Well?
00:57:38I don't know.
00:57:39I had my handcuffs in my pocket and I guess he saw them.
00:57:42You would have done better to bring your gun.
00:57:44I did, but he took it away from me.
00:57:46What?
00:57:47He took it away from you?
00:57:50Uh-huh.
00:57:51Are you as slow as all that?
00:57:55Yes, but unfortunately, whatever I told you doesn't get us anywhere, Sergeant.
00:57:59Well, I am sorry, sir.
00:58:01Now we're no further than before.
00:58:03No.
00:58:04Well, who knows?
00:58:05Who knows?
00:58:07We may have something.
00:58:10Come in.
00:58:11Excuse me, sir.
00:58:12The lab reports on the Jetsy case have disappeared.
00:58:14What?
00:58:15Why, they were locked up in my closet.
00:58:17What?
00:58:18I don't know.
00:58:19I don't know.
00:58:20I don't know.
00:58:21I don't know.
00:58:22What?
00:58:23Why, they were locked up in my closet.
00:58:25Yes, Inspector.
00:58:26Thank you.
00:58:28Hedge, what is going on here?
00:58:31Well, sir, perhaps Scotland Yard has its own frog.
00:58:35That's impossible, Hedge.
00:58:36Who knows what is impossible or not?
00:58:39For instance, if you led a double life, you could be the frog.
00:58:44Hedge!
00:58:46One of these days, this dreadful case will be cleared up.
00:58:50Then I'll have to face the question of how to promote you in view of your unprofessional attitude.
00:58:55Well, you'll face that question very soon, sir.
00:58:57Also, do you have any new leads?
00:59:00Yes, sir.
00:59:01Sergeant Barclay, you've had a rough time the last few days, haven't you?
00:59:06Yes, indeed.
00:59:07I'm afraid so, sir.
00:59:08I think a little time off would do you good.
00:59:10Today is Friday.
00:59:12Today is Friday?
00:59:14Take yourself a long weekend.
00:59:15Yes, yes.
00:59:16Come on.
00:59:17Your wife and children will be glad to see you.
00:59:19Take a rest.
00:59:20Come back Monday morning.
00:59:21Well, thank you, Inspector.
00:59:22I appreciate it.
00:59:23Don't mention it.
00:59:27He's a likable young chap.
00:59:29By the way, a duplicate of the lab analyses is locked in my safe.
00:59:33Thank God.
00:59:34What is my promotion status now?
00:59:38Speaking.
00:59:39Don't ask who I am.
00:59:40My name is unimportant.
00:59:41Listen carefully to what I have to say.
00:59:43The Frog is planning a big job.
00:59:46Frog planning a big job.
00:59:50At the Tracy Company.
00:59:51At the Tracy Company.
00:59:53Saturday evening at 12.30.
00:59:55Do you think it's a trap?
00:59:57Perhaps, but it may be our last chance.
00:59:59I'll take all precautions.
01:00:11I'll take all precautions.
01:00:31My name is Hedge.
01:00:33I've wanted to meet you for a long time, Mrs. Barkley.
01:00:36You and your children.
01:00:37My name is Swift and I have no children.
01:00:40I mean, Mrs. Swift, but don't the Barkleys live here?
01:00:44Mr. Barkley does, but he doesn't have any family.
01:00:49No family at all?
01:00:50No.
01:00:51And I certainly ought to know.
01:00:54Mrs. Swift!
01:00:59Number seven.
01:01:10Too bad, Barkley.
01:01:12You're the only one number seven won't be able to help.
01:01:19Never did like that fellow Barkley.
01:01:40Won't you tell me what we're doing here?
01:01:48You promised me that you wouldn't ask any questions.
01:01:50All right.
01:01:52Hey, where are you going?
01:01:54To put on some music.
01:01:55I feel like dancing.
01:01:56It's after hours, mister.
01:01:57Say, are you serious?
01:01:58A little dance music won't hurt anyone.
01:02:00Hands off.
01:02:01It's too late, sweetheart.
01:02:02Come on.
01:02:11What's wrong, Lolita?
01:02:12There you go again, asking me more questions.
01:02:14Oh, but Lolita.
01:02:41Help!
01:03:02Number 11.
01:03:03Here.
01:03:04Is the coast clear?
01:03:06For the moment, chief.
01:03:07Everybody else in the corridor?
01:03:09And no noise.
01:04:10Put a cord in the jukebox.
01:04:11Hurry.
01:04:12But we're not supposed to.
01:04:13Do as I say.
01:04:14I want to dance.
01:04:21Good Lord.
01:04:22That's the warning for the frog.
01:04:23Let's go.
01:04:28This way, men.
01:04:29Let's get out of here.
01:04:30We've been betrayed.
01:04:31There they go.
01:04:33There they go.
01:04:38Don't let him get away.
01:04:55Hands up there.
01:04:57Get back to the wall.
01:04:58All right.
01:05:00Fire.
01:05:01Fire.
01:05:02Fire.
01:05:06He's getting away.
01:05:09Five of them are seriously wounded.
01:05:11And our men?
01:05:12Sergeant Long was killed.
01:05:14My God.
01:05:15And three men wounded.
01:05:17All right, you frogs.
01:05:18Out with it.
01:05:19Let's hear your voices.
01:05:21I'd give my right arm to know who managed to drop a coin in that jukebox to set off the alarm.
01:05:27Well?
01:05:29Maybe you'll remember before you're all hanged.
01:05:31Take him away.
01:05:53And so I decided I'd better call you right away.
01:05:55He asked me over last Sunday and I came all right.
01:05:57But he didn't come and now my key doesn't open his door anymore.
01:06:00And there was such an awful smell in the place.
01:06:02Give me your skeleton key.
01:06:07Get back.
01:06:08Open the windows.
01:06:15Gas.
01:06:16Poison gas.
01:06:17What a horrible crime.
01:06:19And on a Sunday, too.
01:06:21Indeed, a shocking death.
01:06:23Pull yourself together, man.
01:06:24You weren't murdered.
01:06:52James?
01:06:53Sir?
01:06:54Will you take this to the camera store and tell them I must have it in perfect working order by tomorrow morning?
01:06:59Very well, Cecil B. DeMille.
01:07:00Never mind the humor.
01:07:02If I may make so bold as to ask you, sir,
01:07:04what in the world made you go to work in a sordid bar as a light man on the night shift?
01:07:09I want to throw a little clean light into a dirty joint.
01:07:12Yes, sir, I understand.
01:07:13However, if I may take the liberty of saying so,
01:07:15I find the expression a trifle vulgar.
01:07:19Take it easy, James.
01:07:20Adopt the Zen Buddhist approach.
01:07:21Very well, sir.
01:07:22But might I ask just one more question?
01:07:24Well, if you must.
01:07:25You wish to put a motion picture camera in the bar.
01:07:28Yes, and I'm going to place it in this little box right here.
01:07:31It's connected to this photoelectric cell.
01:07:33Suppose the room is dark and someone turns on the light.
01:07:36Here, hold this.
01:07:38I'll show you exactly how the thing works.
01:07:40Oh, do please, sir.
01:07:42See, the camera starts up automatically.
01:07:44It takes motion pictures of everything that happens in the room.
01:07:47If you don't mind, sir, I'd like to voice the fervent hope
01:07:50that nothing too shocking is going to transpire.
01:07:54That's just exactly what I'm hoping for, Socrates.
01:08:05Me and the frogs gang?
01:08:06That's right, the same as us, Boy Scout.
01:08:08Yes, we know you're a born comedian.
01:08:10Stop playing innocent.
01:08:11You're responsible for having tipped off the frog with the jukebox music.
01:08:15And the police know all about it, boy.
01:08:17Now I get it.
01:08:18Well, I must say, it took you plenty of time to catch on.
01:08:21You'll have to change your identity.
01:08:24Here are some papers in the name of Bill Carter.
01:08:26From now on, you're going to have to work for the frog, but without Lolita.
01:08:31Good luck, Bill Carter.
01:08:37Lights!
01:08:42Where do you think you're going?
01:08:43To the police.
01:08:44Oh, no, you don't.
01:08:45Put them up.
01:08:46Turn around.
01:08:48You've worked for the frog.
01:08:49You belong to the gang now.
01:08:51Go on.
01:08:55You little rat.
01:09:17There.
01:09:18That'll hold them, I guess.
01:09:25But, frog, I was following orders.
01:09:28You told me to...
01:09:47You fire those shots.
01:09:49Hands up.
01:09:50Hands up and don't make a move.
01:09:53Come on, come along.
01:09:54You quiet like a...
01:10:05Yes?
01:10:06Ella, your brother is in danger.
01:10:08If you want to know any more, call me.
01:10:10I'll take care of it.
01:10:11I'll take care of it.
01:10:12I'll take care of it.
01:10:13I'll take care of it.
01:10:14Ella, if you want to know any more...
01:10:16What happened to Ray?
01:10:17He's been arrested.
01:10:18Come to the path in the wood at once.
01:10:20Where shall I come?
01:10:21On the forest road near the big old tree.
01:10:23Yes, I'll be there.
01:10:44What's happened to my brother?
01:10:46He's been arrested.
01:10:48He's committed a murder.
01:10:49No!
01:10:50Bill Carter is your brother, Ray.
01:10:52He will be tried and sentenced to hang.
01:10:54Only you can save him.
01:10:56I have a witness.
01:10:57A woman who knows that your brother is innocent.
01:11:00But before I let her testify, I want you.
01:11:02And I want you to come to me of your own free will.
01:11:05When you decide to, put a lamp in your window.
01:11:07No, never!
01:11:08Then Ray Bennett must die.
01:11:10Because his sister didn't want to save him.
01:11:14You bastard!
01:11:26The morning papers give a lot of spice to the murder committed by Bill Carter.
01:11:30They're pretty rough on us, sir.
01:11:32Please bring me the daily mail.
01:11:37Good morning, uncle.
01:11:38Any developments concerning the murder in the Lolita bar?
01:11:41Have you at least picked up any new clues?
01:11:43Who is this Bill Carter?
01:11:44Bill Carter is in reality Ray Bennett.
01:11:47Are you out of your mind, inspector?
01:11:49It would be better if I were.
01:11:51Unfortunately, I'm not.
01:11:52I've just received a call from Ella Bennett.
01:11:54The frog told her that her brother would be killed if she refused to give in to him.
01:11:58We advised her to grab a taxi and to come here at once.
01:12:01Come in.
01:12:03Daily mail, sir.
01:12:04Thank you.
01:12:06Ray Bennett, a murderer?
01:12:08No.
01:12:14Yes, what is it?
01:12:15Bill Carter admits that he wanted to shoot Bridie and he can't remember anything that happened.
01:12:20Thank you.
01:12:21You heard what he said.
01:12:23I still don't believe it.
01:12:24I'll find a way to get him out of this.
01:12:26When Ella Bennett gets here, please ask her to wait for me.
01:12:30Richard!
01:12:31Ella!
01:12:33Richard!
01:12:34Ella!
01:12:35My brother is in danger.
01:12:37The frog...
01:12:38Yes, I know, Ella.
01:12:39And I'm doing my very best to prove your brother's innocence.
01:12:41He is innocent.
01:12:42I'm absolutely sure of it.
01:12:43Now go to Sir Archibald's office and wait there for me.
01:12:53Please don't let me through.
01:12:54Come on, we'll go by the back way.
01:13:02Wait here for me, James.
01:13:32Get the others.
01:14:02Get him!
01:14:33Hey!
01:14:52All right, get them in the cellar, quickly.
01:14:55Grab him!
01:14:57Over here!
01:14:58He's heavy, huh?
01:14:59Good.
01:15:02This way, men.
01:15:04Look out there!
01:15:32I know, sir, they'd be glad to see me hang with Bill Carter.
01:15:48Well, not quite.
01:15:49However, the commissioner minced no words when he spoke to me.
01:15:53I can understand the commissioner.
01:15:55What can the public think of the police?
01:15:57Maitland is only a figurehead.
01:15:59The alarm is set off by a jukebox.
01:16:01Mills is dead.
01:16:02Everett has vanished.
01:16:03Barclay's a frog.
01:16:04And now Gordon and his butler can't be found.
01:16:07All we have to go by is the ballad about Johnny.
01:16:10What are you driving at?
01:16:11Well, sir, you know the legend of the magic flower, don't you?
01:16:14Our little boy Johnny used to wander from sunup to dusk, rain or shine, over hill and vale, through village and countryside, searching for some magic seeds.
01:16:22Perhaps they were cement dust.
01:16:24Hedge!
01:16:25You found a new clue?
01:16:26Yes, I most certainly have.
01:16:27By Jove.
01:16:28Sir, I wonder if you'd be good enough to grant me a favor.
01:16:30Would you please use all your influence to keep it out of the papers?
01:16:33Especially everything pertaining to Bill Carter.
01:16:35His father must not find out the truth.
01:16:37No one should know that he's Ray Bennett.
01:16:39I shall certainly do that for you.
01:16:41I thank you, sir.
01:16:42Come in.
01:16:44Inspector, there's a character out here who seems to be terribly excited.
01:16:47He's got some story about the frog.
01:16:51Yes, let him come in.
01:16:52Yes, sir.
01:16:56How do you do?
01:16:57Inspector, look at this.
01:16:59Read this letter.
01:17:00Isn't it dreadful?
01:17:04When did this come?
01:17:05Now, just a little while ago.
01:17:07Sir Archibald, take a look at this.
01:17:14Sergeant, gunman on the roof.
01:17:15Have your men surround the block.
01:17:19Now at least we know who the frog is not.
01:17:21What do you mean?
01:17:23You, Sir Archibald, can't be the frog.
01:17:25I'm flattered.
01:17:26Why would he want to murder me?
01:17:29He's a homicidal maniac.
01:17:32I don't know about that.
01:17:34Sir, it's time for our morning calisthenics.
01:17:57Don't bother me now, James.
01:17:58I'm thinking.
01:17:59Well, bully for you, sir.
01:18:01However, under the circumstances,
01:18:03you owe it to yourself to be in shape for action.
01:18:06I may be in trouble, but I'm not out of shape.
01:18:09If you don't believe me, here's a little demonstration.
01:18:16All right, done.
01:18:19Extraordinary, sir.
01:18:20Your form's perfect.
01:18:21Quiet, James.
01:18:28Nobody.
01:18:31Still think I'm not in good form?
01:18:34Well, you've almost demolished the wall, sir.
01:18:37That breaks my heart.
01:18:39You've exposed the electrical wiring, sir.
01:18:49That's the high voltage.
01:18:53The House of Commons will resume session tomorrow.
01:18:57London.
01:18:58The reprieve requested for Bill Carter has not been granted.
01:19:01Consequently, his execution scheduled for 3 a.m. tomorrow morning
01:19:05will take place as planned.
01:19:08Birmingham.
01:19:09The industrial fair will...
01:19:11Are you leaving, father?
01:19:14Yes, my dear.
01:19:15I'll see you tomorrow.
01:19:28© BF-WATCH TV 2021
01:19:59© BF-WATCH TV 2021
01:20:24I just can't wait to see what happens when our guardian angel brings us supper.
01:20:27Give me that.
01:20:30When he steps on this, James, he'll get a hot foot that'll curl his ears.
01:20:33It'll be the shock of his life.
01:20:34Here he comes. Get out of the way.
01:20:47Here's your food.
01:20:48Look! Look there!
01:20:50Where? What is it?
01:20:58Get up!
01:21:10No!
01:21:19Leave!
01:21:28Leave!
01:21:30Smashing performance, sir.
01:21:58Mr. Executioner, you may proceed.
01:22:02May God give you courage, my son.
01:22:11Mr. Executioner, you may proceed.
01:22:28May God forgive me.
01:22:33Ray.
01:22:36Father.
01:22:47In the name of the law, the sentence must be carried out.
01:22:58© BF-WATCH TV 2021
01:23:04Where's Inspector Hedge?
01:23:05We can't find him.
01:23:07Do we still have time?
01:23:08A few minutes, Sir Archibald.
01:23:09Good. Let's go.
01:23:25There!
01:23:26Why, that's...
01:23:39So you're Old Ben.
01:23:42The Executioner.
01:23:45Did you murder Brady?
01:23:53Please answer my question.
01:23:56Did you murder Brady?
01:23:58If you did, Ray, then I...
01:24:03Look at me, son.
01:24:06Did you do it?
01:24:08The prosecution approved I did.
01:24:13No.
01:24:15You're no murderer.
01:24:17They have a different look.
01:24:20How many times I've seen the eyes of murderers before they were hanged.
01:24:26© BF-WATCH TV 2021
01:24:40Open up, Bennett. Bennett, open the door.
01:24:42Father.
01:24:43Bennett, why don't you open the door?
01:24:45The execution's been called off.
01:24:48Your son is innocent.
01:24:55© BF-WATCH TV 2021
01:25:11Yes?
01:25:12It's me.
01:25:13Richard, sweetheart.
01:25:14Yes, it's me.
01:25:15Ray was pardoned at the last minute.
01:25:17Yes, really, he's innocent.
01:25:19No, I'm here at Scotland Yard with Inspector Hedge.
01:25:21When are you coming to see me?
01:25:23Now, get there as soon as possible.
01:25:25Listen, Ella.
01:25:26You must lock all your doors and windows, barricade the house,
01:25:28and don't open to anyone before I get there.
01:25:30Do you understand me?
01:25:32The fraud will stop at nothing now.
01:25:34You're in serious danger.
01:25:39Ella!
01:25:43Ella!
01:25:44Ella, answer me!
01:25:46Ella!
01:25:49You can forget about Ella, Gordon.
01:25:51You'll never hear her voice again.
01:25:56Inspector.
01:25:57Now we're going to find out if our little boy, Johnny,
01:25:59was quite as intelligent as I thought.
01:26:22Let me out of here, you madman!
01:26:24You hear? I want to get out of here!
01:26:26You're insane!
01:26:28Quiet, you!
01:26:29No, I won't keep quiet!
01:26:31Try to escape, Ella Bennet!
01:26:33Don't give in to him!
01:26:34He's out of his mind!
01:26:36He's a betrayed madman!
01:26:38You murderer!
01:26:39You monster, you!
01:26:41You murderer!
01:26:42Let me out of here!
01:26:43Murderer!
01:26:44Let me out of here!
01:26:46Out!
01:26:47Out!
01:26:48Out!
01:26:49Out!
01:26:50Murderer!
01:26:51I have no further use for you.
01:27:00And you'll get the same treatment if you don't get out.
01:27:02You're coming with me?
01:27:03I've waited for this moment.
01:27:04You belong to me.
01:27:06No one can stop me.
01:27:07I'm stronger than anyone.
01:27:09It's me, Chief Number Seven.
01:27:11Okay.
01:27:12How did you break loose?
01:27:15Hands up, Harry.
01:27:16We've got something to settle.
01:27:18No, spread out your arms.
01:27:19I know your tricks.
01:27:21You were wrong, Harry.
01:27:23You believed I was dead, that I was killed when you shoved me off the roof.
01:27:26I can still hear your laughter.
01:27:28You wanted everything for yourself.
01:27:30Too bad, Harry.
01:27:32It didn't succeed after all.
01:27:34And I'm here now.
01:27:36You made a criminal out of me.
01:27:38I spent years in the penitentiary.
01:27:40I had plenty of time to figure out how to get back at you.
01:27:43I'll simply pull the trigger, Harry, and it'll be the end of you.
01:27:49That's what you think.
01:27:51Ella!
01:27:52Ella!
01:27:53Surrender, Frog, and come out with your hands up!
01:27:57All right, Frog.
01:27:59Now show us your face.
01:28:08Dear old Mr. Johnson.
01:28:11Harry Lime.
01:28:20Harry Lime.
01:28:46Well, Mr. Gordon.
01:28:48Try to support a family now.
01:28:50Lolita Bar will be closed for a while.
01:28:52Richard is also a very good chauffeur.
01:28:54And a good mechanic, too. Don't forget that.
01:28:57Oh, Inspector, your chauffeur took the wrong road.
01:28:59Remarkable how few people seem to realize I've been promoted to Chief Inspector.
01:29:02I guess that's because you don't have a very good press agent, Chief Inspector.
01:29:06Just a second, please.
01:29:13And what do we do now?
01:29:14You'll see, Miss Bennett.
01:29:15May I introduce Mr. Gordon, a fine fellow.
01:29:17The nephew of Sir Archibald and proprietor of the little cottage you see over there.
01:29:27Is that the truth?
01:29:28I must say I can see no reason for you to doubt the word of a Chief Inspector.
01:29:32Tell me, who are you? Really.
01:29:34Well, I'm not sure I can give a full answer.
01:29:37Oh, I have a little income, and I'm an amateur detective.
01:29:40I do all I can so as to help out the police.
01:29:43Isn't that right, Chief Inspector?
01:29:44I beg pardon?
01:29:46No one's deeper than the man who doesn't want to hear, huh?
01:29:50Sir, may I offer you my heartiest congratulations?
01:29:55James, old boy, our heartiest thanks.
01:30:05Run along, Frog. I've had quite enough of you.
01:30:14© BF-WATCH TV 2021